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sp0o0kylights · 1 year

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Bullshit.

The word rings obnoxiously in Steve’s ears as he pushes his way out back, not wanting to be anymore of a talking piece at this party than he already was.

He’d just wanted Nancy to stop drinking, take a second, pace herself…

Steve swipes furiously at his eyes, and then curses when it nearly causes him to run into Chrissy Cunnginham, who’s perched in a chair tucked away from the patio door.

“Sorry, sorry.” He apologizes, trying not to sound like he’s upset, trying to keep his cool--only for her to look up and away, brushing off her own tears.

“Oh.” Steve says, a little laugh bubbling out of him. “You too huh?”

Thankfully she correctly interprets that he's not laughing at her, and adds her own giggle to the mix, the sound gentle even if pitched in upset.

"Boy problems?" Steve asks her, sinking down to the vacant chair on Chrissy's right.

She nods, clasping her hands together in her lap.

"Girl problems?" She asks back, and he grimaces a smile.

They sit for a minute, Steve pulling out a cigarette and offering it to her before lighting up. Chrissy shakes her head, and though her nose curls a little at the smoke she doesn’t say anything.

Neither of them do, staring at the few people bringing the party outside in the way only drunk teenagers can.

"Can I tell you something?" Chrissy says finally, as Steve continues to struggle to keep himself breathing evenly (and not spiraling. He still has to go back and try and escort Nancy home, and he needs to keep his temper when he does it.)

She licks her lips. "I keep trying to break up with Jason, but he won't let me."

It takes a second for the words to register, but when they do he leans himself towards chrissy in concern. “What do you mean, he won’t let you?”

“He’s not--it’s not…”She trails off, worrying her bottom lip with her teeth. “He talks me out of it is all.”

She’s downplaying it, and Steve’s concern grows tenfold. “Does he argue with you or just…tells you no or something?”

"It's complicated." Chrissy says, refusing to look at him. "He has this vision for me, for us."

Steve watches as she worries at a hangnail.

Feels the need to reach out and take her hand, but keeps his own hands to himself.

If Steve has learned anything, it's that not everyone wants to be touched as much as he does.

"He keeps telling me I'm just being anxious. That I should trust him, and I do, he just expects me to always do what he says? And more and more lately I--"

She huddles down into the little cat costume she's wearing, pulling the thin black sweater around her. "I want different things than he does."

Steve wonders vaguely if Nancy wants different things.

Or a different person entirely.

"That's not fair to you." Steve says, leaning forward and lowering his own voice. "He can't keep you in a relationship you don't want to be in."

A hard thing for him to say, after the bathroom conversation but this is different.

‘Please, let this be different.’ He thinks, before pushing the thought aside.

"He can't force you to do what he wants just because he wants it, or thinks its best. He should be listening to you and what you want too. Relationships are about…compromise right?” It’s what he’s heard anyway, though most of the time “compromise” means “letting the other person get what they want.”

Which is what he thought he’d been doing for Nancy all this time.

“I can help you if you want. Be your," Steve poorly mimes waving a pom pom. "cheer support."

Chrissy looks at him, eyes still wet. "You would?"

"Of course.” He says, before scooting just a smidgen closer. “Might have to ask you to return the favor though. Nancy said some things tonight and I could really use a second--”

A loud curse makes them both startle, interrupting Steve.

Together, they look around before another noise, like bark being scraped, draws both their attention to the large oak that stands in the backyard.”

"Is…is that Eddie Munson?" Chrissy asks.

"I think so."

Chrissy squints a little, as if not quite believing what she's seeing. "Is…he stuck in a tree?"

Steve finds himself staring in his own disbelief, hands moving to his hips as he watches Munsons wriggling, cursing form.

"I think so." He repeats with a shake of his head.

Eddie's foot slips off a branch, once, twice.

"Hey--" Steve calls out in warning, but unfortunately it comes too late.

The branch under his foot gives away with a startling crack! as another branch shreds Munson's jacket as his full weight caches on it.

"Oh!" Chrissy gasps, hand flying to her mouth as Eddie falls right onto his ass with a yelp.

"You good man?" Steve asks, rising from his chair, hesitant to go over but needing to make sure the idiot hasn't cracked his skull open.

Chrissy has no such qualms, popping up to run over to Munson.

"You're bleeding." She tells him worriedly, dropping to her knees to get a better look.

"Well shit." Munson says with a wonky grin. “I’m sorry.”

“What are you apologizing for?” Chrissy asks, as Steve’s newly honed babysitting instincts kick in and drive him to get up and look at Munson’s injury himself.

Chrissy carefully strokes the older teen’s hair out of his face, as Steve bends down to check his head and neck.

"You hurt anywhere?" He asks, spotting the scratch that had Chrissy worried.

It’s on his forehead--the guy must have knocked his face against the tree when he fell. Head injuries always bleed a ton but this one's well contained to a small scrape.

Probably not a concern, though Steve looks at his pupils anyways.

"Nah, I’m pine. I didn't mean to drop in on you guys.” He waves a hand behind him before dropping his voice to a dramatic whisper. “I knew I shouldn’t have trusted that tree, it was pretty shady.”

Steve, long trained by Dustin, narrows his eyes. "Are you making puns right now?"

"Maybe?" Munson hedges, looking delighted to have been called out.

“Uh huh.” Steve puts his hands back on his hips, straightening up from where he’d crouched down. “Your head okay? You remember your name and shit?”

“Edward Edwardian Munson, present and ready for duty!” He gives a mock salute, before dropping Chrissy a wink. “If the duty is drinking and playing games that is.”

“Your middle name cannot be Edwardian.” Chrissy laughs.

"It is!" He defends, at the same time Steve says,

“It's not "

“Oh?” Munson challenges, as if this entire situation isn’t ridiculous. “Then what is my middle name, Sir Steven?”

“No idea, but I know it’s not that.”

Munson blows a raspberry at him. “Well then, maybe you should mind your own beeswax."

"Like you were doing? Up in the tree right above us?" Steve banters back.

The playful look dies a little, Munson beginning the painful process of standing after one falls.

"For the record, I absolutely was not eavesdropping, you guys just happened to be under the tree I climbed and I was there first. " He says it rapidly, like he's used to being accused of such things, and is heading off as many problems as he can.

Steve just ignores it, opting instead to hold his hands out. One to Chrissy and one to Eddie.

Watches surprise cross the older teens face, even as he waits for Chrissy to get up before accepting Steve's hand.

"Why were you up a tree? The family dog run you up there?" Steve grunts as he pulls the metalhead up.

"Funny." Munson quipped sarcastically. "But no. I was up there for reasons."

'Reasons.' Steve mouths, and has to fight himself to keep from grinning.

"Even though I was there first, I did happen to hear some things." He looks at Chrissy, voice turning serious. "If you need any help getting things through Carver's thick skull I'd love to lend a hand."

"You would cheer for me too?"

"Oh absolutely. I'd make a far better cheerleader than Harrington here." He shoots a grin towards Steve to take the edge off the words, before doing a far more enthusiastic mimicry of the cheerleaders pom pom routine.

"But I know how much Carver hates the word no. If you break up with him and he gives you shit after, I'm happy to step in."

Steve hadn't actually thought about that yet, but given what he knew of Jason it makes sense.

He could easily see Chrissy worrying about Jason harassing her after the break up.

"Thank you. Both of you." She sniffs. "Eddie, are you sure you're okay?"

"Right as rain!" Munson gives a rather theatrical thumbs up. "I'll let you in on a family secret, we Munson's have rubber bones."

She gives him another giggle for his efforts, and even Steve can’t fully cover his

Munson, the ass, notices.

“Well call me the court jester, I got both the King and Queen to smile!” He cheers.

Steve rolls his eyes, but doesn't deny it.

"Chrissy!?" Someone barks, loud in the otherwise quiet backyard.

"Speak of the devil." Eddie drops his voice dramatically as Jason strides out of the house.

"I've been looking for you." He chides, two of his friends following close behind.

They're younger members of the basketball team, ones Steve's brain sluggishly attempts to remember.

"Are your knees dirty?" Jason asks Chrissy, disgust tinting his voice as he slowly looks from her to Munson next to her.

His eyes narrow, expression almost offronted.

"You heathen." Jason snarls, stepping forward with a fist clenched.

It was a move right of the sitcoms Steve swore he didn't watch, and it looked just as cheesy in real life as it did on screen.

"Calm down." Steve speaks up, hands going to his hips.

Jason's head jerks as he registers him, so focused on Munson that Steve slipped his notice entirely.

"Harrington?" He asks, as if Steve could be mistaken for anyone else here.

Steve gives him jazz hands in return.

"What are you doing out here?" Jason speaks only to Steve, whole body angling towards him like he's the only person who matters.

It's something Steve's dad does, if there's a businessman he considers to be an equal in the room. Zoning in on them, so he can subtly work in ways to make them feel inferior.

It's narcissism at its core (or so says his mother, when she's blitzed out on too many glasses of wine.)

"Talking to people." Steve deadpans. "If you're looking for beer, you walked past it."

Jason entire face pinches, like he just stepped in dog shit. "No one just talks to Munson."

It's a stupid thing to say, and whatever Hason was trying to imply with it wasn't appreciated.

"Well mark me as the first." Steve's hip cocks, voice frosting over.

Surprise washes across Munson's face, though he remains silent as Steve deals with Jason.

Probably a smart move, given how Jason seems to be eager for a fight.

"Whatever it is you're doing, you can leave Chrissy out of it." He says, and god his voice even sounds like Steve's dad.

"Chrissy," Steve says, with an eyebrow raise he knows looks judgemental, "can speak for herself."

He turns to face her, inviting her to the conversation, in the same way he'd always wished someone would invite his mother to speak against his father.

Watches as the cheerleader bites her lip, trying hard to hide the tears that have sprung to her eyes--but proves that she's stronger than Steve's mother ever was.

She steps forward, taking the opportunity offered to her with a steadying breath. "Jason--"

"You can explain it to me later." Her boyfriend waves her off, like she was a waitress offering water and not his partner.

Uncaring entirely that she's clearly upset.

That she wants to talk.

Munson has come to stand on Chrissy's other side, gone still in a way Steve's never seen him do.

It's downright weird for a guy who's normally always moving, and Steve knows it's defensive.

He's feeling a little defensive himself right now, though he doesn't want to particularly untangle why.

"Jason, listen to me." Chrissy tries again.

In his preffery vision, Steve spots a flash of familiar color. Turns his head automatically, seeking it out--and sees Jonathan hustling Nancy across the room.

The younger man is trying to balance Nancy while opening the front door, and for a second Steve almost beelines for them, except--

Except.

Nancy's whole body moves in what Steve intimately knows is an exhale, leaning her head in the crook of Jonathan's shoulder.

One arm wraps around his waist, as Jonathan finally gets the door open, and Steve watches with a stunned sort of horror as his girlfriend presses a kiss to Jonathan's shoulder.

It's fine.

He's fine.

Nancy was just--drunk. Seeking comfort. She didn't know what she was doing. She didn't mean it like that, she didn't--

"Oh shit Harrington." Jason drawls, a lazy sort of taunt. "I think Byers just stole your girlfriend."

Steve's head snaps back to him, the emotions he was attempting to box up flying to the front of his brain like dogs who slipped their leash.

"Never thought a priss like Nancy would be easy like that, but then, you never were the kind of guy to inspire loyalty." Jason continues, clearly ignoring his own girlfriend and all Steve can see is red.

Munson sucks air between his teeth next to him, nervously eyeing Steve while Chrissy's eyes have gone wide with shock and growing anger.

"Jason!" She admonishes, but he's not even looking towards her.

That too sharp smile is all for Steve.

He thinks of Nancy, the way she'd been so angry with him but so gentle with Jonathan.

He thinks of the monster he faced down in the Byers house, the terror that had shrank down to that same adrenaline soaked focus he had on the basketball court.

He thinks of this asshole Junior in front of him.

Making Chrissy cry just because she'd been kind enough to try to help Eddie, and accept Eddie's kindness in return when the weirdo tried to help her and Steve both.

Steve taps his foot, then switches his stance.

'Plant your feet.' Hargroves voice snarls in his memory and Steve wouldn't be surprised if the asshole abandons the keg long enough to come watch this.

Have his turn at heckling, just because he can.

Steve plants his feet anyway.

"You know what Carver?" He says, hands dropping from his hips.

Jason's face curves into a smile. "What?" He says, tone smarmy.

"You're full of shit."

Hand cocking back of its own accord, Steve puts every bit of himself into his punch.

Feels it reverberate up his arm as his knuckles connect to Jason's cheek.

It's going to hurt later, but right now all he can do is stand over Jason as the asshole's head snaps sideways, legs staggering him backwards until he's falling into his friends.

Chrissy gasps, Jason's boys chanting variations of 'Oh shit!'

Steve just glares him down.

The junior wipes his bloodied mouth, letting his friends push him up before shrugging them off.

"You're going to regret that." Jason snarls, and Steve squares up a second time, expecting to be rushed, when the sharp snickt! of a switchblade freezes them both.

"I think we're done here." Munson says, knife in hand.

The blade he holds is stained a deep, russet red. Crusty flakes fall off it, drifting gently down to the patio floor.

Jason's eyes boggle at it for a moment before he stands up straight.

"Now it makes sense. You're weak, Harrington, letting the Freak get his claws into you." Jason spits bloodstained saliva down at Eddie's feet. "No wonder Coach wants Billy as co-captain!"

Steve just scoffs.

"Chrissy!" Carver barks, making the poor girl jump. "Come here, we're leaving!"

Trembling, but stepping closer to Steve, she shakes her head.

"Chrissy." Jason orders again, and has the audacity to point to his feet, like a man commanding his dog.

"No." Chrissy says it quietly at first, voice a little shaky, before she seems to realize it.

She stands taller, repeats herself in a stronger voice. "No, Jason. We're done."

Jason stares at her, hard. "Chrissy, your mother told me to bring you home. So I'm going to take you home and get you away from this--demon and his lackey!"

It doesn't sound loving.

It sounds like a threat.

He steps forward, hand out to grab her arm and Steve tenses, shifting to step in front of Chrissy.

Eddie beats him there.

The word demon seems to awaken something in him, because his face is now grinning theatrically, voice dipping low in pitch.

"You heard her, Carver. She said no, and even I respect a lady's wish. So run along now," he walks two fingers in the air, from the hand not waving the knife around. "before I decide to make you and her both one of mine, just as I did Harrington!"

Jason actually crosses himself, before making one last attempt for Chrissy.

"That monster is dangerous. if you don't come with me, I'll have to alert your parents." He locks eyes with her. "For the good of your soul."

Steve snorts at that crock of shit, but Eddie lunges forward, slashing the knife in the air.

It's nowhere near Jason, but the guy leaps a foot back anyway.

"Begone!" Eddie booms, and that's all it takes for Jason and his cronies to huff and puff and stride away.

He keeps his arms in the air for a few beats more, before dropping them when it's clear Jason won't be back.

"So I'm yours, huh?" Steve drawls, as Eddie finally puts his hands down and turns to face them.

The guys scary face drops into something almost excited, and Steve can practically see the adrenaline crackling through him.

"Hey it worked. Carver's a religious nut, he goes running anytime you even hint at Satan." Eddie shrugs, grinning wildly. "Put on a little show and poof! Him and his flying monkeys melt away!"

He mimes melting and Steve stares at him for it, until he hears Chrissy laughing next to him.

Eddie grins at her and Steve is hit with the realization that it was for her benefit. To make her feel better about her psycho ex.

Something fond and familiar winds through his chest as the other boy bows.

He refuses to put a name to it.

"Did you paint your knife?" He asks instead, rubbing the hand he hit Jason with.

"What?" Eddie asks, startled out of his court jester act.

Steve nods to his hand holding the switchblade. "That's not blood, it's way too red."

"Ah." Eddie turns the grin back on, and this time it's for Steve. "Yeah, it's uh. Modeling paint. Not like Carver would know the difference."

Unspoken was the fact that he hadn't thought Steve would.

Prior to last year, he'd have been right.

Drunken cheering erupts into wild yells inside, breaking whatever spell the three of them were under.

Hargrove's voice is the loudest among them, and the dude is definitely wasted.

Steve has a feeling Hargrove also knows the difference between paint and blood, rendering Munson's knife trick useless if the dick tried to start something.

"Do you want a ride home, Chrissy?" He asks quietly.

"If it's not a bother." She says, wiping tears shed refused to let fall from her eyes.

Chrissy Cunningham was a lot stronger than people gave her credit for.

"Come on, Munson, I think it's time we all make our exit." Steve says, finding himself weirdly unwilling to leave the older teen behind.

Eddie could hold his own, but given how badly things were playing out Steve figured it was best if they all just called it a day.

"Yeah lemme just…" Munson puts his blade away, fumbling at his pockets for a moment before turning and snatching up a metal lunchbox.

"There! After you, my liege." He says, before opening the lunchbox to make it talk.

"My lady." He makes it say, pitching his voice high.

Chrissy breaks into giggles again and Steve rolls his eyes, but he claps his good hand on Eddie's shoulder as he walks past.

Eddie smiles at him, this one a bit softer than the others, eyes sparkling and Steve chooses not to read into that either.

The three of them walk together, Eddie splitting off to his van after Chrissy thanks him.

Part Two

#borked my computer trying to update the graphics card #have a thing #steven harrington #eddie munson #chrissy cunningham #this is part of an almost finished one shot #eventual #steve/eddie/chrissy #eddie is a dork #100% this oneshot focuses on how dorky his ass is #well that and putting two jocks back together after bad relationships and monster's details both their lives #i called it patchworks because its written to ne weaved through the shows plot and is mostly compliant until vecna #hurt/comfort #breakup

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crimeronan · 1 year

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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion #given that it is so much more thoughtful and clear than anything i'd think to write.#i did NOT mean to spend multiple hours on this but once i started writing i was like #oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective #anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions #i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try #polyamory #non-monogamy #ethical non-monogamy #writing #my writing #writing advice #relationships

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