#i spent way too much time on this rip

[zivazivc]

What kind of nu metal music fits Les's band?

First of all I gotta clarify that I sent this ask myself because I accidentally lost the original through constant editing and drafting. I realize I could just make a regular text post but I'm quirky like that, and a question is a nice little attention grabber for those who are interested.

Anyway...

It's hard to point at one song and say this is their sound, because A: I'm picky, B: the band's style changes over time, and C: I don't know what I'm doing lmao

This answer is very long uhh I don't seem to be able to form short responses, mi scusi 😅

Back at home the brothers' music and then also the first year on the road with Flea the band sounds like the albums Music and especially Grassroots by 311. (Grassroots is such a banger of an album, I listen to it all the time, really recommend.)

Hed's the main influence on the band's sound because he's the main vocalist, songwriter and overall the most invested in the band succeeding (Les's main concern is making ends meet, and Flea is just enjoying the ride lol). At the start Hed and Les have had basically no contact with Rock Trolls so even though they're both more metal/punk than regular rock, their "rock side" is softer at this point. Hed also grew up with hip hop because of his peers so there's a lot of rapping in his lyrics. And he also incorporates reggae into his style a lot because of his favorite uncle, Kymani (one of the guys who live with Ish) who is a Reggae Troll. Hed is pretty much a sponge when it comes to music, much like Floyd. The closest I can come to describing his genre is a fusion of Rap Metal and Reggae Rock which are both already fusion genres jskksdjsk

(The band 311 has two singers and oddly they both sound like Hed and Les to me. SA Martinez (the higher of the two voices) sounds 100%, exactly like how I've imagined Hed's voice in my head. For Les I have a different voice claim because Les's personal style of music is much different from the band, but Nick Hexum (the lead vocalist here) is still in the second place when it comes to voice alone. Imagine my enthusiastic surprise finding voices for both brothers in the same band 😄)

examples from the two albums:

...

While driving around and performing small gigs they come in contact with the alternative and nu metal scene and meet a lot of Rock Trolls (mostly various Metal Trolls) and other mixed trolls, and in the following couple of years their sound gradually becomes heavier (Hed rediscovers screamo lol) and they go from rock to metal.

A year into their "touring" is also around the time Hed meets and starts dating Liv and gets her to join the band. Liv's genre has the heaviest sound of all of them (Industrial/EBM), which influences Hed and the band too. And with Liv on the drums, Hed takes over DJ-ing and is also able to put more focus on the vocals, which also makes Les step down and only sing backing vocals with the rest of the band if needed.

The band in this era sounds like the album Revolution by Insolence and to some degree Introduction to Mayhem by Primer 55.

examples from the albums:

...

Two years into the bands existence is when Floyd runs into them. At first he's more just standing there, observing their practices and performances warily, because he's had bad experiences with Rock Trolls in his one year alone and metal music still kinda freaks him out at this point. But he soon starts joining in in melodic parts and then it progresses into him singing longer and longer segments because he has the strongest vocals of everyone. And once he saves enough of his earnings for a guitar he starts playing the rhythm guitar too. (The guitar he took with him when he left the Troll Tree got stolen before he met the band.)

I guess I should clarify: Flea is the lead guitarist, Les is the bassist, and Liv and Hed switch on the drums and DJ-ing depending on the track. At one point they also get a keyboard.

It's also not that long before Hed and Floyd start actively writing songs together, sharing each others notes, and they start to split the singing parts more evenly. Hed even teaches Floyd screamo techniques, because he thinks Floyd has a great voice for them (He is correct, Floyd has a mean scream 😁).

During this time the band still pretty much sounds like Revolution by Insolence but with more melodic singing parts from Floyd (and screaming/shouting lmao). I think Verge of Umbra is another good band to compare, it sounds more clean and Floydy but still Hedy. (Man, I should write scientific research papers skjdkjf)

↑↑↑ song with the lyrics from the drawing at the top

From here on out I'm a bit unsure how the band's sound develops, but I'm pretty sure Floyd would unintentionally infect them with a mild case of radio friendliness (Pop trolls can't help their in your face nature lmao 😞). So for now I'm stopping here...

This took me days of searching and writing so I would appreciate to hear any thoughts you have if you've come this far and given some of the songs a listen. :)

[tervaneula]

@witchofthemoss

Well. I have now. And let me tell you how these sudden feelings just kicked me in the chin and sent me rolling down the hill towards Emotions Town 🥺🥺🥺 Ilysm this made my NIGHT

(i listened to this on repeat while drawing, i think lyricstranslate has it in english if anyone's curious)

[apricusapollo]

YOUR NEW GIRL IS MY CLONE!!!

[dimorphodon-x]

The server had less than 10 players so we were caught very much off guard.

Then again, I suppose we were in Grand Plains.

I was the striped raptor btw

[loquaciouscat]

*Pats head* it's okay Reigen you tried your best

[anaalnathrakhs]

love this part of my life where the things that are difficult but challenging and good for me are things i can stop and skip and halfass, but the things that are difficult and painful and pointless are the things i have to live with no matter what

[iaminjail]

glancing at the villainsexual ferdinand von aegir tag on ao3

[mrthology]

you know what i've been so obsessed with lately is like, gods being gods in ancient greece, right? and it's these same gods, in their roman forms, that were in the roman empire then too. so imagine some colonizers coming along and killing people to convert and talking about this One True God and calling them fakes and ???? i feel like in the ancient times that's a great way to bring the wrath of the gods upon you, they would not have stood for that.

idk i just keep thinking of a world where the gods showed up and rained destruction on the colonizers trying to enforce their religion and thus the monotheistic religion never becoming as dominant and "default" as it is now. what do you think that world would be like?

My wife told me I couldn't post the massive rant regarding syncretism, faith, and historical accuracy I went on in response to this for my own sanity and mental health

I DO appreciate what you’re (I think) trying to say, and very much parts could be interesting to explore. I just have studied and obsessed over this period too often :/

[a-constant-vibration]

POV: The Umbrella Academy gets tickets to the Barbie movie (2023).

[digiblueslush]

I finished my art thingy for today huzzah!

In loving memory of the Yuri on ice movie, Yuri Katsuki would have loved you :(

[fatherramiro]

why is the cazador boss fight such a nightmare its been 84 years (possibly seven attempts now) and that bastard keeps winning

[opens-up-4-nobody]

...

[totallynottinsel]

Decided to paint over my press on nails but make them cool with venti colors 💅

[cannotfly]

tags; verses

*❈ ‣ look at you pale and ivory-skinned‚ look at you looking so sad — ( v: canon. )  

*❈ ‣ poor child‚ she needs so much correction: she sings if left alone — ( v: foggs. ) 

*❈ ‣ and we’ll sail the world and see its wonders‚ from the pearls of spain to the rubies of tibet — ( v: post. ) 

*❈ ‣ isn’t that her dainty footstep on the stair? yes‚ isn’t that her shadow on the wall? — ( v: alternate. )  

*❈ ‣ i lived this one wild life‚ i ripped it apart‚ i pushed through the corners with no apologies — ( v: modern. )

*❈ ‣ and though my soul will die with you‚ our child will not be left alone to spend a lifetime wondering how — ( v: single mother. )

*❈ ‣ i have to run away‚ i have to sit and stay; i'm gonna live a life where i'm proud of the way that i spent my days — ( v. hawkins. )  

*❈ ‣ this was an escape plan‚ carefully timed it‚ so let me go and dive into the waves below — ( v: panem. )

*❈ ‣ don’t need a ring for my finger‚ just need a steady hand to hold — ( v: main. feat. anyfight )    

*❈ ‣ chasing our heart’s desire but we go on pretending stories like ours have happy endings — ( v: affair. feat. anyfight ) 

*❈ ‣ if you love me tell me that you love me; if you don't just tell me that you do — ( v: workhouse. feat. anyfight ) 

*❈ ‣ wasn't it gonna be the two of us? weren't we birds of a feather?— ( v: feat. arthur / notefinal. )  

*❈ ‣ for somebody i thought was my savior‚ you sure make me do a whole lot of labor — ( v: feat. riff / notefinal )  

*❈ ‣ i had this feeling as i was falling the sound across the bay was the sound of you calling — ( v: great gatsby. feat. notefinal )

*❈ ‣ only we know what we’ve both been through‚ if i save you will you save me too? — ( v: main. feat. art / notefinal ) 

[dawnwriterimagines]

The Verdict Due

SIMON 'GHOST' RILEY x FEM!READER TASK FORCE 141 x FEM!READER

Traitors Among Us (Part 1)

Innocents Among You (Part 2)

The Guilty Plea (Part 3)

Summary: You head to Laswell to talk on the rest of your now ruined military career. Of course, you're forced to confront your team as it happens, the last people on earth you'd like to see.

If you liked this would you Buy me a Coffee?

Simon's steps are slow, lacking energy or purpose. Releasing the buckles strapping his vest down to him, he finally arrives to his door, lifting the camo from himself.

His forehead pressing into the wooden door, he finds it harder and harder to open everyday, seeing reminders of you every moment of everyday, when he closes his eyes, when he lays down in bed. Hell when he opens the door. He hated this room now.

Outside of the place that you both had made your home away from war, from battle, from the base, this was where the two of you had once spent most of your time.

He raised his head off the door, before bringing it back down on it, then doing it again, this time hard enough to hurt. "Fuck," he cursed, cursing himself, his stupid decisions, the times he'd never get back, the mistakes he'll never be able to erase. Huffing out bitterly, squeezing his eyes shut, he's still for a moment, before banging his fist against the wall. "Fuck!" There's a crackle along the wall, a clatter of dust and dried paint hitting his feet.

A shuddered breath leaves him, swallowing down his grief, his anger at himself. But, he can't help it. He's ruined everything.

Simon's head stays there against the doorway, he doesn't want to go in.

His head turns a bit, seeing a figure down the hallway, straightening up, dark eyes squinting. "Johnny?"

Quiet and Still. The Scotsman's mouth is set in a hard line, he runs a hand down his face, smearing the mess he'd made of himself. "I..." he breathes deeply. "I saw her today."

"You what?" Simon perks up, eyes wide. He looks past his comrade, seeing the open doorway of your room, "She's here," he speaks, voice alight and hopeful. Making his way past Johnny, "She's here?" he asks this time, bracing himself at her doorway.

But, the room is a mess and void of you. He'd nearly forgotten how the soldiers had left it, the day it happened he could watch it, it would've been too finalizing of what he thought was your betrayal. Today was meant to be the day they'd clean it all up, due to plaguing themselves with missions and ops that required long weeks, long hours. No one wanted to think about what they'd done.

But, now they'd only made another mistake in waiting too long. And now you had to be greeted by this mess.

"I didn't know it was--" Johnny couldn't turn back to the room, back to Simon, as he spoke. "I didn't know we did so much to her. I thought--how long--how could I--" he shakily began. "--how could you?" Simon's eyes flicker to his friend, dark circles and sunken cheeks seem to worsen. "She was so...she couldn't even look at me, Si. Like I'd make her sick, like I'd--hurt her again...I've never--" his fingers claw at his chest, hoping to rip away the ache in his heart, eyes haunted to tears and staring into the dark of his memory as he thought back. "I'd never--" he can't finish.

"She was here?" Simon asked again.

Johnny's clouded eyes look to Simon, opening his mouth before opting for nodding. Clearing his throat, finally seeming to get a handle on himself, "Just left."

"She what?" Simon bolts out towards the stairs, pushing through the doorway and jumping down the first flight to rush through the rest.

As he gets to the lobby floor, he shoves through the door, revealing the hallway to him, running down the long stretch before ramming into the side wall to catch himself at the corner. He continues down the way, running as fast as he's able, before bursting through the side doors of the front lobby.

He sees you immediately, beyond the glass doorways.

"(Y/n)..."

He's running before he can think to get his legs moving.

---

Leaving the dormitories, finally leaving behind the spare hospital wear that you had swapped for your own clothes, you waved down the first vehicle you'd seen.

The driver letting you into the truck, the two of you unaware as he begins to drive off, Simon shoving his way through the residential doors and coming to a stop in the middle of the street as you drive away.

You, having hopped a ride with one of the soldiers making his rounds, the Jeep shakes with the changing terrain, providing more conversation than the trooper that was much too quiet. Shifting his shoulders, adjusting his fingers around the leather, glancing one too many times through the mirror.

It was getting weird. But, you were a familiar face on the base, unfortunately now, it used to be because you were good at your job, the best sniper they had on the force. But now, it was because you were the first proclaimed traitor of the force in decades and the first to be wrong about.

So, the new attention is nothing to be pleased about.

"Find something interesting to look at, soldier?"

Back straightening, body stiffening and eyes facing the road, the trooper swallows thickly at having been caught eyeing you. "No, ma'am!"

"Then I suggest you keep your eyes on the road."

"Yes, ma'am!" clearing his throat. "Sorry, ma'am, I don't mean to stare."

Arms crossed, head turned to watch the smaller buildings go by, your jaw clenched. "It's fine..." you breathe, before relaxing a bit more as the drive goes farther and farther away from the residential areas. Eyes flickering over to the still tense trooper, you mutter. "Ease."

His shoulders drop, head turning, flustered. "Sorry, ma'am."

It was always strange to be called 'Ma'am' by fellow soldiers, usually you were only a year or so apart, others you had been younger by ten years or older by five. But, this trooper was new to the force, young, clearly still jumpy, you had been the same after your first missions on the Task Force.

"I'm sorry, ma'am," the trooper then speaks, shakily.

"You don't have to keep--"

"About what happened to you," he continued. "I'm not sure if you heard that yet, but it's--that sounds--I can't imagine. I'm sorry that happened to you."

For a moment too long you're quiet, holding your breath, staring at the scenery as it whistled on past, the wind whipping through your hair. Your nails tearing into your skin as you rake them over your scars, smearing the line of blood left after ripping out your IV line, abandoning it as you found a ride.

"Get any cool scars out of it, at least?" he jokes, lightheartedly.

Your eyes snap his way, his eyes widening before he looks back to the road, back to stiff.

You open your mouth to speak, but you can't. You're just angry, too angry to find the words. But, you don't want to take it out on him, he was just attempting to alleviate whatever burden he imagined to be on your shoulders. But, all it was was a reminder, this was all anyone could think of anymore, when it came to you, this ordeal.

The apologies, the reminders, the quiet looks, the whispers, the fucking gnawing pain still splintered through your spine, you were tired of it.

The car pulls up to the largest administrative building on the base camp, hopefully you were right and this was where Laswell was posted up.

Quickly pulling the car handle as the trooper steps out of the vehicle to assist you, you hurriedly speak as he reaches to touch you. "I've got it," you hiss out, harsher then you meant. Stepping down and off the platform, onto the sidewalk, you forget you don't have your IV pole to at least stabilize you. So, when you stumble, he grabs your arm, his other resting on your shoulder.

"Woah!" his grip lacks gentleness, though not bruising, it's enough to set you off.

Your arm goes back and over his arm, shrugging him off, roughly. "I said I got it!" Your palm pushing into his shoulder and sending him back and off of you, he shifts back and nearly off his feet, catching himself.

"Alright, jeez!"

You're stumbling back into the light pole luckily a few steps behind you, leaning yourself against the cemented metal, you balance yourself. Shaking off the buzz in your ears and rubbing away the tension built along your skin, taking a few shuttered breaths, turned away from the soldier.

The trooper takes a few steps away from you, expression lifted to frustration and annoyance, rolling his eyes, brows furrowed and back pedaling to the Jeep. "Fucking crazy," he mutters to himself, adjusting his gear and stepping up back to the vehicle.

But, he doesn't make it very far until you're on him.

"What the fu--!"

Taking the opening of his kevlar and yanking him out of the vehicle, unable to catch himself fast enough to get to his feet. You hold a steel grip on the collar of his uniform, literally holding him up by his straps, pulling his entire bodyweight off the ground, leaning down so you're face to face with him. "Say it again," you snapped, eyes dark and boring into his skull. "I wanna have a good excuse for what I'm about to do to you."

He was taller, probably stronger, but looking up at you, he could see the years of mayhem and chaos that's burned itself into your irises, made you the lieutenant he'd tripped up on properly respecting. "I didn't--I didn't say anything! I'm sorry, ma'am, it won't--it won't happen again!"

Nostrils flared, eyes flickering between his wide, fearful ones, your hands loosen around his gear. He falls forwards, landing on his forearms with a groan, releasing a relieved breath.

He looks up, watching as you turn and make your trek into the building. You had seemed so fragile before, with a limp in your walk, scars head to toe and those braces along your legs, he assumed you had no fight in you. He couldn't have imagined, five minutes, he'd be wrong.

---

"Laswell."

The Station Chief turns, manila folder files in hand, brows raised at the intrusion before her eyes widen at the sight of your tired figure.

"Gray..."

You don't wait to be invited inside, instead pulling up a chair as you let the door close behind you. Not fully out of a lack of respect but your legs were killing you and surely if you wait a second longer you'll literally tear a muscle. "You free?"

"Never. But, I can make time," she answers. "Is something wrong?"

You bite down on your tongue. What isn't wrong.

"I put in a request for council in resignation, ma'am. I'm just here to know if it went through."

"I did...receive your request," The woman is still quite surprised to see you, a bit off put at your presence, hearing about your scars was one thing, seeing them was another. "Of course. Though, I expected you to wait for my call before deciding to come to me."

"I'm sure," you feigned a slight chuckle that faded as soon as it started. You say nothing else but stare.

Laswell sighs, tossing down the folder she'd been holding. "Look, Lieutenant Gray--"

"Just (L/N)," you gritted out. "Please." You couldn't stand your codename at the moment, you didn't want to carry a single thing this team had given you.

"Lieutenant..." Laswell pulled up a chair on the opposite side of the long table, facing you, "You've accomplished much on the force, saved lives, eliminated threats that had the potential to level the united nations, your honors and distinctions. At the very least, here, your guidance is a treasure..."

"I'd like my resignation to be approved, Chief--"

Laswell continues. "I need you to careful think about what you're doing here, Gray--(L/n). I don't want you to be motivated by what's happened to you, you still have a place on the force, it doesn't have to be beside your team. Don't waste your talents in the field because of this experience."

"Experience," You scoffed at the word, nose cringing up in disgust at the downplay. "I didn't go on a rollercoaster at Disney World, god--I was tortured by my team for weeks while my fiancé threatened to kill me afterwards..." you were about to lose your mind. "What makes any of you think I'd want to stay here? Why can't any of you just respect my decision to leave? I'm resigning."

Laswell settles back into her chair, lips pressing together, she makes a hum of a sound. "I can arrange a transfer," she compromised. "But, my authorization goes through only after informing Price, he also needs to sign off on this."

Your jaw clenches, your fingers tightening around your clasped hands. "Then how about that favor you owe me?"

Station Chief straightens, brow lifting and arms crossed. "Excuse me, soldier?"

Sighing, reaching a hand into your bag, you bring out a folder of your own, some documents signed off. "I had to wonder who the evidence was sent to, given it was right after our mission and Price doesn't even look at his reports to sign off on something in under 24 hours, it wasn't him," watching as Laswell opened the folder, revealing her own name signing off on the interrogation, just a few of the photos that'd declared you guilty. "Thanks for ruining my career, Laswell."

She spreads out the evidence, her own signature on the papers, she breathes out. "And what are you trying to do here, Gray?"

"Stop calling me that."

"Trying to threaten me with what exactly--?"

"Nothing," you answered. "I'm asking for a favor, from someone I thought was my friend," you find it harder to say, Laswell's jaw clicks and she shifts in her chair. "You owe me that much."

"It's the job, (L/n). I was protecting our own, our resources were very promising."

"Until they weren't, huh?" you sarcastically gritted out.

"Yes..." Laswell sighs. "I do apologize, (L/n), but--"

"Just do this for me," you interrupted, pleading this time. "Please. I can't go to him, I can't even look at Simon, let alone Price. Forget about being in the same room with them. I just--I can't be here, this isn't where I belong anymore," looking down at your hands, the scars that circled your wrists. This was a final decision. "I'm resigning with or without you."

Rising from your seat, Laswell stands as you do, "You resign without clearance, they'll take everything from you. Your pension, your insurance, retirement, everything, you'll be dishonorably discharged, you understand that?"

"'Course, I do," you admit. "Honestly, I thought I'd be dead on a mission somewhere before I saw any of that, I don't expect anything out of this. Nothing's...worth any of this."

As you turn the handle to leave, Laswell speaks once more. "I just wanted to enlighten you on what I'm risking for you, signing off on this."

At that, you glance back to her, watching as the older woman sighs heavily, picking up a pen, opening up the manila folder she'd been holding onto previously. Opening it up to reveal your resignation papers.

"If I do this, when I call on you, Gray," Laswell says. "I expect you to be there."

As she wrote her signature down on the dotted line, you swallowed down the ache that's plagued you for weeks, "I swear."

As the station chief continues down the packet, turning to the next page and signing once again, you slowly slide back into your chair, sitting silently as you watch her sign off on your leave from military service.

You bring your hand up fast as a tear runs down your face, wiping it away before Laswell can see, sniffing quietly.

---

Walking slowly down the side hallway of the admin building, you stare out into space, your eyes glistening as you hold the signed resignation packet to your chest, pressing it to yourself tightly.

Passing the front desk, the security posted up at the elevators, you enter the main hall and come to a stop. Your grip on your documents tightening as you watch rain pour out onto the outer glass of the windows.

Watching the downpour outside, you can't seem to get your feet moving to just leave this place. That's all you need to do, just...walk right through it, into a car, past the gates, onto the highway. Just...go home.

As you flinch at the pitter patter of the rain hitting the building, a short burst of thunder, you try to inch your way closer to the doors but the closer you get, the more you can remember. The more you can feel.

The rain gets louder, and louder. It's cold, although you recall it being 90 degrees and in the middle of the desert. It must just be you.

Putting your folder away and into your bag, the automatic doors open for you, but it's too hard to step through. Staring out into the open landscape, the dividing border of the desert land and the gates surrounding the base. The dry ground now turning muddy, trucks driving by and the mud swelling up at the change in pressure, soldiers rushing through the rain, kicking up mud, flicking up umbrellas.

Breathing deeply, you scuff your shoes forwards, feeling the first drop hit your skin, it's warm, but it's no comfort. Gasping at the feeling, you stumble back into the building, the automatic doors closing.

Short gasps of breath quietly leave you, your nails burrow into the skin of your forearm, you stare at the rain as it pelts at the ground, flooding pot holes and falling into storm drains.

The automatic door opens again, you back up, shifting to the side, as an officer gives you a strange look as he walks past and into the rain.

Your hesitance to proceed into the rain was noticed by a few in the main lobby. Like Kyle, who still stood in his mission uniform, dropping off his reports to the main desk, getting off the elevator to see you staring up at the cloudy sky.

His eyes widening in shock, he's lost in his own world when he begins to take steps towards you, lips parting in disbelief, voice cracking as he breathes out to say, to beg or plead for forgiveness.

The automatic door opens again as you shuffle forwards to try to step outside, he doesn't fully notice your fear of the weather when he speaks.

"(Y/n)..."

You turn at the sound of your name and his eyes flicker to the large scar along your cheek, the red of your eye still, that had changed the color of your iris, maybe permanently. The way you hold your bag tight in your hands as if to shield it from the rain before yourself.

You don't say anything, he hadn't expected you to. You stare at him, surprised to see him, then the expression changes to terror, brows pulling inward and hands sinking into your bag to bring it closer. His heart aching at your reaction to him, his lips pressing together, he doesn't know if she should say another thing. Just let you go.

"(Y/n), I..." he can't help himself as he continues, breathlessly.

You back away from him, out of the building and into the rain. The moment it hits your back, soaking through your shirt, rain hitting the top of your head, down your back, you tense up and spin around.

Kyle's brows furrow, before worriedly witnessing as you curl into yourself instantly, crying out in terror, your hands coming up and over your head. "(Y/n)!"

Realizing what you'd done, your back hits the glass doorway, too late for the doorway to register you wanting to come back inside. You stumble to the corner of the building, just next to the doorway and under the too small gutter to find any shelter from the pelting water at your skin.

A loud sob leaves you, squeezing your eyes shut, you can feel the torture starting again, the unbearable freeze of your limbs, the force of crashing pounds of water along your spine. The screams they would pull from you...

Your torment lasts only a few seconds, suddenly the rain stops, but the sound continues around you. A coat settling around your shoulders and over your head, Kyle's hands on your shoulders, he's yelling over the thunder. "Come on, let's get you out of this. Come on, (Y/n)," he takes your arms. "Let me help you, please!"

"You did this," you cried. "I told you. I told you it wasn't me. But, you kept turning it back on! And then you'd leave it like that and it drove me fucking insane. I'll never be ok again, I can't--" hyperventilating. "Don't touch me, Kyle."

Kyle swallows thickly, head hanging low, squeezing his eyes shut for a moment before leaning down to you. "I can't leave you here like this, please, love," he hauls you up to your feet. You shove him back, pressing yourself further into the corner, shaking, "(Y/n)--"

"Don't put your fucking hands on me. What don't you get, huh?" you spat. Pulling off the jacket he'd placed over you, tensing at ever drop of rain that fell over you after, but you toss it back at him. "I don't want anything from you. Never again."

"I'm sorry," Kyle clutches the jacket. "I'm so bloody sorry. I'm sorry for every damn thing I'd ever done to you. I'm sorry we didn't listen. I should've never done that to you. I didn't want to, I just--I thought I was doing the right thing for all of us," his voice breaks and he cries under the rain as his little sister, his family, hatefully stares him down. "I thought you'd give in, that it'd be over as quick as it started! I'm sorry I couldn't trust that you were telling the truth all that time."

"I don't want your apology!" you yell. "Cause you'll never know the same feeling. You'll never understand what you've taken from me. What you've done to me--" hiccupping painfully.

Kyle looks away from you, inhaling with a shudder, reddening eyes are covered as he raises his hands to run over his face.

"Your apologies. Your wishes for forgiveness," you seethe. " You should keep them. They mean nothing to me."

With that, you shove on past him, re-entering the building and rushing down the hallway, you turn the corner away from Kyle. Leaving the distraught man out in the rain, the automatic door sliding closed as he looks on after you.

Part 5 coming soon!

note: having an issue with the pipes at home, and my electricity, haven't been able to go to my apartment for weeks, been sleeping in my car, so it's been getting a bit harder to post. I might post the next few chapters on my ko-fi, not sure yet, but I hope you guys enjoy.

[bats-and-the-birds]

I am thinking about the batkids and their rooms at the manor.

When Dick was first brought to the manor, Alfred put wooden letters that spelled out his name on the outside of the door to his room. He wanted the boy to feel like he belonged, and denoting the room as his seemed like the best way. At first, they spelled out "Richard", and were painted in red, green, and yellow -- the colors that his parents had worn for their circus act, that didn't have any other meaning yet. Dick pried them off the door and threw them away. He didn't want to accept that this was permanent yet. There were new letters on the door a few days later, blue this time, and spelling out "Dick" instead. Those letters got pried off much the same and shoved in a drawer, and they didn't get put back until a year later. He was too short to put them in the same place, so they ended up crooked, and Alfred found it too endearing to fix.

When he left the manor years later, he considered ripping the letters off the door and throwing them in the foyer on his way out. But he left them, and there they remained, crooked as ever.

Jason got his own letters when it became clear he wasn't going anywhere. He helped Alfred put them up on his bedroom door, standing on a step stool to make sure they got in the right place. His were evenly spaced and neatly aligned, and he refused to tell anyone that he cried over them that night. He'd spent months wondering if he'd ever live up to his predecessor, not just as Robin, but in the family as well. And now he had his own letters, just like Dick's, and they weren't going anywhere.

And they didn't. Even after he died. Bruce and Alfred both considered taking the name down to make walking past that empty room less painful, but in the end, they didn't dare touch the letters, just like they didn't touch anything else in the room. Years later, Jason would sneak into the manor through his old bedroom window and find his school uniforms still hanging in the closet, his textbooks on his desk, an open novel on his nightstand, and, of course, the letters still on the door, more of an epitaph than the one on his actual tombstone.

Tim fought for his name on a bedroom door. It took a while, but he trained, and he learned, and he forced himself into the role that he knew he could fill. Part of him thought that no matter how good and useful he made himself as Robin, he'd never really fill the role that the two before him did. He thought there might not be room for him after Jason's death, but he did it. He was older than the other two when Alfred finally put the letters up on his door, but he did it.

Later, when he left in search of Bruce, he didn't think for a second of taking his name down off his door. He'd earned it.

Damian's name got put up practically as soon as he got to the manor. He didn't think much of having his name on a door. If anything, it irked him a bit, being lumped in with the others, but it would have annoyed him more if he didn't get his own name. For a while, his name on the door, marking it as his from the hallway, was the only reason you could tell it wasn't the guest room that it had previously been. He had no photographs, had arrived with no personal affects.

That changed, eventually. As he gained friends, he also gained photos of them. He put up sketches and watercolor paintings of his animals. A dog bed got put on the floor for Titus. But the letters had been there from the beginning, and he grew to appreciate them eventually. His room, with the name on the door, was safe, and he liked it there.

Cass's letters showed up without much fanfare. They were simply there when she exited her room one day. "Cassandra" in black wooden letters that matched all of her new siblings'. She ran her fingers over them with reverence. She'd never been allowed to leave a mark before. Her life was predicated on being a shadow, but there was her name, in big letters, somewhere where other people could see it.

Steph had a room. She didn't want to admit it, but when she crashed at the manor, it was always in the same room. Her name was put up, and she took it down, and it was put up again, and she took it down again until it became something of a game between her and Alfred. If Steph was staying at the manor and Alfred didn't find a wooden S in a random cupboard, then have to search the house for the rest of her name, then he knew she was in a bad mood, and he usually made her favorite cookies and left them outside of the door with her name still firmly in place.

Duke's letters were waiting for him when he moved in. His name in bright yellow letters that matched his suit already in place. Of course it was, it's tradition at this point, and he's part of the family now. He had bounced around for a while now, and the letters on his door made him feel...calmer. It was a sense of permanence, and one he could learn to enjoy.

Barbara didn't need a room. She had her own room, in her own house, but Alfred still offered to mark out a space for her. She declined. When she did stay over, it was either in the cave or Dick's room, she didn't need her own. Still, that didn't mean her mark wasn't left somewhere. There was a study downstairs with a desk that she sometimes did her homework on as a child if she was staying over for the night. Now, the desk held a computer that was wired into the Batcomputer's network, a photo of her and her father, and, of course, tiny wooden letters affixed to the side that spelled out 'Barbara'.