#like if you want to do this thing i obviously can't stop you

[hanniebaeee]

Back seat

Lee Know x fem!reader x Bang Chan

Warnings: SMUT MDNI

Genre: best friends to lovers, fluff, smut

Summary: Your best friends, Chan and Minho are fighting, and you find out why. And it leads to some very interesting back seat fun.

It was later than you throught it would be, and the rain pounded relentlessly on the windshield. Minho's face was scrunched with focus as he drove through the rain.

You sat comfortably in the back, your eyes traveling between the two men in the front. There was silence lingering in the car, the air thick with a lot of unspoken things. This was supposed to be a simple road trip, but obviously, these two were idiots, and not talking to each other.

"Minho, pull over," You snap, having had enough of this drama. "We need to talk. Right now."

"Right now? In the middle of this?" Minho asked, his eyes meeting yours in the rear view mirror.

"Now." You said firmly and he sighed, looking for somewhere safe to pull over.

"Babe, what-' Chan started, but you cut him off with a glare.

'Don't even start.' You warn him.

When Minho finally turns to face you after parking the car, you poke Chan on the shoulder, making him sigh and turn around as well.

"What's this, Y/N?" He sighed. 'Can't this wait?'

"You two could've been considerate and kept the fight for when we got home. Did you do that?" You ask and Chan falls silent.

"I'm sorry, sweetheart. I didn't mean to-" Minho stopped mid sentence as you look away.

"You guys haven't talked in two days. And you won't even tell me what this is all about," you complain. 'I wanna know. Now."

"You don't." Chan said with a force that you've never seen him use on you before.

"I'd like to be the judge of that," You said, leaning forward. "What's wrong with you two?!"

"Babe, it's nothing important." Minho assures you, reaching for your hand.

"Keep lying to me, and what happens next won't be very important too." You snap.

"Just tell her, then." Chan says, his voice so low, and resigned.

"Chan, come on." Minho is shaking his head, totally against that idea.

"She wants to know, Min," Chan says, losing his patience. "Tell her."

"We were being stupid. Nothing to tell at all." Minho counters, turning away from you.

"WHAT THE FUCK IS IT?!"

Your voice rings through the car like an alarm, and the boys stare at you. That's definitely the first time you're raising your voice at them.

"Look its-' Minho begins.

"I love you." Chan says flatly.

You stare at the two, completely blank. Minho is also staring at Chan with his mouth falling open. It looks like he wants to say something, but also wants to kill Chan.

"What did you fight about?" You ask in a voice so low, it was barely audible over the rain.

"Y/N. Drop it." Minho says, his eyes pleading to you.

"Just fucking say it." Chan scoffs.

"Chan are you crazy?" Minho looks at Chan like he's sprouted horns out of nowhere.

"Minho."

"It's nothing!'

"MINHO."

"I LOVE YOU TOO. OK? HAPPY?!"

You sigh and sit back, your eyes moving between your two best friends.

"Was that so hard, Lino?" You ask, and Minho's head snaps up so fast, he may have sprained it. "You two are the biggest idiots I know."

Chan is much more composed at this point, his eyes narrowed at you, but otherwise normal. But Minho was definitely hyperventilating.

"What? Don't pretend like this wasn't cooking for years now." You say, and Minho just turns away and stares out of the window, completely silent.

"She's right, you know." Chan says with a shrug.

"Would you shut up for 2 minutes, Chan? I beg you." Minho's voice was so low and clipped, you and Chan share a look before you lean forward and touch his shoulder.

"Can you please tell me what's wrong, Min?' You ask softly.

"I'm doing my best here, Y/N. You don't want me back there." Minho says through clenched teeth.

"What if I do?" You ask in a small voice, and your eyes meet with Chan's again. If his eyebrows go up anymore, they would definitely go off the roof.

Minho turns to face you again, and you sit back, giving him a little shrug. And that's all it took.

Minho climbs into the back with you, his eyes dark with desire and he just looked so mad. He wastes no time in pulling you towards him, crushing his lips against yours in a hungry kiss. You moan into his mouth, your hands pulling him close. You feel Chan's eyes on you both, watching with an intensity that has your heart racing faster.

Minho nuzzles his way down to your neck, placing open-mouthed kisses along your soft skin. His hands wandered down your body, finding their place on your hips, before they wander under your shirt slowly.

And he pulls back just enough to look at you for permission. You nod, before pulling him close again. The rain outside and the steam inside the car were enough to set you both going.

Minhos's hands cup your breasts so gently, and he gives out a breathy moan as his fingers brush over nipples through your bra. His head dips down, as he takes one nipple into his mouth, sucking and teasing it so gently with his tongue, over the soft fabric.

You whine softly as he fumbles with getting rid of your top and bra, and you feel his warm mouth directly on your nipple.

You look over at Chan, who's watching the two of you, his lower lip caught between his teeth. You reach out for him, and he takes your hand, pressing a quick kiss against your knuckles before moving to join you in the back.

His lips are on yours, silencing your muffled moans with his mouth. Your tongues move together, almost mirroring Minho's on your nipple. You were a little overwhelmed, feeling them both on you, the pleasure and warmth a bit too much.

Chan's hands wander down your body, and rests on the waistband of your jeans, his eyes seeking your permission silently.

"Please-" Was all you could say.

His fingers were quick, pushing your jeans and panties down your legs, and Minho helped pull them off your legs and toss them aside. He kisses you again, his lips so warm and wet and sweet.

Chan's hands are on your thighs, spreading your legs before slipping his fingers in. His fingers slide through the slick warmth of your folds and you gasp as he slips one finger, then two in. Your hips buck against his hand, as you press your eyes tightly shut.

"You're so fucking beautiful." Minho groans as his lips kiss their way down your body.

You finally see Chan and Minho working in perfect harmony, as if they hadn't been fighting the whole weekend. You whimper softly as Minho's tongue laps at your folds, humming in approval. You moan as his tongue teased your clit, sparks of pleasure ripping through you. And as his lips move lower, tongue running through your soft wet lips, you grip at his hair. He chuckles, and then slips his tongue into your slit so smoothly.

As if this wasn't enough, Chan leans forward, his mouth quickly replacing Minho's, his tongue swirling around your sensitive bud. You squirm under them, clearly overwhelmed. It's like you're floating, completely lost in the sensation.

And you have the most mind blowing orgasm you've ever had. You see stars behind your closed eyelids, as you cry out, trying to pull away as they continue to kiss and suck at you, as your core pulses.

You're panting, you can't even breathe anymore.

Minho is sitting up now, looking at you like he's so passionately in love with you, and leans in to kiss you again. You hum as you taste yourself on his lips, and you hands grip tightly at his shirt, pulling him closer.

Chan presses a kiss in the crooke of your neck, and you hold him close too.

"You good, baby?" Chan asks, his breath hot on your skin.

"So good, " You mumble. 'So good."

"You want more, love?" Minho asks, and you look at him, and nod, a soft blush spreading on your cheeks.

And when you ask him to move, he does, setting a slow rhythm. His strokes drove you crazy, so gentle, yet setting your insides on fire. Minho's hands roam your body, his fingers so gentle as he pinched your nipples.

Minho and Chan exchange looks, and Chan is quickly out of his clothes and pulling out a little foil packet from the dashboard, throwing it to Minho, and then taking another one for himself. And positioning you under him, he's in between your legs in an instant.

There's no space to move around, especially with two men who are so much bigger than you are. Chan looks at you one last time, and you nod your consent. And he pushes in, slowly, filling you completely.

The windows steamed up, as the rain continued to drum on the roof. Your nails dig into Minho's shoulder and as Chan picks up the pace. His hips slam into you with each powerful thrust. And you're falling apart under him.

Chan bends down to capture your swollen lips in a passionate kiss as he pounds into you. Your legs wrap around his waist, pulling him closer, wanting him even deeper.

"Oh God," You moaned against Chan's mouth.

"Cum for us, baby," Chan murmurs into your lips, and that's all it takes.

Chan follows suit, his own orgasm hitting him like a freight train. He collapses on top of you, struggling to catch his breath. You run your fingers through his sweaty hair, and hes moaning against your neck.

Minho is so silent beside you, that you look at him, and see that hes watching the two of you, still completely dressed.

"You're overdressed, Lino." You whisper, and his eyes glimmer darkly as he starts undressing.

And Chan sits up slowly, pulling you up with him. You give him a confused look, but he winks at you before pulling you forward again. That's when you understand what's going on.

You're on your hands and knees now. In a car. In the middle of nowhere. In a storm.

Minho positioned himself behind you, his hands on your hips and his hard length at your entrance. With a gentle push, he slides in, and you both moan at that delicious stretch. Chan's lips are on yours, as Minho takes you from behind. His steady yet relentless pace has you whining into Chan's mouth.

You cry out again as you feel Minho's fingers in between your legs, and his touch sends shocks of pleasure through your body. Within minutes, your body quakes with another orgasm, and Chan holds you tight against him as you tremble in pleasure.

Minho is crashing into his own orgasm moments later, groaning. His thrusts slow, but he's not pulling out of you. He loves the feeling of being buried deep inside you and his hands caress your hips and butt gently.

Later, when he finally pulls out and the three of you snuggle close, you can't help but giggle, realizing fully what you've just done. Chan's the first to join you. Minho's cheeks are burning red, and he tries to stay reasonable here - but one look at the two of you, he was laughing too.

Sweaty and completely satisfied, you press a hand to your mouth to stop your giggles. And when you're finally back to normal, you glance at the boys, and ask, "So, what happens now?"

Minho sighs as he starts pulling on his clothes.

"Simple. You let us take you out. And see where this goes." Chan says with a shrug.

"Is that something you'd like to consider, jagi?" Minho asks, now looking you.

"Yes. I'd like that." You say, a small smile tugging at your lips.

You look at the two of them, considering this. You've known them forever, they're your everything. Of course you never thought this would happen. But at some point of time you did wish that you'll end up with one of them, at least. But here you are. With both.

"See, I told you. You were brooding for nothing." Chan says, and Minho just huffed in annoyance.

"You never know." Minho mutters, shaking his head.

"Now you do." Chan snaps back.

"Please don't tell me this is what you two were fighting about." You say, pulling on your own clothes.

"It's exactly what we were fighting about. I told him you love us both. He was afraid of scaring you away. I knew you're my little freaky baby - you'll be up for this." Chan wiggled his eyebrows.

"Stop calling her that!"

"You didn't just call me a freak." You say, hitting him on the arm. "Lino, he called me a freak!"

Chris laughs and sits back, giving you an adoring look.

"She just let us take her right here in the car in the middle of a storm. Thats-"

"Don't say it!" You warn.

"Oh my God." Minho climbs back into the driver's seat, and tells you two to shut up.

"Lino, are you shy, baby?" You ask with a grin, leaning forward to kiss his shoulder.

"Y/N." Minho warns you, but you can see that hes trying hard not to smile.

"See, that's what I'm talking about!" Chan said, laughing.

"Channie, I swear to god."

[unhinged-waterlilly]

Hello!

Something about @/demigod-jack-hearth

Something I wanna say about this post (with my reblog on it). I wanna give a side of a story. Mine to be exact.

They were one of the first people I talked to outside of rp. They were a close friend. But that fades.

I DONT WANT THEM TAGGED IN THIS I DONT WANT THEM TO KNOW ABOUT THIS. I HAVE THEM BLOCKED. IF THEY LEARN ABOUT THIS, IT IS BECAUSE SOMEONE SEND THIS TO THEM.

Tw: sa, strong language, I'm a little bitch, please please please read at your own risk

When start this by saying Jack worries me. I've seen so many post, rp or otherwise, where they bring up extremely triggering comments...just randomly. This has happened to me too. I don't get bothered by them I've been lucky enough to not deal with most and be comfortable with what I have dealt with. I think he needs professional help. Or to talk to someone that is an adult. This is difficult for some people. But there are free therapy websites out there. I have seen them. I have participated in them. The people on the other line aren't professionals but they are people willing to listen. And adults.

It started with when I saw an rp they had with camp Sky. I can't give screenshots of that but I do have some of confronting them.

Now all good right? Yeah! I thought so too. Untill an anon confronts em.

Posts here and here

Oh...kay? What's wrong about this?

Yeah...

Actively calling out anon

Now mind me I thought they had buried this au deep deep into the ground. Wasn't until I opened Circe's blog that I realised they didn't. I was pissed. I had every reason to be. We have so few stories of male victims as it is and this 'au' was blatantly disrespectful to victims of all genders. I felt really fucking disrespected that's for sure.

Unfortunately I don't confront them. But I do vent.

Now I feel bad for this. Maybe this was dirty laundry I shouldn't have aired out. But I was just so angry I couldn't think properly. I didn't mention Jack in this post, but friends figured it out. I won't say who these friends are for obvious reasons. Also, this is a bit wrong. They thought Odysseus cheated with only Circe, and Calyspo was SA. I got that wrong, and I admit it. I only remembered that when I scrolled up our dm to take a screenshot of it.

Now I wanted to leave that convo because I wasn't in the mood for arguing, and I've learned to give people what they want, which makes em and yourself stop. My fault again.

Things happen. It leads to the apology. Now, obviously, I can't tell if an apology is genuine through a screen, and I am most certainly a pessimist. So, like, I don't think it is. Also, I'm almost certain that most was written by whoever the friend was who 'helped' em.

Sure, people can change, but not enough times do they actually. Just look on the Internet. And real life. A person like Jack, well, they've talked to me enough to know it is most likely not the case. If they were so angry at a piece of good criticism, then I don't have much hope.

Am I an angry person ? Yes. Do I think I have the right to be? Yes. Am I also a logical person? I believe so. The people I've asked think so, too. I don't dislike something for no reason. But I do dislike things. What I do like is reasons for my dislikes. With me so far?

Good. Moving on.

After the apology and after I finally got my thoughts in order, I sent them a message because they tagged me. A lot.

This is what I sent. It's emotional, but in my opinion, it also makes sense. I was mad they lied to me. I was mad they twisted the story so. Fucking. Much. Odysseus isn't a rapist and Circe isn't an innocent flower. That is not what an AU is. What was their reaction to this? Nothing. To me at least.

A mutual friend told me they sent the last half of my messages and told them that they were angry I. Didn't. Thank. Them. For. The. Apology. Take that for what you will.

Now they made another post replying to the first anon who criticized them. I've read it. And when I tell you it is so fulled with self-pity-

I haven't collected my thoughts properly about this so this is bad and more emotion than the above. but this is the basic things behind it.

1) never directly addressing what he did and constantly tell em to read the apology. Don't wanna repeat yourself. How much time is it gonna take out of your day exactly?

2) not acknowledging the fact the male sa victim. At all. They don't say anything about it. No 'my condolences'. No 'I'm so sorry that happened to you' . Not acknowledging how terrible of a thing that is. At all.

3)says they aren't gonna defend themself... and defend themselves

4) have yet to tell us who these people are. Which is just bad cuz there are people out there who are okay with this. If they were IRL friends just say that.

5) it felt just fucking dull

Maybe this isn't right. Maybe you disagree with these points. But do not tell me you disagree with the rest.

I wanna end this by saying I am victim of SA. Did I tell him this? No. Maybe I should've. I don't feel comfortable sharing it. Because remembring fucking hurts. Remembering means crying and opening the lights and either sitting or laying down on my back because I can still. Fucking. Feel. It. And I was nine.

I don't want your pity on this. I don't want you to say sorry. The people you should be saying sorry to are the people who are not believed when this happens. Feel sorry for the people who cannot report this stuff because they don't trust the people who are supposed to protect them. Feel sorry for the people who think it was their fault and they actually wanted it when they didn't. 63% of rape are not reported in females. Only 12% of child rapes are reported.

I can't find a clear fucking statistics on males.

Do you know how difficult it is for males to have any representation at all? How many male victims do you see online? Even Odysseus being regonized as one is recent. Fucking. Stop. This is more than a made up story. It means the world to some people. So this actually happen. It might mean everything. This was taken away from them from so many retellings. And a stupid fucking au.

If you want to talk about SA, wanna make a character out of it, learn about it first.

So I'm not going to forgive and I am definitely not going to forget. You can. If you want. I don't care if you do. But I ask you not to forget. Please.

I am tagging Jack's taglist

@zariahthewitch @thegroovydaughterofhestia @if-chaos-was-a-boy @the-gods-strange-children @silena-daughterofaphrodite @fabulousdaughterofhecate @weakest-son-of-sun @chaos-pers0nified @neoptolemus-achilles-son @bast-the-best26 @goddess-of-bubblegum @hispanic-child-of-hermes @gaygirldoodles @luck-is-crucial @reyna4ever @vicious-daughter-of-zeus @feral-hermes-child @oopsies-i-did-a-thing @unfortunate-daughter-of-hestia @that-girl-cupid @ariathemortal @love-lightning-forethought @emdabitchass @kaiaalwayswins @champion-of-revenge @zoe-aura-of-d3ath @itsyourboyezra @lunar-eklipso-r @pink-koi-lovejoy @that-daughter-of-athena @sleepy-as-a-song @smileyalater @gellyhelio @daughter-ofthe-moontitan @demeters-daughter-is-done @the-smart-and-the-dumb-one @trinket-snatcher @creature-under-ur-bed @burnt-out-bitxhes @cloak-of-ares @heraaaaaaaa @unproblematic-hestia @i-was-never-sane

[ssentimentals]

seventeen members as love tropes: xu minghao

enemies to lovers

'you're not mine but wouldn't you want to be?'

minghao tries is hardest to stay calm but all these higher ups are making it really hard. he turns to look at you and the sight of your hunched back and bitten raw lips makes him boil. are you two friends? no, far from it. minghao is very aware of the whole 'enemies' agenda that is happening between you both, but does he want to see you like this? nervous, agitated, scared? no. fucking hell, no. he wants to see you burning with passion, wants to see that fire in your eyes whenever you two argue - minghao feels like he's been punched in the chest when he realizes that he's ready to kill just for you to not look this scared.

'can we wrap this up?' he voices out loud, not bothering to hide his annoyance. 'i don't see any point in this.'

'it'd be wise for you to be more polite and remember who you are talking to, xu minghao.'

he sees how you cringe at this, how your hands ball up into fists at the way that man spoke to him. understanding that you are angered on his behalf warms minghao up; it feels incredibly nice to know that you care. he keeps his mouth shut, lets managers drag on about the issue and takes two step in your direction, stopping when your shoulders brush. you tense up at first, sending him a questioning glance but he only stays put to which you reply with a rejected sigh. they lecture him and then start lecturing you and minghao can't just stand still when you're obviously fuming. they are being rude to you and the words are out of his mouth before he can think them through: 'don't talk to her like that.' your sharp intake of breath kind of wakes him up and he stares ahead at all the managers, who all look shell shocked.

'you have no right to talk to her like that.' minghao pushes in a clipped tone. 'she did her best and so did i, our timing got fucked up but it's not our fault. don't speak to her in that tone.'

shortly after you get pulled away by other people and minghao is in for another 30 minutes of lecturing. by the time he finally gets out of that stuffy room, he feels like he wasted ten years of his life on nothing. he sighs, stretches and is about to turn when soft steps stop him. he knows it's you even before you call out his name.

'why did you do that?' you ask, squinting at him. 'why the sudden hero act?'

'it wasn't an act,' he says, rolling his eyes. god, he's so tired. 'but you're welcome.'

'i haven't asked for it,' you spit out, obviously angered. 'i don't need your pity.'

minghao turns around, raising his eyebrow. 'i have never pitied you,' he says strongly, feeling himself getting worked up again as some stupid side effect on you being close. 'can't you just say 'thank you' and move on?'

'i don't need your help!' you hiss. 'i haven't asked for it!'

and - only you can make minghao want to both bang his head on the wall from frustration and laugh like a maniac. he sometimes wants to step closer, pull you into his arms and... he doesn't know. part of him wants to strangle you for being so damn difficult all the fucking time, but another part wants to smash your mouths together so you can finally shut up. minghao is aware of how unhealthy it is just as he is aware of how often your gaze falls on his lips or his biceps. it's good to know he's not the only one who's gone mad. they say it's a fine line between hatred and love and for minghao right now this line is so thin that he barely see it anymore. is it the same for you? he wants to ask, but instead he says: 'why you didn't stop me then? you always could just interrupt me over there but you didn't say a thing. if you don't need my help why i was the one who you turned to when authorities came? you didn't say anything but you searched for me with your eyes, don't even try to deny it.'

five steps. that's the distance that separates you two and minghao thinks it's fitting. he can take two and then you can take two and then maybe you'll play game of chicken on that last step. but you surprise him with taking all those five steps yourself, storming onto him with fire in your eyes that he loves so much. 'you're not the one to talk, minghao. you think i don't know that it was you who asked everyone to wait up for me? who brought medicine to my team when i fell sick?' you try to push him on his chest but minghao easily catches you wrist in his, not letting you move. 'let me go.'

'that's not what you want.' he says in a calm tone that doesn't show all the hurricane which's happening inside of him.

reality of how close you two are standing dawns on you. jerkily, you try to step back but his hold on you is too strong. 'let me go,' you whisper, voice wavering. 'hao, let me go.'

hao. 'that's not what you want,' minghao whispers and lets his other hand wrap around your waist, pulling you even closer to his chest. 'tell me what you really want, angel.' he sees how you shudder at the petname and smiles, leaning in. he lets go of your wrist, locking his arms around you instead. 'you can go if you want.' he leans in, brushing your noses together. 'or you can stay. and i can never, ever let you go. which i think is what you actually want.'

it's brave. it's bold, it's brazen and - it works. your body sags in his arms and you hide your face in his neck, hugging him back. 'prick,' you mutter into his neck, raising goosebumps where your lips touch his skin. 'self absorbed asshole.'

'yeah,' minghao easily agrees, hugging you tighter. 'prick, self absorbed asshole that i will never, ever let you go.'

a/n: this one is a bit vague but i couldn't figure out how to write this for the live of me. i hope this was okay? let me know! - nini

my seventeen works are here

my formula 1 works are here

[in1-nutshell]

TRANSFORMERS ONE IS OUT! Unfortunately, I couldn't watch it in theaters because work and money is a bit tight right now. I can't wait for this movie to come out in YouTube Movies to watch it. Since we both know it's obviously gonna have a sad ending, do you mind if I added a bit more sadness in this request? Orion Pax has a younger sibling that he raised named Buddy. Buddy loves both Orion Pax and D-16 as a family. Buddy is willing to bite some ankles if anybody was mean to someone Buddy cares about. Buddy is also tagging along with them in the adventures, much to Orion's dismay and dread. I heard there is gonna be a fight between them at the near ending. Buddy is horrified and scared that those two bots that Buddy considered their family is now fighting each other as enemies. Buddy begs and screams at them to stop, but Optimus and Megatron obviously won't. When Optimus and Megatron shoot each other at the same time, in a moment of panic and terror for their loved ones - Buddy jumps in between them and get hit by both of their shots accidentally that immediately offlined Buddy. They both stopped fighting in shock and grief. Buddy's death was the final straw between Optimus and Megatron's relationship. When Megatron and Optimus went in their separate ways, they both knew the war had begun. Characters: Orion Pax, D-16, Bumblebee, and Elita-one. Please and thank you!

Trying to get the TF1 fics out a bit early so we have something to read.

Hope you enjoy!

Slight mention of spoiler in the movie

Bot Buddy being Orion Pax's younger sibling

SFW, Platonic, Familial, Angst, Character death (you have been warned!), Cybertronian reader

TF1

Buddy was one of the youngest miners in the group.

They did get some special treatment from certain bots but was otherwise expected to act just like everyone else.

One bot in particular took interest in the younger bot.

Orion Pax was his name.

He saw a lot of himself in the younger bot and offered his companionship.

The younger bot quickly latched onto him faster than rust.

It didn’t take long for them to fall into a sibling dynamic.

Soon D-16 was introduced.

D-16: “So let me get this straight. You saw them and decided to be their friend and the next thing you know your siblings?” Orion: “That’s pretty much it.” D-16 shakes his helm in good humor. D-16: “Sometimes I can’t with you.” Buddy swings their arms around him and Orion. Buddy: “Get used to it D! You’re one of us now!” D-16: “As long as you’re not like this rusty bucket its fine.” Orion: “Hey!” Buddy chuckles: “Don’t worry about that D.” 2 weeks later… D-16 watching Buddy trying to drop kick Darkwing after he ‘accidentally’ knocked their energon cart. D-16: “Primus… they’re worse…” Orion pats D-16 on the back. Orion: “Yep… want to help them out?” Both mech’s wince seeing Buddy get punched in the chassis. D-16: “…Fine.”

Buddy always kept their brothers on their pedes with their antics.

Always kept them both on alert.

Buddy loved to randomly jump on their shoulders or try and pick them up.

Despite their antics, Buddy was a good miner and even managed to do something most miners couldn’t do.

Get on Elita-One’s good side.

No one knows what exactly happened between them both for Buddy to get a bit of favoritism.

Elita refuses to elaborate and Buddy likes to see bots squirm for the answer.

Buddy hands Elita a spare jetpack. Elita: “Buddy I already have a jetpack.” Buddy: “We’re going to need it.” Elita raises an optic but ignores it. Later… Elita: “… How did you know—” Buddy: “The jetpacks are old Elita. Its only a matter of time before someone falls from a faulty one.” Elita pats their helm. Elita: “When I get promoted, I might just ask to move you to be my assistant.” Buddy: “No! I don’t want any more work!” Elita: “Too late, already considering it.” Buddy: “Orion tell her to stop being mean!”

Buddy was helping Elita get used to her new role in waste management when they saw who was on the Iacon 500.

They cheered for their brothers with everyone else.

The bot let out a yelp when they saw D-16 get hurt, but quickly smiled seeing Orion try and help him to the finish line.

…Too bad Chromia won the race.

Good news, Buddy was now a couple shanix richer from the betting pool.

 While they were heading to the med bay to go see Orion and D-16, they quickly hid seeing Darkwing picking them up and leading them somewhere.

Orion and D-16 talking to B-127 when something big falls on to the conveyer belt and jumps off it. Buddy dusts themselves from the junk. Buddy turns and waves at the bots. B-127: “New friend!” Orion and D-16: “Buddy!?” They both go over to Buddy looking for any injuries. Buddy: “Hey quit it! I’m not dying!” Orion: “What are you doing here?” Buddy: “Well I was going to the med bay to congratulate you two, but Darkwing got to you first. Then I had to wait a while until the coast was clear and find out where you were sent. It’s kinda fun going through the shoot though.” D-16: “What you did was—” B-127 pushes D-16 out of the way and shakes Buddy’s servo. B-127: “Hi there! I’m B-127, or you can call me B or—” Buddy: “Wait! I can be B and you can be BB!” B-127: “Or maybe we can go by the Double B’s!” B-127 and Buddy start chatting up a storm. Orion: “What just happened?” D-16: “I don’t know but I don’t like it…”

Orion catches Buddy up on the new information on Alpha Trion.

Buddy is ready to go.

Orion and D-16 try to get them to stay, but Buddy ends up joining.

They are having a blast climbing the crates inside the train as Orion tries to get Elita.

Buddy stared long and hard at the landscape when the group reached to the surface.

Is sprinting with B-127 the moment the giant rock formations start getting closer.

Grips Orion and D-16’s servo when they all get tossed out of the train.

Their chatting and B-127’s chatting makes the other older bots consider gagging them for the remainder of the trip.

When reaching the cave of the fallen Prime’s, they gently hold D-16’s servo as they silently mourn for Megatronus Prime.

Hides behind Elita when Alpha Trion comes back online and nearly decks Orion in the face.

Cries a little bit seeing what Sentinel had done to the other Prime’s.

They deserved so much better than that fate.

Absolutely seething with D-16 when the group sees Sentinel giving the Quintesson’s THEIR hard earned energon.

Once everyone gets their T-cog’s, Buddy is the first to try and transform… unfortunately they did not get it the first time.

The group was running down the hill. Buddy’s helm gets tucked into their frame. Buddy: “I CAN’T SEE! I CAN’T SEE!” Orion starts laughing Orion: “HAHAHAHA—AAH WHERE’S MY HEAD?!”

Buddy gets a bad feeling about D-16 when he starts talking to Orion but brushes it off as stress.

They hoped they were right, especially after he admitted to wanting to terminate Sentinel.

Don’t get them wrong, they absolutely hate the bot now, but to go so far as terminate him?

It didn’t seem right.

Was the first one to get tased and wake up.

They get excited the second they see Starscream, Shockwave and Soundwave.

B-127 and Buddy both tell the other’s who the High guard were.

An excitement that quickly turns into frightened when they see D-16 beating up Starscream.

They tried to get to him, but the crowd wouldn’t let them.

Buddy looked over at Orion, both sharing the same look of worry and fear for their brother.

They end up getting captured by Arachnid with B-127 and D-16 after the explosion.

Orion is riddled with guilt the second Elita tells him that Buddy, D-16 and B-127 were captured with some of the high guard.

Thankfully, he and Elita made a plan with the remainder of the guard to help get the others and bring Sentinel to justice.

Back at Iacon…

Buddy was in between D-16 and B-127 on the ground, restrained as Sentinel prattled about having them executed.

They felt their spark stop for a second when D-16 stood up.

Arachnid had to restrain them when Sentinel started branding Megatronus’s face on D-16’s chassis.

Buddy kicks the spider in the back of one of her legs. She lets go. The younger bot then kicks Sentinel in the back of his knee joints before helm butting him. Snetinel staggers back a bit. They stood in front of D-16 with fury in their optics. Buddy: “Touch my brother again and I swear I will send you to Primus myself!” Many of the captured bots looked in surprise at the young bot protecting the fallen miner. B-127: “Buddy just stay down!” D-16 tries to stand up the second he sees Sentinel start to move to them. D-16: “Buddy get out of the way!” Buddy: “Fat chance!” Buddy tries to kick Sentinel again, but this time the Prime grabbed their pede and with a swift movement twisted it. SNAP! Buddy: “AAAAHHH—” WHAM! Sentinel punched Buddy across the face sending them skidding across the floor. D-16: “BUDDY!” He glares at Sentinel. D-16: “Stop! Your fight is with me!” Sentinel: “No, they made it personal when they helm butted me. Its time to make an example.”

Thankfully the train had just crashed into the building.

Orion hops out and helps D-16 and Buddy up.

Orion briefly thinks on punching Sentinel in the face but is quickly drowned by D-16 yelling that he was going to terminate Sentinel.

Buddy tried to tell Orion that something was wrong, but their older brother was gone, off to tell everyone the truth about what Sentinel did.

They did their best in battling the other guards with their bad pede.

The bot screamed in horror when they saw D-16 and Sentinel going off the edge.

It took them a while to get to where the fight was.

They remembered seeing D-16 holding an extremely injured Orion over the edge of a dark hole.

They didn’t remember screaming, but their voice box started glitching when they saw D-16 let go of Orion’s servo.

Elita and B-127 were by their side holding them tightly, afraid they would try and jump off the ledge to get to him.

Buddy remembered looking at D-16 giving his speech.

Their audial winced when he called himself ‘Megatron’.

They had to close their optics for a second, not believing they had seen a newer version of Orion, now calling himself Optimus Prime.

The two former brothers fought.

Megatron and Optimus were on the ground wrestling the former’s fusion cannon. They barely registered the sounds of pedes coming closer. Megatron: “Let go!” Optimus: “Never!” Suddenly the cannon went off. A scream. THUD! Both mech’s look over and see Buddy’s frame laying on the ground…so still. Optimus quickly gets off Megatron and runs to Buddy. Optimus: “Buddy!” Optimus gets to the frame. Buddy’s optics were offline and there was a smoldering hole in the middle of their chassis where their spark was supposed to be. Optimus gently cradles them. Optimus: “Buddy! Buddy please! Buddy… please… don’t…” He gently hugs the limp frame, not caring in that moment if Megatron blasted him. Megatron just stood up and stared. He wanted to scream. To yell. Megatron wanted to hug his little sibling frame and pray to Primus that this was not happening. Optimus gently places the frame down, stands up and looks at Megatron dead in the optics. Optimus: “Take the High Guard and go. You are banished from Iacon.” Megatron starts walking away but stops for a moment to take one last look at Buddy’s still frame before yelling for his troops to follow him.

There was a small funeral held for Buddy.

 Optimus made sure to hold it together in front of the others.

But Elita and B-127 caught him alone, sobbing with a picture of Buddy, Orion, and D-16, smiling, without a care in the world.

The two bots held their leader tightly as he continued to sob.

Megatron mourned for Buddy in private.

It was only right.

He cried in silence holding a picture of him, Buddy, and Orion Pax on their first day of mining.

In the safety of his habsuite, he could cry all he wanted before his Decepticon’s expected him to come out with a rally cry.

[writerfae]

Okay, so now that I'm awake: The mighty Willow dying, am I right?

Let's think about this! First off: Why is it dying, because I personally wouldn't want to give the Willow Court the Alder Court backstory, sooo...

But regardless, it's dying. And Callan has to sacrifice himself

The thing is that the whole court would be devastated, because Callan's a great king plus he's the baby they prayed for the moon goddess to save!

And imagine his friends! Rhys would lose his best friend!

Imagine Amelie!

And, of course: Henry...

I can't decide if Henry would accept Callan's decision or try and keep him from going through with it. I mean in the end he would surely realize that it's the only way to save the court but I could see him having a brief "I'm not letting you do this" panic moment.

And afterwards Henry just cries and cries and holds Callan in his arms. And Aiden would I think try to comfort him the best he can, but...

Another great angst idea:

Same concept but with the royal willow siblings! Because then here's what I think could happen:

All three of them arguing over who gets to sacrifice themselves and I can imagine a heartbreaking scene where:

Celene and Tamlen are arguing, Celene claiming that she should do it because she is the queen and the oldest, Tamlen arguing that that is precisely why she shouldn't do it, and he'll do it instead... and while they're arguing, Nolan sneaks over and does it himself 😭😭😭

Haha do you truly were coming back for this xD

Okay, so hypothetically the Willow could die. All mighty trees can if their spirit or the tree itself get damaged. It doesn’t have to be like with the Alder court.

So this would be the backstory for this scenario.

But like maybe someone who isn’t the king could try to pull a Rook on the Willow (obviously they would fail, but they could damage the Willow enough for it to fall sick) or someone would find a way to like poison it or something.

And I totally see your ideas! Really delicious angst! With Callan doing it cause it has to be done and his friends and family grieving him. Henry especially, obviously. He’d only let Callan do it if it’s the last chance they have, knowing he cant stop his beloved from doing what he put his mind on.

But let me raise you this: Callan sacrificing himself after Henry died. Callan, at this point an old king with grown up kids, grieving the loss of the love of his life.

Him sacrificing himself to the Willow not only cause he’s the king and this is the best and last service he can do for his people (especially his children, the one thing from Henry he still has), a death of far more use for them than one of heartbreak. But also because then he doesn’t have to live without Henry anymore.

I also like the idea to do it with the siblings. I could see them arguing about who will do it, all trying to keep each other safe. Also, I agree that if one of them were to do the sacrifice, Nolan would do it. He’d be best suited.

The poor siblings though. In both scenarios…

[gloveslut]

oda died. chuuya has no idea.

babe, i'm back. ... hey, what's going on?

i'm leaving.

you're what? 'samu, did something happen?

stop fucking using that tone. or my name.

what the fuck? can you explain?

explain what?

everything?!

you knew it was only a matter of time. i don't know why you act surprised.

you don't wanna talk about it?

no.

...where to?

none of your business.

but osa- listen, you swore you wouldn't- ever-

i didn't swear shit to mafia.

...fuck no. that's not how you talk to me, you fucking piece of shit.

get off of me.

you're leaving me too! you swore shit to me!

you're nothing more than one of my mistakes.

i know you're lying, fuck, what's gotten into you?

i'm not lying, i can't bear even looking at you now.

but why? dazai, it's unfair to-

oh, and you're always fair to me? i know you're seeing someone else.

...who? tell me who told you that and i'll rip them apart, because it's fucking bullshit.

you're bullshit. all of you. it's your nature. quit playing the victim.

this is ridiculous-

and what are you gonna do about it? beg for me to stay? again? aren't you tired?

you know what? i am. because saying shit like that out of blue is too low, even for you.

i need to pack my things, get out of my-

who's blood is that? the hell is-

mine! it's mine cause i felt uneasy! stop sniffing around, you're not helping!

this doesn't look like- like- you know, there's too much of it, dazai, i don't understand-

you don't need to understand, chuuya, please, stop trying to get closer. you're not special. i'm not gonna take you with me so we can run off into the sunset.

but you can't do it completely on your own, god, are you even here with me?

i'm the one thinking critically right now. i can get killed otherwise, and i'm not gonna be alone.

...you can't just throw it at me like that. can i at least know when it started?

when what started?

well, your falling out? i guess i should've seen it coming with the way you hated introducing me to literally anyone.

i'm not here to fight about it with you.

but you accused me of cheating first thing i came in, idiot!-

i'm not- i was talking about him.

who? ...odasaku? ... fuck, i'm sorry for assuming- whatever, you do realise he's not gonna be here for you forever?

...chuuya, please.

i'm not trying to scare you off and obviously i'm not any better but-

please stop. some... people were here, but they left, and it's not so bad. it's gonna be fine and we're gonna find the best place to hide, i don't care what you think of it, we're gonna be- fine-

honey... i didn't mean to make it worse, it's o-

no it's not! you know nothing about me or my friends, i'm begging you- just- fuck off-

i know it's hard and-

don't touch me! ... god, just go away.

...so you mean it.

yes. i fucking do. now leave. you can get suicidal and stick around this burnt house as long as you want later.

...fuck you. i can't stand you anymore.

oh yeah? news to me.

yeah, cause i fucking loved you! i put everything i had eating me from inside away and stayed with you up untill this point. i made my whole life evolve around you. jesus, i even grew my hair for you!

uh-huh.

and guess what! i never fucking liked it this way. i barely got anything out of whatever we had going on. you didn't even wanna give it a name. cause i'd eat it up. and i did.

right.

fuck, dazai, can't you have a heart for a minute?

yeah no, not around someone who thinks of me as crazy, but thanks.

i don't- what the fuck are you talking about?

all the... nice treatment you gave me was always based purely on the fact that i'm fucking broken and that you should fix me. not only it's incredibly fucked up, you also just can't. you always play god here and there but you don't carry the power of one, not even close.

now, i didn't even-

chuuya, please. i'm asking kindly. i can easily get it over with, but i don't think it'd be either rational or pleasant for you.

...just like this?

yeah. just like this. if you can't accept that you're not needed, then you earn all the hostility. i'm done with all this shit. let us both finally have peace. ... that look doesn't exactly evoke peaceful feelings in me.

i... i have so much to say, to- to ask before- and there's not enough time- huh, it seems like it's never the time. i don't know if i should waste my chance, though.

i mean, if you realise how useless all of our conversations ever were...

...

woah. okay. ... one last question.

if you promise to never talk to me again, go on.

...did you- it's hard not to- ...well, i know someone died. i just have to know, are you the cause?

yes and no. unfortunately, i didn't get to kill anyone this time. but i'm also at fault. great one. i'm at hurry. so may i be excused? ... you better not show up in my life later on. not necessarily because you're so distractive, it's just the way it- it has to be. have fun around here, but be cautious. you never know where your line's gonna end. or when you're gonna lose someone. i guess it would be even more heartbreaking to you, 'normal people'.

wait, are you saying-

i thought you stopped bothering me. ...nevermind. do whatever you want.

i can't believe you're doing this to me.

please, move.

dazai- baby, i was only trying to-

now, you shut it and let me go or i'll slit your throat with this shiny thing. ... cool. oh, and... your letters or anything like that will never reach me. we have nothing to discuss. nothing that is worth the effort. i also think you said everything you wanted to. ...thank you- for, uh, not whining too much. see you in hell.

[darkcrowprincess]

@rweoutofthewoods

*Got inspired to write this little scene for your fic prey*

"What about a constellation/star name like my family does?" Regulus offers. At the sound of his voice, James comes into the loo to check on him. James stills and leans on the doorframe at the sight of the(his?) Omega.

Regulus Arcturus Black is for once calm( it's telling by the sweet content smell coming from him), soaking in the tub of warm mineral bath water. Most of Regulus' body is hidden by the water, you can only see Regulus arms and head leaning on one side, laying on a bath pillow. He has a book close to his face hiding his expression, dark curls slicked back with water.

The only other thing you can see is quite obvious. Like a little island in the middle of all that water is Regulus' stomach. It's his round, 5 months pregnant stomach. The sight of it brings something warm and possessive inside James. Both Alpha and just James in general.

Regulus at James' silence, finally lowers the book a little so his storm gray eyes can peak up at him from over the edge of his book. 'His eyes look happy,' thinks James.

"James what do you think?", said Regulus.

Shaking away the thought, James focuses on the now. And the now is Regulus(his Omega he can't think).

"A constellation/star name? Really? I was thinking more of the first thing I called them when I first found out," James jokes playfully. Not being able to stay put anymore, James goes to him. Kneeling right by the tub, James lays his head and arms on the tubs edge.

At that Regulus scoffs, and brings the book back up to hide his face. "We are not calling him oops."

James grins at Regulus, "How do you know it's a him?" James gently lays his hand on Regulus stomach. Soothingly rubbing his thumb along the wet skin.

"Just a feeling," Regulus mumbles shy. Trying to act like the touch is not affecting him, but James has eyes and a nose. The alpha can smell the affect he's having on the Omega, and see the sweet pink flush on his pale cheeks.

"Where did you get the book?" James questioned. Said book is "Book of names for your little witch or wizard."

Regulus turns a page and replies, "Owl ordered it. Was the best one they had. Most popular baby names for witches and wizards for the 80s." Regulus than frowns in annoyance, lowering the book from his face. To James he looks like a grumpy cat. A grumpy cat that makes you want to kiss his nose. James resists the temptation for now.

"Nothing sounds right," Regulus mutters. He hands the book to James, than runs his hands over his stomach. His touching James. As if they both want to sooth the unborn child at the same time. "Names have meaning, and he should have a strong name. Something that can protect him when we can't."

James skims through the book, not really looking. Honestly (and this is crazy, but it's James), the Alpha had already thought of a few names. After the first few weeks (and what a hard time those were) James without realizing it started thinking of a couple of names.

James offers casually, "What about Harry?"

Regulus who was leaning back fully onto the bath pillow, twitches than looks up at James. "Harry?" James smiles as Regulus sounds out the name. "Harry if it's a boy, and maybe Effie if it's a girl," continues James.

Regulus squints his eyes at James in thought. James babbles on nervous. " Effie is obviously for my mom. And well the name Harry just fits you know. At first it sounds like a normal name, but when you look up the meaning, it means strong. War god. Someone who has strength. And you were right, our baby could use all the-."

James is stopped from his babbling by Regulus, who puts soft wet fingers to his lips.

"I like it."

"You do?" James smiles at his nod. Finally them agreeing on something.

James kisses Regulus fingers in happiness, causing again for Regulus to blush.

Than wanting to be bold(Gryffindors, give them an inch and they take a mile), James leans over to Regulus round stomach and kisses near the belly button. "Hear that baby? You'll name will be Harry."

Regulus is trying not to smile, but do to hormones the Omega is failing.

To his Alpha he says, " Harry James Potter."

James looks back up at him in shock, but the shock on his face quickly turn to pure happiness and some other unnamable second emotion (it's love, neither of them dares to admit that. Even to themselves).

And because that causes James so much happiness, he leans over to kiss his Omega right on the mouth. His Omega kisses right back and than some. For now all is well for the three of them.

[hassians-sernuk-boyfriend]

okay so hunting. bc I can't stop thinking about it.

under the cut bc talking about killing animals

okay so. disclaimer that I do not hunt so this is all just from me reading and thinking and interacting with people who do hunt.

so like. deer hunting, in general, is about shooting a deer and then tracking the blood-trail to find where it ended up collapsing from bloodloss. it's not a pretty instant kill and it's not very clean at all.

with a gun, you do a very targeted amount of damage with a fairly high piercing power, but despite that, you still don't really aim for the head, in general, you aim for the lungs, because flooding the lungs with blood will make the deer drop faster.

with a bow, it's generally considered the most humane to use the broadest arrow to do the most damage possible as quickly as possible, but the wider the head, the slower the arrow and the less penetration power it has.

(also, blunt arrows get used for lil guys but I do not think chapaa are small enough for that)

better material makes arrows go faster and bows hold more strength per inch or w/e, and various techniques can be used to make these more efficient, which is why a skilled weaponsmith makes a better bow even with the same materials available

we know that Hassian cares about getting a clean kill and respecting things and etc so applying this shit to The Headcanons

Hassian uses a bow, obviously, and we know he is a Good Shot, he Never Loses an Arrow, and he is Quiet, at very least.

this means we know he uses broadhead arrows and at most, a recurve bow for silence (the more recurved, the stronger the bow, but the the louder the spring)

he'd also want wide arrows + most piercing power, so higher pound of bow strength

if i remember right, bow strength goes from around 20lb for common use, up to around 30lb for hunting, then around 60lb for War, then up to 100lb for long range war, and then up to 125lb? for showing off (this is how much force is needed to pull back the string, and thus how much force is put on the arrow on release)

so probably makeshift bows are around 20lb, while the exquisite bow is, idk. 50? more?? who knows. which is why he talks about needing to master one to get a stronger one

I don't have a punchline for this but I Do imagine he's got a 100lb bow which means he can hold 50lbs of weight per finger if he's drawing the bow with 2 fingers

also imo he's a good enough shot to get the Head Shot, which is theoretically the most painless kill, but he can do it bc of his intense empathy for the animals, which lets him predict their movement enough to aim where their head will be by the time the arrow gets there (arrows are slow)

also a headshot lets him use less broad arrows, which lets him have a smaller bow i think??

also, just a collection of bow details bc im horny for bows

bows are generally left unstrung when not in use to make sure they can relax into their natural shape and retain their power

stringing and unstringing a bow, especially recurves and heavy bows, is incredibly dangerous, especially unskilled. (consider even 20lbs of force suddenly hitting someone in the form of a stick or whip)

bigger bows can hold more power but are obviously much harder to carry around, which is part of why things like recurves and reflex bows exist, so the bow can hold more weight without being as large.

composite bows are bows made of multiple materials, if I remember right. a skilled weaponsmith can make the front, back, riser, and limbs in materials suited to them

things that get used in bow bodies that I did not anticipate: braided cords. antler. leather straps

when you make an arrow, it's ideal to harvest all the feathers from it off 1 wing, because you want the feathers to rifle around in the same direction

feathers and arrowheads are attached with carving, string, and glue in various degrees.

[yuumcbr]

TWST X Obey Me!

Just an idea for a crossover that I have in my head.

An important factor for the AU is that MC sees the brothers as family and vice versa, as if they were older brothers.

Yuu (mayor of Ramshackle) = MC from Obey Me!

The AU would take place after graduation, where Yuu dates a boy from TWST and they start living together (since Yuu doesn't have much to go to).

Let's say that Yuu can't use magic anymore because of Michael's ring, maybe TWST increased the magic containment effect, or just decided not to use it because he doesn't know how strong his magic is, or even wanted Grim not to lose his place in the NRC (since he is the magical part of both of them) and after graduation Yuu got out of the habit of using it.

Well, somehow Yuu, Grim and her boyfriend get in touch with the queen of the rose kingdom.

Why her? Well, in one of the events of Obey Me! (Like a dame) Diavolo says he is friends with the Queen Rose and the event has roses for everywhere.

We imagine that the brothers haven't had much contact with Yuu since he went to NRC, maybe little letters sent by Sam's friends on the other side (in this AU they are mini-Ds, probably from greed).

However, in Obey Me! the Queen of the Rose Kingdom goes to Devilton and doesn't seem to have any trouble going from one world to another, she can help Yuu do the same.

So when the Queen of the Rose Kingdom meets Yuu, maybe at a ball or festival she attends and the two exchange contacts.

Now think about it, the boy from TWST who is dating Yuu decides to take things to the next level and asks her to marry him.

Yuu already knows the boy's family, they live together and maybe even work at the same job.

Not to mention that Grim acts like a real child, even though he graduated from college.

Yuu obviously accepts and asks if he would like to meet her family first.

The TWST boy knows that Yuu came from another universe, so it might be a shock.

Even more so when he finds out that Yuu is a long-time friend of the Queen of the Rose Kingdom.

And even more so when he finds out that his family is made up of the 7 deadly sins.

I guess it's best not to tell him about his position as a royal advisor, right?

Or that Yuu is an apprentice to the world's first wizard Solomon.

And that he's capable of using magic.

Yuu literally hopes he doesn't freak out.

Now, there are some TWST characters that I think could date Yuu and would make the story funnier:

1.Rollo Frame (it's self-explanatory)

First, if you get Idia to propose to you, congratulations.

You definitely talked a lot about your older brother Levi to him, so he was expecting a bit of chaos when he met your family.

But what he didn't expect was that when he crossed the portal into the Rose Kingdom, he would end up inside the gate to Tartarus!!

He doesn't know whether to focus on collecting data for STXY or get ready to meet his family.

Wait, if you lived here before studying at NRC, and this is the land of the dead… don't tell him that you…

Please, calm this poor guy down!

The best option is to never mention that you died and came back to life in a moment (lesson 16). Just say that you came for an exchange project with the Human Kingdom and discovered that you had relatives here.

Which is the honest truth.

Finding out that you are the royal advisor of Devilton and one of the most powerful people in the place scares him a little too much.

Either the people here are too weak, or you are stronger than he imagines! He discovers that you are some kind of Ultimate Final Boss around here!!

And your family is capable of destroying an entire country in a matter of minutes, how did he get into this situation? He just wants to go back to his room and exile himself from all this craziness.

Idia.exe has stopped working.

When the two are alone:

Idia: Ahhh… when I get back I'll have so many reports to do…

Yuu: Sorry *smiles*

Idia: How come you never thought of saying you lived in hell? Literally!!

Yuu: ….

Yuu: I think I already know what will cheer you up…

Idia: … *sees you getting your DDD and calling someone*

Yuu: Oh, hi Lucifer, how are you? I was wondering if I can take Cerberus for a walk? Besides missing him terribly, Ortho and Idia admire him a lot.

Okay, you just won Idia's heart again.

Ortho is taking a lot of pictures, pictures that if he hadn't seen them in person he would say were fake edits from the Internet.

Nee nee Mayor, do you think we can see Cerberus more often? I definitely want to increase my intimacy level with him, I don't want to miss this limited time event.

He just looks so shocked and stays silent for a long time.

Upon arriving in the city, the two of you are stopped by countless people who welcome you and complain about the city.

Why would they complain to you, anyway? Huh… what do you mean by royal advisor?

You're one of the most important people in this place? Why have you never told him that?

I mean, he knows you can't go back home, but he figured that when he found a way, he'd come back without thinking twice.

You've been working at the Al-Asim house all this time as a servant when you're literally a royal advisor from another kingdom?

You wouldn't be that stupid, right? Why would you do something like that?

Okay, Jamil's head is spinning.

He definitely wishes your clothes had a hood like they used to when you explain to your family that you decided to live with Jamil no matter what.

He would definitely be shocked if he found out that you could take an immortality potion, but decided not to take it to be with him.

When the two of you are alone:

Jamil: You could have a better life than being a servant.

Yuu: It wouldn't be better if you weren't in it.

Yuu: I don't care what I have to do, we're together, understand? I'll never let you feel alone again, that's a promise!!

Jamil doesn't know what he'll say to his parents when they ask about his family or when his sister tells him to tell them every detail of the trip.

But he knows he's with someone who will always put him first and won't let someone like that go.

A promise, huh?smiles slightly I think I can get used to this!

I imagine Ruggie will react the same way when you called Malleus Tsuntaro in front of everyone when you two get to the house of regrets.

I mean? You live in a gigantic mansion and inside it looks like each tile costs more than all the money he's ever earned in his life!!

Ruggie is very careful not to bump into or break anything, only for one of his brothers to enter the house and accidentally destroy a wall.

Wait, he came riding a dragon?

Okay, Ruggie thought there was no way a group of people could cause more trouble than you and that group of freshmen, but your brothers managed to prove the opposite.

I don't even know what he would say when he saw Beel's appetite or when he tried Solomon's food when his brothers said they would throw it away.

During dinner:

Yuu: I should let you know that I will be officially leaving my duties in Devilton

Asmo: Huh? Are you leaving for good now?

Yuu: No, I just don't think I will be able to coordinate my work in Devilton with the wedding organization, not to mention that there is no way to convert Grim to Taumarks.

Lucifer: In that case I will talk to Lord Diavolo

Ruggie: What was your job here? - he says while eating a buffalo egg.

Levi: They worked as royal advisors, (tch these guys really don't know how to use a mage in battle) - he answers while playing an online video game.

Ruggie: Huh?

Ruggie may not have expected so many surprises like these, but he can't deny how happy he was when you and your brothers started thinking of ways to make him, you and the entire community you live in prosper.

You really are full of surprises, huh Prefect? Shi shi shi!!

Okay, I got a little carried away, but now it won't be running around in my head so much.

Thanks for reading this far!!

[nixie-deangel]

me to me, in a stern voice: we don't need another idea to add to the list. do you fucking hear me???? WE DO NOT NEED ANOTHER!!!!

me to me, in a sad voice: okay.....I do hear you....but....🥺🥺🥺🥺 maybe think about hangster breaking up because of Jake's family though? just. just think about this with me. okay?🥺🥺 please?

me to me just giving up: *sigh*..............what's the idea?

me to me about to add yet another WIP to my new list: awesome! okay, so we see a lot about hangster being ex's and breaking up (and who's fault it is varying on the shifting tides of fandom and how we're feeling about characters from moment to moment)

BUT have we thought about Jake's family being the reason for it??? like. okay. Jake's family has so many expectations on who Jake should married, that every time Jake brings Bradley (and for this, we're saying both are stationed in Corpus Christi during this period) and they can't help making snide comments to Bradley about how he's not enough and how Jake won't actually settle for him and how Jake will eventually find someone better and more worthy of the Seresin name.

and well, seriously there is only so much Bradley can take, what with him already feeling not enough and out of place and like he's not deserving of Jake's love and attention and time anyway.

so it's the nail in the road that explodes the tire and sends Bradley careening into breaking them up and getting as far away as he possible can because yeah, he DOES want Jake to find his happily ever after and get everything he wants and deserves but Bradley cannot be around to witness his future, his heart, finding what he so badly wants for them with someone else.

and then of course the mission happens and it's just an all around mind fuck for Bradley, though it all works out with him and Mav clearing the air and him and Jake somehow finding a tentative friendship once again.

and then weeks later, Javy makes mention Jake is bringing his new boyfriend around to meet them and he wants to make sure Bradley isn't going to cause a scene or be a problem and Bradley can't help haltingly answering that it's okay, that he knew this day would come, that Jake would find someone truly worth him, that his family would love, someone that was truly deserving of Jake's time and love and that he'd get his happily ever after.

only, Bradley starts saying this just as Jake walks in and is floored because how dare Bradley think Jake could ever find his happily ever after when that was Bradley and Bradley walked away from him, from them! but then he latches onto Bradley saying someone deserving of Jake, someone worthy of him, someone his family would accept and love and things start clicking in his head.

and obviously, Jake and Bradley get back together and Jake becomes an unholy terror to his parents and sisters who were part of the problem, who were the match that lit the fire that imploded their relationship.

idk. just. the thought of Jake's family sparking the match and setting the explosion off is tempting. and I can't stop thinking about it when I should really be sleeping right now.

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[thestrangesthell]

Afterlife Jobs and Civil Service

Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.

This will contain spoilers for Beetlejuice Beetlejuice.

TW: This post will discuss suicide. Please only proceed if you are comfortable.

The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.

Now, for the long version (and it really is long), read on!

Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.

What we as the audience do see is people working in the afterlife that could have died by suicide.

There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.

It's a weird thing to pick up on, but what about the skeleton workers?

Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).

Well, that clears things up, right?

Maybe not.

For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.

Why?

Betelgeuse himself.

Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.

Why is this an issue?

Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?

I have two theories for that.

Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.

Then there's my second theory, which muddies the waters quite a bit.

We didn't actually see him die after he was poisoned.

I'll let that fester for a bit...

Ready to move on?

Let's talk about *Juno!

Juno, my beloved.

Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.

The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.

(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)

The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.

This is where my theory really comes into play.

I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.

(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)

When looking at these new characters, here's what I theorise for each of them:

Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.

Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.

Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.

The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).

The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.

Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?

Speaking of ready to go...

All aboard The Soul Train!

Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.

(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)

WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲

After all that, here's what we do know:

If you died within a certain radius of your home, you're left to haunt it for 125 years.

If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.

If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.

You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.

In summary:

Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?

Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.

But hey, what do I know? I'm only living.

[coca-lastic]

5 Green flags 🟩 VS 5 Red Flags 🟥

I'M BACK 👹

Well well, My last post about Keigo have lots of support from you all, and like I said, I'm willing to do a part 2 about Bakugo Katsuki sooo, here I am.

Tell me if you want a part 3 and which character you would like.

Let's start with his red flags. Let's be clear that Katsuki does have a few, it's true that it's nice to imagine him as an attentive boyfriend who takes the initiative, and I firmly believe that he would be like that, but that shouldn't hide the little things he has that can get on your nerves at the time of a fight.

Now, let's start listing his bad things:

1. He acts like you're a burden: I don't think he would do this on purpose, but he would. Comments like "What the fuck do you want now?", "Stop bothering me", "You're too intense", "Will you shut up?" can come up at the beginning of the relationship. Even to the point that you feel bad about his independent actions, as if you were just another thing on his list. Of course, deep down he doesn't consider you a burden, but he expresses himself as if you were one.

2. He doesn't open up to you: Katsuki has this constant thought that he can't be inferior, that he has to be the best and his feelings can be a difficult thing, and I think that in a relationship he feels a lot more pressure about all this to be strong and show you how tough he is. So I think that for a long time he won't tell you if something is wrong with him even if it's clear that something is wrong with him. This could just be something normal, but I add it as a red flag since a large part of Katsuki's life is clouded by those insecurities, so he doesn't tell you how he feels every time he sees Deku, or how he was in training, or how he felt when he won something, because if he does, his facade will fall apart. This ends up being something that can affect the communication between you two.

3. He doesn't understand you: He tries, he really does, but he just has a hard time understanding when you feel bad. He's so used to minimizing what's happening to him that he doesn't understand why it affects you so much. So you might be crying in his arms, and he might be hugging you, but deep down he doesn't understand, and that's terrible in arguments, because he doesn't understand why you're angry or why you're sad or why you're disappointed, he tries to fix it but he doesn't understand the roots of the problem.

4. He's jealous: Like, not jealous to get insecure when he sees you with a friend, jealous to get furious when he sees you with another man. And that, OBVIOUSLY, brings problems. He trusts you, he doesn't trust them, he knows you're hot and he also knows that the other jerks know it. So don't doubt that he's going to complain to you repeatedly that a certain person shouldn't be so close to you, or that he doesn't get along very well with a certain friend.

5. His anger: In the anime we can already see that he is a little bit... impatient. He tries to control himself with you, he truly loves you and treats you with his best version, but there are times when you simply act in a bad way, I mean, you also have your red flags, and that makes him angry, and you too, then you fight. A lot. For a long time. A lot of yelling. And probably a lot of painful words that he doesn't really feel, but says them, because his fury is faster to speak than to think, analyze and meditate.

Now, like every person, he has his flaws and his virtues. He has things to improve and things that you should love, because they are incredible.

So let's see what those good sides are and let's see which side of his personality ends up winning, let's see the second side of his furious personality.

1. He doesn't talk, he acts: Maybe he doesn't open up to you as much as he should, but he decides to make you feel comfortable by letting you know that he loves you through more practical methods. Are you hungry? He cooks, are you sick? He takes care of you, do you want a snack? He buys it. Because actions are worth more than words, so he decides to act, he decides to give you what you want, and consider yourself lucky because you are the only one who sees his helpful side.

2. He puts you first: If his friends invited him out to eat something, he won't care if you sent him a text telling him to go with you to buy something. If his mother told him she was going to celebrate a birthday with the family, he'll run away because you asked him to bring you some chocolates. Because he knows that if you love someone, you're not going to replace them with the smallest things, so if he has to make a decision that involves you, you'll always be the right answer.

3. He is not ashamed to show you off, he loves to do it: You are also part of his achievements, and being the show-off that he is, he will show you off. God, he has a sexy, smart, strong, kind and hot girlfriend, he has to show you and show them that you two are together, that he is a lucky and happy man.

4. He knows you: I think this is important, but not all men do it, in fact those who do are very few. Because not all of them observe you, remember, learn and please you, but Katsuki does. He is observant and knows how to listen, maybe he doesn't understand perfectly why you feel so much, why you get excited and sad about small things, but he knows that you do it, he knows how you feel, he knows how you reacts, he knows what you like and how he knows you, he knows how to please you, he knows how to make you happy with a gift, he knows how to excite you, he knows how to make you laugh and he knows how to make you feel loved.

5. You're part of his future: If he sees himself as a great hero, he sees you by his side, making and fulfilling your dream. Holding your hand. Kissing you. Hugging you. Caressing you. That's what he sees. Maybe a two-story house, or a single story, whatever you want, maybe 2 children, or maybe none, just a pet, maybe a red car, or maybe a black car, but within all those variables there is one constant: you.

Sorry, this doesn't match your way of seeing Katsuki. Remember that he is still a character that each one sees and imagines in their own way, but I try to do it in a way that everyone feels comfortable.

Now, did the 🟩 flags or the 🟥 flags win?

[yanderes-galore]

Jack marston (adult obviously + low honor) prompts 15, 21 by inuzkua

8/13

Shitty wifi will NOT stop me!!

-🧨

Oh God... Here's yet another Marston who can't take a hint. This takes place after the Epilogue in RDR1.

Prompts Here

Yandere! Low Honor! Jack Marston Prompts 15, 21

"You’ll come around sooner than you’ll think."

"I kinda like when you play hard to get."

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Harassment, Jack is icky in this, Manipulation, Possessive behavior, Kidnapping, Restraints, Swearing, Forced kissing, Forced "relationship".

It became a routine for Jack... watching you.

The man had once met you at the saloon you work at. He was getting a drink to revitalize himself after a long horse ride... only to find you. You caught his eye with your looks and innocent personality, tending to patrons with little care in the world.

Jack can't help but feel drawn to such innocence.

Look at you, some townie who hasn't seen what the world has to offer. You look as if you've never seen corruption. As if you've never seen an outlaw up close...

It's like he has to corrupt you at this point.

He's been making it a fantasy... a goal... to tear such innocence from you... to make you his.

But you've been difficult.

You've been denying Jack ever since he met you at that saloon. He's a regular at this point, a common face for you. You look at him like he's scum.

Each time Jack enters the saloon, he's searching for you. Be it at the bar itself or the saloon tables, he's hunting. Then... when he sees you... he corners you like weak prey.

Every word out of his mouth comes out as some odd flirtation. Anything from crude pick up lines, depraved comments, teasing touches.... Jack is a man who doesn't leave anything to the imagination on this path...

It frustrates him when you bat his hand away or curse him out of the saloon. It irritates him even more when he's tossed out of the saloon by folks on your side. You are a difficult catch...

Which just means you'll taste all the sweeter once he has you.

"I kinda like when you play hard to get." Jack purrs out one evening, leaning against the saloon wall as he watches you clean. You ignore him, which causes him to chuckle darkly. Oh you hated him... He knew it...

He loved it.

"Fuck off, Marston...." You spit, causing Jack to whistle in response.

"Ohhh, naughty mouth, dear..." Jack chuckles, eyes staring you down with a predatory grin. "I like that too... want me to clean it for you...?"

You grimace, continuing to do your job. It was typical of patrons to harass you as you work. That's the downside of working in a saloon.

However, Jack came here just to do that. He would spend hours in the saloon just to watch you. Sometimes, when he's merciful, he's just watching.

Other times... like now... He follows you around the saloon to try and court you. You're never receptive, especially with what words come out of his mouth. The worst part...?

Jack's sober during all of it... acting like some hormone charged disrespectful teenager the moment he sees you.

You were getting tired of him messing with you. You were even more tired of having to throw him out for getting into bar fights over you. Jack... wore you out.

But that was all when it came to him. He would just be a nuisance to you at work and that's all. The moment he's kicked out and you get back on your horse, things are fine.

Which is exactly how tonight was going to go it seems.

"Oi!" You call, making Jack grit his teeth. "He's back again!"

"Come on, doll...! I haven't even touched you this time!" Jack pouts, only to receive a glare in return.

"It doesn't matter... get out of my sight!" You spit, irritated by his past behavior. Jack looks irritated but raises his hands in defeat with a sigh.

"Sure, fine... whatever you say, sugar...." Jack surrenders, making you confused for a moment. "Want me gone? I'll go, sweetheart...."

His tone feels... suspicious to you. Jack leaving of his own accord? That doesn't sound like the Marston you know.

"I'll leave you alone tonight..." Jack murmurs, going to walk by you. "But I hope you know how much I want you, darlin'...."

Jack then kisses your cheek, the feeling wet and uncomfortable. A teasing lick is given to your skin before Jack pulls away and heads out of the bar. You stare blankly when he leaves... before quickly rubbing your cheek with your sleeve.

That's all you expected that night.

As suspicious as it was for Jack, you're just happy he's gone. Afterwards you were able to continue your work. Cleaning tables, serving drinks, making money...

Then you left to go home on your horse.

The air is crisp outside as night begins to settle on the town. The chirping of crickets and howling of wolves greet your ears as you make your way to your horse. You're exhausted and...

Your horse is gone.

Your heart drops to your stomach when you realize your ride could be stolen. You look around the area, concerned for where the animal went. Panic sets in as you aren't sure what to do... then you hear footsteps...

"You won't need a horse where you're going, sweetheart...."

You're roughly slammed into the back of the saloon's wall. You yelp, wanting to scream before feeling lips on your own. Facial hair tickles your skin as a wet warmth coats your lips.

You roughly push back, allowing you to part from the disgusting kiss. The man allows you to pull away with a grin, yet pins your hands above your head. Upon closer inspection... you see it's Jack...

No wonder he left so easily...

He was waiting for you.

"I was wondering how you'd taste..." Jack murmurs in a husky tone, licking his lips. "I hope I'll get more tastes like that when you're mine, darlin'...."

"No! Get off me!" You bark, only for Jack to chuckle.

"Aw... all bark no bite, puppy?" Jack teases, pulling something off his belt. "Come on... Don't be like that. You deserve a real man, know that?"

You struggle against his hold, yet it only accomplishes you two falling to the ground. This new position only aids Jack, who manages to pull his lasso off his belt to tie you. He starts with your wrists... then your ankles...

Then he picks you up like you weigh nothing.

"Pissy, are we? I thought you always wanted someone to sweep you off your feet like some romance story, dear?" Jack hums, seeing you struggle in his arms.

"Please! Let me go!" You plead, making Jack click his tongue and shake his head.

"Sorry, sugar, you made me wait long enough... You're mine now." Jack chuckles, whistling for his horse.

Jack notices you shake in his arms as he begins to stow you on the horse. He sighs with a chuckle, patting your back before mounting his horse. You are so cute when you cry...

"Now don't get all upset on me..." Jack soothes in his own twisted way. It's obvious he doesn't mean it as he rides off with you on his horse.

"You’ll come around sooner than you’ll think." Jack laughs, looking back at your bound and scared form

"Then you'll realize you like being mine... won't you, darlin'?"

[chaos-of-the-abyss]

I hope you don't mind me asking this, but why do you like Celegorm? I love that you're vocal about how stupid the Feanorian woobification in this fandom is because people who claim that they did nothing wrong or that they're not villains clearly hasn't read the Silm, but while there's still a level of sympathy to most of them, Celegorm is just genuinely the worst and I can't figure out what there is to appreciate about him lol. I'm sorry if this comes across as a bad-faith question, I really want to know how you like him while not ignoring, trying to deny, or worst trying to justify (which I have seen FAR too many people doing) his canon actions

you're totally good anon! i'd be happy to answer this. just want to preface, i perfectly get where you're coming from and why people hate celegorm, because he is, as you say, the worst. he's horrible. he's done awful things to countless people -- and by no means is he the only feanorian to have done that, obviously, but celegorm's actions in luthien's story make him a type of squicky that's unique even among the brothers. he, hm. how can i put this. he deserves nothing. and yes, people who try to justify him are just wrong. stop reading the silm if you want a mass murdering sexual predator to be glorified ¯\_(ツ)_/¯

that said! the succinct answer is that it's all about the vibes lol. all the feanorians are awful people, but celegorm is, imo, that particularly entertaining kind of awful. there's a certain interplay between his successes and failures that i find unbearably endearing (derogatory). he is canonically charming and magnetic and charismatic enough to sway people with his rhetoric, and i love that. i love that he's opportunistic, clever, and sly, and pounces on the chance when he spots it. the fact that his speech in nargothrond is explicitly paralleled with feanor's before the flight of the noldor says a lot. i find it compelling that while, in many ways, celegorm is the most distant from his family -- friend of a vala, a great woodsman and hunter which are two things that neither his father nor his brothers are ever even mentioned around -- he is the only one among the sons of feanor to be directly, textually compared to feanor, and feanor during one of his most pivotal and infamous moments, no less. the guy must be a force of nature when he really wants to be. yet at the same time, he's endlessly reckless, arrogant, and shortsighted, and he does not get to get away with his actions. his plans flop (just like he will continue to flop until his karmic and also really fucking funny death in about thirty years' time, i'll get back to that), his intentions are discerned, and he gets thrown out in disgrace for treachery with the embarrassing declaration "a maiden had dared that which the sons of feanor had not dared to do" following after him. it's that particular blend of hyper-competence followed hand-in-hand by prompt abject failure and humiliation that makes him so appealing to me.

oh and. another thing about celegorm is that he has the added charm of being a fucking sore loser and a petty bitch -- trying to kill luthien even though she spares his brother's life when she'd be justified throttling him and curufin with her bare hands and i just. he's sooo funny. what is wrong with him. so many things are wrong with him. tfw you kidnap and tried to rape this woman and she does you an untold, absolutely herculean grace and kindness that you know damn well you do not deserve and your reaction is to try to kill her for daring to show you compassion. he's insane.

then. then then then then. he gets chased by own dog and runs away "in terror." you know you've messed up when your dog finally has enough of your bullshit and runs you down because he's fed up with all the terrible things you've been doing. not to mention his dog also dies fighting next to a man that he hates, using his last opportunity of speech to say goodbye to said man. like. beren and luthien's story leaves celegorm, as skilled and magnetic as he canonically is, in absolute shambles and it's hilarious. how does one recover from that you may ask. and i answer one does not recover from that.

but that's not even all. after that saga of blunders he hangs around for about three decades doing absolutely nothing of note, then in his attempt to regain some relevancy winds up having the most mortifying death ever. my dude you were the "let's ambush doriath guys" spokesperson. you campaigned for that shit. this was your desire. this is what you wanted. and you walk in there and the guy who's *checks notes* THIRTY-SIX compared to your one-thousand-something KILLS YOU. elves are not developmentally matured until they're a hundred. your killer is like thirty. this is, generously speaking, about an eight year old by your standards. a fucking eight year old kills you. yes i know dior was not actually a child at the time but the fact remains that celegorm quite literally has more life experience than the entire human race and he's done in by the son of a human. then to add second insult to first insult to extreme injury, two of your brothers are also killed in this battle and in the end you all don't even achieve what the fuck you came there to do. THIS WAS YOUR PLAN. how do you lose that badly. holy hell. if i were him i'd stay in the halls of mandos forever out of pure embarrassment. you simply would never see me again. you think i'm walking out into society and showing my face around the block when an eight-year-old ended my life? nah. no sir not me

plus well. on a more serious note, dior is luthien's son. luthien, whom celegorm thought he could control, whom he saw as an object to further his aims and to lust after. he's killed by the son of the woman he tried to rape, and there's nothing more fitting than that.

so! there you have the basic rundown of why i like what's explicitly laid out about celegorm in canon. he's an objectively horrible man, it's just that i find the way he goes about being objectively horrible extremely funny. but i also think he is ripe for exploration in the realm of speculation -- and that speculation enhances what we do know about his actions during b&l and after until his death. aside from the kinslaying at alqualonde wherein all the sons of feanor participate, we see him and curufin acting unambiguously villainous a good bit before the rest of their brothers -- at the very least, they are clearly more willing to do horrible things at the point of time of b&l when compared to the likes of maedhros and maglor. like, they are out here committing actions that no sane person can rationalize as being anything other than abhorrent. it's clear that they've already given up on the idea of being "good"; they've already given up on keeping their hands clean and they've already shed whatever qualms they might have had in the past.

my thoughts on why? this is by no means canon, but tolkien does seem to like giving the legendarium's major villains some sort of arc and some type of insight into what they become (melkor gets history, sauron gets history, maedhros and maglor get history), so i don't see why celegorm should be any different. and for me, celegorm and curufin, especially celegorm, give the impression that they fell into despair and disillusionment far before the other feanorians did. and their response was to accept that they have no way of going back to the people they used to be, that they've already been rightfully damned, and if they've come this far they may as well do whatever they can to achieve what they fell so low for, because what does it matter anymore? it's part of why i think celegorm sees maedhros trying to look at beleriand and the war against morgoth from a larger perspective than just the silmarils, and both disdains and pities him for it. they've already been doomed and they already can't hope to make amends. they should do what they're here for -- and while, in celegorm's eyes, maedhros isn't willing to do what needs to be done, he is. i think that sort of mentality is fascinating. in a way, it's a self-fulfilling prophecy -- maybe if celegorm thought there was any meaning to him being better, or even just any meaning in not being nearly as awful as he resolved to be, then he wouldn't have stooped so low. but he did believe there was no hope for him, he did believe that he could never be forgiven -- and in believing that, he did go past the point of no return, beyond which he truly, legitimately couldn't hope to be forgiven. also, i just personally like the "well i'm a terrible person so i'm going to act like a terrible person"-type villains better than "oh no i'm a terrible person it makes me so sad and full of despair"-type villains (looking at you, maglor). again, none of this is canon, but it's my reading of celegorm's character, and i think it sheds some light on why he's so awful in b&l and afterwards. in his mind, it's already over for him anyway.

i hope this answered your question anon! i like celegorm, and i enjoy his character, because there are shades of a sad tale behind his descent to being the worst, he's entertaining while he's being the worst, and most crucially of all, he gets his comeuppance for being the worst in an extremely satisfying way. i definitely wouldn't like him (or the silm at all) so much if he'd been, like, successful in anything -- but thankfully he is written by an author who knows full well what an utterly reprehensible character he is. and boy does tolkien not spare him from that karma. he is simultaneously a singleminded and relentless fallen prince, a repulsive monster, and the story's laughingstock (one of them anyway). honestly, none of the feanorians tickle my brain quite like he does. i love him and i would beat him with a shoe

[l0stfoster]

I would literally kill for everything abt cursed au paul. Like when does his redemption start, when and how do him and darry reconnect, does he ever open up abt his home life to darry or anyone else, how do the socs react to him getting close to darry (or the greasers for that matter by association) . I NEED EVERYTHINGGGGGG 🙏🙏🙏

I’m so glad someone likes him as much as I do I've had him on my brain for weeks OKAY YAP TIME!!

When does his redemption start

- Paul's redemption arc starts out preeetty slow and begins after his powers come to the surface again post-rumble, about 4-5 months later. It was being around such a large number of the cursed that flicked a trigger in his brain. He HAD his powers long before then and used them as a kid, but his mother tried to force him to forget about them with her own because she wanted this curse to die. - Dude has a panic attack when he discovers them because he's suddenly a part of this group of people he's hated ALL his life.. and then there's a very temporary god complex because he might have this curse but he's still a soc, he's not really one of those things, is he? He's still got superiority to them, so who cares if he's cursed as well.. and then his parents find out. - It's the same exact situation he had when he was a kid. His parents were already distant and abusive/neglectful but the magic just makes it worse. His mother tells him to his face that she wished she hadn't had him, and it's the first taste of just what the other cursed go through. He's obviously forced to hide his power from the public for the sake of their reputation, but it's how his own parents respond to this that makes him reflect.

When and how do he and Darry reconnect?

- Around a month after Paul discovers his powers, and it's purely an accident. They bump into each other in soc territory (Darry's birthday was coming up soon, and he wanted to visit an old cafe there he'd visit for nostalgia's sake, Paul was just trying to get out of the house for a while) and they're immediately beefing. Miraculously, though, they both had their sights on the same place and ended up directing inside, still bitching (in reality, neither of them could bring themselves to walk away). The poor workers had these two absolutely at each other's throats for hours. "I hate you and I wish you'd die" as Paul buys Darry's exact coffee order he memorized from years ago. "You're such an asshole." While Darry gives Paul the pieces of his muffin that he doesn't like but Paul enjoys. They leave with bitter wishes of hoping they never see each other again. - Weirdly enough, it keeps happening. This goes on regularly until it turns into making out in back alleys as a goodbye. When I said friends to enemies to enemies with benefits I meant it. They're practically dating but both have convinced themselves that it is casual and that they're just homies. This happens over like six months. Steve and Two find out during those months and kinda don't care, Pony and Dally are THE most offended by it. Soda and Ace are there like "I'm insulted but you're an adult, and you're not stupid, so I can't really tell you to stop?" - There's a lot more forced proximity when Paul gets kicked out and crashes at the Curtis' when sleeping in his car isn't viable.

Does he ever open up abt his home life to Darry or anyone else?

- Not willingly. There's the doodle where he gets drunk and yaps about it to Two and Dally, but that's the most he'd speak of it honestly for a long while. Darry definitely knows that the Holdens aren't exactly great people-- met them once during highschool & Paul's father is the police chief so he's already on thin ice. (yes I nabbed that from Born a Grease <3) - They meet again bc Paul needs to attend something related to the police department for reputation's sake (pre-kicked out) and Paul will only go if Darry's allowed to come. Darry gets another taste of how shitty they are there because they make a scene and Paul's powers are bought up and outed. Paul, defending Darry: "The curse doesn't make people a bad person-" Mr. Holden: "You're right, it makes them not people." Paul: "..Then what the hell does that make me?" Mrs. Holden, shouting: "It makes you wrong." - Paul will never really tell them straight up, but they can make assumptions pretty easily. He gets nightmares occasionally and gets pretty uncomfortable whenever the cops are mentioned due to his dad's relation to them. If he's drunk he'll shit-talk them, The dude's an alcoholic as a coping mechanism. I could see him maybe telling Darry, but it wouldn't be something he wanted to do. He thinks it makes him look pathetic. ( I made a what-if doodle where Paul's hair grows longer each time he overuses his power, and he has a fucking MELTDOWN when he looks in the mirror and sees his mom bc of the length. It's non canon, but it's silly to think about )

How do the socs react to him getting close to Darry (and the Greasers)?

- Paul's pretty much thrown into association with the greasers (and by proxy, all of the cursed) as eventually, word gets out that he was kicked out, alongside that he's cursed. He loses most of the soc friends he has, save for Cherry & Marcia due to their own associations (Randy wouldn't turn his back on him either, but for his own safety has to keep a distance publically.) - And since it's related, Paul and Cherry (maybe Marcia, but hers is 50/50 since she has no power) become free reign for getting jumped by other socs due to their powers & associations with the greasers. The girls target Cherry and vice versa for Paul, but we still haven't figured out how they do it without powers getting in the way. (Our running idea for Cherry is that her hands are bound so she can't spark & they butcher her hair so it can't either </3)