#but my perspective is highly subjective

[mcl38]

Genuine question, what is wrong with teylor swift?

i just dont like her lmaoo

[boypussydilf]

ialso feel perpetually aware that all of my p5 takes are ever so slightly distanced from the source material on account of its been like a year since i watched any p5 but *white knuckle grip* i will not rewatch any part of persona 5 it has too great a chance of sucking me in to its endless vortex and then i wont be able to do anything. at LEAST wait until after artfight. please brain please

[jacquelineadelia]

Leftist Tumblr sure has a real conspiracism problem, huh

[honeytonedhottie]

beauty and brains⋆.ೃ࿔*:･🎀☕️

in this post we'll talk about how to implement continual learning into ur life and how to nurture ur intellect and ur beauty, like elle woods for example…💬🎀

MINDSET ;

first off lets take a look at ur mindset. you need to be willing to learn and if ur stubborn then ur not gonna allow urself to learn and become smarter so for that reason mindset is the perfect place to start when ur starting ur beauty and brains journey.

perspective is EVERYTHING when it comes to learning. if u have the belief that "i hate math so much, im so not good at it etc etc" you're already setting urself up for failure. remember that we are in charge of our own learning.

figure out the sources of ur limiting beliefs about urself and challenge them. ask urself "why do i think im bad at math (or any other subject)" and the answers that u give urself, CHALLENGE them.

UNDERSTAND THAT ;

before we go any further understand that no subject is too complicated to learn and if ur experiencing that then ur learning it the wrong way…💬🎀

if ur having a hard time understanding a subject in school because of the way ur teacher explains it, ask another teacher at ur school and if that doesn't work turn to online resources OR just ask chat gpt. i ask chat gpt to help me break down math problems and explain how to do them and it works rly good for me.

READING ;

from my own experience i feel like reading is so so important. bcuz reading helps u to expand ur vocabulary and improves comprehension and so much more. personally i love to read so this isnt hard for me to do but if u originally dont like to read here are some ways to romanticize reading.

♡ start with topics/genres that u love

♡ set small goals (like reading for 5-10 minutes a day) and then building upon those goals

♡ experiment with physical books, e-books etc to figure out what u like best

WHAT U WATCH ;

i watch a lot of discussion based youtube videos, and video essays, documentaries etc and i have learned so much from them and they're actually one of my favorite ways to learn things. so i highly recommend watching some. watching things like this is so important because they provide a deeper understanding of real-world issues, cultures, and events that we might not encounter in our daily lives.

HOW TO UNDERSTAND ;

understanding what u read and what u learn is so so important. the way i make sure that i understand what im learning is through writing papers. writing papers about things that interest me or things that i learn has helped me to retain what i learn instead of forgetting it all.

another key thing to remember is PRACTICE. if u dont practice what u learn you'll literally forget it. use everything that u learn and if u can't physically use it, imagine urself using it.

MAKE IT A GAME ;

this is where the beauty aspect of the phrase "beauty and brains" comes into play. make learning like a GAME. i think thats how u get smart the best. just implement it into ur daily life.

for example if u have a habit of watching an episode of ur favorite show a day (or multiple) between episodes read for x amount of time. if u go for a run everyday listen to an audio book whilst running. think of that scene in the movie legally blonde where elle was reading her textbook while working out.

[dcmcboxers]

My shout-out to queer youtubers

Hbombs list was great but obviously not comprehensive. I watch a lot of video essayists and wanted to give a little love to the smaller channels that fall under the radar. Please feel free to add to this list!

let's talk about stuff/Sarah Zedig

If you've seen Jesse Gender's videos on the Matrix movies you may already be familiar with Sarah. She does excellent film and culture analysis with a lot of great conversations on paratext and outside influence in engaging with text. Her video on Tunic is one of my favorites.

Pamphleteer

No one makes videos like hers, which has the side effect making them a bit hard to describe. I will link one of my favorites which describes the disconnected temporality of being older when you discover you're queer.

Turbo Queer

Really really under watched channel. Skylar covers a lot of topics from video games, to anarchist history and modern events, to autistic life, to current politics. For a fun one check out her video on the SpongeBob strike episode.

Kaz Rowe

Kaz does a fantastic job examining modern myths and manufactured history primarily pertaining to western Europe, Victorian & Edwardian England, and 1800-1900s US. And of course, talking about historical queerness in all its ambiguities and evolutions. I highly recommend their video on Weimar Germany.

drapetomania

drapetomania interrogates the politics of low class and high class art and entertainment from a queer and Black perspective. Their art history videos alone cover many angles of white supremacist history I haven't seen anyone else discuss and I'm very excited to see more from them. They are also a very under viewed channel that more people should see!

I am error

Evelynn's channel primarily discusses video games in a presentation style and voice most similar to Action Button reviews. There's something just a bit more personal here though. I hesitate to say cozy since that word has a bit of an infantilizing connotation, maybe comforting is closer. She puts an immense amount of thought and empathy into the experience of playing video games and the personal narratives we build with them.

Swolesome

For more transmasc perspectives there's Swolesome. He has a lot of interesting insights into the more traditionally masculine and "broish" communities like fitness as well as commentary on recent trans issues.

Shonalika

Music, disability, and aggressively non-binary. Their video on gender presentation in heavy metal was really insightful. I would also check out the video "Why I Wear Gloves" for more insight on invisible disabilities.

Vivian Strange

Vivian delights in being a bit of a contrarian- something I really appreciate. She's probably going to challenge you and you're probably going to disagree at times, which is what makes her channel so important. Her video on Marquis De Sade is powerful and a must watch (if you can stomach the subject material, although I would encourage you to try). I haven't seen her most recent video on Saw yet but I am extremely excited to.

[grey-sorcery]

New to witchcraft? Awesome! Here's some things you should pursue.

An understanding of sympathetic magic: Correspondences, their metaphysical and theoretical framework, and their derivation.

Magical systems that incorporate the entire gender spectrum.

Energy work that isn't based on visualization.

The means of manifestation: How, where, and when spells affect physical change. The physical mechanisms through which witchcraft manifests beyond just willpower/intent/wishes/etc.

The history and subsequent influences of, and on, popular contemporary practices like Hermeticism, "Ceremonial Magick"/Golden Dawn, Wicca, and New Age/New Thought/LOA/Reiki.

How to approach and practice magic with critical thinking skills.

Influence of consumerism on contemporary practices.

Divination as systems: all methods of divination beyond tarot, their statistical applications, and their different methods of use.

The anthropology of medieval Arabia, Europe, Near East, and Asia relative to the magical or occult publications of the era. What is purely religious, parareligious, or syncretist and what does that mean for the interpretation of the text?

The genuine limits of our knowledge of the ancient world, what's possible for us to know and what can't we know?

Conversations with practitioners of closed or semi-closed practices and perspectives of POC when it comes to what the western world would label as "witchcraft".

The differences and similarities between superstition and the practice of witchcraft.

An understanding of the influence of colonialism on modern witchcraft and the language used to discuss magic.

Critical Race Theory (CRT), Queer Theory, and systems of oppression.

Botany and herbology: An understanding of the physical and medical properties of plants.

Building a personal lexicon for modern and/or colloquial terms used in and by the witchcraft community to describe and discuss practices.

Spell design: What makes a spell a spell? What is the smallest or slightest action that can be considered a spell and why? What are the most important and influential elements of the design and application of a spell?

Altars: Their use, design, and potential; whether or not an altar would benefit your practice or goals for practice.

A critical approach to spirit work and astral projection, being able to discern between personal narratives and probable experiences.

A safe and solid community to become a part of. One that does not allow the influence of personal narratives (Without addressing them as such), doesn't allow for the mixing of adults and minors, and with established and enforced logical and reasonable rules.

Collect and cross-reference correspondences from as many sources as possible, then start to create your own.

Try to find a STEM subject that interests you and study it through any non-dogmatic avenues available to you.

The items highlighted in blue are things I highly recommend!

Here is a list of things to avoid.

This is, of course, not an end-all-be-all list of possible responsible and healthy pursuits.

You can learn more about me, find my master-post, check out my Patreon, and suggest content here.

[reflections-in-a-critical-eye]

Are You Sure?! Episode 6 Observations

10/10 ☆

A few weeks ago, when once again Jimin and Jungkook were pretending to be strangers in another roleplay session, I had this idea of what it might mean. A response that I categorize as ridiculous speculation on my part, but one which can be used as a starting point of one interpretation. The roleplay might just be part of their flirting (it is the main reason), but the type of narrative they always engaged with made me wonder.

Their stories always follow the theme of strangers meeting in a bar/cafe/forest/out on a lake, etc. Not a day went by in which they didn't do it. It almost feel like a reflex. Both Jimin and Jungkook fall into their parts instantly and they bounce of each other. Never an awkward pause. Never a line that falls flat. They always enjoy it and it comes naturally to them. It's a habit. But one that allows them to imagine themselves perhaps as just two regular guys where one uses a pick up line and the other one accepts that glass of whiskey. Because why not? Perhaps these are all fictional worlds in which they are not famous and they can be whoever they want.

Are You Sure?! might be in a way one of those fantasies. An attempt at "doing life" from people who are living unconventional lives and who are trying to do anything two friends or two lovers might do when they need a weekend away. Yes, we're aware of the convention. It is a show with a specific format. It is made for an audience. But it's a show where "nothing" happens. There's no actual dramatic points being pushed. It's a vlog with slightly higher productions costs in which shots from the subjects' hand held cameras are edited together with ones filmed from another pov. But the essence of it might be reduced to the "fantasy of the mundane".

That tone and perspective was perhaps most visible in episode 6 of AYS?! so far, despite the fact that the staff presence was felt a lot more.

Jimin and Jungkook play at life. One that gets to be highly romanticized in Sapporo by the subjects themselves. There's a constant feeling of living in a fantasy. In some cases, the roleplay and acting attempts made it obvious. The pick up line in a jazz bar and offering a glass of whiskey. Pretending they're in anime while gazing at the ocean from their train window. Such dreamers. And why not? Why not forget for 3 days that the world knows them, that they are working non-stop for their music or that they have to leave all their fantasies behind in two weeks?

Sometimes pretending helps. A "what if". They can live in this bubble where they don't have to sweep the snow and instead they can just run through it like puppies. They can go grab coffee on a weekday morning from that cafe on the corner where students gather everyday to study. They can squeeze a shoulder and gulp and freeze for a second when one of them gets baby fever in a train station. They can imagine a life in which they were same age friends, even though their hierarchy now is all backwards.

It's only for three days before they have to return to reality. For now, they stay in their Sapporo dream.

[befuddledcinnamonroll]

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!

[igotanidea]

Home : bat!family x bat!sister

Summary: no one gets to offend my siblings and father. No one but me. I'll make sure of it.

***

Maybe it was a bad idea to apply for that Erasmus program and leave her brothers and adoptive father alone for whole three months. Sure, studying abroad, expanding knowledge, learning language and customs was an amazing experience, but it came with the cost. The price of being in fear that her family would get themselves in trouble, pain, fight they could not recover from.

The first two weeks of her adventure was the worst, since she was waking up at most random night hours, ready to jump into fight, those vigilantes instincts and habits kicking in.

Those were the nights when she was turning and tossing in her bed unable to close an eye and in result sneaking out her dorm room and walk around the campus like the ghost. The quietness and peacefulness of her surroundings at the academy were so different from those she knew in Gotham, it was almost disturbing.

There was no denying that Y/N was the smartest in the family, even Tim admitted it once (obviously not while talking to her, but she overheard his conversation with Bernard) but at times like this she was second-guessing her choices.

Due to her specific upbringing and family background she also never managed to form any deep connection with her fellow students, preferring to stay by herself, focus on the task and putting a lot of work into expanding her knowledge and skills in technology. She never complained, but from other people’s perspective she was an eremite. Kind, polite with perfect manners when someone asked her for something or while working in group, but still highly reserved. Just like her adoptive father, whose relation to she was trying to keep a secret. And it worked up to the day when one of the lecturers accidentally called her  “Miss  Wayne” in front of the whole class. The second he did it the air in the auditorium froze. She might have been in different country, but for God’s sake she was studying technology, of course everyone heard about the Wayne Enterprises and the  Bruce Wayne.

“You’re his daughter?” one of the boys in the lower row turned around and eyed her suspiciously

“Yes. Adoptive one.”

“Of course. He’s well known for taking kids in, right? Seems like some sort of complex or maybe even a disease” he smirked and it made the girl clench her fist. Her relationship with Bruce might have been rocky, but no one except her and her brothers were allowed to judge and offend him.”

“Care to elaborate on that?” she hissed, eyeing the guy with ice cold gaze

“Miss Y/L/N! Mister Olsen! Please calm down and sit down!” the teacher tried to make up for his mistake but it was far too late for that.

“You misspelled my name once, might as well keep calling me Wayne now.”  the tone of her voice matched the gaze. She was not going to let the guy easily, but getting in trouble with the dean was not a part of her plan. “Now, can we continue with the lecture? I don’t know about anyone else in her, but speaking for myself I would love to actually learn something useful.”

***

Y/N was the middle child. Younger than Dick and Jason, older than Tim and Damian which placed her literally halfway  in the family. Because of that she was a mix of responsibility and carelessness, doing her own thing, not always the right way, but still capable of getting away with a lot more than the others. Not as family oriented as Dick, feeling a bit overshadowed by Jason, highly competitive with Tim and more independent and individualistic than Damian. Still, even despite her “boss bitch” attitude, she was sandwiched between her brothers which made her the best negotiator and mediator in the family. Y/N also had a strong sense of fairness and morality and would always try her best to do the right things. Objectively, not subjectively. And making fun of her family was not one the things she could forget. However, before taking any action she had to gather intel, figure out what the guy knew and then come right at him.

***

Waiting till the end of the class was probably the greatest torture she ever had to endure, every minute stretching into infinity and when it was over the sense of relief almost made her drop the plan. Almost.

“I’m not done with you, Olsen.” she was faster to the door, stopping her potential victim from getting away.

“You want more, Wayne?”

“Please. Hit me with your best shot. What is your problem with my family, exactly?”

“Let me think” he tapped his chin. “There are so many. Like for instance, your oldest brother. What was his name again? Oh, right! Dick. Suits him quite well, doesn’t it. A prick, if you ask me. Definitely a show-off with no skills.” He scoffed “Shall I continue?”

“ Please. You got like three more people to gossip about.”

“The second in line, Jason, right? Oh, the unhinged  one. Violent, mocking, thinking he is better than anyone else around, when in reality he’s just a lost, scared child. Probably a dumbass too.”

“Pretty sure he would agree with that. Now what about Tim and Damian?”

At this point Olsen was getting a bit surprised that the girl in front of him was still unfazed. Her calmness, a sign of silent inside fury making him slightly uncomfortable.   Not enough to stop however.

“Drake…..” the name rolled of his tongue while the boy was wondering what words to choose “oh, he’s the gay one, right? Such a shame that the renowned Wayne family has someone like that as a member. Bet your father would never take him in, if he knew. A fairy becoming the next CEO of his renowned company. How ironic!”

“Hm.” Oh, Y/N was so much like Bruce at times and it showed in the least expected moments.

Damn that girl! How could it not make her angry?

“And …… Damian, the only biological child. Absolutely maladjusted and unaware of social norms and boundaries. Tell me, how was it like to have your youngest brother violate your boundaries and personal space?”

“It was. ….educatory. Just like it was with everything you just said. You presented yourself as someone with some serious psychological issues and possibly an unhealthy interest in my family’s life. So thank you, it truly was illuminating.”

***

“What the hell did you do Y/N?” a very alerted Dick appeared  on the other side of the screen

“I have no idea what you are talking about.” The girl sighted and fell onto the cushions bringing the computer onto her lap to see her brother better

“Don’t lie to me now, sis.”

“I wouldn’t even dream of it.”

“Bruce has been on the phone for the last fifteen minutes and from what I figured it’s about something that happened on the campus.”

“The only thing happening on the campus are students who skip classes.” She mumbled “maybe except that one time when one of the boys lost some stupid bet and blew up the fountain as some sort of punishment. That was funny.”

A little grunt was heard on Dick’s side and for a second he disappeared from the screen.

“Dick?”

“Sorry, I had a little interruption.” He rubbed his forehead “Now, back onto what you did…..”

“Did you say that someone blew the fountain?” third face appeared on the screen in the corner, taking over the conversation.

“Hello, Jason.”

“Hi sis. Maybe I should have joined you in your academic career. Seems like you have a lot of fun there. Besides, I never really finished school, since you know…. I died.”

“We know.” Y/N and Dick said in unison

“Always a good opportunity to remind you, right?” he grinned “Now, sis, tell me, how was it going full rogue on fellow student? I gotta admit I’m proud of you here.”

“So that’s what this is about?” Dick’s eyes grew wider than ever “I;m gonna ask you once again, Y/N. what did you do?”

“Nothing permanent.”

“What…..?”

“Cut her some slack, Grayson.”

“Look who decided to join us.” Y/N smirked “improved your computer skills much, Damian?”

“I got tired of being left out.”

“Since when do you care about the group?”

“Leverage, sis. Knowledge is power, I thought you knew that.”

“Ok, that is enough!” Dick finally lost his patience “I’m trying to have a conversation with my little sis here. Both of you, get out of the line!”

“Mhm, keep dreamin’ Dickhead.”

“For once I agree with Todd.”

“You have no right to…..”

“Guys…..” Y/N tried to mitigate them, but deep inside she enjoyed their bantering. It was a while since she experienced it and only now realized how familiar it was.

“I was here first!” Dick yelled “And I’m the oldest”

“No one cares Grayson! You are a Bludhaven resident now.  Just because you visit the manor does not mean you can keep Y/N busy using the wayne’s devices!”

“Don’t you have someone to kill in the crime alley, Jay?”

“Unlike you, I succeeded in all my latest missions.”

“Is that what you call coming back to your safe house bloodied and injured. You were on the verge of death!” Damian smirked “you were absolutely inept, that’s not a success.”

“You were what, now?!” Y/N shrieked. Her second oldest brother was sometimes too careless.

“It was not that bad, Y/N, I swear. And how the fuck do you know about it, demon?”

“I have my ways.”

“I would suspect Drake of spying on me, but you?”

“Speaking of the devil, I’m surprised Tim hasn’t already join us.” Dick muttered

“Oh, he did.” Y/N pointed out

“WHAT?” her brothers cried. Now there was another one fighting for her attention and it was not a secret that Tim was her favorite making the situation harder.

“I did.” Tim chuckled  “Well, to tell the truth Y/N let me in the channel. We have our ways with technology. Something none of you could ever fully understand. “

“Of course not….”

“Cheer up, Dami. You can’t monopolize all the areas.”

“I would beg to differ.”

“Ok, everyone hold up here. I think we lost the point of the conversation. The thing was that Bruce was on the phone, probably taking to the dean about….”

“Y/N played a little prank on her classmate, is that right?” of course Tim was the one who everything best.

 “He deserved it.”

“Y/n…..”

“Stop using the big brother voice on me! It’s not going to work!”

“How about we use Damian’s youngest one?” Dick teased

“I refuse to be used in this….”

“SHUT UP DAMIAN!” Dick and Jason shouted together and shared a murderous look between one another. Now they were both desperate to find out what happened since Tim would rather die than spill the bean. It was infuriating. They were the older brothers! This had to mean something.

“Ok, that’s it.” Damian stood up and the view of the empty chair in the place where his face should be was highly disturbing.

“That is not good.” Y/N said out loud something that all of them already knew. Her presumptions turned out to be right a second later when the shouting and yelling reverberated through the speakers and a blur of black and green rushed into Dick’s room.

“hey, I want to join the fight too!” Jason started up and with a speed, Wally West could be jealous of involved in the mix of limbs and screams.

“Wait! I though Dick was in Bludhaven! Tim?”

“Not today. We’re all in the manor.”

“And you idiots were talking to me through four different computers?”

“Are you actually surprised?”

“On second thought, not at all.” She sighed. It’s a good thing you are the reasonable one here…..”

“There you are, Timmy” now the situation has turned as it was Dick who appeared in the door of Tim’s bedroom “you are not  getting out of this. If you want Y/n to yourself you have to fight me.”

“And me!” Jason tackled Dick to the ground with a loud thump

“Losers!” Damian jumped over their bodies and came right at Tim

Because of their actions, Y/N was the only one who noticed two men stepping from the shadows and exchanging some words. Apparently Bruce wasn’t capable of putting the boys in their places and asked Alfred to try this instead. And a single grunt from the butler did a miracle as all of them stood up and started explaining and apologizing. Funny as it was, Y/N knew that with Bruce’s arrival she was heading straight towards preaching from her father.

“Y/N.”

“Hello Bruce.”

“Did you break his arm?”

“You broke his arm?” Dick was halfway out but turned back immediately

“No.” Y/n shook her head “I broke his arm and hurt his legs.”

“Don’t forget that you also demolished his dorm room.”

“That wasn’t me. That was….”

“Did you go at him as a vigilante? Wow! Way to go, sis. Now I truly am proud of you.”

“Ok, both of you, out!” Bruce lost the rest of his patience pushing Dick and Jay away. “Now that we are alone…….” he sighed deeply closing the door tight  

“I;m not sorry.”

“Oh, I know. And I’m not mad, because I’m sure you had a reason to do it. So tell me, why?”

“you…. you want to know ?”

“Of course. Look Y/n, I’m aware I won’t get  a father of the year cup from you, but I care all right? Did that boy hurt you and you took retaliation? Just tell me….”

“He was talking shit about our family.”

“And you felt the urge to protect the Wayne’s honor?” Bruce smirked “this is so not like you.”

“Honor, my ass. We’ve lost that ages ago, Bruce. The only thing I was protecting was my sole privilege of mocking you. No one else is allowed to do it.”

“I’ll be sure not to tell your brothers that you miss them. “

“That would be most welcome.”

“And you have to know that we don’t miss you either, y/n.” father and daughter’s gazes met and they both nodded in silent agreement, right corners of their mouths lifting almost unnoticeable. “You coming to visit next week?”

***

Something was wrong.

Something was terribly wrong and that tingling sensation became unbearable the second she climbed the manor’s stairs and reach for the doorknob with a heartrate so fast it would send anyone else straight into cardiac arrest. Y/N however kept her cold blood, focusing on what may happened inside and considering her options and strategies for a potential fight.

She could not expect  that the moment she opened the door four figures would jump out from the shadows making the noise that would bring the dead from behind the grave. It startled her and as a result she stumbled back, hitting the wardrobe and making it shake. She could not expect that on said wardrobe there would be packets and packets of paint and that those would fall down straight on her making her look like some abstractionism painting.

“I hate you all.” She muttered while her brothers run away in four different directions.

“Welcome home, miss Y/N” Alfred approached her with a tissue so she could at least wipe the paint from her eyes.

“Home.” She whispered “Yes, it definitely feels like it.”

It was good to be back.

But she was still going after them. .....

Later. When they would least expect it.

[elodee]

HERMIT A DAY MAY - DAY 18

JoeHillsTSD x Where the Sidewalk Ends

For Joe Hills I chose Where the Sidewalk Ends by Shel Silverstein!

I loved this book along with A Light in the Attic when I was a kid. It was one of my earliest exposures to poetry and since Joe is a poet himself, I thought this would suit them well!

In addition to doing a drawing for Joe, I also tried my hand at an original Joe Hills poem in the style of Silverstein. Writing poetry is pretty far outside of my usual wheelhouse, so I hope it turned out suitably Silverstein-esque! I'm proud of it regardless. :)

Here is the text of the poem:

-

JOE HILLS

A puppet is Juppet

A felt little guy

That felt is swell

And svelte

And blue as the sky.

But try as I might

I can't help but think

All that felt

Must swelt

In a Nashville July!

-

To learn more about Where the Sidewalk Ends and see my style references, continue below the cut!

(Happy Hermitcraft stream weekend! A fine weekend to donate to Gamer's Outreach)

Where the Sidewalk Ends is a 1970s book of poetry by Shel Silverstein. Each poem is accompanied by a whimsical ink drawing also done by Silverstein.

The poetry is fantastical and imaginative, often written from a child-like perspective. Though the poetry sometimes touches on darker themes, it does so from a thoughtful place and the collection is enjoyable for people of all ages.

Even if you aren't someone who likes poetry, I highly recommend picking up Where the Sidewalk Ends or A Light in the Attic. They are both wonderful.

Style references:

Every poem in the book has a cute drawing to accompany it. Here is the poem from the above image:

THE ACROBATS

I'll swing

By my ankles,

She'll cling

To your knees

As you hang

By your nose

From a high-up

Trapeze.

But just one thing, please,

As we float through the breeze-

Don't sneeze.

The illustrations for Where the Sidewalk Ends are whimsical with sparse, stippled shading and cartoonish characters

The lineart of these drawings is thick and a little messy but still easily readable even when the subject of the drawings is unusual (which is pretty much all of them)

[drama-glob]

Okay, I've been seeing some Ozzie hate/criticism for a while now that mainly pertains to "Ozzie's" and "Oops," namely his interactions with Stolas/Stolas and Blitz with three points being brought up the most. I can concede to agree with one of the points, but what I don't like is that there is then no consideration for Ozzie's perspective on the matter in regards to "Ozzie's;" as for the other two points, they just make me want to pinch the bridge of my nose because I feel they are overlooking some very important stuff/factors. >_< So, hopefully I can get my points across on what I saw/heard in these situations and give at least some people pause for thought and if not, well, at least I got it off my chest. :/

First off, the point I concede on is that yes, Ozzie should apologize to Stolas for what happened at Ozzie's.

Stolas did not ask to get spotlighted and made into an example for all of Ozzie's to see, and bringing up Octavia is always going to be a sensitive subject, especially with how the divorce is affecting her.

Now for the perspective taking:

For Ozzie, he is seeing a consenting, adult couple out looking for some lusty, kinky fun; they are at Ozzie's after all. He doesn't know the circumstances that led to Stolas and Blitz winding up here. Ozzie likely even assumes that Stolas brought Blitz here given that he used his status to get into the club without a reservation. How is Ozzie supposed to know that Blitz was the one who brought him as a ploy to spy on Moxxie and Millie (so not a real date) as well as know the problems that are in the Stolitz relationship such as Stolas talking down to Blitz or that Blitz is using him too?

Also, it just irks me how people can come to understand Fizz's attitude towards Blitz in "Ozzie's" now that we know about the fire and believing that he was left for dead by Blitz, but see that it's Ozzie's fault for not knowing everything that's going on in Stolas's life (such as the trouble between him and his daughter arising from the divorce). True, Stolas does not have to tell Ozzie about his trauma/problems and that's completely fair, but then it's not right to go around and criticize Ozzie for not knowing that it's a sensitive subject. Stolas has been hiding so much from Octavia and likely everyone else because of multiple factors, but his main concern being Octavia learning secondhand about the abuse, depression and/or his drinking.

I know Ozzie's saying this about Fizz's trauma and he loves him, but it's clear he respects that he shouldn't tell Stolas about it/setting boundaries for personal information, so had he known though about Stolas's case, I highly doubt he would have made a spectacle of him cheating, especially considering the subject of abuse. Plus, wouldn't you think if Ozzie knew that Stolas had been physically and sexually abused by Stella, he'd be adamant to tear Stella a new one or see that she was punished, especially given his values on consent? >:(

In addition, all Ozzie had to say about Stella was that she's hot, so he likely has hardly ever met her enough to speak ill of her/know what she's really like; Stella's attitude towards imps alone would tick him off. >:( Anyway, Stella is not going to the Goetia meetings where they could have chatted and I doubt if he talked with Stolas, he'd say anything revealing or maybe even just chalk it up to Stolas not being satisfied by Stella. I also highly doubt Ozzie is going to waste his time going to Stella's parties when he has a ring and business to run along with wanting to spend time with Fizz. Plus, he'd likely favor either his own party or one thrown by Bee. ;)

Something to note too is just how happy Ozzie is that Stolas was with Blitz because besides him and Bee, to have a royal publicly display that they find someone of lower class attractive and wants to be lustful with is a big deal; Andrealphus even mentioned there hasn't been a Goetia like Stolas, although I can believe some Goetias doing the act of sleeping with those deemed the lower class in private. -_- Ozzie thinks the hierarchy is bunk or at the very least, you should treat people fairly and not act superior to them. So, by highlighting Stolas and Blitz, in addition to getting the performance back on track, he's showing lust is not bound be class differences and that giving into pleasure should matter more than saying, "Oh it can't work between us because you're an imp and I'm a Sinner" or one's an imp and one's a prince in Stolas and Blitz's case.

Ozzie's line "Now that's the spirit of lust" is also cause to see why he's so happy since he's seeing Stolas trade everything else in his life for the thing he desires most: to be with Blitz, or in the case of seeing the two of them at his club, inferring it was to have sex with Blitz; it certainly was some first class demonstration of lust, that's for sure.

Also:

There's also a decent chance he didn't see Stolas do this since he was back onstage immediately after, but if he had and with how observant he is, he likely would have had some questions for Stolas since Ozzie's isn't the place to be ashamed about what turns you on, so him doing this would have made him wonder what's up. :/ (Of course, now we know that the Stella part didn't matter to him, but that he was doing this at the expense of his daughter's happiness that Stolas felt ashamed and not for being seen with Blitz, but this moment still unfortunately sent us to the place we are now along with a slew of other problems contributing to it :/ ).

*Also, to nip it in the bud, it was Fizz and Verosika really doing all the Blitz bashing, not Ozzie, with him mainly just letting Fizz vent all his anger since as he put it to Blitz, "You've lived rent-free in Fizz's head for years," so this was supportive BF/husband stuff in hopes that it might help him heal since it seems Fizz and Blitz haven't had contact in those 15years to talk/work it out.

So long story short/just to recap, while Ozzie didn't do what happened at Ozzie's with malice and the fact that intentions do matter, he still did it and the damage was done, which is why I concede to him needing to apologize; until he knows everything though, he likely won't, so please don't see it as a flaw of his character that he hasn't until such time. :/

On to point two: I've been seeing it be said ever since "Oops" came out that Ozzie doesn't actually believe in helping Stolas and Blitz and only did it because Fizz told him he could. -_- Okay, well:

Ozzie is saying right here that he sympathizes with Stolas and why wouldn't he?! He flipping knows exactly what it's like to be in love with someone deeply and wanting to give them something that makes them happy! Yes, the reason he didn't give Stolas the crystal right then and there was because of Fizz, but that's because doing so would be an act of betrayal to Fizz, not that he doesn't see Stolas's side in this or understand why he wants this. Until the end of the episode, Fizz had hated Blitz and had clearly been verbal about it in the ~10yrs Ozzie and him have known each other, so going behind his back to help someone Fizz sees as his enemy is certainly grounds for relationship trouble and they'd lose so much of the trust that we see Fizz and Ozzie have. :(

The last thing that I've been seeing is people saying that Ozzie finds Stolas annoying or that Ozzie may even hate him because they heard him groan during this statement:

For me though, Ozzie groaned the whole sentence and not just Stolas's name, so it was not singling him out or if anything had a sighing aspect to it because it had been a long day, but more importantly, Ozzie's time with Stolas was mostly a flipping 12HR HOSTAGE NEGOTIATION!!!

That is not going to be a fun time no matter who Ozzie was with, okay?!

*I've also seen a comment about it being Stolas is a nerd compared to him when it's like, "Hello! Ozzie is a nerd too! He's literally a mechanical engineer who designs complicated robotic parts and sex toys! That takes a lot of math and physics!" Plus, I could see that being a point of interest for Stolas and Ozzie since calculating orbits, stars, eclipses, prophecies, etc. uses math and physics as well as Stolas would likely be fascinated with Ozzie's crystals.

The other thing people seem to forget is that Ozzie was also stuck with this guy:

The sleazy, asshole lawyer with a power kink, who sat in Ozzie's chair, talked down to him, pulled that move with the first contract so that they really had no choice but to thoroughly vet the bigger one with a fine-tooth comb, and kept delaying everything until the deadline literally came! >:(

Also, for people thinking about Ozzie being happy that he said no to giving Stolas his crystal:

This was him trying to cheer Fizz up, to let him know that although the day was undeniably terrible, Ozzie still respected his partner's wishes and knew that he wouldn't have wanted Blitz to have one of his crystals. Ozzie was even partially laughing while he said it in a "Oh, you're just going to love what happened babe!" or "You are not going to believe this Fizz!" kind of way in that maybe they could laugh about it sounding ridiculous for Blitz to have a crystal with how much Fizz hated him up to that point.

I know people may still think or feel how they want without budging by the end of this, but this is just what's been on my mind and I wanted to give my two cents on it. Also, part of the reason this is so long too is because I already analyzed the "Ozzie's" stuff for a fan fiction I wrote about it a year ago where Ozzie realizes he made some assumptions that night and was wrong. :/ Anyway, thanks for reading this giant thing. <3<3<3

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea

[itsclydebitches]

Hazbin Hotel: Let's Talk About Cursing!

Trigger warning for lots of cursing in this post (obviously) and discussion of canon abuse scenes

As I delve further into the Hazbin Hotel fandom, I’ve inevitably come across a variety of people who dislike the show for an equal variety of reasons. One criticism I’ve seen with some consistency is in regards to the cursing and yeah, I get it. That’s not going to be everyone’s cup of tea. However, the repeated claim that the cursing is only there as a—failed—attempt at bad, lazy humor got me thinking about why I personally liked the cursing, and why I think it serves a greater purpose in the show.

Now yes, some of the cursing does function as an arguably simplistic joke. The most common setup I’ve noticed is one that leans into a contrast in tone/personalities. We see this a lot with the polite, comparatively timid Charlie as she navigates her distinctly vulgar domain.

Charlie: “Hi, mister!” Demon: “Go fuck yourself!”

The entirety of “Happy Day in Hell” plays with this contrast, setting up Charlie’s slightly skewed, but significantly optimistic perspective of Hell. We are shown again and again how her lyrics are contradicted or twisted into something less innocent through the visuals: a “revealing” street where it’s “hard not to stare” has BDSM going on in a nearby window, Charlie will “open the door” for her people and then literally does so... for a guy who’s already dead. (Or, you know, temporarily out of commission until he heals, or whatever demons do when they’re ‘killed’ by things other than angelic steel.) The entire point here is to contrast the happy, skipping girl claiming that there’s a “warm, fuzzy feeling” in the air with the actual environment of unchecked fires and decaying limbs. And yes, that can be amusing. Not necessarily for everyone as humor is highly subjective and dependent on context, but distilling this contrast down to the shock of a polite greeting getting a “Go fuck yourself!” in response is a kind of entertainment. Especially when Charlie’s reaction adds another layer: for me that’s a very funny—and currently relatable—expression.

We can potentially make the case that this humor format overstays its welcome, but I personally think the show does a good job of keeping Charlie’s cursing both simple and comparatively rare, so that when she is put into these contrast situations the humor lands better. The best example I can think of in the latter half of the show is Susan. There we get the whiplash of polite, trying-to-get-these-people-to-like-her Charlie reaching a breaking point to become “FUCK YOU, YOU OLD BITCH” Charlie. It’s a moment that builds off of the earlier surprise of the courteous Alastor calling someone an “Ornery old bitch”—while Rosie is trying (and failing) to find a nicer way to phrase this.

However, as stated above I think the cursing serves more of a purpose than to just be funny for (some) viewers. Beyond those who simply find cursing distasteful, I’ve seen a fair bit of, “This is so stupid. No one even talks like that!” going around.

Except... I do? I talk like that.

See, I like cursing. I was born to former hippie parents and grew up playing MMOs, so cursing was something I became pretty acclimated to. Personally, I’m glad I was because I’m fascinated by language and cursing—for better or worse—is an integral way that many people communicate. I was taught to see cursing not as the Bad Forbidden Thing You Must Never Ever Do, but rather as just another form of expression, something to be used in moderation and under specific circumstances. Once I became an adult I already understood how I wanted to curse and when it was appropriate to do so. People at work are often shocked when I tell them I curse a lot because no, of course I’m not doing that at my job. That isn't considered professional in this space. Among my friends though?

We can sound a lot like the Hazbin crew.

Undoubtedly the most common curse in the show is “fuck” and its variations, which very much tracks with my personal experience among other people who curse. In fact, it’s so ubiquitous that it barely counts as a curse at all in some groups. It’s more of an easy, accepted way to add emphasis. Vaggie’s “What the fuck was that?” about Alastor’s commercial is a perfect example. She’s pissed and simply saying “What was that?” doesn’t carry the same weight, no matter how angry she may sound when she says it. Vox’s long “Fuuuuuuuck” at the end of “Stayed Gone” conveys an emotion you just can’t capture any other way. No dialogue at all would create a fundamentally different experience of Vox’s feelings and another non-cursing response is just gonna hit different. Not necessarily bad, just different.

“I don’t want to go to the party!” “I don’t want to go to the freaking party!” “I don’t want to go to the fucking party!”

The above represents three distinct characters to me and I think Hazbin Hotel gets that. Cursing isn’t thrown around randomly because something something cursing supposedly sells; it’s all linguistically logical. Characters curse when something surprising or bad happens, or when something unexpectedly good happens, when they’re angry, trying to be sexy, or they want to add that emphasis. That’s a lot of different situations where cursing can be useful and when you use “fuck” in your daily life a lot you become pretty desensitized to it. As said, for many it’s barely a curse at all. Which means that when you really want to curse you’ve got to up the ante. It doesn’t surprise me one bit that the two uses of “cunt” I can recall—a word that is generally considered far worse than “fuck” and makes a lot of people understandably uncomfortable—is used by two of the worst characters in moments that are meant to horrify the viewer:

Adam: “Can’t wait a whole year to slaughter those little cunts / I know it’s just been a week, but we’ll be back in six months!” Valentino: “When I say you’d better get that fucking cunt out of my studio, you say...?”

This horror is especially emphasized in Valentino’s scene. The creators know this word is coming up and deliberately build towards it. Angel is currently being abused and has been reminded that Valentino “owns” him. The above question is a part of a trio that Valentino asks (a standard structure in writing), wherein the third option is the outlier/most shocking of the three. The animation leans into that shock, with the music building and Valentino grabbing Angel to pull him close right on the word “cunt.” Perez even puts emphasis there because he knows that this is a significant word that will change our understanding of Valentino.

Despite having hit Angel multiple times and taunting him with the contract, this is the moment Valentino stops playing the ‘nice’ employer. This is the real him. No more fake compliments and endearments aimed at Charlie, no more fake comfort/intimacy aimed at Angel. That “cunt” conveys a hell of a lot about how Valentino really sees them and when you have a cast of characters who are already cursing on the regular, it takes a word on that level to do that kind of work. If Valentino had said, “get that fucking bitch out of my studio” it wouldn’t have had nearly the same impact because he’s the kind of guy who uses "bitch" even when playing ‘nice.’

Adam’s line from “Hell is Forever” does very similar work. The scene needs a word to align with the horrific reveal that another extermination is just six months away, that conveys Adam’s deep disgust for Charlie’s people, and that still catches the viewer’s attention even though he’s the character (I believe) who curses the most. Here the music drops and Adam is a little closer to speaking than singing; there's this shift because, like with Valentino, our perception of him is shifting. This isn’t just some egotistical idiot who wants to be called “Dick Master,” he’s the leader of an army coming to gleefully kill them. Framing a whole world of people—people Charlie loves—as “cunts” while treating their murder as a holiday that can’t come soon enough creates an, 'Oh shit. This guy is actually a threat' understanding that you can’t quite get with anything else.

On a smaller scale, cursing does other character work throughout the whole show. I watched a number of cursing compilation vids for this meta (that was a trip lol) and again, cursing is not thrown in randomly. Each character has a unique way of cursing that aligns with their personality and motivations:

As said, Adam curses the most in the show which helps sell his truly over-the-top, irreverent personality. Linguistically, the amount he curses also allows for some fun grammatical play. Lines like, “Fucking love putting my name on shit, shit’s the best!” help convey the versatility of cursing.

Also as said, Charlie curses a fair bit but she’s comparatively polite and her cursing tends to be a result of genuinely big emotions—like saying “Crap” when she’s shocked and falls, or “Shit!” when Adam locks her out of the room—rather than sprinkled into her conversations as a modifier. That leaves space to create those moments of amused surprise when Charlie really let’s loose.

Sr Pentious curses even less than Charlie which fits his secretly gooey center. He talks a big game at the start of the show, but he’s actually quite bad at being, well, bad (especially the Amazon version compared to pilot!Pentious). His idea of getting one over on Alastor is ripping a bit of his coat. He loves his Egg Bois and “doesn’t want to live” without them. He has no desire to go into battle without minions/a big machine to hide behind and, of course, he’s the first to be redeemed. He's too much of a secret sweetheart to curse a lot.

Interestingly, Niffty doesn’t seem to curse at all. At least, not enough for me to think of examples off the top of my head. Right now I’m inclined to read that as an extension of her lived experiences/design—the cute 1950’s housewife archetype who is obsessed with keeping things clean doesn’t [gasp!] curse—as well as a way to maintain her legitimate creep factor. As said, cursing is common among the hotel residents and is a way for them to linguistically fit in. Niffty, however, is positioned more as an outsider (despite how much they all obviously love her): she’s actually scary in a way most demons aren’t and despite how weird this whole world is, she stands out as someone no one else can make sense of (even Alastor). If cursing is normal, Niffty is a character who is decidedly positioned as not normal.

Angel curses a fair bit, though his irreverence is conveyed more through innuendos. Angel is great at verbally twisting others’ words (especially Husk’s) to give himself a conversational advantage:

Husk: “Go fuck yourself” Angel: “Only if you watch me~”

Husk: “You’ve come—” Angel: [very loud orgasm noise] Husk: “...to the right place.”

Meanwhile, Husk uses “fuck” plenty, but he’s also one of the few characters who use “bullshit" too. I wouldn’t say there’s anything particularly revealing about that choice, but just giving him a go-to curse that’s otherwise used infrequently helps make his character distinct in a cast of other cursing characters.

Vaggie occasionally curses in Spanish, showing us her heritage if she used to be human, or a distinct knowledge/verbal preference if she’s always been an angel.

Heaven, as the ‘good’ side, doesn’t curse as a general rule, which leaves room for cursing to do more of that silent character work. We’re reminded of the stuffy, overly critical beings she’s dealing with when Charlie receives the combined judgement of the court for saying, “Fuck yeah!” In contrast, we understand just how shocked St. Peter is to see a Morningstar when he lets out an unintentional “Fuck!” The angry vindication of Charlie’s “That’s what the fuck I’ve been saying!” lands harder after multiple scenes of very little cursing, and Lute’s “Some crack-whore who fucked up already? / He blew his shot like the cocks in his mouth—” helps set her apart as an exorcist + Adam's second in command: her shocking violence comes through in her word choice too; words that supposedly don't belong in Heaven.

In what’s arguably the funniest line in the whole show, Lucifer undermines his dramatic standoff with Adam by going, “You mess with my daughter and now I’m going to fuck you.” Beyond just cutting the tension, that fits his bumbling, oblivious personality perfectly. Lucifer is crazy powerful and can absolutely wreck Adam. He also has none of the classy intimidation that, say, Alastor displays when he tries to convey that. This is a depressed himbo who makes ducks in his free time and settles on, “Hey, bitch!” when greeting his estranged daughter. Of course he’s going to accidentally turn a threat into a promise of sex.

Which finally brings me to Alastor, someone whose cursing is already understood well by the fandom. He’s characterized as manipulatively courteous, using manners to both hide his true nature and draw attention to his power—’You’re so beneath me I’ll just calmly sip my coffee and politely ask who you are, despite the fact that we've fought multiple times.’ This is a guy who calls people “My dear” and unironically insults them with the phrase “wacky nonsense.” So when he curses you can BET it’s gonna have an impact. It sure did for me. I had to pause the episode after Alastor’s first “Fuck you” because it was so shocking to hear that language from him. And that’s the point! The scene wants that reaction from the audience. The "Fuck you"s visceral anger contrasting the fake laughs he and Lucifer have been giving, the quick-fire exchange that’s suddenly cut short by Alastor’s choice of a direct insult, the fact that he’s officially dropping the polite veneer they’ve both been indulging in and raising the stakes before Charlie intervenes, the loss of the radio filter that otherwise demonstrates his control over a situation... all of it screams, ‘THIS IS AN IMPORTANT CHARACTER MOMENT.’

"Fuck you” reveals that, for the first time in the show, Alastor is legitimately threatened by someone. Which makes sense given that, you know, Lucifer is the King of Hell. Cursing for Alastor isn’t normal, so when he does curse it’s going to reveal something about a guy who otherwise is obsessed with being unknowable. Having the King of Hell dismiss him is actually infuriating in a way Sir Pentious’ threats could never be and the exchange kicks off a rivalry that rattles Alastor in ways Vox’s never has. (Side note: is it any wonder people ship them? Character A making control freak Character B feel vulnerable is classic!) It’s no surprise to me than that the one other true curse we get from Alastor is, “I’m about to end your fucking life,” delivered to Adam who, like Lucifer, poses a legitimate threat and does end up beating him. I say “true” curse because calling Susan a “bitch” does similar work for him, but the takeaway is humorous rather than dramatic. It’s funny that the only people who can piss Alastor off enough to curse are the First Man/a powerful exorcist angel threatening his life, the literal King of Hell... and Susan.

So there’s a lot going on here, more than what many viewers might assume if they approach the show as just “stupid,” needlessly vulgar entertainment. As shown above, I don’t think the cursing is needless, especially given that, well... they’re in Hell. They’re sinners, supposedly the worst that humanity has to offer, so of course they're going to curse a lot. Does cursing mean you’re a bad person? No. Can you craft a hellish world that doesn't rely on cursing to convey a group's immoral nature? Sure.

Does it make sense that a writer would equate a sinful, irreverent cast with linguistic rebellion and would want to convey a certain vibe that, frankly, you just can’t get without dropping an F bomb?

Yeah, I think so. No one has to like that kind of creative decision, but it’s worth acknowledging it as a deliberate choice.

That’s all! Thanks for reading this fucking long post ✌️

[wonton4rang]

bnd legal line opinions about porn + what type of porn they like (if any) from my perspective.

warnings; +18, explicit explanations of sexual actions (porn, lol) mentions of their real name i think in taesan's.

note; woonhak for sure watches porn, i can just feel it, but i won't include him here because i don't feel very comfortable talking about him in this subject, please understand!!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

sungho; i truly don't see him very into porn, i feel like he is the type to be into romantic stuff so porn would not be his thing tbh. but he does find himself watching some home-made videos, but not those glitchy ones, he would seek quality but not the highly acted and illuminated ones. organic yet visible.

riwoo; humping porn. that's it, that's the thought. he would get so turned on by some nice clothed humping, he would actually even love to try it sometime and he will definitely have a thing for dancing so close to someone it actually feels like they're humping them.

jaehyun; i think it's pretty obvious but myungjae + fem!dom porn? a perfect match. he would have two sides tbh, fem!dom and riding povs. he would just love to be handled like that and also to be fucked by a good cunt while he just lays back and cries out about how good he feels.

taesan; i am so sorry to anyone who thought otherwise but dongmin is for the lesbians, he definitely has a list of good users that have great content. he doesn't really watch much porn tbh, it's on an exceptional day when he's too stressed or just horny, but lesbian porn is his way to go 100%

leehan; prone bone fuck porn, definitely made for leehan. there's no way you can't tell me that this man would not love to be in top of the back of your tights watching how his dick gets loose in between your ass cheeks and your soaked pussy. he just loves the control he has and the view. other thing I think he may like is shower sex, idk, it just feels right for him to watch that.

[writerthreads]

Ten must-read books for writers (or anyone, really.)

By Writerthreads on Instagram

Obviously this list is highly subjective and based on my research and personal experience. Please share your favourite books as well!!

1. To the Lighthouse by Virginia Woolf

Woolf is the queen of the stream of consciousness and a master at diving into characters' inner thoughts, conveying complex emotions, themes and perspective. Her prose is breathtaking, her character memorable.

2. Beloved by Toni Morrison

Morrison tackles difficult themes with poise like no other, diving into topics like grief, trauma, and identity. Read this book to learn how to develop multi-layered narratives whilst maintaining perfect pacing and a intricate narrative structure.

3. The Great Gatsby by F. Scott Fitzgerald

A masterpiece. Sharp social commentary, eloquent prose and vivid imagery... what more can you want from a book? Every word was chosen for a purpose, and it shows the importance of restraint in writing.

4. The Lord of the Rings by J. R. R. Tolkien

Tolkien's legendary fantasy world-building makes his series a staple in fantasy literature. The geography, cultures and histories in his works are well-crafted. Anyone trying to build a complex world can learn from from this series.

5. Mrs. Dalloway by Virginia Woolf

Our second Woolf classic in this list! Mrs. Dalloway is a masterclass of a perfect character study. Woolf weaves different viewpoints intricately, capturing the essence of human experience.

6. Pride and Prejudice by Jane Austen

Austen character development is legendary, showcasing complex, evolving characters like Elizabeth Bennet and Mr. Darcy. The novel’s witty dialogue show insight into personality and societal norms, and her narrative voice and well-structured plot keeps readers hooked to the very end.

7. Never Let Me Go by Kazoo Ishiguro

Ishiguro’s novel presents a quietly devastating exploration of memory, identity, and humanity through a dystopian lens. The subtle, restrained prose and profound emotional impact illustrate how to weave complex themes into a seemingly simple narrative.

8. The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

This book made me cry so very hard. The author explored themes like identity and fame, while creating an engaging and multi-layered plot that had me hooked. Reid’s vivid prose showcases techniques for creating emotionally resonant and storytelling that allows readers to feel for the characters.

9. One Hundred Years of Solitude by Gabriel Garcia Marquez

Márquez’s masterpiece provides a gorgeous, profound exploration of magical realism. Its intricate narrative and richly imagined world blends fantastical elements with real-world themes into something unique and breathtaking.

10. Wuthering Heights by Emily Bronte

Brontes exploration of dark themes, framed within a dark and brooding narrative, makes it the quintessential gothic read. It's emotionally intense, complex in structure, and definitely memorable, perfect for any budding writer dabbling in dark academia, modern gothic literature, horror, etc.

And here's my rather shoddy list from a non-English major who reads too much! And Sorry for the lack of accents on the required letters, I haven't figured out how to add them on my laptop. Please give me a general opinion on my book recs and whether they're good, or if you have more suggestions! Lots of love.

[lassify]

Behind Test Subject 007: The Science of Anya’s Telepathy

Okay guys… I’m gonna come clean. I’ve had some scientific hypotheses brewing for a while now (not least to use in my fanfic, lol), but since we might be getting close to getting an Anya arc in the SxF manga, I figured that now was as good a time as any to actually try to arrange those theories in something resembling coherent and share them with you all. 

Disclaimer: I am not trying to position myself as an expert. I have studied Psychology and Cognitive Neuroscience at university level, so just for fun I ended up doing a ton of research on this, and I’ve got a lot to cover, so… wish me luck 😅 References will be embedded in the text!

Heads up that this is on the long side and complex as hell and my head physically hurts, so I’ll tackle it in sections:

Part 1: Psychology

My actual subject, but I’ll only skim over a couple of theories…

Part 2: Cognitive Neuroscience (Structural basis)

In which I will look at the individual brain areas which could be relevant to telepathy

Part 3: Cognitive Neuroscience (Functional basis)

In which I talk about how those brain areas communicate to each other

Part 4: Physics

I’ll admit, not my strongest subject, but I’ll mention a couple of theories which could be relevant

If you're ready for your brain to melt, feel free to keep reading...

Part 1: Psychology

There are 2 main theories in Psychology which could offer some explanation for Anya’s psychic abilities. 

Theory 1: Theory of Mind

In short, this describes a person’s capacity to understand other people. It is similar to sympathy or empathy, but actually it is the ability to understand that another person is different to ourselves, that they have their own desires, motivations, and thoughts, and that this is reflected in their behaviour. Even more importantly, it’s about being able to decode other’s mental states, whilst still being able to differentiate it from our own.

Any parent will know that it is a real effort to teach children about trying to understand other people’s perspectives: this is because children typically have an undeveloped Theory of Mind, and it is something that continues to develop even into adulthood. In adults, having a developed Theory of Mind helps us to understand other people’s perspectives, predict other people’s behaviour, and use both empathy and deception. 

Anya has a really strong Theory of Mind, which is actually so impressive for her young age. She understands the complex web of all the secrets: that Twilight is a spy, Yor is an assassin, Yuri is in the Secret Service, and Bond is precognisant. She also understands who knows what about each other, and how she can use all of this information to her advantage - those are some crazy cognitive skills!!

In terms of how this is related to telepathy, you could argue that someone with a strong Theory of Mind (like Anya) may be more likely to:

Understand that people have hidden feelings that they don’t show 

Demonstrate empathy for emotions 

Collate information about their likes and dislikes and past behaviour to predict future behaviour. 

If she is highly sensitive to these things, then it could look like telepathy (even if it isn’t). 

Theory 2: Hyperesthesia.

Many people will have heard of synesthesia, which is a synthesis of the senses to the extent that the sensory information overlaps, but hyperesthesia is about being highly sensitive to external stimuli of the senses such as sight, sound, taste, smell, and touch. 

I can imagine an overlap with Anya’s hyperesthesia and her Theory of Mind to pick up on the nuances of other people’s behaviour, to the extent that reading behaviour could inform the sensation of “reading minds”. 

In a science-fictional world like SxF we could imagine that hyperesthesia could stretch into the sense of extra-sensory perception, by being sensitive to the electromagnetic signals in other people’s brains (or even geomagnetic - more on that in Part 4). From this, it is possible that Anya could “read” people’s minds through deciphering the electromagnetic waveforms that people’s brains might project (more on deciphering brainwaves in Part 3…). 

Part 2: Cognitive Neuroscience - Structural Basis

I think we can all agree that Anya’s telepathic powers would largely be supported by the specific structures of her brain, especially given that Endo has already dropped hints of neuroscience in the manga, and we know that he’s very much interested in accurately depicting psychology and neuropsychology in his story. 

The best way to encourage certain brain areas to develop is by doing exercises and tasks which would use that part of the brain repeatedly: for example, consistent gymnastics practice would enhance the cerebellum, the centre of balance and motor coordination. But, I can picture the experimenters in SxF trying something a lot less… humane.

Like, experimental neurosurgery. 

For example, theoretically, they could artificially enhance certain brain areas by using a neural growth factor serum (this doesn’t exist in real life, but let’s indulge the science fiction elements for a second), and, theoretically, if the experimenters used glycoproteins as the serum’s main content (like laminins and netrins), they could control the pace and direction of neurons growing in a brain, choosing to focus on cellular growth in certain areas. Then, they would be able to view the activity of the targeted areas using functional magnetic resonance imaging (fMRI), and measure it with electroencephalography (EEG, see Part 3 for more on this).

If Anya ever had experimental neurosurgeries during her childhood, they would have likely focused on the following areas: 

Corpus Callosum: The corpus callosum is the thick structure of white matter that connects the two hemispheres of the brain, allowing each hemisphere to send signals to the other. With an enlarged corpus callosum, Anya would be able to process neural signals at a much faster rate, and at an increased volume, helping her to process the additional load required for telepathy.

Wernicke’s Area: Named after German neurologist Carl Wernicke, this part of the superior temporal gyrus (usually of the left hemisphere) is a major part of being able to understand language. With an enhanced Wernicke’s area, Anya would be more sensitive to decoding the neural signals associated with linguistic thoughts, effectively enabling telepathic communication through language. (As an aside, this would also give Anya an advantage in understanding other languages… which could explain her natural talent with Classical Language!)

Superior Temporal Sulcus: This is another area that is important for processing human speech, and is critical for processing social cues, such as understanding others’ intentions (including Theory of Mind!). With experimentation in the STS, Anya would be better able to decode the subtle cues in others’ brains relating to thoughts and emotions.

Inferior parietal lobule: As well as assisting in the interpretation of language and sensory information, the IPL is also involved in tasks like perspective-taking and understanding others' mental states. By increasing connectivity in this area, Anya can "tune into" the thought processes of others. It’s also well-known for its’ role in visuospatial processing, which can help Anya see visual thoughts as well.

Anterior Cingulate Cortex: This system is composed of a number of different parts of the brain, all working together to be able to process things like attention, decision making, inhibition and emotions. Most interestingly, it is associated with detecting conflicts and errors. Increased sensitivity to the ACC would likely help Anya to detect cognitive dissonance and conflicting thoughts in others (the perfect formula to eventually understand tsundere tendencies…).

Amygdala: The amygdala is often known as the centre of fear, but actually it is hugely important in threat detection, emotional processing and emotional memory. If Anya’s amygdala was enhanced, this would aid her ability to detect threats quickly, as well as her empathy skills and help her to intuit others’ emotions and thoughts. (A negative side effect of an enlarged amygdala would be that Anya may be more vulnerable to the effects of toxic stress, possibly making her less resistant to the effects of psychological trauma.)

Mirror neurons: Mirror neurons specialise in helping us to carry out and understand other people’s actions and behaviours, playing a key role in empathy and Theory of Mind. These hold internal representations of thoughts or actions, and could potentially be the key for Anya to be able to translate another person’s thoughts or intentions, assuming that she has a particularly active mirror neuron system.

Precuneus: The precuneus is really difficult to research and is super complex, so I’ll do my best to keep this simple: Located in the medial parietal cortex, this part of the brain is essential for visuospatial imagining and processing, as well as episodic memory, self-reflection, and some aspects of consciousness. I suppose the main thing is that it has a big role in mental imagery, including being able to model other people’s views, therefore helping Anya to process the mental images in other people’s thoughts.

Broca’s area: This is very much non-canon, but I imagine that if Anya ever developed the ability to project her thoughts, the Broca’s area would be key for this. While Wernicke’s area helps with speech understanding, Broca’s area is key for speech production. In my fanfic (SSS), Anya’s Broca’s area probably functioned normally for most of her life, but in the recent experiments imposed on her, the ability to project her thoughts was ‘unlocked’ through the increased activation of the Broca’s area.

Part 3: Cognitive Neuroscience - Functional basis

The thing is, it’s not enough to just know which parts of the brain work for what - there is also the question of how they connect and work together to be able to fulfil their functions. 

Think of it as the wiring which connects the parts of a computer: a motherboard, mouse, keyboard, and graphics card (as examples) are built to fulfil their specific functions, but the real magic is in how they connect and send signals between each other so that everything works smoothly.

That’s where neural oscillations come in - otherwise known as brainwaves. These are generated by the action potentials of nerve cells, and their different speeds can be measured using electroencephalography, or EEG machines, which can measure the patterns of activity across a brain.

Let’s bear in mind that I’m really skimming the surface of this subject, so I won’t go into all the types of brainwaves in too much detail, but I will focus on the ones that I think could be more relevant to Anya’s telepathy:

Gamma waves

This is the pattern of neural oscillations which are correlated with large-scale brain network activity, and are largely predominant in learning, working memory, and processing new information. In other words: gamma waves help Anya to connect all the different parts of her brain which are relevant to her telepathy, so that all the areas can communicate to each other.

(Just as an aside: I found this hilarious study that looked at the effects of different types of nuts on brainwaves, which saw gamma wave responses being improved through pistachios, while peanuts aided in generating more delta waves. I wonder if the lab scientists of SxF caught on…) 

Theta waves

Theta waves are especially prominent in childhood (during sleep). I imagine that the lab may have recruited children partially for this reason (the other reason would be that brains have more plasticity at a younger age, and so can be altered easier than an adult’s brain). In adults, theta waves are also prominent in hypnotic or meditative states, mind wandering, and the early stages of sleep.

I think it is really interesting that theta waves occur during deep relaxation, as well as the early stages of sleep, making it the only brainwave that can activate both during sleep and during wakefulness. (From what I can tell, anyway.) This could make theta waves an important component of Anya’s telepathy - for example, if her telepathy was important to her survival, then it is critical for her to be able to detect thoughts during sleep, and her amygdala could alert her if the thoughts were at all threatening.

During wakefulness, I can imagine that Anya’s theta waves serve as the precursor for the activation of psi waves…

Psi waves

Just to confirm, Psi waves are definitely fictional, but my rationale is that historically, ‘Psi’ (ψ) has been used to denote the unknown factor which is linked with parapsychology and psychic phenomena. 

My theory is that psi waves would be the frequency required for telepathy, which would allow Anya to detect and interpret other people’s thoughts through their pattern of neural activation. In other words: she can probably read brainwaves. 

Modern science is already trying out methods to interpret people’s brainwaves (which is honestly both supremely cool and extremely terrifying), so it’s not too far out of the realm of possibility that Anya would be able to do the same thing just by unconsciously using her psi waves. The psi-waves would essentially mimic a brain-computer interface in being able to process and interpret neural activity (aka thoughts).

If you require a bit more concrete evidence to believe me, I’ve made a list below.

Right now, we can analyse brainwaves using EEG to:

Decode whether someone answers “yes” or “no” to conversational questions 

Control the movement of simple robots, including wheelchairs, which can be locked/unlocked using EEG (and EMG) as a biometric security system

Detect and interpret what emotion someone is feeling, as well as learn how strong that emotion is (at an accuracy rate of 80-94%)

Deconstruct the cognitive processes underlying social interaction in people who struggle to verbally express themselves

And this study analysed brain activation using fMRI to interpret and reconstruct visual images

Neuroscience is really crazy, guys.

Part 4: Physics

So… this is the part I am the least confident about. Please be patient with me and forgive me for any mistakes 🙏.  Also, this is the perfect time to remind you guys that I am really engaging with science fiction here. Emphasis on the fiction 😂. 

Basically, there are 2 main theories from Physics that I think could explain Anya’s telepathy, as well as her weakness(es):

Theory 1: Geomagnetic Field Sensitivity:

All brain waves are generated by electrical activity in the brain, and they also generate electrical activity of their own, which creates an electromagnetic field around the brain.

Anya’s abilities could be tied to the geomagnetic field of the earth, especially during the New Moon: when the moon is positioned between the earth and the sun, this could affect the field’s strength. The subtle alteration in the geomagnetic field could disrupt the electromagnetic field generated by Anya’s brain, thus disrupting the neural processing. 

In other words: the New Moon could interfere with Anya’s own electromagnetic field around her brain, via sensitivity to changes in the geomagnetic field, which could be why she can’t read minds during the New Moon. 

Theory 2: Resonance:

Resonance can be observed in physics, acoustics, musical, electrical, and mechanical systems - but now scientists are even looking at resonance in consciousness, and resonance in brain waves on a quantum level. 

Without going into too much detail (I am not qualified), I think Anya would generate a resonance frequency of her own that helps her to facilitate telepathic communication: through resonance, Anya could synchronise her Psi waves with the brain waves of another person, and it is this synchronicity that helps her to interpret the other person’s brainwaves. 

If Anya ever encountered another telepath (as she does in SSS), I imagine that they wouldn’t be able to read each other’s minds because their resonance frequencies would cancel each other out. 

In SSS, I also introduced the idea of a sub-auditory sound wave which would stop Anya from being able to use her telepathy. The idea behind this was to introduce another weakness for Anya: when this sound wave is emitted or detected, it interferes with the brain's natural telepathic frequency. This is because the sound wave oscillates at a frequency that masks the neural signals required for telepathy, and means that Anya can’t interpret those signals as easily. 

Thanks for reading!

I told you this was long. Sorry 😅

The above is really just a collective mishmash of stuff I’ve been slowly putting together for about the last 6 months, and I fully accept there will be parts that are more plausible than others. 😂 But it was fun, and more than anything I am really excited to see what we get to find out in Anya’s backstory arc (when it gets here…), and if I see any mentions of brains or neuroscience in SxF I will literally die of joy