#not sure where the original photos are from

[rainbowsky]

Hey RBS.. Wishing you a wonderful week ahead. Do you think Globalfever fansite is being managed directly by someone from GG/DD’s team. Many a times I wonder how that site able to get tickets to all of our boys events and capture such close up candid shots of GGDD unless she is part of their inner circle?

Example today - https://weibo.com/7320958826/OydEkDN0w

not sure if it’s original or edited.. from that video it looks like XZ acknowledged her words of Jiayou and bye bye

Hi Natashayishan, thanks! I hope you're well, and that you have a wonderful week too! 😊

Here's the video for those who don't have access to Weibo.

To answer this question I'm going to start by explaining a bit of background about what I know about fansites and how they function (I'm by no means an expert, but here's what I do know).

Part 1 - Fansites in General

There has been a lot of talk about fansites over the years, and some have faced accusations, criticisms, confusion, suspicions, theories both positive and negative for a very long time. I think they're largely misunderstood by a lot of fans.

For example, it's not uncommon for people to believe fansites are stalkers, or that they shamelessly profit from the unauthorized use of a star's image or footage, or that they're organizations that exist for the purpose of exploiting stars.

This isn't really how it works at all. In general, a fansite is just one fan who follows a star's career and enjoys sharing photos and videos they take of that star. Plain and simple. Some fansites involve more than one person, but most are just made up of individuals.

Yes, they sometimes make money selling photo books and other merch, but that money tends to go back into supporting the star -buying endorsement products, arranging events and giveaways, buying or upgrading equipment needed to create fansite content (cameras, computer equipment, software), paying for tickets (many of which are overpriced reseller tickets) and travel/accommodations to attend events, etc.

It might seem glamorous - and there's undeniably a glamorous aspect to it - but to me it looks very stressful, like a huge headache. These fans generally have their own lives and careers outside of fandom, so coordinating everything, waiting in lines, standing in the rain outside appearances and events, not to mention the pressure to attend events and post regular updates, and all the haters and antis they are constantly dealing with, the amount of stress and frustration they deal with must be immense.

It's a lot of work, and for this reason, fansites don't always stay fansites. Some retire as their real life interests and obligations shift. One of my favorite GGDD fansites - Midnight Dream - retired a few years ago. 😢

Fansites are an important part of any celebrity's support system. While no - they aren't part of a celebrity's team or on their payroll, they do play a huge part in helping to bring attention to a star and build buzz around them, their projects, their appearances, events and other activities.

If you want an analogy that might help it make more sense to you, just look at some of the sports fans across the globe who will follow all the matches, follow team developments, team picks, managers and training, and share all that info on blogs, podcasts or dedicated sports fan sites.

This is very similar. They're just really dedicated fans who build a following by being where we can't be, and sharing their experiences so that we can feel like we were there, too.

And they provide the fans and the stars an immense, immeasurable service IMHO, despite what we might agree or disagree with about the way fandom culture works. The content they capture and share is almost always far more intimate (generally without being invasive), and of a far higher quality than that of the professionals hired to cover these events on behalf of media agencies and management.

Fansites do get some official support from time to time. For example, there are events where fansites can get approval - almost like a press pass or a security pass - to attend and be in certain locations within or near facilities to take photographs, video, etc., but they are not hired or compensated by the star or their team.

A lot of how everything works is also largely unknown/unknowable, so it's hard to be sure of the details. There are always going to be rumors and claims. For example, there have been claims that during SDOC Yibo was allowed to invite 4 fansites to come to the finale, and of the 4, he chose 3 BXG fansites and only one solo site. I haven't seen proof of that, but the claim was making the rounds a lot at the time.

One thing we do know - he chose a fansite photo to give to Yangkai when he was courting him to join his team in season 4. (Of course, solos made a huge stink and Youku ended up editing the footage to remove the photo, but we saw what we saw).

There are other examples of GG and DD interacting with or showing acceptance of their BXG fansites. I started looking for some references and then realized it was not something I have time for or interest in. I'm not here to give a comprehensive analysis anyway, I'm just here to give a simple-ish answer to your question. If others want to discuss that in the notes, that's fine.

So, hopefully some of that background info will have answered parts of your question, and gives you more tools to evaluate things on your own moving forward.

Part 2 - Global Fever

As for Global Fever specifically, well... Global Fever is one of the most treasured BXG in the entire fandom. This dedicated fan has been following GG and DD BOTH, since they debuted. She is more than just a CP fan, she's been a supporter of their individual careers since day 1.

Yes, since back when Yibo was still the White Peony.

She became a CP fan in the natural way - by seeing her faves work together on The Untamed, by watching them interact and by following them and their careers. No, she doesn't work for their teams (they both have dedicated teams of their own, and they don't need to pay fansites who - after all - will do this stuff for free). It's just that she's recognizable to GG and DD because she's been a fixture in their lives for so many years.

And this is something solos need to get their heads around: BXG are fans too. I think there's this conceit among solos that THEY'RE GG and DD's fans and BXG are something else, but in reality (and, no doubt, in the eyes of GG and DD) BXG are their fans too.

Never could that be more apparent than when a dedicated fan like Global Fever jiejie is calling 'Zhanzhan, jiayou!' and 'byebye!' as he's boarding an elevator on the way to the stage. Of course GG recognized her and smiled at her. Of course.

[chalamet-chalamet]

New/old from Venice (September 1, 2022) ✨

IG credit to yourboychalamet

[benoits-neckerchieves]

The random urge to put this in my phone case

[caterpillarinacave]

My drafts are a wild place

[mariocki]

Production stills from the 1981 Duchess Theatre staging of The Business of Murder, with original cast members Francis Matthews as Stone, George Sewell as Hallett and Lynette Davies as Dee.

[is-your-name-anronpa-cause-dang]

Back in primary school when I first got into danganronpa I also had an apple watch that I could put photos on and I downloaded a shit ton of danganronpa memes for my friends. Anyway imagine this short little kid running up to you like ‘hey, I wanna show you something’ and they shove their wrist in your face and you have to squint at this little screen to make out a blurry picture all to appease this child and all it contains is this

[gothoffspring]

hi simblr, it's my birthday today! virgo supremacy! I decided to share one of my favorite recolors i've ever made (finally!!!). I sticker-ed up the City Living keyboard and added some other fun swatches. There is a functional version for use with the City Living EP, and a non functional deco version for both the floor and the wall! More info + download below the cut!

DETAILS:

This is a recolor of the keyboard that came with City Living, and the deco mesh separated by @pixlmonster. Unfortunately this means CL is required, I'm sorry! I was hoping the deco versions would work without CL but they do not. Mesh by pixlmonster is included.

There are 19 swatches. The first 6 are the more unique sticker-ed swatches, and some of my personal favorites. Swatches 7-11 are more patterned recolors, and the last 8 swatches are from @pictureamoebae's fluoro-pop collection. Sometimes you just need a neon pink keyboard, y'know?

You can see an unedited in game photo of all swatches right here (part one, part two, part three)

Custom thumbnails for the first swatch.

You can download a merged .package with the functional + deco versions, and they also come separated if you'd prefer to pick and choose.

CREDIT:

Thank you to pixlmonster for the liberated keyboard mesh and pictureamoebae for the fluoro-pop collection palette!

I'll be super honest: It's been a year since I first initially started this project and I didn't do a great job recording where I got all of the stickers used. I apologize. Some of them were in game assets already, found via petaluhsims' sticker sheets. Some were found via google/freepik and some came from other places that I'm sure I'm forgetting. I made the parental advisory + seattle grunge stickers on the first swatch myself. Simlish fonts were found via franzillasims' font masterpost. Thanks so much to all of the original sticker/pattern creators, all credit goes to them. I just compiled a bunch of stuff together.

thanks to sam @m0ckest for testing <3

here's an ugly GIF of all the swatches! I tried so hard to make it look better but alas. I have completely forgotten the art of GIF making. I still wanted to include it so y'all could see all of the swatches somewhat easily!

DL:

MERGED: SFS / MF

INDIVIDUAL: SFS / MF

[seumyo]

BAKUGOU KATSUKI ✰ 5:48

Bakugou’s in his third year of high school when he finally invites you over to his house. The reason? To finish a calculus project.

You’d think that after surviving through the hardships of being a hero-in-training together for three years, saving each other’s lives (more often you were the one being saved than doing the saving, really), and whatnot, he would’ve invited you sooner to his home (one could dream).

But this was Bakugou, after all.

And he knew that something was off the moment he left you to share a conversation with his mom while he went to get his books from his room—the greatest mistake he could have ever done because by the time he’s making his way back, Bakugou could hear you snickering to yourself.

Not a good sign.

“I’m not going to lie; you looked hideous when you were a baby,” you say, reading through Bakugou’s baby album.

Bakugou froze. He had absolutely no idea why his mother would cave in and give you the godforsaken album from when he was young, but of course she would’ve agreed with your request to see it if you did so much as mention it.

He dropped the books he’d grabbed from on top of his desk on top of the living room table before whipping his attention towards you, an indignant scoff escaping through his nose before he took a few slow, but heavy stomps over to you—practically snatching the album from your grasp when he’s within reach.

“Stop looking through those stupid pictures.”

“Hey! I wasn’t finished,” you reply with a frown. “You’re lucky my phone’s battery just died, or else I would’ve taken a billion photos.”

Bakugou’s jaw clenched slightly as he grumbled curses under his breath, trying to flip through the album in his hands to make sure you hadn’t managed to sneak a photo out—a small sigh of relief rolling off of his tongue to find that, luckily, it was still how his parents had done it.

He shot a glare over towards you, stuffing the album back into its original spot on one of the bookshelves, his nose crinkling as he shoved his hands into his pockets.

“Don’t care; tell anyone what you saw, and you’ll drop dead,” he tells you.

“Oh, but how could I not? That photo album’s like hitting the jackpot—so many super ultra rare photocards of you,” you gushed, blatantly disregarding his usual threat. “Come on, I wanna see the rest!”

“Absolutely not.” 

Bakugou knew the damn photos were in the back of the album. There were probably a handful of the ones where he was in the bathtub, butt-naked—a common photo in most photo albums he’s seen, at least. Other photos include when he was three years old and wore an All Might onesie for his birthday, pictures of him during his school recital where he was the prince, him with a bald haircut, and so much more blackmail material. 

It was humiliating, for goodness sake! And he knew you’d just tease him mercilessly if you saw it.

You’ll never let him live it down, so it’s best to deprive you of it.

“Don’t come at me for saying this, but I was the cutest baby in our village back then,” you told him proudly. “Had the roundest cheeks and brightest smile, trust.”

Bakugou rolled his eyes, a huff of air forcing itself past his lips. That was one thing about you that he couldn’t stand; you were so full of yourself most of the time—you’d always been like that, and he absolutely loathed it. It could be that it reminds him of himself, so the competitive meter on his head just flares whenever he’s around you.

“I doubt you were even 1% of how adorable I was as a baby.”

“Have you seen me?” you gestured to your face with your hands to emphasize your facial features. 

“I’m still as cute even now. And no offense, Bakugou,” you giggled, “you looked like a wrinkly raisin on your first few days on this Earth.”

Bakugou’s smirk dropped. He’d almost forgotten that you had seen the stupid pictures already.

“Shut the hell up. It wasn’t that bad.” He muttered quietly, his hands balling into frustrated fists. His parents always assured him that he was a cute kid when he was small—but to hear that YOU of all people, are in disagreement with that is just aggravating.

“Fine, fine. Quits it is,” you hum. “Let’s do that calculus project so I can get home before sunset.”

Bakugou grumbled something inaudible under his breath, reluctantly nodding his head in agreement. There was no point in arguing about something so idiotic—after all, both of you were there to get a project done, not to sit around and bicker about his past.

He took a few steps over to the living room table before plopping down on the polished floor ungracefully, yanking out his notes before he gestured his hand over towards the free space next to him.

“Sit down. Let’s just get this thing done and over with already.”

Bakugou had already started working silently by the time you sat down; his hand was writing almost furiously as he copied equations onto his paper. He kept his attention focused on his notes, trying to stay quiet as he focused completely on completing the project.

He eventually stopped writing for a moment, turning his gaze over to glance at what you were doing before clicking his tongue at the sight. Bakugou could already see a few mistakes you’d made with your work.

“You’re doing it wrong,” he says.

“Wait, I’ve barely turned on the calculator, jeez.” You shook your head, solving the equation through your calculator.

“And that’s how I know you’re doing it wrong.” Bakugou huffed, shaking his own head in disappointment. 

“Formula first before adding 1.3.”

He pulled out a pen and began scribbling down on his own paper, glancing at yours every once in a while to compare the work. He knew from his experience that you were decent at math (he’d rather die than tell you that), but this was just pitiful even by your standards.

“Have you been dozing off during Ectoplasm’s class?”

“Ouch. Do you have a personal grudge against keeping the not-so-nice stuff from leaving your mouth?” you sigh. “You’re hurting my feelings— I’m devastated.”

He had a feeling you’d say something like that, and he was prepared to ignore your attempts at gaining sympathy from him.

“Unfortunately, you’ll fucking live,” Bakugou says, scribbling down the last of his work before turning it towards you. “And learn how to solve equations too, while you’re at it.”

“I know how to do it; calm down.” You huff, rewriting your solutions.

Bakugou raised a skeptical eyebrow, his head tilting with a hint of disbelief. Even if he knew you were capable of doing math, you had a bad habit of missing even the smallest details, like the operation to be used in your work, leading to the wrong answers.

His eyes scanned over the work you’d written on your paper before letting out a small huff. “Looks right. Are you done with your half?”

“Yep, yep. Are you going to write it down on our answer sheet, or should I do it?” you offered.

Bakugou glanced down at the answer sheet set to the side before picking it up and nodding. He was already holding a pen while you were still using a pencil, so it would make more sense for him to be the one to write it all down.

He began copying down the answers slowly and carefully, each number being written out with ease as his eyes flicked back and forth from the worksheet to the sheet of answers.

With him busy jotting down the answers, you occupied yourself with taking in the interior of his living room. It was beautiful, neat, and just screamed rich—not really what you expected (you really didn’t know what to expect, honestly). “Y’know,” you mention, glancing around. “You have a nice house.”

Bakugou hummed in acknowledgment, his eyes remaining focused on his task. It kind of took him by surprise to hear you say something out of the blue—about his house, no less. He’d fully expected you to talk about something else, like school or that new show you’ve been begging him to watch.

It went against what Bakugou had originally thought, which led him to look over at you from the corner of his eye, silently raising an eyebrow in a silent question.

“Yeah, I guess it’s a nice house,” he said casually, his pen continuing to move over the paper. His penmanship was neat, and Bakugou hears you in awe. 

Bakugou continued to finish writing down the last of the answers, his eyes narrowing slightly as he noticed you looking around his house. It was obvious what was happening, but he decided to ignore it in favor of just getting the godforsaken project done.

He finished soon enough, his pen rolling back with a click before he leaned back a little and let out a small huff. “We’re done. Finally.”

“Nice, nice.” Glancing at your watch, you concluded, “I should get home.”

Bakugou was silent, rolling his shoulders and neck before glancing out of the nearby window. The sun had already begun to set over the sky, the day quickly slipping away into the night.

“Yeah, whatever. You need me to walk you home or something?” He asks gruffly.

“Nah, I’m good. I need to say goodbye to your parents, too.”

Bakugou watched as you packed up all of your belongings, a scoff rolling off of his tongue. It felt almost weird to be civil with each other, neither of you having taken jabs or making snarky remarks to taunt one another. 

“Alright, fine,” he finally said, standing up from his seat and stuffing his hands into his pockets. “Let’s go find my parents then.”

He led you down the hall and into the kitchen area, his ears vaguely picking up the sounds of his mother and father talking amongst themselves about… something. He couldn’t tell what exactly, and frankly, he barely even cared.

“Mom, Dad.” He spoke up, capturing the attention of his parents. 

Mitsuki looked over at him, a smile spreading across her face. Masaru looked in the same direction, a warm smile forming on his face as well.

“Thank you for having me, Mr. and Mrs. Bakugou,” you said in gratitude. “I’ll be going home now before it gets too late.”

His parents shared a hum in acknowledgment, with his mother being the one to speak up first. She had a knowing grin on her face as she clasped her hands together, her eyes flickering over to her son.

“You’re welcome. You should come over more often,” Mitsuki said enthusiastically, her voice taking on a slightly smug tone.

Masaru laughed as he nodded in agreement. He gave a knowing look to his wife before he looked back over at you. “You should join us for dinner; we already made enough for you to join us.”

“I’d love to, sir, but my folks are waiting for me at home,” you answered sheepishly.

Bakugou noticed the glance his parents exchanged and immediately knew what they were thinking. He almost grumbled in frustration, already knowing that they’d ask him about you later after you left.

His mother spoke up once again, her smug grin growing wider. “You’re always welcome here,” she repeated, her eyes flickering over to her son as her voice came out teasing. “After all, Katsuki’s always in a ‘better’ mood when you’re around.”

“I wouldn’t doubt it, ma'am. I’m a joy to be around, after all,” you lightly joked, though you still maintained a respectful tone.

His parents were easier to get along with than you thought.

Bakugou’s eye twitched in annoyance at your words, almost making him want to quip back at your cocky behavior. However, it was the sound of his mother’s sudden laughter that stopped him from doing so.

Mitsuki mother put her hand up to her mouth briefly, her eyes crinkling at the corners as she continued to chuckle. The expression on her face was elated, and it was pissing him off even more, knowing what’s to come. 

“I like this one,” she said, grinning from ear to ear.

Masaru added, “And clearly, so does Ka—“

“All right! They need to get going to catch the shitty train.”

By the time Bakugou accompanied you to the door, he had this obvious scowl on his face. “You’re never comin’ back here again, dipshit.”

“Wha— no fair! Why am I getting banned from the Bakugou residence when this is my first time here?” you replied.

“Shut up,” he grunts. “I could do whatever the hell I want because it’s my house, too.”

“Too bad I have your Mom’s number—“

“Delete that.”

“Hey— wai— no way!”

It was not the last time you were ever invited to the Bakugou residence.

SEUMYO © 2024, PLEASE DO NOT REPOST, PLAGIARIZE, MODIFY OR TRANSLATE.

[chalamet-chalamet]

Timothée Chalamet with his mother in Los Angeles on August 4, 2024. ☀️☀️☀️

Twitter credit to chalametphotos

[umabloomer]

I got a job at a Ukrainian museum.

On the first day someone asks me if I have any Ukrainian heritage. I say I had ancestors from Odesa, but they were Jewish, so they weren’t considered Ukrainian, and they wouldn’t have considered themselves Ukrainian. My job is every day I go through boxes of Ukrainian textiles and I write a physical description, take measurements, take photographs, and upload everything into the database. I look up “Jewish” in the database and there is no result. 

Some objects have no context at all, some come with handwritten notes or related documents. I look at thick hand-spun, hand-woven linen heavy with embroidery. Embroidery they say can take a year or more. I think of someone dressed for a wedding in their best clothes they made with their own hands. Some shirts were donated with photographs of the original owners dressed in them, for a dance at the Ukrainian Labour Temple, in 1935. I handle the pieces carefully, looking at how they fit the men in the photos, and how they look almost a hundred years later packed in acid-free tissue. One of the men died a few years later, in the war. He was younger than I am now. The military archive has more photographs of him with his mother, his father, his fiancé. I take care in writing the catalogue entry, breathing in the history, getting tearful. 

I imagine people dressed in their best shirts at Easter, going around town in their best shirts burning the houses of Jews, in their best shirts, killing Jews. A shirt with dense embroidery all over the sleeves and chest has a note that says it is from Husiatyn. I look it up and find that it was largely a Jewish town, and Ukrainians lived in the outskirts. There is a fortress synagogue from the Renaissance period, now abandoned. 

When my partner Aaron visits I take him to an event at the museum where a man shows his collection of over fifty musical instruments from Ukraine, and he plays each one. Children are seated on the floor at the front. We’re standing in a corner, the room full of Ukrainians, very aware that we look like Jews, but not sure if anyone recognizes what that looks like anymore. Aaron gets emotional over a song played on the bandura. 

A note with a dress says it came from the Buchach region. I find a story of Jewish life in Buchach in the early twentieth century, preparing to flee as the Nazis take over. I cry over this.

I’m cataloguing a set of commemorative ribbons that were placed on the grave of a Ukrainian Nationalist leader, Yevhen Konovalets, after he was assassinated. The ribbons were collected and stored by another Nationalist, Andriy Melnyk, who took over leadership after Konovalets’ death. The ribbons are painted or embroidered with messages honouring the dead politician. I start to recognize the word for “leader”, the Cyrillic letters which make up the name of the colonel, the letters “OYH” which stand for Organization of Ukrainian Nationalists (OUN in English). The OUN played a big part in the Lviv pogroms in 1941, I learn. The Wikipedia article has a black and white image of a woman in her underwear, running in terror from a man and a young boy carrying a stick of wood. The woman’s face is dark, her nose may be bleeding. Her underwear is torn, her breast exposed. I’m measuring, photographing, recording the stains and loose threads in the banners that honour men who would have done this to me. 

Every day I can’t stop looking at my phone, looking up the news from Gaza, tapping through Instagram stories that show what the news won’t. Half my family won’t talk to the other half, after I share an article by a scholar of Holocaust and genocide studies, who says Israel is committing a genocide. My dad makes a comment that compares Gaza to the Warsaw Ghetto. This gets him in trouble. My aunt says I must have learned this antisemitism at university, but there is no excuse for my dad. 

This morning I see images from Israeli attacks in the West Bank, where they are not at war. There are naked bodies on the dusty ground. I’m not sure if they are alive. This is what I think of when I see the image from the Lviv pogrom. If what it means for Jews to be safe from oppression is to become the oppressor, I don’t want safety. I don’t want to speak about Jews as if we are one People, because I have so little in common with those in green uniforms and tanks. I am called a self-hating Jew but I think I am a self-reflecting Jew.

I don’t know how to articulate how it feels to be handling objects which remind me of Jewish traumas I inherited only from history classes and books. Textiles hold evidence of the bodies that made them and used them. I measure the waist of a skirt and notice that it is the same as my waist size. I think of clothing and textiles that were looted from Jewish homes during pogroms. I think of clothing and textiles that were looted from Palestinian homes during the ongoing Nakba. Clothes hold the shape of the body that once dressed in them. Sometimes there are tears, mends, stains. I am rummaging through personal belongings in my nitrile gloves. 

I am hands-on learning about the violence caused by Ukrainian Nationalism while more than nine thousand Palestinians have been killed by the State of Israel in three weeks, not to mention all those who have been killed in the last seventy-five years of occupation, in the name of the Jewish Nation, the Jewish People — me? If we (and I am hesitant to say “we”) learned anything from the centuries of being killed, it was how to kill. This should not have been the lesson learned. Zionism wants us to feel constantly like the victims, like we need to defend ourself, like violence is necessary, inevitable. I need community that believes in freedom for all, not just our own People. I need the half of my family who believes in this necessary “self-defence” to remember our history, and not just the one that ends happily ever after with the creation of the State of Israel. Genocide should not be this controversial. We should not be okay with this. 

Tomorrow I will go to work and keep cataloguing banners that honour the leader of an organization which led pogroms. I will keep checking the news, crying into my phone, coordinating with organizers about our next actions, grappling with how we can be a tiny part in ending this genocide that the world won’t acknowledge, out of guilt over the ones it ignored long ago. 

[hello-eden]

To Long Of A Wait

Tim hates being the one most well known for business on the civilian side.

Tim and Bruce are stuck at a dinner with Vladimir Masters. Tim has no idea who he's trying to impress; the sports team merch and Gothic Castle do not go well together. The two of them are there to find evidence of the money laundering and blackmail scheme that has all signs pointing to Masters.

The plan was originally for Bruce to keep him distracted and Tim to be able to search through the office but Vladimir Masters brought his heir with him. not much is known of his heir.

Daniel Nightingale is a 17-year-old transgender male who is Vladimir Masters' godson. He grew up in a small town with Amity Park That ended up going under lockdown because of some sort of sickness. 

Tim knows that the sickness is a cover story. It was some sort of Supernatural infestation but whether Daniel's parents were in the know or not he was sent away to live with his Godfather.

Daniel has been quite nice so far even if he looks very sick. Tim doesn't doubt that Vladimir is the one forcing him to go to this dinner.

Daniel waits only a few minutes after he is done before saying he is going to the bathroom. He is not even trying to conceal the fact he's trying to get as far as he can.

Tim waits 15 minutes before announcing he is going to the washroom too. Master's tries to offer for him to lead the way but Tim just says he remembers the tour and leaves.

—------------------------------------------

Tim turns into the hallway that has Vladimir Masters' work office. He's about to open the door when he hears the sound of throwing up. He waits there for a moment realizing that the bathroom Daniel is using is right beside the office. it is as far away from the dining room you can possibly go, which is probably why he used it. 

Tim hears the sound of washing hands and goes into the office. Behind him he locks the door and listens for Daniel to leave. He hears footsteps walk away.

Tim speeds quickly to the desk and looks over the files. He knows he doesn't have a lot of time especially if Daniel asks where he is. Tim doesn't find anything to concrete but he does find a couple of shady deals with an off branch of Cadmus and a few of the shader government departments. 

Tim takes a few photos and makes sure everything's in place before he walks out. He makes sure no one's in the hall and he walks back to the dining room. 

Tim goes on his phone making sure to hack into the security to corrupt the footage so that no one notices. they really should get better security Tim thinks before he hears talking. He hides behind the corner and hears is Daniel with who he assumes is a member of their staff. 

“I'm fine Trisha. it's just a little bit of morning sickness, I'm not dying” Tim can hear a little giggle at the end like they just told an inside joke

“ He shouldn't be making you go at all. You've had a very hard week." He hears a woman that he believes is Trisha start scolding Daniel.

 “It's not my first rodeo. I know what I'm doing. I have to last maybe another hour before I can get an excuse. I can last another hour.” Daniel tries to soothe Trisa.

 Tim is starting to think this is a whole lot more complicated

[captain-sirius-stark]

I want to see a fic where all of the Batkids end up in Gotham during the early Batman and Dick!Robin days and eventually end up in the cave with a much younger Batman and kid Dick. There is the disbelief and ensuing genetic test to confirm there really are two Dicks, but Bruce is still questioning who the others are.

One of the batkids says something like “We’re all your kids” and Dick replies “Well almost all of us”

Jason ribs at him “This before Bats actually adopted you? Still just a ward?”

Dick just stares at him confused “What?… You do know he never adopted me right??”

Jason glances over at Tim, not believing what was said, who looks up from his laptop and just slowly nods, intimately aware of the complexities of the early Batman and Robin situation.

And Jason gets Mad. Rips into Bruce for adopting the rest but never the first, for not hesitating with him but apparently never bothering with the one he’s called his brother all this time. He’s not even sure why he’s so angry about this but it rubs him really wrong. Dick is so confused by this sudden anger on his behalf, still having a rocky relationship with Jay on a good day. Though he would never show it, it gets to Bruce even though he’s still reeling from the idea that he will adopt these several children.

This could lead into a heartfelt conversation between Jason and Dick a la “How could you stand it when he adopted me?” “We talked about it a little when he first decided to do it. I asked him why he never adopted me. Sometimes his answer is enough for me; sometimes I want to punch him off a rooftop when I think about it… I hated it back then, the title ‘ward,’ that he accepted you like that after he threw me out, that he gave you my name, my suit… But I never hated you, not really.” Or to an introspective reevaluation of everything Jason ‘knows’ about Dick ‘Golden Boy’ Grayson-Wayne, the favorite son who was never even a son. There could also be some angsty interaction between big Dick and little Dick (I had to), trying not to reveal too much but also trying to prepare his younger self a little for the upheaval his life will go through when Bruce decides to take in another kid (and then another and another).

(Bonus points if somehow they get Damian in the original Robin suit and then never let him live it down. Maybe even the extra angst of Dick putting on the batsuit to fight a modern rogue in the past without debuting Nightwing early, taking Dami with him. Tim gets plenty of stalker like photos for blackmail purposes)

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[deadsetobsessions]

“DIDJA SEE THAT, DANNY?!” Tim, a scrawny eleven year old now, excitedly smacked Danny’s arm.

“Ow. Yes, yes I did.”

“Oh, gosh, I have to tell Jazz about this!!” The kid waved his arms about wildly, grinning from ear to ear.

“Jaso- I mean, Robin, smiled at me! And said he liked my t-shirt!! Oh my god, he likes literature puns, he even laughed! And then he punched the bad guy in the face! Look! I even saved the tooth!”

“Okayyy, nope!” Danny plucked the tooth and tossed it, ignoring Tim’s betrayed face. “I’ll trade you that for this.”

Danny Held out a piece of paper with Robin’s and Batman’s sigil on it, from when he asked them to sign it after they “saved” the two brothers from the two-bit thugs trying to mug them.

“Oh. My. God. This is like the best day of my life!! I love you, Danny! You’re the best brother ever!! Oh my god! I have to get Nightwing’s signature!!!”

Danny felt a rush of warmth at Tim’s proclamation of affection. Ah, he should probably step in.

“Hey, wait, no, we’re not going to Blüdhaven for you to stalk another vigilante.”

“It’s not just any old vigilante-!” Tim ignored Danny’s dramatic clutching-pearls gesture of mock hurt. “It’s Nightwing. The original Robin! He gave me my first ever hug!”

Danny paused. God dammit.

“…Fine.”

“YESSSSSS!!!!”

——

Danny-

“I’m gonna be Robin whether you want me to or not!”

-is so damn tired.

“Tim. I’m literally a vigilante ghost. What makes you think I’d be stupid enough to argue with a kid who runs around Gotham at night to take pictures of other vigilantes?”

Tim deflated. “Oh. Honestly, I thought you’d put up more of a fight…”

Jazz laughed and ruffled Tim’s hair. “I definitely couldn’t stop Danny when he went out. He trusted me to support him and I trusted him to come to me if he was injured, though. Can you promise me that, Tim?”

“Yeah… okay, Jazz, I promise.” Tim promised, even if he was still pouty.

Danny chimed in.

“Oh, don’t get me wrong, I’m totally worried and I’m gonna hover like a mother hen when you go out, but again, I know how stubborn and crazy we vigilante types have to be.” Danny paused. “Do you want me to put up a token protest?”

Tim nodded, sulking. “Yes, please. I had a speech planned out.”

Jazz and Danny exchanged amused glances.

“Oh, okay, my bad, kiddo. Here, let’s start from the top.”

“Okay. Ahem,” Tim straightened his back, settling into his previous mulish expression once more. “I’m gonna be Robin whether you want me to or not!”

Danny placed an appropriately disapproving frown on his face. “No, you can’t! It’s dangerous! You could get hurt! You’re just a child!”

Tim launched into his speech. “But I can’t stay still and do nothing when people are getting hurt! Even…!”

They were gonna be here for a while. There was definitely something about Batman going on a spiral because Jason wouldn’t be able to walk again after the Joker got to him. Danny wondered if ectoplasm could help. He might offer, if it actually had a change of getting Tim out of the vigilante business.

But that’s for later, because they had time. Jazz was on Spring Break… and they’re still staying here for free, after all of these years.

“So, how are you going to convince Robin to let you be Robin?” Jazz asked Tim.

Tim froze. “I… hadn’t thought of that yet.”

“Well, you could always remind him of the fact that we saved him from the Joker. He seemed pretty ready to leave the Robin mantle, the last time I saw him as Phantom.”

“I don’t want to blackmail him into it!” Tim whined.

“It’ll just be a suggestion, Tim.” Jazz smiled patiently.

“Besides,” Danny continued, smirking mischievously at his adopted little brother. “If you were actually blackmailing him, you’d pull out the photos where he ate dirt.”

“I guess that’s true…” Tim mumbled. “I know! I’ll have to follow them to see how I can best approach him!”

"I think that's called stalking," Jazz deadpanned.

"Well, it's not any worse than what he's already done." Danny shrugged at his older sister. "Sure, kid. Why not? Do whatever you want."

"I was planning to!" Tim bounced off to grab his photography gear. Jazz stared off after him.

"Should we be encouraging that?"

"More like can we actually stop him?" Danny leaned back, lazily completing his GED assignments. Jazz sighed.

"Guess not. Make sure he doesn't get in trouble."

"Do you even know how hard that is, Jazz?" Danny complained, dodging the whack Jazz sent at the back of his head. She smirked at him.

"Womp, womp, Danny. How does karma taste today?"

Danny flipped her off as he put the last punctuation on the paper. He heard a clatter and groaned.

“I’m gonna go watch Tim stalk Batman for the night. Want anything from the store?”

Jazz hummed. “Get me the specialty strawberry ice cream, from that one place?”

“The one that’s definitely a front for Falcone’s money laundering??”

“Yeah. They make good strawberry ice cream.”

“Sure.”

Danny went ghost and flew straight through the walls to catch Tim sneaking out by the scruff of his collar.

“No. Bad Tim.”

“Awww, come on Danny!”

[transmutationisms]

Art raffle for Mohammed: prints by @horreurscopes!

Alex (horreurscopes) is very generously offering these 8 gorgeous original prints to benefit Mohammed Iwais's gofundme campaign!

Mohammed @mohdiwais lives with his family in Gaza, where they have now endured 8 displacements since October 7. As of writing this (29 Aug.), his family has been separated in their most recent displacement, and half of them are sleeping on the streets. Mohammed is the provider for his siblings and their children, and his family also has injured and sick members. He wants to evacuate his most vulnerable family members as soon as possible; in the meantime, necessities like food and medicine are exorbitantly expensive in Gaza right now. verified by @/90-ghost and more details about the family here.

Raffle entries are 150 SEK (approx. $15 USD) each. You can enter as many times as you like, and the raffle will close at midnight PDT on 12 September (that's two weeks to enter!).

All of these prints can be shipped internationally.

To enter, submit proof of your donation (with date, amount, and campaign name visible) to this google form; if you have any issues you can email proof to transmutationisms@gmail.com instead.

Mohammed's Gofundme link; donate now!

More details and additional photos of the prints available under the cut:

The raffle will close at end of day (midnight PDT, UTC -7) on 12 September.

I will then randomly draw 8 winners, and you'll choose which print you want. Winners choose in the order I drew them, so not all winners will be able to choose from all three designs.

I'll contact winners by your method of choice (tumblr url or email address); make sure you respond within 48 hours, or you forfeit your win and I'll have to re-draw!

If you have any problems with the submission form, you can also email entries to transmutationisms@gmail.com. Make sure all donation receipts have the donation amount, date, and campaign name visible. You can email them as attachments or inline images.

Sizes vary by design, but each is a few inches larger than standard US letter size. Measurements are shown in the first set of photos :-)

Additional photos:

[purplealmonds]

This is my tribute to the late Technoblade. I'm well over a week late to the anniversary of his passing, but I think it was worth the wait. I wanted to get this right.

The story I want to tell is of time's passage after his passing, and the set dressing of this space is a symbolic amalgamation of various aspects of his life depicting that concept.

I have a lot more to say about this painting - three pages just for the symbolism alone. If you're interested, please let me know and I'll share my analysis on a separate post! Edit: I caved. Aight, prepare for a massive info dump below the cut!

DISCLAIMERS:

Although I put a lot of research into this piece, my knowledge is likely flawed and incomplete. If I missed or misinterpreted a reference, it’s because I’m new to the Technoblade community. If I got a symbolism thing wrong, it’s because I relied on Google search for answers. I fact checked where I could. And with this analysis, I hope I can clear up any misinterpretations! 

—

OVERVIEW:

There’s lots of imagery to unpack so I’ll try parsing it in a structured manner. Let’s first examine it holistically. 

The story I want to tell here is of time’s passage after Technoblade’s passing. As such,the set dressing of this space is a symbolic amalgamation of that concept.

Prominently featured are the various medical equipments - a nod to the grim reality of his cancer. But let’s not linger upon that aspect of his story.

Of equal importance are the more mundane objects - his gaming setup, the couch and pillow which Floof sat upon in that one photo, the plethora of paraphernalia of branded merchandise, and references to his exploits in Minecraft. These are relics and mementos of his legacy.

All of these elements intermingle in flooded, lushly overgrown room looking out to a rose-tinted exterior. Is it dawn? Dusk? I’ll leave that interpretation up to the viewers.  

The third and final component is the plant life representing his community -us. We beautify this metaphorical space with where it was once laden with tragedy. Yet, despite these riotous blooms, we never quite encroach on the bed - the empty space left behind by him.

—

SET DRESSING:

Much care was taken in selecting the blossoms and placing them in symbolically significant locations.  And this neatly transitions us into the analysis individual details.

Foreground: 

In the foreground, ivy crawls through a lamp and white clovers thrive atop a pile of pillboxes. The lamp base, once a shining bronze-like finish, is heavily tarnished. The lampshade is overgrown with moss and ivy. Even if the greenery has yet to damage the electric wiring, the damp surely has finished the job. Even if the bulb is replaced, the body is too far gone. The light’s never coming on again. 

I was initially put out that my painstakingly 3D modeled pillboxes became entirely obscured, but I think it works in favor of the piece’s overarching theme: the beautiful wilds overtaking a space that once reeked of the desperate fight to prolong life. 

White clover blossoms meaning “thinking of you” is paired with the ivy meaning “everlasting devotion”.  It’s an apt combination. It has been over a year since his passing, and we still remember and carry on his legacy. 

Nestled amongst the foliage is Techno’s compass. It was once used to hunt him down in the Dream SMP. But now, it’s an odd comfort. Even though he’s no longer with us, he’s still somewhere far, far away– or is he? The original idea was for the needle to point heavenwards, but it is currently pointing…sideways?  I’ll get to the reasoning a bit later. 

The Flood:

Moving deeper into the space, we hit the floodwaters. These once turbulent currents are now tranquil enough to nourish this verdant place. The thriving plant life hides much of this darkness. It is beautiful, hopeful, even. But always bittersweet, because everything that grows here is laced with an old sorrow.

White lotus rise from the murky depths. That is us, overcoming our grief. Breaching the surface, we gain a new vantage point to contemplate this loss. Perhaps we can also find a more comforting perspective of it.

Submerged amongst the blossoms is a rusted oxygen machine. I wanted to decorate the machine with stickers, much like one would personalize a plaster cast for a broken limb. It is deliberate that the “Technoblade Never Dies” sticker is in shadow, while the “So Long, Nerds" is in light. 

Immediately to the right was meant to be a box of assorted Technoblade apparel.  But then I flooded the space for narrative reasons, rendering that idea unusable. I eventually converted it into a Welch’s Fruit Snacks box, because apparently Technoblade liked them? It’s one of the shallower references here but it is what it is.

And finally, there is a little cameo floating somewhere in the waters. An Easter egg, if you will. I wonder if you can find it? 

Furnishings from Home:

I found the couch and Technoblade’s gaming setup during my trawl through the Technoblade Reddit page for reference photos. Balancing this space full of impersonal medical equipment with more personalized belongings is grounding. These areas insert familiarity in this strange environment.

Gaming Setup:

The gaming setup is bare bones - just the monitor, keyboard, and mouse. There was no space to add more iconic elements like his Blue Yeti microphone or the steering wheel from that Minecraft challenge. Hanging above but heavily obscured by overgrowth are two framed pictures of Technoblade’s cabin and a potato minion. It is a blink-and-you-miss-it detail, placed in a dim space and requiring close examining to notice. Without the context of the rest of this environment, it is easily mistaken as generic set dressing. 

That’s the point, though. This was a space where he streamed and created videos much beloved by his community. This space was the means of creation, not the creations themselves. Without the creator at the helm, this setup becomes insignificant. Does one dote over the easel on which paintings were created, or the paintings themselves? So now it sits in darkness, a footnote of Technoblade’s legacy. 

Nostalgia Corner:

On the other end, we have the sold out Youtooz plushies and the Agro Pig plush from the recent merch drop sat atop the couch.  If you look closely, you’ll see a Skeppy coin leaning against one of the plushies. Behind the couch is a shelf. A generic shelf, but the important bits here are the sellout bell, Youtube plaque, and vinyl figurines. 

This corner of the room is nostalgic and soft. Everything is bathed in rosy pink light, and it is filled with things that are comfortingly familiar. All across the world, people in his community have these pieces of merch to remember him by. 

The red poppies that also grow here have multiple meanings. It represents the battle - one against sarcoma - which was fought here. It symbolizes death, but also resilience in the face of grueling conditions. It is said that they grow in former battlefields where of fallen warriors. I believe of all the flowers here, this one best represents Technoblade.

The Hanging Mobile:

Strung up above it is a rather last minute addition to the environment - a hanging mobile fabricated from totems representing each member of the Sleepy Bois Inc. friend group. First and foremost is Technoblade’s iconic MCC crown, aptly placed at the top. Although it is untouched by the greenery, the gold and jewelry are somewhat muted and tarnished by time.

This is not the case for the objects below. TommyInnit’s music disc shines iridiscent green and purple - Cat and Mellohi merged into one. To is right is a sky-blue guitar pick with the LoveJoy logo engraved onto it for Wilbur Soot. And finally, below it all is Philza’s Friendship Emerald - sparkling and refracting light - with Elytra feathers fastened at the bottom. They, suspended and isolated from everything, maintain a pristine vibrancy which strongly contrasts against everything else in this space. 

IV Stand:

Next to the computer setup is the IV stand. It sustains life which is incapable of continuing on without intervention. The butterfly milkweed growing on it, in contrast, says “let me go.” The latter, overtaking the tangle of tubes and powered off patient monitor, is victorious. The hooks stand rusted, and the IV bag empty from disuse.

Sat atop the patient monitor but almost blending into the walls is a pig figurine featured in Dream’s latest music video. It stands on a high perch, yet is unassuming as to direct focus on Technoblade, or rather, his absence. 

Hanging from the wired basket is an air freshener tag. If you look on the official website, this is one of the only products which has what I can only call interesting flavor text. Most are merely descriptions and specs of the product. To quote it verbatim:

“Yes, this is a real product. And no, this ‘air freshener’ has no discernible fragrance. ‘Why’ you ask? Because Mr. Technodad and our team agreed this was exactly the sort of air freshener Alex would have found hilarious.”

As morbid as it sounds, I feel like this air freshener tag would not have existed before Technoblade’s passing. It is so unlike any other merchandise I’ve seen in any other branded merchandise store. It’s like an inside joke, secretly shared within the descriptions for the world to eventually discover. 

Window:

Unlit candles line the window sill - the aftermath of a candlelight vigil. It is a versatile symbol. It raises awareness of a disease or illness. It pays tribute the dead. Judging from the melted wax dribbling down the candle shafts and the wall below (the opacity was reduced so it looks less like bloodstains), this has been done many times over. But there is so much more candle to burn, representing the people still continuing this ceremony, albeit in the privacy of their own homes.

Above the candles are some broken blinds. When grieving, it would have been so easy for Mr. Technodad to hide away from the world in his grief. It’s understandable, to give into that primal urge to flee from prying eyes when he’s at his most vulnerable. He had the difficult task of reading out his son’s final farewell to us. This barrier between him and us dismantled by this gesture so we can remember Technoblade together. 

Coincidentally, the window frame itself somewhat resembles the kitchen window featured in Technoblade and Technodad's cooking videos. Completely unintentional on my end, but fitting in a way since in both those videos they're pulling back the metaphorical curtains for the audience to peer into a small aspect of their private lives.

To the right of the window is a nondescript clock, forever stopped at the 6:30 as a nod to the date when the "So Long, Nerds" video was published. The minute hand is accidentally left out removed to signify that time will no longer move forward for Technoblade. In contrast, the rest of the world - represented by this space - continues to grow and change around his absence.

A wind chime hangs just outside the window. It is said that the soothing sounds produced by them is a healing balm during tumultuous times. Where there is wind there is stirred up emotions, but it is motionless on this calm, breezeless day. A rare respite, where remembrance overrides grief. 

On a more amusing note, there is an interesting looking moth perched on the window glass. Upon closer inspection, the wing pattern may look somewhat familiar. In Chinese culture, when a huge moth visiting your home is the embodiment of your recently deceased loved one checking on you. Remember the compass in the foreground? Well, here’s why it is pointed sideways instead of upwards. This idea came up rather organically during a VC session in the R/Technoblade Discord server. My handful of viewers and myself affectionately dubbed this doofy looking moth TechnoMoff!

Venturing further beyond the windows, ferns grow with wild abandon. They represent eternal youth, and from a certain point of view, he will remain youthful forever at the age of 23. He lives on through us carrying on his legacy and spreading his story. 

Everything outside is tinged with pink. After someone dies, we start seeing them less as a person and more as a legacy. It is the natural course of things to start seeing the deceased through rose-tinted lenses - hence the artificially pink hue of the outside contrasting with the more grounded color palette of the inside. 

Bed:

And now we circle back to the centerpiece of this entire composition: the bed and the things that surround it. 

In front of the bed is an over-bed table with a single object: an incense bowl filled to the brim with burnt sticks of incense. A simple shrine for Technoblade. In Chinese culture, we light incense at the altar to honor our loved ones. We may live separate lives and not cross paths often, but we all come together to leave our marks through this ritual. It is proof that he is still very much loved and missed by us all.

The bariatric bed frame is typically seen in hospitals. It allows the patient to comfortably sit up or recline without expending valuable energy. Encased in this frame is something more personal - the mattress and cushions which Technoblade laid upon in his photo with the Youtube plaque. Their unique patterning is a foil for the impersonal receptacle it is caged in. It is spotlit by the window light, emphasizing its emptiness. Not a single blossom dares to encroach upon this space, because to do so would be to erase the space where Technoblade last resided. Like I mentioned before, this is story is about the space around him as much as it is about him. 

Cradling this bed frame are several flowers. Rosemary and forget-me-not’s for remembrance. Appropriate, given its proximity to the bed. Morning glories, for resilience. That’s us, again. For a while, we meander and spread in the upper walls of this space, avoiding the floodwaters which symbolize grief. But eventually, we gather the strength to meander down to the bed, where grief was the strongest.

—

CONCLUSION:

There is that cheesy quote from that one Marvel TV show – “What is grief, but love persevering?” While this reframes our perception of dealing with loss, grief is not some thing that should linger. The absence of grief does not equate to the lack of love. Instead, I would like you to consider this: remembrance is love persevering. And with our combined perseverance, Technoblade will never truly die.