#not rejected you

[ineed-to-sleep]

Collection of bg3 sketches I've been nibbling at over the month. teehee

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[spn2006]

the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[chloesimaginationthings]

FNAF movie Vanessa sucks at “flirting” with Mike

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[mothgenes]

Part 3

Part 1 / Part 2 / Part 3

[platoapproved]

armand + being annoyed with the coven

[malaierba]

My unpopular (why) opinion is that Toshiro's and Falin's relationship (platonic obviously) is quite beautiful and if fans weren't so odd about shipping they'd see how very sweet it is that Toshiro started liking Falin when he realised she's an odd but gentle person, when he felt a sense of kinship that he likely never felt before.

From what we see they got along, Falin has a positive opinion of him, on the few instances when we actually see them talk (beyond just memories of them talking but no actual dialogue being shown to us) it's obvious she feels comfortable enough to be completely honest and transparent with him, while still minding his feelings. She likes the guy well enough, she doesn't want to hurt him.

The marriage proposal is actually so interesting... The way they communicate with each other. Falin let's Toshiro down gently, and reveals something so intimate about herself, how she's behaved until now, what she wants to do in the future, that she'd like to visit him again!

And Toshiro is so gentle. He obviously cares about her so much (and water is wet BUT im talking specifically about how it's portrayed in this scene). If what Maizuru says is true, that was the second time he made a "selfish" request ("marry me and come with me") but he simply asks this from her and offers reassurances, "I'll make sure you're comfortable", but he's not you know the Hardass some people pretend he is.

And what I love the most... When she rejects him not only does he accept it gracefully, he's inspired by her declaration that she wants to be more independent. Why did Falin say that? To spare his feelings further? Or because she knew that this realisation, which meant so much to her, would resonate with Toshiro too?

Gonna get personal but. I'm aroace, hello. I've had a few friendships go to shit because someone confessed to me and I rejected them. And exactly one where the person accepted it gracefully and our friendship, after surviving an awkward moment, blossomed.

Like. Relationships CHANGE, and they can develop and deepen and strengthen in many ways, regardless of the dynamic they take on. When aspecs say "friendship can be as important as romance" one of the things we mean is, allow romantic love to go back to platonic love and be stronger regardless OR EVEN because of it.

Like. How beautiful, that these two recognised a bit of themselves in each other, and knew how to approach the other. How beautiful that Ryoko tells us "their friendship survived a rejected proposal, when the commonly used trope would've made their friendship unviable from then on".

How beautiful that narratively Toshiro's sacrifice is never played for laughs or made fun of or devalued because """he didn't get the girl""', but instead the manga says "it didn't pan out but it wasn't a pointless sacrifice because Toshiro genuinely cared for Falin as a person, and always did what he thought was best even when it went against his normal behaviour." How beautiful that Falin wants to meet his friend Toshiro again, that she thinks to tell him "I'm going to start being an active participant in my own life" and Toshiro thinks "I think I need to start doing that too".

How beautifullll that a rejection ended with a promise to meet again, it's so beautiful am I insane? Can someone hear me hello?

The love was there and it mattered, but it's even better. The love shifts and survives because the care is genuine, because when you truly care about a person you'll want them in your life in whatever dynamic suits everyone involved the best. Because love, whether romantic or platonic or a mix of something else entirely, is selfless.

[captainswan618]

there is a person standing 73 yards some distance away, watching you. they look like they’re trying to tell you something. you can’t get away from them, nor can you get close to them. they’re just...standing there.

so your friends and loved ones try to help you by talking to them, and the person must be saying something to them, because they look at you differently now. but you have no idea what it was, all you hear is static.

you try to tell them not to listen to the person, but no matter what you do, no matter how much you plead with them, they look up at you with suspicion-hatred-fear and just run. they don’t care where they’re going, just that you’re not there. and you can’t do anything to stop it.

the more that the people in your life care about you, the worse it is, because anyone who tries to help is turned against you. so you are just gradually shut out of your own life by the people you love the most, until eventually you no longer recognize your surroundings.

there is a person standing 73 yards some distance away, watching you.

[that-foul-legacy-lover]

SAGAU where the Creator is slain once, accused of being an imposter, and reborn as... a Melusine.

there's screaming and pain, the sensation of a thin blade digging into your chest- then nothing. nothing but the soft melody of running water. tentatively you open your eyes are met with dancing colors and shapes, little shell houses and baubles making a small, cozy village. your hands have become mittens, your skin swirling with pretty patterns, a pair of antennae sprouting from your head, and where there were previously cuts dripping with blood have turned to markings that shimmer slightly in the light. another Melusine approaches you and asks if you're lost, and when you merely shrug she introduces herself as Cosanzeana and shows you her slowly growing flower garden.

it's nice here, in Merusea Village. unlike the rest of Teyvat, the Melusine don't know nor care much about any sort of Creator myths- they came from Elynas, after all- so they happily regard you as a sibling who simply got lost on the way. finally you're free from the world above, everyone who chases and tries to harm you, spending your days collecting components to trade and swimming beneath the waves. Mamere in particular becomes a close friend, both of you regarded as a little strange but still beloved by all your siblings. she shows you her artwork and you help her collect paint, and in the coldest nights when you're swarmed by bad dreams, you tell her of your previous life as she swears to keep it a secret.

the only time you venture out into the far caverns alone is when you meet a familiar face- Childe's Foul Legacy form. you always loved the transformation, when Teyvat was just a game on your computer, but now you hastily hop a few steps back. the others treated you as a fraud, tearing at your skin until you gave in and died- he would be exactly the same. but Foul Legacy just blinks, slowly crouching to your height and staring into your eyes, speckled with tiny stars. he trills quietly in awe, then lowers his head into a bow in presence of the true Creator.

the other Melusine cluster around you when you bring him back to Merusea, curiously poking at his armor and glittery wings. you all see him as beautiful, and he is beautiful! Legacy stays with you in the village, accepted with open arms, much like Seymour stayed with Mamere for a time, and it becomes common to see a slightly sparkly Melusine running around with an Abyssal beast at their heels. he swims with you, navigating through the Primordial Sea, and shields you from any outsiders that happen to appear, the ones who dared to harm his Creator so horribly.

you, a Melusine, and Foul Legacy, your protector and best friend.

[anxioussailorsoldier]

zelda: “no, but...I would also like this notarised”

the totk situation is a textbook case of royal marriage for appearances so that the gay zoras can be with their blonde hylians, and you can't tell me otherwise

the blond barbarian man is leeroy, a beefier and more himbo reincarnation of link. still waiting to see him in-game

[greelin]

equipping these not for strategic reasons. but gay ones

[snowberryc]

When you remember that paintings can talk in TWST:

You can't forget about Rosalia from Cater's vignette, she's lonely too.

[mrkida-art]

Young dwarf Thorin

[valtsv]

i can't help seeing the concept of "coming back wrong" as reflective of the aftermath of attempted (and unsuccessful) suicide. whether you gratefully accepted death at the end, or you struggled in terror in your final moments and wished you could somehow twist out of the way of your oncoming fate, the choice to die was taken from you. you failed to achieve the inevitable. how wrong must you be, to be unable to even die properly? how horrifying - and how utterly infuriating - would it be, to have everyone around you expressing gratitude or disgust at your resurrection, while you cannot even begin to articulate the depths of your own conviction that death, the inexorable maw itself, must have decided there was something just not right about you, and spat you out?