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#im totally using that
buzzrds · 2 months
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here's my wonderful isopod child, handcrafted in leather
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fanaticalthings · 3 months
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the muskification of twitter except it's lex luthor instead of elon lol
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inkskinned · 1 year
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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totally-here · 19 days
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3 times Phantom's Guardian was Mentioned + 1 Time He Showed Up
One
Phantom’s introduction to Young Justice wasn’t as dramatic as Empress’ or Slobo’s, or even Arrowette’s first introduction to the cave. No, it wasn’t during the Olympics, or on a battlefield, and he didn’t come in injured and looking for help. 
Impulse just brought Phantom in one day and insisted that he should join because he’s their age, interested in justice, and now that Greta’s human again they need another ghost member. So Phantom stayed, popping in and out for missions but never really sticking around all that long. 
Today is one of the days that Phantom’s with them on a mission, that being looking around a lab of the Brain’s that had an energy surge recently, despite it being presumably abandoned. 
Kon got paired up with Phantom to check the rest out first, since they both have better hearing than Anita and Tim, who were both still in the main room working on checking the computers for previous activity. 
The room is dark except for the light green ball glowing slightly above Phantom’s hand. He waves it around enough for it to reflect off of glass, then throws it up to the ceiling. The light expands enough to illuminate the room. 
Phantom mumbles about not knowing he could do that. Kon ignores him and moves closer to inspect the glass tubes to the side of several monitors set up. 
“Looks like cloning equipment,” Phantom says, casually. He drags a finger through the dust gathering on one of the monitors. “Don’t think they’ve been activated recently, though, so that’s good.”
“What? You got a problem with clones or something?” It’s a quick and defensive answer, and Phantom puts his hands up in surrender. 
“Not in concept.” He shrugs and joins Kon near the tubes. “But not a lot of people ask before making clones.”
“So I don’t need to sic Superman on you?” Obviously Kon could chew Phantom out himself, but few can do a “not mad, just disappointed” face better than Clark. 
Phantom scrunches his face. “Why would you need to?” 
Kon stops pretending to inspect the tube and stares at Phantom. “You do know I’m a clone, right?” The blank look on Phantom’s face tells him that no, he did not. “Well I am. Clone of Superman, though we’re pretty much brothers now.”
“Cool,” Phantom says, not a bit less friendly. He hesitates for a second before continuing, “Could I maybe ask you how you got there? Me and my clone have landed on cousins, but that was also, like, given to us by her evil dad. So.”
Phantom trails off. Huh, that makes three members of the team that have been cloned. Not a lot, but it’s weird that it’s happened three times. 
“You’re making sure she feels accepted, right?” 
“Yeah! Well, whenever she’s around. She,” Phantom waves his hand around, looking for the right word, “She’s a wanderer. Exploring the world and stuff. But Richard has a room for her at home, and I remind her of that whenever she does stop by.�� 
“Well, first of all, don’t push it so hard,” Kon says. Phantom nods enthusiastically. “And second, who’s Richard?”
Kon doesn’t know a lot of Richards, and he doesn’t think that Phantom ever mentioned one before. Or even if he remembers his living life. 
“Oh, he’s my, uh, guardian? I guess that’s the best term. The guy I’m living with who forces me to go to school sometimes.” Phantom looks away and back to the tubes. 
Before Kon can ask for more details, Robin and Empress come in with a report of dead computers and wanting to know where they’re at with the cloning room.
They’re unimpressed with their lack of progress.
Two
Wally doesn’t really need to come by the Hamilton Lodge that often, not when that’s Young Justice’s territory and he doesn’t want to get involved in all of That.
But Red Tornado said that the team has a file on a planet that’s very quickly becoming a league problem, and he figured it might be a good time to try to check in with Bart, anyway. Make sure he hasn’t run any cars off cliffs again and all that. 
So he stops by Manchester to ask Bart about the file, then they both head East to actually find it. 
When they arrive at the hotel minutes later, Wally’s surprised to actually find it… clean? There’s no visible trash or overturned furniture or anything else he’d expect from an abandoned hotel filled with teenagers. Well, maybe not filled, lately. He doesn’t think anyone’s living here currently, with Greta at Elias’ for the school year and Slobo gone. 
Still, the room smells slightly of artificial pine scent, and Bart perks up before disappearing and reappearing rapidly, holding a teammate up by his armpits. Said teammate just accepts this, his legs folding into a wispy tail, and head rolling against his shoulders. 
“This is Phantom!” Bart holds him up higher. Phantom waves. Wally’s only heard of him through Max’s updates, the same way he would hear about Preston or Carol, but with more wariness about the supposed ghost. 
Actually looking at the pale face and glowing green eyes contrasting against the darker than dark jumpsuit, Wally’s a little more ready to accept his claim at being undead. 
“He stress cleans,” Bart explains, moving to carry Phantom under his arm. Wally bites down the urge to tell him to put him down, but only because Phantom doesn’t resist the hold, only moving to get into a more comfortable position. His hands are touching the floor. “So what happened?” 
Bart directs the question downwards, and Phantom heaves a very dramatic sigh. Definitely a teenager. It does raise the question of who exactly this kid’s mentor is. Hopefully he does have one. Maybe he’s the Spectre’s kid?
Phantom phases through the arm holding him only to lay on top of Bart’s hair. “I accidentally called Richard dad. And then fled.” 
Bart nods sagely. “Classic. One time I accidentally called Max dad, so I had to start a fire to distract him.”
Phantom sighs again, almost dreamily. “Genius.” 
Wally doesn’t have time to unpack all of that. Well he does, but he’s not going to, because there’s really only one Richard that comes to mind that might have the heart to take in a dead kid, even if he doesn’t go by his full name.
But surely Dick would have told him, or any other Titan, if he had adopted a kid. Right?
But there’s still a little shadow of doubt. Maybe Dick wanted it to be a secret, or it was really new or had a rocky start. Phantom doesn’t seem to hold himself like a Bat, but it’s not a guarantee Dick would have trained him. 
“The lodge looks nice,” Wally offers out loud, which Phantom shrugs at and wraps his tail around Bart’s head to keep secure. “Anyway, Impulse. The file on Myrg?” 
“Oh yeah!” Again, Bart disappears then reappears a few seconds later with a paper file. They really need to start digitizing more of these things. “That’s the planet where we played baseball so that they wouldn’t destroy Earth!” 
“You what.” 
The prospect of Dick following in his dad’s footsteps is forgotten in the face of what the hell Young Justice got up to on Myrg. 
Three
Tim may be in a…Predicament. 
It’s not his fault. Really. He knew what he was doing. He couldn’t let a civilian fall for the trap. But they were already so close, so he just, kinda, pushed himself into the rope instead. 
So there Robin is, tied upside down in a warehouse, with the Joker below next to an overly complicated control panel. The clown’s rambling about bombs hidden all over the city that Tim knows Batman is already tracking down with Batgirl. 
Tim’s not really paying attention to the rant because of that, more focused on wiggling enough to get the spare mini-birdarang out of his glove to cut the rope without notifying the Joker. 
“Yikes, bad time?” Asks Phantom’s voice beside him. Based on the source and accounting for the slight echo, he’s floating with his head near Tim’s, likely upside down. “Want some help?” 
Tim gets the birdarang out and starts sawing at the thick rope. They should be fine anyway, but stalling the Joker for extra time would be helpful. “Can you possess the Joker? Just hold him still.”
“The correct term is overshadow, but sure.” The voice disappears, and a few seconds later the Joker freezes. 
His body jerks forward, then backward, and a laugh chokes out of his throat. His hand claws over his mouth at the noise and he hunches over. All movement halts before he rights himself, shaking out his hands and rolling his shoulders. Phantom looks up at Tim and his eyes are glowing. 
Tim cuts through the rope, kicking and using the momentum to right himself and land on his feet. He brushes past Phantom in Joker’s body to handle the control panel. He turns off the radio broadcast and dismantles the bomb strapped to the panel.
Threat handled, he turns to Phantom and holds up some handcuffs. “Let me arrest you?”
Phantom obliges, turning the Joker’s body around and putting his hands behind his back. Tim lets him walk by himself out of the warehouse and moves the handcuffs around a lamppost. The Joker’s body jerks again, then slumps forward, just as Phantom reappears next to him, scowling down at the unconscious body. 
“That felt really slimy. Zero out of ten, would not do again,” Phantom grouches. 
“Why’re you in Gotham?” Tim asks. It’s not like Phantom makes a habit of visiting. The last time he came into the city, he complained about feeling the dead under the streets. Fortunately, that let Tim uncover a few tunnels that Talons travel through. Phantom, however, was unnerved by the Talons and left quickly. 
“Oh, Solomon Grundy’s back in our sewers. Richard said I should probably tell one of you Gotham heroes, since you keep track of those guys.” He shakes out his hands like they were cramped in the Joker. 
They hadn’t seen Grundy in a while. Tim assumed he was currently in a less violent personality. “What’s he doing?” 
Phantom shrugs. “Just chilling. Mostly underground. I tried to talk to him but he only grunted back at me. He also tried to pick me up, dunno what that was about.”
“Maybe because you’re both dead?” Tim guessed. That would be a surface level connection. Ivy and Woodrue have had more luck working with Grundy than anyone, and Phantom definitely doesn’t have the connection to the Green that’d help with that. 
Police lights turn around the corner, and Tim shoots a grapple to get to the roof above them. Phantom follows, but disappears as soon as they’re on the roof. Going back home, probably. 
Cass drops down from the roof she was listening on. “Richard?”
“Not the same one.”
They both stick around long enough to watch the Joker get put into the cop car. 
Plus one
A spaceship landed in the forests of New York, and Cassie’s team was the first to respond to it. Technically not respond, but check it out, since there wasn’t any alert or anything. 
Still, Wonder Girl has Empress, Robin, and Superboy on the other side of the ship, watching what looks like the back door, while she, Impulse, and Phantom watch the other door and main window. She has binoculars, but the windows are so tinted she can’t quite make anything out. 
No aliens have come out yet, and she hesitates to have anyone go in, in case whoever inside does turn hostile. 
Impulse has offered to run through a total of five times already, and it’s a testament to his restraint that he hasn’t, and a testament to Cassie’s that she hasn’t yelled at him yet. Phantom at least isn’t being annoying, but he’s not necessarily helpful, either. He’s not even watching the spaceship anymore. Now he’s trying to make a flower crown out of dandelions. 
“Door’s opening on our side,” Robin says from the comms. “But no one’s coming out.” 
“Alright, good enough to try to get in,” Cassie decides. She turns to Phantom, who’s closing off the circle of flowers. Beside him, Impulse has since pulled out a gameboy. “Phantom, go in invisibly through the open door and report back. Try to see what their plans are.” 
“Oh, sure. One second.” Phantom finishes the crown and tries to put it on Bart’s head. It doesn’t quite fit over his mane of hair, but Phantom shrugs and leaves it sitting there anyway before going invisible. 
“Maybe I should shave my head again,” Bart says as his game character dies. 
He gets a resounding no in response. 
Half an hour later they have a very annoyed Green Lantern lecturing them about league jurisdiction and knowing when to call someone else. 
Apparently, the alien ship was just stopping to complete some maintenance, and did not appreciate any spying on them, and especially did not appreciate who did it. Green Lantern was more than happy to explain that Wonder Girl’s team is not really a part of the Justice League and he can help with their maintenance. They denied his help and left to find a place with less people in it. 
“-and you!” Green Lantern rounds on Phantom next, but Cassie knows none of them are really listening. Sure, they messed up by freaking out the visiting aliens, and yeah maybe they should have contacted the league about it, but they’ve dealt with stuff worse than this! It’s not Cassie’s fault she thought that this would have stuck to the formula. 
“Who even are you?” Green Lantern runs a hand through his black hair, stupid green gauntlets shining in the sunlight. “Do I need to call your mentor?” He frowns. “Or do they know you mess up alien technology by just being around it?” 
Phantom scoffs and rolls his eyes. “How was I supposed to know their tech would go all fuzzy when I came in?” 
“You wouldn’t have to know if you just stayed out of the spaceship!” 
“Hey!” Cassie cuts in. “Technically that was my call. It’s not all on Phantom.”
“I still could've been more careful,” Phantom says to her, ignoring Green Lantern as they argue about blame. 
“Cut it out for a second, okay?” Green Lantern puts a hand between them and they stop to glare at him. He pulls the hand back. “Look, can I just talk to one of your adults about this?” 
Robin glares. “We don’t need an adult. We have this under control.”
“Only because I’m here now.” 
“I’ll call my mentor,” Phantom says. Kon opens his mouth, most likely to offer to call Superman instead in hopes of a lighter sentence, but Bart covers his mouth, smiling like he knows something Cassie doesn’t. Tim and Anita share a look, and don’t intervene as Phantom pulls out a phone from his chest. 
It rings once before it’s picked up. Cassie can’t hear the other side of the conversation, but Kon’s eyebrows scrunch in confusion. “Hey, do you think you can pick me up? Green Lantern wants to talk to you.” Phantom looks Green Lantern up and down then says, “No, this one doesn’t have a cape.”
Phantom says goodbye after rattling off their coordinates, hangs up, and stares at Green Lantern in silence for a few seconds. 
And then a swirling mass of black seeps into the space next to Phantom. The end of a cane steps out of it, followed by a leg, then the rest of the immaculately dressed man holding the handle of the cane that’s shaped like a bird’s head. 
“Phantom,” The man says. His voice drips with condescension in only a way a british accent can, yet Phantom smiles up at him. The shadowy portal behind him disappears. “What, exactly, happened?”
“That’s the fucking Shade,” Anita hisses to Robin, who shrugs noncommittedly at her. Green Lantern seems to recognise him too, taking a step back and clenching his hand that holds his ring. 
“Well, the team and I were staking out this spaceship–super cool, by the way–and I went inside to check it out, but my presence messed with their tech–which was an accident–and they freaked out, so I freaked out, and then we kinda got into a little fight until Green Lantern came to mediate.”
“Hm. Is that right?” The Shade asks Green Lantern, who nods slowly, still anticipating an attack. “It seems like the problem’s fixed, then.”
“Well, yes, but–”
“And it does seem about time for these kids to get home, doesn't it?” The Shade pulls out an actual pocket watch, chain and all, from his suit pocket and takes his time in checking it. “I’ll see them home.” 
Shadows grow from behind the team, swirling until they become a giant, gaping maw that swallows them up and spits them out in a different forest, or maybe just a different part of the same forest. 
Either way, Cassie has to take a moment to make sure she doesn’t throw up from the sudden vertigo the shadow portal caused. 
The Shade looks at Phantom, and raises an eyebrow. “You can’t expect me to always bail you out.” 
Phantom shrugs, looking guilty. “I know. Thanks, Richard.”
Oh, so that’s who Richard is. Annoyingly, neither Tim or Bart look surprised by this revelation.
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waterghostype · 9 months
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crusty kid
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kandyzee · 3 months
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Fiona was a top athlete, breaking records in track but had to drop out of high school.
Lip was a genius, always told he was gonna be the one to make it but dropped out of college.
Ian was in ROTC for years and trying to get into West Point but had any chance of enlisting ruined.
The 3 eldest gallagher siblings are gifted kids/ dedicated to a goal, but never live up to it, and it kills me every time.
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willthespy · 2 months
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Nico di Angelo ; Fallen Angel (ft. Will Solace)
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(sorry for being inactive. i promise I’ll still do the requests…one day (soon))
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avephelis · 3 months
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NEED to check these things for fleas. take them to the VET! so sad they can't have deviantart they would have loved deviantart.
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hamable · 5 months
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I need Brennan to win an award. I need the world to know how exceptional a storyteller he is. How do you plan something like this?
I’m suddenly seeing the rat grinders as a sort of self insert for him. Not character-wise, but as tools for writing a mystery. Usually you start with the solution and work backwards. Brennan had to concoct this solution and prepare for every possible thing that the best DnD players he’s ever known might do to crack his story wide open. He needed an entire party of character foils whose primary goal was to cover their tracks and account for periphery details to outsmart The Bad Kids. An unfathomable amount of work to be able to tell this story at the pace it’s being told.
I found myself remarking earlier in the season how much planning and foreknowledge he had to have to have the variety of dome projections from @caitmayart he does and now I realize that’s just scratching the surface.
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tategaminu · 5 months
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I cannot believe they invented hand holding
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ew-selfish-art · 1 year
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Dp x Dc wherein learning magic is similar to learning how to play music. 
So basically, the creation of a summoning spell is like a full composition/song made of smaller components or ‘notes’ for things like gravity shifting, and geolocation, and transportation etc. which is why Magic can be taught and spells can be man-made. 
Danny, however, is the equivalent of having Perfect Pitch. He can compose entire songs of spells without really thinking about it due to his royal titles (ambassador/king/high prince) but doesn’t really know how to be specific which lands him in some trouble with Clockwork. His portals are coming along a lot better with the help of Wulf but its critical that Danny learns how to control the range of his magic *something something, for the timestream something* *blah blah according to the will of the ancients blah blah*. 
So put on the course to learn Magic, Danny decides to hunt down the House of Mystery and study up by himself. He’s doing community college online, what could a little bit of Magic self study really do to his schedule? This place has literally every magic resource he could need! 
Turns out he has a roommate in the House of Mystery- John Constantine does not take well to the fact that half of the spells Danny is creating are causing him issues with the JL. Random shit appearing, random shit disappearing, portals everywhere and don’t get him started on the fucking ICE present on every bloody thing the magic reaches. Not to mention there is no reason a normal human kid should be able to have this much power behind his spells. 
John attempts to teach Danny the basics like a little kid gets stickers placed on the keys of a piano. The problem is Danny has the ability to compose entire scores of Magic all on his own, and absolutely abhors the training wheels John is putting on him. 
Danny: You’re patronizing me! 
John: You deserve to be patronized. 
Just like, Danny learning Magic in various ways that you might teach kids to play musical instruments from the various Magic users in the JLD. Causing chaos along the way, found family, the whole nine. Stickers on the instruments for notes, taking away guitar strings that are ‘more advanced’ and replaying Twinkle, Twinkle little star over and over again. 
Danny can play the Magic equivalent of Tchaikovsky’s Swan Lake but cannot play Chopsticks. 
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canon-gabriel-quotes · 6 months
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Transcript -
Gabriel : *heavy breathing and grunting* Bastard. 
Useless bucket of bolts. Yeah, you better run!
Load back to your- Ah shit, that was hard. Load back to your little checkpoint.
Yeah, go ahead. Go P rank the other levels. 
Oh… I’m sorry. Can-can-can I? Excuse me, can I help you?
Columbo : Oh, uh, hi there. Sorry, I didn’t mean to interrupt.
Uh, I’m looking for somebody. 
Uh, Gabriel is it? Is that you? Is that who I’m lookin for?
Listen, I just gotta say, you did an amazing job uh… Fighting off that uh. 
What’d ya-what’d ya call it?
Uh, you called it a… 
Gabriel : A mere object?
Columbo : That’s right. A mere object. 
Phenomenal work. 
I gotta tell ya. Robots, I don’t trust em myself. 
Ya know, I had-I had this one episode where uh, there was this robot named Rob and uh-
Gabriel : Uh, yes. 
That’s very fascinating, but could you perhaps get on with your introduction? 
Columbo : Uh, certainly. So I’m, uh, I’m lieutenant Columbo. Uh, I’m with the LAPD. Uh, I'm in the homicide department. 
Gabriel : Homicide? You can’t kill a machine. 
Columbo : No no no! Of course not. But um… Well… Ya can certainly love one.
Gabriel : D-d-d-detective I- I don’t- I don’t know what you’re implying there with that statement!
As you can tell I… Despise machines and wouldn’t think about doing so- Loving them, I mean.
Columbo : Yes, of course uh. Absolutely, it’s completely unthinkable. 
Except, well. While I was- while I was over here and I opened this door and uh fourteen- fourteen V1 body pillows fell out. Along with a buncha the plushies. 
Uh, and I just can’t imagine how ya- how ya happened upon something like that by accident.
It’s a little ridiculous! Uh, frankly.
Gabriel : Uh, no no no, listen.  
Detective. I can explain, okay? 
Those belong to- uh! That guy over there! 
*Filth-like scream*
Gabriel : Yeah! A real freak! 
Some kinda pervert. I don’t know why we keep him around.
But uh, I-I have nothing to do with it. 
Columbo : Well, ya see, I would believe- I would believe that, but uh. 
It’s just that- Well we had the boys at the lab run these pillows and we found your cum- We found your DNA all over em, uh.
You’re-You’re under arrest, I’m killing you.
Gabriel : K-hah. Kill me? *laughs*
Oh detective. 
Columbo : Oh. Aw fuck.
Gabriel : I’m afraid you’ve made a grave mistake. 
Because, in fact… What is going to happen instead…
Is actually what I’m gonna- AHHHG MOTHERFUCKER
I’LL FUCKIN KILL YOU
SON OF A BITCH 
AHHG YOU BASTARD
I’LL RIP YOU APART 
PIECE OF SHIT
YOU FUCK
ASSHOLE
BITCH
*Grunting* 
Oh Shit. 
Oh. What have I done? 
V1 : Bro, tell me you didn’t just kill a fucking cop.
Gabriel : The law will be here any second now… 
Machine, flush the drugs.
V1 : No way, bro. Let’s smoke that.
Gabriel : All of it?!?
Hm… One last ride…
Well, alright.
*coughing his lungs out*
V1 : No Gabriel, holding it in doesn’t do anything!
*Gabriel continues to cough his lungs out*
End of transcription
Audio source part 1
Audio source part 2
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pixelglam · 22 days
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The Harbor House, Martha's Vineyard 🦪🇺🇸
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shinotail · 1 day
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odile drawing between classes
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starryluminary · 1 year
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♪ Last Man in the World ♪
The Band CAMINO
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◃◃ II ▹▹
Now we’re really getting into canon divergence. The nitty gritty, if you will. This episodes pretty much the same; Noah calls Alejandro an eel and gets called out for it, Courtney and Gwen find Duncan and he joins Team Chris, you know how it goes. What changes is that Team Chris ends up winning the challenge (like they should of in the first place but I digress) and get Duncan as their prize. I’m gonna say Gwen lets it slip that she has feelings for Duncan and Courtney gets incredibly upset, getting Sierra and Heather to vote for Gwen. Cody’s all out of sorts after Noah was at risk of being kicked off, though he wont say that out loud. He doesn’t have to, anyway. Tyler also gains a massive weight on his shoulders but it’s fine he’ll be fine
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mossy-aro · 17 days
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ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.
when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!
that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.
but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!
joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.
and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.
tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.
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