#why I write fanfic

[thebibutterflyao3]

What if ALL fanfiction writers had the same attitudes that so many readers do? What if we treated our stories like content?

Readers: I won’t read WIPs, only completed work and LONG fics.

Writers: I will only post finished works once a year, you will never see 90% of my ideas and have no part of the creative process.

Readers: I will only read works that have tons of views/kudos/bookmarks.

Writers: I won’t update unless I have interest in my story. I’ll post a new chapter for every 100 kudos, 10 comments, and 5 bookmarks.

Readers: I can do whatever I want with fanfics, sell bound copies and criticise them publicly.

Writers: I will delete my fics without warning and never share more.

This is how you end fandom culture. This is how you lose AO3 and access to so many incredible stories for FREE.

✨Fanfiction is NOT content to be consumed! It is community and creative expression. ✨

[inthemaelstrom]

ART ISN'T SUPPOSED TO MAKE YOU COMFORTABLE

By Jen Silverman (NY Times)

(Mx. Silverman is a playwright and the author, most recently, of the novel “There’s Going to Be Trouble.”)

When I was in college, I came across “The Sea and Poison,” a 1950s novel by Shusaku Endo. It tells the story of a doctor in postwar Japan who, as an intern years earlier, participated in a vivisection experiment on an American prisoner. Endo’s lens on the story is not the easiest one, ethically speaking; he doesn’t dwell on the suffering of the victim. Instead, he chooses to explore a more unsettling element: the humanity of the perpetrators.

When I say “humanity” I mean their confusion, self-justifications and willingness to lie to themselves. Atrocity doesn’t just come out of evil, Endo was saying, it emerges from self-interest, timidity, apathy and the desire for status. His novel showed me how, in the right crucible of social pressures, I, too, might delude myself into making a choice from which an atrocity results. Perhaps this is why the book has haunted me for nearly two decades, such that I’ve read it multiple times.

I was reminded of that novel at 2 o’clock in the morning recently as I scrolled through a social media account dedicated to collecting angry reader reviews. My attention was caught by someone named Nathan, whose take on “Paradise Lost” was: “Milton was a fascist turd.” But it was another reader, Ryan, who reeled me in with his response to John Updike’s “Rabbit, Run”: “This book made me oppose free speech.” From there, I hit the bank of “Lolita” reviews: Readers were appalled, frustrated, infuriated. What a disgusting man! How could Vladimir Nabokov have been permitted to write this book? Who let authors write such immoral, perverse characters anyway?

I was cackling as I scrolled but soon a realization struck me. Here on my screen was the distillation of a peculiar American illness: namely, that we have a profound and dangerous inclination to confuse art with moral instruction, and vice versa.

As someone who was born in the States but partially raised in a series of other countries, I’ve always found the sheer uncompromising force of American morality to be mesmerizing and terrifying. Despite our plurality of influences and beliefs, our national character seems inescapably informed by an Old Testament relationship to the notions of good and evil. This powerful construct infuses everything from our advertising campaigns to our political ones — and has now filtered into, and shifted, the function of our artistic works.

Maybe it’s because our political discourse swings between deranged and abhorrent on a daily basis and we would like to combat our feelings of powerlessness by insisting on moral simplicity in the stories we tell and receive. Or maybe it’s because many of the transgressions that flew under the radar in previous generations — acts of misogyny, racism and homophobia; abuses of power both macro and micro — are now being called out directly. We’re so intoxicated by openly naming these ills that we have begun operating under the misconception that to acknowledge each other’s complexity, in our communities as well as in our art, is to condone each other’s cruelties.

When I work with younger writers, I am frequently amazed by how quickly peer feedback sessions turn into a process of identifying which characters did or said insensitive things. Sometimes the writers rush to defend the character, but often they apologize shamefacedly for their own blind spot, and the discussion swerves into how to fix the morals of the piece. The suggestion that the values of a character can be neither the values of the writer nor the entire point of the piece seems more and more surprising — and apt to trigger discomfort.

While I typically share the progressive political views of my students, I’m troubled by their concern for righteousness over complexity. They do not want to be seen representing any values they do not personally hold. The result is that, in a moment in which our world has never felt so fast-changing and bewildering, our stories are getting simpler, less nuanced and less able to engage with the realities through which we’re living.

I can’t blame younger writers for believing that it is their job to convey a strenuously correct public morality. This same expectation filters into all the modes in which I work: novels, theater, TV and film. The demands of Internet Nathan and Internet Ryan — and the anxieties of my mentees — are not so different from those of the industry gatekeepers who work in the no-man’s land between art and money and whose job it is to strip stories of anything that could be ethically murky.

I have worked in TV writers’ rooms where “likability notes” came from on high as soon as a complex character was on the page — particularly when the character was female. Concern about her likability was most often a concern about her morals: Could she be perceived as promiscuous? Selfish? Aggressive? Was she a bad girlfriend or a bad wife? How quickly could she be rehabilitated into a model citizen for the viewers?

TV is not alone in this. A director I’m working with recently pitched our screenplay to a studio. When the executives passed, they told our team it was because the characters were too morally ambiguous and they’d been tasked with seeking material wherein the lesson was clear, so as not to unsettle their customer base. What they did not say, but did not need to, is that in the absence of adequate federal arts funding, American art is tied to the marketplace. Money is tight, and many corporations do not want to pay for stories that viewers might object to if they can buy something that plays blandly in the background of our lives.

But what art offers us is crucial precisely because it is not a bland backdrop or a platform for simple directives. Our books, plays, films and TV shows can do the most for us when they don’t serve as moral instruction manuals but allow us to glimpse our own hidden capacities, the slippery social contracts inside which we function, and the contradictions we all contain.

We need more narratives that tell us the truth about how complex our world is. We need stories that help us name and accept paradoxes, not ones that erase or ignore them. After all, our experience of living in communities with one another is often much more fluid and changeable than it is rigidly black and white. We have the audiences that we cultivate, and the more we cultivate audiences who believe that the job of art is to instruct instead of investigate, to judge instead of question, to seek easy clarity instead of holding multiple uncertainties, the more we will find ourselves inside a culture defined by rigidity, knee-jerk judgments and incuriosity. In our hair-trigger world of condemnation, division and isolation, art — not moralizing — has never been more crucial.

[buginateacup]

Every single fic update there is an author trying frantically to find the right balance between a nonchalant aside of "leave a comment if you enjoyed =)" and clinging desperately to the coat tails of a random stranger, dragging along behind them on the street wailing "Please, please! I have to know what you thought! I'm desperate to talk to people about this! Ask me about the alliterative repetition! Ask me about the symbolism!"

[moldycigarette]

this x simon “ghost” riley

cw!: praise, size kink, creampie, breeding kink, bulge, simon’s a nasty dog (and i tried to warn ya)

—————

simon never fails to remind you how much bigger he is than you.

you’re short? no problem, all those missing inches go to simon. oh wait you’re tall? whatever, he still towers over you.

are you chubby by society’s standards? just means there’s more for him to love. skinny? that’s okay too, he’s always down to eat whatever you can’t finish.

no matter what size or shape you are, it’s a guarantee that simon is still bigger than you. and he always manages to remind you of that in the bedroom.

his large hands around your waist, pounding into you with his thick cock. he obsesses over the bulge in your cute tummy from his size, practically drooling over the fact that he can’t even fit inside you’re pretty pussy all the way.

whether he’s fucking you doggy style or in a mating press, he will always tower over you. he makes sure you’re cum is on his fingers and his tongue alone before he shoves his meaty dick inside you; this man has the libido and stamina of a god.

“g’nna fuck this p’ssy so good, love. fill ya’ up to the brim,” he moans, his thrusts growing more erratic as he feels that familiar heat in his stomach.

you’re coming right along with him, seeing stars while he peppers kisses in your neck. “such a good girl f’r me, g’nna make the best mama.”

—————

um sorry didn’t mean to let out my inner whore

[ao3-crack]

(x)

[dear-ao3]

pov your ex held your collection of thrifted spoons hostage for over a year (not entirely his fault, they got mixed up in his things during a move and you did not realize it, though he did adamantly deny that he had them) and reached out to your roommate on instagram nine months post break up after being thoroughly blocked for several months just to ask if you were still roommates and then to very cryptically reveal that he had in fact found the spoons (among other, mystery items that he did not reveal and you also have no idea what they are) in his car that he had not driven for a year cause he decided to make the worst financial decision of his life and buy a tesla and then tried to coordinate a meet up to drop off said spoons and mystery items which you did not want but you do want your spoons so you told him to either mail it or show up to your place of work when you were not scheduled only for him to entirely miss the point and still try to see you, then you reveal that you do not want to see him so he finally says that he will put on his big boy pants and mail it (though him actually mailing it is entirely unlikely) and also aparently hes gotten a perm since the last time you saw him and it looks terrible

[lightasthesun]

Comprehensive Lexicon Guide for First-Time SW Fic Readers:

Flimsi/Flimsiplast = Paper

Flimsiwork/Datawork = Paperwork

Stylus = Pen

Datapad = Tablet

Comlink/Comm = Communication Device/Phone

Binders = Handcuffs

Chronometer = Clock

Spectacles = Eyeglasses

Chrono = Watch

Conservator = Refrigerator

Caf = Coffee

Nerfburger = Hamburger

Blue milk = Milk (literally blue)

Hubba chips = French Fries

Sweet roll = Doughnut

Flatcakes = Pancakes

Tabac = Tobacco

HoloNet = World Wide Web

Holovision/HoloTV = Television

Holodrama/Holovids = Movie/Videos

Holocamera/Holocam = Camera

Holomap = three-dimensional map

Holojournal = Newspaper

Holocube = Picture frame

Holotable = Projector

Holoscanner = X-ray machine

Holojournalist = Reporter

Flatholo/Holograph = Photograph

Sonic Damper = Active Noise Cancellation

Refresher/Fresher= Bathroom

Sonic Bath = Bath

Sanisteam/Sonic shower = Waterless Shower

Hydrospanner = Wrench

Hydro Flask = Water Bottle

Power Cell/Energy Cell = Batteries

Authorization Chip = Decryption key

Datatape = Disk

Datastick = Flash drive

(Personal) Com Code = Phone number

Datachip = SD Card

Synthflesh = Synthetic skin

Glowrod = Flashlight

Sparkstick = Match

Slugthrower = Gun

Slug = Bullet

Vibroblade = a blade that can vibrate at high frequencies, increasing its cutting power and penetrating ability (tactical knife)

Rangefinder = Rifle scope

Turbolaser = Cannon

Ion pike/Vibropike = Spear

Electro Staff = Stun baton

Blaster = Pistol/Rifle

Stun Blaster = similar to a Taser

Landspeeder/Airspeeder/Speeder = Car

Turbolift = Elevator

Slideramp = Escalator

Starfighter = Fighter jet

Rotorcraft = Helicopter

Hoverpack/Jetpack= Jet pack

Speeder Bike = Motorcycle

Skylane = Traffic lane

Railspeeder/Hovertrain = Train

Power Chair/Hoverchair= Wheelchair

Windscreen = Windshield

Podracing = Car racing

Dejarik = Chess

Sabacc = Poker and Blackjack combined

Galactic Rebels = Combat simulator

B'shingh = Dungeons and dragons

Jizz = Jazz music

Wailer = Singer (ie. Jizz Wailer)

Cantina = Bar or Pup

Para Sailing = Paragliding

Aurebesh = Alphabet

Credits = Money

Sleeping Pallet = Bedroll

Naming Day = Birthday

Youngling = Child

Galactic Basic Standard/ Basic = English

Medkit/Medpac = First aid kit

Hypo = Syringe

Medic/Healer = Doctor

Medcenter = Hospital

Bactapatch = Bandaid

Nanoweave = Fabric

Transparisteel = Glass

Plastifoam = Packing material

Durasteel = Steel

Plasteel = Plastic

Duracrete = Concrete

Slicer = Hacker (slicing = hacking)

Identikit = Passport

Minder = Therapist

Synthleather = Vinyl

Viewport = Window

Cooling Unit = Air-conditioning

Honeydarter = Bee

Slythmonger = Drugdealer

Spice = Drugs

Stimpill = Caffeine pill

Power Socket = Plug

Cutters = Scissors

Cycle = Day

Standard Cycle = 24h

Standard Week = 5 days

Standard Month = 35 standard days

Standard Year = approx. ten months

Tenday = literally ten days

Cigarras/Smokes = Cigarettes

Click = Kilometer or 'a moment'

Parsec = a unit of distance

Tweezers/Clanker/tin head/tinnie = Droid

Separatist = Seppie

Promise Ring = Wedding Ring

Body Glove = Jumpsuit

Slicksuit = Wet suit

Civvies = Civilian clothing

Carbonite = a metal alloy used to freeze a person in a state of hibernation

Hyperdrive = device that allows a starship to travel faster than lightspeed

Moisture vaporator = device that can extract water from the air, commonly used on tatooine

Glareshades = Sunglasses

Gasser = Gas Oven

Repulsorlift = technology that can create an anti-gravity field and is used for levitating heavy objects

Heating unit = Heater

Utility Droid = Roomba

Sunbonnet = a Clone trooper helmet

Bad Batcher = a defective Clone Trooper

Banthabrain = birdbrain/ a stupid person

Bantha fodder = waste of space/nonsense

Blast! = word of exclamation

Blasted! = s.o in anger or annoyance

Blaster-brained = dimwitted

Blaster fodder = cannon fodder

Blast off = Piss off

Brainless = Stupid

Bug/Bugger = used to refer to Geonosians

Forceforsaken = godforsaken

Full of Poodoo = full of shit

Poodoo = Shit

Kriff = Fuck

Jedi scum = derogatory term for jedi

Kark = derogatory expletive

Larty = LAAT/i gunship

Laserbrain = insult

Meat droid = derogatory term for Clone Troopers

Redrobes = Palpatines guard

Rookie/Shinie = newly recruited Trooper

Scum = insult to refer to bounty hunters/rebels

Sharpie = Sharp-witted

Sithspawn/Sithspit/Hellspawn! = expletive

Sleemo = Slimeball

Son of a bantha = insult

Wizard! = Cool

Spaced = dead

Hutt-spawn = Bastard

Karabast = exclamation of dismay

Stang = Crap

Buckethead/Bucketbrain = derogatory term for Stormtroopers

Bucket = Helmet

Nat-born = Natural Born

Roger Roger = affirmative/copy that

Droid poppers = EMP grenade

Sitrep = short for situation report

Backwater Planet = any planet that isn't part of the core system

Holocron = device that can project a three-dimensional image of a person/object and is used for communication or entertainment.

Kessel Run = a risky Operation. Commonly used as a metaphor in impossible situations.

Thermal Detonator= device that can create a powerful explosion like a grenade or bomb

Ray Shield/Energy Shield = creates a (protective) barrier

Rebreather = device that allows a person to breathe underwater or in toxic environments

Phrases:

Wild goose chase = wild bantha chase

That's bantha shit = that's bullshit

As slippery as a greased Dug = untrustworthy

Credit for your thoughts = penny for your thoughts

Cut the poodoo = cut the crap

to get your gills in a twist = get upset about something

Holy mother of meteors = holy mother of god

Oh my skies/ Oh my stars = exclamation of surprise

Stars' end! = exclamation of disbelief

What in the blue blazes = exclamation

When Geonosis freezes over/When it snows on tatooine = extremely unlikely

Who pissed in your power supply = who pissed you off

Blast it = damn it

By the maker = exclamation of surprise

Great karking Dragon = expression of disbelief

Lothcat got your tongue = equivalent of 'cat got your tongue?'

Sod it = expression of frustration

[ejsuperstar]

Imagine you live in pelican town. The new farmer has been here a couple weeks now and seems to be settling in, except... He's picking the weirdest friend choices. Like sure it's not weird to befriend the local fisherman, especially when he has an interest in fishing himself, but you're pretty sure you've seen him rooting through the Saloon's garbage with the local homeless man. As well, he keeps harassing the poor guy who works at Joja even though you KNOW he doesn't want to be friends with him.

And since you're on the topic of weirdness, isn't it odd he seemingly runs everywhere at a full sprint? Or just... Eats entire raw fish while fishing for "energy reasons"...

...

Despite all that, it's too early to call him off putting or anything... He has been engaging in town traditions, and he's started helping out with the old community centre. He's probably like the rest of you. Someone with a few quirks, that will fit in with the valley great!

Surely he can't get any weirder... Right?

[zephyrchama]

Resting with Belphegor

You're laying on the couch, face up with Belphegor draped over you like a weighted blanket. His breathing is steady and slow. His arms are wrapped loosely around your shoulders. His face is snuggled into your chest. It's warm and it's comfortable and it's peaceful as you scroll your D.D.D. The house is quiet. You absentmindedly run a hand up Belphegor's back while searching for new content.

Thunk.

Oops.

Belphegor stirs with a snort, inhaling a little too fast in surprise. You scramble to pick up your fallen D.D.D. and hide it between the cushions. His forehead is already turning a light shade of red, but you know demons are hardy. He'll be fine, physically speaking.

Hands grip your shoulders. Two dark and narrow slits glare at you from inches away. They would be threatening if Belphegor didn't look so pouty, his cheeks almost puffing up with anger.

"Sorry." You try not to smile while apologizing. It's a difficult task when he looks more cute than scary. "It won't happen again."

Belphegor huffs. His chin digs into your sternum but his grip on your shoulders turns weak. "You said that the last three times. I should curse you."

"But I really didn't mean to!" you insist. "I said sorry."

"Aahh, it hurts so bad." The red dot where your phone made contact with his head is hardly even visible. "Ow, I'm so badly injured. Look what you did to me."

Belphegor's acting skills have really degraded since he came out of the attic. Or maybe he's too lazy to put actual effort into it anymore.

"You want a bandage?" There might be some in the kitchen. It wouldn't do anything, though, and he would have to get up for you to treat him. You wonder if his head alone could crack your D.D.D.

"No, but I think a kiss will make it feel better."

[mrcatlion]

I have been consuming Zack Lives AUs and would like to offer the headcannon: Zack keeps a habit of taking initiative for transporting Cloud to places even after Cloud wakes up. Usually grabbing and leading Cloud places, but sometimes ends up with Zack full on hoisting Cloud over his shoulder and starts walking.

[teddybeartoji]

彡 GUARDIANS OF THE TINY SEA URCHIN BOY

☆. contains: satoru gojo x gn!reader; fluff!!!, non-curse au, idk what this timeline is but both reader and satoru are adults and gumi is tiny + reader is his kindergarten teacher wc: 3k

you love you job.

you love taking care of the kids, teaching them, caring for them. and that of course applies for megumi, too. he's a pretty quiet kid, very straightforward and doesn't seem too affected by his guardian being away on a work trip when you ask him about it. you've never met the guy but it always makes you snicker whenever megumi's nose scrunches when he's brought up. or the little pout that tugs on his lips – the grumpiest and the fakest one to ever be conjured in the history of the world. you know it's fake; you've seen the care and devotion the little boy puts into the cards and the art he makes, always promising to show them to his keeper in a hushed voice.

but then one day... he's a quieter than usual, stares at you a little more than usual (he's so sure you don't see him)(or the way he's fiddling with the hem of his shirt). it's playtime and you're comfortably sitting in a bean bag, laughing with some other kids, eyeing the little sea urchin from the corner of your eye. after giving the other kids an impossible mission to complete outside, you usher the boy closer.

"gumi, come here."

and he does the cutest little eye roll known to mankind but nevertheless makes his way over to you. not pressuring him, you let him stand while you ask about the new comic book that came out (you heard him mention it once or twice) and oh, how his eyes widen. you surpress a giggle at the boy, and when you see his eyes flick between you and the bean bag you're sitting on, you finally motion for him to take a seat next to you. and he does.

he still feels a little unsure; like he wants to keep the information threathing to spill inside, despite the want to tell you all about it. seeing this, you decide to start talking about your own little hobby, doing big gestures as to try and crack a smile (it works)(he tries to hide it but you know better). and in the end he does relax and subconciously leans toward you when he starts introducing the comic.

digging out your phone, you let him show you the characters, the powers they have and how cool they all are. the smile on your face is making your cheeks hurt; glad that the boy feels secure and safe around you to tell you all this. some other kids bump in a few times, showing you the worms they dug up or beg for a napkin to wipe their face after they sneezed so hard that snot flew out. megumi's little scrunched up face only made you laugh more.

after a while you can feel him melt into you, his talk almost slurring, his eyes growing heavy. deciding to put away the phone, you move in your spot but a pair of hands clutch onto your arm. "'m not going anywhere." you assure him with a gentle smile as your hand finds its way into his hair, pushing through the unruly strands. he doesn't look at you, hiding his face into your shoulder.

"if i tell you something, do you promise you won't tell anyone?"

it's a ghost of a whisper, buried into the sleeve of your shirt. vulnerable.

"never. i would never."

it takes him another second to gather up the last pieces of confidence. the last pieces of strenght to open up his little tiny heart.

"i-i miss him." his little hands stay clutching onto your sleeve, not enough to stretch the material but just enough to let you know how hard this is for him. how he's taking the big step, how he's inviting you in with a shaky voice.

the hand in his dark hair never stops its movements, staying combing through it, feeling him nuzzle deeper into you. "oh, sweetheart. i'm sure you do." you hum quietly. "he's gonna be back really soon though. i promise."

you feel him nod against you. when another kid emerges from the outside, you quietly ask for her to whisper and swallow another giggle when she starts dramatically tiptoeing closer to you, ready to tie a newly made bracelet over your wrist. it's beautiful.

you stay like that for almost two hours – sitting in the bean bag with your arm locked securely in megumi's hold as he's letting out small little snores. you don't mind. you don't mind at all.

most of the kids have already left, their parents having come after them. they always greet you with a smile and thank you for keeping their kids happy and safe and it always warms your heart. there's nothing else you'd love more than this. and how the kids say bye... some of them hug you, some of them land a fat smooch on your cheek, one of them always shakes your hand (very firmly)(a lot of people could learn a thing from him). and all of them always wave with the brightest smiles on their faces.

you're eyeing the warm late afternoon sun from your spot on the bean bag when you hear the door open and close, a pair of loud footsteps approaching. megumi's guardian, surely.

tearing your eyes from the sun, you turn to meet the man and oh... his mouth is ajar as if he was about to yell out for megumi in the most dramatic way possible (he was). his crystal blue eyes shine in the very same light you were just basking in, taking in the sight before him. his lips close and reform into the warmest smile before he's whispers a small hi.

"hi." you answer with a smile of your own. nobody told you that he was gonna like that. sure, you've seen megumi's drawings but no offense to the boy – they do not do him justice. this has to be to most handsome guy you've ever seen. and he's your age, too. "you're here for megumi, right?"

he nods, leaning on the doorframe. "satoru."

after you introduce yourself, he repeats your name, tasting it on his tongue - and you're now stuck with the memory of one of the older faculty members saying something about how it's always very unprofessional to have crushes on the parents and whatnot. and whatnot.

he makes his way over – keeping his eyes on his beloved boy, sleeping oh, so comfortably in your arms. the way his chest is rising and falling steadyly, his fingers digging into your shirt. his heart swells.

kneeling in front of you, he smiles at the boy before turning his focus to his keeper. the golden sunlight is making your eyes shine and when you give him a shy little smile, he knows megumi is in safe hands.

"you're new?" he whispers.

"mhmm. and you don't actually have to whisper." satoru's eyes flick to megumi and you understand his question without him asking it. "oh, he's out. like a light. we've been sitting here for what?" you look at the clock before continuing. "two hours?"

satoru's smile widens at that. "he's kept you locked up for two hours?"

raising your hand from megumi's hair, you cover your mouth, hiding a grin. "he's cute, no harm done."

satoru hums. "he is. pretty sure you're the first teacher to see him like this."

"yeah." lowering your hand back down, you brush a few strands from his eyes, making his nose scrunch up and making the two of you swoon over the pouty kid. "i'm very honored."

satoru's eyes flick back to you. there's a certain softness in them, despite the deep dark purple peeking out from underneath the skin under them. you don't know what kind of a job he has but you know it sometimes requires him to be away for a while. it must be hard for him too; hard to leave his boy in some stranger's hands. but satoru is already convinced that you're no stranger.

"i'm glad he has you."

you feel a tint of blush making its way over your cheeks because of the sincerity in his tone. he really means it.

"but seriously, though? you've been sitting in the same spot for two hours? you're telling me your feet aren't dead?" he deadpans with a smirk.

lowering your head, you confess: "i have to go to the bathroom so badly."

he almost doubles over, holding a palm over his mouth, hiding the laughter ready to burst out. you try to glare at him but it's useless – you're holding your laughter with him a second after.

your body shakes with the giddyness, making megumi stir and you still. caressing his cheek, you try to make sure he ignores the two giggling adults next to him and stays asleep.

"and yes, my arm is dead but c'mon, how was i supposed to say no to this?" as if on cue, megumi lets out a content breath, his lips molding into his usual little pout, which in return makes the two of you look at him fondly. again.

"no, don't worry. i understand – he's a real charmer." he whispered. "what got him in this mood, anyway? nothing happened, right?" his eyes widen as the words leave his mouth, concern painting his face in a second.

trying to soothe his worry, you immediately shake your head. "no, no. he's okay. nothing happened." satoru exhales deeply, hand covering his heart. you don't think he even knows how worried he looked just now.

"but?" his voice breaks the small silence. "i feel like there's a 'but' here."

giving him a smile, you look the sleeping boy locked onto your arm. "i promised i wouldn't tell, though..."

"wha-?" the grown man's lip pull into a pout and you realize that the boy really does take after him. "but i need to know..."

deciding to make sure that megumi is still in fact, sleeping, you check his breathing – steady as ever, so you beckon the man a little closer.

"he missed you that's all."

it's so quiet. not even a whisper but satoru hears the words loud and clear. his eyes fall to his boy once more, something so tender in them – making your own heart beat a little louder. "but don't tell him i told you. i promised i wouldn't."

"never. i'd never take this from you." he rests his one hand beside your thigh on the bean bag, while the other goes to smooth over his cheek. the poor boy would die of embarrassment if he were to witness all this affection bestowed upon him. "thank you for telling me."

your gazes meet again, the love in them mixing together into a warm goo, filling the room and connecting the three of you forever.

"of course."

there's a comfortable silence between you and the man. a man you met mere minutes ago but when he bends over to pick up the bracelet made out of red string and continues to tie it back on your wrist without a word, you're certain you know him. or maybe knew him in another life; whatever the case, you were meant to meet again.

you thank him but he casually brushes it off as if it wasn't a big deal, as if he did it on instict, his fingers already itching to do things for you.

"is your bladder about to explode, by the way?" teasing. his tone is teasing and you can't help but reward him with another smile. his favourite pay.

"yes– yes, it fucking is." it takes you a second to realize what just slipped from between your lips. eyes growing twice their size as you stare back at satoru, who's, of course, already silently laughing, the corners of his lips reaching his ears. "you heard nothing."

"this is who's been taking care of the kids? wow, does the faculty know of the foul mouth you're sporting?"

"hey!" you whisper shout at him and before you can even register your own movements, your free hand lands a soft punch against his strong chest. it's always very unprofessional to have crushes on the parents. this time real heat paints your cheeks and the tips of your ears.

"sorry– i'm sorry." the only thing you can do is to mutter a quick apology - you're embarrassing yourself and you can't even run from it, the sleeping boy keeping you in your place and you're honestly ready to spiral because you just kind of hit (punched, even) him - this is definitely you crossing a line. and what if he really gets mad now and actually tells the faculty—

another wave of laughter breaks you from your thoughts. and then his own hand makes contact – landing firmly on your thigh; not to far up to make it like that but it's there to reassure that he's not a snitch of any kind and that's he's truly happy to have you as megumi's teacher. nothing better than having a real person looking after your boy.

but it is satoru gojo – it wouldn't be him if he didn't tease you properly at least once. "you're so cute like this. curses and hits being thrown here and there, whew! a great rolemodel for the kids, for sure."

you're burning up, almost afraid that you'll wake gumi with the heat emitting from your body. satisfied with the result, satoru gives your thigh a squeeze. "i'm kidding, i'm kidding. no harm done, right?"

he's gazing at you, borderline burning his eyes into yours with a sly smirk and now you also understand why megumi keeps calling his guardian very annoying every chance he gets.

"yeah." you quirp. "anyway, my ass is getting really sore now, so i think it's best to-" in attempt to escape the stealth attack on your heart, you try to change the topic, even when the weight of satoru's eyes stays on you for a second longer.

you shift your gaze to megumi, raising your hand to his face, gently tracing down his nose and booping it. you brush more of his hair from his face, trying to pull him from his dreamland as softly as you can. "megumi, look, who's here...."

his lips press into another pout as you land a second boop on his nose, finally making him stir. his eyes open ever so slowly, gazing up at you as he raises his fist to rub out the sleep.

"hey, gumi."

satoru's voice stills the boy. his body doesn't move, his eyes alone turning from you to the source of the voice. and the second his green eyes meet the blue ones – he's burying his face into the crook of satoru's neck. you observe their little reunion; megumi's hands are so tight around his neck, most certainly choking the man but he doesn't mind. he doesn't mind at all. satoru's arms wrap around the boy, holding him safe and sound right to his chest, to his heartbeat.

"missed me?"

megumi grumbles something into him, something unintelligible but most definitely something that resembles a kid's insult. satoru's mischievous eyes meet yours and you bite your lip, trying to look as stern as possible when the both of you know that you're just holding back another beautiful smile.

"let's go home, yeah?"

megumi nods as satoru stands with the boy in his arms. when you start pushing yourself up, he lends you a hand - his warm fingers easily engulfing yours in a quick motion. the touch lingers, skin on skin longer than needed. neither of you say comment on it – the butterflies in your stomach would gladly do all of the talking for you. you walk them to the door, staring at the sleepy little megumi, who's glancing at you over satoru's shoulder every two seconds.

you hand satoru megumi's pack and then gently place his jacket over his shoulders before giving one final rub on his back. "be good, yeah?"

he hums back, green eyes finding safe haven in yours. another smile is threathing to show when you wink at him, so he buries himself back into satoru's neck, making the man laugh loudly. this is the first time you hear it for real. it ripples through his whole body, his chest –shaking megumi as it does, it bounces off the walls of the room and finds its way to you and your ears. it's irresistible – you can't not respond with the same when he does it, the current just pulling you along. and it'll keep you for a long time.

"it was nice to meet you. finally."

"oh, you've been waiting for this?"

...

yeah, you walked right into that one, you admit your unfortune, but luckily megumi is there to save you by giving him a hard nudge on the back.

"okay, okay, little guy.... can't even hit on his teachers in peace..." he sighs, earning a way stronger hit and a way darker blush on your cheeks. "it was really nice meeting you too. finally."

you give him a small nod, fingers playing with the bracelet. you watch him carry the boy toward the door, ready to go home and calm your heart.

"wait-" satoru turns just as he steps outside into the sunlight. his eyes shine now even more than they did inside, almost blinding you. "how come you're not running to the bathroom? i thought you were dying."

"well, i was trying to be polite and wait until you leave, so you know..." lowering your voice, you tell him: "fuck off already." flashing him one final smile, the one he's gonna think about for the rest of the night (for the rest of many many nights), you motion for him to move along.

a quick little bye is all he gets before you close the door after him, leaving him standing in from of the house with a stupid smitten grin on his face. if it weren't for megumi, he'd probably stay standing there. "they said fuck." the boy whispers.

"fuck yeah." he laughs before he ruffles megumi's hair, finally making their way over to his car. "by the way, you're an awful wingman, buddy..."

[thebibutterflyao3]

What if I told you that I have 53 Marauders WIPs in my Google Docs varying in length from 500-60k words that may never make it to AO3? I regularly write in all of them until one is finished, and only then does it join its friends in the Archive.

Writing has always been a catharsis for me and of the handful of novel length fics that I write and post each year, there are 20+ that remain “in progress” or are original works that I’ll someday publish. Not all writing needs an audience. Not all writing is shareable.

Write it anyway.

Not because of the kudos, comments, or fic recs, but because you want to read it. Your stories are valuable because of the pieces of you that exist in them. That random quote from your favourite song, or niche trivia information that you dropped mid-story. A scene from your own life that you need to process through your blorbos is an entirely valid reason to write.

I write because I would combust if I didn’t. So many thoughts, emotions, and words swirling through my head at any given time are overwhelming. Writing is a release.

Good writing is not a requirement. Spelling, grammar, and personal style are simply elements of self-expression. Mistakes will happen.

Write it anyway.

[thecomfywriter]

one day, someone is going to simp for my favourite oc harder than me, and i will no longer be a one-woman act in this fanclub

[lonely--seeker]

Practise vs Improv

Happy valentine, sending y'all kisses and hugs

[gwenpoolsaesthetic]

Hey you! Yes, you!

Would you like your creation on display in a museum?

Would you like to help a super awesome PhD candidate complete her dissertation?

Would you like a great excuse to further procrastinate that thing you've been procrastinating?

All of these and more are great reasons to participate in Affirmation/Transformation: Fandom Created, an exhibition at Marquette University's Haggerty Museum of Art. (You do NOT need to be an artist, or even someone who creates art to participate!) Write a story, write a song, design a cosplay, create a fancy manicure, make a meme, make a stop-motion video, choreograph a dance, make a SuperWhoLock gif fic, or anything else your heart can dream up.

Your creation must follow only one rule: It must be inspired by a fusion of 1. any fandom of your choice, and 2. one of the featured Haggerty pieces (click the link to see them!)

Completed works are due July 1, 2024. The exhibition will run August 23rd-December 22nd, 2024, and will be available to view in person and online.

To see the Haggerty pieces, and to sign up to receive email reminders about the fan event, visit https://epublications.marquette.edu/fandom/Affirmationtransformation

[feralforbeanix]

Manfred Von Karma did not burn Phoenix's letters to Miles.

Like, I'm not even saying this to defend Manfred's character (though the fanbase does get a little crazy with what he actually did and didn't do) I'm saying this because that's not canon. I'm not sure it was even possible in canon.

Phoenix didn't write letters to Germany. He didn't know Miles was in Germany, let alone Von Karma's address. He didn't even know who Von Karma was until Edgeworth told him about Manfred in Turnabout Goodbyes.

In the game canon, Miles just stopped showing up to school one day. All Phoenix seemed to know was that he transferred schools suddenly. He didn't know why or where to. Remember, Phoenix didn't even hear about DL-6 until Turnabout Sisters when Maya mentioned her family's involvement.

Even in the anime canon (I haven't watched the anime in a while so I might be off about this) where Phoenix and Miles get a chance to properly say goodbye, Phoenix still doesn't have a direct means of contacting him. His best way of doing so was dedicating a song through the radio using Signal Samurai codenames and hoping Miles would hear it.

Phoenix mentions trying to contact him several times when explaining their relationship to Maya, but this was after finding out Miles was this "Demon Attorney". Miles would have to be at least 20 at this point in time, living back in California with at least a few trials under his belt. With how young he reached success, it's not impossible Miles was living on his own at the time. Even if he wasn't, I doubt Manfred was going through this grown adult's mail.

No, what the game seems to be implying is that Miles ignored Phoenix. (Maya even says, "I guess he didn't want to hear from his old friends.") And I don't think this was out of hatred or anything, I think Miles just wanted to forget his past entirely because even the good memories of his childhood would be bittersweet at best.

And to be honest that makes it even more tragic to me. Why do we need Manfred to intercept their connection when Miles' trauma and guilt complex is already doing that?

I like to think Miles knew Phoenix would be asking questions if he ever responded to those initial attempts at contact. Questions he of course doesn't want to answer because they'd at best open old wounds or at worst risk his childhood friend finding out he might have committed patricide.

I also like to think he knew Phoenix of all people would stubbornly try to find the answers Miles wouldn't willingly give because he literally mentions Phoenix always being "single minded in his work" and "always seeing things through to the end". If anyone was going to press and bring those uncomfortable and painful memories out in the open for the sake of "helping him", it would be Phoenix Wright.

Why do we need Manfred to take away all that complexity and tragedy? That is such a waste!