#and I’m thinking about it

[rosicheeks]

🤦🏽‍♀️🙃

[starbuck]

i say i like tragedies and everyone’s all like ‘why do you like sad stories? are you depressed?’ and never ‘how was the catharsis? was the catharsis fun?’

[fuckmaster-unlimited]

favorite ship dynamic moodboard

[badolmen]

People against piracy fail to realize that no, I can’t just ‘buy it.’ They stopped making DVDs and Blu-Rays. They’re barely offering digital copies for download. I am not spending money I could use for food or bills to pay for a subscription service just so I can always have access to a beloved piece of media. Especially not when the service will remove media on a whim without concern for how the loss of access to that piece will make its artistic conservation nigh impossible.

For example, I recently learned that Disney+ had an original film called Crater. It’s scifi, family friendly, and seems cool - I would love to buy it as a holiday gift for my little brother! But: it’s exclusive to D+ and THEY REMOVED IT LITERALLY MONTHS AFTER ITS RELEASE.

The ONLY way I can directly access this film is through piracy. The ONLY available ‘copies’ of this film are hosted on piracy websites. Disney will NEVER release it in theaters, or as something to buy, and it may NEVER return to the streaming service. It will be LOST because we aren’t allowed to purchase it for personal viewing. If I can’t pay to own it, I won’t pay for the privilege of losing it when corporate decides to put it in a vault.

So yes, I’m going to pirate and support piracy.

[eatyourdamnpears]

I’ve been in such a funk since the concert. I’m not even sure I enjoyed myself that much. maybe I did. I don’t know

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[kidovna]

ineffable smooches for the soul <3

[wikipediadogdotnet]

wanted to share my favorite art pieces from the google drive collection of 300 free-to-use palestine-related posters by Artists Against Apartheid

poster numbers: 10, 102, 128 226, 20 34, 204, 127 158, 176, 26

[desultory-suggestions]

On this Valentine’s Day please don’t forget about the Palestinian people. Candy is being bought in droves while innocent people are starving. While people are planning romantic dinners for their lovers, Palestinian people are losing their lovers to bombs and snipers. There is no rest for the Palestinian people today. Don’t let them mask what’s really happening behind pink ribbon. Fight for love, find empowerment in your love for others. We will not stop fighting, not for a single day. Palestine will be free.

[o-wild-west-wind]

ofmd is like not comedy as in sitcom but comedy as in shakespearean where it’s psychological trauma and conflicts of violence but with dick jokes and the promise of marriage in the end

[bruciemilf]

“Bruce is emotionally incompetent and can’t step outside his own morality” yeah it’s a character flaw.

“Dick is extremely stubborn and thinks he’s right all the time” yeah it’s a character flaw.

“Jason has hypocritical tendencies” yeah it’s a character flaw.

“ Tim is entitled and doesn’t think about people when seeking results, and often acts uncaring” yeah it’s a character flaw.

“Damian is rude and bratty” yeah, it’s a character flaw.

Also, some people may not even regard everything listed above as flaws.

Having negative traits allows incredible flexibility within your characters, what makes them intriguing, what makes them easy to relate to. If you want to write people, then write people. But they can’t be good and clean all the time.

[wispscribbles]

I love your ghost design. I wanna squeeze him :⁠^⁠)

If no hug then why hug-shaped???

[mangozic]

archivist be upon ye

[gothamslostboy]

POLL TWO HERE

REBLOG FOR BIGGER SAMPLE SIZE BC IK YALL MOSTLY GOING FOR VAMPIRE AROUND HERE

[anna-scribbles]

last one i promise(<—lie)

[the-phantom-peach]

skyward sword… yeah <3

Crimson Loftwing

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