#on tumblr does. also this is looking less like a book and more like a weird newsletter/comic thing. so idk im thinking about it

[themidnightcircusshow]

@heartofstanding tagged me in this meme months ago and unfortunately it took me this long to get to it because I had a mild crisis over how long it's been since I've read a novel, let alone one that I loved 😅 so this is nine of my favourite novels (not books, because if I included manga/short stories/comics/etc this would be giant)

0The Picture of Dorian Gray -- Oscar Wilde// Pyrrhus-- Mark Merlis//The Scarecrow--Ronald Hugh Morrieson//Unnatural History--Kate Osman//Tunnels of Blood--Darren Shan//The Coffin Dancer--Jeffery Deaver//Hero--Perry Moore//Frankenstein--Mary Shelley//One Flew Over the Cuckoo's Nest-- Ken Kasey

[discoidal]

would you guys be interested in like a serialized weekly release of one of my WIPs rn? it's divided into chapters which themselves are divided into smaller parts, and the way it is right now i have enough for 13 posts.

title is Baby Birds, and it's a series of journal entries from Ava Carreon, a freshly eighteen year old high school senior who suddenly starts lactating glue. kind of like if jennifer's body was even weirder about bodily fluids. let me know what yall think!

format would look like this probably

[drchucktingle]

On your blog you've talked about dealing with chronic as a result from the stress of masking your autism.

It's a bit of a different situation, but my little sister (who we've begun to suspect has adhd) has been experiencing chronic pain in her arms and legs. I may be totally off base, but I was wondering if a similar stess might potentially be a factor in her pain.

If you're willing, would you mind talking about how your pain affected before you found a way to manage it (I tried searching your tumblr, but not much came up, so sorry if I'm asking a question that's already been answered)?

Thanks either way, I love your books. Love is real!

sure buckaroo GOOD QUESTION. i have had chronic pain in some form or another for LONG TIME in a number of STRESS RELATED WAYS. in past it has been cracking teeth from clenching dang jaws while i sleep and things like that, but a few years ago it was FULL ON BODY PAIN AND TIGHTNESS like every muscle was clenching up. went to the doctor over and over all kinds of dang specialists and it was very difficult to figure out what was going on. eventually landed on a sort of nebulous trot of STRESS but i can get more specific.

there are several things about me that you would never know just from looking or even talking to me for long times. i am a bi buckaroo, i am a non-dysphoric trans buckaroo, i am an autistic buckaroo. EVERY SINGLE ONE OF THESE THINGS IS EITHER HIDDEN AUTOMATICALLY OR I AM SUCH AN EXPERT AT HIDING THAT IT IS SECOND NATURE

autism presents its trot in many ways, so my words do not apply to all, but my version is EXTREME ORGANIZATION AND ENDLESS WORK ETHIC. in way of freud (which is a silly way but sometimes good for symbolism talk) i have what you would call an OVERDEVELOPED SUPER EGO which is a double edged sword. i can write 100s of books at an incredible pace, but also feel like my body is constantly collapsing in on itself

this is not really something i consciously think about much, but eventually these health problems started creeping up. it was all from carrying this mystery tension in my body, because while it feels EASY for me to mask i believe all that tension goes somewhere and it stores up and stores up and stores up.

so i think the HEALTHY way that i have found to deal with this (i think of it as releasing the steam valve a bit so the boiler does not break down) is ART. this space where i am allowed to be CHUCK TINGLE and write without obsessing over the spelling or punctuation, or to loudly express my queerness, or explore gender, and to let my neurotypical mask down DIRECTLY RELIEVES my chronic pain because it literally makes my muscles relax.

when i started out this ARTISTIC TROT as chuck i used a LOT of metaphor to keep my privacy, with different words or different versions of people for different things, and buckaroos found this very funny. as a way to express myself artistically i also liked this metaphor trot a lot, but i have also found that the LESS metaphor i paint over my life as chuck, the better it is for my health. if you have noticed, i talk less about some of the parts of my life that were metaphors, or maybe you have seen that my voice has relaxed a bit in interviews, or that i carry myself a little differently over time, this is partially why. (there is another artistic reason that was a planned trot from the beginning and it has to do with my feelings as a young autistic buckaroo of not fitting in on this timeline, but we can dive into that later).

anyway, as PRACTICAL ADVICE i would say that FINDING A SPACE TO EXPRESS YOURSELF WITHOUT FEAR OR MASKING has been the number one trot for me. that can be a pink bag over your head writing hundreds of erotic shorts, or that can be just laying on the ground howling your heart out, or doing whatever stim you need to do.

i will also say that ONCE I REALIZED IT WAS MUSCLE TENSION getting a physical therapist helped a lot. because there are two sides, you have to start releasing steam from the steam valve, but at the same time youve also gotta start HEALING THE DAMAGE. so i think stretching and techniques like that can be very helpful.

hope that helps buckaroo LOVE IS REAL

[crustaceousfaggot]

An outsider's knowledge of The Locked Tomb series, based on what I've seen from Tumblr.

So it's a series of books. Idk how many they are (at least 3? And they're still coming out) but I'm pretty sure they all have the suffix "the ninth". Idk what this means.

One of the books is called "Nona the ninth" but I feel like I never hear people talking about a character named Nona so idk what that's about

The two protagonists are Harrowhark and Gideon. They're very much in love but also I think there's some elements of Toxic Yuri at play. Not like enemies to lovers but more of like a codependency thing I think?

At some point one of them eats someone I think?

Harrow is the little goth one and she's like. Angry and bitey and very wetpathetic like a gutter cat.

Gideon is the taller ginger one who's a bit more butch. She's also angry and bitey but less so? I am attracted to her.

Harrowhark and Gideon are part of like... An order of space nuns who do necromancy. It seems like Harrow takes this responsibility more seriously and Gideon just wants to fuck around and look at tits.

That's why they have the skull makeup. Because they're Necro Nuns

Idk why Harrow is always drawn with the Bone Corset thing but Gideon isn't. Idk if this is just because she's Like That or if it's like... A separate uniform she has for whatever reason.

There's a lot of angst derived from how Harrow is like... Indoctrinated and controlled and lacks agency in her own life.

Harrow and Gideon are separated at some point and fans are very keen to see them reunited. Maybe. I might be making that part uo

There's a blonde woman named Ianthe? Idk what she does though. That's the only other character I know about.

As far as I know there are no men. Or at least no men worth talking about.

I'm not sure what the titular Locked Tomb is all about. Presumably something to do with necromancy.

You know for a series that people call the "lesbian necromancer series" I feel like I rarely hear people discussing the necromancy parts.

I'm also unclear on the time period and setting. I think it's set in space but idk if it's like a far-future thing or an alternate universe or...?

There's a lot of perspective-hopping. I think it also switches between 1st and 3rd person POV which is neat I suppose

I heard somewhere that it's loosely based off of a Homestuck fanfic but idk if that's true

[chthonic-sorcery]

🚩🚩"Witch/Pagan" community PSA 🚩🚩

Goêteia is not evil, you dipshits.

I'm so sick of these neo-pagans getting all their information from Tumblr, Pinterest and TikTok.

Goêteia is literally just the Greek term for magic, for sorcery, which were one and the same.

Ancient Greece didn't have the word "witchcraft" it had Goêteia, and then later mageia, where we get our modern term magic from, although mageia was a misappropriated term from Zoroastrian priests or Magi.

It's so funny seeing baby witches claim Goêteia to be evil on one hand, then on the other worshipping Hekate, literally the goddess of Goêteia. The goddess of sorcerers and necromancy.

It screams puritanical morality policing. It's such a christian-centered way of looking at ancient religion.

Y'all need to open a damn book.

Goêteia was described as a "lesser" form of magic (mainly in the later Medieval period, roughly starting around the 8th century,) not meaning any less powerful, just simply the easiest or "closest" thus "lower" magic to achieve. This ability to more easily achieve success in magic was later taken and used by christian theologians to paint goêteia and Goêtes as "lesser practitioners."

There does seem to be little difference between Theurgy and goêteia as well,

Surprise!

Both Goêteia and Theurgy sharing the same goddamn workings through evocations of gods, the animation of statues, mediumship or what could be considered "divine possession" having a god or spirit speak through you, the use of iynx wheels / iynges, and mystery rites.

The only 'real' difference Theurgists claim, is that they "don't practice secularly/for selfish reasons" but supposedly rather to become closer to the divine. It's a nice sentiment, but total bullshit, because even in the Theurgic doctrine the Chaldean Oracles they bind the goddess Hekate to do their will.

Additionally, Theurgists had a more Neoplatonic belief, they essentially viewed a singular Oneness as supreme, the emanation from which all things return, a concept which was picked up by early christian theologians and is likely why while Goêtes were demonized in the later centuries mainly by early christians and christian philosophers, Theurgists on the other hand were seen as "pure" and "holier" despite Theurgical and Goêteic practices being pretty much exactly the same down to the tools and incantations.

(Agustine of Hippo for an example of these theologians, who wrote in "De civitate Dei contra Paganos", or "On the City of God Against the Pagans" how all "pagan" (non christian) gods and beliefs were secretly agents of Satan and evil, here to trick humanity into sin and that paganism, essentially any non christian faith, must be stopped–

He also wrote about how sorcerers/magicians (Goêtes) were charlatans, tricksters, that magic and sorcery were merely tricks of an invisible opposition to the divine and how only god could hold such supreme power. These ideas still seem to be deeply embedded into christian faith, particularly Orthodox and Evangelical, today.)

Practitioners of goêteia, the Goēs, was also understood to have the ability to initiate souls into mystery religions, or, in other words, to ensure through his superior knowledge of the Underworld and its workings that the souls under his care would receive preferential treatment after death, an easier way to paradise, such as the Orphic Hymns.

This likely also helped "other" the Goēs, as most practitioners of magic, of goêteia, of these mystery cults were made up of societies "unwanted" or marginalized people, such as women, foreigners, immigrants, the poor, the disabled, and the elderly. Early goêtes were described as being Thessalian (primarily women, particularly described as "old or decrepid") or. ethnically, not considered "fully Greek" to many of the era. Many critiques and fears of goêteia come from this "otherness," the fear the ruling classes of Greece had of groups they continued to harm, they feared the power they held within these mystery rites and practices.

With reliable accuracy from these critics, goêtes were (perceived to be) moral transgressors, who operated from the fringe of society in a private mago-mystical setting, offering their service for coin.

Or, in simpler terms, the Greeks were just really fucking racist

which is nothing new.

In fact, because goêteia itself is a synchronization of mainly Egyptian and Jewish magic, the Greeks and later christians went extra-hard into villifying it because they saw these people as lesser, as barbaric.

We have to understand where the fears and judgements of these critics were coming from, and continue to remain impartial. The ruling elite feared these practices because they feared losing their power, especially rich Greek men, and those early christian philosophers who saw everything outside their own faith as lies, manipulations, or tricks from "the Opposition" as well as the extremely racist and ethnocentric beliefs they held.

[junipernight]

I redesigned Yangchen's outfit!

... I actually designed a lot of outfits for her, because I am Extremely Normal about these books, and also I like costume design and learning about historical clothing.

Short disclaimer: These fantasy clothes aren't culturally or historically accurate, just historically and culturally influenced. I don't have any expertise in East or Central Asian culture or clothing, I've just been clicking around on the internet a lot the last two weeks learning things because that's my idea of fun lol. If you wanted to talk to people who actually know things you should check out @atlaculture or like @ziseviolet, both of whom's blogs I referenced while drawing.

I only designed two alternates for the outer robes. The first is based loosely off the robes Buddhist monks wear (loosely, because drawing draped fabric is hard ^^') especially the Tibetan zhen robe. This garment is just a long wide rectangle of cloth which can be draped across the body in lots of ways (versatility ftw!).

The other garment I drew is a Chuba, a traditional garment from Tibet and the Himalayas. It's a robe, but it highkey reminds me of kilts and hoodies, in that it a) can be worn over one or both shoulders or just as a skirt and b) it makes a giant pocket over the stomach. The long sleeves can be folded up or tied back btw.

I spent the most time on the middle layer, because I was thinking it has to be something she could comfortably fight in while also being suitable for diplomatic meetings, meditating, espionage, and possibly sleeping.

And like. You can fight and hike and whatnot in loose skirts, but it's annoying how twisted up they can get while sleeping. ALSO, YC does a lot of flying and leaping, so my girl needs pants. My faves are definitely the Xiaolin monk pants and the yellow wrap pants Aang wears. I tried dhoti (Indian wrap pants) because that kind of looks like what the giant statue of Yangchen meditating might be wearing, but I think it looks odd paired with a highwaisted shirt instead of a long tunic. Maybe I'll do some more drawings with her in a tunic and dhoti or a monk's dhonka and shemdap later, idk.

As any good historical fashion nerd knows, foundational garments are everything (◡‿◡✿).

But also, there's a scene where Yangchen and Kavik pretend to be lovers, and are "discovered" by a maid sleeping in the same room, with Yangchen in a state of partial undress (gasp!)

I am living for this fake drama; I need to know how scandalized the maid was lmao.

When the maid walks in, Yangchen immediately wraps herself in a bedsheet before ushering the maid back out the door. Maybe all she did was take off her outer robe... but why would she need to wrap herself in a sheet if she was wearing a long-sleeved high-necked gown? I got the sense from both the book and cursory research about buddhist monks that walking around without your outer robes was socially acceptable, at least in casual settings. I think it more likely she was in her underclothes, which historically (in the west anyway) would also double as sleeping clothes.

"The Aang" is censored because this is Tumblr-dot-com. Its mostly a joke, but also, I know other countries are less uptight about bººbies, so like, maybe it's a valid option ¯\_(ツ)_/¯

The ~Water Tribe~ look is based off Sokka's swimwear and not Katara's, mostly because chest binding seems antithetical to airbending.

All the other undergarment designs are based on hanfu neiyi, because that's what I could find reference photos and romanized names for.

I'm tired of typing now. Lemme know if you have questions about something, or want me to post a larger version of a specific outfit. I am open to feedback and tentatively open to requests.

[zg0nuwa]

Hey, hope you're fine...and i see that you're another fan for Miguel (we are) can you write the father day with his daughter and the reader as his wife please:(?....(i just hate my daddy issues)

★ best dad ever ! ⎯⎯

i don't think you understand how much power you just gave me with this (i had like half of this written already but tumblr crashed and i was one step away from going into my joker era)

miguel o'hara x wife!reader

warnings ; angsty fluff, i tried experimenting with the spanish but i feel like i failed miserably, lowercase intended, i'm not a spanish speaker so you're free to correct me on the spanish.

miguels work schedule was very unstable. there were times when he would be gone for the whole day and then there were times when he could spend most of the day at home. you understood, for the most part, he had the multiverse on his shoulders no matter how hard you wished for him to have a much less dangerous job. of course not everyone knew why he sometimes had to disappear for long periods of time.

and one of them was your daughter. all she knew was that " daddy does very important things and he has to go but he will always come back ".

this year, fathers day rolled up on a sunday which meant not only your daughter was home but also you. for your husband it was a little more complicated. he woke up in the middle of the night to a notification from lyla about another anomaly going nuts in the wrong universe. you loved the ai but in this particular moment you wanted to explode her with your mind.

" i'll be back before sunset, i promise " with that and a kiss on your forehead he left through the portal in your bedroom.

the next time you woke up that day was because of your daughter. she climbed onto your bed and started to shake you lightly with her small hands.

" mom? where’s daddy? " you opened your eyes to gabi hovering above you with her favorite plush animal pressed close to her chest. she had this disappointed expression on her small face. you knew it was because of miguel being gone. she planned this whole day for him, you even helped her organize everything.

" i’m sorry sweetheart… daddy had to go to work. " you pulled her in so her head was under your chin. she clung to you like a small koala bear as you played with her thick brown hair. definitely his genes.

" but, he promised he'll be back before your bedtime sooo, we can still make something special. what do you say about that? "

after a small argument about who gets the cooking part of preparations, which obviously ended with you being responsible for it, you and gabi got to work. as you were looking through your old mexican cuisine recipe book [ that you definitely didn’t bought only for miguel to feel more at home during meals ] you saw your dughter holding a box of artsy stuff.

" cariño, ¿qué estás haciendo allí? "

" making daddy a poster! it's going to say 'el mejor papa de todos'! " you couldn't help the big smile from appearing on your face. you knew how much time miguel put into teaching gabi spanish and it always warmed your heart when they sat down at the dining table and simply talked in spanish, your husband making little corrections in pronounciation or grammar from time to time. but no matter what he always looked as if he had hearts in his eyes.

★

you knew miguels work schedule was unstable and sometimes took him out of the house for a whole day, and you understood. but gabi not so much. so here you are, 10:48 pm on the clock and no sign of your husband. you spent the past two hours comforting her and promising her that it wasn't miguels fault and that he loved her. finally at around 11 pm she fell asleep in her bed. you turned off the cat shaped nightlamp and as quietly as possible closed the door to her room.

with a heavy sigh you went back to the kitchen to start cleaning everything up. while puting away food into the fridge you heard a specific glitching sound and you already knew who showed up home.

" you're late. " you weren't really mad at him , it was just tiring sometimes.

" i know, i'm sorry love... it's just - things got a little out of control. " you didn’t look at him and his first thought was to come behind you and hug your waist hoping it would make you feel even a little bit better. “ was there something that i forgot about today? is that why you’re angry? “

" i’m not angry, but your daughter is. she planned the whole fathers day for you. "

" ay, coño… " he sounded defeated, tired, and disappointed in himself. you pulled yourself away from him and came up to the poster gabi made, its was rolled in a tube to not spoil anything before the big reveal. you handed it to miguel with a tiny smile on your face. he was a bit confused for a second but he got the memo and rolled out the paper to it’s full extent. you could see the tears forming on his waterline as he chuckled. probably because of the spelling mistake made by gabi that you didn’t have the heart to point out.

" me and gabi made a deal for you, you have take us to the zoo tomorrow, and she demands that you let her piggyback the entire time to repay for your sins. "

" i guess there’s no other option. " he said with a smile.

cariño, ¿qué estás haciendo allí? - honey, what are you doing there?

el mejor papa de todos - the greatest dad ever

ay, coño - oh, fuck

[hazbin-but-good]

another hazbin hotel rewrite/redesign?

yup! and i'm so serious about it that i made a whole blog for it. i'm a white queer ex-cath tran doing this as an art and writing exercise, so feedback from other creatives + jewish and/or racialized folks is especially welcome.

i'm putting this post and only this post in the main tags for visibility. also, not gonna link my main, but i do make my own original stuff, and i encourage fans and haters alike to do the same.

anyway, here's a mostly good-faith 1.7k-word essay on the original. i think it's pretty funny and brings up some less talked-about points. correct me on the facts, disagree with my opinions, and ask clarifying questions, but don't come at me with any piss-poor reading comprehension.

the hellaverse is garbage, and here's why

cw: strong language, stronger opinions, intersectional feminist critical discourse analysis

1. vivienne medrano, the person

medrano was born as a well-off white-passing latina (salvadoran-american) in bougieass frederick, maryland. while attending new york's top art school, she got popular on deviantart-tumblr-twitter by being a prolific multifandom fujoshi furry who's more into ornamental character design than storytelling. upon graduation, she leveraged her fanbase and industry connections to make the hazbin and helluva boss pilots, get helluva made for youtube, and get hazbin made for amazon prime.

like every woman online, she gets harassed for no good reason, and as a certified autist, i will defend her right to be dumb, weird, annoying, and bad with words. however, there are legit reasons to criticize her:

racism, misogyny, homophobia, fatphobia, some antisemitism, past transphobia, past ableism

shitty boss, bad friend

cowardly, vindictive, manipulative, thoughtless behavior

skeevy friends

sucks at taking criticism

in short, i think she desperately needs a PR person and someone to clean up her digital footprint.

2. medrano's art

incurious

inauthentic

noncommittal

creatively stagnant

overindulgent, and the indulgence isn't even fun

shallow and childish framed as complex and mature

bland and boring framed as shocking and subversive

to be clear, i'm at peace with the existence of suckass art like this; i just think the money, attention, and praise it gets are unearned and should go to more interesting works, of which there are infinite.

medrano's had the time, money, and social cache to grow as an artist, learn from the best, and take creative risks, but she hasn't. if she truly has nothing more to offer, she should let her collaborators take the wheel, but she doesn't do that either. instead, she keeps getting more and more resources to make the same baby bullshit, and that pisses me off. she could be the nicest person ever, and this fundamental arrogance would still make her art blow.

stop with the pointless guilt: liking medrano's work does not make you stupid or evil. however, if you stay in the kiddie pool of culture, if you refuse to engage with a diversity of art, if the hellaverse is your point of reference for anything media-related, you can't expect to have your opinions on art, media, or culture taken seriously. you have not earned a seat at the table. you gotta hit the books first.

i cannot emphasize enough how much incredible stuff is out there if you're willing to look further than what social media and streaming services put right in front of you. if you come away from this blog having learned about just one new artist or piece of art, i'll be a happy camper.

3. the hellaverse

a. empty and confused

hazbin and helluva's content and marketing has no clear target audience. the subjects are inappropiate for teens, but the execution is too childish for adults, and lemme tell you what i don't mean by that, first.

not inherently inappropriate for teens:

sex and sexuality

violence, including when it intersects with the above

politics and religion

not inherently childish:

animation (any style)

comedy

episodic writing and/or loose continuity

young characters

fun, happiness, optimism, the power of friendship, cuteness, tenderness, sincerity, etc.

what i mean is that these shows are literally about adult characters who fuck, smoke, drink, do drugs, go clubbing, work full-time, manage their own finances, and deal with stuff like bureaucracy, sexual violence, domestic abuse, marriage, divorce, late adoption, and family estrangement.

however, none of these "adult" things are given enough specificity to create drama or comedy. it's all too stock, vague, flat, weirdly sanitized, and thus utterly banal—pure aesthetics on top of bad saturday morning cartoons. it's exactly what i'd expect from a sheltered disney kid who needs to log off and get into their local gay scene ASAP so their only contact with things like poverty, policing, addiction, and sex work stops being facile movies and TV.

if the shows were aware of this and played with it, that could be amazing, but they're not. they give you the mickey mouse version of the world with a straight face and then play looney tunes sound effects to try to make you laugh and sad_violin.mp3 to try to make you cry. now that's funny.

b. old and tired

let's make like americans and pretend that the rest of the world doesn't exist. even within the confines of the USA, home of the hays code, the red scare, and reaganite propaganda, this neopuritan fascist state ruled by 1000 megachurches in a trenchcoat, the indie/underground animation scene has been doing crazier shit for decades. anti-war films in the 60's, bakshi movies in the 70's, the simpsons shorts and r-rated movies in the 80's, adult swim and MTV in the 90's, flash/newgrounds/youtube in the 00's, streaming in the 2010's—so what are we doing in the 2020's with this wet white rice drowned in expired ketchup? i feel crazy making this point because it's obvious if you've watched these things, but if you haven't, you're gonna be like "well, there's gotta be something new here". no! there isn't! in the words of jimmy "the scot" jordan, nothing, nothing, NOTHING!

c. ideological purgatory

actually, there is one thing in these shows i've never seen before: the presbysterianism. shout out some interesting or at least intentional presbysterian art in the comments, because the way these ideas are presented here is not compelling. it just makes the rainbow neoliberalism even more confusing and contradictory.

i guess the big presbysterian things are protestanism, calvinism, and, uh, big church government? presbysterians, get your shit together. get your brand down. catholics have BDSM and vampires, evangelicals have TV and corporatism; what do you have? celtic crosses? no wonder medrano has such uninspired ideas on divinity.

d. queer deficiency

when i look at a piece of art, i ask myself: "what does this give me that i can't get from the hunchback of notre dame (1996)?" if the answer is as limp as "uhh, gay people, i guess", i can probably look for my gay shit elsewhere and rewatch the hunchback of notre dame (1996) in the meantime.

but let's say that you have no standards. you've been waiting for ages for a show about gays by the gays for the gays, and by god you're gonna get it. this is it! here we go! time for some

generic twink obliteration

male sexuality as aggression and dominance displays

WLW (sex and chemistry not included)

a couple straight femdoms

and the stalest sex jokes known to man

...yeah, it's not very queer. and by "queer", i mean "questioning or subverting gender norms (including sexual roles) within a given cultural context regardless of creator identity and intent". i'm not a queer studies scholar so LMK if there's a more specific term for this, but whatever you call it, it's not in the hellaverse much.

there's not even any transness, literal or metaphorical, just ancient drag jokes. i guess the writers thought we would've been too controversial. so much for an indie animation studio that prides itself in the diversity of its staff both above and below the line, bakshi-style. i wonder how medrano, a bisexual woman, would've felt if told that a lesbian main couple in hazbin would be "too controversial".

4. spindlehorse and the vivziepop brand

spindlehorse toons underpays its overworked staff and keeps outsourcing more and more labor to even more overworked freelancers overseas to cut costs. a rainbow sweatshop is still a sweatshop, and just because these practices may be "industry standard" doesn't make them any more ethical.

the studio has also been repeatedly accused by current and former employees and contractors of creating a hostile and abusive workplace. AFAIK, it still has no dedicated HR person, and victims are too afraid of retaliation like blacklisting and online harassment to speak out.

this is exactly the stuff that unions exist to prevent. as i'm writing this, the IATSE (the parent union of TAG, which is the parent union of all US animation unions) is negotiating with entertainment industry executives for better working conditions, and if the execs fuck around like last year, it's strike time again. so watch this space, voice your support, and don't cross any picket lines.

i hope spindlehorse unionizes, but until then and for these reasons, i don't think you should give money to the company.

first of all, all content on amazon-owned platforms is ok to pirate, and all youtube ads are ok to block. everyone involved in making the episodes has (or should have) been paid upfront, so you're not taking the bread out of anyone's mouth.

next, let's look at the succulent offerings of the official vivziepop merch shop:

$10 pins and keychains

$15 sticker packs

$20 mugs and acrylic cutouts

$25 shirts

$30 metal cards (not even tarot)

$40 lounge pants

$50 mini backpacks

random $80 skateboard deck

forgive my latin americanness, but this is all stuff you can get made by a local metalsmith, print/sublimation shop, or just crafty people in your life. it's cheaper, customizable, and better for the environment to skip all the shipping and packaging. also, not painting your own skateboard is poser shit.

the hazbin website also has $15 pins, one $20 keychain, and $6 trading card packs. people are weird about trading cards, so if for some reason you wanna gamble for a mass-produced bit of cardboard, plastic, and tinfoil, at least bulk-order for all the vivziepoppers in your area so it's less of a huge waste. better yet, trace the designs and make infinite bootlegs.

at the end of the day, buying merch is not activism. your bulk order of trading cards will not save any wage slaves from getting evicted from their overpriced studio apartments. however, the shop links you to all the credited artists/designers, and more of your bucks will actually reach them if you buy their designs directly, then turn them into body pillows or life-sized bronze statues or whatever the fuck.

go through the credits of any episode of helluva or hazbin, and you'll find even more creatives you might wanna support. get jinkx monsoon's albums on CD. subscribe to actually good artist, animator, and composer gooseworx. lots of voice actors now have patreon, cameo, or self-hosted pages where you can write better lines for their characters and have them read it. these things may not look as shiny as Official Merch™, but we all need less plastic shit and more culture anyway.

[miraculouslbcnreactions]

This thoughts still cooking, so it might not make sense, but I think Thomas (Tomas?) Astruc is a very good case study on how being too attached to your own ideas can hinder your story telling.

I don't mean this in a "Thomas's original idea for the series was bad", but rather that he seems so attached to this concept that he can't stand other people having a differing view from him.

Chloe's the titular example here. Some people thought she deserved a redemption arc, and instead of just saying "nah, I don't think so" and continuing to write her the same way he had been, he had to prove them wrong, prove that his idea was the only correct one, and so turned her into the spawn of Satan and let her rule over Paris for some reason.

Instead of making Marinette less stalker-y, he wrote an entire episode poorly justifying it. And, imao, somewhat diminishing what PTSD actually is and does to people.

I'm not saying he has to make any change (though I think making Marinette less stalker-y would be a good change), but instead of 1.) sticking to his resolve or 2.) taking the criticism, he clung dearly onto this perception of his characters and his writing suffered because of how much he had to twist things to "prove" that his original assertions were right. And also that everyone who disagreed with him was wrong and didn't understand

idk if that makes sense, but the concepts been lingering in my head recently

It makes perfect sense! I've had similar thoughts. It's hard to say for sure, but Miraculous may be a case study in "kill your darlings". I'm not deep into the behind-the-scenes lore and I was not here in the early fandom, but I do know that, at some point, a much darker version of the show was pitched. That's why these exist (image source):

[Image description: two sketches styled like comic book covers. Both have the title "The Mini Menace Ladybug". The left cover shows Marinette's silhouette in a doorway. The door's glass and the glass of a nearby window are broken. In the foreground lies a hand holding a ladybug charm. The hand is limp and surrounded by blood, implying that someone is injured or dead. The right cover is Ladybug doing a spinning kick while looking angry.]

We also have this evidence of the darker original concept:

Jeremy Zag then proposed another project... which he was unable to sell to broadcasters... the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience... Sébastien had to make sure that the project could be broadcast on Disney and TF1.... Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted... In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

I've been aware of this darker origin story for a while due to Tumblr and, because of this knowledge, I have often had the thought, "are the writers trying to sneak elements from this darker version into canon?" Because that's the most likely explanation for what's going on here.

If I'm right, then I think that was a terrible move on their parts. They needed to let go of the story that they couldn't sell and embrace the story that they're being allowed to tell. It's why "kill you darlings" is such good advice. Many good stories have been ruined by writers clinging to an idea that ultimately doesn't work for some reason.

It's why the sitcom How I Met Your Mother has such a universally hated ending. The show was originally supposed to go for two seasons and so they wrote an ending that would fit the second season. The show ended up running for nine seasons and, by then, the ending didn't fit, but the writers kept it and left everyone with a bad taste in their mouths, which is not what any writer wants. That's why you have to do what's best for the story even if it means abandoning something that you really love.

This early version of canon may also be why the writers are so obsessed with Marinette. My understanding is that this concept had her mainly acting as a solo hero and, oh look! What is one of canon's biggest problems? Marinette being treated like a solo hero even though she has a partner and, later on, a team!

Not saying that this theory has to be true, just saying that it would explain some things. And if they're poisoning canon by trying to include elements from their darker original? Then it makes sense to assume that they're also doing it for smaller stuff. Like I'm pretty sure I've read that the head writer wanted Chat Blanc to be a lot darker originally, but no one would green light it, so we got an incredibly lackluster episode that spat in the face of the genres Miraculous' is trying to be part of while also falling to have the sort of impact we'd expect from an episode like that. It's a good example of a darling that really should have been killed. It just doesn't fit.

(Totally unrelated sidenote, but is your blog name from Tangled? Because that's what I immediately thought of and it made me smile!)

[artificial-transmutations]

Out Now: Dam Breakers

Hello everyone! I'm extremely excited (and, quite frankly, more than a bit nervous) to announce that I finished my fantasy romance novel Dam Breakers!

For the very TLDR-version: It is available here! Be sure to read the disclaimer below, though.

First of all, thank you! Everyone who reads my stories or likes them shows me that there is at least some interest in my mediocre writing. And even though the novel is not exactly like my stories here (more to that later), it gives me hope that you and other people might like it.

Now, for the actual novel!

Dam Breakers is the tale of Jared, a rather normal modern day college student, and Aleron, an apprentice mage living in a secluded tower with his teacher. One fateful day, they meet and are drawn into a maelstrom of magic, change and love - and dark secrets threatening to destroy everything they loved.

With over 120000 words, this is not only my longest story yet, but also my most carefully crafted one. I will attach an image of my Obsidian graph for the story at the end of the post.

Disclaimer:

As I have mentioned, it is a bit different from the stories I usually post here. First and foremost, it's a lot tamer. This novel isn't meant as a porn piece, but as an intriguing fantasy and romance tale. While there is love, desire and sex, of course, it's way more sparse and less explicit than, for example Closer Than Flesh.

It also features transformation themes, and the concept of change is one of the main focus points of the book, but, again, don't expect 500 pages full of transforming bodies because of it :)

And, finally, for a multitude of reasons, it does not contain AI generated images. I wouldn't be able to generate any that do the story justice, anyway.

Now that you know what not to expect, here are some things you MAY expect:

Transformation. Both in the sense of bodily changes but intriguing character development as well.

Gay Love. This is a story about two men from different worlds falling in love with each other, and their stony road to being together.

Magic. It's a fantasy story, and a truly enchanting one at that, with a fresh concept of magic and change.

Story. Last, but certainly not least, it's a good and interesting read, at least according to my opinion. Since I might be a bit biased here, let me tell you that my beta readers agree.

If you still want to read it (and I hope you do!), then you can grab your copy here:

If you are not in the US, you can just replace the .com with, for example, .co.uk to go to your local Amazon marketplace

I have not forgotten, of course, that I promised a special condition for you folks at Tumblr. Since Amazon makes it a bit difficult to actually implement that, I plan to offer a time limited discount or giveaway in a few weeks. I'll announce the exact time here on my blog beforehand.

If you really want to support me, it would mean a lot to me if you could leave a review on Amazon. That influences the algorithm a lot and helps the book get visibility, which is incredibly important . So, please, if you like the book, leave a review.

Teaser / Preview (mild spoilers)

And here is a short look into the book, from chapter 4. It contains some mild spoilers, but nothing too important. I also added an AI image, which is not in the book (see above).

[...]

Even though the weather was unstable, Jared enjoyed the journey through the vibrant spring land. It was a closeness to nature he had never experienced. Even back home with his parents, in rural Texas, the land had seemed different. Back there, the wilderness had been tamed decades if not centuries ago. There was no wonder, no adventure. Here, there were hills and forests, rivers and bogs, and who knew what else. It was as if Jared was seeing the world for the first time. Not to mention the smell. Jared could not remember a time when he had smelled the spring air like this.

In addition to the landscape, Jared's traveling companion also played a big part. Aleron was an intelligent and witty conversationalist, and Jared learned a lot about his new friend. They spoke of everything under the sun, and Jared told stories of his home, of modern inventions and the differences between this world and his. Even though Aleron was fascinated by his tales, he was also clearly skeptical about some of them, especially when it came to the more complex topics. That was only fair, though, as Jared himself had a hard time believing the fantastic stories of this world, even after having experienced some with his own eyes. Dragons, for example. It didn't matter how often Aleron recited what little information he had about those magnificent beasts, something in Jared resisted fully believing in them. He hoped that he would be able to see one of them for real - although Aleron repeatedly stressed how dangerous they were - in order to be able to fully believe in them.

While Aleron's world was certainly magical, it wasn't all like in the Lord of the Rings. There were, for example, no other humanoid races, as Jared learned. No elves, dwarves or orcs, at least to Aleron's knowledge, which, to be fair, mainly included the Kingdom of Myrthien. Although the Whispering Woods were not technically a part of Myrthien, and were generally considered wilderness, it was clear that they were no part of another nation either. The closest neighboring country to the Whispering Woods would either be the Golden Isles beyond the coast south of Eldoria or the Verdant Lands to the west. According to Aleron, the Verdant Lands couldn't really be considered a nation, too. It was more of a loose confederation of tribal communities, living in the characteristic dense forests of that region.

As Helena had promised, Luminara wasn't difficult to find. The capital of Myrthien was well known and if there was a sign post somewhere, it was sure to point to Luminara.

There was no shortage of smaller and bigger settlements, and about every third or fourth night they were able to sleep in beds. During the other nights, they made camp a bit off the road in order not to attract too much attention. It was one of those nights, about two weeks after they had left Eldoria, that Jared woke up in the middle of the night. Aleron, who was sleeping next to him, was moving in his sleep and occasionally made a sound, which had caused Flicker to gain a bit of distance to the sleeping man.

It was clear to Jared that his friend was dreaming, and he briefly considered waking him up from his nightmare. However, judging by the sounds, Jared began to suspect that Aleron was not having a nightmare but quite the opposite, although the dream seemed to be just as intense.

Quietly, he left the tent, careful not to wake the sleeping mage. Outside, he was greeted by the stars and a clear sky with an almost full moon. The campfire was almost dead, just a few embers and ashes were left. It was a quiet, peaceful night, and Jared decided to go to the nearby lake to drink. Aleron had never once shown a single sign of sexuality before, except for demonstrating a certain uneasiness around nudity and related topics. He never had commented on any woman - or man - in a suggestive way, so Jared had been half- convinced that this whole topic didn't have any relevance to the mage at all.

Of course, for his own reasons, Jared had avoided the subject as well, so, perhaps Aleron thought the same about him. Jared didn't mind that. As magical as this world was, he had yet to encounter a single sign of same-sex attraction. Perhaps this wasn't a thing here, biologically, or perhaps it was socially frowned upon, like in his world's medieval ages - or rural Texas, present day. In any case, there was absolutely no reason to bring that topic up, so he didn't. Not bringing up his sexuality was a sport he was very experienced in for 9 years straight now, after all.

As Jared neared the lake, he was feeling weird and tingly all over. It was not entirely unpleasant, but it stirred a vague memory in Jared. He had felt this feeling once before, but he couldn't quite recall when.

When he bent down to scoop some water into his hand, he stopped before his fingers touched the surface of the lake. The moon was bright, and Jared could see his reflection in the mirror-smooth water quite well. The only problem was that it was not him who was looking back at him.

Of course, there was a strong resemblance, but the details weren't right. His face looked somewhat stronger, his jawline a bit squarer. His hair a bit lighter and styled like the day he first stepped out of the mirror. On his chin, there was a short well-groomed beard even though he had shaved just last morning. It wasn't just his face, though. As he looked down on himself, he looked fitter than he should, as if he was visiting a gym regularly. In fact, the definition of muscle on his torso increased further, just as he was watching. Suddenly, the wonder was replaced by fear. He had felt that way before, and now he remembered when. It had been during his first visit to Aleron's world, when his body was 'destabilizing' as Aleron had put it. Given, the feeling had been stronger then, but it was definitely the same. And now, his body was changing again, and he was weeks of travel from the magic mirror.

Half-panicking, he sprinted back to the tent, not caring about being quiet anymore. Perhaps Aleron knew what to do! He ducked into the entrance and called out to the mage.

"Aleron, wake up!"

Almost immediately, the apprentice jolted awake. "Jared? What is wrong?"

"I... don't know, it's me. Look at me!"

After a few words of encouragement, Flicker began burning brighter, allowing them to see in the tent as well. Aleron looked at the half-naked Jared critically for a few moments before asking: "Okay... what am I looking for?"

"Can't you see? I'm..." However, as Jared looked down on himself, everything was fine again. He was looking at his plain old self, just as he should look like. The tingling feeling was gone, too.

"Oh." Jared felt incredibly stupid all of a sudden. "I... must have been imagining things."

[...]

If you liked the teaser, be sure to give the whole thing a read :)

Let me close with another whole-hearted Thank You for your continued interest!

Stay awesome!

And here, as promised, a peek at the creative complexity of the story:

[iridescentttears]

idk about u guys but this feels like a riddle… sommonday, 8 days, guarded secret, december 1964, whistleblower, hyperbole.

okay so if summonday is the 8th day of the week, and the countdown began on release day july 23rd, and then 7 days later on july 30th the countdown ended and another countdown in negative time began. if “time is dead and meaning has no meaning” then everything could be malarkey and there’s not gonna be any way to predict what’s gonna happen. but also, maybe time got reset when it “died” and july 30th became day 1/ the first day of the week. we’re currently at day -5 and 19 hrs.

perhaps (based on nothing but the number 8 maybe-clue) on the -8th day of the countdown which falls on august 7th, they’re will be some form of a release/ another clue that hints closer to the answer.

that would make the time from release day to lost files release day 16 days (two weeks if we are counting summonday as the 8th day of the week)

all i’m saying is this feels very much like the brewings of a modern day cipher hunt like maybe it’ll be less about traveling to physical places like the original but instead some sort of wild goose chase treasure hunt online through hopping websites and soundtracks and books from 1925 and just like mixing the media formats. i think the mixed medias in tbob are so incredible and are really what set this book apart as its completely original entity and not just a sequel to journal 3. and with that shift feels very reflective of the era of time we live in now and in no way tries to recreate any previous era. ALSO all the metaphorical foils and parallels that alex hirsch has been begging us to see through the great gatsby are important. the literary connections between bill and gatsby’s characters AND the real life lesson of: we can’t repeat the past, we can’t get back things we lost, if we choose to live in the past it will lead to our demise but if we look to the future and accept what’s happened, we have a chance of building something amazing. (sooo no season 3 ppl like that’s not what any of this is about)

and and side note if the majority of the public believed the government release of the truth about “summonday” to be hyperbole, what about the minority that took it seriously? who are they? did they decide it together? are they in some sort of group/cult together?

the themes of cults, cult leaders, sociopaths, narcissists, and control come to my mind immediately regarding tbob, great gatsby, and now these weird cryptic messages from jason ritter…

sooooo long winded answer later,

i would love it if the countdown would end in 3 days @ -8 days and for it to lead to another link or to a code or to some sort of next step for us all to work together on tumblr and twitter and reddit and discord and all the platforms. thus ushering in the beginning of a new cipher hunt— but not like a cipher hunt 2. this is alex hirsch we’re talking about. i think the stakes will be different and i think it will be much less about physically finding things in the real world and more focused to online clues. and if it does end up being some sort of wild goose chase treasure hunt online i will be sooooo overjoyed.

cause i think that working together to solve mysteries as a collective is where this fandom shines. we make allies, we learn from each other, y’all are all so fucking funny and smart and passionate and genuine and i love hanging out in this community in the space between space and time.

i would love to go on that adventure with y’all cool internet sleuths!!

[thatswhatsushesaid]

this person has me blocked, which is something i used to genuinely lament because occasionally i'd see bits of their very thoughtful commentary floating across my dash, and i'd find myself sighing sadly over what other gems of wisdom i was missing out on by not having access to their blog. i'd even lament about it via dms to some of my pals who did still have access to this person's blog. what interesting discussions must have been happening beyond that "???" "this is no one" "uh, who??" opaque door that tumblr always presented to me whenever i clicked on this person's username? would i ever know?

a friend this morning: want to see a bad take to get mad at

me: obviously yes

anyway as it turns out, it looks like i'm missing out on exactly nothing, actually, so that's a huge relief

more seriously, recalling the insightful commentary that i have seen this person reblog in the past when it has come across my dash, i am frankly in awe of this one, because it is so profoundly disconnected from reality and how people experience stories. like i'm not even sure where to start with peeling back all of the wrongness layers at work here because i haven't taken my adhd meds yet this morning, but the primordial stupidity at this take's core (coming from someone who is clearly smart, ftr, i am targeting the stupidity of the concept, not the person) has made me genuinely angry. it's not even just about applying this framework to mdzs, though of course it is principally about that because this book DOES actually place class front and centre at multiple points in the narrative. it's the idea that we just shouldn't be having conversations about classism, or sexism, or [x]-ism, in the romance genre, because don't we realize the point is the romance, actually?? these other things clearly don't matter and aren't worth talking about??? and this mindset is so utterly foreign to me because at no point have i ever felt compelled to stop myself from thinking thoughts about a book because "oh, but this is genre fiction, i need to turn my brain off to read and enjoy this, i forgot." or "this thought is not appropriate because genre fiction, i'd better stop thinking it before i ruin the story."

like. i am deeply, deeply sorry for this person, actually, that they are not picking up on precisely what mxtx is putting down in the text, especially considering mxtx has explicitly explored themes of class in at least two of her novels (i'll get back to you on including svsss once i've read it). but also, a critique of class in the jianghu, or how mxtx has written her female characters, is entirely as valid use of fandom time and energy as writing one more definitely original and not remotely repetitive thinkpiece on the power of wangx!an's morally good love to overcome all obstacles (not saying OP wrote any of these, just that there ARE a bunch of them out there).

like. why do you want to simplify the experience of reading and thinking and talking about these books? why do you want to push for more boring analysis of stories? why are you using your platform to encourage this? i'm so mad about it actually. people listen to you, and this is what you're encouraging them to do: think less.

[drchucktingle]

favorite author i have never read

hey there buckaroos thank you for all the DEEP DISCUSSIONS we are having a great time here on tumblr. thought today i could make a post that is slightly more difficult its not all sunshine days ahead and requires a little introspection. LOOK AT US we have all arrived here together through trust and love and i think we can keep this going. chuck made this post on other platforms years ago and i think it was said very well then and led to some good discussion, so i am going to repost here. okay lets go deep bud here we go:

i would like to spend moment today talking about common joke i hear online (and even too my face at conventions). this is jokerman way i hear ALL the dang time: 'chuck tingle is my favorite author i have never read' or less jokerman way but of ‘i have never read his books but i love chuck tingle'.

first of all, THANK YOU buds. this is not way of call out post to make you feel bad, i appreciate your way and understand you are trying to support. this is not attack on your message and from bottom of chucks heart THANK YOU.

BUT i have to say something about this. please consider what you are saying when you post this. would you send this as message to STEPHEN KING or NEIL GAIMAN or NK JEMISIN? i doubt this. it would seem VERY RUDE to message other authors. just imagine trotting up to a writer and saying ‘i would NEVER read your books haha’ but it is sent to chuck all the dang time.

obvious reason buds say it to chuck is that i am queer author with a unique way. yes i write in realm of wild fantasy and erotic pairings, but by saying ‘i have never read chuck BUT' you are really saying 'i am posting my support of this but PLEASE DONT THINK I AM REALLY INTERESTED IN THIS PERSONALLY.' there are similar distasteful jokes that i will not repeat involving saying 'no bud on bud pounds' after a sentence that works in similar way.

is sexual art really that bad? is queer art really that embarrassing? is unusual outsider art really that funny?

it is one thing if your preferred pound is not one of chucks tinglers, that is TOTALLY FINE BUD, but if you are an adult i would say 'is it REALLY that scary to read a book about a way of sex that is not yours? is it that difficult to think that something that seems silly to you could actually MOVE YOU in an important way? do you HAVE to disconnect yourself from lgtbqia art with a 'but i don't read this myself?'

keep in mind, there are gay tinglers, there are asexual tinglers, there are trans tinglers, there are select your own timeline tinglers, there are horror tinglers. TINGLERS FOR EVERY TASTE. the thing that buds are often REALLY saying with ‘favorite author i have never read’ is ‘this is WEIRD and dont be confused because im NOT WEIRD IM COOL DONT THINK I ACTUALLY LIKE THIS’. funny enough even the proudly fun and wild and unique buckaroos will STILL say this line, maybe without taking time to think of what it means or how rude it is?

WHY would you never read a chuck book? because my way is queer? because it is neurodivergent? even if that is not there reason or even if YOUR ARE ALSO PERSONALLY QUEER AND NEURODIVERGENT TOO, think about what the joke is IMPLYING.

is sincerely enjoying something thats kind of unusual that difficult? do we really have to slather it in irony and ‘so bad its good?’ before reposting?

in closing as man name of chuck i will say you can still make this joke if you want buckaroos i know you are just having a good time proving love in your own way. i am not upset with you bud and i appreciate your support in any way you give it. there are some buckaroos who just CANT AFFORD tinglers and that is an important way i understand as well. obviously this conversation does not apply to those buds. but for the rest of us trotting along, MAYBE think about what you are really saying with this jokerman way first, and MAYBE try cracking open a tingler because you might be surprised. its not that scary bud. thank you for listening

being sincere is VERY COOL and VERY PUNK ROCK. i encourage all buckaroos out there to give it a try.

LOVE IS REAL

[crystalrabbit246912]

Bookbinder Yuu

So I should probably be focusing on my thank you fic for 1000 likes and 25 reblogs (there's probably more than that, but Tumblr only tells me about milestones, so thank you all so much for all of the likes, reblogs, and comments), but I had a thought and it's not leaving my mind, so I figured I might as well make this.

I've been getting into bookbinding lately (the process of making books) and I started imagining if Yuu was a bookbinder and their bookbinding tools got transported Twisted Wonderland along with them.

Imagine Yuu threatening people with an awl when they get upset, which happens a lot. (If you don't know what an awl is, either look it up or just know that it's a sharp tool) Ace, Grim, and Deuce to a lesser extent get threatened a lot, and Ace and Grim get stabbed a little so they know it's not an empty threat.

The carbonara guys in the cafeteria and Cater after he tricks them into painting the roses also get stabbed in Book 1, as well a lot of Savanaclaw guys in Books 2 and 3.

Basically all of the Overblot guys get stabbed at some point during their Overblot, and the few people that haven't been stabbed are Trey (although he got threatened in the library), Kalim (he's the only guy that's never been threatened), Epel (I don't know when, but he got threatened at some point), Lilia (though Yuu's definitely tried), and Silver (Yuu's considered pricking him to wake him up, but he's too nice for them to do that).

Moving onto something more wholesome, Yuu makes books as gifts for the squad. They made the Heartslabyul, Savanaclaw, and Octavinelle guys fun, personalized books for Christmas, and some for Scarabia over break, and they always have a project going.

The first-years in particular are the ones that have gotten stabbed the least (minus Ace and Grim), so they get a bunch of random, really beautiful notebooks (mainly Deuce, Jack, Epel, and Sebek, since they'd actually use them), sketchbooks, and photo albums for Ortho, since he can actually use them.

The upperclassmen get less, but Yuu gives all of them at least two books at random points throughout the school year. Trey gets blank cookbook style books that he can write his recipes down in, Cater gets photo albums with covers that he can photograph for Magicam, Riddle gets actual notebooks, just with fun designs on the covers, because that's what he'd actually use.

Yuu tends to write down puzzles from their world in books for Leona, because that's something that he'd actually use, while I'm blanking on ideas for Ruggie.

Azul, Jade, and Floyd tend to get books at the same time, because Yuu doesn't want to risk upsetting one of them. The covers usually match for the Tweels and correlate with Azul's, or the Tweels get inverted designs while Azul's is similar. Inside, Azul and Jade get notebooks since they go to class and pay attention, though there's compliments and small mushroom doodles on the margins. Floyd would get sketchbooks, since he does have drawing moods occasionally.

Kalim and Jamil would usually get books at the same time as well because Yuu doesn't want Jamil to feel inferior to Kalim or something like that. Kalim usually gets sketchbooks because drawing is something fun for Kalim to do and Jamil gets either notebooks or empty cookbooks for him to fill.

Vil gets notebooks because Yuu doesn't know what else to give him, considering he's a celebrity, he can practically buy whatever he wants, so they don't expect him to really use them. (At the next joint class, they're really surprised to see him using a notebook they gave him.) Rook gets scrapbooks that he can fill with his Vil and Neige photos that he gets... somehow. Because he's Rook.

Idia either gets manga-style books that he can draw his own manga in or notebooks in which he can lore-dump for games, anime, or manga, or make theories about what happens next.

Malleus gets notebooks and he's really happy about them because they're gifts from his first friend, so he cherishes them. I have no ideas for either Lilia or Silver.

Crowley would ask Yuu why he never gets books despite the fact that he's so 'kind' to them, and they smack him in the face with a book to shut him up.

[perpetualprocrastinationisme]

Is Ty in Denial Over Livvy?

Artist: Charlie Bowater

I think it's worth noting that what Ty is currently experiencing re: Livvy is not grief but denial. - Cassie Answering Asks on Tumblr

I think this really points to what one of the biggest points of tension in the TWP series is going to be: the denial that Ty might be in over Livvy. This is how Cassie answered a question about why Kit left without saying goodbye to the Blackthorns in QOAAD. But is Ty really in denial? That's what I'm trying to ascertain by analyzing the passages below.

PS. If you do find a ghost, treat it kindly. I don’t think all ghosts mind being ghosts, as long as people are nice to them.

So this is how Ty ended a letter to Emma and Julian in SOBH. I feel like this shows us that to Ty, the real reason that someone may not like being a ghost is that they're ignored and not treated well. So the answer to the issue with Livvy is just to treat her the best he possibly can, to always be there for her. (Also, just to say this, Ty is one of the most sincerely kind characters in the whole TSC universe if you really examine scenes that include him. So, I also just think this quote stems from who Ty is at heart). But is simply treating Livvy well enough? Does that meet her needs? We see Livvy's perspective in GOTSM here:

There was so little to feel. For months now she had been less than a shadow at Ty's heels. Oh, why couldn't Livvy do the same? Why was she the only one who could not return and take up her life again?

While I do think that being kind to ghosts like Livvy or Rupert is important, the primary injustice here is that Livvy gets to be almost human, just without the parts that make life most worth living. Here we see that she continuously feels this sense of unfairness, why does everybody else get to live their lives except for her? Why is there so little for her to feel?

Here's another of Ty's perspectives on Livvy's resurrection:

She said a lot of reassuring things. But it still gave me a cold feeling, which I think is my body telling my brain that I’m afraid. If Julian and Emma found out about Livvy, they wouldn’t just be angry. They’d feel like they had to do something, like lay her to rest. People don’t think ghosts can be happy, but Livvy is happy. She helps me with work and she tells me advice for Anush (he has a crush on Rayan’s sister Nasha) and when we’re alone we play games or I read to her. She can’t do everything but why would being all the way dead be better? Everyone calls it “rest” but no one really knows, do they?

I feel like with Ty we consistently see this idea that Livvy being a ghost is better than nothing. In QOAAD when Kit tells him that he doesn't think Livvy would want to be resurrected Ty tells him that he doesn't think Livvy would want to be dead either. To me, this isn't rooted in Ty selfishly wanting Livvy back. On the contrary, I feel like Ty sees it this way because Livvy has always been there for him, making life better. So, for Ty, what if this is his way of making Livvy's life better? After all, wouldn't being a ghost that can still see be on Earth be better than the nothingness of death? Here's another of Livvy's perspectives to compare it to:

The sun was rising, and she tried to feel its warmth - something other than its brightness. To warm herself. What she would have given to feel that wet velvet crust of the top layer of sand under her feet, to feel the cold grittiness of the sand underneath change in temperature as the warmth of her human feet soaked away. To scream herself hoarse, knowing that no one would hear over the roar of the surf. She squatted and tried with ever particle of herself to pick up a piece of beach glass. But it was a useless endeavor. She had no more effect on the world than a fragment of dream.

I believe this scene really showcases one of the two worst parts about Livvy becoming a ghost: her ability to take action. When looking at Livvy's character in the first two books it is evident that she wants to take care of people and be able to have an effect on people. In Lord of Shadows we see her say this:

"I realized something," she said. "I want to be like you, Jules. Not this second, not right now, but someday. I want to take care of people, other Shadowhunters, people who need me. I want to run an Institute."

And I do realize that Livvy can still help people and have a powerful effect on the world as a ghost, I mean she's already found useful information about the Cohort and TWP isn't even here yet. She's just not able to help people in the way I think she feels called to do. Livvy very much seems like a hands-on, people's person. As a ghost she can't be that. She can't run an Institute, she can't even pick things up. You can very much see that she feels useless in GOTSM. But I think we see the thing she struggles with the most in these excerpts:

You can see ghosts but you cannot see me. Not when I come to sit by you while you sleep. Not when I am in the movements of the shadows across the lawn, or the twitch of a curtain. You cannot hear me, even though I am speaking to you because I have things I need to tell you.

It was wonderful to see how settled in Helen and Aline were, but it was also all extremely unfair, Livvy felt. Everyone else got to come home. Mark. Helen. Even Ty would come home someday. But she would never truly be home again.

Family is the most important thing to all of the Blackthorns, it seems like they base almost all of their actions around each other. I think what tortures Livvy is being able to see this family she loves so much but never being able to interact with them again except for Ty. Never getting to be a big and little sister. It's a vital part of Livvy's life that she has lost for the time being.

I want to say this though, I think it may be easy to look at all of these scenes and immediately say that Ty is in denial about Livvy's true situation and feelings, but I don't think that is true. Look at this scene:

Ty said, "I'm so sorry, Livvy." "For what?" she said. "For doing this to you," he said.

I think Ty realizes what all Livvy is missing, for the most part. I think it also really hurts him. He just feels that what she does have is better than what she could have in death.

All of these scenes also beg this question, would Livvy feel like this if she figures out the ins and outs of being a ghost or if she could show herself to her entire family? Like, when she actually sees the power she has for good in her current state as a ghost? I ask because of this scene:

"Oh, Ty," she said. "I would have done it for you. It isn't a thing that should be done, but I would have done it anyway. And so we would be in just the same mess we're in now. Besides, I think I'm getting the hand of this ghost thing."

Conclusion: I feel like Ty may have been in denial in the beginning but I don't think he is anymore. I also think that Livvy will have an easier time as a ghost as things progress in TWP. I also feel like Livvy has the potential to be a huge force for good, a protector, in TWP and I sincerely hope that happens. However, I do think this will be a major point of tension between Ty and other characters in TWP, especially Kit. I feel that many of them, especially the older Blackthorn siblings, will want to help Livvy be released into the afterlife instead of staying as a ghost. I think the finale of the entire series will reveal the fate of Livvy: whether she can stay as a ghost, has to be released into the afterlife, or gets to come back fully human.

Edit: By not being in denial, I mean that I think Ty understands that he did wrong and regrets resurrecting Livvy. The issue is that he doesn’t regret it enough to talk to Magnus or one of his siblings to try to either release Livvy or bring her back fully. To figure out the best way forward with Livvy, is what I guess I’m trying to say. And also, while I think Livvy could be a force for good and could acclimate to being a ghost, I also think there’s just as good a chance that she could go into one of her more volatile states. This would lead to some really awful stuff happening and could even be the crux of Ty and Kit’s plot in TWP.

Also, sorry for the ridiculously long post, it felt kind of like a really poorly written essay. I hope it was coherent and that you enjoyed it though :) Here's some beautiful Kit and Ty art for the road.

Artist: @camisala01-art

[sealpup9]

Internet Archive Live Hearing happens tomorrow: March 20, 2023

Here's a link to the Internet Archive's page, describing how you can participate and listen to oral arguments on Monday March 20th at 1pm ET

You may know the Internet Archive because of the Wayback Machine!!

The court case Hachette v Internet Archive is being brought to court and threatens to tear down the Internet Archive as we know it.

"The Internet Archive is a nonprofit digital library, preserving and providing access to cultural artifacts of all kinds in electronic form. CDL allows people to check out digital copies of books for two weeks or less, and only permits patrons to check out as many copies as the Archive and its partner libraries physically own. That means that if the Archive and its partner libraries have only one copy of a book, then only one patron can borrow it at a time, just like any other library. Through CDL, the Internet Archive is helping to foster research and learning by helping its patrons access books and by keeping books in circulation when their publishers have lost interest in them."

This is so important because not only does the Internet Archive provide books that are long out of circulation and copies for people to borrow, they are also used as sources for things like Wikipedia articles! Imagine if suddenly, no one could access sources that someone cites for their information! Having access to information digitally today is a very important thing, and with all of the paywalls people face nowadays for news, imagine if you suddenly had to pay for access to any books. Websites like Amazon already are attempting to replace any sort of ebook rentals with paid services, when we have the right to borrow books online just as we do physically. The Internet Archive is extremely important and one of our rights- access to information- is actively being fought against.

REMEMBER: This will not JUST affect the internet archive. This could change how libraries in general work, and could threaten public access to information. Imagine how many youtube video essay sources would be null and void, imagine just trying to research an obscure topic at 3am-- If all of that was behind a paywall, only those with money would be able to access them! The harder it is for libraries to share books and archive information, the more the public suffers!

Please show your support! Read more about the case here: https://www.eff.org/cases/hachette-v-internet-archive

https://www.battleforlibraries.com/

I'm not sure how quick Tumblr will work on approving this blazed post but if the day/time has passed, please know that you can actively look into more information on this case and other info on the Internet Archive Blogs. You can also add your name to a list of supporters of Battle for Libraries Here.

Let's work together on making sure we have access to information! In this digital age, we deserve to access just as much online as we do offline!