#in that the main power source is what else but

[finsterhund]

which serves better as a superhero name?

Andrometificer

Andromtificer

[prettieinpink]

SELF VALIDATION

First things first, if you validate your existence on externalities, you will never truly be happy. While it’s important to have values and to act on them, it shouldn’t be your main source of happiness. 

E.g. parent validation, academic validation, and male validation. So, here are some tips to validate yourself. 

VALUE YOUR OPINION. You should have the ability to make decisions and identify yourself solely on your opinion. Trust, giving people that ability to shape your decisions and curate your identity, allows them to dictate your worth. 

SELF LOVE OVER OTHERS. Ensure you are doing everything in your power to treat yourself lovingly. Even if it means sacrificing a few things in life. E.g. going to sleep early instead of cramming for a test. 

BE RESILIENT. When I say that, I don’t mean ‘don't let anything affect you’ but rather, build yourself up to the point that when someone/something knocks you down, you can bounce back easily. 

BECOME SELF AWARE. Know your strengths, and weaknesses, and be mindful of the truth. Be genuine when it comes to this because self-awareness helps us with becoming more in touch with our inner selves.

AVOID NEGATIVE SELF TALK. This can cause us to rely on others to hear good things about ourselves. Instead, say affirmations in the mirror.

STOP PEOPLE PLEASING. There’s a difference between genuinely being nice, and being a doormat. You shouldn’t have to bend over backwards for others, and they give absolutely nothing back. Invest that time and effort into yourself.

SOMEONE’S GAIN IS NOT YOUR LOSS. This is a mindset shift that will change the game. You have to stop seeing successful, wealthy, pretty or intelligent people as threatening your skills or talents. There is enough success for everyone.

DETACH FROM OTHERS. Friends, family, males, etc. Stop letting how other people treat you, dictate your mood for the rest of the day. The only factor your mood should depend on is you. What you do, say, and act is the only factor. 

KNOCK OTHERS FROM YOUR PEDESTAL. The only person that should be on top of your pedestal, is you. By doing this, you create an inferiority complex for someone else and give them superiority. 

OTHER’S OPINIONS ARE MOMENTARY. They will always move on with their day and see what needs to be done. They do not care about you as much as you think. So, do not even try to give them the time of day. 

BUILD BOUNDARIES. With others and yourself. Both are equally important because you value yourself enough not to do something you’ll regret. 

[badkitty3000]

Breaking The Rules

Five x Plus Size Female Reader, Words: 8,159, One-shot

Warnings: Smut, slight Daddy kink

So I received a very lovely request from someone I won't name, but they asked for something very specific:

"There aren't that many Five x plus size reader fics, And I think that should be changed"

I immediately jumped on this idea, because yes, this does need to change. Body representation is very important. I fully admit that I normally write Five with petite women, and that's usually because he's not a huge guy himself, so I tend to make them smaller. That's kind of the standard formula I suppose: bigger guy, smaller girl? But it doesn't have to always be that way. Everyone should be represented in a positive way.

Anyway, I have tried my best to fulfill this request and hopefully I do it justice. 😽❤️☂️

You had just been transferred from Records to Case Management. It was a pretty big promotion, but you had worked hard for it and deserved it. You were excited to be out of the stuffy records room and into the main population of employees since you were by nature a very social person. At one point you had thought about training for an agent position, but decided against it. Even though that’s really what you dreamed of doing. Instead, you figured vying for an executive position would be the best route, but that would take a few more years in the machine.

Part of your job was taking the data that you put together and assigning a particular agent to the case. You were good at solving puzzles, which is why you were put in this department to begin with, but you were also very good at reading people. You loved getting to know new people and their personalities, and what made them tick. People in general were fascinating to you, and the Commission had plenty of personalities.

As usual, you had no problem fitting in with your new coworkers. You had some sort of energy or charisma that drew others in. Maybe it was your infectious laugh, or your inappropriate sense of humor. Or just that way that you had of putting everyone around you at ease. Whatever it was, it was a source of pride for you. You liked being the one people gravitated to.

There was one person that did not seem as smitten with you as everyone else, and that was Number Five Hargreeves. You knew of him, of course. Everyone did. He was a legend among legends and there was a reason for that. You hadn’t been there the first time around, when he was fresh out of the Apocalypse, but when he came back years later as a younger version of himself, it was all anyone could talk about.

Five had a reputation for being aloof and if you caught him on the wrong day, he’d cut you down with some biting insult that was just as powerful as any physical harm he could do. He was smart, agile, and brutally honest. He was also hot as hell.

There seemed to be no end to the line of women that would purposefully parade past him on a daily basis. You couldn’t blame them, though. You’d caught yourself staring a few times, as you watched him read over a file with that serious expression of his, before he nodded a curt thank you and disappeared in a flash of blue. But you weren’t really that interested in him and you knew for a fact that he didn’t date inside the office. You admired that about him, actually, because neither did you.

Just because he wasn’t sleeping around the Commission, however, didn’t mean he wasn’t getting some action elsewhere. When you work for an organization that can see anything and everyone across all timelines and at any point in time…well, rumors are bound to start spreading. And you had heard a lot of them.

As with all rumors, it was hard to determine how much of it was true, but you could at least believe what you heard about his usual taste in women. Petite, thin, perky boobs, a flat stomach, and a small, tight ass. The guys at the switchboard loved to give descriptions of Five’s latest conquests, and they all sounded about the same. But hey, good for him, everyone has a type.

So, even if you were somehow interested in him from a romantic standpoint, you wouldn’t have made the cut anyway. You didn’t fit that stereotypical mold of those other women with your wide hips, slightly bigger breasts and butt, and a stomach that had never been flat. You doubted his usual dates had stretch marks on their thighs and hips, or even a small amount of cellulite on their ass. Not that you cared. Everyone’s bodies were different, after all.

Being a bigger sized woman didn’t bother you. You were confident in your body and made no apologies about it. Just because you couldn’t fit into the size negative two jeans that were constantly shoved in your face on every clothing store mannequin, didn’t mean you weren’t going to wear what you wanted. Short skirts, tight blouses that hugged your chest, or low cut, strappy dresses. If you liked it and it fit, who the fuck cared what anyone else thought? You liked yourself and your body, and if someone else didn’t, then that was their problem.

You liked sex, too, and you had no problems in that department either. You’d had many boyfriends, and a few one-night stands. Currently, you were unattached, but that was ok. There would be another man along at some point and you weren’t going to settle for someone you didn’t like. In the meantime, you’d ogle the eye candy at work.

It was a typical day when you had your first real interaction with Five. Sitting in the breakroom with your lunch, laughing loudly with your coworkers, the room suddenly became very quiet. You looked over to see Five strolling casually in, heading for the coffee station. He didn’t speak to anyone, or really even look in their direction, but there were nervous glances all around. One by one, your friends quietly made some excuse and got up to leave. Eventually, it was just you left at the table.

“Aren’t you going to flee in terror with the rest of them?”

You looked up, surprised to see that he was actually talking to you. You pointed to your salad in front of you. “I’m still eating. And you don’t really scare me, sorry.”

Five looked thoughtful for a second and you saw the glimmer of a smile before he took another sip of coffee.

“Nice work on the Edinburgh case, by the way.”

You nodded. “Thanks. I didn’t think you even knew who I was.”

Five shrugged. “I pay attention. Especially when I see real talent.”

You frowned. “So, you’re stalking me, is that what you’re telling me?”

Five almost choked on his coffee. “What? No! Why would you…”

“I’m kidding!” you laughed. “I’m just messing with you. Thank you, though. I appreciate the compliment.”

“Oh,” Five said, clearly uncomfortable. “You’re welcome.” Then he cleared his throat. “Well, I’ll leave you to finish your meal.”

“You don’t have to go, you know,” you said as he headed for the door. He stopped and looked back at you and you gestured to one of the empty seats. “It’s ok to relax sometimes. Maybe be social? And I don’t bite…at least not without prior consent,” you added with a wink.

Five stood there for a few seconds in thought, and you figured he was conjuring up some perfectly crafted insult for you. Instead, you saw his mouth twitch up at the corner and he gestured to you with his coffee cup.

“Well, that is very good to know. Consent is always important.”

With that, he turned on his heel and walked away.

A few days later you were standing with your friends in the hallway at the end of the workday, talking about the upcoming Commission pickleball tournament you were all playing in. One of your best players had been injured on a job and now you were down a body. As you were discussing options, you saw Five walking in your direction.

“Hey, Hargreeves!” you yelled. “You up for some pickleball?”

Five stopped in his tracks and actually looked around, as if there could be another Hargreeves standing right behind him. Then he looked back at you, thoroughly confused.

“What the hell are you doing?” whispered one of your friends.

“What?” you replied. “The guy’s like a hundred years old, he probably fucking loves pickleball.” You turned back to Five. “We need another player, you game?”

Still rooted to the spot, Five shook his head slowly. “Thanks for the invite. But I’ll have to decline.”

There was an audible sigh of relief from the rest of your group. You rolled your eyes. “Come on! It’ll be fun. You know what fun is, don’t you?”

Five narrowed his eyes, but you could see there was no bite to it. “Yes, I know what fun is.”

“Well, I promise this will be all sorts of fun.” You gave him a big smile. “And as a bonus, you’ll get to watch me run around in a short skirt.”

Your friend next to you slapped you on the arm. “What is wrong with you?” they hissed.

Five actually smiled for a second, you were sure of it. “Tempting, but again, I have to decline.” Then he continued on his way down the hall.

Over the next few weeks, you made it your personal mission to try and get Five to loosen up. Whether you personally delivered case files to him just as an excuse to talk to him, or purposefully followed him into the breakroom, you wouldn’t leave him alone until you got him to at least smile at something you said. After a while, you noticed he was much more relaxed around you. Eventually, you and he were officially friends, much to the amazement of everyone else around you. He even started seeking you out on his downtime.

“Hey there, handsome,” you joked as Five strode up to your desk one day. “Something I can do for you, or did you just miss me?”

“You know, I could report you to human resources for sexual harassment,” he said as he perched on the edge of your desk, folding his arms across his chest with a smile. He had a standard manilla file folder in one hand.

“It’s only harassment if you don’t like it,” you replied, pointing a pen at him.

“I’m not sure that’s accurate.”

“Sure it is,” you said as you jabbed him in the arm with the pen, laughing when he frowned and rubbed at the area. “But seriously, did you need something?”

“Maybe. I just wanted to run this by you.” He slapped the case file on your desk.

“What is it?”

“A case I was assigned to. I read it over though, and I don’t think it’s right. I wanted your opinion.”

You raised your eyebrows. “Me? The legendary Mr. Five wants my lowly opinion?”

“Just shut up and read the fucking file.”

With a laugh, you opened it and started reading. He watched you, rather intently you noticed, while you read. You frowned and shook your head, pointing at a paragraph. “Right here, this isn’t true. The clockmaker didn’t take a carriage to work that day. He walked.”

Five nodded. “That makes this whole case pointless, then. I’d be targeting the wrong person.”

“Shit, you’re right.” You looked up at him. “Good catch.”

“It looked off somehow, but I couldn’t figure it out. I knew you would, though.”

Normally you’d say something snarky to bust his balls, but he was being truly sincere and his compliment meant a lot to you. “Thanks, Five.”

He shrugged and grabbed the file off your desk. “Alright, see you later.”

As he turned around to leave, you couldn’t help yourself. “Hey, Five?”

He stopped and turned. “Yeah?”

“I hate to see you go, but I love to watch you walk away.”

Five shook his head while you cackled at your own joke. “Can’t even make it ten seconds without treating me like a piece of meat. You’re hopeless.”

The following day, you were in the breakroom getting some coffee when you overheard a conversation by some of your coworkers.

“…yeah, I heard it’s not good. Took a shot right to the chest.”

“I heard it was a head shot; that he’s barely alive.”

“No way, I don’t believe it. Not him.”

You turned toward the group, coffee cup in hand. “Who are you talking about?”

“You haven’t heard? Your buddy was shot up pretty bad today.”

You frowned, lowering your cup. “Who, Five?”

“Yeah. I only heard bits and pieces so far, but it doesn’t sound great. They brought him directly to the infirmary when he came back. There was a trail of blood in the hall and everything.”

“What?” you cried, slamming your cup on the counter. “That can’t be.”

Your friend shrugged. “I’m just telling you what I heard.”

“Shit,” you hissed, before running out of the room.

You didn’t slow down the entire way to the infirmary, dodging people in the halls, and almost knocking a few of them over in the process. How could Five be hurt? And why was just the thought making you sick to your stomach?

You burst into the infirmary just in time to see several nurses scurrying away, and a very angry and bloodied Five sitting up in one of the hospital beds.

“God damnit, if you touch me one more time, I swear to god, I will strangle you with my IV line!”

“Oh my god, Five!” Without even thinking about it, you rushed up to him and threw your arms around him, hugging him tightly to you. “Holy shit, I thought you were dead!”

His body stiffened at first, but then he relaxed and put his arms around you in return. You heard him laugh and you pulled away.

“I bet you’d like that. Then you’d finally be able to molest me without me fighting back.”

You realized a few tears had slipped down your cheek and you hurriedly wiped them away. You gave him a half-smile. “You wish.” Then you looked him over, noticing the blood on his head and the IV in his arm. “Are you ok? What happened?”

He sighed. “Nothing, just a minor mishap. I’m fine.” He spoke louder and in the general direction of the nursing staff. “But these jack-holes won’t let me leave!”

You huffed out a laugh. “I can see you’re fine by your usual lovely attitude. You should hear the rumors going around about you, though. Pretty impressive.”

“Good. I need to keep up appearances.”

When you sat down on the side of the bed, you took one of his hands in yours and squeezed it. “I’m glad you’re ok, really. I got really scared there for a minute.”

Five smiled shyly at you and gave you a squeeze back. “I’m glad someone here was worried about me.”

You tilted your head to the side and brushed a stray piece of hair off his forehead and tried to wipe away a smudge of blood. “I doubt I’m the only one.”

“I think you are,” he said, looking you directly in the eyes.

You averted your eyes for a moment. “Is there anything I can do for you?”

“Maybe just one thing.”

“Sure, what do you need?”

He grinned. “Go on a date with me.”

You weren’t sure you heard him correctly. “Did they check you for a concussion because I thought you just asked me out on a date.”

“I did. And no, I am not concussed.”

“Five…” you started, blinking in confusion. “I don’t understand. Do you mean like a date date?”

He huffed and rolled his eyes. “Jesus. Yes, like a date date. Why is this so hard to believe?”

“Uh, well…because we’re friends. Also, I’m not really your type.”

His eyebrows creased together. “You’re not? You’re funny, smart, and sexy. Not to mention you flirt with me every chance you get. What’s not to like?”

“I do not flirt with you.” You smiled when you saw his incredulous expression. “Ok, yeah, I do. But that was just having fun and trying to make you laugh. I didn’t think you’d be into me.”

“Why not?”

“Ok, how do I put this? I have heard all about your little conquests and I know you have a running theme. Skinny, tiny, Barbie dolls that probably have never eaten a sandwich before. And not that there’s anything wrong with that. Everyone has a type and that’s ok. Hell, normally I prefer blond guys, but…”

“Normally?” he cut in.

You blushed. “Well, I do make some exceptions for certain grouchy, dark-haired men.”

Five nodded with a smile. “So then go out with me. I promise the only type I have is the type that I happen to be attracted to. And don’t believe everything you hear around here. Remember,” he pointed to the small abrasion on his head, “I was almost dead a couple of minutes ago.”

Hesitating, you shook your head. “I don’t date anyone from work.”

“Good. Me either,” he said, still grinning.

You laughed. “Alright, then, you wore me down. It’s a date. But only if you promise to stay here for at least another hour without verbally or physically abusing these poor health care workers. It’s not their fault you’re an asshole.”

“Fine, I’ll stay, but only because I want to go out with you.” He raised his voice so the rest of the room could hear. “Not because I need to be treated like a child who fell off their tricycle!”

The next Saturday, you and Five went on your date. When he saw your outfit, he was speechless for a few seconds. He was used to seeing you in your work clothes, which was always the same boring gray pants suit, but now he got to see you in your preferred style. A form-fitting, teal blue dress that stopped halfway down your thighs and had a keyhole neckline to show off a bit of cleavage. You paired it with some gold jewelry and black, strappy heels. You laughed at his face when he saw you.

“You look…” he stammered. “That dress…just wow.”

“Thank you.” You looked him up and down, liking the way his tailored pants fit his lean body just right and his casual button-down shirt that was rolled up at the sleeves accentuated his sculpted chest. You had never really noticed how strong he looked. “You look really good, too. Much better than the stuffy suits.”

“Agreed,” he said distractedly as he continued to stare at your chest.

“Excuse me, but my eyes are up here,” you joked, pointing to your face.

He looked up briefly, then back down at your body. “Yeah, yeah, I’ll get to your eyes in a minute.”

“Wow, I had no idea you were such a pervert.”

He looked up at you with a devious smile. “Oh, yeah, huge pervert. I’m surprised you never picked up on that.” He laughed along with you and then offered his arm for you to loop yours through. “Shall we?”

At dinner, the conversation came easily. It was nice to be able to chat without having to cut it short due to work. Your stories were much duller than his, obviously, but he still seemed genuinely interested in anything you had to say. You made him laugh with your sarcastic comments and you loved knowing you were just about the only one that could crack that veneer of his. Over dessert, you finally worked up enough nerve to ask him what you really wanted to know.

“So, how come you’ve only dated thin girls before?”

Five looked surprised and he shook his head. “I haven’t only dated thin girls.”

You cocked your head to the side and raised your eyebrows. “Really?”

He coughed, embarrassed. “Ok, fine, that’s true. But it wasn’t a conscious decision. Like I said, I’m attracted to who I’m attracted to.” He paused. “But…”

“But what?”

“But what I am most attracted to is confidence. I like a woman that is sure of herself and assertive. A woman that knows what she wants.” He looked guilty for a second. “Usually, at least in my experience, those are the women that happen to fit into the societal standards of beauty. I hadn’t really thought about it until now, though. Sorry.”

“You don’t have to be sorry, it’s not a bad thing. I was just curious.” You hesitated, not sure you wanted to keep pressing him for information. “What was it that attracted you to me, then?”

He looked surprised again and then he laughed. “Are you kidding? I’ve never met anyone as confident and self-assured as you. Plus, you’re funny and easy to be around. And almost as smart as I am.”

“As modest as always.”

“I’m just kidding,” he said with a smile. “You’re incredibly smart, obviously. I wouldn’t waste my time with someone who wasn’t. And…” He reached across the table and placed his hand on top of yours, rubbing the back of it with his thumb. You felt a warm, tingling sensation ripple through your body. “You are also incredibly sexy with your shameless flirting.”

“Well, I’m glad you noticed,” you said, taking your finger and brushing it over his. “And just in case you didn’t know, you are also incredibly sexy.”

“I did not know that.”

“Oh yeah. I made a lot of enemies once word got out that I was going on a date with you. Lots of jealous women back at headquarters right now.”

“Is that so? Can I get a list of those women, just in case this date goes bad?”

Taking your foot, you dragged it up his calf, all while looking him in the eye with one eyebrow raised suggestively. “I don’t think it’s going to go bad, do you?”

He shook his head. “I don’t now.” You saw him swallow hard and shift in his seat. “How about we get the check?”

When you got back to your place, you were almost falling through the door as you struggled to get inside while aggressively making out. Neither of you had even made it out of the car before you started groping one another, so that by the time you had made it home, you were both on fire.

“You know,” you mumbled between frantic kisses as Five slammed the door closed behind him with his foot. “I don’t usually put out on the first date.”

“Me either,” he said as he grabbed you around the waist to pull you in closer, kissing you along your jaw.

“Ok, I lied. Yes, I do,” you exhaled breathily as your hands wound into his hair and he moved his mouth to your neck.

“Good, because I lied too,” he said, stopping to look at you with a sly grin.

After letting out a short laugh, you were back on his mouth again, breathing hard through your nose and pressing your body against his. You could feel his arousal building as he pushed his groin into your hip. Your hands fumbled as you started to unbutton his shirt.

“Fuck, you are so hot,” he breathed against your neck. “I want you out of this dress.”

As you finished undoing the last button and pulling his shirt out of his pants, you nodded. “Yeah, good idea.” When you reached down to pull at the strap of your shoe, he put a hand on yours to stop you. When you looked up, he shook his head.

“I said the dress. The shoes stay on.”

Well, if you hadn’t been wet before, you were now. The tone of his voice and the seriousness of his face only added to the hotness factor and at that point you would have followed almost any demand he made of you. Leaving the shoes on, you pulled the dress over your head while he watched. Even though you hadn’t really been anticipating your date progressing this far, you had still prepared with a pair of satin panties and lace bra that matched the same jewel tone as the dress you dropped onto the floor.

Five didn’t say anything, just eyed you up and massaged the back of his neck. Then he let out a long, shaky exhale.

“Are you ok?” you asked, suddenly a little concerned he might not be liking what he saw.

Five nodded, his gaze not leaving your breasts. “Yeah, just give me a second. I’m trying not to come in my pants.”

Your astonished laugh was quickly cut off when you found yourself pinned against the wall on the other side of the room, the fluttery sensation of one of Five’s spatial jumps lingering in your stomach. Your squeak of surprise was swallowed by his mouth on yours, as he pushed hard against you, his hands on your tits.

When he flicked his tongue across your bottom lip, you moaned and closed your eyes, jerking your hips into him. Your hands found their way to his hard chest and muscular arms, feeling them tighten and relax with each movement. He let you tug his shirt the rest of the way off and you wrapped your arms around his shoulders as he pressed his face into the side of your neck and lifted one of your legs up to his waist. His hard cock was grinding into you as you drew in a ragged breath. When you felt his lips against your skin and his warm breath as he brushed his mouth over your neck, you let out a loud whine.

“That’s right, sweetheart. Let Daddy hear you,” he groaned, his fingers digging into the flesh of your thigh and holding you tightly to him.

“Woah…Daddy?” you breathed out.

Five nodded, moving to the other side of your neck. “Is that ok?”

“Fuck yes, Daddy,” you moaned, running your hands greedily down his back.

You felt him smile against you and his kisses turned into small nips that he trailed down your neck and onto your shoulder.

“I want you. I can’t wait,” he said, his voice husky with desire.

“The bedroom is in there,” you said, pointing to the room just on the other side of the wall.

Five let your leg down and you pulled him by the hand into your bedroom, falling onto the bed and propping yourself on your elbows as Five stood there staring again.

“Well, come on, Daddy,” you teased. “I thought you couldn’t wait.”

A slow smile spread across Five’s face as he immediately started to undress the rest of the way, until he was crawling over you, completely naked. He rubbed his cock against your inner thigh, making a quiet growling noise in his throat before looking you in the eye.

“As much as I love this little bra and panty combination you’ve got going on here, I’m going to need those to go, too.”

When you nodded eagerly, he reached behind you and expertly unhooked your bra, tossing it off the bed before immediately moving farther south and ripping your underwear off. Once you were completely nude, Five sat back to take you all in. You assumed he liked what he saw, because it was only another second before he was covering you with his own body, attacking your full breasts with frantic sucking kisses.

“Damnit, honey, these tits…fuck,” he moaned as he buried his face in your cleavage.

“I take it that you’re pleased?” you giggled, threading your fingers through his hair.

He lifted his head, holding himself over you while he shoved your legs further apart with his knees. Then he lowered himself to kiss you tenderly, caressing your face with one hand. You let out a soft sigh.

“I’m more than pleased. You’re beautiful.”

He leaned in to kiss you again, this time using his free hand to travel down your chest and abdomen, and along your inner thighs. His long fingers met the soft, wet area between them, and he slowly ran them up through your pillowy folds, making you even wetter.

“Five…” you moaned as you rocked your hips up to match his strokes.

“What do you need, sweetheart? Tell me,” he asked, only slightly condescending as he continued to watch your face for your reactions.

Five entered you with two fingers, pressing in slowly and then backing out again before repeating it in a slow rhythm. You chased his hand with desperate thrusts of your hips, biting your bottom lip to try to contain some of the noises that threatened to escape your lips.

“Fuck me, please,” you whined, throwing your head back.

He gave a quiet chuckle and you felt his hand move away from you. Then he was positioning himself between your legs and lowering himself so that you could feel his dick rubbing against your slit.

“God, I swear I’ve never been this hard in my life. I’m going to fuck you like you want, gorgeous. Daddy’s going to take care of you.”

“Oh, shit,” you gasped when you felt him enter you, just slow enough not to be jarring, but not drawing it out, either.

When he was fully inside, you angled your hips so he was at just the right spot.

“How’s that?” he whispered as he slowly pumped into you.

“That’s good…” You grabbed at his shoulders and back. “Keep going.”

Five continued his slow and lazy thrusts while holding himself over you so he could look down at your face and body. His hair fell forward over his eye and he made quiet groaning noises that were punctuated with soft kisses.

“You feel so damn good,” he moaned.

“Five?”

“What do you need, darling?”

“I need you to really fuck me. Hard.”

He looked down at you, momentarily stopping his movements. Then he laughed quietly and you smiled back. “Well, I did say I’d fuck you like you wanted, didn’t I?”

When he pulled out, you let out a soft sigh and watched as he crawled back off the bed, his dick still hard and wet from being inside of you.

“Wha--?” you started to ask, right before he yanked your legs sideways, so that you were laying across the width of the bed.

Five positioned himself between your legs, holding them up under your knees and settling them on either side of his waist while he lined himself up and slammed into you again.

“Is this what you wanted?” he snarled, continuing to thrust into you hard and fast.

“Yes!” you cried, clutching at the sheets beneath you.

Every time he pounded into you, you got to feel the intensity of his strength as your entire body moved back and forth, your tits bouncing enticingly in front of him. He gave your voluptuous ass a hard slap that made you cry out again. You instinctively covered your mouth with your arm.

“Oh, no, I don’t think so,” Five warned through clenched teeth. “Uncover your mouth. I want to hear you scream.”

Everything he was doing and saying was driving you quickly over the edge, and you did scream for him, just like he wanted. You couldn’t even help yourself.

“Yes…please…keep going…harder, please! I need more!”

You were begging and pleading while he railed into you as hard as he possibly could, thrusting his thick cock deep inside of you while slamming his pubic bone right into your clit every single time. All while completely supporting your lower body, angling it up and off the bed so he could fuck you relentlessly and perfectly.

Soon, you felt your muscles start to twitch and your head fell back, your mouth wide open as you repeatedly asked him to fuck you harder. When you finally hit that wall, you completely lost yourself, screaming his name while bucking and thrashing wildly against him.

Your orgasm was still coming in waves when Five released himself inside of you, his head tipped back and jaw set, growling obscenities while his muscles contracted and he dug his fingers harder into your thighs.

When the intensity had passed, Five let go of your legs, setting them gently down, and he leaned over the top of you, his hands on either side of your head. He kissed you tenderly, still trying to catch his breath.

“Fuck, that was good,” he said with a heavy exhale.

You nodded, laying a hand on his cheek. “So damn good.”

After another minute, you both moved so that you were lying longways on the bed again. Five held you against his chest while he kissed your forehead and traced his fingers down your arms and back.

“I’m not sure why we haven’t been doing that all along,” he joked.

“Because you needed to get to know me and my sparkling personality first.”

Five rolled his eyes. “Sparkling? I don’t know, that seems a bit much.”

When you giggled, he pulled you close to him. Your lips pulled to the side in thought and after a few seconds you decided to just put it out there.

“Are you sure you’re ok with my body? I mean, I am, but I just want to make sure you are, too. Because if this is going to continue, and I really hope it does, then I need to know you’re going to be ok with my size and not try to change me after a while. I’ve dated men in the past that said they were ok with it, but then a month or so later, they’re encouraging me to go to the gym or making comments about my diet. They all got kicked to the curb, because I don’t need that kind of negativity in my life. I am who I am and I love my body. I just want to make sure you do, too.”

Five was quiet for a moment, then he held your chin in his hand. “Look at me,” he said quietly, while tilting you face up. “I’m sorry if I ever gave you the impression that body type or looks matter to me, because it doesn’t. I just had the most mind-blowing sex I have ever had, and I wouldn’t change one single thing about you. You’re perfect.”

“Wow,” you said with a smile. “Five Hargreeves just called me perfect. Wait until I spread this rumor down at headquarters.”

“I’m serious,” he said. “You believe me, don’t you?”

You nodded. “I believe you. And thank you.” You gave him a soft kiss and smiled. “So, does this mean I can keep sexually harassing you at work?”

“I hereby give you permission to harass me as much as you want on a daily basis. I will welcome it.”

After that first date, you and Five couldn’t get enough of one another. It was like just being in the same building with him set your body on fire. You would find yourself staring off, lost in a daydream about what his mouth felt like and then someone would clear their throat or say your name, and you’d realize they had been talking to you without you noticing.

Obviously, everyone knew that something was going between you two. You hadn’t exactly spread the word, but you also hadn’t denied it. You didn’t really care what anyone thought, anyway. The only problem was, there was a strict policy of no relationships between case managers and field agents in place. This was done to protect the agents, and to avoid any favoritism with assignments. A few casual flings here and there were overlooked, but serious relationships were usually squashed. Not that you would describe what you had as serious. Yet, anyway.

You did love spending time with one another, even without the sex. You even made Five join you at lunch with your usual group, much to the shock of your friends. It was awkward at first, but when Five cracked a very dry and cutting joke about someone in upper management, the table went silent for a second before bursting into laughter. He looked at you in surprise, like he couldn’t believe he was having this type of positive social interaction. You just smiled and shrugged, mouthing “I told you so”.

Despite the fact that you spent a lot of time together outside of work, that didn’t stop either of you from taking advantage of your proximity at the Commission. You had lost count of the number of times you two had stolen away somewhere in the building for a quickie during the day. With Five’s status plus his convenient teleportation powers, you could hide anywhere you could think of that would give you at least a few minutes of privacy.

You would be sitting there, attempting to work on a case, when Five would come strolling in. Just the sight of him striding into the room, all confident and sexy with that tiny smirk on his face, made you want to jump on top of him. He would approach you with some made up problem he had and ask you to go with him so you could help straighten it out. It was pretty apparent what was going on, and your coworkers would exchange glances around you, but you didn’t care.

Once you were safely down the hallway, Five would grab you and blink you into some abandoned storage room where you were immediately attacked. You had told him to stop being so aggressive while at work, because the hickeys he was leaving on your neck were clearly visible. But that didn’t stop him from shoving you against a table or a wall, all while kissing you fervently and telling you how much he wanted you in that deep, growling voice of his.

Dropping to his knees to eat you out while kneading the flesh of your ass. Spinning you around to bend you over a table before fingering you and then fucking you from behind. Biting and sucking at your tits and stomach, leaving marks that would be hidden by your clothes, but were still a reminder of who you belonged to. All of it was expertly done, as only Five could do, and you couldn’t get enough.

The servicing wasn’t a one-way street, though. You liked to flip the tables sometimes and push him against the wall, sliding slowly down his body until you were kneeling in front of him, hands already clawing at his belt and zipper while you called him Daddy. When you would take all of him into your mouth, he would hiss through his teeth and groan loudly, his hand resting in your hair while he praised you for being good for him. He wanted you to look at him while you sucked him off, and tell you to finger yourself while you did it. You’d be choking on his dick, a hand shoved into your panties, and both of you moaning until you came; all while the throngs of Commission employees were passing by right outside the door.

It was quickly becoming apparent that your relationship was evolving into something more. You were starting to spend more nights together, sleeping in one another’s beds, curled up together and waking up happy in the morning, just to be near each other. Five loved cuddling up with you, pulling your soft body close against his, and nuzzling into your neck or hair. He told you how happy you made him and thanked you for pulling him out of his shell. He’d idly stroke your arms and thighs while you would lie together in the dark, just talking quietly. In the morning, he’d trace patterns over the white, jagged lines that criss crossed your abdomen and hips, reminding you how beautiful you were as the sunlight spilled across your bed.

Your feelings for Five were starting to seep into your everyday routines and the work you normally prided yourself on. You found yourself worrying about every assignment he went on, even though you knew he was a professional and could handle it.

After a while, the cases you started assigning him got easier and easier, whereas before you would have given him the most difficult and dangerous ones. He finally called you out on it when he received a total rookie assignment while another agent that was not nearly as skilled received a much more complicated one.

He sat on the corner of your desk, a smug grin on his face, as he dropped the file in front of you.

“What the hell is this?” he asked you, still smiling.

You glanced down at the file, then back at him. “What do you mean?”

He tapped the file with his finger. “This garbage. It’s a case for a newbie. Hell, you could probably hand this to any random person off the street and they could do it. So what’s going on?”

You sighed, crossing your arms over your chest and frowning. “Maybe I thought you just needed a break, that’s all.”

He studied your face and shook his head. “No, that’s not it. Every case I get from you these days is getting simpler and simpler. I just haven’t said anything until now. Are you losing faith in my abilities, is that it?”

Your eyebrows raised in surprise. “Of course not! It’s just, you know…” Your voice trailed off and your eyes flitted away from his.

“No, I don’t know. Tell me.”

With a heavy sigh, you dropped your hands onto the desk in front of you, looking up at him. “Fine. I’m scared to give you anything complicated because I’m afraid something will happen to you. And I don’t really want my boyfriend being gunned down or stabbed or beaten all to shit, ok? Especially not in another timeline where you might not even be able to come back.”

Five took a second to absorb that information, then he looked down with a smile. “You really worry about me?”

“Yes, I worry about you. Is that so bad? You might not be as amazing as you think you are. You’re not infallible, you know.”

Five made a face like he hadn’t actually considered that before, which was mildly infuriating, and then he looked at you with that gentle smile of his that you knew he saved only for you. He leaned in and gave you a quick but tender kiss full on the mouth, even though you were still in a roomful of people that could see. When he pulled away, you felt your face flush, but not from embarrassment.

“Thank you,” he whispered earnestly.

Then he flashed you that arrogant smirk again, the dimple on his cheek deepening, before snatching a much thicker file off your desk, and blinking away without another word.

It was only a matter of time, you supposed, before Corporate caught wind of your relationship. Especially when you were making erratic decisions with your cases lately. Both you and Five received a notice from senior management requesting a meeting. You were a mess of anxiety and nerves when the time came. Your career was important to you, and it was not in your nature to just throw that away for some man. But Five wasn’t just any man, was he? If you were going to have to choose between your job and your relationship with him, you had no idea what you were going to do.

Sitting in front of the executive’s desk, your leg bounced up and down with nerves as you waited for Five to join you. When he arrived, he had the absolute audacity to look calm and unbothered as he sat down in the chair next to you. He greeted the manager and then turned to give you a wink and a small smile. You really had no idea how he could be this nonchalant. Maybe he didn’t care if you had to end things.

“As I’m sure you know, the reason you two have been called here today is –”

Five cut your manager off mid sentence. “Yes, we are fully aware. According to section 64, subsection D of the Commission Code of Conduct, we are prohibited from being in a romantic relationship with one another.”

The executive paused. “Well, yes, that’s correct. And so –”

“And so you have to inform us that we either have to end our relationship or resign from our positions.”

There was another moment of perplexed silence from across the desk. “Uh, yes…”

“But that is only because of the current departments we work for, due to conflicting interests, correct?” Five continued.

“That is correct, yes. But—”

“So, if we move to the same department, that shouldn’t be an issue?”

“Well…yes…I suppose…”

You looked at Five, completely confused. “Five, what are you doing? You don’t want to work in case management. I know you don’t.”

He nodded. “You’re right. But you can train to become a field agent.”

Your mouth hung open. “What?”

“You’ve only mentioned that you were interested in being out in the field about 50 times, so why not? They can always use more agents,” he turned to the manager, “Isn’t that right?”

The man cleared his throat. “Oh. Well, yes, that’s true.”

Five nodded again, as if that explained everything. “Alright then, so move her to my department. She has the determination and skill. And you have my official recommendation, which as you know, holds a lot of weight around here.”

There was another look of bewilderment in your direction. “Yes, Mr. Hargreeves, that’s true. I suppose we could do that—”

Five stood up with a smile. “Great! It’s all settled then.” He turned to you, still sitting in your chair and trying to make sense of all of this.

What he had said was true. You had told Five many times that you wished you could have his job. But you figured that was outside of your skill set. Five didn’t seem to agree. He knew you were highly intelligent, strong, and had the right personality. You just needed the proper training.

He reached out a hand to pull you up. “Is this all ok with you, darling? Do you have anything to add?”

You shook your head slowly. “Uh, no…I mean, yes…I mean, yes I’m ok with it and I don’t have anything else to add.”

“Great!” Five turned to the manager. “Just send me the paperwork we need to fill out and we can call it good.”

The manager shook each of your hands and it appeared that the meeting was over before it began. Five guided you towards the door with a hand on your back. You looked over your shoulder, still unsure of what exactly just happened, but you let him push you outside into the hall.

“What the fuck, Five?” you demanded, hands on your hips. “You want to tell me what is happening right now?”

“It’s pretty obvious, isn’t it? They weren’t going to let us keep dating if we were working in our current departments, so one of us had to move. And I know this is what you really wanted.”

You thought for a moment. “So…you didn’t think of breaking up with me just to keep things the same?”

His mouth dropped open and then he snapped it shut again, his brows furrowing and creating deep creases between his eyes. “No. Of course not.” He took a few steps closer to you and took your face gently into his hands, gazing into your eyes. “I love you.”

You drew in a sharp breath. “What?”

“I love you,” he repeated, this time with a smile.

You answered him, your own grin spreading slowly across your face. “Say that again.”

Five laughed, leaning down to kiss you and you hugged him around his waist. “I love you,” he said again after breaking away.

“I love you too, Five. I don’t know if I realized it until just now, but I do. I love you so much.”

Five nodded. “Well, that’s a relief. Because I would have looked like a giant asshole if I did all that and you shot me down.”

Laughing, you reached up for another kiss that quickly turned very heated. When you pulled away, Five was breathing hard and he tugged your body harder against his.

“There’s an empty room down the hallway over there,” he said suggestively.

You shook your head. “Sorry, honey, but we have to get to work. I have a lot of training to start on.”

“I think you forget who your new boss is,” he said in that serious tone of his.

Five pulled you in tightly again, kissing you hard on the mouth and flattened you against the wall. His hand roamed down to your chest and he gave your breast a small squeeze while pressing his knee in between your legs. When he heard you moan softly into his mouth, he backed away with a grin.

“You know, I can report you to HR for sexual harassment,” you said with a crooked smile, even though you were having a hard time controlling your heart rate.

“It’s not harassment if you like it,” he shot back before giving you a loud smack on the ass.

Then he turned around and walked away, leaving you flustered and hot; but also with that amazing feeling in the pit of your stomach from knowing you had found the perfect person to love and that loved you just as much in return.

[miraculouslbcnreactions]

In Defense of Marinette

I like Marinette. While there are many valid criticisms of her writing, the same can be said for literally every other character and she's actually doing pretty well given that she's the main character. After all, in a show where consistent characterization is an ongoing issue, the one with the most screen time will probably be the one who's the biggest victim of the issue.

This is heavily exacerbated by the rule that supposedly governs Miraculous. Namely that, in each story, Marinette must make a mistake. Or, at least, so says the head writer:

I really do not care what this guy says on Twitter or anywhere else. I only care about what's in the show because, if you have to go outside the text to understand the text, then you have no idea how to tell a good story.

However, unlike many of the tweets that I've seen, this one isn't some BS bit of lore. It's a writing rule and it has substantial backing in the text. It's extremely rare to have an episode where Marinette comes out smelling like roses and that's a problem because Miraculous has over 100 episodes. In other words, to follow this rule, the writers have to come up with over 100 ways for Marinette to be wrong so of course she's going to come across poorly. Why would you do this to your main character?

It's extremely common for kids shows to have a "lesson of the day" element to them. Someone always needs to learn something, but I've never seen a show misunderstand the assignment so badly. Learning a lesson is not the same as doing something wrong.

It's been a while since I watched the 2010 version of My Little Pony, but it really leaned into that whole "lesson of the day" thing and it actually knew what it was doing, so I'm going to talk about it briefly to discuss things that Miraculous should have done.

The first thing to note is that MLP had an unambiguous main character - Twilight Sparkle - but Twilight was not the one who learned all of the lessons. She had a pet dragon and a crew of five friends who would, occasionally, be the ones to learn the lesson because there were lots of lessons that simply didn't fit Twilight's character. Instead of warping Twilight to make the idea work (cough cough Ikari Gozen cough), the writers just let someone else have the spotlight for a bit.

This is an excellent way to build out your cast and Miraculous had plenty of opportunities to do it. For example, Lila should not have been Marinette's issue. The fact that Lila hates Marinette could have certainly stuck around, but the one who takes her down and learns to investigate her sources? That should have been Alya. A liar is the perfect enemy for an investigative journalist, but a poor enemy for someone who shines as a battlefield commander and overthinks when she's given too much time.

Another way that MLP would teach lessons was to have someone other than Twilight or the main crew cause the issue that they then had to deal with. This leads to one of the best moments in children's television:

And, frankly? Marinette deserves a moment like this. That poor girl has been through hell and is never allowed to make the right call when it really matters. The show will even completely rewrite its lore to make her fail (see: Strike Back). That is such an awful thing to do to your lead! Shows about female empowerment should include women feeling powerful and, no, Lila and Chloe don't count!

Also, the show is literally about Gabriel taking advantage of people who are upset. You don't need to have Marinette make a mistake to shoehorn in a life lesson. Akumas are life lesson fodder and season 1 actually seemed to get this. I'm not sure why they switched gears to "Marinette is the star and, therefore, must always be wrong."

The final way that MLP taught lessons was to have Twilight do something wrong because having your main character do something wrong is a totally valid way to teach lessons. It just shouldn't be your only way because you know who is always wrong in children's media?

Villains.

They wrote Marinette like a villain.

And a large part of the fandom hates her for it because of course they do.

You're not supposed to like villains.

[pinescent-and-gingerbread]

✧ All the graces from Heaven

✦ Pairing: Arthur Morgan x Fem!Reader ✦ Summary: Arthur and you enjoy a steamy morning at Strawberry's Hotel, much to the outlaw's delight. ✦ Warnings: SMUT 18+, MDNI! Oral (both reader and Arthur receiving), 69, a bit of fluff if you squint, porn without a plot, Arthur is more of a high/mid honor but loses it and gets a little bit rough, established relationship. ✦ Words: 2,6k ✦ a/n: Yeeeaah so. This is basically a 69 fic, it's pretty filthy and a bit less figurative than my usual works. Just pure smutty smut. I hope you'll enjoy it still! Pic is mine, not proofread! And as English isn't my first language, prepare for some misspellings.

The bedroom of Strawberry’s Hotel is filled with chuckles, and full of scattered clothes on the floor. Leathered boots, two shirts tangled together, jackets and holster belts thrown away messily on furniture. As a lighthouse in the middle of the sea, a black gambler hat stands tall hung on one of the bed's huge footboard legs over this tide of abandoned clothing.

Above it, the old wood creaks as two people mess with each other under the blankets, threatening to make the worn hat fall from its perch. Both are nude as the day they were born, and glued to each other as if they were wearing the other one’s skin.

You and Arthur had quite a time, last night. And since you had woken up, it was nothing but sweet words, cuddling and tickling. Teasing each other had become a private religion between you both, his sarcastic comments always met with a witty answer from you. It made him love you even more.

“Come on darlin’, stay.” Arthur’s deep voice asks you, as he buries his head in the crook of your neck, his nose impregnating with your smell, eyes closing on their own.

He feels good, there. It's in these simple shared moments, those laughs you sew together, those fingers and body you intertwine, those deep and dreamy conversations about your brighter future you share that Arthur finds his remedy. As if after all this life of surviving and fighting for a greater cause, a bigger picture, it was the simplest of things that appeared like an epiphany to him when it came to happiness.

You being the main source and Messiah of most of these humble pleasures, of course. His personal angel.

“You know I can’t. You may have the morning off for once, but I have somewhere else to be. Hosea needs me at the Tracker’s Hotel for a job.”

Arthur doesn’t hide his annoyance and grumbles against your skin, something about “Damn jobs always in the way” and “ The old man can wait a lil’ bit more.”

It makes you smile. As tempting as staying in bed all morning with a naked Arthur seems, especially considering how you can feel his fat cock feeling so soft against your hip, you feel self-conscious about leaving Hosea alone on your mission. You turn your head to the side to kiss your lover’s head, his sandy locks tickling your nose.

“Alright tough guy, time to go.” You decide before getting up in a sitting position, then crawling to the end of the bed to grab your ungarments.

“Not so fast, lil’ missy.” He objects with a low chuckle, obviously enjoying this little chase after you.

Before you can reach your aim, Arthur snakes his hands around your thighs and pulls you back to him in a quick and powerful motion, handling you as if you were the lightest feather, which makes you let out a squeal of protest mixed with surprise.

His laugh resonates for a second and then, he freezes. You had ended up on all four on top of him, but usually, your face was turned to his. This time, Arthur's nose is met with your plump rear, your chest to the other side, just above his crotch. You can feel his body, underneath you, getting tensed. This gigantic, massive, muscled body, so big and tall that his chest feels larger than a tree trunk between your spread legs. What was innocent playing for him just seconds ago had turned into a needy tension between the both of you. The air suddenly feels thick and a silence settles, a tense calm on the shore before a Maelstrom.

Your blouse and Hosea are a long time gone when you realize you can feel his breath on your pussy, the sensation making you shiver. You try to get up from the position, thinking he wouldn’t like to have his face shoved in your intimate parts, but his hands grip tighter and stop you, grounding you in place. You turn your head to him as much as you can considering your situation, taking an interrogative look at his face above your body.

His cheeks are red. Dark red. His eyes are fixated on your entrance, throat swallowing with difficulty. His bust rises and falls heavily, pectorals muscles swelling up before relaxing and rising again. He sighs, and you feel it again, hot air all against you, all against your now aroused and needy slit.

“We hum… We never tried like this…” He starts, voice low and suggestive about what he's implying, his hands traveling from your thighs to grab your ass, one hand for each cheek. They’re so big and firm, and feel so good there, as he squeezes, again and again, driving himself crazy as he admires how the perfect heart shape of your rear looks all squished under his fingers.

“You sure you want-”

Before you can even finish your sentence, Arthur answers it by pressing his lips to your pussy, exhaling through his nose and tightening his fingers on your flesh. This man always had such huge self-control for every dangerous situation known to mankind, but right now, it seems like he couldn’t resist taking a bite when having your perfect cunt under his nose…

A sharp and depraved noise leaves you, making his body burn like redden coal, his mind consumed more and more by your whole being and the simple feeling of your wetness all against his face. His whole universe reduced into this touch, lips against flesh, saliva mixing with arousal. Your sinful nectar and his.

“God, honey!” You whine, back arching without your permission, body moving backward to him, searching for more, needing more.

“Taste so goddamn good… Never gonna have enough of ‘this…” He rasps between a few more kisses to your folds, as a praise or a statement, you’re not sure, and he’s not either as words just flow through him and he lets them out without a drop of restraint or reflection. A rough, unstoppable river. That's how he feels every time he eats you out.

His tongue slowly slips out of his filthy mouth and licks your folds, slowly, tortuously, from bellow aaaall the way up to the inside of your ass. You could have been scared of not being clean enough for him or feeling nervous about his face almost buried in there, but the sound, the moan he had made suppresses all these anxious thoughts all at once.

You have to face the obvious: he’s loving it.

“Aah- Arthur…” Your hips roll against his face, desperate for some more friction, unsatisfied and so aroused by his teasing.

“You go on moanin’ ma name like that and am gonna come without ya even touchin’ me, darlin’.” He warns you, voice hoarse, lips mumbling against your folds, his beard and mustache tickling you just the right way.

You answer his words with a deep sigh, the filth of them burning you to the core. He laps at you the same way again, in one then two long and slow licks, as if savoring you like the finest whiskey he would have tasted. A mewl leaves your lips after each one of them. You’re starting to get impatient, and he knows it, he knows you after all those intimate moments. He stops his lips right at the entrance of your core and gently slides his right hand between your thighs.

The way he has to fold his arm to touch you there isn’t comfortable for him, his bicep being way too big to be crushed like that; but hearing you, feeling your thighs clenching and the appreciative words you let out when his fingers land on your sensitive bud is worth this slight pain. Always putting other’s needs before his own, always being devoted and loyal, always finding happiness in being useful, that was Arthur’s nature. And the bed was no exception to it.

“Was you not supposed to go somewhere?” He asks cockily in a falsely innocent tone, brimming with sarcasm and smugness.

“P-please, Arthur… Quit the teasing, for God's sake…” You ask, trying not to sound too pitiful, probably failing at it.

“A lil’ needy after all, ain’t ya? Ma sweet girl…” He coos, and you can feel his lips stretch into his usual grin, his heart gorging with pride and excitement to have this sort of impact on you.

Bending to your wishes, his fingers start to rub and trace tight circles on your clit as his mouth makes love to your pussy, his tongue delving in as deeply as he can, and the pleasure finally hits you like an earthquake. It feels so good, so damn good, your breathing quickly turning into loud moans.

Your head snaps back forward, and your body pushes your rear up all against him as a cat who would stretch after a nap. Arthur hums in delight and appreciation, unable to speak but encouraging you still. He increases his pace, his digits quick and sharp and so precise against your sensitive spot.

Your face falls down as every fiber of your body hardens, and that’s when your gaze is caught on his cock. Your pussy clenches hard around his tongue just by the sight of it.

It looks so hard and swollen that it must be painful for him. His hips buck forward into nothing, his member almost hitting your chin, with every lick of his tongue inside you. His round and reddish tip is leaking, pre-cum spurting out even more than usual, flowing all the way down into his dark curly pubic hair. His pants would have been completely soaked if he was wearing them.

You're salivating.

It would have been cruel to let him like this, right?

Focusing on him to try and not collapse from your own pleasure, you suddenly press your chest against his belly and take his cock inside your mouth without any warning. The taste of him, this strong saline flavor, fills your mouth.

“Damn!” Arthur shouts in surprise, momentarily parting his lips from yours, fingers slowing their pace. “Jesus, girl!”

This time, it’s your turn to grin, as much as you can, considering how big Arthur is between your lips. You don’t let him any time to think or protest, knowing he would insist that you’d come first.

The way you're crawling on top of him makes it even simpler for you to suck him off, your head naturally placed at the right angle on top of his crotch, and you take advantage of that. Finding support on the mattress with your arms, hands gripping his legs, you bring your mouth up and down hard and fast, sucking his shaft with such vigor you can feel his body squirming underneath you.

“Ngh-! Darlin’! S-stop, slow down! I ain’t gonna last like this!” He tries to plead but his words are drowned in a flood of groans and harsh sighs.

Despite what he’s saying, his body acts in the exact opposite way, hips jerking, cock shoving into your throat at the same time you’re working him. He tries, he really tries to keep on pleasuring you back while you work him, but he feels like he’s completely losing himself, unable to do anything else, to focus on anything else at all.

Your breasts pressed against his belly, his face buried in your pussy and ass, each of your thighs surrounding his head, and your goddamn mouth around his cock, this devilish tongue sliding all around it… He's completely losing his head. It's like being drowned in an Ocean of You. It’s too much. It’s way too much at once for a simple man. A simple, weak, mortal man feeling like he’s receiving every grace of Heaven all at the same time.

His basic instincts win the best of him. His arms are now wrapped around you, pulling you flush against his body, a hand back on your ass cheek, the other on your neck, spurring you into moving your mouth just like he needs to.

“Oh, shit! Yes, go on, go on, take it!”

You've rarely seen him losing his temper like this. He's usually gentle and soft, patient with you during sex, savoring the moment, making it last as much as possible, playing you like an Andante movement from the most sophisticated piece of a symphony.

Right now, he's unchained and rough, rushing to the Grand Finale without minding about false notes, drunk from you and the sensation of warmth he is feeling on every edge of his body; face, chest, cock, every inch of him merging with every inch of you.

He groans all against your pussy, as your saliva drools from this erratic pace. His fingers grip your head and ass tighter as he chases his high carelessly, already coming, way too soon and fast for him. His cock stiffens even more as he fucks your silky mouth, veins gorging with blood, tip throbbing in the back of your head.

“Aaah- Damn… Good… Girl!” He growls loudly with a thrust of his hips after each word.

The last one is followed by a loud and throaty whine, higher-pitched and vulgar, the kind of sounds he would usually let out when being hurt.

He shuts his eyes in a pleasured-filled frown as he pushes his face even deeper between your legs and, more from instinct than anything else, sucks hard on your cunt while he comes, lost, so lost in a sea of primal bliss and pure organic pleasure. His large body burns and tenses one hard final time, and you can feel the path of his cum traveling along his length against your lips as he releases inside you.

It fills you, his saline and strong taste blinding your other senses, cum as hot and sinful as his state, and you exhale with satisfaction as you swallow both this remnant of his ecstasy and the last drops of his sanity.

Arthur falls back heavily on the mattress, completely spent, his sweat staining the white sheets, his hands loosening their grip. Before removing them from your body, he allows himself a playful little spank on your butt as he speaks again, a revenge not strong enough to his liking for your sneaky move.

“Jesus, you’re… completely wild...” He sighs, his heart slowing after having beaten like war drums.

He’s still panting, mouth open and covered with a mix of this sweet cocktail of saliva and arousal. He licks his lips, feeling so satisfied, the sensation of your body everywhere on his skin still vivid and present. Like a stamp of black, indelible ink that has left its mark on a blank sheet of paper.

“You really enjoyed all this, didn’t you?” You ask back while getting off him, legs a bit shaky, your throat starting to feel a bit sore from the intensity you had chosen to go with. “I haven’t heard you whine like this for a long time…”

“I don’t “whine”.” He scoffs, knowing damn well he did, and suddenly feeling ashamed of the sounds he had made and guilty for the rough behavior he had displayed. His negative feelings are soon brushed off though, thanks to your beautiful and mischievous smile enlightening him.

“Yeah yeah, keep telling yourself that. I’ve still got ears to hear, Mister.”

“Hush. Now come here, 'gonna make ya feel as good and miserable as me from finishin’ that fast.”

His eyes burn with that fire he has. The one reserved for you and the excitement and adrenaline of action. You already know there's no way you'll walk out of this bedroom without being completely satisfied.

“Tonight. I’m already way too late to-”

“Now.”

The piece of clothes remains abandoned on the floor as the bed creaks again, that old gambler's hat only witness of Arthur's payback to you.

After all, he never liked leaving a job unfinished.

--

tagging some people who were interested in the scenario! : @amyispxnk @a-court-of-valkyries @fleouris

[raayllum]

She Must Pay the Price, or A Drop of Mercy :: A Rayla and Leola Meta

Quick:

You're a young elven girl, and you show mercy and compassion to a human that you definitely weren't supposed to. When it's found out, you're punished, with elves even calling for your execution (6x09, book 1 novelization). Your father does what he can, but there's only so much. You're put on trial. You're found guilty regardless of intent, and only by association. You die for this; you die for them. You're a star. A guiding light. There's even a Great Fall off a precipice (though only one of you hits the ground).

Your name is Leola, or Rayla.

You're the beginning and the end, respectively.

So let's talk about it.

Tests of Love

For years, I had wondered where Aaravos' assessment of "Those who fail tests of love are simple animals. They deserve to be motivated by fear" (2x09) came from, cause you don't drop in a line like that if it's not going somewhere. It's quite a statement and worldview, after all. Now, with Leola's trial, it seems we know.

We can see, then, perhaps that Leola's gift giving was the first test of love — are you willing to break the Natural Law, the Natural Order of things? — to help another? To show another a source of power in order to share, to be compassionate, and in Rayla's case, to be merciful (though we'll get more to that in a minute).

We also know that the love Leola had was powerful and all encompassing:

She didn't care to follow the order set in the stars. Though she was born an immortal being from the Heavens, she loved this world... and all its flaws. Her heart was warm and open.

And she befriended mortals. Animals, elves... and humans.

ETHARI: Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. (Bloodmoon Huntress)

Okay, so Leola and Rayla both have big compassionate hearts and befriend creatures from all over the place. So what? So do Callum, Ezran, Soren, and most of our other main good guy characters. Even Claudia to a degree (though she could work on not using magical creatures for spell parts).

Well, specifically, it's because of how they intersect currently more with anyone else on the concept of

Mercy

KOSMO: Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled. (6x05)

Rayla sparing Marcos, as noted in multiple interviews by the creators and by myself in previous metas, is ultimately the inciting incident / lynchpin of the entire series. Without it, there would've been no soulfang proposal or Ez running away to find the egg or any of the number of other elements that had to come together to make achieving peace possible.

While we still have details to discover regarding Aaravos' Fall and development of dark magic, we know that a lack of mercy was ultimately what sent him on his path of vengeance. Leola was not shown mercy, and while it seems there were already "flaws" for an imperfect world, things were (probably) better than they currently are in Xadia in a variety of ways. Then, to kick off the entire Saga, we have Rayla sparing Marcos in a soundtrack literally titled "Mercy" and have Kosmo, seasons and seasons later, spell out directly what a big deal this was for well, the ocean of time.

None of this is to say Rayla can't act out of revenge — she did ("when I first came here, I was on a mission for revenge") and she has ("but I became so obsessed with revenge"), much like Aaravos ("he isn't doing anything out of love, he's doing it for revenge") — but that her general compassion and love for others has always been stronger than her grief or rage, and that even when she had every social and personal reason to, she was and is fundamentally unable to hurt someone innocent.

Even when she's shamed or punished for it by herself or by others. RAYLA: The human looked up at me, and I saw the fear in his eyes. RUNAAN: Of course he was afraid, but you a job to do! (1x01)

EZRAN: Yeah, but then you saw he was scared, and you knew he was a person, just like you. RAYLA: That shouldn't have mattered. I had a job to do. (1x08)

The Cosmic Council — and to a degree, the Silvergrove — say that the reasonings or motivations, the intentions, behind Leola and Rayla's actions do not and should not matter when it comes out to doling 'Justice'. So Leola faces her justice, being literally killed in the one manner that can kill a Startouch elf, and so does Rayla, being metaphorically Ghosted / 'murdered' by her community, regardless.

Neither are enough to ultimately quell their light or their love/power, however.

A Star

RAYLA: That beautiful shining star you just pointed out? We call it Leola's Last Wish. (5x02)

So both Leola and Rayla are stars in season 6, literally and metaphorically respectively. Leola's is more self-explanatory, whereas Rayla's is mostly about the role she has in Callum's life as a guiding light and star. I don't think it's a coincidence, though, that just as Rayla placed Callum on his path of being a primal mage, though, that Leola did the same for humanity. I also don't think it's a coincidence that Callum's love for Rayla restores Callum's own light and agency amid Leola giving humanity the same through light and fire.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. (TDP shorts, Ripples)

In this way, we see the manifestation of a repeating parallel of Rayla representing Leola, a gift giver of life, magic, light, unjustly punished/killed, and Callum representing humanity, looking to the kindest brightest star for guidance, magic, restoration, and salvation if he's just given the chance to grasp it. After all, presumably, Leola's last wish would have something to do with primal magic and humanity, and who represents that better than Callum, with two arcana under his belt and possibly more on the way? With that in mind, I want to return to another quote from earlier but with a different focus on

Ripples

Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled.

The wisest of the humans looked upon the water. His own reflection smiled back at him, and he dared to imagine what such power would feel like in his own hands, should he be allowed to hold it. Imagine, he thought, if I were more than what I am. With a trembling hand he touched the surface of the water. Ripples spread from his fingertips. [...] I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand. In this, the humans taught me another lesson. And so I touch the surface of the water. I watch the ripples spread.

Water in TDP is a strange beast, symbolically speaking. There are some more straight forward motifs (reflections, "don't try to control where the river [of life] goes, there's one thing you can know and control: yourself"). For Aaravos, it's connected to deep loss but also his own sense of patience in playing and winning his game, as illustrated above. For Rayla, it's linked to shame, self-reflection, bravery, and loss. Aaravos weeps and creates a sea upon losing Leola; Rayla says goodbye to her family by the lotus pond times three.

We don't know what water represents for Leola. Not distinctly, anyway. The best we can figure though, is that by following the through line of the Rayla and Leola parallels, that the ripples Leola wanted to send out or did send out — not the distortions caused by her father and his grief — are ones that Rayla received, and then continued.

Rayla has always been a foil to Aaravos, and this hasn't changed. She is the one who set Callum on the path initially of being a mage, which put him in Aaravos' machinations as prey; she retrieved his Key; and she's the reason Callum's done dark magic, twice. At the same time, much like the moon, Rayla carries Leola's light as much as she shoulders Aaravos' dark. She literally represents light in Callum's life, helps lead him through the darkness, and him being a primal mage and it's possible growth to other humans is the best possible thing that could've ever happened to Xadia.

Sol Regem says that "no one can save" Xadia or fix what is deeply broken. The Cosmic Council said that Leola had broken the Cosmic order and had to pay the price. Rayla has repeatedly been willing to pay the price for both hers and other's actions in hopes of making things right, of sparing others' pain. Sometimes to her detriment, but—if Rayla as Callum's one Truth could fix the darkness within him, if she's the lynchpin for breaking the Cycle, for bringing back Runaan and fixing her family's souls, in opposing and presenting mercy amid the Council's lack of mercy, in the face of Xadia's violence—

Then Rayla's act of mercy in 1x01, and potentially beyond in S7 with Callum, will be what fixes Xadia.

Leola's gift of magic is what 'broke' Xadia, and her execution is what literally did so, leading to the division of the continent. She wrongly paid the price in the absence of mercy and love. Rayla is therefore her thematic successor — welcomed this time as Light and Truth — as the carrier of Mercy and Love, and she will 'fix' Xadia through her ripples and dynamics. She will mend them back together. There will, at last, be no price to pay.

Misc. Thoughts / Predictions

One thing I was always curious about going forward into future seasons was the prospect of a 'trial' or reunification of the Silvergrove. It felt like a no-brainer the Silvergrove would have to change in order to reflect Runaan's character arc, much the way we see Katolis and the Sunfire elves change to better accommodate the new, more compassionate world order. Pre-S4 a trial felt a little strange as an idea, though post-S4 the parallels it could provide to the Lucia tribunal made more sense about why include either (or both).

However, Leola's trial seemed to hammer home the almost necessity (as this is still a prediction, after all, that may not happen) of Rayla and/or Runaan saying their peace to the Silvergrove leaders. This would be a great opportunity to provide a contrast to the Cosmic Council, reaffirming that Xadia is ultimately better than them because the Moonshadow elves and everyone else can change, and the Cosmic Council seemingly cannot or will not. But I guess we'll have to wait for S7 or beyond (#GiveUsTheSaga) to find out if this'll come to fruition or not.

I also wanted to touch on what we see with Leola ("I'm so scared!") and the repeated emphasis on "recognizing fear as a moment of empathy and personhood" and the horror that can come if you don't have that moment of recognition. This is something I've touched on before most notably as a striking difference between S1 Rayla and S5 Claudia, but I thought it was worth mentioning as S6 added to it specifically with Viren towards Soren and Lissa. This is another point in the "Rayla is an inversion of the Council's lack of mercy" column, as Leola's — a child's fear, and Aaravos willing to pay the price and take her place — earns her no mercy. Rayla, meanwhile, sees someone innocent that she has 'every right' to execute is afraid of her, and that strays her hand; it steadies her sword, and she spares him. Because if someone is afraid of you, it's worth asking yourself why, and what you might want to do instead.

Last but not least I wanted to talk about Leola's parallels to Callum and Ezran as well, since they are very much there (though yet not perhaps to the same extent).

Ezran has Leola's friendliness to animals and soft heart. He too is a child whose death is called for as a means of Justice, and he is granted mercy through Rayla and the discovery of the egg, able to live and grow and help usher in peace. He is, I think, what Leola might've been allowed to be if she'd lived in different times. Callum, meanwhile, carries the gift giving motif through his cube, staff, and tokens he both gives to (moon-phoenix bracelet) and receives (the moon opal necklace) from Rayla, and previous 'human-Leola' magic dynamic. Callum being able to break free fully from Aaravos' and dark magic's control in S7 and turn his eye instead to primal magic will be what helps bring true justice to Leola and hope for humanity / Xadia in righting the Cosmic Council's fundamental wrongdoing. Hopefully, anyway.

Conclusion

I hope you enjoyed this deep dive into some parallels and potential narrative goings-on between Leola and Rayla as characters. TDP loves its historical and ironic layers in TDP (Ez and the Orphan Queen, Viren's arc from S1 to S6) and I think this layered thematic dynamic between the two merciful young girls was a good, brilliant choice by the creative team. I'm excited to see where this thematic thread goes in the future and how it may continue to be woven into the story. As always, thank you for reading, and I'll see you in the next one.

[caffeineandsociety]

There's a specific genre of shitty antisemitic joke that I have seen fly under the radar (as it was designed to) a LOT more often lately - especially since Kanye started going full mask-off nazi - so I feel the need to issue a warning about it. Namely, the genre is jokes that get spread around by people who aren't willfully antisemitic because outside of conspiracy brain rot land, it appears that the point of the joke is absurdism.

As an example, let's examine the 23-and-me lizard DNA test that I've sadly seen floating around unquestioned.

Because, see, to the average person who isn't willfully antisemitic, this genre of joke comes off as nonsequiturs, or hilarious mistakes - you, as a person with some level of basic observational and critical thinking skills, living on Earth and not in whatever batshit mirror dimension conspiracy theorists think we live in, might very well end up getting a giggle out of it because, HAH, we KNEW those DNA ancestry kits were a scam! If you're not a deliberate antisemite but not really up on the dogwhistles, it doesn't scan as anything awful because you're put in mind of things like feeding a photo of something decidedly not human into that one selfie-to-anime neural net, which sometimes works and produces interesting results because the thing is looking for specific patterns and trying to make anything fit - not things like blatantly lying about doing something like that in the hopes that normies who see the absurdity and want to have a laugh at a scummy company's expense will pass it along to people who unironically believe that Jewish people are actual literal lizard aliens and the test proves it.

This is the same strategy that guy at the game awards pulled. You, a person living in reality where the main source of political corruption is just the basic consequence of an economic system that makes power pool in the hands of anyone willing to exploit enough people, a world of banal mundane evil, know damned well that QAnon-pizzagate-satanic ritual abuse cult conspiracy bullshit is, well, bullshit, if you're even familiar with the details of what they believe at all. When someone crashes the stage and thanks Rabbi Bill Clinton, you may very well laugh because to YOU it is a blatant absurd nonsequitur.

Problem is that to someone else, someone who's deep into that shit, it's either someone letting the truth slip, or someone backing the deep state into a corner - whichever is more convenient to believe.

This is one form of how the far right uses memeification (CW: the example discussed in the link is a rape "joke") - it means something totally different to the in-group than it does to the out-group. To you, it's funny because it's nonsensical; to them, it's fun because they think they're onto something huge and they're about to blow this shit wide open and it's going to be their great moment of triumph.

I cannot stress enough that no matter how absurd an antisemitic conspiracy theory sounds to you, there are people who believe it, unironically. There are people who unironically believe that Jewish people are very literally not human and no amount of evidence to the contrary will ever change their minds. There are people who believe that we're born with horns and tails and pointed ears and have them surgically altered to fit in with good Christian humans like some kind of extremely high-stakes game of Among Us. There are people who believe that we steal, ritualistically abuse, and kill Christian babies. These beliefs, while fringe enough that, yeah, most of you who this post is aimed at have never heard them in the wild before very recently, are not nearly as fringe as you probably think they are. Just look at fucking Kanye. This asshole has more fans than there are Jewish people in the world.

So I'm begging you to please, bare minimum, be careful of "absurdist" jokes about Jewish people, especially if they reference lizards, money, banking, or government power. Also, you may see Jewish people debating how religious laws may apply to fictional creatures, but outside of that context you should also be wary of any time Jewish people are mentioned in the same sentence as vampires, dragons, goblins, zombies, fantasy demons, or any number of other fantasy creatures known for greed, feeding on humans, or both.

If the reason it seems funny to you is because you'd have to be really stupid to believe it's true or makes any kind of sense - it's probably looking for you to spread it to people who are, in fact, that stupid.

[estcaligo]

Nobody: Me at 3 AM: Glorious Masquerade represents the confrontation between polytheistic and monotheistic worldviews

Or "The Big Three of Olympus vs One Christian God" in the Glorious Masquerade event

Content Warning: Greek Mythology, religion, Christianity, Glorious Masquerade event spoilers

Note: I talk about things in this post from a researcher's point of view, in a descriptive and comparative manner mostly. Just some observations.

I've already discussed a similar concept before - Idia, Jade, and Sebek representing Hades, Poseidon, and Zeus, the "Big Three" in Greek mythology, the most powerful and important gods of Olympus - during the Harveston event. See the post here.

However, in the Glorious Masquerade, the situation becomes even more peculiar because the SSR characters are dorm leaders - those who are in charge. And then there's Rollo, who is twisted from Frollo.

Note: I will consider all sources of inspiration for Rollo, including the book and the musical, which were confirmed by Yana herself to be inspirations for Rollo.

What? Why? Who?

3 vs 1. The Big Three of Greek Pantheon vs The One God, who embodies 3 in 1 - the Father, the Son and the Spirit.

The Big Three are the three most powerful gods among the Olympians - Zeus, Poseidon and Hades.

Zeus commands the sky, lightning, kingship and summon any weather conditions.

Poseidon manipulates water, storms and earthquakes.

Hades has dominion over the dead and undead, darkness, earth-related disasters, and metals and jewels.

*By the way, lightning was considered just Zeus throwing a temper tantrum, and what happened when Malleus got angry? Right, he started throwing  lightnings left and right.

And now we have Rollo. Twisted from Frollo, who, as we know was a religious man (especially in the book where he is a priest, not a minister).

And despite there being other characters, such as vice-president and the assistant, they aren't "real" or “important” characters like Rollo.

So we can say there is only one (1) main character in this event.

2. 7 Dorm Leaders vs 1 Head of the Council

As is well known, Ancient Greek mythology features many major gods, each controlling different aspects of life (or representing them, or serving as patrons). This makes Ancient Greek religion a polytheistic system - meaning it has multiple gods - akin to the Great Seven and the dorm system at NRC.

The Dorm Leader Council functions much like a small pantheon. Not to mention NRC is located on upper hills, which resembles a mountain (Olympus) if we look at the landscape of the Sage Island.

On the other hand, Christianity only has one God, making it monotheistic religion. There are multiple saints in Christianity, who are patrons of different aspects of life, however it is important to note that these saints do not control - they are more like the intercessors between man and God.

Even the NBC itself is focused on one Villain and has one statue in the yard, not the 7 (the "pantheon" of NRC). And NBC itself doesn't have Dorm system like NRC.

3. Oral vs Written

Greek religious tradition is primarily oral, with legends and stories passed down through generations by word of mouth.

In contrast, Christianity is predominantly a written religion, where the written canon holds great importance.

How is it important here?

Well, in this event specifically the NRC guys spend their time walking around and commenting on things. We learn some of their lore and thoughts on various topics through dialogue. Even Professor Trein reveals his past verbally telling about it. Naturally, it’s a game mechanism. But since we’re talking about such details….

On the other hand, the most important part of Rollo lore is found by the Big Three in written form - Rollo’s diary.  It's also noted how Rollo prefers writing above all else. He writes in his diary, sends letters, and drafts invitations. While this may not apply to the NBC in general, since we're focusing on Rollo, this detail is worth considering as well.

4. Our guys vs That One

Another difference between the two religions is that the Greek gods had flaws that made them more similar to humans. They had tempers and they often held grudges. This made the followers of the religion not want to be like them but, instead learn from them and their shortcomings, frequently through fear. 

In contrast to the flawed gods of Greek mythology, Jesus is portrayed as a man who is to be aspired to, more so than the Greek portrayal of a god; who the audience learns from (imitating in a way), rather than obeys.

Our NRC boys are someone we know and who we’re familiar with. We know their struggles and fears, their dark past. Even the guys in charge of each dorm - the Dorm Leaders - are not so distant from the regular students. Well, more of less.

Whereas Rollo is described by all the characters we’ve met at NBC (and even from his vignette) as someone who is amazing, excellent, wonderful and so…exemplementry. Rollo, at the same time, distances himself from everyone.

5. Vertical vs Horizontal

A small but interesting observation is that many monotheistic religions, including Christianity, often have a “vertical mindset” - symbolizing a relationship between the human and God.

In Christian cosmology, we often imagine a vertical world structure: Hell at the bottom, the human realm in the middle, and Heaven above.

In this event, we also experience vertical movement when things get serious. Initially, when it's peaceful and fun, we mostly walk around the town (mostly horizontal, not including the lower parts).

However, when the action begins, Rollo first sends us downward into the sewers. From there, we start moving upward. The ascent of the tower is highly symbolic, as we are literally ascending towards the sky where Rollo awaits us (with his “judgment”)

 6. Masks

The whole masquerade theme is, of course, a nod to the cartoon and part of the game feature to get the characters to dress up.

But let’s remember that in Ancient Greece, masks played a significant role in theater, particularly in tragedies and comedies (twst features elements of both). In general, it is known that masks represent hidden nature, transformation, and more. 

Interestingly, only our NRC squad wears masks and costumes. We even encountered some Royal Sword Academy students, but they were not given costumes (again, a game feature, but still noteworthy).

On the other hand, there's Rollo, who isn't wearing a mask or even a costume. He doesn’t need to. He is who he is, with no need to transform into something else, as he represents the One, in our comparison here. 

What's even more interesting is that, despite not wearing a physical mask, Rollo is the one with ulterior motives in this event, and we only learn his true face later on. He metaphorically takes the mask off, even though he never wore one in the literal sense.

7. Catholic Guilt

The last but not least - Rollo's punishment, which, perhaps is the most fitting and cruel outcome for him. Rollo, after being defeated, expects harsh punishment because he is ruthless with himself and assumes others will treat him the same way. He failed and he expects to be punished. However our Big Three surprise him by concealing the truth and allowing others (the NBC mobs were the first to thank him for his bravery at the tower) to believe that Rollo was a hero. This situation forces Rollo into a state of internal torment, where he must live with the guilt of his actions while being praised for something he didn't truly do.

Rollo's punishment is psychological, forcing him to confront his guilt and shame in isolation. They choose leave him one on one with his Sin.

On the contrast, in Ancient Greek mythology punishments were often cruel and involved physical pain. One of the most popular example would be of course the myth about Prometheus, which, by the way involved Zeus.

And the way Big Three dealt with Rollo was truly cruel in its own way.

(from an interesting article about Greek Gods and punishment - here)

Fin

I left out some obvious notes like Malleus having horns, Rollo hating on magic etc.

Naturally, there may be other details I haven’t mentioned, so feel free to add any additional insights!

[sweetsilver-if]

To Taste Sweet Silver

Play here [Updated 8/10/24]

Word count (w/code): 16.9k

[F.A.Q] [Spotify][Pinterest]

"The silver of the fruit tastes sweeter than the iron of the blood." There is a City in the center of the remaining world, said to house and protect the last gift from the Old Gods before they vanished. Your mother had told you stories of it as a child, before she died. No one is allowed to enter the City of Forgotten Silver without extensive documentation and proof they are worthy. Not everyone is allowed to grace divinity. There is no reason for you, a nobody, to be here but you've managed to worm your way in. You know the consequences if you get caught, and you know to keep your head down as often as you can. The risk to be here is great, for the City is desperate to protect what remains of the past. Everyone who has dared to take the Old God's last gift, a fruit with silver skin, has had their execution made a spectacle. For this fruit is the key to reviving the world to what it used to be. Or so it is believed. It's why those in power will do anything to protect it. You know this, but you have a plan to attempt its theft anyway. For without it, how else will you finally bring this world to its end?

To Taste Sweet Silver is an 18+ Gaslamp Fantasy IF about putting a crumbling world to rest.

✽ Play as a fully customizable MC: gender, sexuality, personality, skills, etc.

✽ Decide how you're going to survive in the City; will you fake an identity and do earnest work, rely on thievery, or freeload off anyone willing to take pity on you

✽ Master magic, hone your physical skills, or expand your worldly knowledge

✽ Discover why the Old Gods abandoned the world in the first place, and learn about the New Gods that have taken their place

✽ Decide your reasons for wanting to end the world. Will you really go through with it?

Caspian Sinclair

The City Mage [M]:

A man who's more important then he lets on. The only reason you know he's a Mage is because you sense it on him. Despite his kind but stoic nature, you hesitate to approach him because if he finds out who you are, he will kill you. If only he wasn't also the holder of key information you need. He never seems opposed to answering your questions or pointing you in the right direction, making him your main source of information about the City of Lost Silver. However, the badge he wears reminds you to still your tongue, and watch your questions.

Whisper

The Jester [NB]:

Xer part of a night show, the sort outlawed in the City due to being propaganda about the Old Gods' departure. When xer not part of the show, xe have a traveling food cart xe only run at night. Although it's best not to draw attention to yourself and get involved with someone like xem, you can't help but wonder what's hiding under the mask. Especially with xer strange charm, odd sense of humor, and ability to show up at the worst of times for you.

Vivienne Silver

The Empress [F/trans]:

The youngest Empress ever crowned, and only due to the tragic assassination of her family. She's an elusive figure, never seen in public, but worshiped all the same. The people whisper her suffering is the reason why the City has seen such prosper in recent years, mythologizing her as a martyr. As an outsider, you have no strong opinion of her, until strange circumstances bring you together. She's exhausted and weary and as willing to bite as she is to be gentle.

Mourning

The New God [M/F/NB]:

Your benefactor and the sole reason you managed to get into the City. They found you in the outskirts one day and handed you a pass, telling you they can help you get what you want. You haven't seen them since. They're elusive and strange, and while they claim they're a God, you're not sure they're something quite so holy.

CW: Gore, violence, torture, cannibalism, death, religious trauma, explicit sexual themes, mtc

Note: This is a side project and won't be updated frequently. My main project is Burning Academia!

[spitdrunken]

THIS IS INCREDIBLY SELF-INDULGENT BUT. MY BLOG!

notes: power imbalance, sexual harrassment, murder mentions.

rotating a thought in my head where 'you' are an increasingly popular erotica writer from the pride ring. with writing, you've hit a bit of a niche, as a lot of the big porn producers (VoxTech's subsidiaries) are not exactly known for their riveting dialogue or personalities. no one's there for anything more than that, but there are demons who do want a bit more 'meat', so to say, with nowhere else turn. that is where you come in!

it's not enough to make a steady living off of, not even when you start taking incredibly specific commissions, but it's never been more of a hobby anyway. you are completely anonymous online, keeping care to use throwaway emails and accounts for everything. still, voxtech's products are utterly inescapable: it's either using them, or using nothing at all. (and those rumours about their boss vox having complete control over his technology, even after selling, has to be a rumour... you hope.)

meanwhile, as your penname continues to grow more and more recognizable, it falls in the vees' meeting room. valentino's immediate suggestion is just to kill you. people in the comments keep comparing his dialogue to yours. what the fuck is that about? who the hell watches porn for the DIALOGUE in the first place?

velvette, while shrugging her shoulders, only adds that their new releases tend to go trending, prior to release. fucking far from the top of that list, but still. trending is trending.

vox, sighing internally, plasters a smile on his face. there's really no need to kill new up and coming talent, val. we should suggest them to work for us instead. and if they don't... we can simply prevent them from working. they'll make up their mind, then.

you return to your laptop to an utterly inescapable pop-up describing the opportunity of a lifetime: the chance to work at voxtech! it's a whole wall of text, describing your pay (higher than you would have expected), where you will be living (in one of the appartment buildings owned by voxtech), and when to head to their main office. there is no word on denying the contract, an utter impossibility, it seems. not that you'd dare. vox's and the radio demon's showdown was the talk of the ring for days, and apparantly, all that rancour was the source of alastor denying a contract of his own. that really is more shit than you can handle in your undead life now. so, you take the job.

as your stories are starting to get heavily promoted, velvette absolutely insists that you add in at least a couple of looong clothing descriptions, based on her tastes. she's such an overwhelming, pushy presence, that it's hard for you to say no. she goes on about how, if it gets popular enough, people might be interested in somewhat similar outfits. probably not, though, let's be honest with ourselves. she makes you model them, all the while telling you that you really wouldn't be allowed to breathe in the direction of her studio otherwise. when you ask her why you absolutely have the one modelling, she just rolls her eyes. you based large parts of their appearances after you, didn't you? might as well make you look the part.

valentino is one of the worst parts of the job. compared to everyone else, he hardly pesters you, but he's still a terrifying presence. he'll give you 'suggestions' and make you steer your work in certain directions, getting too close and blowing smoke into your face. he gives a graphic description of how he jacked off to one of your stories, just to see your response. (this is a lie: why would he jack off if he can just call some stupid whore over to do it for him? also, he doesn't read.)

if a part of one of your stories ever gets a 'porno adaptation', he's having you play the part of the director, and has you sit in during the entirety of the viewing. you can tell he takes great pleasure out of any of your discomfort, or any of your fumbling- until it's too sloppy, and then he gets mad, of course, and you end up leaving the room with shaky legs.

vox seems to be the nicest one out of the three of them. really, he's only ever been courteous to you. but you've seen him flip his lid during the aforementioned 'radio demon fiasco', which you have been wise enough to never mention, so you still walk on eggshells around him. he can also get pretty pushy about deadlines, so you're not taking any chances.

he insists on having semi-regular meetings with you about the sales figures of your most recent works, wherein you also have to describe your process on other projects and pitch new ideas. frankly, you wish these meetings could be an email! but even when you tried to broach the subject, telling him that, surely, the company leader's time is much more important than this?

he simply brushed you off, telling you that he can decide for himself who and what to spend his time on, thank you very much. now, please continue. he'll inform you of the latest kinks and dynamics that have been most popular, though with some peculiar additions as well. you swear that, sometimes, the main character really does seem to resemble yourself in those suggestions, and the love interest a member of the vees...? you're certain you're just imagining it.

[maythearo]

" Welcome back to Night Raven College's 'Ghostly Gossip'! The school's unofficial main online source for the latest news, articles and trending topics circulating around campus! "

" Who's next on the line? Yes, THE Vil Shoenheit. Someone roll out the red carpet! "

Navigation:

R. Rosehearts - T. Clover - C. Diamond - A. Trappola - D. Spade - L. Kingscholar - R. Bucchi - J. Howl - A. Ashengrotto - J. Leech - F. Leech - K. Al Asim - J. Viper - V. Schoenheit - R. Hunt - E. Felmier - I. Shroud - O. Shroud - M. Draconia - L. Vanrouge - S. Zigvolt - Silver

Design notes:

oooooh my god I'm so happy I finally got to draw the super tall monster high heels on someone!! Vil was by far, the character I had the most references saved for. I gotta say, the main inspiration to me was actually Vil's overblot form, probably my favorite design in game, mixing a bit of the religious references it had, I thought of a fallen angel for his scare-itage! I almost went with vampire, inspired on Elissabat's character, but I want to avoid as much as possible repeating the types of creatures the twst cast will be in this AU, and the vampire idea is reserved for a very obvious someone else from diasomnia!

The cons of having too many visual references and inspirations is that it's so difficult to choose only one outfit for the final version. I searched a lot of inspiration in drag, and the ones that clicked with my idea the most were some stuff Pabllo Vittar and Gottmik wore (I'm obssessed with them, you have no idea), if you squint you can see I loosely based Vil's makeup look on Gottmik's lol

There's also the two different patterns I made for Vil's dress. Neither of them were what I originally had in mind, turns out stained glass art is pretty difficult to replicate, but for now I judge these two look decent enough? I struggled to choose only one of them to put on the official character sheet, and I just went with the one on the right because it took longer for me to draw it 😭 you can consider both of them "canon" I guess? I don't think I have a preference between the two

Lore-wise I don't have any really relevant or detailed notes. Vil's personality and backstory pretty much remains the same, I think it fits in this universe as well. I could add to the story that the real reason he doesn't use his wings is because angels lose parts of their supernatural powers once they are cast out of heaven, but Vil prefers not to admit it. Also I think it would be fun if their actual angel form was one of those otherworldly cool burning wheels while this one is baisically just a cloak, for practicality, you know?

bonus doodle because I was in a good mood when I drew this:

[littlest-w01f]

Devine

Batboys x CoN!OC (Kiana)

RYSAND MASTERLIST

CASSIAN MASTERLIST

AZRIEL MASTERLIST

MAIN MASTERLIST

Summary: Rhysand is getting older, and he, along with his general and spymaster, needs to claim an Omega before his Alpha instincts take control of him completely and he is rendered unfit to be a High Lord, lucky or unluckily for him, Kier has an idea.

Cw: Mentions of underage girls/child brides, Rhys acting evil man

A/n: while participating in @acotar-omegaverse-week, I got an idea for a mini-series, so I had to...

part one

Presentation. That is what Kier had called this while talking to Mor, what none of the inner circle members knew it was, what neither of them had expected was seeing a line of omega females, all of them different ages, the youngest being eight from what Rhysand could see of the two faelings trying to hide behind anything that could cover them.

Rhysand stayed silent, watching the commotion of the younger omegas, the children, trying to run away, the elder ones who were almost a hundred standing still, looking nearly dead inside.

"Kier what is this!" Mor demanded, her eyes blazing with fury seeing the chaos in front of them, neither of the inner circle's faces were cracked of their cold Night Court persona, but Rhysand knew that Cassian and Azriel were just as disgusted as him and his cousin at the scene.

Kier stood in front, motioning towards the omega females, "Just a gift for the High Lord."

Rhysand's gaze swept over the assembled omegas, taking in their varied states, some trembling with fear, others seeming numb, a few even appearing resigned to their fate. His eyes lingered on one of the youngest, a nine-year-old girl clinging to her older sister, tears streaking down her face, but the elder female, a clearly bonded beta, gave no damn, shoving the child away from her. A wave of anger washed over him, but he tamped it down, knowing it would serve no purpose now.

"How very thoughtful of you," Rhysand said, a cruel smirk on his face, directed towards no one but Kier. The smirk on Rhysand's face sent chills down everyone's spine, knowing full well the implications behind those words.

"You… You can't be serious," Mor whispered, her voice trembling with rage and disgust at the scene, only for Rhysand to hear.

But Rhysand ignored her, getting up from his throne, the almost three hundred alpha made his way to the omegas, he looked at them, taking them in, the younger ones were barely old enough to acknowledge themselves as omega, or him as their High Lord or alpha, they were simply scared children, while the older ones, they bared their necks to him the second he stood up, they could sense his power, he knew he was powerful, a powerful enough alpha to dominate other alphas as well, it was all too fake in his eyes, they were pretending, trying to attract him.

He wanted to tear Kier a new one, demand what the male was thinking, he didn't want an omega, just like he knew Azriel and Cassian didn't. If he had one, he would claim them out of love, he wanted his omega to love to submit to him, and view him as alpha with trust in their eyes, not fear, or uncertainty. And the jewels and fancy dresses they were made to wear were almost laughable, as if money would've attracted him or would reflect on his choice.

Before he could make any move, he inhaled sharply, and he froze, that scent, he'd never felt anything else like it, never scented something that attracted him so much, he couldn't stop himself from seeing which omega it came from.

The scent hit him hard, like a punch to the gut. It was sweet, musky, and utterly intoxicating. He scanned the room again, searching for its source, his heart pounding against his chest. Then, he saw her, a petite figure huddled in the corner, her back pressed against the wall, her head bowed low. She was a mess of angry, tangled curls and her clothing, a corsetted dress, tight on her frame, she wore a giant pendant necklace that looked downright horrendous on her, taking from her features. Her scent, It was stronger here, near her.

She was beautiful, despite the clothes she had on, had she been his, he would've tamed her beautiful curls, bought her clothes that would go best against her pale skin, and put jewellery on her that would look lovely on her. There was something about her vulnerability that drew him in. Her innocence seemed untouched, untamed, unclaimed. And that thought alone made his blood boil with possessiveness. She was too pure, she wasn't faking anything, it almost felt like she was doing it without even trying, drawing him in by simply existing.

Rhysand approached her slowly, cautiously, as if afraid she might bolt. Rhysand stopped in front of her, towering above her, his imposing figure casting a shadow over her. His eyes roved over her form, taking in every detail, the curves of her body outlined beneath the clothes that looked cheap on her, she was way too good for them in his eyes, the swell of her breasts pressing against the fabric of her dress, the flare of her hips. Her scent grew stronger, filling his senses until it was all he could think about, the only thing he could see was her. He reached out a hand, intending to touch her, to confirm that she was real, that she wasn't just a figment of his imagination, but paused, not wanting to startle her.

Instead, he spoke softly, his voice a low rumble that vibrated through the air between them. "Who are you?"

Kiana had groaned in pain as the handmaid pulled at the strings of her corset, she hated it. She'd been forced to prepare for the High Lord's arrival for a week, she had been starved and dehydrated to lose weight, and her mother had pulled and pinched at the tips of her ears to make them look as if she was blushing, to look beautiful for the alpha, her father had told her to attract him, but she hated the thought, of being forced to be with an alpha, even if the omega in her cried for the familiarity of an alpha, to have a home with him, the thought of submitting to someone like the High Lord of the Night Court made dread fill her stomach, the thought of everything he might expect from her, she didn't want to be present around him.

The question caught her off guard, and she flinched slightly, her doe-like eyes widening as she glanced up at him. She bit her lower lip nervously, "I… I'm Kiana... My lord..." She stammered out, her voice barely audible. She shifted uncomfortably under his intense gaze, the corset digging into her ribs, making breathing difficult. She was terrified, unsure of what was happening, but she knew she needed to stay strong. She was an omega, after all, born to bear children and provide comfort.

She fought against the urge to submit to him, his scent was too powerful over her, his presence putting a weight on the back of her knees, and she fought against the need to submit to him. He wasn't her alpha, she wouldn't kneel to him, something that intimate was reserved for a male she loved, not a random alpha with too strong pheromones. So she stood strong.

The corner of Rhysand's lips twitched upwards, amused and yet impressed by her defiance. "Kiana, hmm?" he mused aloud, his violet eyes burning into hers. He leaned down, close enough that his breath fanned across her face, her scent enveloped him, making his head spin, he needed her. "You're quite pretty, considering the atrocious state you've been left in," he murmured, glancing pointedly at her clothes. He straightened back up and crossed his arms over his chest, surveying her as though he were a sculptor appraising a piece of marble.

He leaned back into her neck, inhaling her scent straight from the strongest source, and he growled, "You are mine." He claimed her.

Kiana's entire world narrowed down to the feeling of his warm breath against her neck, the roughness of his voice when he spoke. She nodded, her mind still reeling from the shock of his sudden declaration.

Rhysand almost groaned as she leaned into him subconsciously, before the realisation that he had claimed her hit in and she stood up straight. "This is horrible, sweet." He whispered against her neck, his hand slipping behind her neck, unclasping the heavy necklace, making it fall to the ground, the very fake gem of it cracking when it hit the ground. "Come with me, pretty omega."

She followed him obediently, knowing that she had no choice but to obey. As she walked behind him, she tried to calm herself, reminding herself that she was an omega, meant to serve and please. This was her duty, her purpose. She hated it, she wasn't supposed to have an alpha who didn't care for her, someone like Rhysand was rumoured to have omegas on the side, but if she played her cards right, perhaps he would just keep her for show, maybe he won't try to sleep with her.

Kiana watched Rhysand take a seat on his throne, her ears were ringing, her thoughts a mess, she saw him looking at her expectantly, but she hadn't heard him. She took a deep breath, trying to focus on her breathing, the thought of making a male like Rhysand mad at her was enough to calm her enough to listen to him.

"Come now, sweet omega, don't make me repeat myself again," He had his legs spread open and Kiana was sure she would pass out, he surely wouldn't make her kneel between his legs, the thought of doing that, not only for a male she didn't know, but her cheeks heated up at the thought of doing it in front of an entire court, her ears burning, but he simply patted his thigh, "Take a seat."

Kiana hesitated for a moment, her heart pounding in her chest, but ultimately, she did as she was told. She stepped closer to Rhysand's throne, her hands trembling slightly as she placed one upon his knee and upper thigh. Then, with a deep breath, she sat down, her skirts pooling around her. She kept her gaze lowered, unable to meet his piercing violet eyes. Her mind raced with thoughts of what could happen next, each scenario worse than the last. But she remained silent, not interacting with him even a little, even if her heart ached to want him as her alpha.

Rysand could sense the disapproval of his inner circle at playing Kier's twisted game as he spoke up, "This omega is mine."

The statement hung heavily in the air, echoing throughout the court. It caused a ripple of surprise and relief among those gathered, their gazes flickering from Rhysand to Kiana and back again. Some of them scoffed, others muttered under their breath, but none dared to challenge the High Lord directly.

But Rhysand ignored them all, focusing solely on Kiana seated so demurely before him. "Do you understand what that means, my little omega?" he asked her, his voice low and laced with a gentle tone, his voice low enough for only her to hear.

Rhysand waited patiently, allowing her time to gather her thoughts and compose herself. His eyes never left her, studying her reactions, her expressions, every subtle change that revealed how she felt about this sudden development. He could see the fear in her eyes, the confusion, but also a hint of something else, something stronger, more resilient. He found himself intrigued by this small, defiant omega who had been thrust into his life without warning.

"Look at me," Rhysand commanded softly, his tone inviting rather than demanding. When she finally raised her gaze to meet his, he smiled gently, a contrast to the harsh exterior he often displayed at how easily she followed his command when it wasn't as clear of an order as the one he had given her before. "I promise, there's nothing to fear from me, from any of us." he assured her, his words sincere despite the circumstances.

He reached out, tracing a finger along her jawline, his touch surprisingly gentle given his size and strength. "Trust is earned, not demanded," he continued, his voice dropping to a whisper as he leaned in closer. "And I intend to earn yours, little omega."

Kiana's body trembled at the warmth of Rhysand's fingers against her skin, her breath catching in her throat. Part of her yearned to lean into his touch, to let go of her fears and simply bask in the comfort he offered. But another part, a stubborn, determined part, held firm. She knew better than to let her guard down around someone like him, no matter how kind his words or how gentle his caress.

Rhysand noticed the tension in her body, the way she stiffened slightly beneath his touch. He withdrew his hand, respecting her boundaries even as he wished she would relax, allow herself to be comforted by him. "It's alright, sweet," he murmured, his voice soothing. "You don't have to do anything you're not comfortable with."

He sat straight, giving her space, his gaze never leaving her face as he observed her struggles. The omega within her clearly yearned for his touch, for the reassurance and protection only an alpha could provide, he didn't feel the need to comment on how she was picking at his pant leg, he was sure she didn't even know she was doing it. But the fear and uncertainty stemming from her current situation held her back. Rhysand knew he had his work cut out for him, but he was determined to help her overcome her fears and learn to trust him. He wanted her to trust him, to let her feel he would never hurt her.

{General Taglist - @nox-ceur @lilah-asteria @paleidiot @dee-writes-smut @adalia-jaycee @anarchiii @alwayshave-faith}

{Rhysand Taglist - @yeonalie}

{Cassian Taglist - @yeonalie}

{Azriel Taglist - @fxckmiup @annamariereads16 @saltedcoffeescotch @satorusemepls @fieldofdaisiies}

[suppermariobroth]

Super Mario Odyssey contains code for a capturable entity known only as “CornBoy”. While the entirety of the code concerning CornBoy’s movement exists, no associated graphics are present. The footage in this post uses a placeholder graphic created by dataminers of the game; please note that while the movement of the character is official material from the game itself, the blocky blue appearance is not.

CornBoy is an entity that was supposed to be an extremely powerful capture, being able to move immense distances in a single leap. It is likely that it was cut from the game specifically because it was too powerful and made many challenges trivial. It had the abilities to walk, “prepare a jump” (which would have made it compress itself), and “aim a jump” (by leaning), whereupon it would leap over great distances.

Top: CornBoy moving around, preparing and aiming a jump. Bottom: CornBoy performing a jump.

Nothing else is known about CornBoy, including the meaning of the name. While it can be assumed it was some type of boy made out of corn, what a creature that can perform large leaps would have to do with corn is unknown. Based on the name, it could have appeared in the food-based Luncheon Kingdom.

Main Blog | Twitter | Patreon | Small Findings | Source: youtube.com user “gra”

[literaryvein-reblogs]

Writing Notes: World-building Questions

How long has your world existed?

How many major cultures exist in your world? (You can answer the following questions for each of them!)

How did your world originate? Do the people who inhabit this world/culture have a creation myth, or a scientific explanation for how it came to be?

If your world/culture has religion, is there one main religion, or many religions? Are the main religions of your world monotheistic or pantheistic?

What resources are in your world/culture? What are the imports/exports? Which resources are rare and valuable, and which are necessary or common?

What are some important historic events in your world/culture? How did they contribute to the geographic or social structures that exist in your world’s present day?

What holidays does your world/culture celebrate?

What is considered a curse word in your world/culture? What is considered sacred, and what is considered profane?

What is the geography and climate of your world/culture?

What are the distances between important places in your world? Draw a map if you want to!

What is the structure of your world’s/culture’s government? Are they at peace or in conflict with neighboring worlds/cultures?

What language(s) do your characters speak? Is language ever a barrier to communication?

What are some of the main dishes the people in your world/culture eat? Where does the food come from, and how is it prepared?

What are the limitations of power, energy, or magic in your world/culture?

What kinds of objects or ideas are familiar to the people of your world/culture? What kind of objects or ideas are strange or outlandish to them? Note: the answers to this might vary depending on the culture your various characters (and readers) come from! What’s familiar to you or your main character might be wildly unfamiliar to someone else. 

What are some details you can use from real-world places that are similar to your story world to make it feel more believable? (Think concrete: Sights, sounds, tastes, smells, textures)

How does your main character feel about the world/culture they grew up in? 

What does your main character’s home look like? You can describe their room, their house, their neighborhood, their city.

Does your main character most often interact with people who share their experiences, worldview, and upbringing, or do they most often interact with people from very different cultures and life experiences from themselves? What are some of those similarities or differences?

Where does your main character fit into the class/social status of your world/culture? What are some specific things about their location or appearance that indicate wealth, status, profession, etc.?

Source

[cavegirlpoems]

Violet Core Approaches

So. My close friend and collaborator Sarah Carapace has been working on Violet Core - a ttrpg about dykey mecha pilots in space - for the past few years, and that work is approaching its fruition. It's about to get kickstarted pretty soon, and I got a preview copy of the game ahead of that. So, preview/review I shall.

Disclaimers: I'm close friends with Sarah, was involved in some of the early playtests, and might end up doing a stretch goal for the game. So, I am of course wildly biased in Sarah's favour. Still, even if I wasn't, I figure this'd be my jam.

TL,DR: This game is really really good, back the kickstarter. For more details, read on.

The Basics:

Violet Core is set in the Nemesis System, an alternate scifi version of the solar system. The game follows the lives of spacers cut off from their home planet, Cerulea, as they face an oncoming disaster as escalating waves of comet-storms hit the system and everything starts to come apart.

Our characters are mech pilots for one of three factions of spacers - The Reach, The Homebound, and The Cosmic Embrace - each with their own perspective on what to do about the looming disaster. It's generally agreed that they need to escape, but where to and how is a source of conflict.

All three factions and their approaches have their merits. Although the Reach are positioned as more heirarchical and organised than the other two, all three are clearly scrappy tenacious punk-ish survivors who've been rejected and exiled to space by the dickhead bourgoisie of their home planet, Cerulea.

Luckily, you get to pilot X-10s, giant personalised mechs powered by a mysterious psycho-active (psychic?) crysteline core. This lets you get up to all the various activities you just pictured when I said that.

Tonally, it's Sarah Carapace through-and-through. Everything is purple and blocky, with CRT monitors and snaking cables and spray-paint. Riot Grrl mashed up with retro scifi mashed up with cosmic weirdness.

On The Humble D4

The game uses the oddity of dice - the humble D4 - as its main dice, with D8s scattered in here and there. It's a choice I really like, giving the game a feel that's a little angular and off-centre. It's a simple choice, but it does a lot to set it apart. I can't sum this up better than Sarah does, so I'll just quote her:

d4s are the most cursed of all dice.

They are awkward to roll.

They are pointy and can/will stab you.

Femininity is pointy, painful and powerful and so are these odd little polyhedrons.

Also, There is no standardised style for d4s. When you roll them, the result is the number displayed upright, either on the top or bottom. It varies from die to die.

Which I think gives you a good sense of the tone of the whole game, y'know?

The game cares about dice as physical objects deeply. Players can use the emotional connections between their characters to donate bonus dice to another character's rolls: the game suggests that when you do, you should pass her your physical dice, and use the motion of how you do it (including potentially how your hand touches hers as you hand them over) as a way of expressing the connections between characters, which is a fucking genius bit of design.

Anyway. Who do you play as?

Some sort of dykey space-gal x-10 pilot. To define who you are, you pick three things: the faction you belong to, your pilot type, and the X-10 you pilot. I'll go over each in quick succession.

Your faction determines your political alliance and likely goals, and the culture you grew up in, and each faction has access to a different set of X-10s. You pick between:

The Reach: the most organised and strict faction, and the oldest. Strict, heirarchical, and high-tech. You play here if you want to have a good The Man to chafe against, or to be that The Man for somebody else. The Reach are working on engineering humanity to be able to survive the coming disaster and thrive in space, and building a vast engine - the Overlock - to enable this.

The Homebound: the most rough-and-ready faction. A large population of working-class gals, and with too few resources to go around. They're working on repairing a giant machine, The Sling, to transport their people to another star system and flee the coming disaster. Unfortunately, The Sling and The Overlock are both adaptations of the same machine...

The Cosmic Embrace: the weirdo faction. The smallest, most mystic, and overall hippy-est. Short on space, people, and resources, but not on idealism and enthusiasm. They're poking the weird shit of the setting, and getting results. A little culty. In the playtest I was in, I played Cosmic Embrace, obviously.

Notably, you can have PCs all be in the same faction, or be split between them. If split, there's lines of conflict, but also room for alliances and subterfuge. PCs can, and might well, switch faction in play.

As well as your faction, you pick your pilot type. There's three broad types of pilots you can be:

Genebuilt, artificially created super-pilots with custom genetics to make them good in space. Divided into two rough types; the Violet Kind (for if you were a successful project, and inhereted mysterious abilities) or the Rat Bitch (for if you... weren't, and mostly just inhereted emotional issues). There's some interesting space to play with the idea of nature vs nurture here, or with the pressure of expectation.

Baseliners, aka normal humans who haven't been genetically engineered or tinkered with. Again, divided into two types; the Shining Star (for if you're keeping up with the best through sheer talent and training) and the Baseline Breaker (for if you're a normal person getting by with determination and adaptability.

And then, lastly, the Returned. People who died - or nearly died - and were brought back. The character creation section only mentions one sort of Rebuilt - the Returned, who have been remade by the power of humans science - but hints that other sorts might exist. And indeed they do, tied to the mysteries of the setting.

I ended up playing a Rat Bitch, who'd seen her best buddy get horribly fucked up in a training exercise and gone awol. It was great fun.

Lastly, your X-10. Each faction has three models of X-10, divided by function: Warriors to be brutal front-line fighters, Rogues to be mobile scout-types, and Witches that do weird shit and fight at range. Out of these, each faction has its own version of each of these archetypes. Some X-10 models are pretty common and mass-produced (like the Ogress, the Reach's warrior-frame), and some are rare or even unique (like the Hag, the homebound's rare and experimental Witch type that can fuck with time and space).

Each X-10 has its own Violet Core, the psychoactive crystal that's at the heart of the mech and gives the game it's name. Thoughts from the violet core filter through to the pilot, and visa versa. If you pilot a Hag for long, you'll start thinking Haggish thoughts, and your own emotions will start to seep into the core. It can get real strange real fast.

Each type of X-10 feels and plays extremely differently, in a way I personally found made your choice of frame a reflection of your pilot's personality. My pilot ended up in a Mermaid - the Cosmic Embrace's version of a Witch frame - that had the ability to shift space around it (her?), and 'swim' out of the normal world into sub-space. Which brings me to...

The Spaces & The Mysteries

As well as the material, mundane world - what Violet Core terms 'top-space' - there are two other spaces that exist.

Sub-space is a serene, empty (is it?) realm that lies below top-space. You can dive into sub-space in the right X-10s, and explore. Time and space are wierd and fluid here. If you dive deeply, you find... things. If you dive too deep, you might not come back the same, or at all. There are mysteries down there. Remember I mentioned there are other types of Returned you might become? Yeah. Remember those Violet Cores that power your X-10s? They're made from something called 'the fingers' found deep down in sub-space. Who's fingers? You see where I'm going with this.

There's also The Violet Realm. This is the psycho-sphere, the realm of dreams and emotions and mystical experiences. The violet core of your X-10 links you to the Violet Realm. You can meditate to experience it, to commune with what's within...

This is a setting with mysteries. There are things to explore, forces and powers beneath the surface. I won't elaborate. Partly because I don't want to spoil the discovery for you, and partly because I don't want to read it all and spoil myself before I can play this again. What I will say is that the bits I did read ahead on give you a lot to explore, and are explained in a way that make how they tie into the wider setting and plot. It's all coming together into something impressive.

Personally, as a player of rpgs (larp and ttrpg) I really enjoy settings which present you with mysteries and mysticism, which let you explore the underlying nature of this universe in ways that are at times rational and at times intuitive or mystical. It's an itch few other ttrpgs have scratched for me. Lacuna and Orpheus were, until now, games that achieved what I wanted; now I get to add a third game to the list in Violet Core.

In case it wasn't clear, this is high praise. This is extremely high praise.

Mechanics

I'm going to assume you're already sold. If you aren't, let me make a statement:

I'm mad I didn't think of these game mechanics.

The core engine is pools of d4s, in a way I believe is drawn from forged in the dark. However, unlike FitD, I really like how VC handles its rolls. Particularly - as I mentioned above - the way players can pull on the connections between PCs to offer each other dice, and the way this affects the game.

The core is pretty simple but has nuance. There are PbtA-style moves - things like Negotiate, or Hurt, or Shield - that trigger when you do a particular thing. You roll, and get a codified result based on the result. When you roll, you get a number of dice depending on how you're going about it. In person, you use your talents; things like Making Out and Using Your Head. In your X-10, you use the X-10's talents, things like Synchronising and Drawing Near. An example: You're piloting a Mermaid, and you see your friend (piloting an Ogress) is about to be struck by spiraling comet shards. To save her, you dive across to pull her out of top-space and into sub-space with you, dipping out of the material world to avoid the hazard. Since pulling somebody into Sub-space with your X-10 is Draw Near, you roll as many d4s as your Draw Near pool, and count how many hits you get. Since you're trying to protect somebody, you take that result and look at the Shield move to see what happens.

It's a simple core that's then built on with more detail, giving it a lot of room for nuance and expression.

Further, there's a neat little system for tracking the emotional connections between PCs and how they escalate over time. As they escalate, you pick statements to describe how you feel, pinning down the nature of the relationship, that will get deeper and more intense the further in you get. And the further in you get, the more potent it is when you hand another player your dice to assist her PC.

In play its such a neat, deep, evocative system that it made me really mad I didn't think of it myself. It's basically perfect.

Sorties, in which our cosmic purple space robots punch each other

Up front. Although your in giant space-mechs with giant space-weapons, combat isn't meant to be lethal and horrid. It's intense, and gritty, and emotional raw, but in the way that a bloody-knuckled fist-fight is, not in the way that a shootout is.

Fights aren't war. They're personal.

There's a lot of dancing metaphors in how the fights are described. You might be sparring or actually seriously going after each other, but either way, a fight is an interplay between two characters at their most intense. That thing where a fight scene serves the same purpose as a musical number? Yeah, that.

So. Each fight between X-10s is a Sortie. A sortie is divided into a series of steps, and at each step you pick an option for how you're fighting;

Lead, to be agressive

Sway, to be fluid and fucky

Follow, to be evasive

Sway hits follow, Follow hits lead, Lead hits sway. Its a rock-paper-scissors cycle. (If you get two Leads, both hit, and if you get two follows or sways, both miss.)

When you hit, you can trigger one of the moves as a result. It can get ugly and painful. It could concievably get vulnerable and emotional.

Critically, you have a limited pool of lead/sway/follow actions (depending on your X-10), that get used up as you use them in steps. IE: if you're piloting a Witch, you can use Sway twice and Lead & Follow once. So, you can count what you're opponent's used up, and predict their moves based on what they've got left. In really long sorties, once you've only got one option left to you, it resets.

A sortie is a sort of dance as you maneuver for the advantageous position, use that to fuck with your oponent, and get your fists bruised.

Damage to your X-10 can bleed through to you. Contact between two X-10s can bleed through to their pilots. Things can get strange, particularly when there's Witch X-10s involved.

I'm gonna quote the book again here:

Not all pilots fight to win. Some pilots fight to hurt.

The Gay Bits

As you might have realised by now, it's a really fucking sapphic game. Not as a focus, but in the way where all our PCs are assumed to be some sort of dykey queer type because that's just the kinda tone we're going for.

To misquote Sarah's fellow aussie: "This is my book motherfucker, they'll walk be lesbians if I tell them to".

Pulling It All Together

Tonally, it's a fucking slam dunk. The world bleeds with a very specific atmosphere, a sort of dykey grungey weirdness that draws on old late-80s to early-90s mecha anime, and Heaven Will Be Mine, and weird scifi.

The writing has a really strong voice. Sarah doesn't write like a typical clinical dispassionate ttrpg text, she writes like Sarah. There's little witicisms, emotional bits, slang. It reads like somebody passionately explaining how to play in person.

There's a lot of snippets of in-character text - chat logs, reports, records, recordings - that give you a sense of the sort of people in this world.

The art is all fucking gorgeous. Mostly Sarah art, with some guest spots.

It is extremely purple, so purple its even in the name.

In conclusion:

Listen I am wildly biased because I've been friends with Sarah for yonks, but even if I wasn't I'd be incredibly enthusiastic about this game because:

a) it seems to have been carefully fine-tuned to hit my tastes.

b) it's really fucking good. Really fucking good.

It's an idiosyncratic personal work that also has a huge cosmic scope to it. It fucks around with the medium of dice-based ttrpgs in interesting ways. It's gorgeously written. It's got a setting that makes me want to dive in and explore it.

You should go back the kickstarter when it goes live, and tell your friends about it, and I am not kidding. If this game isn't a wild success there is something wrong with indie ttrpgs. The kickstarter is here, I believe it's due to go live in a couple of days.

If any bloggers are interested in getting a preview copy of their own, hit me up and I can hit up Sarah and we can sort things out.

[copperpipes]

The Reach are not on the planet yet you know what that means?

Beetle in the exosphere!

I. Hate. Nanotech. I hate when its overused and when its potential is boiled down to stuff appearing out of thin air by superhero movies (looking at you Ironman, could have stopped at the briefcase suit smh the su*cide squad 2021 got it a little better). So I'm doing my best to avoid that especially because one of the main things of the beetle is that he makes weapons out of thin air. So I made him lose the bones instead.

The beetle, no matter the host, is very, very heavy for its size. Every ounce of mass that can be compressed, is compressed, to allow the body to hold as much more building materials as possible. Fat is compressed, bone marrow now produces and holds not only red blood cells but also 'blue carbon', the scarab's major building materials. Even some muscle fiber is replaced and looks black-purplish under the skin, especially around the shoulders and general back area.

Everything deemed 'useless' will be destroyed and replaced and or made into blue carbon holding/production areas. Yellow bone marrow can stop being useless and at least Jaime wouldn't need to worry about appendix removal now 👍

Red bone marrow still produces red blood cells, and the scarab is helping with that too, but when the beetle transforms into its battle form the out layer of the bones dissolve and join the exoskeleton, and the marrow stays held in place by everything else to keep producesing blue carbon. It is then led to where it's needed by the blood stream.

Responsible for all that powers the beetle's weapons is the scarab's power source, whatever it is its probably extremely radioactive and so its incased in a layer of scales (see in the second image) which keeps the energy in and protect the host from it, also so it won't get detected.

Jaime doesn't know all that.

And side note while Jaime's size hasn't changed, his beetle form is smaller then he is :]

This is just the beetle's anatomy, i have not talked about the host's connection to the scarab and the original purpose of the scarab by the reach, hell i've just briefly mention the scarab's anatomy, there's still so much...

(I am not finished)

@wazzappp again. I know you would want to see this.