#((But with the new Crack Up Comics out and people talking about them))

[redhoodinternaldialectical]

Counterintuitively, Jason trafficking drugs himself, and the way he treats drug dealers in general is actually one of the core reasons I do believe he has a real moral backbone.

In Lost Days we see him mention that he killed his small arms teacher because the smack he was dealing was poisoned. In Nightwing (2016) Annual #2 Jason is particularly violent towards their enemy because he cut his heroin with other substances, leading to his mother's first overdose. In Under the Red Hood, his most important rule is 'no selling to kids', and he is specifically employing people who do sell drugs to adults.

Playing a bit of Headcanon Jazz here - listening to the notes Jason doesn't play as much as the ones he does - It feels really notable to me that dealing drugs is not enough to get on Jason's shit list. On some level Jason thinks it's okay to deal drugs. Even more importantly: Jason doesn't at all imply that drug users are at fault - nor that they need to have the choice to use taken from them 'for their own good'. Heck, I can't remember any instance of him saying that doing drugs is a bad thing.

He has lived with and cared for someone struggling with an addiction that she died to, which would have made it really easy to take him in a 'no leniency, no tolerance, kill all drug dealers and burn all the crack so no one can smoke it' road. Yet that's the opposite of how he's operating.

And I'm putting all that together to get a Jason who firmly believes in harm reduction and that when it comes to drugs, people have a right to risk; they have a right to choose to use. I don't think it's too much further of a stretch to say that he thinks that those who do use should be supported by infrastructure ensuring that their drugs are uncut and properly dosed and that they should have safe places to use and well funded rehab options if they want to quit.

This whole thing is so important to me because it lies completely outside of his emotional conflict of 'I wasn't avenged'; it's proof that there was more to Jason's talk about running Gotham differently than simply killing people.

Factually, there are a huge number of criminal activities that could be used to improve the lives of vulnerable people.

I firmly believe that no government has the right to detain, imprison, deport, et.c. people fleeing violence and persecution in their country of origin. A criminal organization that genuinely had their best interest in mind who could provide access to new identities, jobs, housing, and paperwork for cheap could save and change hundreds of lives. Sex workers, especially survival sex workers who want to quit and move on to a new job, could benefit enormously from protection from the cops, and from landlords kicking them out, and the ability to get criminal charges purged from their records, and lots of other stuff. People who use street drugs need a lot of the same things, as do people who need access to medication but for whatever reason can't get prescriptions the legal way.

This is all stuff that is already a staple of organized crime - they just do it in ways that are insanely abusive and exploitative.

It makes sense that Jason would look at that and think he could make it work! Honestly I'd love to read a comic about him trying! He could be the pinnacle of Be Gay Do Crime! Sadly though, it's very unlikely we ever will, especially because his term as a drug lord was so incredibly short to begin with. Under the Red Hood, a tiny snippet of Robin (1993) and Green Arrow (2001) #69 - #72 is really all we get, and none of those really got into the politics of his organization either.

Tho, there is a tiny snippet we possibly see in Seeing Red, my favorite Jason run ever, and I will take any excuse to talk about it so here we go lol!

This is a comic in which Batman gets some things wrong about Jason, and might be straight up lying to Green Arrow in places too, so I don't think we can take his word for it when he says Jason is driving up the trade. Especially not when Jason hasn't given a single flying fuck about collecting wealth for himself in basically any other appearance ever.

Is he using drugs as a trading good to some capacity? Yes, that's a minor plot point here, however, I think justice is very present in his reasoning. I think Jason is being selective with which shipments he's keeping - testing each and destroying the stuff that's extra dangerous, making sure that what's getting used is as safe as it can be. Plus, he might be reducing the supply so that drug trade can't expand, while considering complete elimination to be flatly undesirable, since it could force users to go cold turkey, something that can be dangerous, or at least very painful.

Now, obviously this is still headcanon territory, we never really see into Jason's head about this specific topic, but I do feel like it's a reasonable way to fill in that gap!

Anyways, this is why I've never felt like Jason's disagreements with Bruce's methods were purely about his own emotional desires. There's too much else surrounding that which he clearly also cares about.

[demilypyro]

Ok so as someone who knows very little about sonic characters that aren't the main cast. Can you explain to me who Surge is? (I am asking you to infodump. I understand I could just check the wiki but then you wouldn't get to talk about a character you like)

Alright you asked for it. Long post attack.

So Eggman had this protege named Doctor Starline, who had a falling out with his mentor and hatched a plan to kill Sonic and replace him with a new hero, one who would take Sonic's place in the eyes of the people but be under his control.

So he kidnapped a random girl off the street (no name or history known at this point), filled her with a bunch of cybernetics to give her superpowers, and slowly brainwashed and trained her into becoming essentially Sonic's equivalent of Wario.

This was Surge the Tenrec.

As Sonic's so-called "imposter," Surge is like an exaggerated version of Sonic. She has his heroic heart, but also his temper, his pride, his irresponsibility, his rudeness, all turned up to 11. She's got the standard super speed, as well as electrokinesis - lightning powers. She's accompanied by Kitsunami, or just Kit, a blue fennec with water powers and a similar background, but who was based on Tails instead.

As part of their brainwashing, Surge was conditioned to hate Sonic. As Surge's backup, Kit was conditioned to want to support Surge in any way he can.

Surge and Kit eventually found out what had happened to them, how Starline had kidnapped and brainwashed them, and were planning to betray him. Before they could, however, Starline was killed, after being thoroughly trounced by Eggman, leaving Surge and Kit free to do whatever they want.

When Surge finally encountered Sonic, she blamed him for what had happened to her. She holds him responsible for always letting Eggman survive to come back another day, leading to ever-escalating conflict. While before she had no real reason to hate him beyond her brainwashing, all that baseless animosity now had a foundation, and she's wanted to take him down since. Surge and Kit have had several fights with Sonic and Tails already, and while they were defeated each time, it's clear they pose a real threat.

Left with only each other, and having no real goals beyond taking down Sonic and Tails, and no hints to their past, Surge and Kit became a neutral force of chaos, not affiliated with either Sonic or Eggman. While Surge has the desire to be a hero, she can't let go of her grudge toward Sonic, and Kit's obsession with helping Surge regularly shows itself to be unhealthy, which may lead to a falling out between them in the future.

Since their first appearance in the Impostor Syndrome mini-series, they've made regular appearances in the main comic starting with issue #50. They've been making waves, establishing new rivalries and inciting new conflicts. Sonic wants to believe there's good in Surge, but she's a tough nut for him to crack.

Surge is one of the series' best original characters. Surge is cool, has an interesting origin, and she contrasts Sonic in a way that gives ample opportunities for new stories. She's got a good heart, but she's carrying around a ton of trauma and animosity she doesn't know what to do with. She's scrappy, resourceful, and more introspective than you might expect. And by often being positioned as the underdog, she's very easy to root for.

I was always a bit uninterested in the Sonic series at large, but Surge really got me on board. She really made me a fan.

She's my favorite Sonic character.

If you're interested, look into the Imposter Syndrome mini-series, which leads right into Sonic IDW issue #50, or you can just read Sonic IDW from the start.

Okay bye

[xitsensunmoon]

My first ever comic con! And first cosplay too. Of course it's gonna be my boy :] Ramblings about the process are under the cut(Let me know if?? You would want me to elaborate with process images for any of the steps?)

The costume took me forever to make, as I've never done any machine sewing, sculpting, fabric dying or spray painting before but learning all of these was so fucking fun!! I never realised just how many different skills go into making a cosplay but it was so worth it!!!

Almost all of the clothes(except the hat) were purchased first as bases, but all of the detailing was added by me. All of the fabric used was originally just scraps that I was given for free so I needed to learn how to dye and dye all of the stars, they were originally white.

The sewing machine was its own beast that brought me tons of frustration from the lack of skill and knowledge (it was devastating to find out that 95% of fuck ups were my fault and not the machine's lmao). But as a result, a hat sewn from scratch, all of the fur trims, embroidery on the corset, stars and the collar(which is very hard to see on the pictures unfortunately) was all added manually. The stars and the stripes(on the back of the cape) were attached using heat-and-bond adhesive (I WISH I knew about such thing just when I started working on this. It would save me so much time and nerves.)

Then I found out about polymorph(mouldable plastic) and it has become the next thing I wanted to learn, to sculpt the claws and the fangs(yes, they're handmade jfksjs). The claws I then primed and painted in trillion coats because I wasn't satisfied with the colour of the spray paint. The fangs I moulded to my own teeth and then stained with tea to match the colour of my teeth :)c

As for makeup, I used Mehron Paradise water activated paints. At first I wanted to try to save money and bought myself Snazaroo instead, which unfortunately turned out to be a waste. Snazaroo didn't hold on my face for longer than 2 hours, cracking and peeling awfully. Mehron on the other hand survived 11 hours of me smiling, talking, emoting and such and didn't even crease at the smile lines(I'm actually shocked about that). It obviously works like any other makeup which means your skin texture and wrinkles won't go anywhere but Mehron's elasticity pleasantly surprised me. It did obviously smear from sweat and saliva(if you're eating and licking your lips) but if you don't touch the skin it just dries again, self setting. But if it's dry it's fully smear-proof. Highly recommend!

And last but not least, I've decided against painting my hands as it was very risky that I will stain everything I touch at the smallest hint of sweat. So instead I got myself gloves-tights(? Not sure how they're called but it's made from the same fabric as tights) and painted them with normal acrylic paint(did you know you could dye fabric with acrylic paint? I personally didn't), then heat set with an iron and voilà, they're reusable, my hands are not stained after an exhausting day and I don't stain everything I touch. It worked wonderfully which honestly was a surprise as I was really sceptical that acrylic paint will somehow stay in place.

I think this whole thing took me minimum of 6 months with big-big breaks for my school and life in general. But I'm really proud! This project taught me so many new skills and I couldn't have been happier about learning new knowledge, even if it sucked to fail in the meantime.

Everyone at the con was really nice and gave me a large confidence boost even tho it was my first time and I had no idea what I was doing. Taking photos with other people was really awkward/new for me as I hate cameras so I really had no idea how to pose/behave in front of one. But that's okay I think. This whole experience definitely made me want to do this again, so I think that will come with experience. Thank you for reading this far, hope you enjoyed this little summary :)

[chronicdelusionistsart]

Bernard Dowd and the Art of Recontextualization

I'm what you might call a "fake Batman fan" - that is, I've only watched most of the Batman animated series', all of the live action movies, most of the animated ones, played some of the video games... so, you know, probably thousands of hours of my life in Batman related media. But not the comics! Fake fan!

Frankly, I find the comics medium the way DC and Marvel do it to be really hard to follow. There's the fact that you can't really follow an individual solo character without them getting caught up in massive crossover events that ruin their arc and pacing, there's the soap-opera-iness that encourages cheap and revolving conflicts inherent to the longform monthly release schedule, the writer roulette, and there's also just that going back to try and thread a particular continuity or character is an exercise in frustration. Oh and the retcons. Everyone hates those. They've (basically) never been good. Don't remember this part it will never come up aga

But, you know, despite this - or maybe because of this - comics is a breeding ground for ideas. Because of the quick turnaround and the demand for novel conflicts, comics just churn out idea after idea. Good ideas, bad ideas, doesn't matter. Get it to print. Retcon it later if we write ourselves into a corner. Comics are often soooooo first draft coded. This is why I personally prefer adaptations - they often reimagine ideas and retcon them into new narratives where they can serve a more coherent plot. But what happens when a character is picked up for a second draft ... without actually contradicting the earlier material? While enriching the earlier material, even?

(SPOILERS for Tim Drake: Robin and uh... 20 year old comics under the cut!)

So, uh, quick disclaimer - because I have very little overall knowledge of DC's Comics continuity, there may be more interesting examples of times that what I'm going to point out was done. But I love Bernard and from a writer's POV I'm impressed with the way they did it so we're talking about Bernard lmao

The Beginning (Robin 1993) - Reading comics from the 2000s hurts in a way I can't describe

Okay so I heard Tim Drake is dating a guy now? (Penny Sonic voice) Whoa he's bisexual I didn't know that! I'm sure people on the internet are being very normal about this. Cool let's find out more about his new bf. I like starting from the beginning... so like yeah hold on while I crack open the Robin comic and take down what this guy's deal is.

😬

So basically the TL;DR of Bernard in his original appearances is that he seems to be an attempt to introduce some normal stakes teen drama into Tim's life. He has all the Funny Guy Friend Classics - he's got an inflated sense of his proficiency at pulling girls, he's inexplicably drawn towards the protagonist (who is cooler than him), he wants to date the most popular girl in school, and he wants to get down with older women!

This might just be me but while I was going through this I thought like, he almost reads a little uncanny, like he's been filtered through a Disney Teen Special. In practice he mostly serves to introduce Tim to the Real Plot, Darla Aquista, and be one of his ties to civilian life, which is, like, fine. He's ultimately just a background character and he's so unimportant that he only has one appearance after their school gets shot up(!!!), which is, again, to be more of an accessory to the Darla plot.

After this display of "wow this guy's kind of lowkey insane for offering to his resurrected bestie supervillainess to be her manager actually", he's dropped forever. Comics! We're not gonna unpack that.

The Sequel (Batman: Urban Legends) - We're Gonna Unpack That

Until almost two decades later when he calls Tim up for a date. And while I'm trying to skim over a lot to get to the point here and I don't really know the FULL context, it is notable that Tim is in the middle of an identity crisis / the cusp of adulthood when this happens (I think he just lost a spleen or something. That sucks dude). It's pretty implicit that part of the reason he's going to see Bernard is because he's someone familiar in a time when he's facing a lot of new and scary stuff.

And at first blush, he really does seem like the same dude. The familiar arm over the shoulder, the banter, it's all very casual and similar to the ribbing from high school -

- and I guess nothing has happened to Bernard in the interim haha he's just the funny friend guy right?

I really like the way they did this. I'm just unambiguously going to praise how good this is if you just came off the 2000s stuff. Comics have kind of breakneck pacing by nature but they really manage to condense down and then pull off a neat sleight of hand over the course of like four pages here. They re-establish Bernard as a silly guy and then wham you with the fact that yeah actually we ARE gonna unpack that. Fuck you Tim Drake life is ever changing and nothing stays the same

So the TL;DR on the rest of the Urban Legends storyline is that stuff like, HAPPENED to this guy while our focus was elsewhere. He learned martial arts, presumably so that he wouldn't be so helpless in the next school shooting level event, he got into a pain cult, he's just Not Doing Well. We find out, reading between the lines, that calling Tim on a date was probably one of his last attempts to reach out to someone when the cult stuff was getting really bad.

I've heard people complain that Bernard is uninteresting or not a character or entirely focused on his relationship with Tim, and I think that criticism is really weird considering that his entire re-debut focuses on the point that he's been having his own life and making his own (often wild) decisions - ones that really changed the course of his life - while Tim was gone. And it's also notable that this story is about how the fact that he's his own person and has changed and has made the nerve-wracking decision to take action and call Tim inspires Tim himself to take a leap and fling himself into the uncertain waters of young adulthood.

Me when I have my bi awakening and call to get out of a rut simultaneously because Cute Insane Guy Inspired Me. iconic

So that's how Bernard has changed. But that's not recontextualization, that's just the writers taking a guy and making him do another, cooler thing. Well hold the fuck on because we're not goddamn done.

What did he mean by th-

The Recontextualizerrrrr (Tim Drake: Robin) - Bernard is the funniest person in Gotham City. I'll not be taking constructive criticism on this

Tim Drake: Robin is the followup to the Urban Legends story and Tim is the main character fr. Obviously. but Bernard is also a major character. Later, he even gets to be a POV character. But they don't do that for several issues, instead treating us to his shenanigans from Tim's point of view as he solves a bizarre serial murder case and like, they're cute! And neither of them are normal in the slightest. I love that for them.

Again, TL;DR, there are a lot of interactions where Bernard talks to Tim both in and out of costume, but we don't get to see his POV until they go out to a restaurant and meet Bernard's parents there by accident and Tim has to run off to do Robin stuff. And like... a lot of stuff happens in this one bois. Whammy after whammy

We're suddenly introduced explicitly to a lot that was only implied or just completely unavailable before. Bernard's parents are ragingly homophobic. Probably were never great even before that. He suffers from depression. All that is a lot to. wait. hold on a second

he knows?????

HE KNOWS????

Okay so if you stop at this point and reread the entire run so far you find out that Bernard is in fact the biggest troll in the entire universe. This is the moment that cemented him as my favourite, by the way. Like I had a feeling that he knew and I was just laughing my ass off when my suspicions were confirmed.

But this is really interesting on top of that because Bernard has been revealed to be, at this point, a guy who you should look deeper than the surface to understand. Someone who masks his true self and whose true motivations you can only uncover if you're really looking past the facade. Even with Tim, he sort of offers Tim and Robin half the story each, taking advantage of Robin's "distance" to give out information he wants Tim to think about but that he's reluctant to talk about frankly while at the same time almost daring Tim to open up about his identity.

Absolutely most normal way to tell your bf about your cult trauma. You'll always be famous to me Bernard Dowd

This is a really neat trick by the writers. It makes Bernard a multifaceted character who got to quietly develop while we were mostly focused on Tim, and there's some clever clever foreshadowing they set up in this run to achieve this. If it were just this, I would call it good writing.

But it actually goes one level deeper than that and becomes something really really special. because as we all know, Bernard was not conceived to be this way, he was a one-off guy who was kind of annoying and he was essentially retconned to be, like. Gay? Have depth? Be funny? All of those things?

The Seamless Retcon (Robin 1993 Again) - We took your guy and we gave him gay subtext and it worked astoundingly well

This is not a new observation btw, I've seen a ton of posts to this effect. But oh my god. Some of these panels really hit different with the new Bernard lore. Like holy fuck just read this back to back

There are tons of moments like this. There's SO MUCH that the revelation that Bernard is queer adds to his initially extremely underwhelming tenure in the Robin comics. A reread almost begs the question of what Bernard must have been thinking at any given moment! BRO YOU SAID YOU WANTED TO FUCK HIS STEPMOM. That's completely believable as a next-level closeting move and goes from kind of annoying to turbofunny.

Like yeah of course he's acting like a douche. His father is a status-chasing asshole and he's five racks deep in the closet. Of course he gravitates towards Tim - his gaydar is pinging and he thinks Tim is cute. And it's also pinging that Tim is like. You know

None of this would hit as hard if the writers had not set up Bernard as someone who masks so much. They worked it in that character trait to mean that you could always glean information deeper than the surface from his top level interactions.

Because of this, Bernard is really fucking interesting and he's a good character and he's one that gets better on reread. Like I said, that's a set of observations that are not new to me. But something that really gets to me is how seamless and intentional it is. It really feels like the writer sat down and took their time devising a guy that is believable as that other guy, but only if you read back with certain context.

The conclusion - Comics. Man.

So is this just about how Bernard is really fucking interesting and he's a good character and he's one that gets better on reread and that he can exist independent of Tim and all the haters are wrong. Yeah of course. 💖

But also like, I have thoroughly proven to myself that I was kinda wrong to just reject the published comics medium out of hand. I see now that there's room for the writer's roulette to hit the jackpot and that something I mistook as an outright flaw, the winding and unfocused and often improvised nature of it, can be ridden like a wave if you're skilled enough to do it. Meghan Fitzmarten is a goddamned genius.

I guess I have to read comics now. Fuck

[4evermutated]

bayverse! April headcanons

because i hate the way megan fox was sexualised in the movies i wanna give her more personality than just being hot and smart 😭 i heart u bayverse April

- she thrifts! not just expensive 'real vintage' designer labels but everything, she also finds clothes than can be easily upcycled and tweaked for the boys. Her signature color is yellow so you KNOW she has rare and whimsical pieces she collects in her wardrobe

- speaking of which; she sews! Mikey often rips or breaks his stuff (like shoes and shirts) and hes always giving her bits and pieces to fix up. As much as Donnie is a tech wiz, Aprils expertise lies in the art of DIY! shes tried to teach Don how to sew but ironically its one of the few things he cant crack

- shes a stem nut, OBVIOUSLY! her and Don bond the most over new technology and the advancement of science and digital technology. her and Don made her a pc from scratch and its one of her most precious memories

- April has a really bad sweet tooth, when the guys get pizza for the rare nights in, she's reaching for Mikeys candy stash for sure (she makes sure to replenish it with all their shared faves)

- her favourite candy is anything sour! but actually sour, we're talking throat numbingly sour to the point where at the end of the bag all you taste is blood 💀 it freaks everyone out lmao

- she has a masters in journalism and a degree social sciences, its so important to her to give visibility to the stories rarely talked about. Shes very dedicated to her profession and genuinely gets mad that all vern cares about is attention from fans and the camera

- April is also very passionate about nutrition and fitness! she goes total big sister mode when the turtles neglect their protein intake especially with how big and physically demanding their jobs are. a few times she's tried to teach Leo how to cook for his brothers and hes just about learned how to not burn eggs on toast but shell be damned if she starts cooking for 4 6ft men 😭 respectfully not her job!

- she's incredibly protective of her friends, whoever they may be, even Vern. she doesn't take lightly to disrespect and she WILL trash talk you to silence if you make anyone she cares about feel less than

- when she was younger she wanted to be a zoologist or anthropologist. Like her dad, she's always had a love for science and research, but she loved animals so much as a kid and it crushed her when she realised her father was experimenting on animals

- she feels personally responsible for the turtles and Splinter, she visits them atleast once a night, whether on face time or in person. the fact that they feel theyll never be accepted in society weighs heavy on her heart. she wishes things were different

- she knows Mikey has a crush on her, but she doesn't know how to let him down gently and honestly doesn't wanna open that can of worms, so she just pretends she doesn't notice his very desperate flirting

- sleeper build april. SLEEPER BUILD APRIL. people treat her like shes fragile just because she's beautiful but shes also incredibly strong with amazing endurance. i mean hello?! SHE CAN RUN IN HEELS. thats badass

- she loves game nights w the turtles and Casey, she loves playing MK and her go-to character is ofc Mileena (goated and no im not biased)

- she may or may not have a dedicated collection of disguises for super sleuthing and recon. shes very proud of it and will give a tour if asked

- she wants to learn ninjitsu, just doesn't know if she should ask or wait to be asked. she feels awkward and sometimes wonders if its not her place, even though in reality Splinter would be happy to train someone so dedicated to justice.

- her favourite drink is banana protein smoothie!! the lair has a blender just for her 😭 they have to hide it from Mikey before he gets back into his liquid pizza phase again

- she likes hero comics/shows (like 2012 leo!). Naruto was her childhood and its kinda beautifully ironic that she's like a ninja by proxy now

thats all for now! its been like 5 years since ive written headcanons so sorry if the format is boring, lmk if you want more headcanons! ok bai

[darlingdaisyfarm]

takin’ what’s not yours (ford x reader x stan)

chapter 1 | chapter 2

tags: pre portal, hurt/comfort, angst, Stan & Ford needs a hug, reader too, emotional manipulation, everyone needs therapy but that’s not happening, mystery trio dynamics if you squint, hidden pairing, bill cipher influence

author note: guys i swear this was supposed to be a shameless porn threesome fic, but then Ford and Stan showed up with a whole suitcase of unresolved issues im so sorry

“You’re gonna change the world, Ford.”

“Only if you’re there to see it.”

***

Backsmore University. What a fucking place.

It wasn’t just the old brick buildings or the ivy creeping up the sides. Not really. It was the people. The crazy mix of the smartest, weirdest people you could imagine. You were one of them, no doubt. An absolute nerd with a lab coat on 90% of the time, a mess of papers and equations in your backpack and a head full of ideas and knowledge. But unlike Ford, you weren’t shy about showing it. You thrived in it, honestly. Lectures? Boring as hell, but the energy in the halls? The potential of every single person you met? Yeah, you were there for it.

One of these was Ford Filbrick Pines.

The ultimate BMU enigma, the textbook definition of nerdy. For some reason, his persona always made you think he was hiding some secret genius-level insanity behind his weirdly serious face. 

You’d laugh about it with your friends, the way he avoided talking to anyone. Classic “genius who’s too good for people” type.

He was everywhere, and yet, nowhere at all. Seriously, you could walk through the student lounge, see him hunched over a pile of research papers in the corner and just know you were witnessing something profound. He didn’t get what you were about at first.

You were funny, obnoxious even, always the first to crack a joke or make a ridiculous observation in class. Meanwhile Ford would just stare at you with those big eyes like he was trying to figure out if you were some kind of social experiment.

But then you started talking, typical nerds topics. About quantum physics, mathematics, about the mysteries of the universe, about everything. He’d scoff at how crazy your ideas were but then, just a second later, he'd be scribbling down some insane theory of his own that he wouldn’t even tell anyone else about. And you’d get it. You both would sit in the library, trading theories and arguing about the tiniest details of space-time.

You were the loud one, in Ford’s opinion, the one who could hold a conversation about quantum theory and drag Ford to a campus party all in the same breath. He’d grumble the whole way, saying it was a waste of time, rolling his eyes at your insistence that he needed a little break. He’d follow you through those sticky, badly lit student lounges, watching you laugh with people he’d probably never even look at twice.

These late nights when you’d drag him out to stargaze, pointing out constellations, half-naming stars you didn’t know, laughing when he’d shake his head, muttering about inaccurate astronomy. But he always went along with it, always ended up laying beside you on the grass, looking up at a sky he could never quite make sense of but was desperate to understand.

The graduation day. You clearly remember that one.

The sun was so bright you could barely keep your eyes open and everything felt like a dream. You had your cap crooked on your head (you were probably running late, as usual), your tassel swinging as you walked across the field, your friends beside you, shouting and celebrating like you were all in the fucking “after party of the year.” But then you turned and your eyes saw Ford, who was clutching that damn diploma like it was a golden ticket. He looked different somehow, like he’d finally unlocked a new version of himself. 

The Stanford Pines himself, recipient of Backsmore’s largest grant for his “eccentric” research, standing with his square academic cap, although it was comically slipping off his head. He looked out of place, like a scientist among a sea of partying students who could barely remember their names half the time.

So, you did what any good friend would do— you adjusted his cap for him, (plus you wanted an excuse to touch him), made some dumb joke about how he’d better not screw it up. He’d roll his eyes, but you knew he liked it. He needed it.

“Hey,” you grinned, “looking pretty fancy for someone who spends all their time talking to aliens or whatever.”

Ford smirked. “I’ve already got a date with a space-time continuum. But you can join if you want.”

You rolled your eyes, but the smile didn’t leave.

***

Outside, the world has turned into a kind of cold, quiet hell. Snow falls in thick slow flakes, burying everything in a suffocating blanket of white. And Stan stands there, jacket pulled tight against his chest, staring up at the looming silhouette of his brother's house.

It's freezing, but Stan hardly feels the cold. Not really.

It’s quiet here, but it’s not peaceful. Silence feels heavy, like it’s watching him.

His thoughts are pulled back to a time that feels both recent and impossibly distant.

Ten years. Ten goddamn years. It’s been a decade since he's seen Ford’s face. Well, of course he doesn't expect Ford to look like something completely different, they’re twins after all. But at least now Stan knows what Ford would look like with a mullet.

Stanford was always the smart one, the golden kid, with big brains and hands that tinkered with mysteries beyond Stan’s understanding. And now. . . after all these years of silence, Ford finally decides he needs him. It’s a postcard, a single damn postcard, that drags Stan out of the muck and dumps him back here in this town, holding secrets and god knows what kind of twisted shit his brother’s got himself mixed up in.

After everything Ford did, after leaving, after barely even thinking to check in after all these years, Stan knows he shouldn't feel this way. But here he is. Waiting. Hoping. Hoping against hope, as if somehow, that tall figure would come striding down the snowy path, arms filled with books and that same serious look on his face. That same one he had as a kid when something big was on his mind. 

Stan shakes his head, letting out a breath that forms a small cloud in the icy air.

“Ten years, and you drag me here for what, Stanford?” he thinks.

Stan takes a deep breath, the cold seeps right down to his bones, but it’s not the winter’s chill that makes him shiver. His heart pounds as he stares at the weathered door in front of him, trying to shake off the surge of memories of the two of them, inseparable, back when they thought the world couldn’t touch them. But that was more than a lifetime ago.

He mutters to himself, “you haven’t seen your brother in over ten years. It’s okay. He’s family. . . He won’t bite.” or at least Stan hopes so and then he knocks, half-heartedly, already bracing himself.

The door swings open with a sudden jolt. Before Stan can even greet him, Ford’s voice booms through the biting air. "WHO IS IT?! Have you come to steal my eyes?!” his trembling hands grip a crossbow, pointed directly at Stan, and the first thing Stan notices are his brother’s eyes — wide and paranoid.

Stan looks at Ford, steps back a little, blinks, then blinks again. He tries to mask the pang of hurt as he lets out a shaky laugh, “Well, I can always count on you for a warm welcome.”

Ford lowers the weapon slightly, narrowing his eyes suspiciously and then, as if finally recognizing the person standing before him, he blurts, “Stanley, did anyone follow you? Anyone at all?”

“Eh, hello to you too, pal.” Stan grumbles, but to his surprise, Ford grabs him by the clothes, yanking him roughly inside before he can even process it. "Ah!" he exclaims, stumbling forward, before the door slams shut behind them.

Ford, still skittish, shines a flashlight in Stan’s eyes, his fingers trembling as he holds it, blinding his brother. “What is this?!” Stan shoves the flashlight away.

Deep down, though, he tries to mask the pang that Ford’s mistrust strikes in him. What happened between you two? Mom would be so upset about their relationship. They used to share everything, trust each other without question, without even a word. Now here they are, stumbling through a reunion that feels like walking on broken glass.

"Sorry,” Stanford answers quickly, studying Stan’s face as if looking for lies hidden in his eyes. “I just had to make sure you weren’t. . . It’s nothing. Come in, come in.”

Stan follows him, the warmth he thought he’d feel upon seeing his brother slowly cooling into something he doesn’t want to admit that feels like disappointment. He watches Ford flit around the room, casting paranoid glances, clutching onto a battered old journal like it’s the only thing holding him together.

The shack is cluttered, papers scattered on the floor, strange devices cluttering the tables, books piled high. Wow, Stan thinks, the whole place screams my brother has been here alone too long.

It makes Stan's chest tighten.

“Uh, you gonna explain what’s going on here? you’re acting like mom after her tenth cup of coffee.” he is trying to defuse the atmosphere somehow, to make contact, but inside, his heart aches. He missed Ford; he missed him like hell. And to finally be here, standing right next to him, only to find him. . . like this. Seriously? It’s almost too much to bear.

Ford, ignoring the gentle jab, clutches the journal tighter. “Listen, there isn’t much time. I’ve made huge mistakes and I don’t know who I can trust anymore.” he doesn’t meet Stan’s eyes as he glances at a skeleton in the corner, twisting its head away from him.

Stan’s heart drops. This is bad, worse than he thought.

He steps forward, placing a hand on Ford’s shoulder, a touch he hopes can somehow bridge the miles and years between them. “Hey, easy there. Let’s talk this through, okay?”

But Ford pulls back, a strange, paranoid look in his eyes. His fingers trace the spine of the journal as he glances at Stan. “I have something to show you. Something you won’t believe.”

Stan's brow furrows, his curiosity piqued despite himself. What could it be? Some kind of super scientific bullshit that opens doors to parallel worlds? A time machine? A wormhole? Black hole made at home?

He looks at Ford, how the man hasn’t aged a day physically, but the exhaustion, the fear, the isolation, it all is painted on his brother’s face. It’s painful to see. It’s heartbreaking to think how Ford might have been living in this place, alone with nothing but his thoughts, trapped in his own world of mistakes and fears.

Stan manages a weak grin, masking his own fear for brothers sanity in his heart. "Look, I’ve been around the world, okay? Whatever it is, I’ll understand."

That twist in your chest, that awful, prickling feeling that something’s wrong.

You’re curled up at your kitchen table, sipping your tea with that kind of numbness you get when you’ve been overthinking too much. You told yourself to back off. He needed space. He needed time.

But when Stan’s eyes scan the giant, hulking portal machine in front of him, he can’t hide the bewilderment as he adds, “There’s nothing about this I understand.”

Ford’s hand wrapped tight protective around his journal. It’s the only one left, his last remaining key to understanding, to protecting everything he’s worked for. 

But now Stan stands across from him and his face clearly shows something what can be called betrayal.

Ford’s been distant. Secretive, even. The last time you two spoke, it was tense, full of anger and words you didn’t mean. It shouldn’t matter, you tell yourself, but the thought of him out there, alone, is like a weight pressing down on your chest.

Ford tries to explain as if Stan would understand. “It's a trans-universal gateway, a punched hole through a weak spot in our dimension. I created it to unlock the mysteries of the universe. But it could just as easily be harnessed for terrible destruction. That's why I shut it down and hid my journals, which explain how to operate it. There's only one journal left. . . and you are the only person I can trust to take it.” he steps forward, holding the journal out to Stan, eyes pleading. “I have something to ask of you: remember our plans to sail around the world on a boat?” Stan’s face shines with smile until he hears next shit his brother say. “Take this book, get on a boat, and sail as far away as ya can! To the edge of the Earth! Bury it where no one can find it!”

I should’ve just stayed, I shouldn’t have left.

Your fingers curl around the warm mug, but sadly the heat doing nothing to soothe the anxiety creeping up your throat.

You set it down on the counter, trying to shake off the feeling. It’s just the storm, it’s just you being overdramatic. It doesn’t mean anything.

But the knot in your stomach refuses to untangle.

Something’s wrong.

“That’s it? You finally show your face after ten fucking years and all you’ve got to say is ‘get away’?”

Ford's hand drops and disappointment flashes across his face. “Stanley, you don't understand what I'm up against! What I've been through!”

“Oh, yeah?” Stan can't contain his emotions. How dare he?! “You don’t understand what I’ve been through! Three different prisons, Stanford! I’ve chewed my way out of a goddamn car trunk! Meanwhile, where have you been? Living it up in your fancy house in the woods! Selfishly hoarding your college money, because you only care about yourself!”

With a sigh, you stand up, setting the mug down on the table as your dog, a sweet, eager little spaniel, looks up at you with wide, curious eyes.

Ford's temper snaps because he can't believe what the fuck his brother is talking about. “I’m selfish? I’m selfish, Stanley? You ruined my shot at a real life! At my dream school! And here I am, giving you a chance to do something meaningful and you still can’t get it through your head!”

You glance over at your dog, a scruffy, affectionate spaniel with big brown eyes who’s been staring at you from the corner of the room.

Stan raises his eyebrows. “Yeah? You want this fucking book gone?” he yanks a lighter from his pocket, the flame flaring up as he flicks it. “Fine. I’ll get rid of it right fucking now.” he holds the journal over the flame, daring Ford to make a move.

You can’t shake this feeling, this urge to go find Ford, even if it means dragging yourself out into the goddamn blizzard.

“I’ll be back soon, girl,” you murmur, pulling on your coat. You don’t know what you’re looking for, don’t even know what you’re hoping to find. But you have to see him. You have to know

Ford’s eyes widen, panic flashing across his face. “No!” he lunges for it, reaching out, but Stan yanks it back. “You don’t understand!” Ford shouts, desperation pouring through him.

But Stan takes a step back, holding the journal dangerously close to the flame. “You want me to take it? Well, then, I’ll decide what to do with it.”

“My research!” they jerk the book back and forth, playing a fucked up game of tug of war, their yells echoing through the lab as they struggle over it.

You can’t shake the feeling, it’s like something’s dragging you forward, pulling you toward him, toward the unknown.

It’s late and the woods are fucking silent, which is weird for Gravity Falls. You’ve been running for what feels like hours, your chest burning, your mind tangled in a mess of thoughts you can’t quite shake. Every goddamn thing with Ford lately has been a disaster, hasn’t it? One fight after another, with him shutting down, disappearing into his head like he’s always been known to do.

The last words you shared with him are still fresh in your mind, “this is it, okay?! I can’t do this anymore.” he didn’t even fight back, just. . . stared at you like you were the problem. Maybe you were the problem, you don’t know, but damn it, you cared. You couldn’t just pretend like everything was fine when it clearly wasn’t. That’s why you’re out here, because you’re not about to let him get swallowed up by whatever the hell is going on in that messed-up head of his.

And now, here you are, halfway to his place with nothing but your gut telling you that whatever was going down at Ford’s place was way worse than you thought.

When you enter, you hear the kind of noise— angry, violent, something breaking and you know Ford’s involved, you just know it. You don’t care if you two haven’t spoken in days, if things between you and him are a mess of unsaid things and frustrated silences. He’s been acting so off, and now, hearing the absolute mayhem erupting inside, you’re terrified.

The sounds are loud, shouting voices, furniture crashing, angry grunts. Your heart fucking stops as you push the door open so fast it slams against the wall. You’re not thinking, not caring that maybe you shouldn’t be here, but it’s too late to stop now.

At first, you think you've completely lost your mind, because you're seeing two Ford Pines. And then you think, either you're the one who's gone crazy, or Ford has, because he's literally fighting with himself.

But as you take a breath, both Fords turn to look at you, and that’s when it hits you: this isn’t just some bizarre mirror trick. There’s Ford and then there’s someone who looks a whole lot like him, but is definitely, absolutely not him.

“What the fuck is going on?” your voice rings out much louder than you meant, but you don’t care. Your heart is pounding way too hard and your feet are planted, legs shaking with adrenaline and worry. You’ve seen Ford in a mess of emotions, but never like this. Not this bad.

The second the door slams open, both of them freeze, but it’s the mulleted guy who speaks first. “So you got yourself a chick now, huh? Thought you were too busy playing goddamn Einstein to bother with things like that.” his angry eyes narrow at you, and you’re not sure if it’s anger or. . . jealousy? Frustration? You don’t have time to decode it.

This guy have absolutely the same features, same nose, same intense, serious brow, but his whole look is just rougher, like he’d been living a life Ford would never survive.

And your blood boils.

“No, fuck that,” you snap, glaring at mullet-man. “You don’t talk about me like that.” then you glance at Ford. “Ford, why the fuck didn’t you tell me about—”

but you get interrupted by Ford’s clone, Ford’s twin, whatever. “Name’s Stan. Stanley Pines. The brother of this genius. Bet he’s never even mentioned me, huh?”

Your stomach churns at the words. Fuck that, no way. This isn’t about you, this is about Ford.

“What the fuck is wrong with you two?” now you are shivering not only from the winter cold, but also from the absolute chaos of what is happening. You turn to Ford, eyes desperate, desperate to know, to understand, to find answers. “What’s going on? Where have you been? I couldn’t get ahold of you. You just. . . left. And I—” you stop yourself, biting your lip. This isn’t the time to scream at him for all the unanswered questions, for all the shit that’s been left hanging. Not yet.

Ford doesn’t seem to get it. His eyes flick between you and Stan like he’s trying to piece it together, but nothing adds up. "I don’t— what are you doing here? We— we said goodbye," his voice is strained, like he’s trying to convince himself.

“No, Ford. You said goodbye! You fucking disappeared! I don’t even know why, and I— fuck, just explain yourself, okay?” you can’t keep the desperation out of your voice anymore.

Stan is watching with his arms crossed over his chest, and he still doesn't look too pleased, but it's not just anger. Although you don't have time to deal with his point of view. You need answers. You need Ford to talk.

Ford opens his mouth to say something, but then the anger, the frustration, all of it just snaps. "I didn’t want you involved in this. . .  anyone involved. This, this thing with the portal, you wouldn’t understand—"

You don’t even let him finish. “Stop. Just stop, yeah? You don’t get to just disappear like that, Ford. I don’t care about the journal or the goddamn portal anymore. I care about you. Why the hell are you so fucking determined to push everyone away?”

Ford tries to get himself together, though he looks like he’s been caught with every secret he’s ever buried. “This— this doesn’t concern you, alright? Just— just leave, go, this is between me and him.”

Stan scoffs. “Oh, yeah, classy, Sixer. Let’s bring her in just to shove her right back out, huh? Really hitting your all-time high here.”

“Shut up,” his brother snaps.

But Stan’s just as stubborn, glaring right back. “No, I don’t think I will. Not when you’ve dragged some poor girl into this whole shitshow. Real nice, by the way, real nice! Does she even know what you’ve been up to, huh? All the crap you’re into?”

“I said shut up, Stanley. I shouldn’t have called you— God, I regret calling you! You’re just here to make things worse, like always.”

The words land harder than you thought they would. It's not like you didn’t know Ford could be an asshole, but hearing him say that directly to his brother hits a nerve, like a punch to the gut. 

You see Stan’s face change, his mouth drops open, his eyes so wide, like he’s been slapped across the face. He looks like he’s been gutted. It takes his breath away, because he didn't expect to hear this ten years later, and it's obvious that Ford's words hit him too deeply.

However, your own heart drop to your stomach too. Fuck. You didn’t know what was worse — the fact that they were tearing into each other or the fact that Ford could say something like that to his own brother. It’s too much, even for you. You want to scream at Ford, demand that he stop, that this isn’t helping anyone, but you’re paralyzed.

But Stan’s hurt turns into something else and he spits back, “You think I wanted this, Ford?! You think I wanted to be the fuck-up brother?! You’re the one who dragged me into this whole goddamn mess now. You asked me to come! You! So don’t go acting all high and mighty like I’m the one screwing your life up right now!”

And then, in that moment, everything goes to hell.

Before you know it, they’re back at each other’s throats. Ford lunges forward, grabbing the journal, but Stan’s not letting go, the damn thing passed back and forth between them like it’s a live wire, all anger and resentment boiled down to this one book as each of them trying to get a hand on it. 

You rush forward, hands outstretched to push them apart, anything to stop this from going too far, but in the heat of it all, Ford jerks back, elbow flying and you feel it land in your ribs, knocking the wind right out of you and it really fucking hurts. The pain shocks you so hard you gasp.

Ford’s eyes snap to you instantly, widening in horror. “Oh my god— I’m s-so sorry! are you alri—“ he reaches toward you, himself can’t believe he just did that to you, but he barely gets a word out before Stan’s fist slams into his jaw.

This time, Stan hits so hard, putting all his resentment into the punch that Ford stumbles dangerously close to the portal, which is buzzing. You watch in absolute horror as his body goes too close, the fucking thing flickering and humming like a beast about to devour him whole and for a heart-stopping second, Ford looks like he’s going to fall right in.

You’re out of your mind in an instant as you scramble to your feet, adrenaline spiking, crazy fear in your eyes. Without thinking, you reach out, grabbing Ford’s arm, pulling him back, using every ounce of strength you have to pull him back. “Ford, no! Get back!”

Stan’s standing there, frozen for a second, scared himself by how far he had come. His chest rises and falls in heavy breaths and his face is fucking pale as he stares at his brother’s body half in portal, but the guilt is written all over Stan’s face. His bruised hand is still raised, like he wants to hit Ford again, but it’s shaking. Did he. . . did he just. . ? God, he didn’t mean—

“You!” you scream, still tugging Ford away from the edge, but the portal’s pulling like a magnet and you’re fighting with everything you have. “Help me, now!”

Snapped out of his daze, Stanley rushes over, grabbing Ford. You tug harder, your muscles screaming as Ford’s body gives a last push toward the rift, but finally, finally, together, you both heave him back, dragging him away from the portal and out of that damn pull. His feet hit solid ground and you both just collapse.

You’re gasping for breath, hands still fisted in Ford’s coat, both of you holding on like if you let go, he’ll slip right back toward that nightmare.

Ford’s breathing heavily, disoriented, his hands gripping your arms in fear. 

Stan’s still looking at Ford, his face torn up because he doesn’t know whether to say sorry, to yell or to just walk the fuck out to not ruin something else. There’s realisation in his eyes and, for the first time, Stanley is seeing what his anger’s capable of. That punch could’ve been the end of everything.

“Brother. . .” Stan’s voice trembles. “I didn’t mean to—”

You don’t let him finish. “No, you didn’t mean to. None of you meant to,” you snap, but it’s not anger in your tone, it’s damn fear, panic, it’s this deep fucking worry. You turn to Ford. “But this shit needs to stop, okay? Right now. Please.”

The silence between you, Ford and Stan stretches out as if it’s some aftermath of a bomb going off. Ford’s still on the floor, breathing hard and it’s not the near-death experience that’s fucking him up, but the bitter realisation of what could have really happened if that damn portal had taken him in.

“So that’s it, huh? After ten goddamn years, this is how you treat me? Almost shove me into a portal like it’s nothing?”

Stan opens his mouth, but Ford isn’t letting him get a word in, he’s too riled up now, all that anger and pride churning in him, boiling over. “Do you even understand what could’ve happened? What you almost did? You haven’t changed one bit, Stanley. I should’ve known better. Should’ve known you’d just fuck everything up, again. Just like you did back then.” Ford’s voice sounds colder than the winter outside. “Remember the science fair, Stan? You destroyed my experiment because you were too fucking selfish to think about anyone but yourself. I could’ve had everything. You took that from me, my chance at West Coast Tech, my chance at anything and then you have the nerve to make me the villain?”

It hits Stan harder than any punch ever could. Stan doesn’t even blink, his whole body stiff, shoulders slump.

His mouth opens like he wants to fight back, but there’s no fight left in him, the words are stuck in his throat. He doesn’t say shit, trying to process everything at once. But there’s nothing to process. Ford’s right.

“Yeah, I get it,” Stan mutters, holding back tears. “I’m a fucking failure. I know that, Sixer. Always have been. I’m sorry.”

But then he does the one thing you didn’t think he would. He turns around, slow, defeated, too fucking tired to argue and fight anymore.

And just like that, he starts walking away. But deep inside Stanley is crying like a child, expecting Ford to stop him. He doesn’t look back, doesn’t say a word, but he wishes Ford would care, at least once. 

You’re fucking shocked, feeling helpless rage and anger, heart pounding with confusion and disbelief. You thought. . . well, you don’t even know what you thought! That they’d hug it out? Have some big, tearful reunion? Not really! But this mess of accusations and bitterness and old scars is so fucked up. Completely and utterly fucked up.

Ford stands there, all silent, watching Stan’s back as he walks away, not moving an inch. The pride, the stubbornness, the wall he’s built around himself. Oh god, that guy is so fucking smart he doesn’t know how to feel anymore.

You look back at Ford, at his rigid stance, he won’t even move, won’t even try to call Stan back. You can’t believe it and something snaps in you, something fierce and hot because you’re done with all this bullshit.

“You’re not even gonna ask him to stay? Fuck, what is wrong with you both?”

Ford’s face tightens, but he doesn’t respond, doesn’t even flinch. And it drives you insane, watching him cling to that pride, that goddamn logic of his that’s somehow more important than his own damn family. No fucking way is this ending like this. Not after everything you’ve just seen, not with Ford standing there like a goddamn statue, too proud or too blind or too stupid to do anything but let his brother walk out.

You storm past Ford, ignoring his surprised look as you push past him, practically running after Stan. “wait!” you shout. But Stan doesn’t stop, doesn’t even glance over his shoulder.

“Stan!”

“What?” he snaps at you.

You step closer. “You’re not leaving,” you say, staring him down like it’s a challenge.

He lets out a dry, humourless laugh, shaking his head. “Trust me, sweetheart, it’s better if I do. I don’t belong here.” he jerks his thumb back in Ford’s direction. “Pretty clear I’m not welcome.”

“Bullshit,” you respond, what makes Stanley raise an eyebrow, looking a little surprised at your bluntness. “I don’t care if he’s too proud to say it, but you’re his brother— I mean, you think this is how family’s supposed to be? You think he doesn’t want you here?”

“Look, kid, you don’t know what you’re talkin’ about. Me ‘n’ Ford? We’re a lost cause. Always been. Ain’t no point in tryin' to fix it now.”

“Oh, come on! So you fuck up, he fucks up— you’re both disasters. That doesn’t mean you just give up. I don’t care if it’s been years or what the hell happened between you two. You don’t just fuckin’ quit on family. That’s not how this works.”

Stan’s mouth twitches and he looks like he’s gonna bite back with something snarky, but he doesn’t. He just lets out this tired sigh, rubbing his hand over his face. “I don’t wanna hurt him more than I already have. I always mess things up. I’ll just make it worse. So what’s the point?”

You take a deep breath, trying to rein in the frustration pounding through you. “The point is, you’re his brother! And if you don’t stay, if you don’t try to work this out, you’ll both regret it. You can’t just leave him to deal with this shit alone.” 

Stanley opens his mouth, ready to throw out another excuse, but you cut him off.

“Look, Stan,” you change the intonation to softer one, “I don’t know the whole story here. I don’t know what went down between you two and I’m sure as hell not saying it doesn’t hurt like hell. But this whole thing you guys are doing? Pushing each other away? It’s not gonna make anything better.“

“Fine, fine. But don’t expect me to be the hero, alright? I ain’t got no magic words to fix this shit.” Stan sighs and looks down like he’s too damn tired for this conversation.

When you and Stan make your way back inside, you see Ford still there with his back to you.

Stanley huffs out a laugh, trying to shake off the tension. “So, Sixer, when’d ya start collectin’ all this junk? don’t tell me you got a whole damn museum in here.”

Suddenly, Ford huffs a dry laugh that sounds a little bitter coming from someone like him. “Wouldn’t expect you to get it. Takes more than a few brain cells to appreciate real science.”

Stan’s smile falters, well, it was pretty rude, but he thinks he deserved it. You and Stan share a look, but before you can say anything, Stan just shrugs it off, letting out a forced chuckle, his voice trying to stay light. “Ha, yeah, same ol’ Ford. Ya always had a way with words, didn’t ya?”

There is only silence in response, but when you come a little closer, you finally take in the sight of Ford holding a goddamn crossbow.

Wait, what?

Your eyes go wide and the first thing that hits you is the cold sweat creeping up your spine.

Stan and you freeze. Confusion mixing with a little fear as you both look at Ford, What the hell is going on with him? Since when does Ford carry a crossbow around like it’s no big deal?

Stan raises an eyebrow, trying to lighten the mood with a joke, but the smile doesn't reach his eyes. “Hey, bro, you planning on hunting something tonight or just ready to, I dunno, take out some deer in the backyard?”

[lennythereviewer]

Theory: Jax is NOT a self-aware NPC nor is he actually trapped in the circus: He's a hacker who can leave at any time.

Even what little we got in terms of Jax content in episode 3 has been reinforcing a belief I've had for awhile, and in fact Jax's brief standout moment in ep 3 added a new wrinkle to my thought: That he's not some NPC who gained sentience and slipped in with the humans, he's actually a hacker who backdoored his way into the Digital Circus, and he's not trapped there.

Jax seems to have an affinity for keys and getting into places he shouldn't belong. Twice now he's done this thing of spinning a key on his finger while boasting about it. He mentions in episode 1 that "I got keys to everywhere" and in episode 2 he swiped the key to the kingdom from Ragatha, and the candy monster calls him a "Master of Unlocking Things" which I think could be genuinely some subtle foreshadowing. A hacker would potentially be able to do something like clip out of bounds, find security keys, crack passwords, and so on and so forth. All he's done with this however is seemingly just pull pranks and leave things in peoples rooms; he's a troll.

We've all speculated about the mysterious pin-back covers: The official pin merch line showing everyone's rooms except for Jaxs, which only shows his door and peeks of The Void tearing through the wall. We're not privvy to what's in Jaxs room if he even has one at all. His room door might actually be his own sort of exit door since he's not trapped. For him it's like loading into a VRChat server and he can log off any time he wants, he's just always sure to be there when everyone else is active so no one notices.

A small stupid thing but, "Jax" is not too far off from "Hax"

Okay, so if Jax is a hacker who can come and go as he pleases, a question is why? Why does he keep coming back to torment everyone around him? His brief gag in Episode 3 I think filled in the blanks for that: He's not just a hacker, he's a streamer and he's broadcasting everything that's happening in the Digital Circus to a watching audience.

He's the one character who has consistently broken the fourth wall in all three episodes so far, the first two episodes were him mugging to the camera and giving comical shrugs and knowing glances to the viewer, but in this episode he outright addresses the audience while seemingly talking to no one to the POV of the other circus members. He's acknowledging his chat. Plus in merch promotion Jax has openly acknowledged his IRL popularity, another form of fourth-wall-breaking.

This may also explain his overall behavior; the reason he's always causing problems on purpose or forcing the group to go on the most dangerous path or take the most 'exciting' option in their adventures: It makes for a good show. Audiences don't want some stupid silly candyland fantasy! They want car chases and explosions! They want to see what wacky things happen to the other circus members! The show must go on! Jax is chasing content, and when he can't get that content it upsets him like the end of Episode 2. Maybe that ties into his self-worth, maybe he needs that sort of validation from his chat and audience.

This angle also adds a bit of a meta angle to the entire series: We the viewer also tune in to watch our favorite circus buddies suffer through whatever zany adventure Caine cooked up. Are we any better than Jax's livestream audience who tune in to see how they're tormented by Caine this week? Heck maybe in-universe we're the audience Jax is playing to! We too want to see them sweat and suffer to get that sweet character growth so are we part of the problem?

Time will tell whether this comes to pass and whether or not I'm overthinking this, but I've had this thought for awhile and only after this episode did the livestreamer angle come to mind.

[justcruisingaroundrevived]

If you're taking requests and don't mind doing a bit of an odd one tec x black/poc reader I love those incels even though they're all a little bit racist (especially Bill) if you can write this id love to see it.❤️💕❤️

Milky Bands That Speak Old Sonnets

Summary: TEC x Black! Reader

TW/CW: racism, micro aggressions, fetishization, stereotypes, OOC (?)

A/N: Hello! Thank you so much for the requests! I try keeping this as accurate as possible while also adding some fluff. I hope you enjoy reading this!

Reblogs are appreciated!

- We have to remember the environment the boys are growing up them is not the most inclusive environment

- Being surrounded with toxic white cishet nerds means picking up on micro aggressions and subtly back handed compliments

- All this to say, when Bill saw you at the comic book shop, he was kind of gobsmacked

- “Uh…I never new a black person would like comic books”

- He’ll never say it out loud (initially), but he does watch you…intensively

- You could feel his eyes following you while you picked up the latest X-Men uncanny comic

- If you two go to the same school, it’s the same thing. He’s watching you with the corner of his eyes, but also now actively taking notes on you

- It’s honestly creepy, to say the least. It’s like you’re the first black person he’s ever seen

- Striking up a conversation with him would almost lead to him questioning a lot harder about your knowledge on comics, even if you answer them like an expert

- This is a HUGE hurdle for him to overcome honestly. Talking to you more and more won’t automatically get rid of that nagging sense that you’re out of place to him

- However…his barrier can be broken

- If you two ever got romantic, that’s where he’ll work into overdrive. Probably will research as much about black comic characters (or black characters in media) in general

- If he especially liked you, may even researched black creators. Of course, he won’t bring it up at all in conversation

- You can tell he’s…trying? You can’t really tell

- But the backhanded compliments do stop overtime and he does become more accepting of the idea of you “belonging” in the comic book space

- Those prejudices will still exists, but at least he’ll try actively fighting them

- Don’t expect him to become an activist, though. Being in a space like that especially fucks up your perceptions of those different from you

- For Josh, I can see him being the second most accepting of the group

- A lot of his Sci Fi shows teaches about “accepting differences” during their runtime. Not to mention, being someone who is apart of a marginalized community (being Jewish) means he has experience some form of discrimination

- That doesn’t mean he welcomes you with open arms, but a lot less venom comes out of his mouth when around you

- Still, though. You weird him out. Never has he seen anyone “So brazen” coming into the geeky space (you’re just trying to buy a DVD of “Firefly”)

- Will use his extensive knowledge of Sci Finto see if you can be impressed about his vast knowledge of black characters in Sci-Fi (even if it’s characters you already know)

- Like Bill, will go on extensive research on any characters, plot lines, shows he missed, but it would be pumped up to the extreme. Genuinely would comb through every single media he had seen for any black characters and watch said episodes/scenes they’re in just to get a smidge of understanding

- He’ll still have trouble with it. He’s so narrow minded and has a hard time cracking open

- Maybe if you were into the same things he’s into, it’d be easier (kind of)

- Will engage with any media you mentioned, but it be more superficial

- Won’t stand up for you if prejudice comments come your way. Has his own biases and would freeze if someone confronts him, you, or both

- But he’ll get there (eventually. More than Bill, honestly)

- Pete would be the worst

- His horror media has little to no people of color, let alone black people

- Plus, with growing up with skin flicks and being so desensitized…

- He would fetishized you. Directly. No filter or anything

- Would compare your skin to food and other gross stuff. He has no reference to actually compliment a black person

- Would constantly try to touch your hair because he’s genuinely curious. If he manages to get a curl/coil, expect him to wrap it around his finger and watch it shrink/bounce back to place

- Will follow you around and “observe you”. Reality is, he’s trying to find some ground on where you two have in common

-Almost treats you like a specimen honestly…it’s disturbing, to say the least

- I will say, he would be the most likely to stand up for you. He would see you as an extension of yourself, so anyone making fun of you is making fun of him

- Probably rewatches “Candy Man” “Night of the Living Dead” and other medias to see if there’s any connection between those characters and you

- Even then, he’ll always stumble horribly. Never has he encountered a black horror fan, let alone be romantically interested in one

- He treats this relationship as a “stepping stone” of some sorts; seeing if could tolerate “different fans”

- Just a weird experience

- Evan said Jerry would be the most accepting of the four

- He would be the most open minded to a black player, even if he hasn’t interacted with one in his realm

- Probably met you by chance while at a tournament. You were at his circle and kind of clicked with one another

- He really does enjoy your company, and is willing to do whatever it takes

- That doesn’t mean he doesn’t have any prejudices. He’s a white boy living with rich parents that barely pay attention to you and is surround by a friend group who’s not afraid of spouting racial slurs and comments

- Fuck, this is the same guy who said a slur in the comic himself, but it would be kept to the group

- In front of you? Think a Diet Coke Pete. Would think comparing your skin color to food/magical items in his sessions is romantic and not at all creepy

- And would touch your hair while asking, but will back off with enough pressure

- Tries doing “research” of black fans, but finds little to no info. So, he forces himself to go to their space, and GOD, does he feel like a fish out of water

- But he does pick up on a few things, and tries applying them into your relationship (whether it works or not is like flipping a coin)

- Post fire, though, he does become more brave in how he treats you

- Genuinely does make an effort in breaking his prejudices, and will stand up to you if racist comments are made in your direction

- But that’s going to take a long, long, LONG time. Still, he’ll do it, for you

[hurtspideyparker]

Hi, sorry but could you recommend any of your favourite Peter Parker fics please?

For sure !!! *cracks open ao3 bookmarks*

Thirty Hours by polaroid15 - Peter doesn't take any breaks during a lengthy fight with the Avengers. The mind-melting fever that follows really should have been expected.

Hurt Peter Parker, my favourite tag <3 I love when Spider-Man is a badass and also lacks self-preservation. He's so cool fighting alongside the Avengers and we get some sweet hurt/comfort irondad!

Fitting In (Tiny Spaces) by aloneintherain - Peter's trapped beneath a collapsed building during a mission, hurt and unable to move. Luckily, his comm still works. Unluckily, the Avengers don’t realise how bad of a state Peter is in, and Peter isn’t inclined to tell them.

This fic is an icon in the fandom and for GOOD REASON. I just can not get enough of Peter Parker hiding his injuries. More heavy whump and angst!

All good things come in threes by Bergen - Peter has three secret identities: Spider-Man, the superhero who swings around the city to save people. Parker Benjamin, who gives Tony Stark unsolicited advice on his research. And NightMonkey, the Instagrammer who keeps uploading increasingly popular but embarrassing drawings of Iron Man.

And he can juggle them all just fine, thankyouverymuch.

Okay here is the fluff!!! Peter is a genius, a menace, and a sweetheart. Tony Stark runs into him (again and again) and can't help but have a soft spot for him every time. Funny and cute and an all 'round good time!

Held Together by Spiderwebs by TunaFishChris - Steve is not coping well in the twenty-first century. At all. Three months after the Chitauri invasion, he decides he's had enough.

But just as he's about to end it all, he runs into the new hero in town.

This one focuses a lot on Steve but I really like him and Peter's relationship in it, and I think this is great Peter Parker characterization. TW for discussions of depression and suicide, it gets a bit dark!

5 Times Spider-Man Saved an Avenger's Ass (and 1 Time They Saved Him) by TunaFishChris - this fic showcases how strong and capable Peter is, he's definitely a BAMF. I really like this genre where the Avengers know Spider-Man but not Peter Parker, makes Peter feel more independent and mature like in the comics.

Five Time Faculty Members Had to Call Peter's Emergency Contact + One Time He Shows Up Anyway, Five Times Tony Stark's Fabled Intern Just Showed Up + One Time He Was Invited, and Five Times Strangers Talked About Peter and Tony + One time Someone They Know Did by kingdomfaraway - I am just gonna recommend this entire series. Super fluffy, extreme irondad and spiderson. They're just adorable from an outside perspective and I love when Peter gets to just be Tony's intern and a teenager for a while :)

research and disaster by blueh - “So, uh, Mr. Stark definitely knows Roomba-Kid,” Becket says and discreetly tilts his head in the direction of the pair.

“Oh my god,” Jess says. She almost sounds gleeful. “Oh my god, he’s not just some random kid. He’s Mr. Stark’s kid.”

or: the interns at Stark Industries have some questions about Peter Parker. The answers aren’t quite what they expect.

I just love intern Peter mk? Let him be a kid genius and have fun!!! Fluffy and humorous, again with the irondad.

Captain, Oh My- Not My Captain! by uncouth_peasant - Peter swallowed hard before firing a web to swing into the fray. “Cap’s going after civilians. I’m out of time.”

Bruised and bloody men <3. Just Peter being a badass and getting beat to a pulp. Cool fighting, lots of Peter whump, and of course the Avengers being protective.

Good publicity by Bergen - Between Peter Parker barely speaking, and Spider-Man being the ultimate chatterbox, how was Tony ever supposed to figure out that they were one and the same person?

Tony Stark is secretly a softie for cute kids, especially when they're a genius and have a sense of humour to rival his own. Peter is a foster kid who ends up finding a home with Pepper and Tony, very sweet.

The Third Option by Uncertainty_Principle - When Ben is murdered Peter goes into foster care. It takes just a tiny taste of superpowers for Peter to decide he doesn’t want to put up with his horrible foster father anymore—the streets are infinitely more appealing. All he wants is to be Spider-Man anyway.

So he leaves, simple.

Simple, that is, until Iron Man needs Spider-Man’s help.

Heavy TW for this one, mind the tags. This is a popular fic and for good reason. A very mature and realistic portrayal of the foster care system and homelessness. The Peter angst is really great and I could barely put it down, that boy needs a hug so bad.

Now here's some hydra!Peter fics cuz they're my jam:

Peter is a precious chickpea by Bergen - They attack the HYDRA safe house shortly before sunrise.

The only people defending said safe house are Peter and Leo, and Leo slams his cell door open and starts spitting out orders, but then promptly gets clobbered over the head and keels sideways.

So that just leaves Peter. And he’s not even going to try to fight a whole team of Avengers. He looks up at Iron Man filling the doorway. “I surrender.”

He’s never been captured before and he’s not sure what to do. Escape, probably.

This entire series is PERFECT. I just love how adorable Peter is, and all the relationships Peter forms with the Avengers absolutely melt my heart. Peter's characterization in this is really unique and I wish there was more. The Bucky and Peter friendship is everythingggg. I love hydra!peter and bucky fics.

Indoctrination by phoenixon - The Avengers thought they were on a typical assignment: Infiltrate the Hydra base and find the weapon. What they didn't expect was the small boy raised by Hydra that they found instead. And they definitely didn't expect him to stay at Avengers Tower or how he somehow wormed his way into their lives. As for Peter, he just wants to be good and obey what the Hydra men told him so he doesn't get in trouble.

I just really love hydra Peter changing into a sweet and intelligent boy once he's rescued and safe, and how all the Avengers take up such heart-warming parental roles around him.

out there, living in the sun by Hailfire_73 - The Avengers rescue Peter from a Hydra base ran by his father, Richard Parker, except Peter doesn't really see it as a rescue, and has trouble settling into a new life away from Hydra and his father at the Avengers compound. OR - Peter learns how to be an actual teenager, live life, and put his abusive past behind him, and Tony learns how to be a father.

Hydra Peter but he's most definitely a traumatized and moody teenager. I really enjoyed Peter's character arc and the exploration of his trauma. It felt more realistic the way his journey isn't just a straight or clear path. He's more mature in this one and it was a really compelling read, balancing the angst with some humour and fluff. Loved the ending.

Tinker, Tailor, Spider by Bergen - Tony is roped into a mission to transport a teenager to safety. But when things go south, it soon becomes more and more puzzling who the teenager is and what ‘safety’ means for him.

I really enjoy that the author doesn't water Peter being hydra down. Yes he is a highly skilled assassin and a badass who's trauma pervades his every thought and decision. Made me fall in love with the Tony, Pepper, Morgan and Peter as a family dynamic. Super domestic while still highlighting Peter's troubled past.

[aveaveria]

Hi!! I looove your take on Dick, your writing is amazing. I was wondering if you have any fanfic recs for him 👉👈. I'm open to anything. Thanks a bunch 🥰

Thank you so much for the kind words, dear anon, 🥰 and sorry for the wait! I recommend checking out multiple fanfictions by these authors but I limited my recs to one per author. 😊 I hope the recs are to your taste—if not all, then some of them!

🪴Gen Dick Grayson Fic Recs

Little Suns by ScarlettSwordMoon

While Bruce was presumed dead, Dick adopted Damian. Now that Bruce has returned, the three of them struggle to adjust to the new status quo. AKA Five times Dick struggled with being a father and a son, and one time he got the balance right.

Little Suns is a wonderful exploration of Dick's time as Batman and relationship with Damian shortly before Bruce's return and after. Dick is immensely grateful for the added time he can spend with Bruce after all, but the patriarch being back means old and new problems return too.

The Dark Embrace by TheOakTreeGhost

It was four hours until the break of dawn, and while full moon was high in the sky, it’s silver gleam barely penetrated the inside of the edifice. Most of its windows were purposefully designed to keep the light out, after all. Careful not to let his footsteps echo, Batman walked past the entrance hall and the visitor center, then turned left to go to the west wing. A long, dust-encrusted corridor with tiled floors that had never lined-up properly extended before him, its cracks resembling veins from which dried up sprouts grew, and then, deprived of any nourishment, withered. Though now hollow of its utilitarian grandeur, the walls were still too tall yet too claustrophobic, their deteriorating blankness forging grotesque monsters out of peeling paint and grime. They watched him. Judged him. And they found him wanting. OR When the Batcomputer picks up on strange readings coming from the abandoned Gotham City Youth Center, Batman must go investigate.

I wish the Dark Embrace were a canon comic because it has everything that makes mystery stories great. It's a great detective story showing how Dick operates on his lonesome and then with an alternate universe Bruce at his side while they fight scary monsters!

Behind Every Mask (There Is a Path to a Heart) by NyxKvistad

Gordon promised himself he wouldn't accept the kid as part of the team. It's a promise he didn't think he would have to break. Robin, Richard, Dick, that kid changed his mind, just like he changed Bruce's life.

Fics about Dick's early crime fighting career have their very own charm. Behind Every Mask explores very sweetly and humorously the way not only Bruce and Dick but also Jim and Dick grow together during nightly rooftop meetings.

Obfuscated by A Mess (ErebosBlue)

Cass, still being new to the family, is confused by Dick Grayson. He does not make it better when he talks with her, but he does pique her interest in ways that not many are able to. Because Dick is hard to read and yet so easy to trust. To get behind. - Dick Grayson Week: Dick’s Undervalued Competency

A wonderful character study of Dick as the seasoned crime fighter and big brother of the Bat Clan by Cass Cain herself.

Should Old Acquaintance Be Forgot by J.T.

Damian has a bit too much to drink at the New Year’s party, and he decides it’s an opportune time to discuss important matters with Grayson and Father.

Gala fics and this trio just give me nostalgia. It's a wonderful feeling to read fics like these. They are my favorite non-nuclear family trio.

The Rule Stands by Engineered

“I know what you’re going to say, Batman,” Damian said, shrugging the hand off his shoulder. “You’re going to tell me that Nightwing is dead, and that people don’t come back from the dead. Well, clearly you are wrong, seeing that you were dead and I was dead and Red Hood was dead and even Superman was once dead-” “My parents are dead,” Father interrupted. “Nightwing’s parents are dead. There have been a few notable exceptions in extenuating circumstances, Robin, but the rule stands. Everyone can die.” OR Damian meets a 10-year-old Dick Grayson, and they become best friends.

The Rule Stands shows why Dick Grayson will always have a special place in Damian's heart. Their relationship in this is very rooted in canon while also introducing a time travel twist, which gives Damian an opportunity to bond with little Grayson and shows the contrast to how much he loves adult Grayson as a big brother, friend and parent.

🛳️ Ship and Ship-Gen Dick Grayson Recs

Hanging Work by Lucy Gillam (cereta)

Bruce/Dick Two tickets to a circus never used, a little boy forgotten, and a chance meeting. Of such things are legends made.

One of the classics. Any Bruce/Dick reader must at least know of its existance. If you enjoy Different Mentor AUs, definitely read Lucy's series. This is Selina raising Dick.

Stars and Cinders by victoriousscarf

Dick-centric with a side of Slade/Dick and Jason/Dick Bruce Wayne makes a really awful Jedi. His padawans are not much better. That Batman Star Wars AU no one asked for.

Maybe no one asked for this but it remains THE Star Wars/Batman fic. It's a very satisfying crossover world that victoriousscarf built.

An Arm Full of Feelings by Sophie

Dick gets shot and has to be brought to Superman's Fortress to heal. He meets a tentacle alien that he befriends, and also possibly sort of starts dating. No one really approves much.

I approve, though. A lot. This is the sweetest tentacle sex Dick has ever gotten and will ever get. Just be mindful that it is underage.

Territory by TooFazed

Thomas Sr./Dick with a side of Bruce/Dick Thomas blames it on Bruce. A little at least. Because Bruce said son, not sons.

Flashpoint Thomas Wayne comes in contact with the mainline, most importantly Dick, meaning he therefore doesn't mess everything up. A BDSM exploration of Dick's mental state.

Naked As We Came by klose

Bruce/Dick "As it happens," he says, letting humour crinkle his eyes as his gaze flickers towards the other end of the table -- "I believe Dick would make a fantastic trophy wife." Fix-it for for this headcanon: "Bruce secretly longs to marry Dick, but after joking with him about it for so long he’s afraid Dick will say no. He can’t take the thought of that rejection and so he keeps the ring in his back pocket. It’s his father’s."

I devoure Klose's fics when I first came here, and she had banger opinions on Timblr too. She captures the romantic Bruce is, especially when it's about Dick, really well. And they are pining, your honor. Pining. Bruce and Dick are a married couple and chickens about it anyway.

He Shouldn't Have Interfered by WorldsUnreal

How Clark found out about Bruce and Dick. Or rather, how Clark mistook their completely appropriate feelings for something else and then it turns out he had been right all along.

One of the first DC fics I ever read and the first multi-chapter I followed on AO3. Clark being wrong but totally right is hilarious. I think other characters recognizing Bruce and Dick's mind boggling fated love is always delicious to read.

Klarion’s Curse by ilyena_sylph, Merfilly

Slade hunted the wrong witch, and gets an interesting curse.

Klarion's curse made me ship Slade & Dick, and it is a blast full with pre-N52 canon. Additionally, the fic has a unique Slade and Dick dynamic I haven't seen in fandom much to this date. Dinah is a fun and refreshing support character.

When I read these first fics the DCU was like a strange new world I stumbled into. These fics and many others are the reasons I learned to love the DCU. Don't forget to check out the referenced comics too. You will enjoy them. Trust. 💚

[signanothername]

Why do you like Killer?

*Cracks knuckles* get ready

I don’t like Killer, I fucking LOVE HIM

He’s my number 1 fave au sans and has been for a very long time

Now to be clear, I’m talking about canon Killer here, i have mixed feelings about some fanon interpretations, some are good and i genuinely love them, others not so much

That being said, let’s actually talk about why i love my beautiful amazing wonderful son <3333

(All art used in this post is by Killer’s creator: Rahafwabas)

The very first hook for me is his very concept, the mere idea of a sans basically agreeing to go on a killing spree after so many genocide runs is just *chef’s kiss*

Killer knew it was wrong, he knew he shouldn’t, yet he did

Killer doomed himself by his choice, he could’ve stayed as “sans” but he chose to accept Chara’s offer, yet his choice came to be after he saw no point in refusing anymore (important addition and a correction here)

The canon comics had Killer saying that he’s the way he is cause he gave up, he said “you won, you’re the reason I’m like this”, he’s been on so many genocide runs that he felt a little part of him die each run, only to give up and go on said killing spree

It’s interesting how the player is a big part of Killer’s story, cause whether Chara was involved or not, the player is the root cause of his suffering

But what i love the most is that regardless of his backstory or reasons, Killer’s actions led to their inevitable consequences, and it forever changed him

The biggest change? His very soul, it went from a normal monster soul to his signature target soul, infused with Determination, something that supposedly hurts monsters, it’s almost like his soul was infected with it, and you can see how it physically affects him with the black liquid that constantly comes out his eyes, nose and mouth, and even at times, that sludge is too much that he chokes on it

And the amusing yet tragic parallel? Killer aimed to “feel something new” by his genocide runs, only to end up not feeling anything at all, at least at his default stage 2

Which brings me to the concept of his soul’s stages

I love Killer’s stages so so much, it’s such a beautiful unique and wonderful concept

Killer’s individual stages are sooooo intriguing to me, it shows Killer in a different light each time depending on which stage he’s in, stage 1 is the closest he is to being “sans”, the closest to he used to be, he can feel emotions and is generally back to his more lazy bones attitude, as well as his ability to actually show sympathy, and feel the pain he’s always in, but what’s interesting is that regardless of the fact he’s the closest to his old self in this stage, it’s still so clear that Killer isn’t really “sans” anymore, that no matter what, he truly had changed in a way that can never be reversed, a point of no return, even when Color saves him, cause his new habits? His fears? His pain? His trauma? They can never be taken away, Killer has to live with the scars of what he experienced

Stage 2 is who he’d become, he can’t feel anything at this stage, emotions nonexistent, and his nonchalant behavior towards himself and others is most apparent here, a parallel I like to think of is that Killer’s inability to feel anything at all is almost like prolonged sensory deprivation, when you’re deprived of sensory input/ simulation for long periods, your brain needs compensate, and so it does its job, Killer’s soul prevents him from feeling so he resorts to other methods (usually very self destructive) to compensate for his lack of emotional capacity

I also really really love how that especially during stage 2, Killer isn’t trustworthy, cause in stage 1 you can actually trust him to an extent, in stage 2 Killer’s actions, behaviors and mindset are completely unpredictable, but not because he’s random, cause he’s actually extremely calculated, yet regardless, his carelessness when it comes to his own life and other people’s lives is dialed to an 11 here, so he could either choose to kill/attack or simply stay and listen

we even get an actual in depth look at how Killer’s mind works in one of the canon comics, in which Killer contemplates whether to attack Dream or not as he listens to his own stages in his head, one of which tells him to Kill Dream, while the other tells Killer to talk to Dream first

How Killer comes to a final decision on whether he attacks or not is something I believe his calculated mind makes depending on the situation and the pros/cons of what act he chooses, Killer is pretty smart, he knows when to let his trigger happy self out and when to settle down

Stage 3 or the “crazy stage” is the stage in which he’d attack anyone in his way whether friend or foe, we unfortunately don’t have much canon info regarding this stage, but that ain’t gonna stop me from analyzing the shit outta it (and talk about how i perceive it)

I like to think of this stage as the combination between stage 1 and 2, yet it’s almost like his soul can’t truly decide on which stage to settle on and by extension founding stage 3 as a separate stage by itself, Killer becomes extremely unstable at this stage, his soul moves rapidly and it’s obvious he’s in pain cause of it, whether that pain is just emotional or both physical and emotional isn’t really clear, yet i’d like to believe it’s both, and i feel like Killer’s capacity to attack anyone at this stage is related to that pain, and something I really love to believe is that Killer can’t calm down enough to settle back to stage 1 or 2 unless he either wears himself out by fighting someone, or he’s left alone to his own demons long enough to pull himself together, if he were to be forcefully restrained during this stage, it would only serve to make it worse and prolong the time he stays that way (cough something i may or may not have made a quick comic about but never shared as always vjvjvjj)

Not to mention, one of the canonical responses Killer gives when asked if he’s ok at stage 3 seems to make Killer alternate between answers he wants to give between saying he’s “fine” and “i don’t know” which makes sense, Killer isn’t stable at all, it’s almost like his stage 1 self and stage 2 self are fighting over who gets to talk (stage 2 seems more dominant)

Yet the fact Killer is able to answer and comprehend his surroundings enough at this stage is very intriguing to me, cause it shows how much Killer is able to handle/endure (which is A LOT cause damn) and not only that, but it also gives us a very clear difference between this stage and stage 4

As for stage 4?? Woooh boi, it’s the stage I like to call “plunging into darkness”

We also don’t have much canon info about this stage, but one of the things i find interesting is the fact Killer deliberately keeps it a secret from everyone, when he tells Color about his stages, he only tells him up to stage 3, never bringing up stage 4, only for Chara to sneer at Killer that he shouldn’t keep it from his new BFF

It’s obvious Killer himself is very uncomfortable with the subject of stage 4, it’s apparent that it’s a stage that he rarely gets to, but it still bothers him enough to not want to even mention it, which makes sense, cause the comic we had of stage 4 shows that Killer gets to that stage when he’s reminded of all the murders he committed, and unsurprisingly, when he’s reminded of his brother, as what triggered this stage is actually a memory of Papyrus telling Sans to “see a puzzle”, only to be followed by memories of screams of anger, fear, and hatred of those he killed immediately afterwards, stage 4 is heavily related to his trauma

Not to mention it’s clear that when Killer gets to stage 4 he blacks out, he’s completely unaware of anything he does during this stage, and is only left to deal with the aftermath when he gets back to his senses, the fact it’s also a stage that seems to be “getting worse” is something that Killer definitely seems to hate

It sometimes makes me think whether Killer had gotten into trouble cause he killed someone Nightmare wanted alive while at this stage, cause with how he keeps it a secret, I’d assume Nightmare would be unaware of it for a while (comic idea perhaps >:) )

But y’know what’s better than talking about the stages?? Talking about Killer’s personality, behaviors and trauma

Killer can’t distinguish between what’s real or not, and it’s obvious he sometimes sees the world in the third person, as in he’s not completely there at times, not to mention the amount of voices he hears in his head, from his stages talking to him to hallucinations of Chara, Frisk and Papyrus, and oooh boi does he hate these hallucinations, the past obviously haunts Killer and it’s something he tries running away from constantly, yet he can never truly run from it when it follows him everywhere

Killer has a smile on his face most the time, but his attitude changes especially when Chara is mentioned, or when he’s reminded of his past in any way, he literally avoids food that reminds of his past life as “sans”, he freezes up at certain phrases such as “best friend” (something i also made a comic about that i never shared chchhchc)

He just absolutely hates to be reminded of the person he used to be, of all the things he used to have, cause in truth? They were all taken away from him by his own hands, only to be then forced to work under Nightmare, who only ensures that he never finds peace of mind

And the sad part? Killer let’s all those things hurt him, he lets Nightmare have his way with him, he lets Chara torment him, cause he thinks he deserves it, and most importantly, he deluded himself into believing that this is what he wants because it’s what everyone else wants, because it’s what the player wants

Killer even sometimes tries to force himself not to feel anything, cause come on, since when does he feel anything at all?

Killer, to put it bluntly, hates himself, and he thinks that his suffering is the Karma of what he’s done, and even at one point, he was going to erase himself out of existence cause he believed that’s what he deserved, as in Killer thought of himself as unworthy when it comes to Papyrus, that his brother doesn’t need him, that his brother is better off without him, hell he even tells Color that he needs to kill him if he ever reaches stage 3, it’s an obvious “ i want someone to put me outta my misery” attitude

Killer feels hopeless, and so he lets himself suffer thinking he can’t ever find peace or hope again

Yet the interesting part? You’d never know that Killer hates himself unless you’re a being of emotions (Nightmare and Dream) or someone who’s perceptive enough to notice Killer’s self-loathing like Color, that’s how good of an actor Killer can be, you’d think he’s a cold emotionaless killer but the truth only shines to those who actually can see through his act

Killer just has that amazing character depth and his story is genuinely so unique and beautiful, cause you in his story you can find details of other details within the details vhvhvjvj

All that? Mixed with really adorable little things like his love for cats, his silly attitude, his nonchalance with Nightmare, his capacity to be social with whoever, and his friendship with color? That is why I love Killer Anon <33333

[lucabyte]

Psst. What's your process for Comics? I would like to Know (Because your ISAT comics make me a little bit feral and I would like to learn)

Okay so the cop out answer is: i basically wing it every time since im very very new to making comics and my method is still evolving. but that's not helpful and i like to yap so ill talk through My Method anyway

So first of all: Ideas.

All my ISAT shit is like. extremely dialogue heavy & mostly focused on the same like. 3 topics and philosophical concepts over and over lbr. So mostly when it comes to drafting that I'll just let my brain bash the dolls together until i notice either 1. a fucking banger line (this usually becomes a punchline i then work backwards from when writing it out) or 2. that i keep coming back to the same like 'scene' in my mind.

(I'd love to know. how to make this work for like. OCs??? But I haven't quite cracked that one yet sorry)

For the former though what usually happens there is I write things out on my phone (this happened with the bonnie-centric ones a lot?) or i'll leave a voice note for myself. Or, if i'm at my computer it goes straight into notepad, which is where everything goes before i draw it.

so these are just like. Disgustingly strewn about on my desktop. But this is how i type up the comic scripts, which I do before i put the dialogue in csp because csp's text tool sucks ass, but you can see how these end up having Some Semblance of the final formatting? Some more than others. But they don't have much consistency in how i'm tagging the dialogue LOL. (bonus: one of these i never ended up making. because i come back to the same wells SO FREQUENTLY that it gets embarrasing to retread sometimes) Then I just... screenshot the notepad file and paste it into a csp window LOL.

So I've pulled up three comics just because theyre like, recent ones? (Links to all 3 -> x, x, x) And oh yeah immediately they're rather inconsistent. But this is the level of detail i do in my thumbnails. (Hello Golf Ball Loop) MOST of my long ass comics look like the first one though, and all of them follow the same thought process.

I will take the dialogue, and then just draw a panel that i think works with it. Then move onto the next line, and the next. Basically thinking mostly in speech bubble placement rather than anything? But I'll just keep... going downwards until it is done. You can see the speech bubbles tend to include either nothing or the vaguest indicator of what's inside them.

(The third one here is an outlier because iirc I actually had this very visual idea while drawing something else and went to go quickly draw it out so the text actually went right into CSP bc there was so little of it. But it was still panelled really sequentially for what action I know I wanted in each panel.)

Overall this is probably because of my habits from learning animation? I thumbnail as if im storyboarding, if that makes any sense. Or is any different to how people usually do it, anyway.

My friends who actually read comic books have told me off already for my vile leaning-tower-of-pisa bullshit formatting. I understand their criticisms because genuinely what the fuck am I doing half of the time? I like it though lol. It's a reflection of how stream-of-conciousness my workflow tends to be, but fuck if it means the aspect ratios aren't the wooooorst LOLL

Then i resize the thumbnails to be roughly 1920px wide, aspect ratio be damned. And at this point I usually also have to draw a big grid so that i can align the comic and make it not on a weird tilt. The most thought that goes in here is that I try to avoid making panels too samey in layout from line to line, and try to keep vaguely to making panels the same-ish height but a width of the page either in halves or thirds. Making it so they aren't completely inconsistent sizes does a lot for making things not look too sloppy.

My first sketch over the thumbnail usually is neat enough to be The Final Lines because I'm impatient. EXCEPT when i realise its going to get Fucking Complicated at which point i pull out the CSP models and my beloved cubes. Then i take a billion years to pose a consistent scene (and often realise where I need to cheat angles. Like for loop reaching down to sif's face. That doesn't make sense in 3d space so I had to cheat). This is basically par for the course whenever I want to do a scene where there's Any consistency in character positioning and they aren't just Talking Heads.

THEN. After the sketch (which was done with speech bubble placements in mind back at the thumbnail stage) I will finally put in the speech bubbles. This usually means re-sketching them, then putting the text down and doing all the typesetting (VCR mono looks very ugly in CSP a lot of the time so I fuck with the spacing of individual letters a lot) and THEN redrawing the speech bubbles around them properly.

Sometimes I'll fuck myself over here and have to move stuff but ideally, if I weren't working like some kind of fucking barbarian, I'd do the speech bubbles before finalising the lineart. But I don't on account of going straight from thumbnail to final lines. You'd do this during the sketch stage if you were normal.

then it's finally panel border time. And then when I get to this stage I just make like. another few new layers above everything but the text where i just clean up. Everything that I had neglected while drawing. So any extra white lines or places where i just think things look bad and i want to redraw them entirely. I will also sometimes literally make a flattened copy of an entire panel to just move it around slightly. It's a deeply evil part of the workflow and i apologise for it. But also it's the major benefit to drawing in straight black-and-white with no tones. It means i can just overdraw anything that is unclear in the end.

(and reposting again Links to all 3 -> x, x, x for easy comparison if u want it)

ANYWAY for further reading. I know I've already stated these before somewhere on my blog but for ease of access... The major inspirations for how my comics Look are as follows:

1. tumblr user Floralmarsupial's homestuck comics found [HERE]. She did a LOT of straight up black and white comics that are ingrained deep in my brain at this point. These are always in the back of my head.

2. Leo Fox [LINK] regularly gets really strange and esoteric with overlapping panels and unorthodox layout. I stared at these a lot when i was starting to make the first couple ISAT comics even if i'm not going nearly as abstract as him

3. tumblr user the-hydroxian-artblog's comic Hangin' Out [LINK] has GORGEOUS typesetting and their art in general uses a lot of speech bubbles that convey some really funny shit by just resizing the text in funny ways. Gold standard for emotive typesetting and also their lin weight and b/w illustrations are gorgeous.

4. sonic the hedgehog idw keeps me humble and reminds me to make the speech bubbles fucking SMALLER. if im left to my own devices i make speech bubbles and fonts WAY too big so reading a cleanly formatted professional comic book for children reminds me what i should be aiming for in legibility.

anyway hope this helps? the answer really is "fuck it we ball" tho

[aspartame-parent]

Random X-Men Headcanons!

Me and my friend have compiled a lot of headcanons for the X-Men (mainly formulated from jokes) so I wanted to put some here! A few of these are headcanons, most are jokes lol

Kurt listens to really peppy music when he's upset, the main one being the Beach Boys. Just imagine him, poor little German boy, singing Surfin' USA tiredly, trying to turn his mood around.

Erik listens to girly pop music, mainly Katy Perry and Ke$ha. Why? Because it's funny. Let him be girly pop.

Scott tells a lot of jokes but he's deadpan so people can never really tell. Like sometimes he'll just say some insane shit, plain faced, and see how the others react.

Dancing headcanons! Remy is a very good dancer, being particularly prolific in swing dancing. Logan somewhat refuses to dance, but he can line dance. Morph doesn't know how to dance, but they act like they can, dancing like a drunk white girl. Scott and Jean like to dance in private, but Scott gets nervous to dance in front of others. Ororo can bust that shit down.

Scott tries not to laugh when he, or someone else, is doing a bit. Like he tries not to break as he jokes along, to the point where he has to stop talking to not smile, biting inside of his mouth.

Furthermore! He also has a loud laugh, and people get a little caught off guard when they hear it. Me and my friend have described his laugh as a goose honk sound.

Kurt gaslights for fun, and he can get everybody pretty good, except Scott and Jean. You may think "oh because Jean's a telepath, right?" No, because--

Scott and Jean gaslight each other for fun, and they formulate these fake, big arguments, just as a bit. So, they're very familiar with gaslighting tactics, being they lie to each other as a joke, so when Kurt tries to, they immediately meet him-- A little too well, because Kurt is used to just messing with people.

Scott will occasionally freak people out by lowering his glasses (keeping his eyes closed of course). Like someone says "Hey, take a look at that." and he'll lower his glasses and go "Where?!" as a joke.

Everyone loves Kurt. Like, everyone. If Kurt doesn't like someone, everyone has a distaste for them as well.

Jean refers to her own psychic abilities as her "Jedi Mind Tricks"

This one isn't really a headcanon, just a running gag me and my friend do, but something bad will happen, or something inconvenient, and Remy will go "Don't worry.", insistently. Like a loud explosion can go off, and Remy will just say "Don't Worry." Occasionally this will be lengthened to "Don't what? Worry!"

We don't call Leech by his name. We call him Gneep Gnorp. That's it.

Kurt and Remy are super close (as pseudo brother in laws) and they hang out a lot, also doing that guy thing where they flirt with each other as a joke.

No one likes Emma. That's it.

Scott is autistic.

Warren is well manicured. He always has his hair just as he likes it, his wings always preened, his clothes always ironed. He'll a snazzy lookin' fella.

Rogue is a great singer. This barely a headcanon, her voice actress literally put out a song "Mojo Man (Ode to Remy LeBeau)", go listen to it.

Kurt's very coy and playful. Like, "Staaahhppp, hehe!" He also laughs at his own jokes all the time, like he cracks himself up.

Music headcanons! Here's just a few of the ones we made-- Scott likes dad rock obviously, mainly soft rock and folk rock (The Beatles, Hall & Oates, The Beach Boys, CSNY), Logan likes harder rock (Metallica, Alice Cooper, Motley Crue, Iron Maiden), Morph likes new wave and glam rock (Oingo Boingo, David Bowie, Talking Heads, Tears For Fears), Remy likes a fun mix of jazz, country, and soul, with a little rock sprinkled in (Johnny Cash, Ray Charles, Billie Holiday, Queen), Jubilee likes a lot of pop, pop-rock, that sorta thing (Cyndi Lauper, Madonna, ABBA, Wham!)

Kurt has a lil hyperfixation on pirates and ships-- this is kinda canon in the comics. But he loves talking about pirate history and ships and misconceptions.

I'm sure there's a bunch of ones I can't remember but there ya go lol

thanks to @the-death-defying-night-crawler for being funny and making these with me lol

[orbweaverspidergirl]

the memories you left behind (they never left me): Act 1

"And all the fears you hold so dear will turn to whisper in your ear." - Duvet by Boa

summary: Jason Todd was your twin. He was your brother through thick and thin, and nothing would ever change that, but his death does. You see him every day, but he’s not really there. You wish he was.

tw: minor talk of being hit, bruises, and drugs.

The truth is you were never very strong. When your daddy would hit you and Jason would take the brunt of the force, you would blame yourself. If you were stronger, faster, smarter than you could have protected Jason too. Just like how he protected you. 

But you weren’t. All you were was weak. You were pathetic and useless, just like your daddy said. 

Then, he went to prison.

It was just you, Jay, and mama. Your mom was far easier to handle than daddy was, so that’s what you did. When she was cracked out on whatever new drugs roamed the city streets, you and your brother would take care of her. She didn’t really take care of you, but you were okay with that, because Jason and you took care of each other. If you think about it, nothing really changed. There were just less bruises and hurtful words Jason would try to convince you weren’t really true, but you knew they were. You may not have been the sharpest crayon in the box, but you certainly weren’t the dullest. 

As you got into middle school, people thought your brother was scary, but he wasn’t scary, he was just afraid. He was afraid of your stupid dad and drugged-out mom, but most of all he was afraid of losing you. 

You were the only peace he had left. 

You thought he was dumb when he would say that. There was nothing peaceful about you. You didn’t mean it in an edgy way, but that’s just how it was. You didn’t have a peaceful dad, mom, neighbors, and certainly not school life. The only peace you could have given Jay was your death. You suppose that came to truth years later, but it wasn’t your death, and his certainly wasn’t peaceful. 

Eventually, you got a job, well if you call pickpocketing and robbing rich people of their wallet’s a job. Obviously, that stopped working when people became more cautious, because of course they did. 

Then, one day, your mom died. 

You guessed her body couldn’t take it anymore and she had a seizure right on the kitchen floor. You tried calling the cops, and you did, they just never came. You weren’t shocked, they never do. Of course, you got kicked out soon after. No cash means you can’t pay rent, and no rent means you’re homeless. That’s when things really changed. 

You and Jason needed money, so you started targeting rich people. Not necessarily them, but their assets. You and Jason weren’t bold enough to break into someone’s home, so you targeted their cars. One day, you and he slept in an alleyway. It wasn’t comfortable and certainly not safe, but you had no other choice. That was until you saw a fancy car pull up. A man in all black with his hair slicked walked out and you could smell the brand designer clothes he had on. 

You both crept along his car when he left, and you struggled taking off the wheel with Jay. You both struggled so much you didn’t even hear the big man behind you. Thinking back on it, it was kinda comical on how both of you turned your head at the same time when Bruce made his appearance be known. 

Then, it was history. 

[the-100-days-of-junkan]

Day 100

One hundred fuckin’ days. God. Actually happened. 

I spent 3/4ths of the year drawing more Junkan art than I think anyone else on the internet ever has. Which might be presumptuous of me, maybe i’m just looking in the wrong places y’know? I’m a solid second place bare minimum.

And like, that’s still pretty funny right? This whole event is something I’m gonna cherish forever, the memories, the art itself, the friends I made because of it. But like, c’mon. I drew 100 fucking pieces, learned new skills like digital painting, animation, all that shit, for a ship that I used to hate, and a ship that for the longest time I thought was gonna get me fuckin banished to the deepest depths of the internet just for drawing a poor sketch of them kissing. This ship has become more deeply entwined into who I am as a person that it’s passed up Tokomaru, the ship that literally made me realize I’m a woman.

It’s gotta be at least a little funny, right?

Ah but enough of that, I can talk more on that subject a bit later. For now I reckon I should focus on our art piece for today! Wouldn’t you agree?

Yeah it’s the Wedding. I’d say even before Day 60 I decided the final pic of the Project would be The Wedding, even before I decided to draw a comic of the proposal. Because like, c’mon, it’s basic but how the fuck else was I supposed to end of the project? With something that ISN’T a wedding????

And very shocking to hear after this entire project has gone by, but I did in fact scale back this pic massively. You wanna know what the original idea was?? 22 images, each one depicting different parts of the wedding and afterparty, including the kiss at the end. And the kiss at the end? I was gonna feature every character from the 3 main classes + Ruruka, Seiko, and Yasuke. Fucking why??? Because Excess is all I know people ITS ALL I KNOW.

However I had decided that I wanted this project finished and ready before October, because I wanted to do the Vampire Fic to coincide with Day 30. And again, say it with me here, “Jem was severely burnt out on the project!” 

So it went from 22 images, to “However many I can get done in time + the big group shot” and then that became “Just the big group shot,” and then finally, i cracked and just drew The Kiss. 

Speaking of which before I divulge some more info about the original plan, i’ll get all the fun things about the actual art I did go through with.

As you can tell I shaded this differently from anything in the project. I normally have two different ways of shading art, I don’t think these are the proper words but I call them Soft Shading and Hard Shading. If you need immediate examples, Day 95 was Soft Shaded, and Day 94 was Hard Shaded. Generally speaking I prefer to do Hard Shading, as I think it works better with the rest of my style, and also just looks better in general. Soft Shading is what I do for pics with like, a very specific tone and energy to them that I can’t really put to words. It’s also significantly easier to do compared to Hard Shading. 

A few months back for a commission of Kaede and Marceline from Adventure Time hanging out (yes this is relevant) I was trying to capture a very specific aesthetic that I’m obsessed with called Frutiger Aero. This mostly was in the background, however when lighting the pic I needed a very specific aesthetic that I didn’t know how to capture with just one of my shading styles. So . . . I fuckin did both. And in my opinion (which is crazy because this requires I compliment myself) it looked fuckin great. That said it was significantly harder.

I think I’ve done it only one other time after this, but I don’t remember what the pic was if it exists at all. But obviously as you can see, I decided that to really commemorate the occasion I’d go all out and do both shading styles again. It was very worth it, but fun fact! Doing this style on Roses is a fucking pain in the ass and if I ever have to do it again I will fucking SCREAM!

Anyway, the pic was definitely a lot harder to work on because of that stylistic choice, but the end result makes up for it by a massive margin. 

Hope ya’ll like the dresses because they were the hardest part of this! Fun fact, Val (She’s back!) did a chapter for her legendary Year of Love and Despair fic where the gals are in wedding dresses. And the designs she came up with are amazing! I still really wanna draw em when I get a chance! However! I woulda felt bad if I just yoinked em for this, so I had to do everything in my power to come up with completely different designs. And given that I am a perfectionist, that was significantly more difficult than it probably shoulda been. But I did it! I really like how Mikan’s dress turned out specifically, I thought giving her a fit that covered up more skin than a normal wedding dress would be fitting for her. Also I really like drawing Mikan’s hair in a bun, I never had a chance to say that so I’mma say that now. 

Wow fuck I just realized there’s probably a lot of random details or thought processes I have on this ship that I just never got an opportunity to talk about, either because I had a different topic to cover on previous posts, or I just forgot, or I just didn’t have a good segway! Crazy right? 

Also yes! Shading Junko’s hair was heavenly~

Okay i’ve run out of words on the art. Time to tell you about everything I cut! Now I’m sad to say but no, I didn’t actually cut 22 planned images. I never got far enough to actually figure out each individual pic. Only a small handful, which I almost speedily sketched out for this post, but I don’t have it in me, especially on my current schedule. So i’ll just do my best to describe what I had in mind!

First piece would have been Mukuro being on Security for the Wedding, because of course. She would have also enlisted the help of Mondo and his entire gang, because that combination in this context sounds funny. Don’t worry though they were well behaved.

Ruruka was gonna handle the Wedding Cake, with Teruteru on the rest of the food. Either Ruruka or Mukuro would have been giving him a death glare during the process of course.

Behind the scenes Mikan would be getting prepped for the Wedding. And by prepped I mean Seiko, Ibuki, and Sayaka would be trying very hard to keep Mikan from crying as a result of how happy and overwhelmed she is (Ruining her makeup). Seiko trying to blow air into her eyes to keep them dry while Sayaka and Ibuki desperately try to find an outlet to plug in a hairdryer in because that would be significantly more efficient.

On the reverse, Junko would be doing all of the work on prepping herself for the wedding, with Ruruka, Yasuke and Tsumugi standing in the background, questioning why they’re even there. Junko would yell at them that they’re morale support in this instance. 

Warriors of Hope would of course be there being scamps of course, Kotoko would be the Flower Girl because I play favorites. Toko and Komaru would probably be there trying to keep them in line.

I didn’t have anything in mind with the afterparty but I more than likely would have drawn the drunkest Junko I possibly could. Maybe even Mikan too!

For the Bouquet Throwing I was gonna have Syo jumping at it like a feral animal, and thinking about it now I’d probably also have Tenko jumping for it with killing intent in her eyes.  

And I think that’s it for ideas I had prior to cutting them. Which means it’s time for me to get sappy about the fact that the project is finally ending! Fuck! Usually when I write these I try to have a decent idea ahead of time of what I’m gonna fucking say, this time however I’m just gonna talk, and i’m gonna keep talking until I’m either struck down by nature or I run out of things to say. Sorry! 

This is going to get silly, sappy, and maybe even a little venty, jump in at your own risk. 

If you told me at the beginning of 2024 that I was going to draw 100 days worth of Junkan related art, including a gif and a music video, 2 comics, and also get back into writing to make gay fanfic, I’d be so god damn confused. Because what the fuck right? And that’s not even counting everything I drew AFTER I fuckin finished! Like hold on a minute i’m gonna count up how many times i’ve drawn these two, including the individual comic pages from the three i’ve made.

204.

Fucking, I. I didn’t even know we passed 200 by this point. 

And that’s not counting the sketches I’ve drawn on paper in my sketchbook. It’s also not counting unfinished pics. It ain’t counting the art I might draw WHILE writing this! It’s not counting the stuff I probably forgot about while searching my files cause I suck at naming the aforementioned files!

AND I’M STILL NOT BURNED OUT EITHER?

I got burned out on the project sure but the moment I had the freedom to do whatever I wanted I fucking IMMEDIATELY drew a Junkan pic for Halloween. And then I kept going, and then I didn’t fucking stop, and I don’t think I CAN stop! I don’t even WANT to stop but you’d think by now I’d be like “Well I don’t have any ideas right now-” NO I HAVE TOO FUCKING MANY IDEAS! I KEEP FUCKING THINKING OF MORE IDEAS, AND THEN I COME UP WITH AN AU AND THAT COULD HAVE LIKE 10,000 MORE IDEAS. JUNKAN IS A MENTAL HYDRA YOU DRAW ONE PIC 2 MORE POP UP IN ITS PLACE!

I can draw these pieces in like a few hours if not shorter, because I don’t have to fucking sketch them properly anymore. I feel like I shouldn’t be able to do that! This ship has done unspeakable things to both my mind and body! And i’ve said it before but i’m not trying to complain here, as you’ll see when I start talking about this ship like it saved me from falling into the grand canyon. But it’s just, so, absurd???

Danganronpa is only like my third favorite piece of media behind Bo-bobo and Fairy Tail and yet I’ve drawn more art of JUST THIS SHIP than I have of just general art of those series! That’s not even counting all the other ship art I’ve done! Like Tokomaru! Remember Tokomaru? The ship that is responsible for me being a woman and being able to find the happiness of being my true self? I think i’ve drawn that and Syomaru a combined like, 20 times across my entire life as a DR fan. ALL OF THIS JUNKAN ART SAY FOR LIKE, 5 OF THEM WERE IN ONE YEAR. 

And bare minimum for 2025, assuming I don’t make ANYTHING ELSE OF THEM (Which I will. You know I will.) I’m gonna draw 21 pics for Junkan Week, because you know I’m gonna just draw EVERY prompt from all three lists. And then 30 more for the Month of Junkan (Will try to have that prompt list up soon btw!). So that’s 51 I’m going to do. That’s over half of what I realistically was supposed to do bare minimum for this project. That’s so fucking much, and I’m gonna do it, because I love this ship, and also it sounds REALLY funny if I did that. 

I think genuinely the only other ships I could fucking do this for are like, Toko/Syomaru or Flarelu. Maybe Togachako if I did a reread of MHA to get me back in the spirit for that series. And even then i’m not sure I physically have it in me to go that distance even for those ships. I certainly want to draw a lot of them, especially Flarelu because that’s a ship so rare that it makes Soft Junkan (before I fucking flooded the tag on tumblr) look like a bustling city.

Speaking of tags, I still think about sometimes how like, the Junkan Tag maybe got like, a post like, a few times every month. The normal amount for a ship of this general Rarity. And now it’s like, for so many pages, just half of it is me. Because I was asked to bring something to eat to the function for the buffet table and I fucking crashed a Food Truck through the wall. I feel bad about it sometimes, sometimes. I’m imagining the scenario in my head where someone who likes Junkan but didn’t check the tag super often because it wasn’t like, a super commonly updated one, and then pressing it for the first time in a year and being like “What the fuck happened here?” You know what still shocks me? Not once have I gotten hate for any of this. I was so fucking scared for like half of this projects creation that I was going to get bombarded with people angry at me for shipping this, and NOTHING. I’m not complaining I’m just confused. I have to at least have had a few people block me right? It’s just so eerily quiet. And it’d be one thing if it’s just a thing of like “Why would people who hate Junkan check the Junkan tag” because yeah, that makes sense. But also I’ve been putting at least one Junkan pic in both characters tags every day for 3 fucking months, there had to be at least one Mikan super fan who is eternally fed up with my antics. Like, awesome that I didn’t get harassed over a ship, that actually gives me a little hope that nature is healing, just. Crazy right???

So like. Fuck.

I guess I’ll get to the sappy shit now?? I think I ran out of things to be confused about in terms of what I did this year because of this ship. So I guess I’ll just start talking about how much it means to me, both the ship, and this project. 

(trigger warning, mentions of abuse, nothing super graphic in my opinion but could be mildly uncomfortable. Either skim ahead or stop here)

2024 kinda, fuckin sucked for me to be honest?? I have like 2 good things I can speak for it in terms of major positive points (Obviously I had other good experiences but if I just said “Oh I read a I Love Amy and it was one of the greatest things ever” it lacks the same impact). Not counting getting this project to like, work, obviously.

I finished the 5 chapters of my webcomic that I wanted prepped so I could actually make a website and start posting (ignore how I didn’t make the fuckin website yet). And I started dating my darling Yves and Rivette. Who I cherish deeply. I made other friends this year, a lot of them in part cause of this ship. And I went through a lot of emotional change. 

But to get that change it required I unpack a lot. And by a lot, I mean one bag that was filled to the brim. Gonna try real hard not to like, talk about this in excessive detail or turn this post into some woe is me bullshit, but I feel like I should at least make mention of it.

At the beginning of the year, I asked Yves (who I wasn’t dating yet) about my previous romantic relationship. And she confirmed to me that, based on everything I had told her about it overtime, that yes, it was abusive.

During 2021-2022 I was in a relationship with a girl I won’t name here, you wouldn’t know her of course, it was a completely different community. It started out as friends, I got a crush, jumped at it because I was still inexperienced with feelings, and it didn’t work out. And that’s the simple way of putting it, and that’s how I viewed it till Yves opened my eyes.

From the getgo it wasn’t healthy. She was manipulative, constantly had outbursts towards me, and yanked me around emotionally constantly. I would later find out that she had a previous history of just, generally being an awful person. Even after we broke up we still stuck around each other, mostly because I felt guilty for breaking up with her, and was also just generally terrified of her. The abuse was all mental of course, it was long distance so she couldn’t hurt me physically at all. 

I of course, didn’t process any of that as me being abused, I even viewed myself as being at fault for a lot of it. The experience was so bad that I identified as Aromantic because just convinced I wasn’t able to feel proper romantic feelings for someone. It wasn’t till much later when I got another crush that I realized that I’m Panromantic, and me being Aro (and very briefly Aegoromantic) was basically just a coping mechanism to write off my trauma. I still feel guilty about that since it feels like I devalued the importance of people who do identify on the Aro spectrum, but that isn’t relevant here.

Point is, a lot of bad shit happened to me because of that woman, and even after a year and a half of us not talking because we both mutually decided it would be better for us to not stay in contact, she still found ways to worm her way back into my life. One conversation we had just by chance, to catch up, that’s all it took and I was thinking of her again. I never talked to her after that, and I have her blocked now, but I didn’t need to for shit to hit the fan.

So I asked Yves that question, she answered, and I now suddenly had to deal with the fact that I was abused, and that I was traumatized as a result. And like, I never really viewed myself as a traumatized person up till that point, I viewed myself as someone who wasn’t very smart but tried her best to do good by people who didn’t have too much baggage beyond some sucky school memories.

When I had to unpack what happened that kind of spiraled into severe Self Confidence Issues and even more Self Hate. I struggled to accept even the slightest compliment if it wasn’t directed at my art. The reason I even quit weed is because I used it almost exclusively to suppress all of the negative emotions I felt. 

I’m in a somewhat better place now, I’m trying to give myself more breaks from artwork, rather than overworking myself constantly just to feel something (and being fully open, I realized near the end of december that I pretty much used Overworking as a form of self harm). I’m gonna really try this year to like, actually let people be nice to me, and in turn try to be nicer to myself. And I have goals to work towards for this year. But I wouldn’t have gotten to this point without two things. One, my girlfriend Yves, who even before we started dating helped me through multiple breakdowns and has helped/allowed me to grow into a (I hope) better, healthier person. And even after I got over most of my feelings related to my Ex, has continued to help me cope with my self hatred. I cherish every moment we share and wouldn’t trade her for anything.

And the other thing, which I know will sound silly right after I talked about my girlfriend, is well. Junkan.

Let me say this, I didn’t get into Junkan to cope with my abuse. I have toyed with the notion in my head before and the idea of it pisses me off to a quite frankly irrational degree. I was into Junkan before I realized my issues. If you want my coping mechanism it’s Alex from Minecraft and no I’m not explaining that right now.

That said, it, like all the yuri ships I like, was a source of comfort for me. Originally I read stuff like Tokomaru fics just to help me reduce stress, back when I dealt with really severe anger issues due to the online spaces I occupied. And to this day reading a nice, fluff fic can calm me down a bit. But now they can serve a much deeper sense of comfort, away from all the bullshit, and obviously, gave me a way to distract/calm myself from the storm of negative emotions and memories that filled the brain.

I see myself in Mikan more than I’d like to personally admit, obviously not to the extreme, but in aspects. So it’s just, nice to see a better timeline for her with Junko, ones where she gets to be happy and maybe even heal as well. It just so happens that I also think there’s a lot of genuinely good potential for the ship from either a canon or non-canon perspective, and Junko’s just a really enjoyable character. 

Working on this project helped too. It gave me a way to dive deeper into my love for this ship, and gave me a sense of purpose and validation that helped me work through the rough. Whether it was the really bad mental health days, or just a shit streak of commission work that tore away at me because my job even if I love drawing can be a real drag at times, and i’m unfortunately a workaholic (Trying to work on it though).

I think i’ve said it before but even something simple as Val showing her excitement over the art pieces I was prepping could genuinely brighten my day even while I was at my lowest.

And then when I really started pursuing this as a project, rather than just a secret stash to satiate myself and one other person minimum, I realized I could do something good here. For the people like me who loved this ship but might have been too nervous about expressing it, the people who were just really craving it, and the people who had already made all of the fics and art that sent me into this spiral of obsessive passion in the first place! A gift to all of them, to make ya’ll happy. 

In hindsight, may not like, the healthiest mindset for setting off this whole project. But hey it all kinda circled around into eventually helping my mental health recover. So like, win?

And i’ve already spoken on how Day 60 allowed me to feel a lot more emotionally free as an artist even if I still have my struggle days. I’ve gotten better just in general as an artist as I improve more at stuff like expressions, posing, linework, etc. And I’ve even managed to make friends with some of the people I used to look up to as idols and can finally just view em as normal people now. (Even if I might still be a bit excessive in my praise, I swear I’m normal about ya’ll besties I just don’t have like, a middleground for showing my appreciation and affection for my friends. It’s maxed out unless I’m tired as shit) 

I find myself comedically terrified of how this ship has affected me over the course of 2024, and how it will likely continue to affect me through 2025 even as I try to move onto other projects not related to Junkan. I wanna show off my love for Fairy Tail on my main blog, and I really think that with a full years time and the first five chapters done I really can get my comic off the ground and focus on that for the foreseeable future.

But hey, 2025 at least we got two whole Junkan Events. And with Junkan Week I’d like to keep that going for as long as I can, unless someone else takes the reins way down the line. So this ol’ blog’ll keep going for a good while I imagine, even if it’s a lot smaller. Maybe I’ll find other ways to keep this place active, I’ve considered just making it a one stop shop for all things Junkan though I don’t think I’m really suited to manage that. Maybe someone’ll read this and try there hand at it down the line, maybe someone’ll do their own 100 Days of Junkan! 

Oh hey did I ever tell ya’ll I was gonna make a comedic video just making a guideline for how one could make their own 100 Days Project. It was gonna be like, pretty obvious points just framed in a very exaggerated and comedic tone. 

Alright anything else I should cover? Fun facts? Deep personal anecdotes? Sappy stuff?

Lemme check my files, maybe i got another dumb joke image- 

. . . 

Oh . . . Well there’s somethin.

Alright, don’t get to excited ya’ll, but just for a bit of fun, how about one last day in the project. I know 101 days doesn’t roll of the tongue as well, but I think this is vaguely interesting enough to make up for that! Tune in tomorrow. Same time, same place. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[relaxxattack]

Piggybacking off the last anon, what is it you like about Jane so much? I find my feelings on her kind of mixed but I lean towards positive.

okay i haven’t read act six in probably like 5 years so bear with me here. *cracks knuckles*

jane is sooo so interesting and it’s really a shame people miss like everything fun about her.

pre-scratch she used her detective work to literally succeed at tearing down the crocker cooperation, to the point that HIC has to fucking abandon ship and head into another universe to have another shot at her evil empire. pre-scratch jane is also fucking hilarious! if you didnt enjoy her antics with john as nannasprite you must just have no heart

meanwhile HIC breaches a new universe, and her FIRST fucking order of business is to NEUTRALIZE JANE CROCKER because of how goddamn detrimental she was to HIC’s plans the first time around.

not ONLY does HIC pump subliminal messaging and brainwashing into nearly every aspect of jane’s life, she also tries to straight up mind control her basically whenever possible! she ALSO sends assassination attempts after jane 24/7! (people will seriously try to say that jane lived a safe normal life… as if she wasn’t almost killed by walking into her backyard.) this is because HIC is fucking scared of jane, as she very well should be!

jane is also NOT a boring weepy annoying crybaby like everyone and their mother complains about. jane is literally the most fucking supportive friend and emotion-repressing dumbass you could ever hope to meet. jane combines john’s emotional repression and jade’s intentional cheerfulness together into one of the most fucked up cases of emotional repression in the whole comic

act 6 suffers from a LOT of shitty writing choices, but it’s not jane’s fault the whole act turns into a soap opera— and she’s ALSO not the only one who acts all soap-opera-y either! literally all of the alpha kids suffer from this, people just like jane the least so they project it all onto her. despite the fact that she did her very fucking best to NEVER talk about her feelings, to the point where she ONLY started telling people about shit when she was mind-controlled or took mind altering substances to make her do so! and you can say “ohhh that’s stupid she shouldn’t repress things in the first place how dumb” but, one she’s sixteen, and two, everyone eats that shit up when it comes from like. literally any other character.

people (cough hs2 writers) act like she would actually be “pushy” with a relationship on jake— as if she wasn’t literally the one who helped him make the decision to explore dating dirk?? because she thought it was the right thing to do???

jane is incredibly thoughtful and mature and people really throw all of those traits out of the window with preference for a version of the story where she Comes Inbetween Their Fave Gay Pairing as if she wasn’t, again, the one who got them together. jane is also extremely interesting in terms of queerness; she’s got the makings of a really interesting arc, not to mention she’s the only human girl that dresses mainly masc! there’s a lot there that people just don’t care to explore.

people just have less patience for the prospit kids in general. not to mention homestuck fans love to be misogynistic and berate jane for stuff they love the men doing, or claim she’s coming between them when she’s not, etc etc. and then because no one was writing fun meta posts about her, nobody ever rereads the comic to grab little scenes or lines to expand the online discussion about her! and then because there’s no discussion about her, people assume she’s boring and don’t go looking for bits to start discussing, which cycles on and on forever until we have the ripple effects we see of that misogyny today. which mostly consists of, “oh i hate jane because she was a villain is hs2”, or, “i know hs2 isn’t canon but i still don’t care for jane because she doesn’t do anything that interests me.” (and she’s only not interesting because of the cycle i mentioned before causing NO ONE to have meta discussion about her).

idk, it’s been a while since ive read so i could be talking out my ass but that’s what i’ve got.

TL;DR: jane is fucking COOL, she just suffers from intentional fandom ignorance. and she’s also a canonically hot, fat, masc woman, so i don’t know what else you could possibly want.