#nefarious sometimes but i mean it like

[kxllerblond]

strangling gestures of affection at all of you. so proud and happy of the ppl still in the rpc. like for all its issues, our asses are still here writing.

[hiding-under-the-willow]

Thinking about how in date he makes himself look like Mark and so the implication is that he can just make himself look human when he needs to

[theaxolotlkween]

Silly little comic I made.

[mygnolia]

to weave my love ⭒ n. riki

⭒ SYNOPSIS -› Riki is good at many things- dancing, making fun of his friends, playing it cool (debatable.), Hell- he’s even good at saving people from falling buildings without getting whiplash. But the things he’s bad at? Well, it’s asking you out to prom, and trying to balance the shared assignment he has with you…while being Spider-man.

⭒ PAIR -› spiderman!nishimura riki x fem-pres!reader

⭒ GENRE -› fluff, banter, action ⭒ TROPES -› classmates to lovers, idiots to lovers ⭒ WC -› 17k (i’m sorry idk why either.)

⭒ INCLUDES -› SPOILERS FOR GREAT GATSBY, cursing, non-graphic injuries (reader discretion advised), yes i made the patching up with first aid kit trope SUE ME!! takes place in a busy city similar to new york never specified, reader is rich, jake and heeseung are seniors and riki’s a junior, is riki stupid? yes… jake reveals stuff because he is also a little silly, reader wears a red dress!

⭒ GREAT GATSBY -› basically jay gatsby has this weird amt of money but no one rlly knows how he got it (nefarious reasons) and hes been in love with this girl daisy for five years but then she got married to tom buchanan but he gets rich so he can get the house across from her and wistfully watch her and he pines after her like CRAZY but he dies at the end

⭒ REN SAYS...special huge fat kiss to thena @sensitively-taken you will be in the will when im a millionaire THANK YOU for helping me with so much of this I WUV U AND I WLL BE WAITING FOR UR HUENING FIC!!! | LIBRARY

NISHIMURA RIKI MIGHT DIE FROM PRE-ADULTHOOD STRESS, IF THAT’S EVEN A THING.

What exactly does Riki have to worry about as a seventeen-year-old junior in high school? Right now, his most daunting responsibility is catching up on the chapters of The Great Gatsby because the only thing Riki’s actually read from the novel is that the main character shares a name with his best friend and senior, Park Jay. His second most daunting responsibility is handling the fact that with the new seating chart in his Literature class, it means he’s sitting next to the object of his very subtle affections, you. 

See, the problem with having a crush on you is that Nishimura Riki’s committed to thinking that you’re way out of his league, and unfortunately, the boy believes that almost too well. Not only are you minted beyond his wildest dreams (having seen your posts on social media), but you’re hardworking, helpful, and dedicated to your role as student body treasurer. He’s already understood that you’d never go for a guy like him. Maybe someone more like Park Sunghoon, whose parents’ salary matches yours. If Riki lived in a rural estate with generational wealth, handling the whole ‘Spider-Man’ thing might be a bit easier for him, considering he wouldn’t have to try so hard in school. It might even change the fact that Riki dealt with some alleyway criminals last night and is currently catching up on lost sleep, as your English Literature teacher goes on and on about a project on the book you’re reading. 

In class, and even sometimes outside of the classroom, your small tendency to not pay attention to your surroundings has landed you in some awkward situations—like now. 

“I don’t really tell anyone this, but I hate Daisy.” And instead of getting a response, you glance over to see Nishimura Riki slumped on the desk. Without trying to make preconceptions about what could land him in a situation like this, you poke his arm, stifling a smile at how his eyes widen when you’ve caught him rubbing the very obvious sleep from his eye. 

“Sorry,” he whispers, still fighting the post-nap grogginess, “Did I miss anything?” 

(Nope.)

Shaking your head, you return your attention to your teacher as he continues to answer questions. The second Mr. Yoo assigned a report, you wanted to die even more considering the work you had to do on top of the impending due dates. But for it to be partnered? And for you to get seated and paired with the one boy who's known for not caring about school? Maybe things are a little stacked against you, but there has to be a reason why Riki’s somehow still passing all his classes…right?

Considering it’s the last assignment about the book, you’re glad that you already read it so many times to know what you want to put into words. And in retrospect, answering a few open-ended questions about it can’t be that hard—the hardest part would be getting your partner to stay awake in class. 

A small tap at your side makes you turn to face Riki, who you see has frantically written a page full of notes about the project in the past three minutes and how he can succeed. “Can you go over the first part? Sorry…I was…y’know.” 

“It’s a partner project. And we’re partners.” You wince at the awkward wording. 

Great! Riki was caught sleeping and that was your first impression of him for your paired assignment? Riki feels so stupid in front of you right now—in front of your meticulous notes with annotations and proper highlighting. He wants to curl up into a ball when he sees you glance over at his haphazard attempt to look like he was paying attention when, in truth, he was trying to remember the dream he had just ten minutes prior. When you offer him a small smile and nod, leaning over with your notebook in hand, he sighs in relief, thanking whoever it was that let him get away with his naps without the consequence of irritating you afterwards. 

The bell rings when Mr. Yoo stops talking, and you pause, startled by the sound. Instead of leaving, however, you pack your bag and shuffle to his side of his desk, continuing to parrot details about your report in hopes that it all makes sense. You need to make sure he knows what he’s doing. 

“I think one of the questions he mentioned was like ‘Is Gatsby a good person?’ and do you remember how in Chapter Eight…” The rest gets zoned out and forgotten in the boy’s head, because he in fact does not know what happened in Chapter Eight. He doesn’t know what happened…in any part of the book. But he agrees anyway, pretending like he understands what scene you’re trying to explain. What he notices is how thorough and dedicated you are towards ensuring he comprehends what you’re explaining, and although it could be because you don’t want him to fail you both, he chooses to believe you’re doing it because you tolerate him. 

You’re so engrossed in covering all the little details and telling him random tidbits regarding the book that you don’t realize your feet have made it all the way to the cafeteria. “But here, let me get your number. I’ll totally explain more over text.” 

Riki is definitely not freaking out when he silently grabs his phone and hands it to you with the contact page, staring a little longer than necessary at the cute smiley face you added to your name. “Thanks,” he mumbles, forcibly tearing his eyes away from the ten digits of your number, “For helping me with this, too.”

“Of course! The Great Gatsby is a fun read for me. A little hard to read sometimes because of some of the characters, but still easy to understand.” And Nishimura RIki realizes that he has to do well. He’ll read the book five times over if it means gaining your approval. 

Jake notices something a little different about the tuft of black and blonde hair when his friend walks in. The first thing is that he’s actually here, and that you’re next to him, smiling. The boy rubs his eye to make sure he’s not dreaming somehow, but when he looks up again, you’re waving goodbye and joining your friends across the room. 

“Did you get hit with something while fighting a villain that makes you more bold? I feel like I just saw you and ____ talking,” Jake starts when Riki finally joins him with his lunch. 

Riki laughs, shoving Jake’s head out of embarrassment and opening his chips. “It’s just school. Got some project in English and she says we’re partnered.” He looks over at his friend chuckling, rolling his eyes at how Jake pokes at his side and wiggles his eyebrows. 

“I better hear you two are dating by next week.” 

“Who’s dating by next week?” Heeseung places his bag of food in front of them and takes a seat, opening the fast food he got last period and stuffing a fry in his mouth. 

“Riki and ____. Let me have one,” Jake answers, reaching inside the bag. 

Heeseung looks over at his junior curiously. “You asked her out?” And the two older students hear a groan from the boy in question. 

“Me and ____ aren’t anything, for your information.” He prods at the vegetables on his tray and takes a bite before a look of displeasure washes over his face. “You’re both way too excited for two guys who do not have girlfriends.” 

“Hey! You know the girl I’m always fighting with is the reason why I’m single. I have to focus on studying to do well in school to do better than her.” Heeseung’s whining falls on deaf ears as Riki smiles victoriously, seeing how defensive the former got. 

Jake offers him a shrug of defeat. “I got nothing.”

The three of them fall into normal conversation and Riki finally explains everything that happened during English.  “So you’re telling me your plan to ask ____ out went down from 18 months to 6?” And with a nod from the younger, they both groan once more. Heeseung exclaims, “We’re both going to graduate, dumbass. Make the plan go down to like…two months? Please?” 

Jake cuts in before Riki has a chance to respond. “Make it one and a half, so we can see you with a prom date before leaving forever.” 

“You act as if you’re going to die after graduation. It’s like you’re begging to be a super senior.” 

And they’re silenced immediately. 

“Do you think the guy I was with earlier hates me?” you ask on the other side of the room. Minjeong stares at you blankly, waiting for your explanation. “I don’t know if you saw when I walked in but I was talking to this really tall guy with blonde hair and black tips. He seemed really out of it, like he kept staring at me and nodding. I think I scared him off by talking about the book too much.” 

Sunghoon, who is also listening in, opens his neatly packed lunchbox and begins mixing his noodles. “I think you did scare him off, ____.”

“Not helping,” Minjeong interjects, “Just talk to him more and maybe he’ll warm up to you. You two sit together in class anyways, so hopefully he’ll talk more?” 

“I know him,” Sunghoon comments, “Well, sort of. I’m friends with Jake who’s friends with Riki, and it seems like all that boy does is sleep.” 

“Maybe he’s really good at subconscious in-class comprehension?” you try, taking a bite of your sandwich. “I just hope it doesn’t interfere too much with treasurer stuff.” 

NISHIMURA RIKI MIGHT DIE IF HE SWINGS INTO ANOTHER WALL AT 100MPH LIKE HOW HE ALMOST DID TONIGHT.

All he’s had on his mind since school ended till now is how he should probably text you, if he really discarded the slimy acid monster from last week properly, and when the prom theme is going to be released, but there’s something amiss that confuses his spidey-senses and makes Riki much more alert. 

He snaps out of whatever train of thought he had before, focusing on the situation at hand and looking around to follow his instinct. Riki cautiously plants himself on the side of a random apartment building to get a sense of what's going on. A tingle of some sort of in the air permeates the material of his suit and leaves him shivering from the cold. 

He doesn't like it one bit. 

Moving to the side of the building to the top, the boy finally catches a glimpse of something when he gets a decent view of the city and highway systems. Riki knows something’s wrong with the bridge the closer he gets. He zips from one side of the tall, metal tower to the other, crawling down on all fours making sure he isn’t caught. He feels the electric feeling once more, only amplified. It runs up his spine and he wants to slap it, almost like a frantic, summertime bug. The air around him is charged with something he has never recognized before. With a puzzled expression under his mask, Riki continues to investigate the surrounding area. 

Riki finds a lone figure with some sort of attachment to his left arm, like a long glove made out of metal. The bulkiness of it seems to have no impact on his body as the man fiddles with the contraption, and the boy watches with bated breath as the machine fizzes and spurts with electricity. It begins to glow as power concentrates on his plated palm and the superhero sees it for the first time. It’s like a fizz, like a match striking at fire only to produce a quick burst of friction, but it almost feels liquid when he watches the person play with the flickering blue ball of electricity. It dances in the dark in a hauntingly beautiful way, with bolts jutting out from the metal as it spurts and buzzes with a life-like manner. 

A spark. 

“Hey, what the hell do you think you’re doing?” The sound of Riki’s voice from the end of the bridge causes the stranger to look up with wide eyes. Although Riki fully expects it to simply enhance strength or block damage, the immediate strike of blue that flies straight towards him is anything but defensive. With a yelp, he jumps away, this time refusing to show himself. 

What the hell was that?

He knows he should go back down there to change things and get the person and the metal pieces away before it escalates, but when he goes back down to watch, it's ten times worse. The bright blue illuminates the scarred face of the villain as he’s picked up the metal arm–but this time, it’s no longer clunky and sparking, but fused into his arm. 

Riki’s face pales at the sudden change before his body acts on its own and he shoots out a web to stop the man. 

The villain is shocked by the intrusion, but quickly yanks free from the webbing and flicks another bolt of electricity, one that flies much faster now that the metal flows into the arm instead of simply resting on the skin. It’s unlike something Riki has ever seen, something that is so controlled in motion and yet so erratic in nature, and it instills a deathly fear when it grazes his arm he hisses in pain. The sharp feeling springs Riki into action as he jumps away. He’s lucky another bolt isn’t sent his way, seeing how the villain’s too busy marveling at the power of his new gadget.

“You know that fucking hurts, right?” He yells out, cupping his wound. “Maybe leave the gadgets to the kids!”

The man scoffs. “It better have hurt. I sacrificed half my body for this to work.”

“But why?” All Riki wants is answers. Some sort of explanation.

The man charges up yet another bolt, almost like a laser gun is built into the machine. “Less talking, more running, Spiderman.” 

That scared the shit out of him. 

The boy doesn’t have time to think as he jumps out from the dark tunnel to the bridge and up the metal towers—he hates having to fight with people right below. The villain follows in pursuit, almost crumbling the metal with his engineered arm as he hoists himself quickly. Riki continues to jump between the structure to avoid the flashes, trying to get out and apprehend the man as quickly as possible. When he reaches the top, however, he feels death is near as he glances down at the villain below who’s quickly gaining on him. He shoots out webs to slow him temporarily, letting himself fall and swing from the side of the tower to escape. 

What he doesn’t see on the way across the bridge is the flash that misses his cheek and hits his thigh instead. It burns, and mid-air, Riki gives the wound a quick assessment before he lands on the metal, immediately forcing his body to climb. While dealing with his wound, he fails to notice the villain swinging from the bridge support lines to meet him. 

He needs to end this fast before he becomes burnt toast.

Riki doesn’t often rely on instinct to carry him, but he can tell that the villain he’s facing isn’t just a criminal. 

“Land another hit, would you?” he tries to say, his voice strained from the pain in his arm and leg. It doesn’t do much to deter the man in front of him as the arm continues to destroy and bend the metal on the way up. “What are you going to do now, Sparky?”

The man says nothing, charging energy into his metal glove again before aiming and focusing on the target: him. 

Riki jumps off, not able to properly land his web in the right spot as he goes from one section of the bridge to the other. The man behind him looks enraged at the boy’s attempt to escape—so much so that he reaches out with his normal hand to try to grasp the suit when Spider-Man swings past him. Instead of the feeling of fabric, the villain feels sticky spider fluid on his fingers. Riki shoots out a web, one that curls around the villain’s wrist and drags him off the tower. Instead of being able to launch him into the surrounding waters, the man slips from the poorly shot-out webs and falls from mid air into the sea of frantic cars, including one semi truck that collides directly with his arm. In the air, the boy winces when he hears honks and shouts from the impact, hoping it’s the last time he’ll have to witness it.

With his gaze trained on the falling figure, the weakly attached web breaks, and Riki all of a sudden starts falling down as well. He curls up defensively before bracing for impact, curling into himself when he feels the metal dent and the truck driver scream from outside of the parked vehicle, the body of the villain right in front of it. 

Riki staggers, holding onto his arm and thigh the best he can before getting up. With wobbly steps and a small jump, he lands near the unconscious man, whose metal arm is cracked and fizzling—something that Riki knows is bound to leave more scars. 

“Call the police. I’ll get rid of the pieces.” Although Riki wants to figure out who the criminal is and make sure he’s properly apprehended, the gashes in the boy's limbs leave him winded and exhausted. With hot metal scraps bound together by webbing in his hands, Riki swings out and dumps it somewhere rural, trying his best to cover the pieces with the pounding headache that 

Riki revisits the secluded spot under the bridge, looking for clues to the man’s identity, and his expression falls when he notices a lanyard dangling near a trash can. 

His name, his position, and the company. FLiGHT Corp. The company name caught the boy’s eye, and he pockets the item before leaving. 

It seemed like he was a normal research scientist, but Riki’s recollection of the scars and tattered skin leaves him retracting his last thought. He heard something about the failure of a time travel machine at FLiGHT, and if the mass of the incident was anything to go by, he was in the center of it. 

No matter how many times Riki tries to get it out of his head, on the way home, all he can think about is the inexperience he displayed and the lack of response he gave Riki during the whole time. But Riki can’t bring himself to really take away someone’s life—and maybe for that, he’s a horrible superhero. 

He knows he should stop the man before it's too late, and especially with how many self-proclaimed villains there have been, it's not easy to see so many innocent people ruin their lives chasing a power that inevitably consumes them. He knows it’ll only get worse if he lets them run free.

And while the superhero has never been fully honest with himself, there are many times where Riki hates his role as Spider-Man, and wishes that he was just some teenage boy who didn't have the lives of others in his palm. He wishes he didn't have to sacrifice so much to stay behind a mask—and he wonders deep down if there’s anyone else who felt the same. 

His swings lead him across the city above hundreds of lives he has to protect, and he tries to find some semblance of peace. He thinks about how he has his homework due despite having just risked his life, he thinks about how your project is going—and about you. 

In the night under the stars, Nishimura Riki wishes for something just a bit normal. He wishes a good night for himself, but also for you, wherever you could be.

NISHIMURA RIKI MIGHT DIE FROM TRYING TO READ THIS BOOK IN ONE NIGHT.

The Great Gatsby is exactly like how you described it; a little hard to get through but fun with the plot’s eccentric characters. He’s pretty sure he could’ve just used a detailed SparkNotes explanation for the book, but having a crush can make someone do weird things. And in Nishimura Riki’s case, his infatuation has got him reading a novel about morally-skewed characters and rich society to impress you. 

When you come into class barely on time, Riki gives you a confused look when you sit down, but doesn’t comment on it any further. Instead, he takes out his book and tries to act like his eyes weren’t closing shut from exhaustion by the time Daisy was finally confessing how she loved Gatsby. 

The moment Mr. Yoo stops talking, however, Riki isn’t asleep—much to your surprise. He has his book out, pages filled with sticky notes and a whole section of his notebook dedicated to characters (written in bright red to keep him awake) and their traits. 

“I got it.” It’s the first thing he says when you two are left to do in-class work. It’s ominous, and maybe a little too enthusiastic in a high school literature class for a boy who doesn’t even care that much for school, but you’ll accept it with open arms if it means you get a helping hand on your project. 

“Continue,” you tell him slowly, leaning back in your chair to listen to him. And you don’t know why, but a small part of you thinks that the boy who sleeps every period the book was discussed wouldn’t have much to say or contribute to such an open-ended prompt, but life is full of surprises. 

What you fail to notice is how Riki is nervous and his stomach does at least twenty flips before he swallows dryly and starts rambling in hopes to impress you and redeem himself from his embarrassing slumber a few days ago. 

“So you know how our prompt is based on one character and basically all their actions?” he asks, and you nod, absentmindedly thumbing a sheet in your journal. “I’m thinking we should talk about Jay Gatsby because so much is revealed to us about him that we might as well use it to our advantage. Y’know, talking about how the theme of exploitation and secrets is veiled under Gatsby’s desire for Daisy.”

“You don’t think Gatsby’s a good character?” Riki wants to tell you that Gatsby is more relatable than good or bad, but he shakes his head. 

“I mean, not really.” He feels like with those four words, he’s completely changed the trajectory of his relationship with you from a positive slope to completely downhill—and a wave of panic washes over him. “Should I? I mean, I could see him as more redeemable if you gave me examp-“

You wave your hand to quell his worries. “To be honest, I don’t like him either. But he’s an interesting main character to write about, so I think we should go with your idea.” 

To win your approval feels like he’s won at least three fights against a villain in a row without getting any bad injuries—it feels good. And for the rest of the period, you are able to finish a detailed outline of your work for the next few weeks, mapping out sections for each other, and he even gets to see a part of prom planning on a word document you had open. He considers your shared productivity a win when he packs up and bids you goodbye before leaving for lunch. 

One wave doesn’t catch Riki’s attention from across the room. Not even two, or three calls of his name could get Nishimura Riki out of his thoughts, and Jake frowns before moving up in the lunch line. 

“Something’s caught your eye again.” Jake feigns innocence and sighs dramatically as he places the food down next to Riki’s plate. “Could it possibly be our school treasurer?” Jake laughs, leaning over to catch a glimpse of what’s got his friend so entranced and non-responsive.

Riki scrunches his nose, annoyed, but never breaking his gaze from where you’re sitting. “We talked in class–like, a lot,” is all he says, paying his friend no mind. “She’s genuinely so understanding.”

“God, I don’t think you can be any more down bad for her than you are right now.” Jake picks at his food, and despite his concentration directed towards the olives on his pizza, he’s able to dodge the flying loaded nacho that goes his way, even if he wasn’t the one with superpowers.

“Can you shut up?” Riki grumbles, laying his head on his arms as he notices you smile and point to something. “I just got pummeled into a semi truck last week. Let me have this before I die tomorrow.” 

“Very grim,” his friend notes, ruffling the younger’s hair, “I think this is exactly what all of those mental health assemblies that we get are for.” And Riki basically tunes him out, too tired to fight and too used to the teasing remarks to come up with anything useful in response. 

Riki sits up a bit, letting his head rest on his propped elbow as he looks at the school food and touches another nacho gingerly. “Y’know, I read the book for English so she wouldn’t think I’m an idiot.” 

His friend snickers, successfully pulling out yet another sliced olive from the cheese, much to the disgust of Riki. “She probably already thinks you’re an idiot.” 

The superhero debates throwing another cheesy nacho in Jake's face, before deciding to eat it instead. “Don’t say that asshole! You make it seem like I have no chance with her.” 

Jake shoots him an exasperated look that makes Riki break eye contact. “That’s because you don’t.” 

“I’ll prove to her that I’m worth her time.” Riki says somewhat wistfully, still stealing glances from a few tables away. “Maybe I’ll ask her out to prom, show up in my suit. Do that cheesy upside down kiss shit people say Spiderman does.” When his friend raises an eyebrow at him, Riki shrugs. “I will! Well-maybe not the Spider-Man thing, but prom definitely.” 

Jake continues to look at him unconvinced as he takes a bite out of a slice of pizza with mangled cheese. “You barely talk to her in class and you think you can ask her out to prom as Nishimura Riki?” And the younger grins, eyes still stuck on how your eyes crinkle and how your shoulders shake with laughter. 

“Yup.” And his fate is sealed, just like that.

“What’s your project about, anyways? Didn’t you tell me last night that she gave you her number? Must be pretty serious if she wants to text you.” Riki furrows his eyebrows and shakes his head. 

“It’s just tying the theme of the book to one character and writing about how they show it. So we did the theme of money and Gatsby, because it’s easy and mentioned so many times.” 

Jake gawks. “You must really like her,”

“I was planning to read it regardless of who I was partnered with.” 

“Okay- that’s debatable.” There goes another one of Riki’s nachos.

“Gross.” 

He thinks things are going pretty well for you two. The report is being written and your quotes are basically finding themselves, so Riki should give himself a pat on the back for pitching the initial idea for how to go about your assignment. Maybe reading the whole book offered him a few useful pointers, and he goes to sleep that night satisfied with your progress. Maybe Heeseung and Jake were right—maybe he could finally ask you out by prom. 

NISHIMURA RIKI MIGHT DIE TRYING TO SAVE THE CITY FROM YET ANOTHER MONSTER TERRORIZING THE STREETS.

He wakes up the next morning, not expecting his alarm to alert his senses to danger. It rings in his head and makes him feel delirious, trying to shake sleep off as he looks out the window for any visible sign of what's wrong. If he could hear the danger in his head then that meant someone could be hurt, and he could go to school without a few hours of sleep if he worked fast enough, right? 

Riki slips into his suit without much thought and goes to crack his window open, only to look back at his clock and read the horrific time of 6:23AM. 

Who the hell picks a fight with a teenager at this ungodly time? 

Then, he shoots from his wrists, once, twice, and suddenly, he's off, covering more ground through the air in just three seconds than he ever could while walking or running for minutes on end.

The source of his tingling spidey-sense is some large metal centipede creature that was setting off car alarms in a neighborhood near the market. Thankfully, no one was really awake to be caught in the crossfire, but he has to figure out how the hell he's going to catch that thing in...he checks his watch…twenty minutes? 

Hopefully, his instinct will help him win this time—again. 

The web he shoots out does nothing to stop the monster, and considering how it connected them both, the threads only drag the superhero to the edge of the building he was initially watching from. With some yelling and pulling, he finally detaches, and realizes that the odd sizzling feeling in his bonds must be from the same source as a few days ago; Spark. 

He had this gut feeling that a villain as strong as him wouldn’t have been destroyed so easily, but his wounds were so deep and the blood loss so bad from a few nights ago that he couldn’t have truly dumped him in the ocean without fainting or suffering something permanent, and although Riki hoped things in the universe would work itself out, the presence of the giant fifty foot insect alone is proof that things were not in his favor. 

He jumps off the building onto another, working quickly as he strings up a few webs between the houses as a wall for the monster, watching it slide and knock over cars in its wild pursuit. The monster spends a few seconds breaking down the wall of webbing and climbing over it, the many legs easily breaking through. As the superhero jumps across buildings and keeps track of the centipede’s movement, he has no idea why it isn’t going for him, and that makes his job much harder without the attention of the monster. One glance at the direction the centipede is headed in sets off another ding in Riki’s head—but this time, it finally clicks why the centipede is headed away from the boy. 

It’s attracted to the power plant. 

Riki immediately jumps and swings off of a lamp post, using the momentum of gravity and the force of his swing to propel him faster than the slithering creature. Squinting, he holds out his fist and points his pointer and pinky out, following the movement of the centipede as he aims. 

Bam. 

He sends clusters of silky white threads down precisely at the first pair of legs to pin it down. The webs stop the creature momentarily, and Riki doesn’t have time to watch how the body shrinks up and fizzes out with blue shocks as it tries to wiggle loose and malfunctions. This fight would be over soon, and the boy smiles when he jumps down to shoot more webs to apprehend the centipede. It wiggles and sends electricity out through parts of its body, trying to pry itself out. He expects it to simply be a robot of sorts following a mission considering its avoidant behavior, but as he approaches the tail, the monster suddenly swings at Riki, and its mass and speed is incomparable to the boy’s reaction speed. 

Riki lands into a tree and someone’s garage, feeling the crumbling wall falling all over him and the sudden pain blooming in his lower back. 

This fight will, in fact, not be over soon. 

With his superhuman abilities, Riki grabs onto the metal of the car beside him to hoist himself up, coughing from the dust, and jumping over the rubble to see how quickly the centipede creature can get out, without regard for his current state. The sound and rumble of the giant monster is all he needs to know that the traps are effective, but not at the previous capacity. 

The plan is simple: apprehend the legs and crush the head, where Riki assumes the decision-making and programming is taking place. But the monster’s angry and erratic actions throw a wrench in his plan. Its legs move faster, digging into the cement and leaving ruin in its wake as it continues down the road. While both the villain and superhero are fast, the distance between the power plant is finite—and only grows smaller and smaller.  

Although Riki can feel the bruises coming, he runs and swings, hearing the wind in his ears as he catches up to the centipede in no time. He tries the same tactics again–aim, shoot, stick, all the while keeping his distance. Although the monster’s body spans incredibly long, and should carry an immense amount of weight, the way it snaps at Riki’s flying body and sends shockwaves through his core leaves him shivering as his body slams into the ground, coughing. It hurts all over, and it feels like there’s weight on his eyes when he tries to open them and get up. His head is spinning as he staggers onto his knees, clutching his chest as he watches the centipede shrivel and crackle. 

It seems like the voltage produced is a double-ended sword, one that burns up the centipede body as much as it deals damage, and with the way the mutant creeps towards the electricity of the plant, Riki gets the feeling there’s a magnetic pull that forces the mutant to continue to crawl even against its instinct to stop. 

Despite his waning strength, however, Riki knows better than to half finish the job like last time. He creates a net from experience, weaving together the thickest and most durable threads to trap the entirety of the slowly approaching creature. It seems to crawl slowly up the makeshift barrier, knocking its head against the white and spreading the bright blue waves of its energy throughout. The boy watches as the thin white mass absorbs all of it and clings to the creature. It works, finally, after his attempts to nullify its movements, and he knows that despite the ache in his every step, the almost mummified centipede that hangs between several roofs for all the neighbors to gawk at is his sure sign of victory. 

All he remembers is hearing a familiar call of his hero name before his legs give out and his head hits Jake’s chest. 

Holy fucking shit is the first thing Riki thinks when he wakes up. 

He’s not out of his tattered suit and he feels grimy all over, but his body has done wonders in reducing the otherwise fatal injuries he got. No human body should be able to withstand two energy-filled blasts, but his suit and superhuman healing are of greater help than ever in alleviating the damage from his wounds. 

He knows why he’s in his bed with bandages thrown over his open wounds. He knows that every time something like this happens, it’s Jake who shoos away the concerned civilians, telling them he’s a medic. Jake is not a medic—rather, he’s a seventeen year-old boy who knows about his friend’s double life and with all the times he’s saved Riki, someone might as well dub him the greatest medic of all time. 

The clock on his bedside table has only served as a bearer of bad news. He looks over to see how it’s practically midday, and he’s missed yet another day of school from fighting crime. He’s in no condition to get up or get his bag, seeing how his hair is frizzy and his cheek has a cut that would warrant questioning. It seems only fair that he stays absent, and before he falls back asleep, he only prays you aren’t too mad at him for leaving the seat next to you empty.

But you aren’t mad, just worried. The soreness in his muscles doesn’t go away though, and he groans when he sits up in his bed, with bandages around his arms and an ice pack discarded next to him. 

He’s most definitely not coming to school like this. 

While you bore holes into the clock hanging off the wall, that doesn’t speed up the time. Two minutes pass, then another minute. As your classmates find their partners and begin discussing, you notice how the room gets louder with the due date looming near. It’s the first time you’re alone without the familiar boy beside you, and something hangs low in your chest when you put in a pair of earphones and open your laptop. 

Riki’s absence should have no effect on you. After all, you’re both just high school students who’ve talked once or twice, and yet you still look over at the empty chair. Staring doesn’t make Riki appear, though, and you return to your edits. It feels empty without his insight, or without him asking you to help him with a passage. Riki was your solution to all things boring. If he wasn’t doing his work, then you two were laughing at something on his phone. And if you agreed to both do something other than the report, then you could ask for an extra opinion when deciding prom details. There was something freeing about working with him that attracted you. Riki knew how to lighten the mood on days that weren’t so good for you, but he also worked hard and let loose at the same time. There was a perfect balance in Riki’s life that you aspired to have; it was a good mix of playful, dedicated, and fun all in the same vein. 

The words blend together on your screen. Jay Gatsby this, Tom Buchanan that, it all looks monotonous the more you keep trying to read and comprehend what exactly you’re talking about. 

Before class is dismissed, Mr. Yoo steps to the front of the classroom to gather everyone’s attention. He introduces your new novel for the next month, explaining yet another large assignment associated with the text. 

Truth be told, you don’t pay attention to any of it. 

The only thing you remember to do is to grab extra copies of the printed graphic organizers, as you get out of your seat and rush out when class ends in pursuit of one specific boy. 

“Sim Jaeyun!” The call of his name diverts Jake’s attention from his phone to your waving arm as you weave through the students and finally reach him. 

“You can just call me Jake,” he explains, “what’s up?” 

You begin to reach into your backpack, trying to feel for your folder, and pull out a few sheets. “These are for Riki.” 

Jake cheers internally for his friend who’s busy recovering at home. “What, you got a crush on him or something?” 

He tries to play it cool by teasing you, but the smile you bite back leaves the boy questioning if there really is anything going on. Jake knows better than to tell you anything about Riki’s feelings, and opts to instead grab the papers and to thank you for looking out for his friend. 

“Is Riki okay?” You have to know, just to make sure he’ll be here tomorrow to cure your boredom. 

What Jake says is much different than the nonchalant wave and half grin he gives you. “He’s just bedridden.” 

“That’s pretty serious! Did he come down with anything?” He seemed fine yesterday, so what’s the catch?

He blurts, “He just got badly hurt.” 

Immediately, Jake knows he’s fucked up. 

Your confusion and silence answers him far more than words ever could–he basically hears the gears turning slowly in your head.

Jake weakly defends, “His parents had a fight with him because he hit his head or something. He’ll be fine by tomorrow. Just bedridden from sadness, y’know?” 

The look you give him is unconvinced, but when Heeseung pats him on the shoulder and waves to you, the boy realizes that maybe staying quiet would’ve been the better decision. 

“I’ll see you later, ____.” And he’s off, waving half-heartedly and dragging a very confused Heeseung out of the cafeteria. 

NISHIMURA RIKI MIGHT DIE TRYING TO WAKE YOU UP AS GENTLY AS HE CAN.

Ever since March started and flowers began to bloom, your energy seemed to do the opposite, dwindling until Riki catches you mirroring his frequent in-class action: sleeping. And it worries him beyond belief, because you’re not the type to fall asleep like… ever. However, Riki does not have the heart to wake you up, even if it’s with a little nudge that you probably barely feel with how light he taps. It breaks his heart to have to ask you to review what he has done, because the bell is about to ring and the teacher might just send you to detention if he catches you off-task. 

The allergies always make Mr. Yoo irritable, and Riki knows not to get on his nerves. 

Your eyes flutter open to the pokes and prodding from none other than Nishimura Riki, who gazes at you softly when you adjust to the bright classroom setting once more. 

Panic settles in. “Wait- how long was I sleeping for?” 

He shrugs and scrunches his nose, not giving you an answer as he finishes scribbling something in his notebook. 

“Oh my god, I’m so sorry.” Your hand squeezes into a fist at the frustration that you’ve let your partner down. 

And yet, Riki seems to be unfazed, frowning when he sees you stressing out. “Don’t ever sweat the little things, yeah? If there’s anything you ever need to talk about–trust me, I know what it’s like to have a lot of pressure on your shoulders.”

Smiling at him, you respond with, “Thank you, really.” 

Being treasurer is daunting in the spring. It’s full of requests, forms, and small tasks that leave you spent by the end of the day. “But,” you glance at the clock to see just how much time is left, “how’d you know?” 

He motions to your open computer with a now dark screen. “I saw your document pulled up. ____’s tasks or else she will be kicked out of student government,” he taunts, snickering when your eyes grow wide with embarrassment and you lightly nudge his shin with your foot in warning. 

“It’s not polite to snoop,” and although you say that, you catch something in your peripheral vision. It’s a few drawings of a figure and gadget drawn, shaded from rigid shapes with small descriptions pointing to different places. You weren’t sure what was more surprising; how good the drawings were, or the subject of his imagination. 

Weird. Inherently, there was nothing wrong with Riki drawing a villain, and you chalked it up to him being creative. Nothing more, nothing less. 

He puts his hands up in surrender at your last comment, his grin showing anything but. Just one look at the boy makes you realize that everything you’ve just thought about is foolish. 

There’s no way he’d have time to be a villain and a student. With one final thought, you let your raging thoughts rest and focus on the present; him. You’ve seen his hair messy, especially after his naps, but when Riki tries to style it like how he did today, you pay more attention to the streaks of blonde and how he often hides behind his bangs and scrunches his nose. It’s cute. He’s cute.

The truth is, you enjoy being around him like this, joking around and never worrying too much about your responsibilities and expectations. It’s refreshing. Being around Riki gives you the feeling that things will be okay in the end. 

You snap out of your thoughts to see that his desk is empty, while your’s hasn’t changed one bit.

“You’re going to sell prom tickets now, right?” He makes small talk before leaving for lunch, closing the notebook you were suspiciously eying before slipping it into his bag. 

“Yup,” you answer, popping the ‘p,’ “I’ll see you later,” and you two part ways.

All the long lines and constant distribution of change doesn’t allow much wiggle room for you to daydream. As time goes on, the ticket-selling line grows smaller and smaller, but the only thing you truly care about is eating the lunch your parents packed you. Your sandwich is probably sad and soggy now that there are only a few minutes of lunch left. When you finally sign off one last time after triple checking the forms are all correct, you let out a sigh, leaning back and finally getting a break. 

Then, it hits you that you’re not even sure if the boy you’re fawning over is attending the biggest event of the year, and you feel stupid for forgetting to ask. 

-

Yesterday was a rookie’s mistake–today, you’d make sure you get an answer from him.

“Are you going to prom, Riki?” is the first thing you ask when he sits down, grabbing his book and laptop with a little too much enthusiasm. 

“I’m thinking about it.” Yeah, whatever confidence he had when convincing himself he’d ask you out isn’t serving him well at this moment. Quite frankly, Riki feels lame as ever trying to be nonchalant around you. “You?” 

“I’d have to set up, so I would be there, yes. But whether or not I have a date is another story.” You smile to lighten the mood, but Riki watches you and nods, focusing back on signing into his laptop and getting his notes for the new book you’re reading. 

“Well, you’re not the only single one here.” And he wants to reprimand himself for saying something without thinking. “If someone asked, would you say yes?”

You think about it carefully, really because you don’t have anyone in mind when it comes to prom if Riki’s not planning on going. “It’d have to be someone I know—someone I talk to somewhat regularly. I’d be nice to be with someone who doesn’t make it awkward.”

Nishimura Riki might die from over-thinking if he keeps on wondering whether or not he fits that description to a tee.

RIKI'S TO-DO LIST BEFORE PROM

☐  talk to ____ regularly 

☐  don't make it awkward 

☐  be..cute? 

The boy decides that his superhuman responsibilities might be easier to complete than any of those three things. 

He switches the subject to stop his head from hurting too much. “Did you finish the report?” 

You still, and Riki’s question reminds you of the report looming over your head. In your defense, you two hadn’t brought it up much in the past week, and he didn’t seem to worry over how much of your time was spent emailing teachers or making spreadsheets. Although caught off guard, you’re quick to respond with, “What did we have to finish? I thought we were done since last week, but if there’s anything else-” 

“Sorry,” he rushes out, biting his lip, “I meant, if you finished reading it.” And the answer is no, you haven’t read it since your last edit on it three days ago. 

Within a few clicks, you find the document and scroll to the bottom, seeing the small note that Riki left that said ‘let me know how it looks.’ It’s sweet to know he thought about your input as much as you did his. 

“While some can agree that Gatsby’s rise into high society was sketchy, Gatsby still retains the same reserved character from years ago, and doesn’t manipulate others into success or use his money for nefarious purposes. It’s not like he changed after his wealth, and it could be argued Gatsby loved Daisy until his last breath and was willing to die as long as she was happy, emphasizing the theme of sacrifice. 

So, is Jay Gatsby a good person? The question targets the morality of a character who many can empathize with. Those who are charmed by his overwhelming love for Daisy would say that he’s committed textbook crimes, but focus more on the intent behind it. To pine after someone from a distance isn’t easy, but to pursue her after years of separation is even harder. It’s universally agreed, however, that love as a driving force doesn’t nullify what he’s done to others and the dirty schemes he’s enacted to gain the power he has. Therefore, Gatsby makes for an interesting main character, and highlights just how twisted a system around money can be.” 

The last page is–for the most part–his writing, and your admiration for him grows when you finish reading and scroll to hit your Works Cited page.

“It’s good,” you tell him wholeheartedly, “Didn’t think you had it in you.” 

Riki cracks a smile at your light teasing, soaking up your praise. 

“Now you know.” He shrugs. And he can only hope that you like him as much as you like his literary skills. 

NISHIMURA RIKI MIGHT DIE WHEN HE COMES TO THE REALIZATION THAT HE IS EXACTLY LIKE JAY GATSBY,JUST WITHOUT THE MONEY—DESPERATE FOR THE GIRL OF HIS DREAMS, DYING YOUNG, AND A FRAUD HIDING BEHIND SECRETS.

Nevermind the last one, he has to hide when he has an identity to protect as the city’s only superhero, but Riki feels his heart sink to his heels when he read a few weeks ago how much Gatsby simply adores Daisy. When Gatsby died, he scoffed, closing the book with a sudden disinterest. If he were the male lead, he wouldn’t have been laying in a pool for target practice. Maybe being a superhero teaches you how to avoid being easy bait for all your enemies, or maybe Gatsby was too carried away with love to think straight. 

Fighting crime gives you insurmountable experience with sneaking around, but it wasn’t something he could just teach to anyone. When he gets this horrible gut feeling that something’s happened to you, he just knew something was wrong. He might not be easy to catch, but for anyone else? Definitely.  

For everyone else, prom was a month away, but for you, it was three weeks of talking to your advisor and president, arguing with your other board members, and sitting behind that damn money box for another five days to sell tickets. For you, it was realizing that you were supposed to buy streamers and balloons yesterday on your way home from school. It was the thinly veiled disappointment in your board member’s texts when they told you they were at a loss for words. ‘I’m sorry, and I know you’re busy, but how could you forget? Prom is so important for all of us. What if they don’t have what you need anymore?’ It all repeated in your head as you bit your lip in frustration and slipped on the first pair of shoes you could find. Although it was dark and dangerous, you could care less if it meant avoiding the passive aggressive comments you’d get tomorrow during your meeting.

There it is again: that little tendency to not pay attention to your surroundings. 

You yelp when you feel someone grabbing your wrist and pulling you in, muffling your screams as he pulls you along. To see him on the news was worrying, but to see Spark in person with your life on the line is even worse. 

Tears spring to your eyes as you struggle against the metal to no avail, and you curse every previous moment you spent worrying about balloons rather than your safety.

Spark suddenly stops, shoving you against the wall before his hand grabs a brick with his metal arm, beginning to climb. “Don’t let go.” And you don’t think twice before holding on.

The city view would be beautiful if you weren’t hearing your heartbeat in your ears or if you weren’t dangling from the railing of some company building, trying to wiggle yourself free of the rope around your wrists. 

Spark speaks up, drumming his fingers on the railing next to you. “You wouldn’t happen to know where your friendly neighborhood Spider-Man is, would you?” And you furrow your eyebrows, genuinely questioning for a moment if he really knew how the superhero operated. 

A voice from across the street puts a temporary hold on your thoughts, and you glance up to see a flash of blue and red soaring through the air, followed by a groan and a beam of light next to you. Seeing Spark’s powers right in front of you spurs you into action, yanking at the rope and trying to take tiny steps away from where they were fighting.

“From what I’m seeing, you wanted to hold someone hostage because you’re not feeling too good, huh?” Spider-Man shouts as he shoots out webs and blocks hits. You shake your head in partial disbelief of how unserious he is, but also how unbelievable all of this seems. “You tried to take a potion or something? I’m going to tell you this now, but these usually don’t work.” 

Riki’s assumption is right, and considering how Spark now has a leg and arm from metal instead of just the arm, the procedure for the additional limb couldn’t have been easy. The superhero still proceeds with caution, making sure to pay attention to anything new as he dodges and fights back. 

The villain immediately gets back up, stumbling for a moment before he regains his stance and runs towards the boy. You hear the clanging of fist hitting metal from their fight, and considering the difference in height and build, you’d expect Spider-Man to be easily flung to the side, but he holds his weight in battle. 

Riki aims for around the left shoulder, where an abundance of stitches cover the skin and fuse the metal into muscle. He lands a hit, and almost another one, before a punch to the side knocks him from his momentum. The boy wheezes when his back makes instant contact with the ground, rolling and getting up before Spark has time to shoot. 

He notices how quickly the gadget generates electricity now. Before, the beams took longer, and were easily predictable, but now, it glows bright for a moment before it fires directly in Riki’s path. The boy dodges the first, but the second one almost hits the top of his head before he ducks and creates distance. 

From the roof-top, Riki scans his surroundings before making the split-second decision to jump. 

He swings to the other side of the building, keeping you in his peripheral vision as he works on apprehending the villain in front of him. They spring into yet another fist fight, with Riki’s agility easily letting him avoid punches and land precise hits to make the previous injuries even worse. 

You think Spider-Man has the upper hand in this, seeing as how none of Spark’s punches seem to slow down the superhero, but you hear something loud before you can register it. 

You figure out what happened after Riki stumbles and suffers a blow to the stomach, sending him tumbling to the edge of the building. Spark knew that Spider-Man was avoiding his left arm—he knew that one wrong move paired with the tungsten material would have a lasting effect on the superhero’s fist. 

Riki coughs from the impact before his spidey-sense rings, pulling him back into battle as he runs as fast as his body can take him. 

You. He still needs to save you. 

With renewed vigor, he continues to avoid the flying sparks as he ducks between structures and uses the terrain to his advantage. He can tell, though, that the villain is slowing down. The shots are less accurate–a telltale sign that the enhancer Spark tried is working against him. 

Between all of the chaos, Riki finally lands a proper web, yanking as hard as he can to pull Spark to the ground. He stumbles, grasping at thin silk before Riki lets go on his side. The villain’s balance is off, giving the boy an advantage as he closes the distance, hopping over a thrown slab of metal and landing a solid kick into Spark’s ribcage. As he stays down, Riki continues to aim for muscle and flesh, his head spinning as he packs punch after punch to keep the villain apprehended. 

Spark’s body–curled into itself to absorb the hits the best that he can– hides the growing blue flash that he’s slowly charging up with his remaining power. The moment it escapes from under his abdomen, Riki directs his efforts towards avoiding the electric glimmer. The villain rolls over, his body tattered from the consistent injuries, and he fires what seems like an intense bullet of energy. It zips by the boy’s cheek, cutting the mask and leaving blood to run down in its wake. Time slows down as the superhero tries to process the unlocked speed of the burst, and Spark loses focus marveling at his new abilities. Never before had either of them seen power so concentrated, and it inflicts both fear and excitement. 

He lifts his arm, the other holding it up for support, and Spider-Man notices the fizzle of bright blue. Riki’s about to jump out of the way, preparing for yet another high-speed bullet, but before Spark fires, something clicks. The arm doesn’t directly point to Riki–but it skews off to the right.

Except, he’s no longer aiming for Riki in the split second that the boy blinks. He’s suddenly aiming at you, where your hands are tied to the railing and your feet are dangling from the bent metal that holds you precariously over the edge, leaving a fifty foot drop in its wake. When you see the blue energy in the villain’s palm growing slowly bigger, you pull at the rope desperately with zero regard to the tender rawness of your wrists. 

In your attempt to somehow break the rope, your cry of fear snaps Spider-Man into action. 

Riki pushes his sore body to jump as quick as he can, leaping across the rooftop to the building over. He easily avoids the metal railing, grabbing onto your arm as he yanks hard on the rope, the force of it separating a piece of metal from the railing. He immediately jumps, sending out a web to swing him back up. It all happens in a flash–first, you were bound to the edge about to fall to your death, and all of a sudden, you’re tightly pressed against Spider-Man’s chest with your bound wrists still attached to the metal. Shutting your eyes, you trust Spider-Man entirely, closing your eyes to avoid seeing just how far up you were. Wind rushes in your ears and leaves your stomach fluttering with butterflies until the superhero sets you down on a secluded rooftop. 

“Please,” he begs, “don’t leave. I’ll be right back.” 

You’d be a fool to do anything but wait. 

Riki checks on you one last time before diving down, springing himself back up with another web. The damage from the blasts is recognizable even from far away, and yet, he notices the reflective shine of a metal arm on the edge of the building before Spark lets go. 

To Riki, Spark is dead after dropping from a fall having taken that much damage, but he hears no impact. Making haste, the boy fails to find any figure no matter how hard he looks, but Spark’s laboratory has to be here somewhere. The badge from a week ago was stuck on Riki’s mind, and he could only imagine the reasons why he pursued this life. Was he recreating something? If he needs to power some sort of machine, then the heart of the city is a perfect place to harness the electricity for any large scale project. As much as he wants to dedicate the rest of the night to searching the city for some sort of clue, the fact that you’re still stranded on that rooftop after having just experienced a life-changing event blares like an alarm in his mind. 

He quickly leaves, returning to where you’re seated.

Without the fear of falling to your death from earlier, you were able to focus on undoing the knots from the rope. Red scratch marks and irritation bloom on your wrist, and the reality of it all happening still hasn’t settled in. Despite not being harmed once, the fear and incessant pounding of your heart overwhelms your senses, and it leaves you heaving with confusion. 

A pair of footsteps only become apparent as Riki walks closer, taking a seat beside you and letting out a large sigh. He stares at the stars silently as if he doesn’t have a cut on his cheek and bruises waiting to paint his skin purple–as if he isn’t hiding his true self under a facade. 

“You’re not hurt, are you?” You shake your head, grateful that Spider-Man was the reason you got away without a real injury.

“Thank you, really, for saving me. I don’t know how you manage to do it.” 

Riki chuckles under the mask. “Eh, you get used to it,” you hear Spider-Man say. “You fight a couple bad guys, get over a fear of heights and eventually you get the hang of things.” 

Scoffing, you gently rub at your wrists to ease the redness. “Easy for you to say. I haven’t been taught a crash course on how to avoid being supervillain bait just yet.” 

“Maybe you should learn it sometime,” Riki responds absentmindedly, “someone like you shouldn’t have been out so late doing whatever it could’ve been.” 

Sighing, your mind drifts off to think about the balloons and streamers that are not in your hand. “I had stuff for my upcoming events.” 

He knew about all of it when you’d explain your cryptic reminders and notes on your computer, but he still feigns curiosity. “What upcoming events?” 

“Just prom,” and he hears just how strained it makes you. 

Riki tilts his head in faux confusion. “What do you have to do for prom?” 

He notices how you immediately slump, as if the mere mention of prom deflates your happiness. “It’s only a few weeks away, and I was supposed to get decorations for our venue yesterday. I just wanted to slip out before my parents noticed.” 

Despite the fabric over his eyes, Riki’s expression shifts from surprise to pity when he understands your stakes. “You still need to be careful. Is your student council strict?” 

“Not strict necessarily, but judgemental–I ran for the position because I thought I could help my school raise funds and find more opportunities, but it just feels like no one truly wants to try anything new.” You wave it off as if it’s not that important, as if it isn’t the reason why you find yourself stressed so often. “I just don’t want to disappoint or give people something to talk about.” 

Despite not being involved with school the same way you are, the boy next to you resonates with the fear you currently face. The fear of letting people down was a large part of why Riki continued to put on that mask and step into the most dangerous situation of his life; he never wanted to sit down to hear the news that Spider-Man quit. 

So he keeps doing his job, even if some days are harder and some fights aren’t worth winning–just like what you do. 

“Yeah, I get that,” he tries to console, “You must be doing a lot for everyone around you, and I’m sure a lot of people appreciate what you’ve done. Don’t beat yourself up too much, yeah? You’ll always have me.” He smiles, but he knows you don’t see it. You’re looking at the stars, trying to calm your mind and return to your life before everything happened. 

You glance over at Spider-Man, wondering if he’ll truly be around for you when you need it. “If I need to talk to you, should I step out of my house past 8PM again?” 

Riki chuckles, watching clouds slowly dim the moon’s glow in their path. “If I’m not fighting crime, I’ll show up at a moment’s notice.” 

There’s no way he means it, but you grin, feeling a lot of the pressure and stress of earlier slowly wash away. After all, nothing happened to you–Spider-Man made sure of it. Maybe things really were going to be okay. 

“Let’s get you home, yeah? Don’t you have stuff to do anyways?” 

You shrug, nothing really coming to mind. As you get up, you remember having to run a plagiarism check on your work, and how Riki told you to text him when you got home after your student government meeting. 

Riki. Spark. Spider-Man. 

“Wait,” you tell Spider-Man, sitting back down on the cement, “I need to talk to you about something else, too.” 

“It’s not like my dinner’s getting cold,” the superhero mumbles quiet enough that you can’t hear. 

“There’s this guy,” you start, paying no mind to how dirty your clothes are getting when you cross your legs. 

Spider-Man scoffs, looking off into the distance, and it makes you believe he has to be your age or older. “You have a crush on him, or something?” And a whole tidal wave of deja vu hits you in the chest. 

‘He must be badly hurt’ isn’t just something people say. People don’t just draw insanely detailed drawings of Spark’s arm and machines without notes to follow unless they knew. People wouldn't just randomly miss school without any impending signs. You’re sure of it–the tired naps in class, the random drawings of superheroes and superhumans alike, or how awkward he could act–it all makes sense.

Your classmate, aka Nishimura Riki, aka the guy who you’ve questioned if you had a crush on for the past few days, might be a villain. 

The swirling feeling of trepidation in your stomach leaves three words running around your head. 

What. The. Fuck. 

Although you tried so hard to stop thinking about it, Jake’s comment from before rubbed you the wrong way. It was sometime last week where you couldn't get your mind off of the implications of his words, but that feeling was brushed underneath your responsibilities. 

Until now. 

“Yeah, there’s this guy,” you breathe, feeling your chest constrict, “Nishimura Riki. I think he’s Spark.” 

His blood runs cold. 

“You think this…why?” 

You take a deep breath, trying to organize all your thoughts. “Well, first, it was his friend, Jake. He said that Riki was badly hurt, and I was really confused at first, but tried to let it go.” 

Riki was going to strangle his best friend. 

“And then, I was looking at him in class, right? And keep in mind, he’s pretty cute, and we sit next to each other, so I just noticed how good his hair looked that day, but his notebook was out, and I saw all these drawings of Spark. Like, the arms, the metal things, even the projectiles! Who would know the ins and outs of that thing if it wasn’t Spark himself?”

He didn’t know what to think about first; the fact that you gushed about him for the first time, or if he should even tell you that Spider-Man would know those things, too. 

“And sometimes, I notice he’s a little awkward around me. I can’t explain it. It’s like he’s paying attention to me. That must’ve been why he captured me.” He wants to laugh at how damn close you are to figuring it out, but in reality, nothing is funny about the situation. 

Nishimura Riki is actually listening to this, right now, as Spider-Man–not Spark. The awkwardness, though? It was his crush on you, and was not superhuman related in the slightest.  

“I don’t know,” he attempts to divert, pretending to focus, “I saw a badge for FLiGHT. You know the company that’s been making time traveling machines? I saw a glimpse of his name and face. It’s not that guy you mentioned.” 

You raise an eyebrow. “And you haven’t gotten him caught?” 

“Villains aren’t easy to find, y’know. It’s not like playground hide and seek,” Riki defends, crossing his arms. 

You shrink in your spot, feeling sheepish for questioning a superhero so bluntly. 

“Plus,” he continues, “Spark has never had a hostage. Wouldn’t it be pretty mean of that friend of yours to kidnap a girl from his class?” 

“Yeah—that makes sense. Thank god,” you breathe, closing your eyes momentarily. “Then what do you suspect all that evidence leads to? Maybe he’s a secret agent?” 

“I think,” Riki continues to keep up his clueless facade, “Your friend might just be clumsy. Or creative. I mean, maybe he went through a break-up?” Nice one, Riki. 

You shake your head. “No, there’s no way he has a girlfriend. You’d think I like guys who are taken?” Scoffing lightly, you then remembered that Spider-Man really would have no idea who any of you are. 

He shrugs and stands up stretching before motioning for you to follow him. “I have no idea what you high school kids do. Come on, let’s get you home.” 

As you hug him tight, the cold air whips around your body and leaves goosebumps in their wake. You barely open your eyes from the fear of seeing yourself inches from hitting a building or up in the air. Spider-Man only yells his confirmation after asking how to get you home, finally placing you on the ground outside of your large gate. 

“Thank you for saving me tonight.”

“Anytime. Figure things out with that friend of yours, and don’t go out late, okay?” You nod and take his words to heart. 

“Goodnight, Spiderman.” 

—-

Nishimura might die. One, because he has this horrible guilty feeling in his stomach, and two, because of a villain. 

Yesterday, he ignored the salmon and rice bowl that waited for him back at home, choosing to follow the coordinates he saved on his phone after he took you home. It led him to a seemingly harmless auto-shop, with an arrow on his GPS pointing to a garage that was shut down completely with nails and blocked with boxes. The exterior pointed to it being abandoned, but Riki suddenly saw some light coming from a makeshift above.

The boy scaled the wall as quietly as possible, glancing into the source of the whirring. He caught small glimpses of something–metal, glowing, blue. 

Or at least, for a few seconds it was on until the power went out. 

The voice that complained from inside the room sounded identical to the man Riki fought. Spark grumbled, turning on a flashlight and quickly waving it around. Riki ducked from the window and held his breath, waiting for the man to suspect something. 

Nothing. 

One lightbulb slowly flickered back on, and then the other dingy light followed. The space was cramped with the metal equipment in the middle, resembling what Riki had seen in the news. 

He was right–it was the same time travel portal that was ruined from a few months ago. 

Spider-Man continued to observe the man as he worked and drilled, plugging certain wires or pausing momentarily to read from a journal. To anyone, it’d seem peaceful, like some sort of renovation project. But in reality, it was so much more than that. 

Riki searched for any sort of information about the machine, trying to see what exactly was left to do until his gaze landed on something. 

There was some sort of date on a bright pink sticky-note, and Riki’s eyes widened when he finally comprehends it. 

The machine was scheduled to be completed tomorrow. 

-

A street lamp next to Riki dies out—which was a clear sign that something was powering up. From the dark, he hears the metal from the same place as last night moving again, and he knows that Spark has left. His presence sends anyone down the street and immediately running, leaving the area for only them two. 

Riki finally sees the completed metal build. Half of his body is wrapped in or replaced with metal parts as he sets down the metal portal, beginning to push it in the direction of the power plant. 

A truck or car would make things much easier, but whatever.

Riki wants to cry from fear and run away. He wants to leave and pretend he never saw anything from last night. 

He’s going to die fighting Spark and he will quite literally a) never finish highschool and get that stupid diploma, b) finish explaining how Gatsby is not a good person and is naturally selfish, and c) he’s never going to tell you how he’s had a small crush on you ever since he saw your cute campaign video as to why you should vote y/n l/n for student body treasurer last spring. 

“You sure that thing works?” Riki asks, jumping into action as he sends webs to immobilize the machine. 

“You’re annoying, you know that?” Spark sends a projectile in the superhero’s direction, hitting the wall behind him instead as Riki jumps out of the way.

With another duck mid-air and the roof of a flying car dangerously close to his nose, Riki thanks the dance practice he does for his flexibility as he shoots another web and swings away. 

Spark is uncontrollable by now, sucking the light from street lamps and fizzing wires in his wake. He has no idea how he’s supposed to get in contact with the villain like before. The body of his suit fizzes with bright electricity that sizzles and pops. It illuminates Spark’s figure, making him easy to spot, but not so easy to defeat. It’s an overload of power, causing the voltage to escape between the joints and gaps of the metal pieces in his suit. And Riki can feel it; the air is heightened and so are the stakes of this fight—and with how the man that stands in front of him looks upgraded and menacing, he knows only one person can make it out of this fight alive. 

“You injected the city’s ‘Gas and Electric’ into your system or what?” Riki calls out, making light of the situation. If he’s being honest with himself, he’s scared out of his wits seeing the six foot figure with blue and white shooting from every crack, looking like a nightmare to touch.

Riki avoids a few more angrily thrown objects, using the momentum of his jump from the side of the building to zip from the top of a yellow fire hydrant to go from one side of the street to the other. “You’re slow!” He taunts, tucking in his legs to avoid a shot of electricity directed at him. 

The screech of metal from the nearby hydrant can be heard as the top flings off, making Riki lose his anchor/ Before he can process it, instead of smoothly landing on the building, he crashes into it faster than expected, groaning when his back makes contact with the glass and he tumbles into the living room of someone’s apartment. 

“Fuck,” he curses, fighting his aching limbs to get up once more. 

And the solution hits him. Literally. 

When he steps out and quickly attaches a web to the top of the building, he’s met on the way up with a splash of water from the hydrant to his face, and Riki splutters as he wipes his mask, regaining focus as he lands on the concrete and hides behind the ledge. 

Water. If he can get it in contact with Spark and pour enough water on the right spot, the excess of electricity blazing from his mechanical body should work against him. 

“Too scared? You should know better than to run away.” The superhero rolls his eyes, crawling away silently to avoid being seen by Spark. Riki does his best to look around for something, and finds a black flower pot in the corner, using a web to grab it before he scales the side of the building and runs away while Spark is distracted as the villain also climbs the wall to face him there. But when Spark climbs the ledge and scans the premise, Riki is nowhere to be seen. 

Instead, Riki swings across the street and fills the pot with water, heaving the extra weight as he shouts out from the sudden pain in his side. He stumbles on the pavement, crying out from the injury as the pot falls with his whole plan. 

Maybe this is where Spider-Man dies. 

He sucks in a deep breath before rolling from his back onto his knees, ignoring the wound to pick up the flower pot. The hydrant still shoots out water, and the superhero rushes towards it, causing Spark to follow. He narrowly avoids another shot from behind him, reaching the yellow hydrant before dropping the pot on the ground. Spark is th 

While Spark has always been intelligent, Riki could tell that the man didn’t fear the water, believing he’d be invincible to the elements now that his suit was perfected. There was something off, Riki could tell, and he would make sure to use it to his advantage. Spark was uncontrolled, and his powers drastically decreased the more he used them. There’s no way his body isn’t in overdrive with how recklessly he’s been letting himself get hurt. 

Riki uses a web to get himself on higher ground instead of fighting, waiting for the supervillain to follow. If he could get Spark off the edge and fall into the growing puddle of water, it should slow him down. 

Spark scoffs. “Run away, then. Like you always have.” Riki hears the wall crumbling under the villain as he climbs within seconds, immediately preparing to fight when he makes it onto the rooftop. But Spider-Man was also prepared, jumping from his crouched hiding position and attempting to catch Spark off guard. 

All he can focus on now is pushing him off. There’s no way it’d be easy, considering he had to focus on his touching any of the electricity off of his suit. Riki delivers a kick to Spark in the ribcage near his heart, where he’s fused metal into flesh. The villain coughs before taking a step back, his metal arm reaching for Riki’s outstretched leg. He grabs it, twisting with anger before the boy meets the ground in a violent throw. Not only is the slam greater because of the enhanced strength, but the power seeps into Riki’s skin, leaving it hot from the energy radiating off of his palm. 

The boy groans, flipping to his side to avoid a fatal hit to the chest. He reaches for Spark’s normal arm, swinging the villain’s body away with as force as he could to create distance between them. 

Riki has been in enough fights to simply know when to run, even if he doesn’t know what’s coming. He could feel the tingle of the charge as it powered up, and with its energy so unrestrained and its user so unstable, the large attempt to hit Riki sends the villain stumbling back from the force. The more Spark uses his powers, the more likely he’s going to end up dead. 

“Your skin can handle that anymore!” he shouts, getting ready to swing himself closer as a plan manifests itself in his head. “You’ll die like this!” 

Spark seems to know that too as he wipes his mouth and recovers from Riki’s attacks. 

“You think I care?” He shouts, desperately pressing his wounds to stop the bleeding. “You think I have anything else for myself?” The vulnerability of his character shines through as he clutches his bleeding wound without regenerative powers to help. “You think I didn’t know that when I did it to myself--what they did to me?” 

Riki doesn’t respond, grimacing as he continues hand-to-hand combat. Although he takes a solid punch to his jaw that’s forming a deep purple bruise, he manages to trip Spark onto the ground.

The man stumbles back from the head injury, the pounding from earlier not letting him to think straight. Riki doesn’t try to injure him anymore, but he instead blocks an incoming punch and tries to force Spark towards the edge. 

The villain barely notices how much space there is left, and the boy lunges with full force. They tackle each other into the ground, and Riki gets off after apprehending him once more. 

The city's a mess, and Spider-Man’s eyes want to shut down so badly, but he takes a few steps in Spark’s direction, pushing him off the side of the building as quickly as he can. Riki hears the thud before he peeks over the edge, seeing the water erode all of the engineering from the machinery. He slowly descends from the rooftop. 

“You were in the accident, huh?” Riki shouts on top of the plethora of sounds. Pain, buzzing electricity, splashes of water as he lands next to Spark; it all echoes in his ears as he pours the water from the pot on Spark’s body. “Why did you try it? Why did you want to go back so bad?”

“If I could go back,” Spark coughs, trying to get away from the large pool of water, “I could’ve prevented the accident from taking the lives of the people around me. I could’ve saved them.” 

Spider-Man understands loss, and he understands the regret that comes with failure. He understands how the man in front of him feels after having everything taken away from him, but his emotions could never justify his actions. 

“You know you can’t change things,” Riki responds, “You tried your best, Spark.” It’s the last thing Riki tells the villain before his body slumps and police sirens grow louder and louder. It’s the last thing that he continues to think about, even if the medic quickly assesses the severity of his wounds. 

“I’m fine- really,” he pushes away the hands of a concerned woman as she holds a roll of bandages. “There’s something else I need to do.” 

Riki knew he had to tell you about this–he couldn’t just let you confide in him about..well, him, without your knowledge. And Riki wasn’t morally perfect, but he knew an explanation would be the only way to fix things.

Your house looks different when jumping over the fence instead of standing in front of it. When he realizes he has no idea what room belongs to you, he racks his brain, suddenly remembering how yours was the only one with a gray balcony over the pool. And so he climbs, slipping from the exhaustion creeping into his body. 

You’ll understand after he explains everything, right? 

“____, a little help?” And what the fuck is Nishmura Riki doing outside of your door? You go to investigate the muffled sound, inching towards the curtains and pulling them back to expect him there. When you hear a half yelp and a hissing sound that follows right after, without a person anywhere in sight, your heart drops to its stomach. 

Do not say it’s true. 

“Riki, where the fuck are you?” you ask, traversing out when you don’t see him anywhere across the glass. 

“Down here.” You run in the direction of the voice, and your eyes grow comically large and you gasp, staring down at the sight before you. 

“Holy shit.” 

There Nishimura Riki is, with his mask half burned off his face and his blonde and black hair messy and matted to his forehead with sweat. The suit is ripped in multiple locations with gashes and purple replacing the healthy skin underneath. His face is in more of a grimace, as he holds onto the web with both hands and one foot planted on the stone of your balcony—read; the bottom of your balcony. 

“A little help?” And you see his sheepish emotion through the tattered fabric, embarrassed after you had to find him in such a compromising situation. “I’m a little worn out and I think my webs are getting weaker.”

You’re a little frustrated with him for being out so publicly, but more scared and worried for his condition. Your gaze narrows on the mask, tattered and covered with scratches, but clearly visible. It was Spider-Man’s mask. The material gives way to a familiar face, and your mind almost blocks you from putting the pieces together. It’s impossible, almost horrifying to think of the implications of what it means to wear the blue and red suit. 

Instead of being the villain, Riki is, in fact, the savior.

The harsh truth is that your classmate, who you spent the last month working on a project with and suspected was a villain, is the same superhero that went out and risked his life every night fighting crime. It’s jarring to see him like this, breathing heavy and straining against the stone of the balcony, and his cough snaps you out of it. “What the fuck do I do?” 

Riki tries to put his hand up in surrender and shuts his eyes at your harsh tone. “Okay, okay, I get-“ and he cuts himself off with a yelp as his footing slips. 

He holds out his hand, and you immediately bend over the smooth railing to grab it, leaning back on the heels of your feet to help him up the most that you can. You’re filled with confusion when the boy hobbles over the cool surface of the balcony and lets his head rest on the stone, not saying much as he catches his breath. You watch the rise and fall of his chest and how his right arm goes to nurse the left side of his ribcage, wincing and sucking in a pained breath as he assesses the smear of red on his fingers. 

Sitting there with your mouth agape, you’re not really sure what to think about first; to check if RIki’s alright, to think about how your city’s greatest superhero is your English project partner, to yell at him for going to your house instead of his house to fix himself up, or to think about how good his side profile looks in the moonlight. Maybe you should’ve just been relieved that the boy you started to like wasn’t a fear-inducing villain.

“Okay, first of all, we need to have a huge talk. But I’m not a medic Riki- I’m going into accounting for fuck’s sake.” He hears the amount of curses flying from your lips as you ramble, and sees how stressed you look watching him sit against your railing. 

“I don’t know how to help you. And also,” you lower your voice and scoot closer, looking around at the large property to really make sure no one’s listening. “you’re Spider-Man?” 

The information all hitting you at once is worse than when your history teacher told you your essay was horrible. At least then, in her office, you could process everything. But here? You’re about to faint. 

“I’m pretty cool, huh?” And of course Nishimura Riki says such a thing, taking deep breaths as he shallowly presses on the blossoming bruises on his skin and wipes the sweat from his brow. 

“Pretty fucking stupid is what it is, Riki.” You cross your arms and try to take a look at where he’s been hurt, hoping that at least he has some sort of regeneration ability that helps him heal much quicker—because there’s no way he could deal with all of this on top of school. 

“I have my reasons,” he says, his voice quiet. 

You pause. “For being Spider-Man?” 

“No,” he shakes his head. “For coming here.”

“What could possibly make you want to come over to my house instead of the nearest hospital? What’s that important to you?”

“I really want to ask you to prom.” 

You simply stare at him, surprised. 

“You came to my house, even though you’re like, a punch away from passing out, to ask me out? And you couldn’t have, I don’t know, asked me anytime during the classes we have together?”

Riki somehow finds it in himself to frown and shrink from your angry piercing gaze. “I can’t because talking to you makes me nervous–so yeah, I’m sorry I’m half conscious on your balcony in my suit instead of at your door with a poster.” 

You’re conflicted, your mind still reeling from the recent discovery and your flood of emotions. Ever since you questioned his identity on top of your feelings for him, you had a hard time really knowing if you could like Riki if he turned out to be a villain, so to know that he proved both of your theories wrong leaves you quiet as you think. If possible, the color in the boy’s face drains even more when you go back inside, but the door stays open, and he thinks he hasn’t ruined things after all. You emerge with a bottle of isopropyl alcohol, a bowl of warm water, and a pristine white towel. 

“I’m not mad about that, you idiot,” you reprimand him, setting everything down as you examine the cuts on his face. You squeeze the towel and start to dab at his skin, avoiding the cuts as you clean it. “Who does this for you if not me?” 

“Jake.” 

“Seems like a pretty good friend.” Riki nods in response. 

 “I’m sorry,” he sighs, sitting up to properly address you, even if you weren’t able to meet his gaze. 

“For what?”

“For putting this on you–all of it. Not just the whole Spider-Man thing.” He knew he’d have to tell you at some point, or else it’d eat him up inside to know he kept all of it from you. 

“Look at you, saving me mid-air and talking to me as if you didn’t know who I was.”

You notice a flash of regret through his wince as you clean up a cut with antiseptic. “I meant it when I told you I knew what it was like to have a lot of pressure.”

“Guess I wasn’t so far off, then. If we never talked, would you have told me?” Riki shakes his head, and the simple motion leaves you somehow disappointed. 

“How do you ever tell anyone you’re…y’know, Spider-Man?” Even if it’s a hypothetical, you shrug, not being able to answer.

“How’d Jake find out?” 

Riki chuckles and hisses at the same time before trying to remember. “I think I just kicked his window in after a nasty poison got hold of me. He was a little too excited to have Spider-Man on his bedroom floor, and less excited to know it was me. I’m not really supposed to tell anyone, though.”

“Then why’d you tell me? You could’ve just gone back to your friends.” 

“I felt guilty–I know, I know, it sounds stupid. I’d definitely get my identity revealed at this rate.” You shake your head. 

“Not stupid. Keep going.” 

“I didn’t care that you suspected me, or if anyone else did, because I knew it was never true. But I felt so bad knowing you were sharing to me how you felt without even knowing it was me who was listening–like I was holding something from you.” 

You admire his honesty, and when you look at his furrowed brows and his lip that he’s been gnawing from worry, you can’t even imagine what he’s had to hide and do for this. In a way, you look up to him more, for trying his best even if he’s gotten all odds stacked against him. Riki’s commendable in your eyes–he always had been, ever since you woke him up in class. 

“I like those things about you, Riki. That you’re honest with yourself and the people around you as much as you can be, and you try to help others when you can. I’m glad we got to know each other more this past month.” Talking to him feels different than talking to Spider-Man from a few days ago; it feels raw, like you’re not just confessing something to a brick wall anymore. If none of this ever happened, you doubt you’d get the chance to tell Riki any of this properly. 

The boy stays silent, taking deep breaths while processing what you’ve told him. “I’m glad I could help you out.” 

You furrow your eyebrows. “I hope you know I don’t like you because you help me out. I like you because you’re attractive, and because you’re genuine,” you blurt. 

Riki laughs despite his ribcage hurting everytime he does so. Riki nods and mumbles a ‘thank you,’ also glad to truly get to know you. While his crush was more of an infatuation with your hard work and amiability, the past few weeks really opened his eyes to who you were. You never wanted to disappoint, and even if your recklessness left you in some dire situations, Riki could see how much effort you really put into things. 

There wasn’t anything else he needed to tell you–you were smart enough to see how much he cared about you.    

You’re so close, your lips glossy with lip balm as you watch him carefully. You hear and see it all; the heavy, labored breathing from his body healing itself rapidly, and the way his hand is full of rough cuts and calluses as his fingers intertwine with yours. But your eyes catch a glimpse of his mask tossed to the side, the blue shining in the corner of your eyes as you’re reminded of who he is right now, and what role you play. You are still ____ ____, but he’s a superhero.

It makes you momentarily forget whose suit you're peeling away, whose skin you're cleaning. It reminds you that he’s just the boy in your English class that you fell for. “What does that make us?”

“Prom-goers,” he answers with a slight nod. 

You smile, wiping a cut before placing the towel back into the bowl for the last time and getting up. “We can be prom-goers, yeah.” 

You’re not sure if you’re ready for anything, and you’re thankful that he understands that, too. As much as it warmed your heart to see him again and hear his confessions, the blaring truth still hangs over your head. You grab his mask, finally looking at him before handing it back and grabbing your things. His secret identity wasn’t something you could just ignore. 

“Go home, Spider-Man,” you turn your back on him, and time slows when you falter before sparing him one more look. “I want you as Riki, not like this.” 

MAYBE NISHIMURA RIKI DOESN'T NEED TO DIE–OR ALMOST DIE–ANYMORE. 

He went home that night with his scars somewhat cleaned and his bruises miraculous healing on their own, and even if slipping through the window left him clutching his side in pain, Riki silently jumped up to celebrate his multiple victories before slipping out of his suit and finally getting some rest. 

Riki’s scared of how he’s affected your relationship. He’s worried you’ll avoid him in the halls, and he’s worried you’d never want to see him again after putting you through all of it. As much as he'd understand how upset you'd be towards him, he hopes he did the right thing by telling you.

But you see him on your way to English, and you call his name. His eyes search for yours in the crowds, and you two see each other before you crush him in a hug. 

Riki isn’t sure how to feel at first, but eventually wraps his arms around you as relief settles in his stomach. 

“Thank you for saving me, Spider-Man,” you whisper, loud enough for only him to hear. 

He smiles at you, ruffling your hair as you go to English together. “Anytime, ____.” 

NEVERMIND, NISHIMURA RIKI MIGHT DIE WHEN HE SEES YOU IN YOUR RED PROM DRESS.

But first, he has to try something out. 

He curses to himself when silently zipping from a tree outside your family property to the top of your house, staring past the ledge two and luxurious stories to your well decorated porch light and door. He just prays that Google Maps is  right about how secluded the area is, so no one can see him pacing around your rooftop, with flowers elegantly wrapped in his hand (courtesy of your mother’s sleek envelope from a few days ago). 

“Fuck it,” he says to himself, shooting a web and dangling himself down. Riki’s upside down figure watches swirled window frames and meticulously designed accents as he descends, and he wonders what kind of shady business your parents could’ve done to afford something so grand. 

He faces your door—hanging down instead of rightside up, but he’s still here on time like he promised. 

The door opens at 6:00PM like he instructed you to, but what he didn’t tell you what to do was shriek and slam the door. On his nose. With a loud yelp, Riki clutches his nose, rubbing the spot you hit and trying to apply pressure to alleviate the pain. 

When the door slowly creaks open again, you face with the image of Nishimura Riki, aka your boyfriend, aka your English partner, aka Spider-Man, curled upside down in the fetal position as he cradles the sore spot on his face and swings slightly from the breeze. 

“You scared me, dumbass! How was I supposed to know it was you? It was so hard to see!” 

Although muffled, Riki’s able to mumble, “You have a porch light for this reason, _____,” and a jab at his stomach from you follows his sarcastic remark. Finally, his nose feels better, and he straightens out to finally look at you. 

Pretty, pretty, pretty, and the boy wonders how you look even more stunning with a glittering red dress and perfectly done make-up. “I like the red,” he says, trying not to freak out over your beauty. “Reminds me of a certain neighborhood superhero.” 

“I have some blue spider earrings to match.” With a beautiful smile, you turn to show him the little accent, and it melts his heart. “Are you okay, though?”

“I’m fine. I should’ve probably put more thought into that.” 

You snicker, sliding into your heels and closing the door behind you. 

“One of us is better at romantic gestures, it seems.” It warrants a scoff, and Riki brings a gloved hand to poke at your forehead teasingly.

“Let me have a do-over, then?” And the way your lips curl up into a bright smile leaves him quiet and in awe. 

“What, were you going to kiss me? Very original, Spider-Man.” With the way the fabric shifts over his features, you can tell he’s pouting. 

“I thought girls liked this.” 

You shrug, pretending you aren’t swept off his feet by the effort he’s put in. Taking a step in his direction, your hands reach up to gently pull the mask over his chin, ears, and then his nose. 

Whispering quietly, you ask, “You’ve kissed other girls upside down?” 

Riki’s quick to shake his head. “You’re the only girl I’d withstand a head rush for.” And god, you just can’t stop yourself from grinning at his sweet, genuine words.

You lean in, placing a small kiss on his nose as a silent apology. Then, you close your eyes and lean into him once more, feeling his hands carefully holding the side of your head and his lips on yours. Your kiss with Riki is saccharine and slow, making you pull away when the urge to beam at him is too much. Your cheeks definitely hurt by how romantic he’s being, and you can’t resist kissing him once more.

“I’m not gonna lie,” he starts, finally letting himself down, “It feels weird.” 

“You ruined the moment.” And he really didn’t, but you enjoy his subtle reactions to your light digs at him. 

“Whatever.” Riki laughs. “Stay here, I’ll be right back.” 

You nod, sitting down on the porch and dragging a manicured nail over your lips with the ghost of his affections, thinking about how you literally just kissed Spider-Man. 

Riki comes back, dusting off his suit and smoothing out the wrinkles, with a large bouquet of red roses and one blue one snuck in there. Your lips stretch into a grin and you accept the bouquet, keeping a mental note to read the card in there.

“You never cease to amaze me, Riki.” It’s the last thing you mutter to the air before you loop your arms around his neck, urging him to lean down as you kiss him once more—this time rightside up, but still as sickly saccharine as the one before it. Your heart is fuzzy with fondness and your eyes glitter with adoration. 

“So, which kiss was better?” he asks when you pull away, a little breathless and dizzy.

You swat his arm and walk past the gates, seeing the sleek limo waiting by the curb. “I don’t know, Spider-Man. Maybe show up in your suit and we’ll try it again.” 

REBLOGS AND FEEDBACK ARE ALWAYS APPRECIATED AND ALWAYS READ!

RIKI FIC DONE!!!! ngl y/n u were right there how did u not know riki was spiderman but whatever idc she's a hard worker not smart LMFOAOAO. my first ever action fic so i hope you enjoy! also i hate the ‘oh he pined after her for 4 years she liked him for 2 months’ bs because I WAS IN IT. and it sucks so i tried to deviate from it :)

꣑ৎ permanent fic taglist (TAGGED IN TEASERS, FICS, HEADCANNONS, DRABBLES, ETC.): @dimplewonie @minleeeknow @heeheesang @mintpjzroll @llvrhee @firstclassjaylee @in-somnias-world @rairaiblog @suneng @mavlogist @sensitively-taken @sumzysworld @simpjay @moons-v @riksaes @txtari @jungwonscatcus @tya0 @sasfransisco @woorcve @shypen @pinkriki @rikisluv @saranghaohoshi @lilifiedeans @wonmyheart @k1ttyluvr @nikisgfff @ramenoil @laurradoesloveu @lvcky-g1rl-syndr0me @ikeulims @missychiefs1404 @qwonyoung23 @yangjungwonnie @onementally-unstabel-kid @microwvdstrawb3rri3s @blooqz @anormieee hi permies hope u enjoy! kith

[thestuffedalligator]

I read Fat Face by Michael Shea last month and it was. Fine? It was a Cthulhu Mythos story written in the 80s, it was very edgy and it had a lot of tropes I’m not a fan of, I don’t really recommend it, but I have to talk about one detail I have not stopped thinking about since I read it.

So. I knew Fat Face through reputation because it was the story that inspired Shoggoth Lords from the Call of Cthulhu TTRPG, shoggoths that can control their cellular makeup to look like humans. And the twist in Fat Face is that shoggoths have been hiding amongst humans in Los Angeles, and at the end of the story one of them eats the protagonist.

The tone of the story is grit. It’s grime. It’s sleaze and sexual violence and drug abuse on top of cosmic horror. It wants to be taken seriously so bad.

But here’s the thing about the shoggoths: they have a business.

They have two businesses they run out of an office building in downtown Los Angeles. A shoggoth is a primordial blob of eyes and mouths and flesh and hunger, and the idea of one of them at the LA Office of Finance registering an LLC is already. Great. Perfect. No notes.

The business is a front — and again, that’s great, a shoggoth went, “I want to do some nefarious deeds and not get caught by humans; I know, I’ll register a fake business that’ll be a front, and no human will ever suspect” — because the actual interior of this office is a room of pools of water made from black and ancient Antarctic rocks so that shoggoths can relax in their original blobby forms and eat stray animals that they’ve caught.

So it’s basically just. A place for shoggoths to unwind after a long day of pretending to be human. It’s portrayed as cosmic horror, but it’s shoggoth Cheers. Sometimes you wanna go where nobody knows your shape.

Here’s the kicker. The front of the business is a hydrotherapy clinic and stray pet rescue.

When they decided to make a front for their secret lair in an LA office building where they hang out in pools of water and eat stray animals — the front they prominently display and advertise — they decided to go with a hydrotherapy clinic and stray pet rescue.

That is Goosebumps shit. The rest of the story reads like a tone poem about the sleaze and violence of Los Angeles, and the main twist of the story reads like R.L. Stine.

But that’s not even the detail I can’t stop thinking about. Because the story reveals that this business — which again, is a front made by alien blobs to eat stray animals like an ALF-themed buffet and hang out in jacuzzi tubs of Antarctic rocks in an LA office — has a flyer.

Which means there’s a shoggoth with a passion for graphic design

[evilminji]

Oh shit :D ?

I just remembered! (Thank you, historical fantasy section!) But like? Serving and protecting The King, especially a HIGH KING, is quite literally not just an incredible honor... but it can sometimes be a person's Life Ambition?

Specificly a WORTHY king.

Perhaps they were denied in life. Perhaps they FAILED. And in their dying moments struggle with all they were to LIVE. To PROTECT. Perhaps the PREVIOUS king was a great and worthy ruler... but their heir is...

Unworthy.

Maybe they are born to an age without Rulers. Power shifting between hands in hidden halls. Unclear and murky. All they want is for their loyalty to MEAN something. For things to be SIMPLE.

The universe is large. The Infinite Realms? Unimaginably larger.

And Pariah Dark was a BASTARD.

Who would willingly swear to him? Fools! That's who! Every warrior soul worth ANYTHING gets as far AWAY from his Realm forsaken resting place as they can. Hides. Lest they be dragged in to his infernal, gods forsaken, cess pit of a so called "army"! *disgusted spitting noises*

But what does this mean? It means every trained FIGHTER... got the hell out of dodge. Oh, sure, a FEW refused. Like Pandora and her people. But most? The farthest side of NOWHERE, several layers down! Some still GOING! Better to be decried as cowards then have ANYTHING to do with THAT(said with loathing)!

It also means they weren't where Pariah could get to them when he woke. Couldn't help. Couldn't fight. Couldn't be commanded to kneel. Nothing. They removed themselves completely. Planned on CONTINUING to remove themselves. Preferably to the farthest reaches of forever, far beyond the bastard's gaze.

But! The whole REALM INFINITE felt it? When that... that hissing, acidic, malicious undertone? SLAMS back and away, like somebody's knocked a parasite from their backs. Replaced by coolness and starlight. Delicate balance and blood on your teeth. The pounding in your chest of HOPE.

It flutters so small across their backs, inside their chests. Washing away the old.

The King... feels tiny. Young.

.......what are they doing? Running like this. Hiding away like that will change anything. How long... when did...

There are so many of them now. A veritable army of souls, of all Ages and People's. Every armor and crest imaginable. They'd been so.. so REPULSED by Pariah... nothing else had mattered but to get AWAY. Where even ARE they? What YEAR is it? Does any of that matter?

The King.

Their Obsessions whisper. Loyalty. Service. Protection. Honor. You have left you post! Abandoned your DUTY! What are you DOING!?

They are AGHAST. They turn around at once. The King! How could they have ABANDONED the King!? Who is guarding him if they are all HERE?!

Himself!?

(Yes. Danny is fine. He is eating the "Thank You for keeping us all from dying to whatever the FUCK that was!" tamales Paulina's mom pushed into his arms on his way back home. He didn't even try arguing. He made eye contact and knew he would lose.)

(Why does he feel like something really, really bothersome is headed his way?)

It's UNACCEPTABLE. Unthinkable! The King? Unguarded? Where assassination attempts and nefarious PLOTS could occur?! What if someone tried to steal his eggs!? Or attacked him while his exoskeleton was molting!? They aren't entirely sure which species he is yet, but there are SO MANY NEFARIOUS PLOTS OUT THERE!!

*panicked honor guards*

Just? Imagine becoming king. And thinking "well, aside from the skeleton army I have to figure out, at least I don't have to manage anybody!" Only to *WABAM!* your ENTIRE GHOST COURT shows up like a week later. Turns out they were hiding from your predecessor.

You have a whole ass honor gaurd. Who REFUSE TO LEAVE YOUR SIDE. You have Chefs. Who WILL cry if you send them away. The Literal Best In The Multiverse are all following you around... YOU, a RANDOM TEENAGE, with Excited Shoujo Sparkles in their eyes... because you punched a jackass really, REALLY hard.

There is no way to make this stop. Your friends are laughing at you. The interior decorator wants you to look at swatches. What are swatches and why are you being harrased by them at 1am, you wonder? If you are Mean(tm) they throw themselves upon the floor and blame themselves for their Wicked, Evil, King-Upseting Ways and you can't even TELL if your being played here.

It's like being bullied by house elves. Or Miette.

Your parents are too excited by all the New Research (at least the reveal went well?) To SAVE THEIR SON, and your sister is HELPING THE ENEMY (Traitor!), so now you're being bullied into eating vegetables and studying more.

Then? THEN!! WHO SHOWS UP?! Like... five WEEKS late?! The Justice League. Gee! GREAT RESPONSE TIME, GUYS! Reeeal snappy! But ya, JUST missed the guy!

.......YES HES BEING SARCASTIC!!!

@hdgnj @stealingyourbones

[karlachian]

baldur's gate 3 wyll ravengard grand duke coronation tumblr simulator

🩸 bloodlover

he said WHAT about me

🦴 jonfromshop

i love <3 that we are livign in this day and age of baldurian politics. this is fucking awesome

2,235 notes

🪼 slenderweaver

TWENTY. FOUR.

#AND WHAT WAS I DOING AT TWENTY FOUR. FUCKALL!!!!!

6 notes

🪡 tailormadewares Follow

now why is the coronation happening in the middle of the night. some of us have jobs!

🐦‍⬛ ulderravengard Follow

the new duke consort is kind of like an evil stepmother but for the city

🦴 jonfromshop

AREN'T YOU SUPPOSED TO BE READING OUT THE GREAT LAWS RIGHT NOW LMFAOOOOOOOOOOOO

4,458 notes

🌊 tavalina

very extremely proud of one of my best friends in the whole world wyll ravengard. can't make it to the coronation because of the whole bein g stuck in hell with my wife thing can a sweet mutual please. keep me updated.

🐺 simfolicity Follow

duke consort astarion lastname has clearly micromanaged the whole thing and ulder ravengard and him might be trying to kill each other during the ceremony. wyll is just happy to be there i think

🌊 tavalina

oh okay so business as usual

🏹 highharper

business as usual

49 notes

💋 bladethatthang

why is NO ONE talking about the geopolitical ramifications of the future grand duke being engaged to marry a CLEARLY evil looking mean cunt of an elf. not to MENTION the problematic age gap.

🩸 bloodlover

mad because he's fucking me and not you????????

💋 bladethatthang

i genuinely wish we all had died with the elder brain

🪡 tailormadewares Follow

HERITAGE POST

#bringing this back for coronation day

38,493 notes

🪼 slenderweaver

i;m sorry. wyll ravengard is TWENTY FOUR YEARS OLD? HE SHOULD'VE BEEN AT THE ELFSONG

🛎️ i-live-in-the-dumbwaiter

quite famously he was at the elfsong. like i understand where you're coming from but that was a whole thing. he was very polite about ordering food at 3 in the morrow in the sense that he didn't. do that.

🪼 slenderweaver

oh so now we are fucking doing elfsong pedantics about the TWENTY FOUR YEAR OLD RUNNING OUR CITY.

348 notes

📦 zhentingthatrim Follow

this is so fucking stupid i WANTED to do a coup a mutiny an overthrowing even today during the coronation but no one wants to fucking do revolution anymore. you say can we PLEASE try and kill the new grand duke for trade opportunities and freedom of will. and then they will say well why would i want to do that. wyll ravengard is soooooooooo handsome and sweet and nice. trying to kill him would be RUDE. WE USED TO BE A FUCKING CITY.

🩸 bloodlover

bunk 42, flaming fist barracks, basilisk gate

📦 zhentingthatrim Follow

AYO?????

🔥 florricking Follow

open the door

8,376 notes

✨ princessofhousenightstar

do your required reading you little wretches and understand that i am here fundamentally to talk about wyll where he can't see it. i love the man but sometimes i like to keep things to myself. anyways doesn't he look sooooooo dashing in his coronation outfittttttttt 🥰 i made ittttttt

🪼 slenderweaver

does anyone remember when this was an embroidery blog

🏹 highharper

you are a strange strange little man astarion

#HOW has he not found this blog yet is the question i think

16 notes

🩸 bloodlover

i want ulder ravengard dead

🗡️ bladeoffrontiers

:(

🩸 bloodlover

i want ulder ravengard mildly inconvenienced

🐦‍⬛ ulderravengard Follow

we are literally tumblr mutuals. for your evil and nefarious purposes no doubt.

🪡 tailormadewares Follow

we're all going to fucking die

6,459 notes

🦴 jonfromshop

wh

the grand duke isn't an option because he always sweeps.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[natewriteslol]

Hiii! I read your works alot because it's one of the active twst writers I see (I'm a dead writer myself LMAO)

Savanaclaw, riddle and Azul with a reader who's cheery and often bouncing with optimism that always has the mind boggling stories to tell. What do you mean that they literally man handed a lion because it won't stop messing around? What do you mean they were in a pit full of scorpions because they accidentally rolled down a hill? What do you mean they literally escaped a real decapitation (hinting towards Riddle LMAO) because he put one spoon full of herbs instead of a teaspoon? Like— they could go on forever! And the thing is, they have evidence of it.

Thank youuu 🫶🫶🫶🫶

A/N: Thank u so much I've been trying to stay on top of writing but it can get so hard!! But I really do try to keep this fandom alive w some goodies, anyways I'll stop yapping heres

Savanaclaw, Azul, and Riddle with a cheery, adventurous Reader!

Leona:

He didn't exactly always question your storytelling before he got to get to know you as he would rather spend time sleeping. But it seemed like literally everyone was captivated by your latest entertaining experience.

As you guys' relationship grew, it got to the point where he couldn't ignore you dropping an insane piece of lore about yourself.

"Yeah, I was accidentally poisoned before-"

"What did you just say-"

"It's okay though, the gnome did apologize and I got my stomach pumped but everything is all good!"

He makes sure to keep an eye out on you, and honestly your stories are the main thing that keep him awake during the day especially because they're real. And although it may seem he's nonchalant when you message him about where you're at, Leona always makes sure to respond as he does care.

Jack:

As your first friend at NRC and protector kinda, he would get paranoid when you would sometimes disappear. However at first Jack believed you were an independent person, and wasn't up to any nefarious activity.

Until you came back with a gorgon head in a brown sack where he was studying in the autobiography section in the library talking about that you accidentally defeated it.

He screamed in terror upon seeing the thing, causing for him to be shushed completely by offended students. But he could not care less due to the sliced head within the sack, however he quickly took you both outside and you being you didn't exactly see the problem in this situation.

Once you where in an open area near NRC's well he began to question you.

"Why-? A-And how? Why are you like this, do you know how much danger you were in?!"

"To answer all your questions in order, 1. I got lost and she had a huge problem with me, 2. I got scared and ran with my eyes closed with the sword and BOOM, just clean off, and yes I know I was in a lot of danger and I'm very sorry for not responding to your calls."

He was way too scared for both you and himself to respond and learned his lesson to keep an eye on you more.

Ruggie:

Ruggie always told you that he was a "see it to believe it" type person and he was never really believing your wild tales you would tell even if you came back with a little souvenir. He always just assumed you were pulling his leg for a bit.

Until he texted you one day over Magicam, since it was a slow day at the Savannaclaw dorm. Only for you to reply with a video, making him click on it not knowing what he should expect.

Queue you to being in an extremely angry dragon's mouth,

"Hey Ruuggieee! I'll get back to you later since I'm in a pickle right now, but I promise I'll call you when I'm done!"

He nearly passed out upon the sight because what in all of the sevens' names doing inside of that deadly beast. The beast man ended up walking to Ignihyde to possibly get Idia to track your location based on your I.P address, only for his phone to ring just as he was about to blab about what happened.

It was you!

He quickly picked up his phone to hear your excited voice blaring on the phone, "I told you I would call you back! Anyways, come over to my house I have something to show you."

You ended up bringing home a dragon's tooth and treasure and while Ruggie was overjoyed, he reprimanded you for being irresponsible.

But he wouldn't mind it too much if you brought back goodies like this just make sure to let him know so he could tag along.

Azul:

You were running late to a meeting about mending a contract between students he scammed. Since you know him quite well and is a good friend of his, the students thought your kind hearted nature could persuade him out of binding them to the Monstro Lounge for an entire semester.

He written in a small font on the contract that if you were over 15 minutes late, you would be unable to host this meeting and the deal would be off completely. The white haired boy glanced at the clock as the time ticked and he would have his own free work force.

Until you had to come 30 seconds from it being called off completely out of breath.

"Sorry Azul! But I got you a little present from the desert," you said dropping down in your seat and digging through this brown sack.

The ancient golden scarab of the Hot Sands.

"Is that-"

"The golden scarab included with the jewel eyes? Yup and I did it all by myself!" You said, extremely proud of yourself.

"Do you understand the value of what you have in your hand? And what were you doing all the way out there by yourself I just talked to you a day ago and that is damn near a 5 day journey?"

"I did this since I did the calculations and about an 1/4 of the wages that the students owe you is in the value of this jewel bug here. So if I split the riches with you, will you let them go?"

You did all of this for some measly students you knew in passing? How could you jeopardize yourself like that?

But he at the same time, respected you greatly and for your trouble and kind heart.

However, he told you to not go anywhere without telling him.

And no of course it's not because he cares about you and was scared once you told him where you went...of course not...

Riddle:

Is the first person who noticed you were gone because he likes to keep tabs on his friends. He didn't know what to expect but the red head just believed you were busy.

So, Riddle decided to shoot you a text as everyone was hanging out in the Heartslabyul dorm and he really wanted to see you.

'Good afternoon, Y/N please feel free to stop by the Heartslabyul dorm. Your company is very appreciated :)'

You quickly texted back, 'Hey Riddle! I'm gonna swing by with a surprise ;D'

He smiled at his phone, unknowing as to what you were going to bring by. Thinking you might bring by muffins or a sweet treat as such.

Not the sword of Excalibur.

You opened the door, bursting in loudly with the enormous sword slung on your back as Grim carried two sacks of gold. Everyone was completely flabbergasted, as the sword had been known to be a mythological thing not yet proven like the fountain of youth.

But there it was on your back as you grinned.

Turned out you picked up your first job at an exploration company and they sent you on a death wish mission to get this damn sword. And in contrary to what everyone believed would be the outcome, you succeeded and retrieved the artifact.

Unfortunately for you, you ended up being scolded for about two hours straight for being completely irresponsible by Riddle with some chime ins from your friends.

He admired your intense tenacity and bravery, but Riddle was super worried about you whenever you take on a quest. He forced you to have a partner whenever you go on missions and call him every time you reached an important point to make sure you were alive and safe.

"So... you really do care about me-"

"By the great seven- YES ESPECIALLY WHEN YOU COULD'VE GOTTEN KILLED IN THAT DAMN ENCHANTED FOREST-"

[todorosie]

DID YOU MISS ME ? | your boyfriend is definitely struggling with long distance. maybe you, his sweet and studious girlfriend, can stop studying for just a moment? promise it’ll be fun.

content. long distance relationship, over a webcam, guided masturbation, reader is fem presenting with a vagina, usage of baby, sweetheart and princess, mention of exhibitionism, reader wears glasses, brown and black girl friendly. word count: 1.5k

the highest form of love that satoru knows is consideration. you see it in the hand placed on pointed countertops to protect your hip; the slow close of bedroom drawers to stop rattling pencils from waking you. you see it in the way he takes up as much space as possible during every social interaction, taking the attention off of you if only for a brief moment.

he is a giving lover, just kind enough with cockiness that doesn’t sully his good looks. you like them a little mean, sometimes rough around the edges – and satoru can be mean, at times even selfish, but you like those parts of him too. the darker and uglier bits that stick to him no matter what.

so what harm is it really to indulge him? to give in when he’s been so far away for so long? any woman would relish in seeing him like this, puppy-like in the way that he calls out to you through the garbled audio of your laptop.

“please, sweetheart,” he begs, “wanna see that pretty face.” his voice is breathless, the slick sounds of his hand pumping around his cock flooding warmth straight between your legs.

what you see from your end is his sweat-slick torso, dark pants pushed down just enough to reveal that he’s wet and leaking between the thighs, precum drips from the tip of him and reconnects between sticky, long fingers. if he were here you know he’d stuff them in your mouth and have you taste the saltiness pressed into your tongue.

“how much do you want me to beg, huh?” he snaps you out of your daze, now leaning forward into the view of the camera. he’s so pretty like this, rosy cheeked and soft. “see? no reason to be shy. i show you mine… and you show me yours.”

your cheeks warm as you unmute your mic, “i can’t,” you shift on the bed and it groans as you watch a pout grace satoru’s lips, “my love you know i have finals tomorrow. i have to keep studying or-“

“or what?” he interrupts, petulant. “you’ll ruin your perfect gpa by getting a 95 instead of a 100?”

“yes, actually! you should be studying too, y’know.”

“can’t! i’m busy trying to get a girl i like to notice me. she’s been so distracted lately…”

you smile a little, going back to trying to read the open tab next to satoru’s web footage. “really? and how would you know that?”

“well, for starters, i’ve been obsessed with her for years. i used to get hard just looking at her on campus–“

“satoru.”

“quiet. anyway, she’s pretty easily distracted, gets clumsy when she’s on edge.” more nefarious sounds, soft groans and whines. it takes a lot of willpower for you not to shift your gaze. “— like how her webcam has been on for two minutes and she still hasn’t noticed yet.”

you glance up then, eyes zeroing in on the small window hiding behind your notes. one click and you’ve been enlarged, perky nipples poking through your white tank top that you know you’ll get teased about later. it only takes you a second to get embarrassed. “god, have i looked like this the whole time?”

“by ‘whole time’ do you mean our entire relationship or right now? because, yes, you always look this sexy.”

you roll your eyes and close your notes tab. the device settled between your legs as you lean back. “‘toru, be serious.”

“i am being serious,” he says, “don’t you see what you do to me?”

“i’m actively trying not to–“

“–even during boring talk about classes i want you. indulge me a little bit, yeah?”

you let out a huff, the tips of your nails tapping against your skin. you’ve never been good at saying no to him and he does look desperate… “fine. what do you want me to do?”

your boyfriend visibly perks up. “fuck, really? take off your shirt.”

you raise a brow.

“please?”

you giggle, hands moving to pull your tank top over your head and toss it off to the side. “you’re lucky my roommate won’t be back until tomorrow.”

“very lucky, should hit the lottery with these odds.” there’s a brief pause. you’ve never done this with him before. “play with your nipples for me, baby. get them nice and hard.”

you pinch and prod at the erect buds with cold fingers, a whimper leaving your lips at the way they ache from the contact. you can hear satoru’s movements continue between your thighs, huffs leaving his bitten pink lips. you glance to see that he’s slowed down, focusing on the base of his length.

“you’re doing so good, sweetheart. look so pretty like this. wish i was there to suck on those perfect tits. i miss the way you taste on my tongue.”

you feel unreasonably shy. “jesus, don’t say things like that. it’s embarrassing.”

“it’s the truth. i need you, haven’t had that perfect cunt around me in too long. come on, show her to me.”

your legs shake as you use them to lift your butt off your sheets, slowly tugging off your sleep shorts and then the flimsy cotton panties. you know satoru can see how wet you are from the moan that leaves his mouth. you’re so hot between your thighs that you wonder if he can feel that, too.

“w-what now?”

“touch yourself,” you run your fingers over your clit with a hiss, “wait, baby…slowly at first, get your fingers nice and wet for me.”

you do as you’re told, leaning back more comfortably as you massage your fingers over your entrance. you drag the wetness up and down until your entire cunt is covered in it. satoru watches intently, tongue poking out slightly from his lips as he struggles to restrain himself. each stifled moan from you is enough to send him over the edge.

“such a pretty pussy, already dripping for me. you’re so good at that, sweetheart. is this what you do when i’m not around? touch yourself under the covers while your roommate sleeps only a few feet away? do you cover your mouth and hump your hand wishing it was mine instead? do you wish it was me keeping you quiet as i fuck you right next to her?”

you moan, head tilting back as your free hand fondles your breast. you’re inside yourself now, two fingers plunging into your tight hole, dripping onto your palm. “i miss you so much, ‘toru. i miss you inside me.”

he smiles, cheekily. “of course you do. then again, i miss you, too. i might go crazy if i don’t feel you around me in the next week… to your clit now, want you to get right on the edge for me, baby.”

you ease out of yourself, fingers moving up to rub your swollen clit. your thighs shake as you feel your cunt gush, the liquid slipping down to your ass. “‘t-toru!”

“fuck. look at you go! that’s a good girl. make a mess for me, show your man how much you want his cum.”

“want it s-so bad… you’re so pretty, satoru.” and he is, pink splotches covering his chest and upper thighs, hard cock twitching in his fist as he pumps it furiously. he’s close, you can tell. his white locks stick to his forehead, mouth open in a perpetual state of euphoria.

“you think so? thing is, i could never hold a candle to you. i want you to look at me when you cum. show me those pretty eyes.” your glasses ironically slip down your nose as he says this and you quickly place them beside you on the bed. your vision is blurred now, but you imagine that has to do with the pleasure more than anything—perhaps related to the building pressure in your tummy.

“s-satoru!”

“yeah, baby? say it again.”

“fuck, satoru!” your wrist aches from the awkward angle but you’re almost there, right on the edge. just a little more, you could feel it.

“you’re so close now. give it to me. cum for me, baby. give me something to think about later.”

“please, please, please,” you whimper, not sure who you are begging at this point. it doesn’t matter, truly, because the next thing you know white corners of light cloud your vision, surges of what feel like electricity travel down your thighs as your cunt throbs and tightens around nothing. “oh, fuuuck!”

“keep cuming for me, princess. you look so good, you’re so perfect. fuck, i’m go-gonna–!” you watch as he cums with a strangled moan, his hand furiously milking him dry as his spend covers his lower stomach and hand. the bright pink tip of his cock is sensitive, his body jerking with each pass of his thumb on it as he calms down. you’re both breathing hard, faces out of view as you both lean them back in ecstasy.

“so,” your boyfriend starts, “i’m definitely booking a flight tomorrow, right?”

you nod your head ever so slightly, still reeling from the intensity of your orgasm. “yeah,” you chirp, satisfied. “definitely.”

author’s note. we are so back. this is the result of me being up way too late. thank you to anyone who stopped to read. please reblog to show support for writers in the community. sorin.

© cuntcure. do not plagiarize, modify, or translate my work.

[gloomwitchwrites]

i’ve never really seen dark and unhinged reader x 141 tbh

You know, anon. I am not one to write an unhinged or dark reader. Not that it hasn't ever occured to me, but I just haven't written it. So, to you, I tip my hat for pushing me out of my comfort zone a little bit. I figured that if I was going to write a reader that is dark and unhinged, then I'm going for it. All in. Give me the blood and gore. I want it all. No limits.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Female Reader

Content & Warnings: Stalker AU, Serial Killer AU, Detective AU, Cartel AU, canon-typical violence, descriptions of bodily injury, surveillance, unprotected piv (wrap it up irl), arranged marriage, creampie, oral sex, knife play, gunplay, brief blood consumption, hostage situations, abductions, using a knife as a dental instrument

Word Count: 3.2k

ao3 // main masterlist // imagines & what if masterlist

John "Soap" MacTavish (Detective/Serial Killer AU)

“Need some company?”

While it’s a question, you don’t really intend for the man to answer. You sit yourself on the stool at the bar, one arm resting against the polished wood.

His dreary demeanor shifts, morphing into interest.

“That’d be lovely,” he replies.

The Scottish lilt to his voice is downright sexy. Your smile grows. There is real attraction in it, even if your purpose is nefarious. This conversation is no accident. You did not stumble into this specific bar on the off chance that you’d find the exact man you’ve been looking for.

No. Not a coincidence.

You’ve been stalking Detective MacTavish for the last couple of weeks. It’s not because you want to fuck him—although that is very much on the table now that you’re sitting here—but because this man is hunting a killer.

Not just any killer.

He’s hunting you.

But not you. Because he doesn’t know. No one does.

At least, not yet. That’s why you’re here after all. To worm your way in, to find out if they’re close to fracturing it all, and bringing you in.

By the appreciative look on Detective MacTavish’s face, you suspect that you’re likely in the clear. Yet knowing for sure won’t hurt anything. Plus, Detective MacTavish is easy on the eyes. Having a bit of fun and playing with your food first won’t hurt anything.

“What are you drinking?”

“Scotch.”

“A gentleman’s drink,” you reply softly, almost a coo.

The smirk on his face widens into a devious grin. “Cheeky.” He downs the rest and gestures at the bartender. “Two. One for the lass here.”

When the glass appears before you, you scent it first, enjoying the smoky aroma. You take a sip. It bites—but it’s delicious.

“You like it?” he asks.

You slowly run your tongue over your lip. It’s a calculated move. Seductive. Detective MacTavish notices, his gaze following your tongue like it’s the most interesting thing he’s ever seen.

“Puts some hair on my chest,” you reply, smiling against the glass as you take another sip.

Detective MacTavish laughs. It’s genuine and sweet. Casually, you scan his body. No wedding ring. But that doesn’t mean much. Public records showed no marriage certificates or even divorce papers.

Not that it would matter. This is about saving your ass.

“To be honest, I’ve been watching you.”

Detective MacTavish cocks an eyebrow. “Watching me?”

In more ways than you know.

“I always walk by here on my way home from work. Sometimes I stop. Sometimes I don’t. Always see you though. On Tuesday and Thursday.” You shrug casually. “Thought I’d finally stop in. Have a drink with you.”

“That’s bold.”

“It is,” you agree. You present your hand and introduce yourself.

“John MacTavish. Friends call me ‘Soap.’”

“Why is that?” you ask, placing your chin in your hand.

You already know, but you want to hear what his version is.

“Got it while serving in the military.”

“So, a secret then?”

He nods. “You could say that.”

You give him your best smile. “And what will it take to get you to spill a few secrets?”

Turns out, not much.

Detective MacTavish groans loudly, his skin glossy with sweat. You take him deeper into your mouth, swirling your tongue around the head as you lazily suck. He is a gorgeous specimen. Solid, thick muscle in all the right places.

You retreat slowly, lips tightening to suck a bit harder before his cock pops from your mouth.

The next moan from his lips is sweet. Pushing upward with your hands, you lean into him, and he greets you, lips meeting. The kiss is brief and sweet, and then it becomes anything but. Detective MacTavish grabs the back of your neck and drags you against him, deepening the kiss until you’re breathless.

“Get on your back, lass,” he growls.

You obediently do so, spreading your legs in invitation.

The condom goes on and then he’s inside you again. Detective MacTavish has stamina, and you’re near the breaking point. He pants above you, thrusting perfectly deep, making your toes curl. Your legs settle against him, thighs cradling his hips as skin meets skin.

He dives in for another kiss, and then you’re gone. Completely wrecked.

The orgasm claws its way up to the surface, bursting from your throat to saturated his mouth. Detective MacTavish swallows down the moan, staunching the noise with his own pleasure.

It ends with the two of you tangled up. Sweaty. Chests heaving. Eyelids heavy with lust.

“They call me ‘Soap’ because of who well I clean out a place.” His voice is a but rough—a little husky. It’s sex-laced and perfectly content.

“I’m guessing that doesn’t mean you’re a beast with a mop and bucket.”

MacTavish chuckles. “Aye. I’m good with that, too.”

You turn over in his arms, the two of you gently stroking the other until sleep creeps in. At least, for him it does. Once he’s settled and snoring, you slip from the bed, moving silently into the kitchen.

On the table are stacks of files. Carefully, you open each one, scanning them until you find what you’re looking for. It’s the case file on your hits. You comb through it, but there is nothing about you. Not a peep. And the possible list of suspects are just characteristics. They think it’s some middle-aged white man. How fucking wrong they are.

Gently, you return the file where you found it, slipping back into the bedroom.

No. You don’t need to kill Detective MacTavish. Not yet.

You can still have a bit of fun.

John Price

Every step is a second lost, yet ground gained.

Like a swarm of wasps, bullets fly past Price, striking concrete. Little chunks fly, and then whole pieces go airborne.

Price dives. Rolls. Lands back on his feet.

It’s hell on his knees, and fucking worse on his back, but he hardly feels it. The goal is retrieval. The goal is to find you alive.

Teammates don’t leave each other behind. If one falls, they go back, even if it’s later down the line. You pick them up. Drag them if you fucking have to.

The thing is, you aren’t lost.

Just taken. A hostage.

The wankers that took you didn’t make it far. You’ve only been gone for forty-eight hours. Not long, but long enough that anything could have happened.

Price doesn’t want to linger on it. Doesn’t want to think about what may or may not have occurred while you’ve been away. Doing that won’t help things. It will only take his mind off the task ahead. His focus needs to be on you and you alone.

Price’s heart hammers in his chest. It thumps so loud it nearly drowns out the buzzing of the flying metal. Sweats sticks to his brow, rubbing against his helmet.

Lifting his rifle, John pulls the trigger twice.

A sharp cry followed by a spray of dark red paints the surrounding area in a pretty little arc.

“Do you have a visual?” asks Price into the comms.

Ghost’s reply is immediate. “No, sir.”

Sighing, Price peers over the barrier he’s hiding behind.

Nothing.

No sound. No movement.

Slowly, Price emerges, rifle raised. Each step is a stalk, a predator seeking prey. Price will happily empty more lead into the next person that crosses his path.

Entering the next room, he finds this one empty. There are stacks of crates but nothing else. The only thing of note is a door in the far wall. It is plain and unassuming. Price heads for it.

Reaching out, he curls his gloved hand around the handle. He pushes down, quickly pulls back, opening it wide before aiming the firing end of his rifle into the opening.

No one emerges.

No one stirs.

But of course, they wouldn’t.

There is a secondary door behind this. It is solid and made of metal with a keypad. Price enters the code he got from intel and the door beeps, the light turning green.

It swings open, and inside is a bloodbath.

In the middle of the room is a simple, plain table. It’s unpolished, rough wood. Untreated and left to the elements. There are stacks of cards and beer bottles on top, and not much else.

Of the four chairs, only one is occupied.

But the occupant has no head.

It’s not blown off. It’s sawed off. Placed in the middle of the table.

The three other people who must have occupied the chairs are strewn across the room. Some are gutted, insides around their downed corpses like they were yanked out by a rabid animal.

Price steps around them, his boots touching more blood than concrete floor.

“I have four down. Maybe more.”

“You have a visual on her?” comes Ghost’s response.

“No,” replies Price, throat suddenly dry.

He sweeps the room, but no one comes out to fire at him, or to try and halt his progress. It is entirely quiet.

The light overhead flickers. Price turns, noticing another door. This one stands open, revealing a flight of stairs.

Price approaches, and stops at the top.

There is another body here. It’s near the top, arms outstretched, fingers digging like they tried to claw themselves forward. Price steps around it and nearly slips in the blood.

It’s fucking everywhere.

All over the place.

He descends, exiting out into another room, this one much smaller than the previous one.

At first, Price keeps his rifle raised, but then he lowers it, back straightening.

You are there. In the middle of the room.

Sitting.

Sitting atop a large pile of corpses. Your left boot digs into the top of someone’s skull, but you don’t seem to notice. You’re humming a little tune, almost whistling.

There is blood in your hair. Blood on your face.

It is under your nails and soaked into your clothes.

Leaning back, you curl back your lip, the tip of the knife coming to rest between two teeth as you dig something out.

Price swears he sees bloody chunks there, too.

Something comes out, and Price flinches.

Only then do you glance up.

"Took you long enough, Captain."

Kyle "Gaz" Garrick (Cartel AU)

There’s a body on the floor.

Not yours. And not Kyle’s.

A competitor. A rival.

You brought the man before Kyle. Tracked him down. Dragged him up for execution.

When the original marriage deal was drawn up, Kyle thought he’d get a pretty face with nice tits that would keep his dick wet and give him some sons to carry on the family legacy.

You do keep his dick wet. But you’re not a spoiled cartel daughter.

Oh, no.

You’re a serpent. A viper.

You are venom and steel.

With you, there is an equal. There is a companion. There is a woman who will give him what he needs to carry on but will happily pull the trigger to see it done.

You are just as fucking bloodthirsty as he is.

Kyle twists his wrist, observing the barrel.

The body on the floor is twisted and broken. The bullet was a mercy.

He glances up, notices the knife you’re holding. At first, you’re not looking at Kyle. You’re staring at the dead man with a blank face. But Kyle reaches out, brushing his thumb across your cheek, smearing red.

You turn then, smiling.

“Open your mouth,” he murmurs.

You do so, presenting your tongue. Kyle slides the barrel over your tongue, and then it’s in your mouth. He fucks your mouth with it, and you take it happily. Kyle grabs the front of your throat, turning you away from the scene on the ground.

The knife goes up, presses against his neck.

“Fucking do it, love.”

Your lips are suctioned around the barrel of the gun. Eyes wicked. Knowing. The knife slowly slides upwards, the flat side pressing against Kyle’s lips. He parts his lips, licks off some of the blood.

Kyle eases his hand on your throat, and the gun slowly slides out with a wet pop.

“Show me that pretty pussy.”

Kyle drops his hand, and you saunter backward. Leaning back on the low table, you present yourself, legs spread, pussy bare for him.

He presses the barrel of the gun to your pussy.

“Safety on?” you ask.

Kyle shrugs, and then he thrusts forward a bit, the barrel breaching. You moan loudly, and Kyle gives you more. He moves it in and out of your pussy, watching it appear and disappear, becoming slicker with your juices.

You whimper, and Kyle retreats, placing the gun on the table. Reaching for the knife you discarded, Kyle runs the flat edge over his palm, removing the blood.

Pressing his palm to your mouth, you lick it off—lick him clean as Kyle undoes the front of his pants.

It doesn’t matter that there is a dead man in the room.

Possibly dead.

Kyle didn’t really look. He just shot. He might have missed something vital. The guy isn’t moving but he must still be slightly aware. In pain. The very idea fuels his erection.

Kyle is inside you and thrusts in seconds, every stroke frantic and needy. You take it all, fingernails clawing at him, tearing at his clothes and likely breaking skin.

When you grin, there is blood in your teeth. Kyle matches the smile, and then he’s kissing you, tasting you and the gore. It is salty. Tangy. And you are sweet.

It sends him right over.

His lower back tightens, and then he’s grinding forward, flooding your pussy with his release. Kyle feels it dripping out and around him.

The kisses slow. Becoming soft.

Your fingers lightly brush against his cheek.

Kyle leans in for one more kiss, but a groan comes from somewhere behind him. You glance over his shoulder, the middle of your brow furrowing.

Without taking your eyes off the man, you reach for the gun.

Simon "Ghost" Riley (Stalker AU)

It’s gorgeously easy. You’re oblivious. A perfect victim.

Ghost will ensnare you in his trap and reel you in until you can’t untwine yourself from him. You will become him. You will have no identity. No want or desire that isn’t dipped with his own.

The shadows are his friend. Ghost sticks to the dark, lingering near corners, observing from afar.

You are so oblivious. So adorable.

Breaking you will be sweet. Delicious.

You live on the outskirts of the city. The house isn’t much on the outside. It is the interior where you’ve curated a space just for yourself. You’ve done an excellent job fixing it up.

At least, Ghost thinks so. He’s been inside a few times. Pressed your clothes against his balaclava just to inhale your scent. Sometimes he’d just walk around, picking things up only to place them elsewhere for you to find. It always makes you uneasy when you come home and everything feels a bit off.

It isn’t the only thing Ghost has done while alone in your home. There are gifts he’s left behind. Cameras, actually. He’s been watching you for months now. Learning your habits. Memorizing your routes and schedules.

Tonight is the end of your work week. There are two full days where you won’t be missed. Ghost plan on taking full advantage of every minutes.

Each step leads him closer. Pulls him nearer.

When you enter your home, he waits a full five minutes before approaching from the back, heading for the patio door. In his pocket is a copy of your house key. He retrieves it, sliding it into the lock.

It clicks as he slowly turns it, and the door gives way without it’s usual screech of resistance. He fixed it when he entered your home to tap your cell phone.

Ghost softly shuts the door behind him, crouching slightly as he observers the space around him. All the lights are off except for a small lamp in the living room. From his vantage point in the kitchen, Ghost can hardly see it. The light only reaches so far, and he is still in shadow.

You are not in the kitchen, and as he stalks into the living room, you are not there either. The little office you have on this floor is also empty. The second floor is his best bet. That will make it easier, too. The only way for you to run from him is down the stairs or to leap from a window. The drop isn’t far but he can’t see you risking yourself like that.

As Ghost turns the corner to ascend the staircase, he comes to an abrupt stop.

Next to the front door is the coat closet. It stands open, all the items inside pushed off to either end, revealing a wall.

But not a wall. No.

It’s another door.

This one stands open, and from it comes an artificial, almost white-blue light.

Frowning, Ghost approaches, pausing to glance back into the rest of the house. You are not there. And you don’t linger at the stop of the stairs.

It is still dark. Still absent of you.

Ghost takes a step inside.

Another. Then, another.

The darkness around him gives way to the light. And it is artificial.

At first, Ghost doesn’t understand. Not completely. It’s just a room. A room with no other doors. No windows. On the opposite side—the far side—are computer monitors. The wall is full of them, nearly floor to ceiling. There’s a small desk in front of them and a folding chair.

The light comes from above.

“I know you’re watching me.”

Ghost spins, finding you in the opening of the doorway.

“I’ve been watching you, too.”

You hold something in your hand. It is black and square. Your thumb brushes over it, and then more light floods the room, coming from behind him. Ghost turns just enough to glance over his shoulder.

The monitors are on. And each one shows something of his.

Every room of his flat. The interior of his car. His place of work. Ghost’s favorite pub. Even the corner store he shops at.

“I didn’t have enough time to prepare a room. But I will! I promise!”

You sound so sweet—so earnest, as if you mean every word.

Ghost turns fully toward you. His muscles clench, and then he’s walking, aiming for you and the doorway.

You jump back, and then the door is closing in his face.

You are too quick, and Ghost’s hands slam against solid metal.

“Sorry!” you say, voice muffled. “I’ll let you out soon. But only if you’re good!”

taglist:

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@arrozyfrijoles23 @lovely-ateez @ash-tarte @gingergirl06 @greeniegreengreen

[sokoviansimp]

Control

✒ Pairings: dom!wanda x subAgent!femreader

✒ Summary: Tension builds when Wanda and Y/N, who hate each other, are sent on a mission with Y/N's best friend, Natasha, and her wife Maria. The mission doesn't exactly go to plan.

✒ Tags and Warnings: 18+! Mature themes, kidnapping, chemicals, hospital, bickering, enemies to lovers, slow burn

✒ Author's Note: not proofread, because I'm really high rn and want to get this out because it's been in my drafts for like a month but I've been so busy with moving, and working 2 jobs, and just life changes.

✒ Word Count: 9523

✒ Read Time: 24 minutes

Masterlist : Socials : Series Masterlist

The dimly lit, high-tech briefing room at the SHIELD headquarters buzzed with anticipation. Agents of all kinds filled the seats, their eyes trained on the enormous screen at the front. Natasha Romanoff, the Black Widow herself, stood at the head of the room, her signature poise and confidence emanating from her.

You sat nearby, attention locked onto the screen. You had earned your place among the elite Shield agents through sheer skill and determination, graduating early from the academy. Your sharp mind and lightning-quick reflexes made you one of the best in the business. 

Natasha, after glancing over to her wife, Maria, began the mission briefing. "Our intel suggests that a rogue group of Hydra operatives has obtained a dangerous chemical compound. We need to secure it before they can use it for any nefarious purposes. We’ll be sending a small team in to infiltrate, if all goes to plan we should be in and out within 2 days. Y/N, you’ll partner with Wanda, and Maria will come with me,” Wanda couldn’t help but roll her eyes and let out a small huff at being paired with you, “The tac team will meet us on day 2 by the south entrance to secure the base. Everyone clear?” Nat finished as she looked around the room to see a bunch of heads bobbing in confirmation. 

Once everyone had filed out, you and Wanda hung back to discuss infiltration plans with Maria and Natasha. Nat explained that the trek to get to the area undetected would take a day, you would sleep at a small cabin safe house on the outskirts of the forest, and then the next day you would stealthily breach the border to the Hydra base and seize control of the chemical before letting the tac team in to finish up. 

“Sounds like a plan, but why do y/n and I have to be partners on this?” Wanda added trying everything she could to get out of being stuck with you by her side. 

“Now, I know you two love to bicker, but we’re all adults here. I’m sure you two can push your differences aside for 2 days.” Natasha explained as she shot Wanda a pointed look. She knew the brunette had her grievances about you and, as much as Nat loved you, she also knew how annoying you could be on the surface, but you two were also the ones Nat trusted most, aside from her wife, to have her six.

“I don’t see that being a problem, do you Wanda?” you confirmed with a smug smirk on your face, knowing you would have ample time to get under Wanda’s skin. Bickering with the brunette was something you would never admit you actually enjoyed, but you did. You loved getting her going and sometimes you could even imagine the smoke blowing out of her ears from how much you drove her crazy. You found herself drawn to Wanda's reactions, the way her cheeks would flush with annoyance, or her lips would curl into a sly smile when she caught on to your teasing. You unknowingly reveled in the attention it garnered from Wanda.

Wanda’s gaze shifted back to the screen as her brows knit tightly together forming a slight furrow in the middle of her forehead, “Guess not, when do we leave” she asked tightly pressing her lips together.

“Wheels up in 30” Nat informed as everyone filed out to pack. 

You leaned against a nearby table, eyeing Wanda as she adjusted her gear. "Wanda, are you sure you're ready for this mission? I mean, it's not as easy as manipulating some red energy."

Wanda shot you a withering look, her scarlet eyes flashing. "Not everything can be solved by punching first and asking questions later, Sprints. Some of us have to use our brains."

Wanda had given you the nickname, Sprints, one day when you were training in the compound with Nat. Shield agents don't typically train at the compound, but your close friendship with Natasha made you an exception. This day, you had been bragging about setting a new in-house record for the 100-meter dash.

You chuckled, unfazed. "Brains, huh? Well, I'm glad one of us has 'em."

Wanda smirked, her accent lacing her words with a hint of sarcasm. "And I'm glad one of us doesn't rely solely on brute force."

You couldn't resist a playful jab. "True, but at least when I hit something, it stays down. Can't say the same for your mind tricks."

Wanda's lips curled into a wry smile. "Wanna test that theory?" she said pointedly as she raised her hand and her magic swirled around in her fingertips. 

Just then, Nat entered breaking up the standoff between you and Wanda, “Knock it off you two, the jet is taking off in 5, get loaded up,” Nat instructed as she watched Wanda walk by you and slightly nudge your shoulder as you innocently raised your hands toward Natasha, “Now.” she said firmly causing you to scurry off with your bag in Wanda’s trail. 

As the quin-jet roared to life, and with Nat and Maria both in the cockpit, you couldn't resist the urge to tease Wanda. You knew how to push the right buttons, and her playful, sometimes very real, annoyance was on full display.

You leaned across the narrow aisle, grinning mischievously at Wanda, who was quietly reading a book on her tablet. "Hey, Wanda," you began, your tone a touch too cheerful, "since we're going up against Hydra today, maybe you can use your mind tricks to make them forget they ever messed with us."

Wanda glanced at her with a bemused expression, clearly unimpressed. "Y/N, my powers don't work that way, and you know it."

Y/N pretended to ponder this for a moment, tapping her chin with a playful smirk. "Hmm, shame. It would've made our job so much easier. But hey, don't worry. I'm sure you'll find some other way to be useful."

Wanda sighed, shaking her head as she shifted her focus back to her book. She was clearly unamused by your antics.

As the quin-jet touched down in a remote area, nearly 10 miles from their target location, the four of you gathered your gear and prepared to embark on your covert trek. The evening was closing in quickly and with the loss of the sun, it would start getting cold soon.

Natasha, the team leader, huddled the group together for a final briefing. "Remember, we need to reach the cabin undetected. This is a highly secured area, and any alert could jeopardize the mission. Y/N and Wanda, I need you two to put your differences aside and work together. Our success depends on it." 

Y/N exchanged a begrudging glance with Wanda but nodded in agreement. "Got it, Nat. I'll try not to annoy Wanda too much."

Wanda rolled her eyes but remained silent, her focus on the task at hand.

The team set out on their trek, moving silently through the dense forest, their footsteps muffled by the fallen leaves and underbrush. Y/N and Wanda found themselves side by side, each step of the way requiring them to cooperate and coordinate their movements to avoid detection.

Every now and then, an armored personnel carrier would drive by causing the team to utilize nearby ravines, trenches, and coves to avoid detection. At one point, they hid out in a culvert for a few minutes waiting for the oncoming trail of vehicles to pass. A crinkling sound eventually made its way to Wanda’s ears and her head snapped to you as you tore open a granola bar, “Really, is now the best time for that?” Wanda whispered, trying to keep quiet as she scolded you, “Oh yes, you do not want to see me when I’m hangry,” you quietly responded as Natasha hushed you both to keep quiet. 

Despite your earlier banter and rivalry, you and Wanda fell into a rhythm as you navigated the challenging terrain. You took point, your sharp instincts and knowledge of the wilderness guiding the path. Wanda, with her enhanced senses, scanned for any signs of danger or hidden threats.

As you moved deeper into the night, the initial tension between the two of you began to dissipate. You began communicating with subtle gestures and exchanged information about the terrain and possible obstacles. Gradually, a sense of unity began to form between you two, as you realized that your success truly depended on your ability to work together.

Hours passed, and the mission team finally arrived at the remote cabin where they would be staying for the night. Nat and Maria thoroughly cleared it to make sure there were no unexpected guests. Once it was clear, you and Wanda made your way in. The cabin was rustic, with only two bedrooms, and it quickly became apparent that accommodations would be tight.

Natasha and Maria, who were married, naturally gravitated toward one of the bedrooms and claimed it as their own. They exchanged a knowing look, then turned to the rest of the team.

Wanda, ever the enigmatic one, made her preferences clear with a cool, unwavering stare. "I'm not sharing a room with Y/N," she stated firmly.

Realizing the implications, you tried to defuse the situation. "No problem, Wanda. I can sleep on the couch or even on the floor. It's not a big deal."

But Natasha, always the pragmatic leader, stepped in. "Actually, it is a big deal. We need both of you at your best tomorrow. We can't afford any tension or lack of rest. You two are sharing the other bed, there’s plenty of room."

Wanda's lips formed a thin line of irritation, but Natasha's word was final. She begrudgingly agreed, her tone laced with annoyance. "Fine, but I'm taking the left side of the bed."

You nodded following Wanda to the other room, a hint of a smirk playing on her lips. "Works for me, Wanda. I promise not to steal the covers."

With the sleeping arrangements decided, the team settled into their respective rooms, though the atmosphere in the second bedroom was palpably tense. You and Wanda each occupying your respective sides with a noticeable gap between. Tension hung in the air, and you both lay stiffly under the covers, each determined not to give an inch.

The initial discomfort led to a silent battle for the covers. Your fingers twitched slightly as you subtly attempted to pull the blanket your way. Wanda, sensing the movement, tightened her grip on the fabric. This quiet tug-of-war continued for a while, neither of you willing to relinquish control.

But as time passed, exhaustion began to take its toll. The temperature in the room dropped, and the comfort of the covers became increasingly irresistible. Unbeknownst to either of you, both of you gradually drifted into a fitful slumber, with both your subconscious minds seeking warmth and comfort.

In the dead of night, your bodies shifted ever so slightly. In your sleep, you unconsciously turned toward Wanda, your back now touching Wanda's side. Wanda, still asleep, feeling the unexpected contact, hesitated for a moment but soon found herself subconsciously gravitating closer to your warmth.

Your movements continued to synchronize in the depths of sleep. Slowly but surely, the gap between you vanished as you instinctively nestled into each other. Your arm draped over Wanda's waist, and Wanda's head nestled into the crook of your neck. The covers you had fought over earlier now cocooning you both, providing warmth and security.

Though you had started the night as adversaries, the quiet intimacy of your subconscious movements told a different story. In the stillness of the cabin, with the moonlight filtering through the curtains, you and Wanda had found an unexpected source of comfort in each other's presence. It was as if you two were pieces in a puzzle that fit perfectly with one another as your exhaustion-riddled bodies melded together after a long day. 

The morning sun filtered through the cabin's curtains, casting a warm and gentle glow across the room. As you and Wanda began to stir, you each gradually became aware of your compromising position. Your bodies were entangled, limbs intertwined, and faces mere inches apart.

For a brief moment, your eyes fluttered open and met Wanda’s gaze, your heartbeat picked up nearly drowning out any source of sound for you as your cheeks reddened, you knew you should want to move, should be upset, but you froze like a deer in headlights, like if you stayed still then she wouldn’t notice and would stay as well. For a moment, you enjoyed the comfort of the witch’s grasp. That was quickly replaced by your mutual disdain from the previous night as the tension resurfaced with the disgusted look Wanda shot over to you. You locked eyes, both startled by the proximity and the realization of how closely you had been clinging to each other in your sleep.

Wanda quickly pulled away, her cheeks coloring slightly with a mix of embarrassment and irritation. She shifted to her side of the bed and cleared her throat, avoiding your gaze. "This is... not how I expected to wake up."

Equally flustered, you hastily withdrew your arm and adjusted your position to sit on the edge of the bed, cheeks tinged with a faint blush. "Yeah, well, it's not exactly my ideal morning either."

The tension that had momentarily dissipated during the night returned in full force. Both of you were acutely aware of the compromising position you had awoken in, and it only served to highlight your ongoing rivalry and mutual discomfort.

As you both jumped to get out of bed and prepared for the day ahead, your distaste for each other remained palpable. The events of the night had not erased your differences or any of the underlying tension, and you were both eager to put some distance between each other and the uncomfortable intimacy you had experienced in your sleep. Was it really uncomfortable though? You couldn’t deny, it was the best you had slept in weeks. No, it was. Just remembering the look of pure disgust on Wanda’s face puts the bad taste right back in your mouth.

“You two are up early, figured I’d have to come in clanging some pans the way you two like to sleep in.” Nat teased as you and Wanda entered the kitchen, “How’d you sleep?” 

“Goo-” you began but were cut off but the louder brunette beside you, “TERRIBLE” she groaned in response, not wanting to re-live what she woke up to. 

Nat glanced at Y/N knowingly, “What was that, Y/N?” she continued to tease as she poured the coffee that she had just made into 2 mugs in front of her for each of you. 

“Yea, grossly bad. Just- what she said” you stammered to get out, trying to remember what exactly was so bad about it. Then you remembered the look on Wanda’s face full of disgust again, and you couldn’t help but feel slightly guilty that she felt that way toward you. 

Once you were all geared up and ready to leave the cabin, Natasha went over the plan one more time before you all stealthily headed back out into the forest. The weak spot that you were looking to infiltrate was about 5 miles from the cabin and you thanked whatever gods may exist that it wasn't winter yet. The air was cold against your cheeks, enough to tinge them a slight red from the wind burn, but not so frigid that you were shivering or unable to focus. 

Wanda, on the other hand, curled in on herself any chance she could in order to keep warm and ward off the shivers that threatened to take over her body. As you were waiting in another culvert for a line of trucks to pass by, you noticed from the way Wanda was curled up that she was struggling. Knowing you could survive without the jacket you were wearing, you went to offer it to the witch, “Cold?” you whispered softly and placed your hand on her shoulder to get her attention from behind. 

Her eyes snapped over to meet your gaze and she pulled her arm away from your touch like you were a deadly disease, “I’m fine,” she whispered back icy and dismissive, making a mental note to hide her discomfort better. Her disgust for you was clear, little did she know, you were only trying to help.

Taken aback by her response, your initial concern became clouded with frustration. All you wanted to do was see her light up in your direction and yet everything you did caused her to hate you more. If she’s going to act this way, may as well give her a reason. Two can play this game, “Oh right, I forgot you’re made of tougher skin than the rest of us peasants,” you mocked, keeping your tone low so as to not give up your position. 

The look that Wanda shot back your way sent shivers down your spine, “Should’ve come more prepared, like me,” you say flaunting your jacket and digging the metaphorical knife deeper as Nat waved an ‘all clear’ signal.

“There it is,” Wanda snapped back at you,  “every chance you get to be a coc-“ Natasha cut Wanda off, silencing her, before she could finish her point.

You caught Wanda’s gaze as it happened and pointed at your ears tauntingly. Her jaw tightened and her anger brewed as she continued to move through the culvert, following Nat and Maria’s lead.

As the team made its way out of the culvert and trekked along the route, you noticed Wanda was no longer shivering, all the pent-up anger toward you providing her warmth that would last at least a couple of minutes as you smirked to yourself.

Once inside, Natasha and Maria took point in clearing a path and disabling guards with precision and stealth. You and Wanda had been tasked with obtaining the chemical agent that had been noted on the radar. The crucial task brought you both further into the facility, and as much as you each had trouble being in one another’s presence, you put your differences aside to work well as a team.

As you moved deeper into enemy territory, you settled back into the unspoken language of signals you had used the previous day together. Wanda was easily able to disable the camera feeds with her telekinesis while you took out any remaining guards and covered your tracks.

Soon enough, you both came to a secure-looking door, its lock was intricate and seemed heavily fortified with barometric readings and sensors. Without hesitation, Wanda focused her energy on the lock’s mechanism, using her powers to manipulate the gears and pins. You had her back, keeping watch on the corrodor, as she fell vulnerable to an attack from behind with her mind focused elsewhere.

A stray guard came out of a room down the hall making his way in your direction as he began to yell and pull out his gun, “Don’t lose focus Wanda, I got your back,” you assured her as you swiftly disabled the guard. As much as Wanda may hate you, she knew deep down that she could trust you and kept her focus on the door.

Once you settled back beside Wanda, you couldn’t help but let out a snarky comment as she was otherwise engaged with her powers, “You know, Wanda, it’s almost like having magic hands comes in handy on a mission like this,” 

Wanda shot you a side-eye glance with just a hint of a smirk on her lips, “Oh, so now you like my powers, huh?”

Grinning, you responded, “Let’s just say, I’m starting to see the perks.”

With that, Wanda was finally able to get the door lock to yield to her magic and open up. With the granted entry, you both slipped into the room beyond, only to be met with dozens of eyes from scientists working in the lab you just entered, “What’s up fellas, I heard you’ve been playing with a new toy,”

The scientists, startled by the sudden intrusion, immediately recognized the threat and reacted swiftly. They shouted in alarm as you charged at them causing one of them to activate a security alarm, triggering a set of reinforced doors to slam shut, attempting to neutralize the largest threat they saw, Wanda.

Before she could react, you pushed her out of the way, finding yourself locked inside a sealed chamber, cut off from Wanda and the rest of the room. Panic coursed through your veins as you realized the predicament. Seeing that you’re in no position to look out for Wanda any longer, you began pounding on the glass door, shouting for her to get out, but the scientists weren’t done quite yet.

In a desperate bid to incapacitate you, originally Wanda, and prevent any further interference, one of the scientists had activated an aerosol dispenser in the sealed chamber. A fine mist of the chemical agent you had been tasked with retrieving filled the air around you. All you could do was gasp as the toxic substance began to take effect. Desperately trying to hold your breath and shield yourself from exposure, your focus shifted from escape to self-preservation. Your skin became overrun with a dark crystalized rash, similar to obsidian growing like a vine on the side of an unkept building, scaling up and down your arms as it spread out. 

On the other side of the sealed door, Wanda fought to free you from your captors, her powers surging as she attempted to disable the security measures and reach you as quickly as possible. She knew the amount of time it would take her to break through the mechanism would be fatal for you, so she desperately took to screaming at the scientists to unlock the door and sending a wave of magic knocking them against the wall when they wouldn't cooperate. The scientists, however, were determined to keep you separated and eliminate the threat they posed to their operation. The mission had taken a treacherous turn, and you were left alone in a race against time to survive the effects of the chemical while Wanda fought desperately to save you. 

As the seconds flew by, your vision grew hazy and Wanda knew you were reaching critical condition as the rash spread to your face. When brute force failed, she surged into the minds of the scientists standing before her to figure out how to disable the chamber. Once she was deep enough within their mind to bend their bodies to her will, she was finally able to free you.

As soon as the doors opened to allow Wanda to reach you, she rushed in without a second thought, her magic almost working subconsciously to move whatever was left of the chemical in the air. You laid on the floor hanging onto any bit of consciousness you could grasp onto as you faded in and out, just hoping to make it out alive. 

The witch scooped you up and darted for the exit, “Nat, we have an emergency situation here. Need medical evac NOW!” Wanda said over the comms. Her sprint turned into a quick glide through the air as she found it easier and quicker to let her magic take you both through the base and toward the exit. 

“Roger that, contacted HQ for the tac team and medical. 10 minutes out.” Nat responded, “What hap-” 

“Fuck- 10 minutes? I don’t know if she has that long,” Wanda responded with worry, as she looked down at you shaking in pain as you drifted in and out of awareness, “Y/N, hey look at me, can you hear me?” Wanda spoke gently but with urgency, as you met her gaze briefly before your eyes rolled back slightly in a blur, “Medical is on the way, you just need to hold out for 10 minutes, I’m going to get you there, just- hang on” Wanda stated as her grip on you tightened and her magic quickened in pace. 

Within minutes, Wanda met up with a medical team that arrived on the scene. They assessed your condition and quickly realized the severity of the situation. You were unconscious, struggling to breathe, and not only displaying signs of chemical poisoning but also a rash they had never seen before.

Working together, Wanda and the medical team carefully stabilized your condition as best they could on-site. They administered oxygen and provided preliminary treatment to counteract the effects of the chemical agent.

Recognizing the urgency of the situation, the medical team made the critical decision to transfer you to a nearby hospital equipped to handle chemical exposure cases. They carefully loaded you onto a gurney and rushed you onto an awaiting helicopter.

During the tense journey to the hospital, Wanda rode alongside you holding her hand and offering silent reassurance, while Nat and Maria stayed back to work with the tactical team. The situation remained dire, but they were doing everything they could to give you the best chance of survival.

At the hospital, a team of specialized medical professionals took over your care, working tirelessly to detoxify your system and stabilize your condition. The chemical exposure had taken a toll on your body, and even after all this time, your prognosis remained uncertain.

Wanda, exhausted and fraught with worry, refused to leave your side. As if every reason she had to hate you flew out the window, she was determined to stand by her partner throughout this ordeal, hoping and praying for your recovery. 

Wanda was pulled from her spiraling thoughts in the waiting room as she heard a nurse utter, “She’s stable,” in a very neutral tone, so neutral that maWanda was unsure if it was actually good news, “but she’s not out of the woods yet.” she warned as she motioned for Wanda to follow her in to be by your side once again. 

The brunette stood to follow, “Is she awake?” 

The nurse shook her head, mentioning that she doesn’t expect you to wake up for at least 12 hours. They needed to ensure that your body has flushed out the toxin before allowing it to exert any more energy. 

Wanda took the seat by your bed and notified Natasha of the situation. She was hopeful, knowing you're a fighter, and Wanda tried to be optimistic as well, “It should’ve been me, Nat,” Wanda stated full of guilt and regret. Nat did her best to assure Wanda that she would’ve done the same and your situation was in no way her fault. Deep down, she wonders if she actually would’ve done the same. 

“You better wake up, Sprints, or I swear. How dare y- why do you have to be the best at everything?” She sighed as her body trembled and a tear spilled from her eyelid.

After two long and agonizing days of unconsciousness, you finally began to stir in the hospital bed. Your vision was hazy at first, and you struggled to regain full awareness but as your senses gradually sharpened, you slowly became aware of the sterile hospital room that surrounded you.

The first thing you noticed was Wanda, sitting by your bedside. As your eyes met Wanda’s, your heart skipped a beat, you could see her gaze filled with a mixture of concern and relief. It was unlike her, but you couldn't help but smile weakly, your voice hoarse as you croaked out a greeting. "Hey there."

Wanda's expression softened, and she reached for your hand, squeezing it gently. "You're awake," she replied, her relief evident in her voice until it starkly changed to anger, almost like a mask, “Don't ever do that again!” she warned, brows furrowing.

“Wow, not even a thank you.” you teased as Wanda bit back to reiterate, “I’m serious y/n, I could’ve protected myself.”

“Yeah, but I protected us both,” you snarkily replied letting the brunette build up steam as you dug further.

“Protected? You almost got yourself killed, for nothing! God you're insufferable!” she exclaimed, not even wanting to be in the room with you anymore. Remembering just how annoying it is to even hold a conversation with you.

“Didn’t realize you cared,” 

As your eyes continued to scan the room, you spotted Natasha and Maria entering the room with a tray of coffee and snacks, “Coffee anyone? Oh Y/N, you're awake!” 

You smiled in response as Nat took the coffee from her wife with a smile, letting the tension built between you and Wanda disipate as they took over the conversation. 

“You gave us quite the scare there, y/n,” Nat noted, as much as she worried for you, she knew you were a fighter with the best medical team in the country. 

“Aw, you were worried?” You teased, knowing Nat to always keep a stone cold exterior to most, only letting ones that she was close to, like you, really get to see her emotions. 

“Not one bit,” she lied and everyone in the room knew.

As Nat and Maria took over the conversation, Wanda sat there brewing. Not only could she not understand the emotions she was feeling for you, but they just kept brewing as he sat in silence. Anger, relief, annoyance, worry, it all swam around in a confusion pool of questions. Her abrupt departure was without a word and you looked to Nat as she left, “Guess she’s tapped out on me for the day,”

Nat knew that you and Wanda had a rocky relationship but she felt that the brunettes behavior was quite uncalled for given the circumstances, “mm, I’ll talk to her,” Nat hummed as she got up to leave the room in pursuit of Wanda.

“And then there were two,” you joked with Maria. 

Nat found Wanda in the hallway walking toward the exit of the hospital, she was headed back to the cabin as that’s where the 3 of them have been staying while you were stuck in a foreign hospital until you were ready to be transferred back to New York, “What the fuck was that?” Nat aggressively shouted in Wanda’s direction. 

Wanda quickly snapped her head around to the familiar voice, eyes landing on the angry Russian, “Not now Nat, please.” She dismissed as she stayed on her path. 

“No, Wanda, you don’t get to pick and choose. Y/N was practically on her deathbed to save you and this is how you want to act? What’s so terrible that you can’t even spend more than 5 minutes with her?”

“I didn’t need her to save me, she just made it all even more,” Wanda paused before bursting out, “DIFFICULT!” 

Nat could tell this was about more than just getting you to safety after the mission. She knew Wanda had dealt with a lot and always had a hard time getting her emotions in check. Instead of pressing further, she decided to switch up the metaphorical cards in her hands, “well all she wanted was to make sure you were safe.” With that, Nat turned to head back to your room. Wanda stood there watching her walk away, knowing she was right.

Before Wanda could decide what to do next the ground began to shake. It was subtle at first but soon, the items lining the walls and the structure of the building began to tremble along with it. Nat turned back to Wanda, who was still standing behind her, “Is that you?” She raised her brow, knowing the answer would be no, but hoping that it was by chance as that would make their job much easier. 

Wanda shook her head, confusion written all over her face as Nat turned again in the direction of your room in a full sprint, Wanda following Nat’s lead closely behind. Nat easily put the pieces together that the chemical agent you were exposed to would have effects that they could not predict. 

When they made it to your room, they were met with Maria trying to calm you down as you shook and writhed on the bed in pain. Your skin felt like it had just been dipped in lava causing your temperature to rise so much that you could visibly see a slight red tint on your face. Inside was arguably even worse as the uncontrollable shivers caused you to feel lightheaded and nauseous. 

Nat tried calling for a doctor through the hallways as the building began shaking even more. The worse your condition became, the more aggravated the building shook. They had to do something before the hospital filled with hundreds of innocent people became rubble. Wanda came to the side of your bed opposite Maria, shock prominent on her features as she watched you squirm, not knowing how to help. 

Maria could tell that Wanda was struggling with how to help, honestly, she didn't know exactly what to do either, but she did know that they had to get the building to stop shaking, and she was sure with Wanda’s magic, they would be able to help you somehow, “We have to neutralize the seismic waves emitting from her somehow,” Maria told Wanda as she kept her eyes on you, trying to figure out a solution. 

With that, Wanda was snapped out of the frozen state she was in as her eyes lit up red and she dove into your mind, trying to get answers. Near instantly her body began to tremble as a whimper fell from her mouth at the pain that radiated from you, “Y/N you have to calm down, the whole building is about to collapse”

“I’m not doing anything,” your thoughts fighting to make sense of the situation, “I-I can't control it! H-HURTS!”

Wanda’s balance faltered as the building’s shaking became more intense, her grip on the railing of your hospital bed tightened, and it became clear to her that her best option was to sedate you. She reached her hands toward your temple and let the red tendrils of her magic flow freely toward your skin as they rooted themselves within your mind. Taking hold and lulling you into a calm state of peaceful sleep. Slowly but surely, the building stood still again and soon after, a doctor came in to assess the situation. 

“About time,” Natasha spat with clear irritation towards the doctor.

Wanda, felt a growing unease as Dr. Scholt entered the room. His icy, judgmental gaze fell onto you as he began to examine your medical chart and machines. It was clear to Wanda that his discomfort with powered individuals was not something he could easily hide.

Ignoring Nat’s comment, Dr. Scholt made his way over to assess your condition eventually swaying from their original plan of keeping you until you were stable enough to be transferred, “I've seen too many of their kind, causing nothing but chaos and destruction. We don't have the resources to deal with creatures like this in our hospitals,” unaware that one of the most powerful enhanced individuals was standing right beside him, his disdain for you was clear with his tone and judgmental words. 

With a mixture of anger and concern, Natasha’s eyes narrowed, and her voice carried a hint of impatience as she retorted, "We're here because we need medical assistance, Doctor, not a lecture. Y/N's condition is the priority, and I expect her to receive the same care as any other patient. Your personal opinions have no place in a hospital room."

Before the doctor had the chance to respond, Wanda cut in, “No, it’s fine. He made his stance awfully clear,” she quarreled with a head tilt toward the doctor before turning back to Natasha, “We’ll take it from here,” 

“Great, I’ll get her prepped for transport,” the doctor mentioned as he attempted to grab sedatives to administer to you for the ride. However, Wanda wasn’t going to let him or his team lay another finger on you after the display he just made, knowing even from his thoughts, that his ill intentions may get the better of him. 

Before he left the room, Wanda caught his attention, “Maybe I wasn’t clear, Adam,” refusing to use his doctorate title, “we will take it from here.” she precisely articulated in a sharp manner, “Our transport team is on the way, You and your team are not to lay another finger on Agent y/l/n. Are we clear?” she flared, starring daggers into his soul. 

“How do you know my name?” he bit back as if that was the most important thing that Wanda said. 

“Are we clear?” Wanda repeated, without any explanation for the extra information. The doctor quickly took the hint as he nodded and scurried out of the room.

Wanda’s gaze shifted to meet Nat’s gaze who stood by the door as she watched the doctor walk past her to leave the room, “All that for someone you hate, can’t imagine what you're like when you actually like somebody,” she teased. 

“I don’t hate her,” Wanda defended as she tried to hide the growing smirk on her face, “She’s just the most annoying person I’ve ever met,” she added to keep her position on you clear and she couldn’t have anyone thinking she likes you in the slightest, “But he wanted to do more to her than prep her for transport,” She informed the two other agents that stood with her in the room around your bed. 

“Well, Y/N’s lucky to have you in her corner, once Fury hears about this, Mr. Sholt can kiss his doctorate goodbye,” Maria reassured as she took a seat beside your bed to wait for the transport team to arrive in a couple hours. 

Once SHIELD’S medical team arrived, they administered sedatives to keep you unconscious during the flight and prepared you for the jet before you woke up. Wanda was instructed to be by your side as an extra precaution, in case you somehow woke up or your unhinged powers started going haywire in your sleep. 

The ride back was tame with no real issues, at one point Wanda could sense your consciousness creeping back in but she was able to quickly lull you back to comatose with her magic. Once the jet landed, they quickly got you set up in the med bay at the compound in Upstate New York. This was not typical protocol for the team. Since you were not an Avenger and merely a Shield agent, proper protocol would be to take you to the medical facilities at SHIELD headquarters. Natasha wouldn’t allow that to happen though, under her authority, she made sure you were overseen by the best team available and close enough to keep watch on.

In a matter of hours, the team ran all the tests they deemed necessary, concluding that the chemicals you came into contact with ignited something that laid dormant in your DNA. The gene acted as a sponge for the toxins, without it, the poison would’ve continued to spread and shut down every part of your body slowly and painfully. Instead, the contagion was absorbed into the gene strand, which was subsequently sent into its next phase. Without the toxin, this gene could’ve laid dormant within you forever, instead, it entered a new stage, triggering your new abilities. 

“Was anyone else in contact with this chemical?” Dr Cho asked out of an abundance of caution, knowing that if they had been, they probably wouldn’t be in such good condition.

Nat looked to Wanda for a response, knowing she was the one in the room with you when it was released. Wanda’s gaze fell to the floor for a brief second before she began, “No, they meant to expose me but Y/N pushed me out of the way,” Wanda explained as she recalled the events from a couple of days prior. 

Dr. Cho nodded slightly in acknowledgment before responding “It’s a good thing Y/N was the one affected by this in all honesty. Without running tests, there’s no way to know whether the rest of the team has the gene structure to survive such an attack. She got real lucky,” Dr. Cho explained as she went over the results of the tests. 

Wanda struggled with this internally. Part of her was thankful things unfolded the way they did because if they hadn't the situation could've been a lot worse, but the other part twisted it to figure that you must have just been trying to 1-up her. You never do anything nice without something in it for yourself, at least in her eyes. This wasn’t anything new when it came to the way she thought about you. It was often that your intentions were competitive and came off abrasive, but she tended to use that model of thought for anything you did in her presence. Shaking every bit of sincerity off for a hidden agenda, and refusing to see any good in you. Deep down, maybe she didn’t want to see the good in you, it was so much easier to be closed off. Afraid that once she starts to unravel you, she’ll have no more walls to hide behind. No more armor to keep her from falling for you, to keep her safe from the pain she’s always known to follow. So, she doesn't think too deeply about it, instead, she lets her thoughts protect her. 

It was easier for her to paint you as an asshole than to deal with the mixed emotions she felt for you. Blaming everything on your lack of empathy acted almost as a shield for her, enabling her to bury other emotions so deep that she could forget about them. After replaying the events over and over in her head on a loop, she was able to spin the story in her head and concluded that you must’ve known about your genetics. You had to go through genetic testing to be a field operative with such high clearance, surely that’s how you knew. So the only reason you even pushed her out of the way was to look like the hero, to make it look like she needed saving, knowing full well you’d make it out just fine. Ugh, you’re the worst. 

With that, it was like a switch in Wanda flipped. As if her emotions were immediately shut off, she stopped visiting you at the medbay and was happy to go about her daily life without a care in the world of your condition. 

You spent the next few weeks recovering. Natasha was by your side every step of the way, acutely aware of who visited you and who didn’t. Wanda never did. Tony came by a few times, you two weren't very close but he felt the need to show face at least. With nothing much to talk about, Tony always defaulted to talking about work when he was nervous. He didn’t find himself in too many situations without anything to say, but when he did, he attempted to claim the room with his confidence as he always had in his career. Almost as a nervous tik, he defaulted to talking about things that he knew a great deal about, even if the people around him didn’t. 

To his surprise, you were easily able to keep up with his shop talk jargon and follow along with the schematics he propped open as examples. The two of you quickly began bonding over your love for science and math. Nat noticed the uptick in visits from Stark and was happy to see you making more connections with the people she called family. 

Some of the other Avengers made their way down to the medbay as well after Nick encouraged it in a meeting. He knew how good of an agent you were, following your progress ever since word spread about you during your time at SHIELD Academy. It was practically unheard of for an Agent to graduate early, only 2 had ever done it before you. Since then, he made sure to check up on your progress every few months, hoping you’d grow into a top agent so he could use you on one of his special teams. With your new onset of abilities, he figured that eventually, you’d fit right in as a new addition to the Avengers. 

Fury rarely leaves anything to chance though, including your development. In order to get you comfortable with your newfound abilities, you’d need a mentor. Someone who has gone through a transition like yours before. After giving it some thought, there was only one other person on the team who could relate to you in that sense. 

Thor, while he did have to prove he was worthy to his father and himself in order to unlock his full potential, his powers always belonged to him. There was nothing unexpected or confusing about it. He has always wielded his power with knowledge and confidence. Similarly, Steve’s transition was also foreseen and he was able to quickly and seamlessly get a hold of his powers. 

Bruce on the other hand, still struggles to keep the beast inside of him under control. While he may be able to relate to the situation you’re currently experiencing, he wouldn’t be the right fit to mentor you with the way he is still trying to figure things out for himself. 

It was clear that Wanda could relate to your situation most closely. While she may have volunteered in the experiments carried out by Hydra, the outcome was something she never could’ve expected. For a while, she struggled to come to terms with what her body was capable of. Fearing that she would lose control and hurt someone unintentionally, and deep down the fear always lingers, but she has learned how to control it; and while she may not believe it herself, her team trusts her and her ability to keep her powers in check. 

Fury knew the two of you were far from besties, but he hoped this mentorship could double as a bonding experience to help get you more acclimated to the team. Wanda would need to get used to you being around more often, whether she was okay with it or not, he hoped this could help nudge her in the direction of welcoming the transition. 

“No. Not a chance in hell.” Wanda argued as she stood from the chair opposite Fury in his office. Nick didn’t offer a reaction, instead, he kept his face neutral and waited for Wanda to come to terms with the arrangement. 

Noticing that Fury was not giving in, Wanda broke the silence to add, “Why me? I have nothing to teach her, she’s insufferable. This seems like more of a Rodger’s job.”

“The arrangement isn’t negotiable, Maximoff. Y/N has a lot to learn from you and I’m sure you’ll be a great teacher once she’s back on her feet.” Wanda scoffed, anger beating off her, as she went to leave the meeting.

“Oh, one more thing,” Nick added causing the brunette to pause and turn by the door, “Y/N will not know about this arrangement of ours, and I intend to keep it that way, are we clear?” without giving a clear response, Wanda rolled her eyes and stormed off to the gym, wanting to let her anger out on something meant to be hit before she ended up taking it out on the nearest wall.. “Oh, and I expect an influx of visits from you to the medbay!” He shouted towards her retreating form down the hall.

Straight from Fury’s office, she stormed into the gym with a palpable aura of frustration and anger. Her usually calm and composed demeanor had given way to an agitated energy that practically crackled in the air around her.

Nat, who happened to be in the gym working on her own training routine, turned her head as she sensed Wanda's arrival. The room seemed to darken with Wanda's stormy presence, and Natasha knew that something had clearly set her off.

Wanda didn't waste a moment. She approached one of the punching bags, her eyes flashing with a mix of determination and anger. Without saying a word, she unleashed a series of powerful punches and kicks that sent the heavy bag swinging wildly.

Wanda's frustration reverberated through the gym as she relentlessly pummeled the punching bag, each strike carrying the weight of her annoyance. The ferocity of her strikes was a clear indication of her irritation. Natasha, noticing the intensity of Wanda's training session, decided it was time to address the obvious tension. Wanda's training strikes were powerful and precise, a physical manifestation of her inner turmoil.

Once Nat felt that Wanda had gotten out her initial anger, she approached her friend cautiously, waiting for a break in the flurry of punches before speaking. She knew better than anyone that sometimes words were not enough, and physical exertion was the only way to cope with intense emotions, "Wanda, what's going on?" Natasha asked, her tone laced with concern as she held the opposite side of the punching bag sturdy for Wanda to continue laying on punches.

“Fury.” She growled, “He wants me to.” *PUNCH* “mentor y/n” *PUNCH* “he won’t let” *PUNCH* “Steve do it.” *PUNCH* “He wouldn’t listen” *PUNCH* “ugh!” the punching finally stopped as she left a hand on the punching bag for balance while she caught her breath.

Natasha peeked around the bag that she held steady for Wanda to give her opinion, trying to approach with caution, knowing Wanda wouldn't like what she had to say. 

Natasha didn’t know what triggered it, but she noticed the stark change in the way Wanda went from caring about you in the foreign hospital to completely shutting herself off from you as soon as you got back to New York. 

Nat took a step back from the bag to gather her thoughts, “Let me get this straight, you’re throwing a fit because the girl who just saved your life is going through life-changing trauma right now and Fury is asking you to help her through it because you have experience and have been through a similar situation?” with one eyebrow slightly raised, she shot Wanda a pointed glare. 

With her frustration rebuilding as she processed Nat’s words, Wanda pushed the bag away and turned toward the door, “Oh, here we go again. Poor Y/N she’s always the victim,” Wanda marched toward the door, not wanting to hear another person defend you. In her eyes, you were conniving and everything you did was calculated, other people just couldn't see past your charm to expose how much you actually tormented her. They couldn’t see how she was so clearly the victim in this circumstance. They couldn't see how twisted you made everything. She could though, she saw right through you. 

Nat wasn’t letting her get off that easy. She chased after the brunette trying to storm out and grabbed her shoulder, turning her around to be face to face. Against her own desire, Wanda’s feet stayed planted to see what Nat had to say. 

“Are you serious? You two may not be friends, but she saved your fucking life. She was there for you, the least you could do is offer her some support and show a sliver of gratitude! You need to take a good hard look at yourself, this isn’t the Wanda I know.” Nat scolded 

Seething, Wanda bit back through gritted teeth, “I didn’t ask her to.” without giving Natasha the opportunity to speak, she turned on her heel and stormed out of the gym. 

Natasha stood there nearly dumbfounded, wondering what had gotten into Wanda to make her so heartless and cruel towards you. 

From the gym, instead of wallowing alone in her room, Wanda decides to leave the compound for a walk around the grounds. As she walked alone with her own thoughts, she desperately tried to calm the anger within. Spending more time with you was the last thing she wanted to do, especially after coming to the conclusion that your heroic act was just a ruse. 

As she strolled, she went through countless scenarios for ways that she could get out of this whole situation. There wasn’t a single one that she thought was good enough to change Fury’s mind. 

What if I broke my hand? No, I'm sure he’d still make me teach her. What if the compound mysteriously caught fire? That would probably only delay things. What if there was an Avenger’s level threat? He’d probably just make me do it when I got back. What if I became evil and left the Avengers to take over the world or something? That could work, though it’s a bit dramatic and I don't even want to take over the world.

Knowing that Nat was on your side about this already told her that everyone else at the compound would share Fury’s opinion. Out of the whole team, Nat was the one most likely to take Wanda’s side for anything. She always knew that if Natasha’s opinion differed on a subject, the others were bound to as well.

Wanda took the rest of the day to decompress and attempt to accept that she’d have to mentor you. The next day during breakfast, she heard Tony and Thor mention they’d be visiting you once they finished their meal. Knowing she’d have to see you eventually, Wanda’s ears perked at the opportunity to tag along and not go alone, “Can I come?” Wanda’s eagerness came as a shock to the two men sitting across the counter from her, but also to everyone else within earshot who wasn’t involved in the conversation. 

“Come to see y/n?” Tony clarified, not sure if Wanda had heard them correctly but she nodded in confirmation, “ye- yea of course.” he confirmed, surprised Wanda had any interest in visiting you.

The hum of medical equipment filled the medbay as Tony and Thor entered, their presence bringing a dynamic shift to the room. You were still in the process of recovery, looking up with a mixture of surprise and gratitude as the two Avengers approached and Wanda trailed behind. She didn’t say anything as the two of them greeted you, and instead, she took the furthest seat in the room from your bed. 

Tony, always one for theatrics, struck a dramatic pose. "Fear not, citizens! Iron Man and the God of Thunder have arrived to grace you with our formidable presence."

Thor chuckled, nodding in agreement. "Indeed! We heard tell of a valiant warrior in need of cheering, and so we have descended."

You couldn't help but smile at their playful entrance, a welcome distraction from the monotony of the medbay. However, as the three of you continued the banter, Wanda lingered at the periphery, sitting leaned back with her arms crossed and a subtle expression of indifference on her face.

Not letting her get away with sneaking in unnoticed, you broke the silence that lingered between the two of you, “Wasn’t expecting you to be here, Wanda. Did someone force you to be here or something?” You saw right through her, but before she could lie through gritted teeth and say that she was there of her own volition, Tony spoke up instead, “Believe it or not, she actually asked us to come,” Tony defended. 

Riding along Tony’s explanation, Wanda forced a smile to sell it. She was grateful that he had beat her to it, she was never much good at lying. You weren’t fully convinced that there wasn’t some underlying explanation for her presence but you accepted it with an impressed look on your face, “Wow, no hidden agenda?”

“Actually there is one,” Wanda clarified as she began to explain, “I’m going to mentor you.”

“Mentor?” You were taken aback. Why was Wanda suddenly interested in mentoring you and what made her think you wanted to be her mentee?

“Yeap, we’ve both been through similar experiences and you have a lot to learn about controlling your new powers,” she added with passive aggressiveness dripping from her words. 

You wanted to question her further, but you also didn’t want to push her to rescind her offer. Truthfully, you were kind of excited at the thought of Wanda teaching you how to wield your newfound abilities. You knew that she went through a similar situation while she was with Hydra and the thought of spending more time with her, though you would never admit it, made you excited, “oh- okay.” you accepted. 

Wanda expected more of a fight with you about this but was relieved to get it over with easily.

“How exciting,” Thor announced, “I know a thing or two about using powers myself if you need help or anything.”

“I’ll be sure to give you a call if I find a magical hammer,” you teased making the other two chuckle. 

Taglist: @marvelogic @esposadejoyhuerta @ju-maxi89 @gingiesworld @simpforlizzie @bigbattygyal585 @cakechan123 @xxxtwilightaxelxxx

[lesbianchemicalplant]

transmisogyny-exempt people do the most insane handwringing about how trans women who say ‘egg’ are Predatory Toward GNC Men and Assuming Genders and Reinforcing Gender Roles or whatever (this is just the TERF argument that trans women are nefariously trying to Convert gnc cis men)

whether you like it or feel Uncomfy or not, the fact is, the following is a very common experience for trans women:

a trans woman makes a friend who at the time self-describes and presents as a man; who seems to be seeking out as many trans women as they can (maybe surrounding themself with trans women if they're able to and/or following their trans women friends around like a duckling); who seems somewhat uncomfortable around men and especially with being treated by them as a Fellow Man; who is very aware of and interested in trans issues; who maybe talks or asks about various aspects of transitioning; and maybe has other interpersonal mannerisms that don't mean anything on their own and don't even necessarily mean anything in context. but yes, then that friend eventually comes out as a trans woman to the trans women she's close to, maybe after having only recently come out to herself

this is something I've personally experienced: this is roughly what I did when I was starting to figure things out (seeking out trans women online). this is also basically how one of my close RL friends made friends with me, and eventually came out to me. I was one of the first trans women she met in real life

and yes, before my friend came out to me, I did Wonder. I didn't assume, and I didn't do anything to push or prod, because it wouldn't have been helpful: it would likely have just made her uncomfortable. I figured the best thing I could do in any case was just being there, and being worthy of trust to talk about anything when/if she wanted to

(said friend is actually now in a similar position wrt one of her siblings, who has talked about how it would be better to be a woman and wear women's clothing among other things, but for now still self-describes as a guy. We'll See)

and yes, sometimes when trans women are in this position—having a friend like this whom we wonder about—we might refer to having a friend who may be a closeted trans woman or an ‘egg’ when in private conversation with other trans women, or when speaking in an anonymous and non-identifying context. this isn't outing anyone, and doing so is not Assuming Someone's Gender or Trying To Convert A Man or Force A Gender On Someone

we might also refer to ourselves in the past tense as having been “eggs” when talking about our experiences growing up, figuring things out, getting to know other trans women, questioning and coming out to ourselves, etc. (again, I myself did seek out other trans women online etc. before I knew I was trans—again, this is all pretty common!)

we are not hunting down any cis man who enjoys baking or whatever and forcibly declaring them to be an Egg. we do not have the social power to do this even if we wanted to, which we don't. even if you did encounter such a hypothetical trans woman, she would be annoying on an interpersonal level, but again, probably not in a position to commit real harm. and if YOU were to fixate on and rage about The Nefarious Trans Women Assuming People's Genders, that would say infinitely more about you than about us or about some purported Serious Social Problem with the term “egg”

any transmisogyny-exempt person who has a problem with any of this is welcome to eat shit

[maddyjones2]

On not idolising creative people

In the wake of the various recent allegations involving Neil Gaiman, people have been both very sad that someone who they looked up to as an inspiration has, allegedly, turned out to be something less than entirely admirable, and are now looking to see who is now left that they can rotate into the spot of “the good dude,” i.e., that one successful creative guy who they think or at least hope isn’t hiding a cellar full of awful actions. One name I see brought up is mine, in ways ranging from “Well, at least we still have Scalzi,” to “Oh, God, please don’t let Scalzi be a fucking creep too.” Which, uhhhh, yeah? Thanks?

I have many thoughts about this and I’m going to try to make sense of them here, as much for myself as anyone else, so this may be messy and discursive and long (seriously, 3600 words, y’all), but, well, welcome to me. So, ordered by how these things come out of my head:

1. Stop Idolizing Creative People. Creative people are easy to idolize because they create the art you love, and that gives you permission to feel things, and to see yourself and your desires reflected in that art. That is a powerful thing, and from the outside, it can feel like magic, and that the people who do it are tapped into something otherworldly and admirable. Plus, they often get to have cool lives and get to know other cool creative people. They do things that are removed from the day-to-day aspect of a “normal” life, and they’ll even post about them on social media where you can see them. Sometimes, independent of their art directly, they’ll speak about their life, or life in general, and they’ll seem wise and considered and kind. I mean, what’s not to like?

But please consider that this is all an extremely mediated experience of this person. The art is the edited and massaged result of hours and days and weeks and months of work, into which the work of many others is also added. My novels originate from me, but it’s not just me in there, nor is the final form of the novel an accurate statement of who I am as a person, not least of all for the simple reason that I am not trying to tell my story in my novels. I’m creating fictional characters, and the world in which they make sense, for the purpose of the story.

Despite how it might look from the outside, this is not sorcery. It’s years of experience at a craft. It’s not magic, just work. A completed novel (or any other piece of art) won’t tell you much about the specific, day-to-day life and inclinations of the individual who made it, other than a general nod toward their competence, and the competence of their collaborators. Likewise what you see of their lives, even from the illusorily close vantage of social media, is deeply mediated. Lives always look admirable at a distance, when you can only see the lofty peaks and not the rubble at the base — especially when your attention by design is pointed at those lofty peaks. There’s much you don’t see and that you’re not meant to see. The vast majority of what you’re not meant to see isn’t nefarious. It’s just not your business.

Now, before I was a professional creative person, I was an entertainment journalist who spent years interviewing writers, directors, movie stars, musicians, authors and other creative folks. Since I’ve been on the other side of the rope, I’ve likewise met a huge range of creative people from all walks of life. Please believe me when I assure you that creative people are just people. Richer and/or more famous? Sometimes (less often than you might think, though). Prettier and/or more charismatic? Especially if they’re actors or pop stars, often yes! But at the end of the day they are just folks, and they run the whole range of how people are. By and large, the day-to-day experience of getting through their life is the same as yours. Outside of their own specific field of work, they don’t know any more about life, have no more facility for dealing with the world, and have just as few clues about what’s going on in their own head, as anyone else.

They’re just people. Whose work is making the stuff you like! And that’s great, but that’s not a substantive basis for idolizing them. It makes no more sense to idolize them than to idolize a baker who makes cookies you like, or the guy who comes and trims your hedges the way you want them to be trimmed, or the plumber who fixes your clogged drain. You can appreciate what they do, and even admire they skill they have. But holding them up as a life model might be a bit much. Which is the point! If you’re not willing to idolize a plumber, then you shouldn’t idolize a creative person.

(“But a plumber doesn’t make me feel like a creative person does,” you say, to which I say, are you sure about that? Because I will tell you what, when my sump pump stopped working and the plumber got in there, replaced the pump and started draining out my basement which had an inch of standing water in it, that man was the focus of all my emotions and was my goddamned hero that day. My plumber that day did more for me than easily 90% of the great art I’ve ever experienced.)

Enjoy the art creative people do. Enjoy the experience of them in the mediated version of them you get online and elsewhere, if such is your joy. But remember that the art is from the artist, not the artist themselves, and the version of their life you see is usually just the version they choose to show. There is so much you don’t see, and so much you’re not meant to see. At the end of the day, you don’t have all the information about who they are that you would need to make them your idol, or someone you might choose to, in some significant way, pattern some fraction of your life on. And anyway creative people aren’t any better at life than anyone else.

Which brings up the next point:

2. Fuck idols anyway! People are complicated and contradictory and you don’t know everything about them! You don’t know everything even about your parents or siblings or best friends or your partner! People are hypocrites and liars and fail to live up to their own standards for themselves, much less yours! Your version of them in your head will always be different than the version that actually exists in the world! Because you’re not them! Stop pretending people won’t be fuck ups! They will! Always!

This sounds more pessimistic about humans than perhaps it should be. When I say, for example, that people are hypocrites and liars, I don’t mean that people take every single opportunity to be hypocrites and liars. Most people are decent in the moment. But none of us — not one! — has always lived up to our own standard of behavior, and all of us have had the moment where, when confronted with a situation that would become an immense pain in the ass if we stuck to our guns, or demanded the inconvenient truth, decided to just bail instead, because the situation wasn’t worth the drama, or we had somewhere else to be, or whatever. We all choose battles and we all make the call in the moment, and sometimes the call is, fuck this, I’m out.

Every person you’ve ever admired has fucked up, sometimes really badly. Everyone you’ve ever looked up to has secrets, and it’s possible some of those secrets would materially change how you think about them, not always for the better. Everyone you’ve ever known has things about them you don’t know, many of which aren’t even secrets, they’re just things you don’t engage with in your day-to-day experience of them. Nevertheless it’s possible if you were aware of them, it would change how you feel about them, for better or for worse. And now let’s flip that around! You have things about you that even your best friends don’t know, and might be surprised to learn! You have secrets you don’t wish to share with the class! You have fucked up, and lied, and have been a hypocrite too!

You are, in short, a human, as is everyone you know and every one you will know (pets and gregarious wild animals excepted). And all humans are, charitably, a mess. This doesn’t mean there aren’t good people or even exemplary people out there, since there are, along with the ones that are, charitably, a real shit show. What I am saying is that even the good or exemplary people out there are a mess, have been morally compromised at some point in their lives, and have not lived up to their own standards for themselves, independent of anyone else’s standard for them.

One of the aspects of being an “idol,” I think, is that higher standard that other people expect of you — that in every situation where the aspect they idolize you for is in play, you will act in a manner that is right and correct by their standard, which of course you will likely not know about because you don’t actually know them (or often know that they exist). This is, by definition, an impossible standard to be held to — you didn’t agree to it, or to engage with it — and an impossible standard to hold other people to without their direct consultation. Every human made to be an idol is destined to fail at the job. You don’t even have to have feet of clay! You just didn’t know you were on a pedestal to begin with.

(This does not excuse shitty action. The fact people should not be idols in the first place is not exculpatory for the choices one makes on one’s own. If you’re sexually assaulting people, or being a racist or sexist or homophobe or other flavor of bigot, or using your situational power coercively (as just a few examples), then hell yes you are going to be called out on it. And to be clear, it is not unreasonable, to put it mildly, to expect people not to sexually assault other people, or not to denigrate other humans for being who they are, etc. But this only adds to the point about idols, now, doesn’t it. You don’t know what you don’t see, and you don’t know what you’re not seeing, until it is hauled out into the light one way or the other. If it is hauled out into the light at all.)

I don’t think anyone should idolize anyone, ever. It’s not great for them, and it’s not great for you, they probably didn’t ask to be idolized (and if they did, holy shit, fucking run), and in the end unless you’re so completely wrapped up in their lives that they have no secrets from you — which is never — you don’t know enough to make that call. People do it anyway, and then disappointment happens, but they shouldn’t have done it in the first place. Stop idolizing people. It’s not fair for anyone.

What to do instead? Enjoy their work, if they’re a creative person. Appreciate the kind and good aspects of their life that you can see, and the decent actions they undertake in public, with the knowledge that what you see of them is a mediated and elided version. Understand that we all have a different version of ourself for every person we meet, and that every person we meet has a different vision of ourselves in their head, and very often, those two versions are not the same. Like them, based on what you know of them! Love them, if it comes to that. And when and if you learn something new about them that you didn’t know before, let empathy guide you to a new understanding of them and what they mean to you.

And now, taking all of the above into consideration:

3. Absolutely 100% do not idolize me. I don’t deserve to be idolized because no one deserves to be idolized, but also, holy fuck, I do know me and I’m a mess. There have been lots of things in my life that I’ve done that have not been admirable or kind. I can be petty and shitty and competitive and cruel. I am lazy and inattentive and when I let things slide (which is often), I end up jammed up on my responsibilities, which makes me irritable and no fun to be around. I have a temper which goes from zero to sixty almost instantaneously; if I’m not actively paying attention to it, I can become a sudden, unreasonable rage monster, which is a burden to people I love, and I hate that fact about myself (pro tip: don’t travel with me, the rage monster comes out a lot then).

I can be controlling and demanding but I want other people to handle the details, i.e., executive asshole. I am strategic in a way that can be bloodless. When I’m insecure I brag a lot, which is unflattering. If you cross me, I won’t go out of my way to make your life miserable (that would require effort on my part), but I will absolutely enjoy when you take a literal or metaphorical tumble down the stairs. God knows I’ve enjoyed the failures of the people who have spoken ill of me, almost as much as I’ve enjoyed the fuming, spittling rage they’ve felt when I’ve succeeded. I spent years cultivating a snarky persona online and while that was fun (for me), I’m increasingly aware that when the tally is added up for Who Ruined the Internet, I’m not necessarily going to be where I want to be on that particular ledger.

And these are only the bad qualities of mine I wish to admit to you at the moment. There are others, I assure you.

So, yes: Who wants to idolize me now?

“But you seemed so nice when I chatted with you online/met you at the convention/saw you at that one place that one time.” Well, thank you, I’ve been in the public eye in one manner or another for three and a half decades now and I understand my assignment; my public persona is friendly and engaging and sociable and mostly fun to be with. It’s not a fake version of me — I am all those things! Honest! — but, again, it’s a mediated version of me designed not only to be a positive experience for the people who meet me but also to get my actually introverted ass through a whole day of events at a convention/festival/book tour/whatever. When I’m done I collapse into an introverted hole. When I came back from Worldcon this week, I slept for 15 hours the first day I was home. It wasn’t just because of jet lag or con crud.

I rather famously call my public face “performance monkey mode,” and likewise what I say about my (current) online mode is that I’m cosplaying as a better version of myself, one that is kinder than I used to be online, and more patient than I am in the real world. If you meet me when I am “off” then you will find that, again, these versions of me are me, just with some things dialed up and other things dialed down. But even that is still a different version of me than, say, the version of me which is at home (which is in fact extremely boring; that version of me doesn’t talk much and mostly stays in my office).

Many of you who have followed me over the years are familiar with me saying things like this, of course, and are likewise familiar with me pointing out that there are a number of things about my life that I don’t mention in public, for whatever reasons I choose. But it’s also true that I’ve been actively online for 30+ years now, and people feel reasonably confident that they have a good bead on me and that there’s not much about me that will surprise them or change their understanding of me. So to bring home the point there are indeed things you don’t know, allow me to surface just one previously unaired fun fact:

I have a concealed carry license.

(Or did; it expired this year and I didn’t renew it, because Ohio changed its laws so that you no longer need a permit to conceal carry in the state. These days in Ohio you can just wander about with a handgun stuffed down your trousers without training or licensing because that’s a real good idea, now, isn’t it. Nevertheless, the license is not necessary anymore so there was not much point in renewing it, although if the law had not changed, I probably would have renewed.)

Why did I have a concealed carry license? Well, ultimately that’s not important. The point is I had one. I didn’t talk about it before because, among other things, the point of a concealed carry license (to me, anyway) is that its existence is not meant to be known by anyone other than that great state of Ohio itself. I am aware, and this is a dramatic understatement, that I am not a person most people would expect to have had such a thing. That the fact I had one will cause a number of people to reconsider what they know about me, for better or for worse. Which is also my point. All y’all have just learned this thing about me! Think about all the other things you don’t know!

Oh, God, this is where Scalzi starts admitting to terrible, terrible things. No. I feel pretty confident I live a tolerably ethical life. Part of the reason for this is that I have what I think is a decent operating principle, which is: If I’m thinking of doing something, and Krissy called me right then and asked “what are you doing?” and I would be tempted to lie to her about it, then I don’t do that thing. Because Krissy is the most important person in my life, and I don’t want to lie to her about what I’m doing (I have lied to her exactly once. She knew instantly. I haven’t bothered lying to her since). This is not replacing Krissy’s ethics with my own; it’s me knowing whether by my own ethics, I would be ashamed to tell to her what I am up to. It works very well. As such, the Krissy Test is an operating principle I highly suggest to others, although I’d suggest replacing Krissy with whomever your life is most important to you.

Be that as it may, my ethics are not universal and some others might not find them sufficient, for whatever reason. I am well aware I still disappoint many people, and that there are people who find my life choices, known positions or public statements (or lack of them, as the case may be) problematic, or who simply wish I would be other than what I am. I can’t help them with this, but again, this is the point. Given the fact that I am a fallible human who has an entire stratum of his life not visible to the world — and the strata of his life that are visible cause significant numbers of people to be irritated and exasperated — is it not better just to not hold me up as an ideal person, or the “good dude,” much less an idol of any sort?

I mean, shit. What Would John Scalzi Do? Solidly half the time, I have no fucking idea. I have to think about it, whatever it is. I have to think about whether I know enough to do or say something about it. I have to decide whether it’s something I want to engage with at all, and whether my engagement with it is something that would be of value to anyone, me included. I have to decide whether engaging with it is worth the shit I will get for it. And then I have to figure out what it means that I am engaging with it, since like it or not I’m a Dude of Reasonable Significance in My Field. I try to be a decent human, when people are looking at me and especially when they are not. But I also know me, and all my flaws and weaknesses and compromises.

What Would John Scalzi Do? The best he can, in the moment. Is that sufficient? For me, yes, most of the time. Is that sufficient for you? That’s up to you.

The point to this all is that people are just a big fucking mess, including the ones you might for whatever reason find admirable. I am no different than anyone else, and you should not be under the illusion that I am anything other than a shambling collection of flaws embedded inside a human form, which also, in its defense, has some pretty excellent qualities as well. We’re all this way! You too!

And while I want you to like my work, and to enjoy the version of me that you see here and elsewhere, don’t put me, or any other person, on a pedestal. Pedestals are wobbly and and don’t give actual humans a lot of room to move. We will inevitably fall off. Keep us with our feet on the ground. That way, when we stumble, there’s a chance we can get back up, and keep going.

— JS

[punksocks]

Astro Observations No.12:

-just my opinions, take them with a grain of salt !

-Does anyone else notice that Taurus in the big 6 (but even more in the big 3) gives people a square/sturdy look about them.? Their head or their hair or even their hands or their torso (more rectangular but ykno same rule applies) some physical aspect of them tends to be squared off.

-Omg nobody likes showing off their significant other like a fixed Venus! (If they really like them ofc)

-Mars in 1st/Aries risings walk really fast and are always going like they’re got places to be even when they’re just wandering around.

-Said this in my astro analysis on the show You but like, Mars in Asc/Aries rising women can have a bit like not like other girls or I mostly get guy friends vibe a lot of the time. Sometimes I notice this with Aries moon women as well (sometimes they think they’re above more traditionally feminine women sometimes they don’t, this depends on how they’re socialized imo)

-Scorpio/Chiron rising may have tattoos heal especially well on their body (it’s scarification after all)

-Men/Masc folks with heavy water placements tend to be…tumultuous. I think its a cross of how masculinity is defined societally (patriarchy is such a thing) and the intense emotionality that water heavy folks already tend to experience. I think developed water heavy guys can be very comforting and emotionally in tuned and have a very nuanced sense of masculinity, but they usually have a lot of work to do to get there. Heavy Scorpio placements are known for this but Men with Cancer in the big 6 have a lot of work to do with their relationship to women & femmes/feminity/their mothers/ being nurturing/healthy emotional expression.

-Where Capricorn is can show where you’re picky and a bit rigid in your expression- Venus means you’re picky about who you romance and befriend and you can be critical of your friends and partners; moon means you express your emotions in very particular ways and can be rigid in naming your harder feelings etc.

-No matter how sweet someone is, if they have a fire Mercury they’re gonna say something out of pocket (they’re gonna go too far with a joke or something) to you just because they’re a fire Mercury. No filter imo.

-Do Gemini Venus women appear fox like or is that just something I see? Lol (maybe true for Gemini Asc as well?)

-Mercurial risings do tend to look youthful and mischievous, I believe Mercury is a trickster god in mythology and I see that all over virgo/gemini Asc. Just a sparkle of mischief in their eyes even if they’re not up to anything nefarious. Also they frequently have people guess they’re much younger than they are.

-It’s so interesting that no mater how dark Scorpio risings look kids are often like totally chill with them or even drawn to them. I’ve had kids stare and approach me. Idk why, I do feel protective over my siblings but those are kids I know lol. Maybe it’s Pisces in 5th? Giving a ethereal and empathetic approach to children in general? Food for thought. (Once a tiny girl complimented my hair from a car window and I thought I was hearing things then I saw her and I was like :,0 thank you precious child and that was that lol)

-Earth moons can have a special soothing relationship with animals, like calming for the animals and the moon natives. It’s almost symbiotic at times.

-I’m big on wearing what you want in general but especially if you’ve got that 1st, 4th, 10th house Lilith/ Lilith conjunct, square, opposition your ascendant - Reclaim your power and wear. what. you. want. Your confidence will carry you a long way. (Same can apply for Pluto aspecting Asc)

[diejager]

...i mean i have plenty of dark ideas with makarov but i mean... i kinda want to know on your thoughts with makarov and a reader who's equally dark/cunning. match made in hell basically

котёнок (A/n):I read a bit about him, but I can’t say that my portrayal of him is faithful to the game.

A fucking match made in hell. He doesn’t love easily, nor does he devote himself to someone as much as he did with Zakhaev often, but once he does give you this deluded level of love and devotion, it’s yours until he dies. In his mind, anything goes, shooting his only friend, bombing civilian areas to kill off one enemy, or trafficking as a source of money. Vladimir Makarov had no limit when it came to what he believes in.

He might be unpredictable with his acts and strict with his decisions, but that - by no means - meant that he didn’t like to play games, despite everything that went on in his life, Makarov loved games. He liked playing with his enemy, making it seem like they were ahead of him, only to disappear, being ten feet ahead. But then you appear, foiling his plans left and right, seeming to play right into his hands, moving as he predicted, only to outplay him, smirking his way as you strut away. He was mesmerized, the sight of the woman who had tricked the devil, clad in black and smile as sinfully cunning as his.

Makarov called you his котёнок —his kitten. He watched you in admiration, hungering for any moment with or against you, a gem in the corrupted world he lived in. He loathed that you weren’t working with him, standing beside him with that beautifully, cruel sneer you gave anyone who disappointed you. You didn’t follow the good or evil side, uncaring of who worked for the betterment of the world - he’d seen and heard you fucking up the 141’s attempts as you did with his - you only followed the wining side, the one who had the money to show and the hand to control it.

For months, he tried his luck, sending messages to you in many way, both nefarious and quiet, anything to contact you, anything to have you on his side; and when he had you working with him, striding to him in all your confident glory, he couldn’t be any prouder. Makarov had another asset up his sleeve, one more important than others, he cherished you, he devoted his time to you and he love you in his own twisted way.

If his котёнок wanted to play, he would play. He would back you up in every decision you mad, the jobs you took, the deals you signed. If you wanted to burn down the world, he would do it with you; if you wanted to bomb a public building, he would provide you the explosives; and if you wanted a hand in rebuilding the world in your image, he would help you, lead the men that worked under him and push your ideals.

Makarov didn’t just love you, he was obsessed, addicted —he was devoted to your being, cunning and devious. He might pull a few strings in the dark, but you were a danger on your own, giving your rivals and enemy a run for their money, and he loved that. You controlled the room when you sat down, your nails cackling on the table eerily as you stare down the people across from you, eyes narrowed and lips pursed, a stoic mien before cowering men.

He would sometimes stand behind you, acting as the looming shadow that added to your scary image, or he’d take up the seat beside yours, head tilted up with his arms crossed, the image of a confident tyrant, poised and powerful. You were a dark pleasure, sly and opportunistic, and he, a wicked and cunning man, portraying his ideology through his spread of terror.

“My sweet, sweet kitten,” he whispered in Russian, pressing his lips to yours, kiss feverish and rough, all teeth and domination. “Tell me, what is it you want?”

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