Deadly Distraction 馃枻
Pairing: Flirty/Playful!Supervillain x Detective (OG Pairing that I read wrong before writing c': -> Gentle Supervillain x Investigative Reporter)
Scenario/Dialogue: "I'd die for you." / "Go ahead."
Bonus: Extra scene below the cut c:
Tag List: @black-rose-events
CW: Mention of/Implied murder (no details)
~
Supervillain watched Detective go over the evidence on their desk. They leaned over their shoulder, draping their arms around their neck.
"You know I did it, darling. Why don't you go ahead and call it a night?" they purred in their ear.
Detective let out a deep sigh. "I deplore you."
Supervillain chuckled. It was low, smooth - a perfect parallel to their methods. "Aw, how cute," they crooned. They took the detective's chin between their thumb and forefinger and forced them to turn their head. "Now, say it to my face this time."
The detective scoffed, twisting out of their grip as they grumbled something under their breath.
"Ooo, detest?" Supervillain repeated. "That's new. Creative today, aren't we? Perhaps it's the lack of sleep."
Detective huffed and glared at them out of the corner of their eye. "Would you just leave me alone, already?"
"Oh, but why would I do that?" The criminal circled around to the front of the desk. "Your investigation concerns me, does it not?"
Supervillain leaned in, casting a shadow over the detective's work. "Come now," they whispered, voice sultry and sweet. "Is it that hard to love a killer?"
Detective pulled the papers from beneath the villain's shadow. The picture at the very top of the pile smirked up at them in an all too familiar way. They shuffled it to the bottom to look at the other images.
Supervillain was practically sitting on the desk by now. "Hm." Their eyes traced the detective's features, patiently searching. When they didn't find what they were looking for, they frowned and hummed thoughtfully.
"...I'd die for you, you know."
Detective didn't even bat an eye at the declaration. "Go ahead," they said dismissively. "You have my permission."
Supervillain didn't seem to register the answer at first. When they did, they threw their head back and laughed - truly laughed - for the first time in ages.
~
Bonus:
Supervillain sighed and threw themself upon a conveniently placed daybed under the small window in Detective's office. "Are you always this cold to your guests?"
Detective flipped a page in the file they were going through. For a long moment it didn't seem like they were going to respond.
"...Perhaps," they said evenly.
Supervillain, who had sat up eagerly when they finally got something out of the detective, flopped back down onto the couch. "Your poor, unfortunate soulmate," they bemoaned. "Who could love such a creature as you?"
As per usual, their effort to get a rise out of their favorite investigator was useless. Supervillain sighed again and threw an arm over their eyes to block out the light. It seemed they weren't getting any entertainment today.
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Tagging this with gay fandoms sorry
There's currently a European proposition to ban conversion practice in Europe
If you're European please sign it
If you're not please reblog
Edit 1: Just in case the previous link doesn't bring you where you need here
Edit 2: It's EU not Europe sorry
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New Show is released. New Show is loved by many viewers. New Show is not yet renewed. social media campaigns for renewal of New Show. PSAs to play episodes of New Show on loop in the background to get viewership up for New Show. urgency to binge New Show so they see good views for New Show. pleading and begging and tagging special media accounts to get another season of New Show. New Show is cancelled. social media outcry and petitions to save New Show trend for a week. New Show is not picked up. New Show says cancelled. they start making a New New Show and it all starts the fuck over again. I gotta be honest I'm really fucking tired of this shit
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Only Steve Yockey would make a character who is a gay cat god who wants to fuck a repressed Edwardian boy
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A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.
Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.
The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.
The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.
Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.
The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.
We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.
The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.
At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.
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