#making them become the supervillain in the end

[snippetsnitch]

(lmao, I'm back again and I won't even try to make promises I can't keep 😂 Many thanks to @kaiwewi who added me in the masterlist of @the-modern-typewriter for hero/villain blogs! 🥰 I think I can speak for all the inactive and partially active people when I say: We are very touched that people see our small contributions and think of us... It really means a lot. 🥰🙏🏻 So, please enjoy this snippet and have a good time. 😄)

#13 – Shame

Can I ask you something, [Villain]?

– Um.. Sure, what is it?

How did you end up working for [Supervillain]? You must've known that they were evil, haven't you? So what in the world brought you there?

– ...

Jesus, who cares about that, [Sidekick]? They've done more than enough to show us that we can trust them. Hey, [Villain], you don't have to share things you don't wanna talk about, okay?

– I..- Um, thank you, [Hero]...

"You know, [Sidekick] was right", [Villain] said, their eyes fixated on the ground. They had sat down next to [Hero] a few minutes ago, feeling the cool summer breeze that grazed their own skin and the one of their new teammate. "I've known all along."

[Hero] looked at their former foe in confusion. "What do you mean?", they asked, turning towards them.

"I knew who [Supervillain] was", [Villain] said with a hollow voice, "...What they did."

[Hero] frowned. "[Villain] you don't have to talk about this, if you don't want to. [Sidekick] shouldn't have said that an-"

"But they were right", [Villain] interrupted, "I must've known who they were and I did. I knew who they were. I knew everything and I joined them regardless."

[Villain] pulled their knees closer, resting their chin on them. Their expression became distant as they started talking: "You know, before I joined [Supervillain], my life was a mess. I grew up in a world that didn't have any mercy for weaklings or outsiders like me. I was hurt, angry and alone and I wanted nothing more than to be with someone who actually liked me. I wanted to belong somewhere... I wanted that feeling you and your friends experienced every day and seemingly took as a given."

[Hero] suppressed the urge to say something. They had not at all expected this kind of talk from their former enemy – especially not with them. Still, they nodded seriously to encourage [Villain] to keep talking. It seemed to work:

"I... I didn't even know that I was searching for something. I didn't know how desperately I wanted to feel needed... Useful, you know?", [Villain] let out a trembling sigh. They closed their eyes before they continued: "I didn't know that, but [Supervillain] did. It was easy for them to bait me with the interest they showed in me and my abilities. I knew that what they did was wrong, but I-.. I just thought if I worked hard enough for them, then at least someone would see something in me... That I could-", [Villain] pressed their eyes together as tears started to spill,

"Oh, Villain...", [Hero] murmured softly. They reached out to gently touch the other one's shoulder, but [Villain] pulled away.

"Don't." [Villain] whispered and wiped their tears away. They took a deep breath. Their face had hardened into a blank mask when they continued:

"[Hero], I don't deserve the place you offer me. I don't deserve to be in your and the team's presence. I don't deserve the kindness you gave me since I came here. I'm not worth-"

"[Villain], stop." [Hero] had put a warm hand on [Villains] wet cheek. The softness of the gesture startled [Heros] new partner who looked at them with wide eyes. [Hero] managed a small smile before pulling [Villain] into a warm embrace.

"Don't say things like that. You're here, because you did what was right. You came to us and helped us out, because you knew what [Supervillain] does is wrong. Because you couldn't bear it. That says a lot about you as a person.", [Hero] gave [Villain] a small squeeze before letting go. They put their hands on [Villains] face again and smiled as they locked eyes with their former enemy.

"You did some bad things and you need to take on responsibility for that, but you won't have to do that alone. You are with us now and we will support you, okay?"

[Villain] shook their head in confusion. "H-How can you take me in... Just like that?", they whispered while new tears stained their face and [Heros] fingers, "How could anyone possibly want me after I what I've done?"

To that, [Hero] knew the answer.

"I can, because I like you. Because we like you, [Villain]. Because you're worth staying and because you have good inside of you... Because you chose the light, even though your life was set up for darkness." [Hero] said warmly. They smiled at [Villains] unbelieving expression, before embracing them once again.

"...One day, you will see that, too."

[theshadowrealmitself]

Sandman: It’s just so hard not getting to see my little girl

Otto, who stole some of Spidey’s DNA to combine with his to make a kid to use against him, lex luthor style, but Spidey just kidnapped the kid immediately when he found out and got Matt to cover him legally: I know exactly how you feel, Spiderman won’t even let me have visitations with my kid :(

Sandman:

Sandman: That is not the same thing, our situations are not comparable at all, it’s important to me that you know that

[bet-on-me-13]

Danny commits to the Bit a bit too hard...

So! For the first few weeks after his accident, whenever Danny would try to help the people of Amity Park, he would be treated as a Villain.

No matter if he had just defeated the Big Bad of the Week or saved a Cat from a tree, everybody in town only saw him as a Monster or Villain to he feared and hunted down. Danny was really getting sick of trying to get them on his side, until Sam made a suggestion.

"Why not just...play into it?" She said, barely looking up from painting her nails.

It was just an offhand suggestion, but it stuck with Danny. Why shouldn't he lean into it? The people of Amity Park already saw Ghosts as Evil, and they already assumed he was in cahoots with the Ghosts attacking the town. Why shouldn't he just...play into it?

So he does just that.

From that day on, whenever Phantom was spotted he would dramatically monologue about his Evil Plans, or claim that another Rogues attack on the City was his own act of terror.

Box Ghost destroys the towns Warehouses? It was on his orders.

Ember mind controls masses of Teenagers? All part of his Plans somehow.

Every Adult in Town is kidnapped by Young Blood? Danny gave them over to a friend as a Gift.

He crafts an identity for himself as the most Vile and Horrible Ghost that has ever attacked the City, using his own infamy to cement his legend even more firmly. The town only sees a Monsterous Villain, who has eveded capture near effortlessly for months on end, who constantly attacks their City and gets away with it.

Of course he still needs an excuse for how his plans keep getting stopped, and he gets it when his girlfriend Valerie becomes the Red Huntress. Before that, he just claimed infighting or the Fentons getting lucky, but Valerie becoming the Town's Hero meant he had a plausible excuse for how he kept getting "Foiled".

Val was suspicious, because she was not as involved as Phantom painted her to be, but in the end she had no proof of him faking his defeats. And she couldn't come up with any explanations for why he would do that in the first place. I mean, who would fake being a Supervillain? It had to he something else.

This did come back to bite him a while later, when the Justice League decided that enough was enough, and dispatched Justice League Dark to recruit Red Huntress and help Deal with him.

Coincidentally, that was the same day Pariah Dark attacked the Mortal Realm and sucked Amity Park into the Ghost Zone.

And honestly? Danny had spent over a Year proclaiming himself as a Villain who commanded Ghosts to attack the Human Realm, and he had heard about the Right of Conquest being Absolute in the Ghost Zone, so why not make it official? Why not overthrow the Ghost King, become the Ghost King, and cement his identity as a Villain while also forbidding Ghosts from entering the Human Realm without his permission?

He may have gotten a bit carried away and forgotten that the Villain thing was a disguise...but hey! He was still preventing Ghost Attacks! ...mostly. That's got to count for something right?

He may have let the Bit run a bit too far...

...

Check the tags for more context!

[terrestrialnoob]

Harley crawled into the apartment. It was organized, but it looked like the occupant didn't have a lot of time for cleaning. She walked softly through it, taking it in. There were photos of her target and what had to be her family, but no friends or romantic partners. Some had a pair of older adults, matching traits meant bio-parents. More of the photos were of the target and a younger boy - a little brother, the highest likelihood of becoming another target if things go bad.

Harley continued forward, following the light to where her target was. She stood in the doorway, looking in.

Dr. Jasmine Fenton, Arkham Asylum's newest psychologist, just got her degree and everything. She did what most newbies do, actually thinking she could get through to the Joker. Harley didn't want to say it was impossible, but everyone who tried ended up in a new job or dead. Harley would try and make sure it was the former and not the later.

Harley watched as the redhead read over a file as she ate from a takeout box. She didn't want to scare the girl, yet. The scaring her away from Joker came later. So, she had to wait for the perfect moment to-

"I know you're there." Jasmine didn't look up from her file, but held out the last box of Chinese food in Harley's direction. "There's plenty if you want some."

"Awe, you ruined the surprise." Harley walked out of the shadows of the hallway into the girl's home office. She snatched the offered box of food and took a few bites as she jumped to sit on the desk.

"I'm hard to sneak up on." Jasmine said, closing her file and finally looking at Harley. "So, Dr. Quinzel, to what do I owe the pleasure of your visit this evening?"

"Oh, call me Harley!" She laughed, she wasn't called Dr. all that often any more. She tapped her chop sticks on the file Jasmine just closed. "I thought you'd like a consult on your new patient, Dr. Fenton. I've got a lot of experience with him."

"I prefer to go by Jazz." She said with a smile, "While I appreciate the offer, I'd like to see how far I can get on my own. And, sorry, but I'm pretty sure your license was revoked."

Harley nodded as she swallowed to get the noodles out of her mouth. "I get it! You're new, fresh outta school, gotta prove yourself. But Joker ain't the guy to do that with. He eats people like us for breakfast, and in all the years he's been in Arkham, no one's been able to get anywhere with him."

Jazz sighed, "I don't like to believe people are lost causes. There's always something we can do to help."

"You can't help everyone, especially when they don't want it. And it's not just a question if whether or not he can be saved or whatever." Harley set down the now empty box, Jazz pointed to another one that still had food in it, but Harley declined. "If you keep it up, he'll think you're worth his time to torment. There's no telling what he'll do when he inevitably gets himself out again."

"I'll be fine." Jazz said, but Harley had to cut her off before she said something stupid.

"It's not just you! You've got family out there he can target, your parents. Your Brother! Anyone you date will become a target! He'll do everything in his power to make your life miserable!"

Jazz chuckled. "If he wants to target my family, his funeral. My parents are - were supervillains. They've really only become less- well, hyper-focused on eradicating an entire race of being- in the past few years. And my brother - I'm pretty sure he's conditionally immortal. So that's nothing to worry about."

"If it's conditional, Joker will find a way around it." Harley said, but she had to admit, this might have been an unnecessary trip. "You sure y'ain't got nothing to worry about? What about you? How conditional is your mortality?"

Jazz smiled. Her mouth seemed too wide and with too many teeth. "Oh, I am nowhere near immortal. But..."

She stood up and the room was suddenly a black void. Toxic green eyes and mouths filled with glowing white teeth opened around them. "I doubt anyone could get close enough to test it."

The room was suddenly back to normal, but whatever that thing was was still there. Harley could see its eyes watching her with amusement from inside Jazz's oversized cardigan.

"Well, I guess this really was a wasted trip. You've clearly got it covered."

"Not entirely." Jazz said, her hand wend up to her neck to rub nervously, "Well, you see... I don't really have a lot of friends. People tend to get - uh, creeped out, you know? Or chased off by my parents or brother or whatever..."

"You wanna be friends?" Harley laughed so hard she almost fell over.

Jazz's face turned bright red and the shadow eyes looked way less amused. "Yeah, stupid question. You've clearly got your own things going on."

"No! No, no." Harley had to take several deep breaths before she could look Jazz in the face again. "I 100% wanna hang out with you!"

"Really?"

"Oh yeah." She took another deep breath, "I mean, I really should have made a support system before trying to take on the Joker back when I worked for Arkham. This" she pointed between them "can only end well."

Jazz's face turned brighter than the sun. "Oh my gosh! This is amazing! We should - I have Thursday's and weekends off - What - what kind of things should we-"

Oh man, Jazz was like an excited kid. She must have had a really lonely childhood... they can psychoanalyze each other later. "Come over for girl's night next week. I'll tell my gf and bff to expect an extra person... Does the-" she motioned to the cardigan creature "-go everywhere you go? Does it need food?"

"Oh, don't worry about Jet, they only eat who I tell them to."

Harley barked out more laughter. "You're going to fit right in!"

Now featuring a Part 2

[caffeinatedvigilantewriter]

So Dani ends up going to university after completing her GED and getting a degree and becoming a historian at 24.

She later applies to Gotham University as a History teacher.

Damian, also 24, ends up getting a veterinary degree and also starts teaching at GU. Mostly so he can monitor any students that was to get a PhD or seems supervillain like.

Damian is very curious about the new History teacher that has been everywhere in the world, can speak a dozen of languages, and is incredibly beautiful intelligent.

Sometime later, the JLA gets into a tough spot regarding ghosts and the paranormal, and Constantine calls up an expert to help them out.

It’s Dani.

She makes a summon circle and starts chanting. She gets rid of the threat, but starts melting.

Dani vanishes into thin air, and Damian is prepared to not see her at work tomorrow, but to his surprise, Dani shows up completely healthy (if not a little tired)

Damian and the Bats are now very concerned

Eventual serious chaos.

Any media is welcome as long as you tag and comment :))

[natsaffection]

heyy this is my first time making a request and idk if it's okay but what if reader is like an anti-hero or villian and when reader gets hurt she shoves up to Natasha's apartment thinking she would maybe help her? idk if it works but I've been thinking about something like this and it would be great if you actually write itt😭😭😭

Lines crossed. | N.R

Avenger!Natasha x AntiHero!Reader

Warnings: Blood, Gore and injurys

Word Count: 2,6k

A/N: These are the stories I like the most. 🙏🏻 And I feel honored, that I can write your first ever request! 🏆

The city of New York was no stranger to chaos, but in recent months, a new shadow had begun to loom over its streets. This shadow was not the kind of evil the Avengers were used to dealing with..This was different. And this, was you, a name whispered in fear among the criminal underworld, a vigilante with a taste for vengeance and a history stained with blood.

You had risen to the top of S.H.I.E.L.D.'s most wanted list, a place usually reserved for supervillains and global threats. Your methods were brutal and unyielding, your sense of justice unwavering. To some, you were a hero. To others, a menace. But to the Avengers, you were a problem that needed solving.

“Another one,” Natasha Romanoff, the Black Widow, murmured as she stood over the lifeless body of a notorious gang leader, his blood pooling around him in a grotesque halo. “It’s her again.”

Clint joined her, shaking his head. “She’s getting bolder. This is the third one this week.” Natasha's eyes scanned the scene, taking in the familiar hallmarks of your handiwork. The precision, the brutality, the unmistakable sense of finality. "She’s not hiding anymore. She wants us to know it’s her."

Nick Fury appeared behind them, his expression unreadable as ever. "We need to bring her in. She's crossed too many lines, and now the media's starting to pick up on it. The last thing we need is a vigilante making us look incompetent."

Natasha nodded, her mind already running through the many encounters she’d had with you. Each one had been a battle of wills, fists, and wits. You were good, damn good. But Natasha was determined to be better.

You wiped the blood from your hands, your breathing steadying as you looked at the man you'd just eliminated. He had been a monster, a predator preying on the weak and innocent. You felt no remorse. In your eyes, justice had been served.

You knew the Avengers were close. You could feel their presence like a storm on the horizon. Especially Natasha. Your fights had become a dance of sorts, each trying to outmaneuver the other, each knowing that one day it would come down to a final, decisive confrontation.

Your phone buzzed, pulling you from your thoughts. You glanced at the message: another target, another mission. Your work was never done.

Back at the Avengers' headquarters, the team gathered around a holographic display of the city, pinpointing the locations of your recent activities. "We need to be strategic," Steve said, his voice calm but firm. "She’s not just any criminal. She’s trained, skilled, and she's got a mission."

Natasha’s eyes never left the display. She knew you better than most. She understood your motivations, your drive. And she knew that stopping you would require more than just brute force.

"It’s personal for her," Natasha said quietly. "And if we’re going to bring her in, we need to understand why she’s doing this." The team nodded, each member resolving to bring an end to your bloody crusade. But for Natasha, it was more than just another mission. It was a challenge, a test of her skills and resolve.

You moved through the city like a ghost, your mind focused on the task at hand. You knew the Avengers were watching, waiting. You relished the challenge. Each encounter with Natasha had pushed you to be better, sharper.

But you also knew that the game couldn’t go on forever. One day, it would come to an end. One way or another.As you prepared for your next mission, you couldn't help but wonder: when that day came, who would be the one standing? You or Natasha?

The city was alive with the sounds of sirens and distant traffic, but your focus was razor-sharp. You moved through the shadows, your target's location clear in your mind. You knew the Avengers were closing in, but you thrived on the edge, where danger and adrenaline fused into one intoxicating rush.

It didn’t take long for you to reach your target, a corrupt businessman with ties to multiple criminal organizations. You slipped past his security with ease, your movements precise and silent. As you stood over him, your eyes cold and unyielding, you knew this would send another message to the underworld and the Avengers alike.

Just as you were about to strike, the window shattered, and Natash swung in, landing gracefully on her feet, guns drawn. "Y/n, this ends now," Natasha said, her voice a mix of resolve and urgency. You smirked, stepping back to assess the new threat. "You always know how to make an entrance, Romanoff."

The two of you circled each other, the tension thick in the air. You made the first move, lunging forward with a series of rapid strikes. Natasha countered, your fists and feet a blur of motion. Each move was calculated, each strike intended to find a weakness.

The fight spilled into the hall, your movements fluid and fierce. You were relentless, your skills honed by years of training and combat. But Natasha was no less formidable, her experience and agility a match for your raw power.

In a desperate bid to escape, you knocked over a set of shelves, creating a momentary barrier. You dashed down the corridor, but your path was blocked by Steve. "Going somewhere?" Steve asked, raising his shield.

You didn’t hesitate. You launched yourself at him, your attacks relentless. Steve defended himself with his shield, but your sheer ferocity pushed him back. You knew you had to move fast. Every second counted.

A blast of energy struck the ground near you, and you turned to see Tony Stark hovering in his Iron Man suit. "You’re surrounded. Give it up."

With a quick glance, you calculated your options. You grabbed a nearby fire extinguisher, using it to create a cloud of smoke. In the confusion, you darted through a side door, your escape route planned to the last detail.

In the aftermath, the Avengers regrouped, frustration evident in their expressions. "She’s good," Clint said, rubbing his bruised arm. "We almost had her."

"Almost isn’t good enough," Tony replied, scanning the area for any sign of you. "She’s always one step ahead." Natasha looked at the ground, her mind replaying the fight. She admired your tenacity and skill, but she also knew that each encounter brought them closer to a dangerous tipping point.

"We need to change our approach," Natasha said. "She’s playing a game of survival. We need to make her see that we’re not the enemy." Steve nodded. "Agreed. We need to understand her motivations. If we can reach her, maybe we can end this without more bloodshed."

Weeks turned into months, and the chase between you and Natasha became legendary among the Avengers. Your reputation as a formidable adversary was solidified, but so was Natasha's determination to bring you in. Every encounter became a game of wits and skill, a deadly dance with an undercurrent of something more.

One night, Natasha found herself on a stakeout at a high-end nightclub. Her sources had tipped her off about a major criminal deal going down. She knew you would be there, drawn to the opportunity like a moth to a flame. Natasha blended into the crowd, her eyes scanning for any sign of her elusive target.

Suddenly, she felt a presence behind her. "Looking for someone?" your familiar, flirty voice whispered in her ear. Natasha spun around to find you, dressed to kill and wearing a mischievous grin.

"Yes, you." Natasha said, her voice steady despite the surprise. "You're getting bold." You chuckled, your eyes sparkling with mischief. "And you're getting predictable, Romanoff. I knew you'd be here."

Natasha moved closer, lowering her voice. "This ends tonight. You're coming with me." You raised an eyebrow, a playful smile tugging at your lips. "Are you asking me out on a date, or is this another one of your attempts to arrest me?"

Natasha couldn't help but smirk. "Depends on how you look at it." Before Natasha could react, you leaned in, your lips brushing Natasha's ear as you whispered, "Catch me if you can." Then, with a swift movement, you disappeared into the crowd.

Natasha's heart raced as she pursued you through the crowded club. The thrill of the chase was intoxicating, and she couldn't deny the electric connection between you. You were always one step ahead, leaving clues and taunts that kept Natasha on her toes.

The chase led them to the club's rooftop, the city lights sprawling beneath them. You stood at the edge, the wind whipping through your hair. Natasha approached slowly, her eyes locked on you.

"You can't keep running forever.“ Natasha said, her voice a mix of determination and something softer. You turned to face her, your expression unreadable. "I'm not running, Natasha. I'm fighting. Just like you."

Natasha took a step closer, her heart pounding. "We don't have to be enemies, Y/n.. Let us help you." Your gaze softened, and for a moment, Natasha saw the vulnerability beneath the tough exterior. "You don't understand. I've crossed too many lines. There's no going back for me."

Natasha reached out, her hand brushing your arm. "It's never too late to make a different choice. You can Trust me.“ You looked at Natasha, your eyes searching for something. Then, with a sigh, you pulled away. "Maybe in another life, Romanoff."

Before Natasha could react, you leaped off the rooftop, landing gracefully on a fire escape below. Natasha rushed to the edge, but you were already disappearing into the night.

—

One fateful evening, you found yourself cornered by a gang of criminals. You fought valiantly, but the numbers were overwhelming. By the time the dust settled, you were grievously wounded. Blood soaked your clothes, and every step sent waves of agony through your body.

Desperation set in as you stumbled through the dark alleys. You knew going to a hospital was out of the question. The police would arrest you on sight, and SHIELD agents were everywhere. You tried to treat your wounds in an abandoned building, using whatever you could find. With shaking hands, you attempted to stitch a deep gash on your side, but the pain was too intense and your vision blurred.

Realizing the severity of your injuries and your inability to treat them alone, you remembered, „You can Trust me.“ You had placed a small tracking device on Natasha’s shoe during one of your fights, anticipating you might need to find her someday.

The rain pelted the city in relentless sheets, washing away the grime of the day. You stood in front of Natasha's apartment door, your breath coming in shallow gasps. You leaned heavily against the frame, your vision swimming. Despite the pain, you forced a playful smile onto your lips. You had to get inside. You had to see Natasha.

With a trembling hand, you knocked on the door. It felt like an eternity before it finally swung open. Natasha stood there, her expression a mix of surprise and annoyance.

"How did you find me?" Natasha asked, her voice cold. You tried to straighten up, wincing as you did. "Miss me already, Romanoff?" you said, your voice weak but carrying a hint of flirtation. "Couldn't stay away.."

Natasha's eyes narrowed. "You've got a lot of nerve showing up here. Why are you here?" Ignoring the question, you leaned against the doorframe, your legs barely holding you up. "Thought I'd drop by... see your lovely face," you managed, your vision beginning to darken around the edges.

Natasha's patience snapped. She grabbed her phone, her fingers quickly dialing S.H.I.E.L.D.'s number. "Enough with the games. I'm done with this."

Your heart sank, your body swaying. You tried to take a step forward but stumbled, your strength failing. You collapsed into Natasha, who caught you out of reflex. As your full weight pressed against her, Natasha's eyes widened in horror. Blood soaked through your clothes, warm and sticky, covering Natasha's hands.

"Oh my God.." Natasha whispered, her phone slipping from her fingers as she cradled your limp body. "Y/n, what happened??" Your head lolled to the side, your eyes struggling to stay open. "Guess I... pushed it too far this time..“ you murmured, your voice barely audible.

Natasha quickly assessed the situation, her mind racing. "We need to get you inside.“ she said, her tone urgent. She half-carried, half-dragged you into the apartment, laying you on the couch. Blood pooled on the floor, and Natasha's hands shook as she grabbed her first aid kit.

"Stay with me, Y/n," Natasha urged, tearing open your shirt to reveal a deep, gaping wound along your side. The sight of old scars crisscrossing your chest made Natasha's heart clench. "God, what did you do?!“

She worked quickly, her training kicking in. She poured antiseptic over the wound, her hands moving with practiced precision. Your body trembled with pain, your fingers digging into the couch. "God, that burns," you whimpered, tears streaming down your face. "F-Fuck, Natasha, it h-hurts..“

"I know it does," Natasha said, her voice softening. "But I need you to stay with me. I don't have any narcotics, so this is going to be rough."

Your eyes were glazed with pain, your breathing shallow. "Just do it…" you managed to say. Natasha threaded a needle, her fingers slick with blood. She began to stitch the largest wound, her focus intense. Your body shook with each stitch, your teeth clenched to hold back screams. The raw pain was almost unbearable, and low moans of agony escaped your lips despite your best efforts.

"You're doing great," Natasha said, her own voice trembling. "Just a few more." Your fingers clawed at the couch, your knuckles white. "Natasha... please, hurry," you gasped, your voice barely a whisper.

Natasha's heart ached at the sight of your suffering. "I'm almost done," she said, her tone soothing. "Just hold on a little longer."

Your eyes fluttered, your strength fading fast. "Sorry... for your couch...and for everything," you whispered, tears mixing with the blood on your face. "I never wanted it to be like this.."

Natasha's eyes were full with understanding. "We'll talk about it tomorrow. Right now, I need you to hold on." She finished the stitches, then bandaged the wounds as best she could. Your body relaxed slightly, your breathing still labored but more steady.

"It's done," Natasha said, sitting back and wiping her forehead. "You're going to be okay." Your eyes closed, exhaustion overtaking you. Natasha grabbed a blanket and covered you, then sat beside you, holding your hand gently. "I'm here," Natasha whispered. "You're safe now. Rest and we’re sorting everything tomorrow out, okay?"

You whimpered softly, your body shaking from the pain and the cold. Natasha gently brushed a strand of hair from your face, her expression tender. "I never thought I'd see you like this," she admitted, her voice barely above a whisper.

Your eyes fluttered open, focusing on Natasha with difficulty. "Guess... I can't always be the strong one.“ you murmured, a weak smile playing on your lips.

Natasha's heart tightened. "You don't have to be strong all the time," she said softly. "It's okay to let someone help you." You nodded weakly, your eyes drifting closed again. "Thank you, Natasha.“ you whispered.

Natasha squeezed your hand gently, "You're going to be alright," she said, her voice filled with determination. "I won't let anything happen to you."

As she sat there, watching over you, Natasha knew that this was a turning point. You had come to her for help, and that meant there was still hope. She would find a way to bring you back from the edge, no matter what it took.

Part 2

[maxwell-grant]

There's a trend people have pointed out in superhero stories over the past 20 or so years that is the death of "regular" supporting casts, an increasing absence of un-powered sidekicks or people involved who aren't in the thick of the action or in the hero's secret. Everyone who interacts with superheroes is a couple issues away from becoming one, every story involves a supervillain encounter or several dozen, every hero's gotta have a lunchbox-ready "superhero family" made from these characters, and every side character that doesn't join them is either going to die or become a supervillain.

The defining example people use for this is Spider-Man's supporting cast, with every Spider-Man cast member short of Aunt May and J Jonah Jameson getting some kind of powered upgrade or symbiote, and I'm gonna say Amanda Waller is an excellent case study of how this kind of thing happens, and I think it helps to explain why Amanda Waller has been, Like That, for the past 30 years.

She’s wearing a grey shirt underneath a blue blazer and it’s tucked into a similarly blue skirt that stops at mid calf. She reminds me of the neighbourhood aunties I used to see leaving for church every Sunday morning.

My mom used to say that you are the company you keep. So what kind of person does it take to keep a variety of bruised, battered, and dangerous personalities in check? - Amanda Waller: DC's Most Terrifying Woman

To those of you who haven't read John Ostrander and Kim Yale's Suicide Squad, there once was a time where Amanda Waller was something more than a powerful antagonistic force able to butt heads with the biggest superheroes, and something other than a heartless establishment face out to make superheroes miserable for ill-defined reasons. Structurally speaking, Suicide Squad is a comic about marginal DCU characters forced to deal with actual real life problems, and it's central character is a marginalized person forced to deal with DCU problems and characters. The members of the Squad are a rolling parade of costumed misfits and maniacs assigned to go around the globe to fight and kill and die on dirty missions to deal with dirty laundry and stop war zones from erupting, while Amanda Waller is forced to shuffle around her cadre of D-list supervillains and disgraced superheroes and get into stand-offs with secret spy societies, living nukes, voodoo cartels, and Batman.

Amanda Waller neither looks nor acts like the kind of character that stars in a superhero comic, and she is the central character throughout the 66 issues of the run and we follow her character arc from beginning to end as she's forced to spin plates to accomplish her goals and prevent bad situations from getting worse. She is the most fully realized character in the run and everything rests on her shoulders. We spend a lot of time inside her head, her team, her associates, she is the center holding together an extremely chaotic book with no two characters on the same page. She is, and has to be, an extremely powerful person, someone who stands her ground no matter what, an unbeatable force of will because that is the only way she's going to survive the situations she's in, the only way she can be "The Wall", the kind of person who can repel Batman, command a platoon of monsters, talk her way out of Deadshot's contract, someone who can stare at Darkseid and credibly threaten the President into letting her live.

That's the part that everyone is more or less familiar. But there is, or at least used to be, much more to Amanda Waller than just being The Wall, not in the least because being The Wall is also hampering her effectiveness as well as straight up killing her.

"Amanda's toughness has taken her a long way" "It's taken her as far as it can. But it can't take her no further. It's actually starting to drag her down. I'm scared for my baby sister, rev - scared that the anger in her is congealing into hate." - Suicide Squad #31

We get to know her backstory, her plans, her points of contention with the system, her relationships with people around her, and how deeply she cares about things and people even as she sends them to the meatgrinder. From the start we learn that Waller staffs her team with people she's prone to getting into disagreements with, like Simon LaGrieve and Rick Flag, specifically so they can cover her moral blind spots and pick up the slack in emotional intelligence she's lacking, be the heroes that she can't afford to be. It is unspeakably crucial that the Squad is led by Rick Flag as well as Bronze Tiger, a fallen hero who owes Waller for his recovery who eventually takes Flag's baton. Waller stands up for her team, gets into fights with her superiors when they decide to terminate them, and takes the fall for them when necessary. Waller is a person who does Bad Things - but she is not a Bad Person.

The book in no uncertain terms frames the Suicide Squad's existence as monstrous in a scale Waller doesn't understand until the very end, and it digs deep into the unethical things Waller has to allow for and perpetrate in order to keep it running no matter how many lives it saves, and she spends the first half of the book on a downward spiral. But then there's the 2nd half of the book:

In the first 39 issues, Amanda’s flaws are her undoing. As she pushes away the people she hired to act as a balance, she grasped tighter and tighter to her uncompromised vision of the Suicide Squad despite the constant changes and derailment. Her choices had consequences: the death of Rick Flag, her demotion, employees quitting, and finally, the disbandment of the team.

The last 27 issues have Amanda rising up from the ashes after a year in jail. She’s less in her own way – she communicates, her anger isn’t driving her, she’s more receptive of alternative perspective and recognizes when she’s wrong in real time – but she’s still just as scary.

Waller rebuilds her relationships with the people she drove away, takes a different tack to how the team works, and starts going out into the frontlines with the Squad. She brings Oracle (who actually made her debut in this comic) into the fold, saves her life and plays a big role in Barbara making progress in overcoming her Joker trauma. She genuinely puts in the work to improve as a person and do things a better way than before, even if there is an inescapable immorality to the very existence of the Squad and what they do. That immorality never goes away, and it only further horrifies her when learning how badly her project has gone. In fact, it's that very inescapable immorality that ends her arc.

She learns that the CIA has started using a new Suicide Squad to support a brutal regime in South America, and when faced with the full extent of her complicity in Western imperialism? She decides right then and there to end the Suicide Squad for good after they liberate the population of said regime from said Squad. She is the only person who gives a shit about the country enough to start the assignment for free once she knows about it, force the Squad along, lead the mission in field, and personally (and even gently) usher the villain to his death at the end, to end what began with her.

She does bad things, and she does good things. She cares about people, and she uses people. Her decisions ruin as well as save the world. She spins a million plates to match wills and wits with the strongest, wickedest, most cunning humans and superhumans alike, and she still has superiors to answer to and people close to her she hires to judge her for what she does. She endured racism and misogyny and poverty for decades and rode whatever she could to attain as much power over her own life as someone like her could possibly attain, and to have it, she must be a willing tool of the state and bend the knee to Ronald Reagan, the man she derides for what he did to her community, hating every minute of it.

She lost her family to sexual and racial violence, and now she wrangles a penal battalion comprised of some of the worst people on the planet to inflict violence on her orders. She has saved and redeemed people, and she's haunted by the corpses she's left in her wake. She is oppressed and oppressor, someone who could only escape the ravages of American imperialism by becoming one of it's chief enforcers, and still she rebuilds herself into a better person from it upon confronting and challenging her role in it. She is not a bad person, she is not a good person either, she is just afforded a degree of agency and complexity unpowered characters in superhero books simply don't get.

Okay cool, now what is she up to these days?

That, I guess. That is what a strong but unpowered person who does not allow themselves to be bossed around by superheroes or supervillains looks like now. Everytime there's a call for a military bad guy, Waller gets tagged in to be DC's Henry Gyrich. There was a point where Waller was made to contrast the likes of Sarge Steel and Wade Eiling, someone who butted heads with them because she was a well-meaning person working for and committing evil as often as she attempted to stop it. These days, the most consistent beat with her is that she is the most dangerous person alive and worse than the villains she wrangles into working for her. She is a thing to be overcome, a hypocrite to be exposed, a challenge to the natural order of the universe, and she is too terrific at it to be shuffled off quietly. She is a Bad Person and so everything she says and does is Bad (and thus can be ignored).

Integral to Suicide Squad's structure was the fact that Waller was the center holding everything together, the ultimate third party: spinning plates working with, for and against all of the others so she can bend rules and be bent by them. Bent, but never broken, because The Wall doesn't break, others break first. Waller was a one-of-a-kind character, and that broke her, because beating Sarge Steel and Wade Eiling at their own game means replacing Sarge Steel and Wade Eiling. Waller doesn't look like them, she doesn't look like the superheroes either, and so she can't be one of them. She can't even look like herself a lot of the time, they try to slim her up everytime they think they can get away with it.

Suicide Squad was preoccupied with exploring a perspective from a world outside the superhero worldview, but we no longer have her perspective or that of people around her, we only know her through the superheroes she inherently defies and has had an adversarial relationship against from day one. She is someone with a viewpoint that is charitable to neither superheroes nor institutions, and thus, the universe is increasingly less sympathetic to her, the less utility she has to the grander narrative where everyone has to pick between one of two options. If she wasn't powerful and assertive, she'd be another Leslie Thompkins, another Jiminy Cricket the heroes passively ignore. But because she is powerful and doing morally compromised things without asking Batman's permission, she must have a personal grudge. She must be a government monster. She must attack the superheroes for no reason, no ideology, no motive.

So now she's just The Wall 24/7, the mean icy establishment boot who is strong and clever and cruel and hates superheroes and wants to destroy superheroes and rule the world from the shadows. Everything she does is a fuck-up she refuses to take responsability for, everyone is right to hate and distrust mean old Waller, and now everyone gets to look good by dunking on her. They couldn't make her a superhero, so they made her a generic supervillain instead. And now that she's a bad guy, she no longer has to believe anything, she doesn't really have to mean anything, they don't have to write stories about something other than superheroes and supervillains, and they don't have to let a fat woman of color take up space and screentime they could be giving to Harley Quinn and Slade Wilson instead.

Even by the time of Waller's debut on the tail end of the 80s, her career opportunities were on their way to extinction

Days Of Future Past marks the triumph of the superhero comic that's pretty much concerned with no-one but superheroes. Where Ditko and Lee's Spider-Man featured a single costumed crimefighter in the context of a commonplace existence, the X-Men of the 80s focused on a huge cast of mutants who had little if any lasting involvement in the everyday world.

By the 21st century, the corporate superhero comic would largely - if not exclusively - concern itself with little beyond a large class of superhumans and their fantastical existence. I suspect there's a significant correlation between that and the continuing cultural  peripherilisation of the superhero comic - Colin Smith

Amanda Waller is one of the strongest characters in all of comics, she was as powerful as an non-superpowered character given center stage could possibly be, a perfectly designed character from which an entire corner of a shared universe was developed out of with her as the center making it work, but as the room for civilian casts and unpowered protagonists got smaller and smaller, so did Waller's options. If she was a Spider-Man character and somehow didn't get killed or made into a villain, they would have slimmed her up and given her a symbiote, because you're nobody unless you're web-swinging. Characters didn't look or act like Amanda Waller, and unfortunately, they still don't. It's just instead of making more characters like her, they gutted Waller to be more like the rest. If she couldn't make it, who else even could.

Keep your eyes peeled for this summer when she'll team up with two meaningless robot baddies to burn down the Justice League and I guess the universe for the next reboot or something.

[morkhan]

It is so buckwild to me what Insomniac did with Harry Osborn and Venom.

In the vast majority of Spider-Media, Venom's defining character trait is his hatred of Spider-Man, and at first, it looks like Insomniac might be going that route. They give Harry ample reason to be absolutely furious with Peter, to resent him, resent the life he gets to live, a beloved superhero with a girlfriend, healthy and strong, a genius of such caliber that even his own father seems to prefer him to Harry. His supposed "best friend" who seems to be withholding lifesaving medical treatment just because he likes how it feels on him, because it's not enough that he be better and stronger and smarter than poor, sickly, doomed Harry, no, he has to be stronger than himself, stronger than the old Spider-Man could ever hope to be. It's not enough for Peter to have his own powers, he has to have Harry's as well, and if that comes at the cost of Harry's life? Well, that's just the cost of doing business. As long as it makes him a better Spider-Man, that's all that matters, right?

It seems like they are going down the route where Harry gives into his anger and resentment, the symbiote whispering in his ear and exacerbating his worst aspects until there is nothing left of the sweet boy that Emily Osborn raised to be so deeply good, only a supervillain hellbent on revenge and world domination.

But that's not what happens.

Instead, almost everything Harry does after the Venom symbiote takes over is framed as helping. As a genuine, if twisted belief that the world he is making is a better world. Instead of seeking revenge against Peter, Harry/Venom wants to convert him. Wants him to stand beside him as they "heal the world" together. And the odd thing is, this only becomes more true with time. At first, Harry/Venom seems almost indifferent to Peter, and angers quickly when Peter calls them a "thing." But we see that the idea of Peter doing this with him, the need for his best friend to be beside him at the end of all things, eventually becomes so important to him that it is ultimately a weakness the heroes exploit.

Think about that; Harry Osborn's love for Peter Parker is so powerful that it almost seems to be corrupting the Venom symbiote, infecting it and twisting its mind as surely as it twisted Peter's, but in the opposite direction. It's so wild to watch the scenes at the end of the game and hear Tony Todd, in his deep-ass Venom voice, read lines like "Thanks for coming, Pete 😊" with the same casual inflection and tone as Harry would. Saying "This is where we became best friends. Now it's where we become brothers!" and sounding so pleased and excited that you'd think he was talking about Pete's mom marrying his dad and not infecting him with alien mind goop.

It's so incredible to me that the defining trait of Insomniac's Venom isn't hate; it's love. A twisted, warped love that doesn't fully understand itself, but a sincere and true love nonetheless, one that holds to the very end.

[cheeseanonioncrisps]

So like, it's okay to be good and nobody is born evil and anyone can change the path they're on, yadda yadda yadda, but I actually think one of the biggest lessons Megamind learns over the course of the film is the shocking revelation that actions have consequences.

I'm not even kidding. When you put aside the whole 'evil' thing, one of Megamind's biggest flaws is his entirely screwed up notion of cause and effect.

Like, the whole reason the plot happens is because it apparently never occurred to Megamind that 'carrying out elaborate plots to kill Metroman' could ever result in 'dead Metroman'. Nor that creating a new hero with the specific motivation of defeating him, Megamind, could lead to negative consequences for him, Megamind. Or that riling said hero up into a murderous rage could have the unforeseen consequence of that hero raging around murderously.

Dude spent at least a few years kidnapping Roxanne, threatening her with alligators and lasers and various other villainous knick-knacks, only to disguise himself as somebody else and lie to her until she fell in love with this fake identity he'd created and is genuinely shocked when she is upset upon finding this out.

Not just that she did find out, but that post-her finding out he is unable to talk her into continuing the relationship.

“We don't judge a book by its cover or a person by their appearance… we judge them based on their actions.”

“Seems kinda petty, don't you think?”

Megamind may be a genius when it comes to inventions and evil plans, but he's a fucking idiot when it comes to predicting and anticipating the obvious results of his actions.

And thing is, it makes total sense why he would be like that.

He spent his childhood being consistently punished by the adults in his life, often for no reason that he could understand or even for no reason at all. As a result, he stops viewing punishment as a consequence of his behaviour and starts seeing it as a consequence of him being 'evil', which of course leads to him leaning into his evil persona and eventually becoming a supervillain.

And, as a supervillain, ironically enough, he's completely sheltered from consequence by his greatest enemy, Metroman.

Megamind doesn't need to worry about his evil plans hurting any citizens, because Metroman will use his powers to save them. Megamind doesn't have to worry about the damage he does to the city, because Metroman can fix it.

Megamind does in theory have to worry about social consequences for his behaviour, but the social consequences are being locked in prison and having everybody hate him which is like, the default status quo of his existence since he was a baby.

He literally calls the prison as 'home', a word he does not use to refer to his Evil Lair or indeed anywhere else in the film barring his home planet. Going there is an inconvenience, maybe, but it's not really a punishment. It's where he lives.

Metroman's 'death' changes all that.

Not only does one of Megamind's evil plans finally destroy something that (seemingly) can't be fixed, but he's then turned loose on the city with no superhero to run around after him cleaning up his mess.

Now, if he steals all the artwork in the gallery, then Metro City will no longer have artwork in it's gallery, and people (Roxanne) will miss it and be upset. If he doesn't take care to clean the streets then the streets… will be dirty, and people (Roxanne) will be negatively affected.

If he gives a random, unstable, person superpowers and then goes out of his way to piss that person off, then that person can't be guaranteed upon to “play the game” just because that's what Metroman did, and people (Megamind… then everybody else) will be negatively affected.

And the flipside of this is that, by the end of the film, he wins the battle because he realises "hey, I can change this". If his negative actions have negative consequences then he can choose to do the positive thing instead and save the city.

[thebibliosphere]

Tim immediately jumping to murder is why I think Tim should be in the labrynth. Comic!Tim is always one bad day away from becoming a supervillain, but the bad day is key

Listen, the Labyrinth level is harrowing for all of them (watching Dick's parents plummet to the ground over and over because I kept fucking up the trap was excruciating) but Tim, oh god, Tim.

He's so fucking young in this game.

He's not a child characterized as an adult. He's a super smart sixteen-year-old kid trying to act like an adult and full of grief and rage, and while Dick might be struggling with living up to being Batman, Tim's head is just a constant mantra of "not good enough, not good enough, not good enough. Bruce only took you on because he needed a replacement for Jason. And look at you, you couldn't even do that right. Batman is dead"

And because he's in the Labyrinth, it's not his own voice he's hearing.

It's Bruce.

It's Bruce telling him he's not good enough over and over. That he's a disappointment to the mantle of Robin. That Bruce should have never trained him. That it's Tim's fault Bruce is dead because Robin failed to protect Batman.

And then he finds out it's the Court of Owls messing with his head. That they've engineered this whole thing using some mega strain of fear gas while they're making him run through an obstacle course designed to trigger all these worst fears. Making him hallucinate Bruce dying in front of him. That he's being manipulated into reliving his worst fears over and over, and not even dying makes it end because they won't let him die. He just keeps waking up on the slab like some fucked up version of Ground Hog Day with spinning knives and the sound of your mentor telling you all the ways you're not good enough.

Frankly, the Cout of Owls is lucky Tim climbed out of that hole and immediately called Alfred (and oh GOD, the way he haltingly tells Alfred in the smallest voice that he wants to come home because he's a 'little beaten up' aaaah killing, stabbing, biting) because my first instinct on getting him out there was to call down an orbital strike from the Watchtower.

He's hooked into the system.

He could do it.

Say 'hoo' mother fuckers. Say 'hoo' one more time.

[delicatestones]

Various Parahuman Teen Couples Go To The Mall

Brian and Taylor: Going to the mall is a normal thing neither of them enjoy, which is precisely why they convince themselves that they should do it. Brian musters up hope that he will be able to carry Taylor's bags and wait for her on benches outside of clothes stores, which will affirm his value as a man. Taylor, who only wants to buy a single hoodie, anxiously refuses to let Brian carry her bag because she doesn't want to be a burden, which banishes Brian to the Masculine Insecurity Pocket Dimension in his own mind. They attempt to rally by going to the food court, where they try to have an awkward 'normal' conversation over greasy pizza slices.

Fortunately, a supervillain they have history with attacks the mall mid-pizza, and they rush off to change in the mall bathrooms and return to thoroughly beat the interloper's ass. Brian apologizes for the mall date going wrong (secretly relieved, also deeply compelled by watching Taylor break a guy's arm with a baton) while Taylor says it's no big deal (even more relieved, mesmerized by Brian's visible sweat on the back of his neck). They may or may not awkwardly touch hands at the fire exit before they flee the scene of the crime.

Krouse and Noelle (Pre-Simurgh): On a quest for limited edition Ransack merch at the Gamestop, which turns out to be all sold out or on reserve. Krouse tries to social engineer it out of the clerk anyway, but Noelle gets so visibly uncomfortable he desists. In the depths of excruciating failure he says something shitty about the guy's haircut after they leave the store and Noelle tells him he's being a dick, which he apologizes excessively for in a way that just makes it more awkward.

In a now desperate effort to turn things around, Krouse tries to lighten the mood by latching onto listing Alternative Mall Activities including one of those photo booth set ups. He makes fun of how cliche they are and how it would be completely lame if they went into one, which transitions into cajoling Noelle to join him in this extremely cringe activity for the bit. She says her hair looks dumb and she doesn't want to, so he gallantly offers her his over-sized hoodie so she can hide her face the entire time, a gesture he does not realize extends the shelf life of their relationship for a solid two weeks. His visible joy when she agrees to the idea adds another week to the tail end of that. They hold hands on the way to the parking lot.

His copy of their photos becomes an instantly precious memento he sticks on the wall above his bed; Noelle puts hers in her picture shoebox in her closet. He spends all night on E-bay overbidding for the merch.

Krouse and Noelle (Post-Simurgh): Twelve Injured One Dead In 'Food Court Nightmare'.

Dean and Victoria: It takes Victoria half an hour to get ready for a mall trip. Dean shows up too early to pick her up and engages Carol Dallon in small talk for twenty minutes, a time span in which Carol manages to list every single one of Victoria's deepest insecurities in the form of barely veiled criticism while Dean smiles like he's being held at gunpoint.

At the mall they get stopped outside the Gap by a gaggle of Glory Girl preteen fans. Dean holds Victoria's bags (many) while she goes through the New Wave Fan Experience Checklist. Victoria says something afterwards to him on the way to the next store that hints at the Dallon Torment Nexus. Dean continues smiling and offers the mildest possible effort at sympathy, which Victoria reacts to with virulent irritation, so he gives up and buys her a mall outlet jewelry store diamond tennis bracelet instead. Thus mollified, she proceeds to allow him to obtain Jamba Juice for the both of them. It's another normal (bad) day in Brockton Bay.

Aisha and Alec: There strictly to cause problems for the sake of causing problems. Alec 'distracts' the staff at Hot Topic by faking a fall into a rack of studded belts and loudly insisting he will sue them for emotional and psychic damages while Aisha shoplifts bracelets. They buy hot pretzels and perch on the edge of the mall fountain marked 'NO LOITERING' to conspicuously loiter while occasionally kicking each other in the ankle. When a security guard tries to get them to move they collaborate on roasting his bloodline back to medieval times, triggering rent-a-cop wrath and a threat to call the Real Cops.

Now officially Wronged By The System, they decamp to breaking into the mall's back corridors (going through an unlocked access door) to vandalize the security office while throwing gummy worms at each other's mouths and missing 70% of the time. In high spirits, they make their cunning exit (leaving through the same door) and sneak into a horror movie at the mall theater halfway through its run time. They heckle the on-screen slasher victims for being idiots until an usher shows up with the original security guard, and then book it for the outside world while laughing like small and charming hyenas.

They agree they should totally rob the mall for real later, preferably while Brian and Taylor are on their make-up mall date, because they are good and kind teammates who only want the best for them.

(This post inspired by the learned discourses of Wormblr character understanders, particularly users lakesbian and simurghed. Any mischaracterizations and errors are my own. These hypotheticals are a non-representative sample of Ways They Could Be At The Mall.)

[kagekitsuneoflight]

It’s kinda funny that Jason is, in every sense of the word, the most normal Robin. Unironically, there wasn’t anything uniquely special about him before he was Robin. He was a street kid. His dad was a goon (which makes sense for Gotham. It’s a goon breeding ground) and his adoptive mom was a girl who fell in love with the bad boy, got disowned by her upper middle class parents and adopted her boyfriend’s infant son. Even his biological mother isn’t anything special! She was just a doctor who ended up becoming corrupt.

Jason Todd was no circus kid who could do an impossible signature trick. He wasn’t being scouted by some evil hidden organization.

He wasn’t the rich boy genius who lived next door.

He’s not the son of a supervillain (as lame as cluemaster is, he still *counts*).

He’s not the secret son of Bruce Wayne.

And he’s not a metahuman, nor did he led a whole organization of teens to fight when Batman couldn’t.

He’s the most regular boy to ever enter become a hero in Gotham. He wanted to do good things for the sake of doing good. He grew up poor with regular parents, where bad things happened to them. The kinds of things that could happen to *any* person living in Gotham.

There is nothing about him, pre-Robin and as Robin, that makes him Not Like Regular Kids.

His dad was a goon (who, depending on the run, was either killed by Two-Face OR. Just sent to prison and killed in prison! Which makes his backstory even PLAINER-) and his mother was a drug addict with cancer. Jason ends up homeless, and almost steals the bat mobile tires. The only thing that makes him stand out from any other tragedy befallen kid in Gotham is the fact he was bold enough to do that, get Batman’s attention, and continue to be bold enough to go against a crime lord (who was apparently his grandmother, the most interesting person in his family, but since she’s almost never brought up, she’s likely no more significant than a one-issue villain in the crime lord power hierarchy). Batman realized that Jason wasn’t going to really stop, and honestly he kinda grew on him, so he decided to adopt Jason, and eventually allow him to become Robin.

There just isn’t anything amazingly special about his backstory. The few moments where something could have been done to make it more interesting (like his biological mother) but ended up taking the most boring option. You can’t do much of anything now to enhance his past without upsetting much more well established canon, and not without making people wonder “well if his grandmother was such a big name in crime, why hasn’t she been brought up before?”

Jason Todd was a wonderful Robin (providing that he actually has a writer who likes him). He has a golden heart, he’s the voice of reason. He’s everything that a Robin needs to be for Batman. But compared to everyone else, he was nothing special. In a way, his lack of Not Like Regular Kids makes him stand out in a much more subtle way.

As if someone asked the question “Do I need to be someone special to be Robin?” And the answer was “You don’t need to be someone special, you just need to be brave, like Jason Todd was.”

[yanxidarlings]

YANDERE HP GOLDEN ERA: SLYTHERIN BOYS X DORMMATE READER

continuation of my previous post (i got caught up in getting out my anthony goldstein headcanons was it obvious). okay so full disclosure, i haven't read the fanfictions lorenzo and mattheo are from (i only read yandere is it obvious) (i see their faceclaims and cannot. exclude), so if i'm not portraying them correctly shout at me. but just for a moment, imagine having the 79-80 liner slytherin boys yandere for their dormmate? (okay there is a loophole i'll write for male readers/darlings if asked).

maybe they've known the reader/darling since childhood, and the sudden close proximity magnifies the possessive and obsessive tendencies they were developing towards the darling. or, the darling could suddenly get sorted into slytherin and now they have a roommate they did not expect to have. for the second scenario i don't think the darlings personality would matter much - either way, they're all apprehensive about this really cute kid they suddenly are dorming with.

maybe they give the reader a hard time at first (although this is only really likely to happen for a darling in a different house, or a muggleborn darling) but whoo boy if anyone else thinks of teasing the reader, they'll get hell from our dear slytherins here. actually, anyone who the reader pays mind to becomes a target of torment and bullying by draco and his gang. especially potter. please, reader, for potters own sanity and the good of the wizarding world, do not approach, think about or even look in the direction of harry. it ends in an ugly tantrum from draco, prolonged sarcasm from theodore, silence from blaise, aggression from mattheo and teasing from lorenzo. crabbe and goyle won't be carrying your books for you for the next week either.

when they get like this, it'll be the darling that'll have to make it up to them, or risk having it all drag out until one of them gets over it naturally.

GREGORY GOYLE & VINCENT CRABBE (cast josh herdman, jamie waylett):

they're all horribly possessive and jealous by default, but generally, crabbe and goyle are the easiest to deal with, they both have a soft spot for their darling, and are pretty used to being bossed around, the second choice and having to share. they're also the easiest to appease, putting food on crabbe's plate is enough to make him happy, and paying goyle any mind will go a long way.

they don't need constant attention (draco), validation (draco), and affection (draco), from their darling, and are content just being in their life.

BLAISE ZABINI (cast louis cordice):

after them, i honestly don't know who's worse. going in alphabetical order, blaise appears to be calm and uncaring when it comes to his darling, but do not be fooled, he's not going to sit back and let his darling get whisked away by the likes of a half blood (sorry mattheo), spolit daddy's boy (apologies draco), spolit mommy's boy (soz enzo) or someone who's one lab accident away from becoming a supervillain (blaise's words not mine theo).

blaise tolerates the rest of the slytherins for now, but if any of them think he'd ever fully agree to sharing with the likes of them, they are wrong. he fantasises about taking his darling away from the world after graduating, and probably has his mother trying to arrange a marriage the moment he decides they're his.

DRACO MALFOY (cast tom felton):

unlike blaise, draco is not even a little bit subtle about his possesiveness over his darling, he only see's the other slytherins as tools to ensure his darlings safety and happiness at hogwarts, and does not bother to pretend like he isn't planning to kidnap move the reader into malfoy manor the minute they graduate. actually, he couldn't wait that long.

he'll look for any opportunity to have the malfoy family gain custody of his darling. all the more better if his darling comes from a dysfunctional household. but either way, he'll make sure his family is all they have to turn to.

all i know about lorenzo is that he has mommy and daddy issues so i'll have to piggybank off that. he'll present himself as the 'sane' one, if his darling is complaining about the behaviour of the other slytherins, enzo wholeheartedly agree's with them "i don't know what's wrong with all of them - you sure you didn't slip any amortentia into their drinks?" he becomes a safe haven from the possessive obsession his dormmates seem to share for their darling.

LORENZO BERKSHIRE (fancast louis patridge):

lorenzo acts the most normal, but don't be fooled, he's just as obsessed as the rest of them. enzo is just better at hiding it. he too, frequently thinks about whisking them away, but is much less finite about it; holing his darling up in his house isn't the end goal. he could honestly live with sharing them with his fellow slytherins, but this is all assuming that the reader takes well to his attempts at becoming the 'sane one'.

if enzo isn't able to successfully befriend them, he'll have to settle for being the 'mean one'. teasing and humiliation follows his darling, as does he. it's not severe, but it's probably the push the reader needs to fall into deep depression and anxiety. so please, take the sane bait.

MATTHEO RIDDLE (fancast benjamin wadsworth):

mattheo doesn't exactly have a family reputation to uphold, blaise, draco, enzo and theo would want to keep up a respectable reputation, whatever that is in pureblood society, but mattheo? the dark lords son? he's entirely unhinged.

if lorenzo is the 'sane one', mattheo is the 'crazy one'.

he doesn't really care what his darling, or others, think of his behaviour. if he wants to spend time with them, he's going to. he'll pull them out of class, drag them away from the other slytherins, just to skip rocks in the black lake with them, or raid the kitchens. he doesn't really bother hiding his yandere tendencies, he'll actively tell his darling not to talk to certain people "because i said so" "stop asking questions", and will refuse to elaborate further. sometimes, there will be disturbing moments of honesty between him and his darling; he'll admit that he's obsessed with them, and threaten to attack people they pay attention to. and he'll tell them that they belong to him.

sometimes it's frightening and sometimes he'll come across as sweet. he is both predictable and unpredictable, which puts his darling at unease around him.

THEODORE NOTT (fancast lorenzo zurzolo):

theodore uses guilt to garner his darlings sympathy, all the more easier if they are childhood friends. he'll make sure they know about his harsh childhood, and make them feel responsible for his wellbeing. he's the only one to create a sense of dependency not built upon threats. out of all the slytherins, he gets to know his darling the best, he'll use guilt, emotional breakdowns and dark secrets to create a sense of obligation towards him.

theo is the most comforting of the slytherins to be around, he's quiet and the only one who they can spend time with without feeling much pressure. he demands the most of their attention, and is by far the most possessive. whilst i can see the other slytherins finding a way to deal with sharing their darling amonst themselves, if the rest don't back off eventually (stop dreaming theo) (they won't), he's the most inclined to just get rid of them - he can't stand it when his darling is around anyone but him, he wakes early to walk his darling to class just so they won't get caught up in the busy halls, where eyes can wonder and other people can have a chance to interact with his darling.

theodore pairs with them for every project, which leads to some ugly arguments between him and blaise, who only really get's his fill of his darling by sitting next to them in class. and draco, and mattheo and enzo and even goyle who was hoping the reader would help get him a good grade for once.

out of all of them, draco, goyle and blaise are the most patient. they want their darling to love them, not see them as monsters to flinch away from.

theodore, lorenzo and mattheo will take whatever they can get. lorenzo in particular doesn't want his darling to fear him but won't let them get away with trying to escape or disobedience. mattheo doesn't mind being the villain if he must be, but his heart clenches when his darling acts so obviously distrustful of him. theodore is the least patient, and if his darling starts to shy away from him, he snaps. at them, at the rest of the slytherin boys. but he's also easy to keep content, so long as his darling is always by his side.

similarly, blaise just enjoys being in the presence of his darling, and doesn't feel the need to cuddle up to them constantly like draco and enzo do. mattheo is a loose canon, and sometimes is fine being near them, other times he wants skin to skin contact 25/8.

they're hopeless at sharing, and only really get along for the sake of their darling. there are only really two ways this can end; theodore finally snaps and tries to off the rest of them after graduation, or they somehow come to an agreement on sharing, maybe they each get their own day a week

monday for draco, tuesday for blaise, wednesday for theo, thursday for enzo, and friday for mattheo. goyle and crabbe probably aren't taken seriously enough to get given their own day, so then the weekends are spent sharing (fighting).

the only time the boys will work in tandem is when someone attempts to take their darling and their attention, away. best example, darling starts dating someone. which is already pretty improbable, considering they give the reader no alone time whatsoever. but let's just say the darling here is going on a date with cormac mclaggen (get a grip, darling), any grudges they've been holding against each other are off, mclaggen has just signed his death warrant.

mattheo and theodore do most of the dirty work, whilst lorenzo distracts the reader. draco and blaise cover up their tracks, so it seems like whatever they did to mclaggen was an untimely accident. or have it blamed on someone else. goyle and crabbe intimidate anyone who tries to get close to the darling from then on.

they might hate sharing with each other, but they truly despise sharing with an 'outsider'.

[bet-on-me-13]

So, due to a villainous plot, basically the entirety of the Justice League and all affiliated Heroes are stuck on the Watchtower when it is forcibly transported to a different Universe.

My idea is that an army of different Supervillains tricked every Hero they could onto the Watchtower, before using experimental technology to transport them to another Universe.

While the JL is stuck in another Universe, the Villains take this chance to take over as much of the world as possible

Meanwhile, the JL is stuck.

All of their Teleportation tech was sabotaged and/or destroyed (not that it would have been capable of transporting them across universes either way), and any magical ways of Universal Travel strong enough to transport the Entire Watchtower would require weeks of Preparation and Set-Up.

They consider sending just a few of their Heavy Hitters back alone, since the smaller level spells could be done fairly quickly, but they also know that there is a very real possibility that there is a trap waiting on the other side. They deem it too risky to try

Eventually, Constantine pipes up, “How about asking The King of the Infinite Realms?”

Zatanna replies, “Phantom? Well it could work, but we don’t have much information on him, we don’t know if he is trustworthy”

“Who is Phantom?” asks Batman

“Phantom is the King of the Infinite Realms, basically the space between Dimensions. He is also the God of Space, so he could definitely transport the entire Watchtower across Universes.”

“The Infinite Realms are also called the Ghost Zone, because it is technically one of the Afterlives you could end up in. All Souls traverse the Realms while heading to their respective Afterlives, but some stay behind and become Ectoplasmic Entities, or Ghosts”

“Why hesitate to ask him then?”

“We don’t know if he is trustworthy. The last King was named Pariah Dark, and he took advantage of his power of traversing Universes to try and conquer all of Reality.”

Eventually, they decide to summon Phantom, and he appears in the center of the Summoning Circle. He looks majestic, and his eyes are closed.

He shifts a bit, tilts forward, and falls flat on his face while snoring.

They summoned him while he was asleep.

Eventually after Danny  wakes up, they manage to make a deal with him to send them back in return for letting him live on the watchtower for his annual vacation

[the-modern-typewriter]

ive been obsessed with your work and i honestly just can't get enough of them! Could i make a request please please please! Supervillain captures hero and tortures them for months until they suddenly get bored of them and ask villain to get rid of them. Villain doesn't know that it's hero he was ordered to kill by supervillain and when he enters the cell where hero was he becomes shocked by what he sees and can't get himself to kill hero. Please continue this however you like im so excited!!

The villain stopped in the doorway of the cell.

It would be wrong to say he stopped dead, given being dead was supposed to be a relatively peaceful thing after the horror of it all.

(The hero, surely, wished that they were dead.)

The villain's mouth worked, but no sound would come out at first. He felt like he'd been punched in the windpipe. In the stomach. In all the vulnerable, gasping places.

(The hero, surely, would find that laughable given the state of them. They would love to only have the air knocked out of them.)

They lay in a broken heap in one corner of the otherwise pristine cell - no chance of infection or disease ending their suffering early, oh no. They were a blot of colour against the white of it all. Bruises yellow and purple and green. Blood red. The glint of bone where no bone should be visible.

Perfectly clean, glossy hair. Intricate, shiny restraints untouched by the violence around them. No clothes.

"Have you come to kill me?" the hero asked.

Their voice was raw, raspy, whether from disuse or screaming he couldn't be sure. It was impossible to miss the most tentative note of hope in the hero's tone.

The villain swallowed. Hard. "Yes," he said. Then, "I've been ordered to. I -" He swore. "I didn't know you were here. I didn't - oh god. How long have you been here?"

He willed down the nausea. What right did he have to be nauseous?

It was impossible to miss the hope and, abruptly, equally impossible to fulfill his task.

He crossed the room in one swift movement, kneeling at the hero's side, flailing to pull off his jacket. To cover the hero with something soft and kind against the bitter chill of the dungeons.

"I'm going to get you out of here, okay? It's going to be alright."

He didn't want to bring a blade down on the hero's ruined flesh, he wanted to offer soothing creams and bandages. He didn't want to invite the hero to drink poison, when he could give painkillers. How could he destroy? All he wanted was to fix.

The hero's gaze finally moved over to him, with seemingly great effort. There was very little behind their eyes. Everything except desperation had been carved out, leaving them some hollowed thing with their innards dumped like garbage on the side.

The villain was reminded of Halloween pumpkins and husked-out dolls, rabid dogs too exhausted to do more than froth and whine.

"Please," the hero said. "Don't."

Once upon a time, the hero had never pleaded. At least not without a glint in their eyes, a mocking twist of their bright mouth, like pleading was a favour, an inside joke that they were both in on.

"You don't want to get out of here?" the villain demanded.

"I don't want to wake up here again tomorrow."

"I won't let that happen."

"Like you didn't let this happen?"

The villain flinched. There was nothing he could say to that, was there? He could beg forgiveness, but the hero didn't even say it like accusation. It was just a matter of fact. Resigned.

"Finish it." The hero closed their eyes, apparently done with the conversation. "If you ever cared about me. Just...just finish it. You need to finish it. Please."

The villain pulled a knife obligingly from one of his many sheathes. He'd seen a lot of dead bodies. His hand wavered, utterly unable to imagine the hero as one of them.

"No," the villain said. His shoulders squared. "No. You're right, I let you down. God, I let you down. But I - I'm going to fix it. I'm going to fix this."

Maybe it was selfish. He'd never claimed to be an altruistic man.

He stepped out of the dungeons some twenty minutes later, gently cradling the hero's body in his arms.

He stopped a second time.

The supervillain lounged against the stairs leading up, eyes glittering, a delighted grin upon their face.

The villain's mouth dried. He glanced down at the hero, who tensed, but did not seem surprised.

They seemed...guilty.

The villain's stomach plunged icy.

"Oh, you failed," the supervillain crooned. They pushed to their feet. "I really wasn't sure which way it would go. We had to have a little bet."

"You-"

The supervillain attacked with monstrous swiftness. Both hero and villain cried out as they hit the floor; the sounds impossible to distinguish from each other. Everything rang sickening with pain.

The supervillain caught hold of the villain's hair, yanking their head back. In an instant, the villain felt their powers sweep over his body, locking every joint and muscle in place. Rigid. Rigor-mortis.

"Good job," the supervillain said, to the hero, in the tone of one promising a lollypop to a toddler. "As promised, you can go now. Crawl away if you can. The front gate locks in one hour! You know what happens if you don't make it."

The hero choked on a sob.

The villain and the supervillain both watched them, agonisingly, try to move. They managed a mere inch. Dragging themselves, with bloodied-nails, across the polished floor.

Then the supervillain turned their attention, dismissively, back to the villain. They tightened their grip, dragging the villain's body back towards the cell, the way they'd come.

"Ah well," they shrugged. "That's a them problem."

"No." It came out a wheeze, barely audible through the villain's frozen lips. "[Hero], please, what-"

"This," the supervillain declared, throwing him down where the hero had been. "Is going to be so much fun. Traitor."

[verysmolnerd]

Dating post NWH Otto

Been wanting to do a hc collection of Otto related stuff if you’ve seen my previous headcanons. But they’re really not HCs as they are more story oriented. :p

First of all, dating him appeared to be off the table. In his mind at a least… Even thought he was no longer seen as an enemy of the public, there is so much suspicion that he’s still evil. Like all reformed criminals are.

Not to mention that since he’s a supervillain, he doesn’t get privacy from the daily bugle. Not to mention finding a job that’s willing to hire him. The robotic arms welded to his back and his criminal record is enough evidence of what his previous experiments did to him.

He can only work for Oscorp which also has a reputation of cranking out scientific orientated supervillains. He’s making a living, but the judgement of others becomes more prominent.

It’s hard to tell at some point. Which is harder? Reforming and reconvening into society or fighting off the actuators and Spider-Man at the same time.

He’s pitied by the public eye or alienated entirely. Nobody takes him seriously, even if he’s never killed a person, nor attempted to. He only wanted to finish his work under the influence of his own work.

Then along came you with a company merger when Oscorp was bought by a larger company.

You never interacted with him, you were in a different department and were far too busy to talk to any of the newer Oscorp employees, which includes a lot of the supervillains.

It’s not like you wanted to talk to them. They’re still people, not zoo animals like your colleagues assume they are. So the best way of showing respect in your eyes is to give them the space they needed. If they want to talk to you, then they’d find you.

However, neither of you expected to meet outside of work.

Of all places you’d meet…. a public library. Informal, tired, and bags under your eyes. It’s almost like a college love story, while one partner sacrifices their grades in order to help another graduate with honors.

He was holding a book by Neil deGrasse Tyson and you were holding a three pines book. (Honestly, you though he was Armand with the level of exhaustion you had)

You just stared at each other, Otto even dropped his book. He apologized and then you commented on the book.

So now you’re both sitting in a lounge talking about the type of books you had. Which buds into conversation.

There’s almost a relief in his eyes that you were holding a normal conversation, as if he’s a normal person. He felt seen and purely human only for a moment.

So it’s natural for him to gravitate to you. AKA you see him near your office during work. Whether he needed something, he’d get it from your side of the building just to see you.

You’ve caught him gazing at you from your door window. For a man with four additional arms and eyes, he seemed pretty blind sighted by you and would walk into a water cooler.

So he also starts messaging you via faxes or other mundane office supplies. You’re shocked that he’s using them to lure you into his clutches.

One fax you got was just his phone number. Like that’s anything subtle. Smooth one, Otto. There was also one just asking you out for dinner… you faxed him back.

“Ask me in person and then we’ll talk.” He read aloud. The fact that you’re going to play his silly games is promising on his end. The last person he’s done that to was.. well.. it’s best not to bring up the past… for now.

So when you have him ducking under your door to get in your office with a paper rose (that he folded himself) he’s nervous, and the actuators are giving that away very well. Other than that, he’s very good at hiding emotions.

And now you find yourself sitting across from him at a nice restaurant.

Now that the professionalism line has completely evaporated, you both open up. Otto seems to loosen quite a bit the longer you two were talking.

You ended up closing down the place, and the wait staff were kind enough to remind you that they need to leave.

Then, he ended up spending the night with you. Not wanting to part with you. And you are you to deny that. He intrigues you as you do him.

Then one thing led to another and now you both are sitting on the couch, sharing a bottle of wine.

He trusts you with information that no other human being could have ever known.

Of course he tells you about Rosie. He hesitated at first, but you were quick to reassure him that he could. It was therapeutic almost. To hear about the previous light in his life.

“Oh, you’d love her. She thinks outside of the box. And she always had riddles to tell, never the same ones. She was so smart.”

He’s more vulnerable around you! He trusts you with his life, even though he’s probably protect you more than you can him.

That being, you both move into an apartment and now you’re with him almost every waking moment.

His actuators do a lot of work for him that he doesn’t like doing. The menial tasks that are just awful to him.

He carries you to rooftops to get a view of New York or any other surprise date he’d come up with.

The actuators wrap around you to show his subconscious form of admiration. Sometimes the actuator claws would clamp on your body as a form of kisses or long hugs.

He loves to cook. He knows recipes and often makes the same dinners that Rosie would make him.

You know that woman is happy to see that he’s moved on, the shadows of his past are able to be forgiven.

You also pet his actuators and sometimes use them as an extension to his hands, so you hold hands with his actuators.

He also uses the arms to pick you up for a proper kiss. He’s super affectionate if you haven’t picked that up already.

He loves to read books to you. Sitting on his lap, snuggled up against him as he reads TS Eliot.

You wear his glasses sometimes, you have no idea how he can see. He’s blind pretty much.

He’s wearing his heart on his sleeve around you, and he loves with all his being.

Treat him nicely, he’s already lost someone before and he’ll go to wits end to make sure that doesn’t happen again.