#me who Needs this character to live and have a full life vs me who goes Apeshit for this specific kind of tragic lovers

[jcbs-posting]

the worst thing about realizing you have a great narrative opportunity to kill off one of your characters in a meaningful way is trying to argue w yourself about it and, through this, only making it more narratively interesting likeglkjdlfkjf

‘god, not them, anyone but them’ -> the weight of the meta emotional loss matches the stakes

‘but they’re connected to the people around them, they’re an essential part of the story and other characters’ -> the weight of the in universe loss matches the stakes, and enforces the themes of loss and the violence of systemic institutions and how losing one person effects all of us

‘they’ll leave behind someone who loves them’ -> and that person will fight for their memory now, won’t they? that will effectively set up act 3, won’t it? avenging your love (who did everything to save you, who gave it all up so you could still be breathing, and it isn’t fair, it isn’t fair that they fought for you and gave up their own life so you could stand here, alone) is often a more effective motivator than avenging yourself.

‘this isn’t supposed to be a tragedy’ -> bestie babe YOU are the person who put a dozen people in a government torture facility what the fuck do u think you’re writing

like girl help me ghlkjblkjsf

[zhongrin]

“no, i’m not jealous.”

— he is, most definitely, jealous.

◇ characters ◇ zhongli (ft. platonic!childe), al haitham, ayato, cyno

◇ tags ◇ fluff, crack, (character) is so totally not jealous, okay? okay.

◇ a/n ◇ i wrote this at like 2am don’t @/ me-

bad summary of content utc: 1) rip childe. 2) legends say you can foretell your future by the shape of al haitham's pecs. 3) ayato vs taroumarou; who wins? the result might surprise you. 4) cyno just wants some cuddles someone save him.

𝑚𝑎𝑠𝑡𝑒𝑟𝑙𝑖𝑠𝑡 ⬙ 𝑡𝑎𝑔𝑙𝑖𝑠𝑡

zhongli, jealous? ridiculous.

zhongli is unyielding and self-assured. he was a revered archon, for celestia’s sake; he knows he’s wanted, and even now as a mortal he’s not foreign to the longing looks, stuttered words, and the blushes that rise to his fellow mortals’ cheeks whenever he speaks to them.

and you - you want him just as much, if not more; yet you’re different than the others in the way that you’ve successfully managed to carve a perfect little home in his heart and chose to stay there, much to his delight.

you’ve promised him your heart and the entirety of your life. he’s promised you happiness and his eternal love. you’ve been bound by the most sacred contract of all, the proofs of your vows to each other clearly wrapped onto your ring fingers.

so really, what would such petty, shallow emotion like jealousy serve?

“wow, you’re really good with your hands!”

“i’m not sure if being able to use chopsticks is a good measurement of one’s proficiency with their hands, but... thanks?”

“isn’t it harder to-” childe pauses to speak when you offer him a bite of sweet-and-sour pork and rice, gratefully takes the food, and hums in appreciation before continuing his words, “-feed others with a chops-”

“chew and swallow first; you’ll choke.”

the harbinger obediently obeys, but not before chirping a playful “okay mom/dad!” with his mouth full. you sigh and turn towards your abnormally silent lover, finding him barely picking at his own food.

“li? why aren’t you eating?”

“hm? i was just… thinking.”

“thinking,” you repeat with a fond roll of your eyes and a teasing grin on your lips, “when are you not? well, i’m sure you haven’t forgotten how to use chopsticks, so i don’t need to feed you, right?”

your husband’s lips part, as if he wanted to say something, but right at the same moment, you notice childe trying to pick up his rice, failing miserably with his horrible chopsticks control. as if on autopilot, you used your utensils to pick up the grains from his bowl into his mouth.

zhongli’s words fizzle on his tongue. the way you fuss over the brunette fuels the rumbling growls of the slumbering dragon which has been sleeping for eons, slowly baring its fangs inside his chest. gloved fingers wrap around his teacup a tad too tight, but alas, you fail to notice your brooding husband's silent fury.

he knows it’s just your instinct, to care for others and to cater to other people’s happiness. it’s one of the traits he adores from you. if anything, it looks more like a parent-child(e) relationship rather than that of lovers - besides, no personage living in liyue would think of you as the snezhnayan's significant other. that, he is confident of.

but do you really have to hand-feed a grown-up man - a fatui harbinger who almost leveled your whole nation onto the seabed at that - who was most definitely capable of feeding himself, and with your chopsticks nonetheless- wait.

before you can bring the two sticks anywhere near the plates containing childe’s food, your husband's hand gently pushes your chopsticks away. upon the questioning arch of your eyebrows, he opts for a patient and calm-sounding tone, “darling, please. eat. you haven’t touched your food for far too long.”

he then replaced your set of utensils with his own; the movement so smooth and natural you didn’t even notice, before turning to childe and scooping the extra spicy vegetable stir fry towards the brunette.

childe’s blue eyes widen in half shock and half embarrassment, and you nearly choke on your food at the comical sight.

“um-”

“eat.”

“a-ah, miss xiangling, can i have a spoo-”

“eat.”

no, he most definitely isn’t jealous.

“-who’s my prettiest boy? yes you are!”

“… what in teyvat are you doing?”

you blink innocently at your boyfriend, who had just woken up judging from the way his coat is still missing from his person, and momentarily your eyes flit downwards to appreciate the way his muscles look in his tight black bodysuit.

hmmm. ah, yes. you can see it from the way his abs look today. it is going to be a good day.

“hey,” a condescending snap of his fingers right in front of your face, and you glare at the smug expression on al haitham's face, “eyes up here.”

“i wasn’t looking at your pecs.”

“i never said anything like that.”

“not your manboobs either.”

“for the hundredth time, i do not have manboobs. and for the second time, i never said nor implied anything even remotely close to that.”

“well, i would like to inform you that i was not.”

al haitham gives you a knowing smirk and you huff in embarrassment, choosing to ignore him by looking away and refocusing on the tiny sprout (the actual plant, not that little adorable sprout on the top of his head), smiling and going back to the higher, loving pitch you used previously.

“i’m sorry baby, ignore mr. narcissist over there. now. you’re growing up so well! i can’t wait to see you grow taller and see the beautiful blooms you make! i just know my little pogchamp will-”

“what in lord kusanali’s name are you doing?”

“shut your damn mo- ahem!” you sigh and throw a pointed look at the scribe, “i am conducting a research, mind you. kindly fu- i mean- kindly ignore me and go prepare for your day.”

“enlighten me, then. what kind of research involves baby-talking to a plant?”

you roll your eyes and turn to address him properly, “ugh, fine, if you’re soooo curious, i’ll tell you. so, i read a research journal that testified something along the line of ‘speaking positive words, such as encouragements and praises to a plant, will aid its growth and make them bloom faster’. i’m trying to test that theory. now - this is veveh. i am going to tell him he’s a good, beautiful boy every day and praise him and sing for him. that one,” you point towards the plant at the far opposite side of the room near the windows, “is hawky. i’m going to tell him he’s a bast- the opposite of what veveh is. and we have [nickname] in our bathroom, which will be the control group. i’m going to give them all an equal amount of sunlight and water, and i have a journal and a kamera to regularly record the state of the plants. i plan to monitor them at least three times a day, and-”

“and who named these stupid plants?”

you gasp, scandalized, and swiftly move to cover veveh as if you’re covering a child’s ears from harmful words. which, in this case, the image isn’t far from the truth in your eyes.

“hey!! what did i say?! watch your words!! and it was kaveh’s idea!”

“of course it was,” the scholar sighs, pinching the bridge of his nose, “are you not my significant other? surely you’re smart enough to notice the implications behind the names and the assignments of the roles. why would you agree to make the plant named after me the specific sample that would have to suffer from derogatory words?”

“…”

“…”

“…… wait, haitham, are you jealous?”

al haitham blinks and looks at you as if you’ve told him that you’ve replaced him as the akademiya’s scribe and he’s been exiled from the akademiya because his performance is unsatisfactory.

“i never said anything like that.”

“awww, would you like me to tell you you’re a good boy too? want me to tell you how pretty and lovely you are? how you’re doing suuuuch a good job at work? oh, sweetums-”

“i will be leaving now, you’re creeping me out.”

you giggle uncontrollably and lean closer to the tiny plant, snickering and lowering your voice into a whisper as you watch your beloved running away in embarrassment finally leaving you to your own devices, “hey, veveh. your dad is adorable, isn’t he?”

. . . ⚘ ⚘ ⚘

veveh ends up flourishing and its first flower bloomed way ahead of the two, therefore concluding your research on a high note. however, the morning after you submit your first draft of your thesis, you find the plant missing.

instead, in its place is hawky. you also find your boyfriend sitting right beside it, reading his advanced quantum theories book outloud.

yes, your boyfriend is truly very adorable indeed.

ayato loves dogs, he really does.

he also does not condone animal abuse, and that principle is currently the only thread that’s preventing him from pushing the animal away from your lap. your lap, which should have been his pillow. his much-needed, much-deserved, comfiest pillow on teyvat that could make him fall asleep in minutes and is the only reason he would skip work.

“oh, darling, i thought you were busy?” you ask in surprise upon seeing his form standing by the door.

“i needed a break, i was getting a little stressed,” he says, walking towards your side to sit on the cushion, hoping you’ll catch on to what he’s implying with both his words and actions.

your eyes are shining as you regard him, and his heart jumps-

“good job, i’m happy you’re not overworking yourself, love.”

“... why, thank you.”

you nod and glance down as taroumaru twitches and whines in his sleep, crooning softly at the adorable sight of the animal’s twitching legs.

“i wonder what he’s dreaming about,” you giggle softly.

ayato doesn’t understand how you can make him feel as if he’s falling in love with you all over again, yet at the same time, you make him want to punch the nearest wall in frustration.

with a tired sigh, he flops his head onto your shoulder it should have been your lap darn it and he nuzzles into the fabric of your kimono like a cat that’s seeking attention. the sweet soft laugh escapes your lips once more and he waits.

….

….

.... your hands are still petting the dog.

this is ridiculous, he thinks. the mutt is asleep; surely you would turn your attention to your poor fiancé, right? surely you wouldn’t be so heartless as to ignore him when he’s seeking you out like this? surely you would pity his overworked self and grant him some comfort even just a little-

“you really don’t have any meetings?”

“…. no, i don’t,” he hums casually and adds an exaggerated yawn.

“i think you need a nap, ayato.”

one of your hands finally rests upon his cheek and caresses his skin lovingly. a content little smile stretches his lips, but it disappears when your touch retreats all too soon for his liking.

maybe he should consider having a ‘no pets allowed in kamisato estate’ rule.

the door suddenly slides open to reveal thoma, who took one good look at the two of you and being the ever so polite man that he is, immediately splutters an apology for interrupting what seemed to be an intimate, relaxing moment between lovers.

the yashiro commissioner seizes the chance.

“it's fine, thoma. you’re here to take taroumaru on a walk, yes?”

at the keyword, the canine’s ears flick and his beady eyes open.

“huh? no, i just-”

“wonderful! why don’t you take him on a long walk, i’d say he’s just itching for some exercise after napping for so long.”

“eh? um-” thoma freezes at the cold smile on the young master’s face and forces a laugh at your inquiring gaze, “-y-yeah! waka is completely right! c’mon boy, it’s time for your walk!”

with a happy bark, the dog leaps out from your lap and bounds towards the housekeeper, who gave the two of you a sheepish nod before sliding the door shut.

ayato hums in satisfaction and reclaims his throne. without him even needing to ask, your fingers settle onto his blue locks, blunt nails scratching his scalp. you bend down to place a loving peck on his forehead, your scent envelopes his senses, and he melts.

ah, the taste of victory is always sweet.

“just one more game!”

“but love-”

“just one more game, please please please please!”

cyno sighs, “you said the same thing three rounds ago.”

i’m tired, i want to cuddle you now, the general mahamatra tries to telepathically communicate right into your brain by staring at you with his soft and downturned vermillion eyes. alas, you are too focused on refining your tcg deck and testing it against the man and the legend himself.

“i swear this time it’ll really be the last!!”

being a rather new player that you are, you’re still clumsy in your actions and strategies, but he can sense you improving with every match you lost. the way you’re so passionate and fully throw yourself into the things you’re interested in never fails to bring a sense of pride into his heart, but seriously - even the most serious of men needs a cuddle every now and then. plus, you fit so well into his arms! can you blame him for being a little needy after a whole three hours of being denied any sort of affection despite the fact that you’re seated right across this stupid table??

you can’t and you shouldn't.

“you promise this will be the last round?”

“for today, yes!”

your boyfriend sighs and nods. yes, his need to cradle you in his arms is overwhelming. but when you look at him with eyes that shine brighter than the stars in the desert at night, how can he refuse? he’d give you a whole oasis if you asked for it. he can last just one more round of tcg.

... right?

cyno swears it has to be the longest match of his life.

you’re so cute when you’re thinking over your actions; eyes gazing upon your cards and his in contemplation as you mumble strategies under your breath. you’re so cute when you do a little cheer as the dice gods graced you with luck on your dice rolls. you’re so cute when you gasp in awe as he pulls a rather tricky maneuver that ruined your plans to attack his deck in this round.

archon kusanali give him strength, for you’re so cute and he wants a cuddle so badly.

“nooooooo,” you cry out in despair as he downs the last two of your characters at the same time with a well-timed elemental reaction, your body slumping against the table.

cyno can’t help but smile, although he does feel a bit bad from beating you yet again, so he decides to give you a little tip to hopefully cheer you up, “almost got me there. why don’t you try using a freeze team next time? you have the cards for it, and i think it'll suit your playstyle.”

at once, your head snaps up and you meet his gaze with determined eyes.

oh.

oh, he just dug a grave for himself didn’t he.

“[name]-”

“you’re right. let me- let me rebuild my deck, wait-”

“you promised-”

“i know, i know! just- fifteen minutes! give me fifteen minutes!!”

cyno wishes he could bang his head against the table, rattle his stupid brain and zip big mouth shut.

he just wants a cuddle.

why is it so hard to get a cuddle?

what’s a man gotta do these days for a cuddle??

cyno sees you staring at your character cards with your hand on your chin, clearly in deep thought. your boyfriend then opts to glare at his character cards, as if they were the ones who had stolen his cuddles, but a few seconds into that and he scoffs, looking away to the side as warmth rapidly bloomed across his cheeks.

seriously, what kind of man gets jealous of a card game?

but cuddles...

© zhongrin | 2023 ◆ no repost. reblogs much appreciated. feel free to reach out to submit suggestions, feedback, comments, or if you just want to talk!

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[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

[writers-potion]

Vampires, Werewolves, Zombies

They are human, but not quite. Although these entities are deeply embedded in the human psyche, they have not single definite form.

Here are some notes about these paranormal creatures of 'The Universal Unconscious', and ideas about how to tweak them.

Vampires

First stories about vampires as we know them appeared in the 18th C and developed in the early 19th C.

In 1819, a young English doctor wrote The Vampyre, featuring the character Lord Ruthven. An aristocratic fiend, immortal, seductive, and dangerous, he soon became popular.

It inspired Bram Stoker's novel Dracula. Count Dracula then became the archetype from whom most literary vampires evolved.

Sparkling vs. Traditional

Broadly, vampire would fall into 2 types:

Sparkling ones where vampires are more or less benevolent/heroic, less of a monster but a tormented human.

Traditional vampires who are creepy and dangerous.

It doesn't matter which of these you write!

Vampire Tropes

is 'undead' in a state between living and dead

drinks human blood

has an adverse or strange reaction to sunlight

sleeps in a coffin

needs to sleep on native soil, therefore carries some soil with him

remarkably handsome

seductive

pale

low body temperature

has two long retractable fangs

averse to garlic and silver

cannot bear the sight of a crucifix

suffers pain or injury when touched by holy water

cannot enter a home without being invited

can hypnotize humans

can impose his will on humans

not reflect in mirros

can fly

may be a loner or part of a hierarchical society

drains human's life force to replenish its own

immortal (almost)

superhuman strength

can be killed with a wooden stake through the heart

vampires are former humans, "turned" by a bite

when bitten by a vampire, a human weakens, dies, or becomes a vampire.

Werewolves

While wolves are the most common were-humans, humans turning into other animals are also popular.

Werewolf Tropes

normally lives as human, but turn into a wolf with certain triggers

the full moon is a common trigger

superhuman strength

possessive

loyal

dangerous

jealous

organized in hierarchical packs

may be able to change shape at will

lives an ordinary human life and keeps the turning a secret

can be killed with a silver bullet

a bite from a werewolf infects, and the bitten person becomes a werewolf.

immortal

Zombies

Through flesh-hungry undead have been a feature of ancient stories like the epic of Gilgamesh, the zombie as we know it today is rather modern, stemming from George A. Romero's 1968 film Night of the Living Dead.

The word "zombie" stems from the Haiti Vodun tradition, but was not applied widely to flesh-eating undead corpses until the second half of the 20th century.

Zombie Tropes

reanimated corposes

infected as a virus (often in a worldwide pandemic)

mindless, cannot be reasoned with

hunger for human flesh

appetite for brains

craving for salt

relentless, purpose-driven

retains some physical features and personality traits of the person they used to be

sickening smell of rotting flesh

body slowly rots, with parts dropping off

move in hordes

keeps living in this undead state despite injuries that cannot be survived.

besiege human dwellings.

─── ･ ｡ﾟ☆: *.☽ .* . ───

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[caligvlasaqvarivm]

Is Eridan’s fake attempt for land dweller genocide just a manifestation of his guilt of orphaning all those trolls? He says he wants to kill them all so they will no longer have to deal the loss of losing their parent to some finned hipster asshole?

So Eridan's life pre-SGRUB is primarily concerned with one thing: it is his Duty as a violet-blood who is close to the Heiress to feed her lusus so that it doesn't throw a tantrum and Kill Everybody. It's a manifestation not of guilt, but of anxiety.

He describes the murder he commits in pursuit of this as "all i evver done practically," and we never see him participate in a hobby he enjoys - we learn he's a hipster because Karkat calls him one, he FLARPs to fill Gl'bgolyb's belly, and people have fought with me before, but I maintain that his "interest" in military history is also just a part of his posturing/something he reads like somebody would doomscroll, as it validates his anxiety, because he only ever talks about history twice, in the vaguest possible terms, and the first time, it's just part of him posturing at Kanaya, and the second time, he's literally just. Wrong? He's just incorrect?

CA: yeah go ahead and kiss us off but therell be blood on your hands CA: you could either play along as our auspistice and do a little mediating like you wwere fuckin hatched to CA: or wwatch she and me devvolvve into fuckin full fledged kismesisses the kind like you dont get once in ten thousand swweeps CA: you knoww thats wwhat it wwould be there wwould be rainboww rivvers runnin through star systems and all nebulizin like liquid firewworks CA: it wwill be beautiful and heartbreaking all at once CA: you should read up on your history instead of poring through that godawwfull sunny rubbish

CC: None of your plots to kill t)(e land dwellers ever work out, and every doomsday device you get your )(ands on turns out to be a piece of junk! CA: so CA: i got to keep tryin thats howw all the great military masterminds became great through upright persevverance

Like I just. Don't believe him when he says he's obsessed with military history when he doesn't seem to be able to name five specific battles, and thinks the main attribute a military leader needs to succeed is "persevverance". We know that Karkat's interest in romance is real because he brings it up more than twice and also starts infodumping about it to Vriska at one point, but Eridan only seems to mention it because he thinks he's supposed to care about it.

Which is pretty much, like, one of the biggest tensions in his character: how he feels he's supposed to act vs. how he actually feels about acting that way. He faces multiple pressures to be a certain person, which run counter to his actual feelings.

He has to be a murderer, because if he isn't one, then Gl'bgolyb will do a genocide on his entire species.

He has to be an unrepentant murderer, because they live in a horrible fascist murder-society where highbloods are supposed to kill lowbloods all the time for literally any reason.

He has to be the one getting his hands bloody because his ancestor, Dualscar, was also the Orphaner, and (especially highblood) trolls need to take up their ancestors' mantles.

He has to be rude and condescending to everybody else because that's how highbloods, and especially sea dwellers, have to act.

He cannot express compassion, sympathy, or pity, because sea dwellers and highbloods aren't supposed to act that way.

Magic has to be fake, because it's for shitty wigglers, and Eridan's not a wiggler anymore!

He has to be in a torrid pitch relationship because that was the most defining one Dualscar had, and he needs to complete Dualscar's unfinished business.

He has to be in a flushed relationship because Dualscar had an unrequited flushcrush on the empress, and he needs to complete Dualscar's unfinished business.

He has to hate the lowbloods because he's a highblood.

He has to hate the land dwellers because he's a sea dweller.

But wait! That's weird. He has to hate the land dwellers and lowbloods, but he's the one responsible for making sure they don't all die by keeping Gl'bgolyb full?

In truth, it would be all too easy to solve the land dweller problem once and for all. You'd just need to lighten up on the feeding schedule for a while. Maybe you'd be a little too busy to bother with that hassle for once? Or maybe you could happen to be off your game for a spell? It happens, even to the best sometimes. But nah. It would make her upset. More emotions. More problems. That's all you need.

And he has to be an unrepentant murderer even though he clearly feels more guilt for it than Feferi?

That should keep her happy for a while. And make a freshly orphaned troll somewhere pretty sad.

And you claim magic is fake idiot stuff for babies but you like it SOOOO much?

You also like MAGIC, even though you know it to be FAKE. Like a made up friend, the way wizards are. Made up make believe FAKEY FAKEY FAKES. It's still fun though.

So we can see that Eridan is basically being pulled two ways at all times.

On one hand, there's everything society says he needs to be: an unrepentant murderer, a military dictator, ruthless bloodthirsty sea-dwelling aristocracy, hater of all low bloods and land dwellers, Orphaner Dualscar's heir.

And on the other hand, there's the guy Eridan actually is: doesn't give a shit about the hemocaste, just wants friends and/or relationship partners, likes magic, like hipster stuff, kind of a tool, guilty and traumatized.

It doesn't help that the people he's surrounded by are the least likely to recognize his distress as distress - Feferi loooooves being a princess, Kanaya has never really voiced any strong opinions on the hemocaste because it largely doesn't concern her since she's a rare jade blood, and Vriska is doing a lot better than Eridan is at fitting the mold they were born into (not that she doesn't have problems, she's just doing better than Eridan, which is a low fucking bar). Even Karkat, because of his own hangups about being a mutant pariah, venerates the society he was born into, because he (wrongly) sees it as a means to gain validation so he can hate himself less. As a result, Eridan winds up with basically 0 support system, because pretty much every aspect of his life reinforces that the thing society says he should be is correct, and that there's something wrong with Eridan for being unable to meet that expectation.

Especially because, for at least all the "murderer" he's supposed to be, if he fails to meet that expectation, everybody dies. So it's not just that he's got a pushy lusus and a shitty society, like Vriska does, but that there's also the added weight that adhering to those expectations is literally, objectively, the correct thing to do, so long as he doesn't want literally everybody to die.

As a result, he's constantly trying to overcorrect his behavior and cognition to line up with what he thinks he's supposed to be. That's why he's constantly saying slurs even though he doesn't actually treat anybody differently for their caste. That's why he's constantly talking about murder and military history, even though he clearly doesn't enjoy doing either of those things. That's why he's always pushing this image of a big bad fascist wannabe, even though he actually wants to be a magic-slinging wizard.

The thing about genocide, for Eridan, is that he's already obsessed with genocide - the prevention of genocide. Keeping his species from being genocided is, without exaggeration, the most time-consuming pursuit in his life. BUT WAIT! He can't say, think, or believe that his actions are for the benefit of the land dwellers, because first of all, he feels kind of guilty about killing them, and second of all, because he's not allowed to express compassion to the people he's keeping safe. So between the stress, the cognitive dissonance, the anxiety, and the fact that Eridan doesn't really do a lot of introspection because he's so overwhelmed by emotion, his existing preoccupation with genocide is transmuted into something that's socially acceptable: "wanting all the land dwellers dead."

"[I]t would be all too easy." Indeed: if he ever slacks in his duties, they will all die. In fact, it's easier for him to let them die than to not. He clearly doesn't like doing all that killing, and it clearly makes him feel bad, and takes up a shitton of his time if nothing else, so it's probably occurred to him over, and over, and over, that maybe he should just... not! What if he just stopped.

Well, then everyone would die. Gl'bgolyb would raise her voice a little and it'd kill all the rust bloods, then the bronzes, the golds, the limes, the olives...

Wait! Is he feeling bad for them? He's not supposed to be feeling bad for the low bloods! Shit, shit, shit. Say a slur and then say something about how you WANT all the low bloods dead. PHEW. OKAY. SAFE. But that means you need to kill all the lowbloods. Because you said it, so it has to be true, and also, this is the way you're supposed to be. So, fuck, well, go commission a doomsday device. Okay, done. PHEW. It probably doesn't work, but nobody can say you didn't try! Hooray, you did it! You have performed a Sea Dweller Action! Oh it's time to go kill some people again. Damnit. Killing people sucks. It makes you feel bad, and it takes up so much of your time. What if you just didn't...

And we can see this with the way his lust for genocide is described. There's no mention of why he hates the land dwellers, no mention of how he believes society will improve with them gone, or even what they're doing that's so bad in the first place. He rambles at Feferi about "keeping the bloodlines pure" at one point, but this is clearly contradicted by him stating he wouldn't kill Kanaya, because what sort of friend would he be? (And the fact that he cares about Kanaya, Vriska, and the anon-blooded Karkat, who could be literally any blood color, at all!)

So yeah, like, the thing is, he doesn't want to kill them all. He even calls himself out for knowing his latest doomsday plot was a bust from the start:

You are almost starting not to care about this stupid doomsday device which probably won't even work. She probably KNOWS you know it won't work. She has probably put all the pieces together and knows it was an elaborate ruse to be in cahoots with her again.

And so does Feferi:

CC: None of your plots to kill t)(e land dwellers ever work out, and every doomsday device you get your )(ands on turns out to be a piece of junk! CA: so CA: i got to keep tryin thats howw all the great military masterminds became great through upright persevverance CC: I t)(ink deep down you stack t)(ese plots against you so you fail because you know it's wrong.

And here he is outright contradicting his stated goal of killing the land dwellers because, jegus, he'd never kill his friends:

CA: but somethin thatll kill all land dwwellers wwhat else wwould i be after GA: Can You Just For A Moment Entertain The Thoughts Of One Untouched By Megalomaniacal Derangement And Tell Me Why Id Want To Assist You With That CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be

And a reminder that one of his closest friends at this point in time is Karkat, whose blood color is currently anonymous to his friend group, meaning he could be literally any blood color and Eridan wouldn't want him dead:

CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro.

But Karkat also explicitly lumps himself in with the low bloods, so Eridan can't even use the excuse that Karkat might be nobility (but sea dwellers are still suppose to hate land dwelling nobility so that still wouldn't be a defense EVEN IF it was true):

CG: CHALK IT UP AS ANOTHER INFURIATING VICTORY FOR GUTTER BLOOD OVER ARISTOCRACY.

Because Eridan does not want to genocide the land dwellers. He's just anxious.

[catholic-character-tournament]

Round 5 - Catholic Character Tournament

Jason art credit @Reincao

Propaganda below ⬇️

Jason

Okay it's cannon but like in an alternative universe because Comics. I just think the fact DC made Known Murderer and Reblious Teen with Daddy Issues a Catholic priest in a different universe. Just. Casually.

Jason Todd is may or may not be Catholic in the main timeline of DC Comics, but I the Flashpoint storyline, my man is a priest! He was a drug addict, thief, and in the Blood Brother cult before dying, only to come back to life and decide to become a priest in the hellhole that is Gotham. In the main timeline, he comes back after dying and stuffs a duffel bags full of heads! The common trait before all Jason Todds is that they all have to be as dramatic as possible. Dying and coming back as the most unexpected thing. Unbelievable. I love this man.

Shadow

In sonic destruction (the AI generated fan thing snapcube made a while ago) shadow was catholic or something which I think is reallyyyyyyy funny

Ok listen. I know this is a stretch but hear me out. He says “oh my God” in the Twitter takeovers so we know this is a possibility. I see him as a Christ-like figure because I saw his whole confrontation with Mephiles and was like “this is a thing that happened in the Bible??” and the pose Mephiles shows him in is literally like a crucifixion and Mephiles is meant to be a demon / false prophet reference. And also he’s called a demon in Shadow The Hedgehog 2005 then the guy who calls him that is like “I was wrong I’m sorry” and that also reminds me of a thing with Jesus in The Bible. But the biggest reason is his whole thing with Maria cause I think he’d come to earth and hear Ave Maria once and convert to Catholicism idk he’s like we’re comforted by a female familial figure named Mary sometimes called Maria?? And her color is blue????? Heck yeah I’m in because I Will Cry. Also feel free to share this as propaganda obv even if he doesn’t get in the bracket just. It’s funny.

I feel like he’d battle a lot with being seen or portrayed as a demon and how the aliens he’s related to very much look and act like demons idk lmao- and also I feel like confession would just be good for him I think he needs it for his mental health

There is a debate on the lovely website tunblr that Shadow T. Hedgehog is an allegory for Jesus Christ.

He is Jesus, idk what to tell you. He lived, he was sealed away, he was awakened again and deemed the ultimate lifeforms, he’s angry but not evil, does what he believes is best for people and the world at any given time. Total loser.

[frozenjokes]

long list of mcyt ships and my dumbass opinions this post was getting too long and I have so much more to say

skizzpulse: needed to write about this because I don’t ship them at all but something is deeply weird about them in a way that is neither platonic or romantic. They have transcended human definitions of Relationship to me. No they’re not a QPR either. They’re weirder. Whatever you’re thinking they’re weirder. Do not separate. Attached at the hip.

etho: etho is in a realm of his own where I simply can not ship him. he’s not doing the romance. he’s not doing the qpr. he’s not doing shit. And it’s not because he can’t pull bitches; he is swagless and a loser in a way that brings ALL the boys to the yard (as opposed to Grian who is similar except he can’t pull anyone), he’s simply getting weird with it. He walks right past any sort of relationship into something deeper; resident sopping wet animal. aro/ace also but this isn’t nearly as relevant as the autism

cubscar/convex: favorite hermitcraft ship and it is not even close. It is NOT EVEN CLOSE. in the way scarian are both covered in lighter fluid and holding matches, convex are also doing that except it’s become a game of who can set the other on fire without being lit up themselves, and they’re both having the times of their lives (ends with both of them on fire every time without fail and it’s usually scar’s fault). they’re insane about it. the vex shit???? insane. their minds are beautiful and deeply wrong. I think they should kill each other.

solidaritimes: I will never forgive Scott smajor for separating scar and Jimmy in secret life he has no idea what he took from me. In a world where Jimmy is often the butt of the joke (by his own volition, I understand) the sheriff deputy thing was fucking beautiful. Sunshine and rainbows, love and support and adoration and everything good and healthy. A massive breath of fresh air and easily my favorite part of the hermitpires crossover. They mean everything to me. I’ve never seen such losers be so in love. Failgirl power.

redscape: another banger. These guys are GOOFY and I think Scar hits a magical combination of being Completely Exasperating vs Setting Off Mumbo’s Bullshit Radar which makes them bounce off each other in a lot of fun ways. They are versatile as a couple between banter and shenanigans and dedication, it���s a pairing I generally think of as very healthy and fun and if you also like all of these things don’t read my Boatem Ghosts AU because I make redscape awful and Mumbo pays the full price! Whoops! I love to think about them falling fast if I am writing them as romantically/sexually inclined characters, where Scar is frustrating but at the same time charming and silly in a way that draws Mumbo in. Mumbo on the other hand challenges Scar and chips away at his facade in ways he finds exciting. I like a Scar that wants to prove himself to Mumbo, win him over, where Mumbo is just lightly exasperated about the whole thing.

cleo/cub: probably the only pair on this list that I think are friends normal style. I just really adore normal style friends cleo and cub feuding about their museums so I had to tell you. I need to write them as friends more often. I love thinking about cub helping cleo fix up her stitches as well as other maintenance on their body. guys who nudity doesn’t matter to they’re both just chilling with their shirts off. special platonic dynamic to me.

ranchers: I don’t care about ranchers

moonrot: I don’t normally ship cleo and pearl in most of the smps or whatever. However. The specific dynamic they have in my boatem ghosts au makes me a little insane I really like them together. Pearl is a little bit deranged in her Wanting Revenge On Scar but ougghg that pirate scar’s hanging out with… she’s so cool… and then Cleo brings them to the ghost island and Pearl thinks she’s even cooler cleo is So Awesome ougghggh and then she gets worried because Scar is a Ultra Murderer TM so she’s quite protective over Cleo and doesn’t like Scar being around them AT ALL but her ass is dead so she’s not doing shit about it. The pining once Scar is out of the picture is Out Of Control. I should write a one shot about this.

ethubs: I think this is the only ship I can honestly say has ever been too weird for me. I think they’re deranged in a way that makes my skin crawl. I am deeply afraid of them. They’ve never kicked it normal style in their lives. I look at them and I don’t know what I’m seeing. It scares me. I respect this ship deeply and leave freshly slaughtered sacrifices at an altar once a week in a hope that will be enough for ethubs to leave me alone.

[istadris]

do you have any theories to what the plot for brothership will be?

I do!

So first of all, we know the plot will start in the Mushroom Kingdom while the brothers are living their life (and for Luigi that means getting in trouble)

Until a portal appears from their hand holding after Mario rescues Luigi.

Now, this is pure speculation based on the preview and a split second moment of the video, but I suspect that while Nintendo clearly doesn't want to rely too much on Illumination for inspiration, the movie might have inspired a scene in which Mario and Luigi try to hold on each other while going through the warp zone portal, but are separated, with Mario taking around his surroundings.

We know that the Shipshape will play a key role in the adventure: it's very likely it serves as the main hub, going from island to island and catapulting the Bros from its canon.

Since it seems to be the place where they meet their main allies (Connie and Snoutlet), it'll probably be their tutorial area : as such, I expect Mario to be temporarily separated from Luigi at first, so the player learns to control Mario alone, before he soon finds Luigi (and the player learns to control both brothers at once).

I don't expect an extremely convoluted plot, this is a Mario game after all. However, Mario & Luigi games are RPGs, which means a lot more dialogues and exploration than the mainline games. The M&L games also like to feature some twists here and there, and a rather clever writing despite their simplish stories.

So far, the bad guys seem to be the Extension Corps guys, the Gorumbla and that skull guy in a top hat, who seems in a position of power compared to the other three. Gorumbla seems to stand out in the theme compared to the others, so I expect he's more of a "you disturbed me in my nap and I'm ANGRY" boss than a real antagonist.

I expect a "Revolution" type of story : the electric-style habitants of the island live in harmony, until a group of jerks decide their way was the only one to follow and started bullying around the locals. Mario & Luigi get roped into the conflict as most of the habitants aren't fighters (and that by virtue of fighting back against bullies, they paint a big target on their back)

I also expect a bit of Technology vs Nature conflict, with the bad guys being all about technology over everything while the good guys are more nuanced and acknowledge the importance of nature in their life.

Top Hat Guy still puzzles me. What is his goal? He doesn't look like most of the electric-themed characters, what is his common goal with them?

Peach's appearance is very intriguing to me. Recently, Nintendo has given her more proactive roles (playable in the Rabbids RPGs, SMB Wonder, the main role in Showtime, an active role in the movie...) and I hope they keep with this trend of leaving behind her damsel in distress past.

The one time we see her in the trailer, she's with several local characters (all electric-coded, like Connie, Snoutlet and the Exension Corps) and Dorrie. A thing that stands out to me is that they all wear an orange piece of clothing, including Peach. It leads me to believe they're a crew or squad, and that Peach, once sucked into this place like the Bros, decided to stick with them while Mario and Luigi stuck on the Shipshape. Or maybe they're all part of the Shipshape crew, and rescued Peach (or the opposite). In any case, I expect Peach to have her own side of the adventure until she's needed with the Bros.

Is there a link with Connie's orange symbol on her hat? Although it looks more like a seed, to tie with her theme of tree-ship and growing plants.

Bowser is a full enigma so far. His moment in the trailer only shows him shooting at something, and the text on the website is ambivalent on whether he'll be a friend or a foe. I hope for the former, the Bros and Peach teaming up with Bowser against a common foe. But while the M&L games love to give Bowser depth and moments of allyship with our heroes (BIS, SS), they also insist on how Bowser is a bad guy after his own goals (DT, PiT).

And now for the places of the game they might visit :

First Island : with the red grass area to gently ease the player into a new place, the cliff providing the first environnemental challenges, and the first boss being a big brute with easy patterns to counter.

Obligatory Fire and/or Ice Island :

Flower/Nature Island, with one of the bosses being the monster plants

I'm running out of room for picture, but I suspect there will be a High Tech Island, with the big city (and probably one of the first confrontations with the main bad guys)

I don't know how accurate my predictions will be, we still don't have much; but this is how I see things going so far!

[honeycreammilkshake]

Reading your anons and your answers I think the problem with those fans is that they only accept a character if it's involved with satoru.

Like, apparently you are not allowed to like Sukuna anymore nor like both yuji and sukuna, but you were only allowed to like AND analyze Sukuna when he was fighting Satoru loool

I'm sorry but Sukuna is more than that, sukuna doesn't need THAT fight to be a character in his own, Sukuna also kept analyzing and having cool moments with other characters, just because your favorite character was dead doesn't mean other things stopped existing. This is one of those cases where fans keep thinking the manga is about some secondary character

hi, anon. thank you so much for this ask. i'm going to follow this up by making an unnecessarily long and ranty post nobody's going to bother to read, but i felt the overwhelming need to go in-depth for this anyways. apologies for the length of this.

to start off, i'm going to point out something that will probably get me a lot of hate or at least criticism from gojo fanatics, but i think it should be said for all those out there who keep twisting jkk to fit their own problematic concept of morals.

so we all know sukuna is the big bad of jjk. he's the main antagonist, the evil cannibal monster, a god of chaos and apathy and murder. i'm not here to argue against this, though. it's been clear from the beginning sukuna is a true villain in all of his actions and beliefs. however, we really need to look at the contexts behind how he became such a monster and consider if he's actually the most "evil" sorcerer/curse in the jujutsu world or not.

i'm going to address the underlying problem with the pro-gojo/anti-sukuna fans who twist the story to suit their own views first.

so gojo was born with a tremendous amount of power, so much that he's been branded the strongest jujutsu sorcerer of the modern age. he literally shifted the flow of cursed energy and from the start was set apart from others. it's truly terrifying how much power he has...

so it's a good thing he's a real sweet and caring guy, right?

if only.

gojo is irredeemably self-absorbed, unhealthily egotistical, obsessed with his own abilities, demeaning and insulting to others, brutal to his students and dismissive of their safety, and more than willing to commit mass murder.

when fighting with jogo, for example, he doesn't seem bothered at all by the massacre of innocent people during their battle, and is even willing to sacrifice bystanders all in the name of winning.

he's displayed this same kind of general apathy for the lives of others in his past as well.

in his past arc, it was geto who saved gojo from becoming an actual villain and instead managed to set gojo on the path of becoming the slightly less evil antihero he is today. however, after riko's death, the experience turned both of them on each other as they settled on opposite sides of "good vs evil."

without geto there to guide him, though, gojo would have easily lost his way and turned evil .... so where was a person like that for sukuna?

the jujutsu world is extremely heartless and obsessed with strength. the jujutsu higher-ups were willing to kill yuuji - an innocent teenager who just happened to become dangerously involved with the world of curses and the host of sukuna - as well as risk the health and safety of countless others, sorcerers and normal people alike. the whole jujutsu world is full of corruption and cold, cruel people.

but this is just in the modern world - during the golden age of jujutsu, in the heian era, conditions were even harsher and crueler than they are now. during this time, existence for regular people in japan was demanding, quality of life was very low, and so many died of sickness and starvation. the amount of curses that arose from all this suffering was immense and required the extreme powers of sorcerers to balance it out.

this is the context of sukuna's birth. he came into this world as a child of a starving mother and he himself would have starved if he didn't consume his twin in the womb.

during his conversation with kashimo, who asks if sukuna was born with that much power or if he gained it throughout his life, sukuna himself seems to not know. all he can say is... he was an unwanted wretch.

societal demands and religious fights back then would have led to an overwhelming stigma and dehumanization of anything that people feared or didn't understand... which probably means that sukuna, who was able to be born from the act of eating his own unborn twin, was seen as monstrous from the day of his birth on. and if he was indeed born with such strength and a body merged with that of his twin's, or at least the compacity to become that, he was also most likely villainized for his nature as well.

where gojo was more embraced and highly coveted by the jujutsu world, the world sukuna was born into most likely shunned him and led him to adapt the kind of mindset he has now.

sukuna sees strength as the only means of survival, rising above the cruelty shown to him to become the cruelest himself. this philosophy, which a lot of people at this time believed in - especially in the jujutsu world - shows us that sukuna probably saw his own really option to endure was to become a monster. those at the top are above all the weak feelings and suffering of the ones beneath, after all, or so he believes.

and it seems like so many of the strongest sorcerers still believe in that concept as well. both yorozu and gojo thought they could reach sukuna by challenging him, but in the end... only yuuji ever connected with the king of curses.

(yes i will fit sukuita in here... even if you don't ship them romantically, it's an undeniable fact that their relationship is much more complex than it seems and that yuuji does in fact care for the very monster he's supposed to destroy.)

when sukuna's dying in chapter 268, yuuji makes it clear that he's willing to serve the kind of caring, understanding role in sukuna's life that was most likely never given to him.

instead of dehumanizing sukuna, yuuji actually accepts that sukuna turned out to be the monster he is and says it was all a matter of chance how they became like this.

this a level of empathy, intimacy, and compassion that someone like gojo (and pretty much the vast majority of jjk characters) could never show. sukuna himself seems at a loss for words for this unbelievably caring treatment from yuuji - he's even surprised enough to use the brat's full name.

and i dislike that fans are starting to twist this interaction between them to make it fit their own views of sukuna and gojo.

look, i like gojo objectively. he's a fine enough character and serves an important role in jjk. i'm not against him or his fans, and i certainly don't want to hurt or make light of other people's feelings towards him. however, i do want to point something out that some fans should really know better. so many antis are against us sukuita shippers and/or sukuna fans and their main argument, over and over again, is how evil and monstrous sukuna is and that gojo is obviously better in every way. they claim that because gojo is on the side of good, it means sukuna is the worst in terms of morals (when villains like kenjaku are arguably just as terrible if not more so but dismissed so easily) we are delusional or wrong for sympathizing with sukuna.

so i would like to say to these people... please stop using these pallid, baseless arguments against us sukuna lovers because they're just so inaccurate and keep misunderstanding the whole story. it's more than okay to have your own headcanons and depictions of a fictional character, whether they're sukuna or gojo or any of the others - but do not force that depiction on others and do not force your interpretation of the source material on us just to appease your own opinions.

please be more respectful to others, please keep your own dislikes to yourself instead of lashing out at other fans you could instead just avoid, and please stop being so mean to gege. whether or not he makes gojo return should not be a reason to spread such hate about him. it's disrespectful towards both him and all writers who work so hard to make the content you treat so harshly.

thank you.

[thewillofdeez]

Talking to my husband about One Piece theories (as you do in a Healthy Adult Relationship ©). He said Mihawk vs Sengoku would be an interesting showdown. We've only seen the extent of Sengoku's powers once at Marineford, and that may or may not be the full picture. But that got me thinking.

Mihawk currently has no named attacks, whereas even the most powerful pirates we've seen have named attacks. The implications here are either 1) Mihawk simply DGAF about doing things the way others do (which tracks and I love that for him), or 2) all the Mihawk attacks we've seen thus far are such a teeny tiny fraction of his power that they're not even worth naming.

So let's say the second one is accurate. What level of power does Mihawk have to display in order for it to warrant a named attack? We've seen this bad bitch cut a damn ship in half but also scale his power low enough to cut Zoro without literally slicing him in two. The control he has over his power is insane.

We've seen what Zoro can do. We've watched him level up so far from when we met him. But we don't really see Mihawk in action very much. What displays of power we've seen are just a tiny fraction of what he's capable of because we simply haven't seen him have a real need to fully display his power. This is a guy who does just what he wants to do as much as possible, and only does anything else begrudgingly. We saw him at Baratie facing off against this 19 year old moron who thought he was ready to take on the World's Strongest Swordsman, and wasn't. We saw him at Marineford, but let's be honest, he had no reason to do more than the bare minimum. He doesn't care about the World Government, he probably doesn't care about the conflict between them and Whitebeard. He shows up, puts on a show, and peaces out so he can keep living his relatively quiet life. The World Government can say "you could have done more!" all they want, but at the end of the day, he did what he was required to do, and no more.

It's vital to Zoro's character not just that we see him defeat Mihawk, but that we fully understand how strong Mihawk is so that we can understand just how strong Zoro has to be to defeat him.

So, how can Oda do this? How can he possibly show how very strong this untouchable character is in a way where we can appreciate it before his inevitable downfall? Because I feel like if we see him give his first real attack in the middle of his final duel with Zoro, it's not gonna hit as hard. It'll be like "Oh, that was cool, aaaaaaaand he's dead now."

Mihawk not only needs but deserves a scene independent of his final fight with Zoro where he can truly show off what he can do. I want to see this man EXHAUSTED. I want to see something that completely takes it out of him, that shows us he's not untouchable, that it's possible to wear him down, that beneath his strength he's just a guy who gets tired and winded with the right amount of exertion just like the rest of us. Mihawk was one of the OG antagonists of One Piece, he deserves his own version of Galaxy Impact or Divine Departure.

Okay, so hear me out. Outside of his fight with Zoro, what could Mihawk possibly do to display the true extent of his power? What is a feat so massive that it would be exceptional for even a man of his power?

Perhaps it would be something that avenges a man who was (per SBS) betrayed by a Marine, an agent of the World Government. Something so impossible and insane it was only alluded to in a relatively minor character.

So....what if Oars the Continent-Puller created the Red Line 800-900 years ago, and Mihawk will become the Continent Destroyer by taking it down, destroying Marie Geoise and at least symbolically everything the World Government represents? And furthermore, what if he and Zoro do this together? We've seen them both cut enormous things..... combined, at their full power, what if they just slice a 10k meter wall that encircles the globe to bits? What if they create the All Blue?

This is a mishmash of various theories, but tbh..... I'm happy to give Oda an enormous amount of leeway. He's the artist here and I have my wants and hopes and ideas, but there is very little in One Piece that I think could truly and deeply disappoint me because things not going the way I want /= things are bad. I'm just along for the ride, ya know?

But this is a must-have. Oda has been setting this up for more than 20 years now. This rivalry between Mihawk and Zoro needs to be concluded in a way that does both characters justice. And this would be a pretty cool one.

[blond-jerk-tourney]

Strawberry Bracket: Bracket Finals

Propaganda from submitters Under Cut

Nanami Kiryuu

She's the mean girl of the show, and a pretty interesting take on the "bitchy vain school rival of the protagonist" trope. She spends most of her early screentime being a bully and most of her later screentime being both the biggest loser imaginable and deeply sad/troubled (which still does not erase how much of an asshole she can be). She even laughs like your stereotypical mean rich girl. Nanami has so many problems and sucks so so bad. I adore her.

Shes a psychotic bully who seeks to ruin the lives and reputations of any girl who gets more of her brothers attention than she does. Reasons Nanami Kiryuu deserves to win: - she has made many attempts at physical and psychological terrorism against Anthy Himemiya (including a plotted wardrobe malfunction at a crowded social gathering) simply for drawing more of her brother's attention than her - tried to fill Anthy's bedroom with wild animals (a snail, a snake, and a live octopus) to make her out to be a freak only to find that her room was already full of wild animals - she bankrolled an elementary schoolers crush on her to turn him into her personal boyservant - briefly non-personed a member of her bully entourage for sharing an umbrella with her brother - received a luxury cowbell due to a shipping error and smugly wore it to school for weeks flaunting it like high coture - when her bully entourage rebelled against her due to her brothers manipulation she brought them back in line by just straight up beating the shit out of all of them - all in all just a petty, goonish motherfucker (she also does the ohohohohoho anime girl laugh)

she's blond: despite being Japanese her hair is yellow, unlike her brother's. yellow is even her image color. she's a jerk: introduced as a jealous and dishonest scheming bully, she is one of the more outwardly antagonistic characters in a cast where pretty much everyone is a Real Piece Of Work she's the best: the quintessential ohoho-laughing ojou, her fully-realized character arc makes people both laugh and cry even her sidekick is a blond jerk! how many blond jerks have their own blond jerk sidekick?

i don't know what you've heard but she's NOT the kind of girl who lays eggs!

The token mean rich girl of the franchise. Does the classic "ohohoho" laugh. Doesn't like either of our main characters. She never actually seems to get her way, and secretly has a lot of her own problems. also she lays eggs and turns into a cow

Absolutely THE quintessential anime mean girl. I mean literally her laughing is THE meme for the hohohoho anime laugh. Needs attention So Badly and straight up bullies anyone she deems a threat to that (so basically Everyone). I haven’t finished RGU but apparently she duels with the intent to kill and drowned a kitten once because it was taking up too much of her brother’s attention? Also she’s 13 which explains a lot

Char Aznable

He's extremely blonde and he's a total asshole. he has had a gay thing with 2 people and tried to kill both of them. he makes a new identity and its arguably more blonde and more of an asshole. look up Quattro Bajeena

Snooty little motherfucker supreme. "I have never betrayed anyone in my life" says man who spent his whole career lying to people. He's in love with his rival and he won't admit it. He's my silly rabbit. He is the "I came here to laugh at you" guy

Char is an environmental terrorist who dropped space colonies of people living in space onto earth so people would leave earth for the earth to heal from human damage. He's a prince that should have been assassinated seducing the new prince while undercover to kill the family that killed his family. Anyway vote for Char. He stole the name Char from some other guy from space Texas who he caused the death of

Excuse me that's not char aznable that's quattro bajeena, why would you ever confuse the two :/

[aashi-heartfilia]

BnHA 392: Ochako gets stabbed. No she's not dying.

Yeah so what if she got stabbed? With stabby pants Toga around this was bound to happen.

Doesn't mean that she is gonna die!

And even if it looks serious, I don't think it will have a serious consequence or anything. She might as well get a cool scar like All Might at most.

And I don't even wanna talk about that grab scene on the next page. I think it's a mistake that will be corrected during the volume publish, remember how inking on Ochako and Toga wasn't on point either in the last chapter.

With Hori's declining health, I think it's a very likely case.

Anyways, we'll have to wait now for two weeks to see if our babygirl is all right or not.

Contrary to popular belief, I think she's fine. Great infact, because now she'll fight more seriously.

Remember how in her battle vs Bakugo during SF, when even her friends underestimated her and thought she needed help?

But she proved to everyone that she's more than capable of handling herself when the time calls for it?

And this is a battle she cannot afford to lose, we have lives on the line. Not just her fellow heroes but Toga herself is also in danger and Uravity is a hero who wants to see everyone smile.

I think this is bound to come sooner or later. Like what kind of hero Uravity will be?

Like Ingenium is a hero who guides lost children to their home, Uravity will find a way to save Toga and the entire battlefield that is dealing with Sad Man's Death Parade.

Now, it's more important than ever because we've seen that Pixie Bob is down for the count. She was the main person containing the clones but now that she is down and Toga has created multiple doppelgangers of our beloved heroes, everyone is at a risk of getting stabbed.

Since the last two chapters were about Toga, I think the next chapter will be about Ochako.

Personally I would love an Ochako Uraraka: Origins chapter and then a Rising Chapter following it!

This will be one of the biggest moments of the series where a character gets an Origin and a rising chapter simultaneously.

A chapter that shows us Ochako's life before she joined UA.

Just like Toga, we only had a glimpse of Ochako's past. Bonus material suggests that she used to sleep to save money and bear the heat in summers because her parents could not afford an AC. But that's not all.

Horikoshi has been hinting at this dynamic for a long time. So I feel like there has been something about Ochako that has been hidden from us, as readers.

It was always hidden in plain sight, just like how those postcards were a foreshadowing for Ochako getting stabbed in the stomach.

The author said that there is a scene between TOGACHAKO that he is itching to draw.

Personally I don't know what scene it is. It could be Toga stabbing Ochako in the recent chapter, or it could be something entirely different. We won't know for sure until this arc concludes.

As for this arc, I think this fated battle will last for at least 3-4 more chapters.

Everything is in complete chaos and it will take time to wrap this up. Even if a miracle were to happen, I don't see a direct solution to TOGA's Sad Man Parade unlike Dabi where Shouto just reaching on time was everything.

Not only Ochako will need to convince Toga to stop her Parade but also deal with the existing ones that are running rampant around the battlefield.

Also, can I just say how much I loved Ochako just casually flying over the entire parade?

Also her jet boosters are finally coming in handy!

Also I just loved how much control she has over gravity now. She literally pulled both Toga and Tsu out like it was nothing! Plus the Twice clones surrounding her!!

Toga using the blood from the battlefield totally caught me off-guard. She really is playing 5D chess now.

Guess, it goes to show you how smart she actually was up until now.

Ochako and Toga are two faces of a coin. Of course, they're both smart.

Plus I think Toga is still not using her full power, as the Curious vestige suggested. She's still hiding her true self.

And maybe that's the answer to everything. Ochako will try to appeal to whatever goodness is left of her.

Ochako knows that Quirks are nature and just like Toga, she's been hiding her true feelings all along. And I think the feeling that she's been hiding is envy.

She was jealous of how 'normal' everyone else is and how they get to express their love and she doesn't. It is not a form that society will accept.

But in the world of MHA, how do you even decide what is normal and what isn't?

Her parents literally denied her humanity.

I also loved what Tsuyu said here about Heroes following the rules. If killing was the only way, Ochako and the heroes were more than capable of doing that.

But it's not about killing or arresting her anymore but rather about confronting a little girl who has been rejected her entire life, even by her own parents.

It's about a young girl with a big dream who wants to see everyone smile and yes that includes Toga too.

It was never a story about killing people because violence leads to even more violence, it's about understanding and sympathy, care and compassion and this is how true heroes are born.

Cheers! Sunshine!

~Thanks for reading

[creatingblackcharacters]

So I follow another blog here on the site called writingwithcolor and I read one of their post about how person has a Indian character who has the title of Merlin.

They recommend not to write that story due to the history of Indian and England as well as Merlin being a mythology character from Arthurian legends.

It did got me thinking is it alright have Black and Brown characters having beings or titles that come from European mythology or history?

Take for example the Netflix show Queen Charlotte or Bridgerton

What was the full context of the question? People have names, I don't think a character of color named a white name like "Elizabeth" just for Elizabeth's sake is an issue. What was that person actually gonna write?

Now, I do understand the need for people to know their history. You should very well know the connection between the British Empire and the atrocities they committed worldwide, including in India. Same as I say for writing stories about Black characters here: even if your story has nothing to do with race overtly, people will perceive your characters differently (and you might even write them differently) based on their Blackness. You need to know just how people would perceive a Merlin of color vs a white Merlin, as well as what stereotypes to avoid. You need to treat it carefully.

Now, the "controversial" part, where many people disagree with me (and that's fine! 🙌🏾): I personally don't think it's that deep in the case of Merlin. I think if someone wants to write an Indian Merlin, or a Black Merlin, why not? We've all had certain European mythologies shoved down our throats as "the important/popular ones" forever. Why not make us the main characters, then, if we have to keep hearing these same stories over and over? If people of color like these myths, and y'all won't support us when we try to push our own into the popular consciousness... We just have to keep centering white people for the rest of our lives?

If anything, what I feel far more strongly against is the reverse. Putting white people in mythologies of cultures of color (e.g. Gods of Egypt). And that's because you could ask many a white person if they'd heard of the sword in the stone, but ask the same amount of them just how much Hindu mythology and/or Indian history they know. They probably don't know much! There's a purposeful racism behind whose mythologies and stories are deemed "Classics", and whose histories are taught.

As for Queen Charlotte (the only one I watched, the rest of Bridgerton doesn't appeal to me) in this, I see the actual issue, because these are historical figures. None of these people had to be named after real world people doing real world shit. Now I did enjoy the show, but that doesn't mean I can't criticize it! Charlotte didn't have to be the same Charlotte married to the real world George III (even though it was said she did have Black heritage). It wasn't necessary to put these people into the roles of major world colonizers for us to enjoy Black people in well done period costume. Same way I feel about the Pirate Show™. These characters could all be made up, in a made up world. Putting people of color in these roles where real people once stood (or having them date people of color) doesn't soften the things they did in actuality, especially if they were raving racists in real life. So I would never name an Indian character "Queen Victoria" because that's bonkers levels of racist.

That being said- I'm not Indian. So if there's further reason, I would go to them first before me. There may be more reason as to their no. But the topic itself, that's how I feel about it in general.

[lupincentral]

Have you heard the news?

Lupin III is diving into the world of live action once again, with Jigen Daisuke ‐ a spin-off film releasing “worldwide” on October 13th, 2023, exclusively on Amazon Prime Video!

Tetsuji Tamayama, who previously portrayed the character in the 2014 released feature film, will be returning to the role of Jigen.

Yoshimasa Akamatsu (BD ~Akechi Tantei Jimusho, Corpse Party: Book of Shadows) has produced the script for the film, and Hajime Hashimoto (The Detective Is in the Bar franchise, AIBOU: Tokyo Detective Duo, Shimauma, Signal) is directing.

In preparation for his reprising of the role, Tamayama states in an interview with Natalie that he has watched the Lupin the IIIRD spin-off film Jigen’s Gravestone, and hopes to bring this cooler, more mature version of the character to television screens come October.

Details on the plot are currently scarce - however, the Natalie article mentions that it involves Jigen searching Japan for the world’s greatest gunsmith, after his trusty combat magnum is in need of some TLC (and said gunsmith just happens to run a rather curious watch shop)…

More details on the film are to be revealed closer to its release date. For now, you can check out the films first trailer embedded below, and its announcement over at website Natalie.

After Lupin ZERO wrapping up at the end of last year, and VS. Cat’s Eye releasing in January, a live action Jigen spin-off is not where I expected TMS to go next with the Lupin franchise. It is, however, in my opinion, a welcome diversion from the norm.

I would be lying if I did not first meet the announcement with some scepticism, though, mostly due to the series’ less than stellar track record of live action adaptations (the amazing 2017 Inspector Zenigata spin-off drama aside). Taking a moment to think back, I quickly realised that while the live action film directed by Ryuhei Kitamura did not win the hearts of fans back in 2014, it did do one thing right - the casting.

Shun Oguri as Lupin III and Tadanobu Asano as Inspector Zenigata were big gets for the film, and both appeared to take their appearance throughout it seriously. Meisa Kuroki played a gorgeous, cunning Fujiko, with Go Ayano trying his best to bring the stoic samurai Goemon to life. It was Tetsuji Tamayama, however, that best looked the part. Fans on social media were swooning over his Jigen as soon as the character portraits were revealed, with some saying he was made for the role.

Despite issues with pacing and its overall narrative, all of the main cast members represented their anime / manga counterparts well, and if there is one positive to take away from that film, it would be their performances.

This gives me hope for Jigen Daisuke - with fresh writing staff and a keen new director to the franchise on board, with an actor we already know can do the character justice, both Amazon and TMS may be on to something special, here. Now slightly older and more experienced, I have full confidence Tamayama will exceed that of his already good performance as Jigen from 2014.

I’m looking forward to finding out how this comes together. Keep an eye out for a full review of the film come October, which I will aim to post up on lupincentral.com a few days after its release.

[theactualsunshinechild]

Fontaine archon storyline still has the opportunity to do the funniest thing ever and try to make Mr. "Genocide on a Whim" Childe a Christ figure by somehow trying to sacrifice him to the primordial sea for the sins of all of Fontaine

That's definitely not the plan, but it would be very funny. I love the concept of making completely un-christ-like characters into christ stand-ins.

I just keep thinking about how much opportunity they have to pull off something very biblical here with the whole "born with sin" "flood to cleanse sins" "literally building Noah's ark" "statue of the seven technically holding a cross" "passing final judgment only belongs to one entity" shit they have going on.

The entirety of Fontaine so far is so full of Christian references, whether intentional or not, that they could absolutely Christ-ify Childe if they wanted to! They're like, halfway there, they just need to sacrifice his ass and bring him back to life and they'll check off bingo.

I would be so grateful if they literally killed and revived him. can you imagine how much extra MC level Angst TM they could stuff into this man?

I love giving my most pathetic meow meows the hardest battles.

plus the added moral quandry of "is it right it to kill one guy to save our whole country even though he is not Fontanian and is blessed(???) by the primordial sea whale thing (pure of their inherent fontanian sin, kind of a son of god equivalent moment)? Is it right to do even if he isn't exactly a good person?"

And then of course the fact that the vast majority of the people affected by this decision would probably say yes, hesitantly or not. Like, if it were a guaranteed fix to the prophecy, there is no doubt in my mind that Arlecchino would be willing to nail Childe to the metaphorical cross herself AND cover it up to his family.

Neuvillette would probably consider it unjust, but could maybe potentially be swayed by the weight of just how many lives would be saved vs One Dangerous Criminal argument. (A Christ and Pontius Pilate reference? Childe WAS arrested and tried and found guilty for a crime he didn't commit by a guy who was unwilling, but forced to pronounce him guilty).

Wriothesley would be against the idea of sacrificing someone legally under his care, but if it's that vs everyone else in the fortress??? He would rather it was himself, as hell bent on fixing issues thrown his way as he is, but the man doesn't even know if he's Fontanian or not, he doesn't have the same circumstances surrounding him as Childe does to even offer to stand in his place.

Basically, if it is a guarantee, sacrificing him is simply the most practical choice that most people would make. In fact, out of all the characters we have in Fontaine, I think only the traveler might even bother truly standing up for him to the very end, because everyone else is very Personally affected, since it's their own lives on the line as well.

And that would be heartbreaking

The ANGST of Childe looking around him and seeing no one in his side in the face of impending sacrificial execution would shatter me into pieces.

Oh god, can you IMAGINE a cut scene of Childe being the first person to be sentenced to death in Fontaine in over a century and desperately looking around and meeting the traveller's eyes and we fucking grit our teeth and look away? Can you IMAGINE?!

That would break me.

Anyway, I don't think they'll do it since that's just not how Genshin writes, but it sure would be a missed opportunity.

[mcbride]

Daryl Dixon Rewatch S1E04 - La Dame de Fer

without a doubt the weakest ep of the season, it stars with Daryl having some sort of premonition dream, in which he sees Laurent surrounded by walkers passing right by him without even noticing he's there. all this supporting my theory the Nest people want to turn the kid into a walker so he can rise again as the new Messiah.

(exactly how i feel after the work week i just had!)

anyways more thoughts and ramblings after the jump...

Daryl strolling through Paris, listening to music, seeing old couple sharing precious time together while people watching through windows gives me the frenchest vibes ever. unfortunately, he cannot read a map to save his life.

i don't hate Genet, and i can even understand her pragmatism. i feel this will turn into a religion vs. science debate, in which both sides want to use to boy to "cure" humanity.

i will never ever forgive this show for killing Antoine the pigeon dude, who was legit one of the most likable characters in all of twdu with only a couple of mins of screentime. his dying wish was to free his pigeons. "The birds. Free. Let them free. The pigeons." - here we go, if he was the one making an analogy between Caryl and the pigeons always returning home to the one who waits for them in the last ep, this also seems an omen for caryl being set free of their responsibilities, trauma and guilt so they can finally fly freely together. and if so, then it's kinda poetic.

Daryl is usually a fighter not a hugger, but we need to care about his bonds with this random people, so Isa hugs him. how fun would it be if you were not left to wonder what will happen next. Daryl cares about people, it's just who he is. and guess what? he already knows where Laurent run off to.

"Paris kinda sucks." Daryl, YOU'RE GODDAMN RIGHT! but it makes up for it in beautiful cinematography.

oh look, now Isa knows how to kill walkers! poorly, but at least she ain't just acting like a deer in headlights.

the dude they take hostage is slut shaming the heck out of Isa, and Daryl be like *shrug* je ne comprends pas, bitch, but let me tell you a story about little Jimmy being forced to kill his piglet one day. the most random Christmas tale ever told, but despite Daryl saying he made up the whole story, i can't help but think it's his story. and that is heartbreaking!

ironically, Daryl who was wholly against torturing a whisperer back in s10, is now full on let's fuck this guy up for info right in front of a nun! of course, i can't help but think it makes total sense cause at the time, he was really just trying to protect Carol from that kind of violence when she was already on edge.

Isa needs to tell Daryl something, he be like NAH, i'm busy, i got a kid, your kid, to save, please schedule an appointment.

Sylvie is finding love for the first time ever, and she's wondering if Isa is harboring any romantic feelings for Daryl. he's the one, the messenger to deliver Laurent, so he is a means to an end. she already loved and lost a lot before the apocalypse. which probably means she is totally getting the feels for Daryl, she just doesn't know he's taken already. just wait till you meet his formidable wife!

Daryl learned some French already. he grunts "bon appétit," as he leaves piglet!dude to be eaten by walkers. SAVAGE!

Daryl fights Quinn, but let's him live cause he's Daryl - he wouldn't kill the kid's father right in front of him.

we have come full circle. Daryl returning a lost kid to his "mother" (*whisper yells* Sophia), and watches her make the ultimate sacrifice by going back to Quinn so she can give the kid a chance to leave the city. not before, she sorts of totally guilt trips him into taking Laurent to the nest. obviously, for some reason, Daryl is the only dude in the whole of France capable of taking the kid there. *rolls eyes loudly* remember, there's reasons everywhere. the universe keeps working to keep Daryl there, so Carol can find him (and together they will save Laurent - that's my theory!).

and it finally ends with Daryl looking at some Paris landmarks, and giving the most longing look at Lady Liberty. he is homesick!

see y'all next week for ep 5!!! it's gonna get interesting!

35 days left until the premiere of THE BOOK OF CAROL!!!!!