#or writing questions

[misc-obeyme]

Hi hope u r doing well🫶 I was the anon who asked abt the expensive clothes 💗and yes that was it thank u so much. Idk if u had reblogged that post cus I remember seeing ur name with it so that’s y I kept thinking of u when I think of that post but thank you for pointing me to the right person 🫶💗 LUV YA and hope u have a good day

Ohh hello again, anon!

I'm glad I was able to find the right post for you!

I honestly don't remember reading the post, which is something I usually do before I reblog stuff. But who knows, I might have reblogged it and forgot lol! Either way, I'm more than happy to help with such questions!

I hope you have a lovely day as well!

[officialspec]

modern au but set in brisbane. is this anything

[spectralsleuth]

Reblog and put your rare pair in the tags/comments! I want to see the depths people will go to create, for the most random two characters in the most obscure media.

[spn2006]

the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it

[incognitopolls]

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[inky-duchess]

Fantasy Guide to Building A Culture

Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.

Hierarchy and Social Structures

Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:

How is a leader determined within the culture as a whole and the family unit?

Is the culture matriarchal? Patriarchal? Or does gender even matter?

How would one recognise the different ranks?

How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?

Can one move socially? If not, why? If so, how?

Traditions and Customs

Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.

How important is tradition?

What are some rituals your culture undertakes?

What are some traditional values in your world? Does it effect daily life?

Are there any traditions that determine one's status?

Values and Opinions

Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?

How important are these ethics and core values? Could somebody be ostracised for not living up to them?

What are some morals that clash with other cultures?

What does your culture precieved to be right? Or wrong?

What are some opinions that are considered to be taboo in your culture? Why?

Dress Code

For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.

Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?

Are there any rules around what people can wear?

What would be considered formal dress? Casual dress?

What would happen if somebody wore the wrong clothes to an event?

Language

Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.

Arts, Music and Craft

Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.

Food and Diet

The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.

What are some traditional dishes in your world?

What would be a basic diet for the common man?

What's considered a delicacy?

Is there a societal difference in diet? What are the factors that effect diet between classes?

Is there any influence from other cuisines? If not, why not? If so, to what extent?

What would a typical breakfast contain?

What meals are served during the day?

What's considered a comfort food or drink?

Are there any restrictions on who can eat what or when?

Are there any banned foods?

What stance does your world take on alcohol? Is it legal? Can anybody consume it?

Are there any dining customs? Are traditions?

Is there a difference in formal meals or casual meals? If so, what's involved?

Are there any gestures or actions unacceptable at the dinner table?

How are guests treated at meals? If they are given deference, how so?

[writers-potion]

how do you write a liar?

How to Write Liars Believably

Language

The motive of every goal is the make the lie seem plausible while taking blame off the speaker, so liars will often project what they say to a third party: "Katie said that..."

Referring to third parties as "they" rather than he or she

In the case of a deliberate lie prepped beforehand, there will be an overuse of specific names (rather than pronouns) as the speaker tries to get the details right.

Overuse of non-committal words like "something may have happened"

Masking or obscuring facts like "to the best of my knowledge" and “it is extremely unlikely," etc.

Avoiding answers to specific, pressing questions

Voice

There's isn't a set tone/speed/style of speaking, but your character's speech patten will differ from his normal one.

People tend to speak faster when they're nervous and are not used to lying.

Body Language

Covering their mouth

Constantly touching their nose

fidgeting, squirming or breaking eye contact

turning away, blinking faster, or clutching a comfort object like a cushion as they speak

nostril flaring, rapid shallow breathing or slow deep breaths, lip biting, contracting, sitting on your hands, or drumming your fingers. 

Highly-trained liars have mastered the art of compensation by freezing their bodies and looking at you straight in the eye.

Trained liars can also be experts in the art of looking relaxed. They sit back, put their feet up on the table and hands behind their head.

For deliberate lies, the character may even carefully control his body language, as though his is actually putting on a show

The Four Types of Liars

Deceitful: those who lie to others about facts

2. Delusional: those who lie to themselves about facts

3. Duplicitious: those who lie to others about their values

Lying about values can be even more corrosive to relationships than lying about facts. 

4. Demoralized: those who lie to themselves about their values

Additional Notes

Genuine smiles or laughs are hard to fake

Exaggerations of words (that would normally not be emphasized) or exaggerated body language

Many savvy detectives ask suspects to tell the story in reverse or non-linear fashion to expose a lie. They often ask unexpected, or seemingly irrelevant questions to throw suspects off track. 

[macrolit]

If you aren’t choosing 5, you need help. 

[wisteria-lodge]

So my problem with most ‘get to know your character’ questioneers is that they’re full of questions that just aren’t that important (what color eyes do they have) too hard to answer right away (what is their greatest fear) or are just impossible to answer (what is their favorite movie.)  Like no one has one single favorite movie. And even if they do the answer changes.

If I’m doing this exercise, I want 7-10 questions to get the character feeling real in my head. So I thought I’d share the ones that get me (and my students) good results: 

What is the character’s go-to drink order? (this one gets into how do they like to be publicly perceived, because there is always some level of theatricality to ordering drinks at a bar/resturant)

What is their grooming routine? (how do they treat themselves in private)

What was their most expensive purchase/where does their disposable income go? (Gets you thinking about socio-economic class, values, and how they spend their leisure time)

Do they have any scars or tattoos? (good way to get into literal backstory) 

What was the last time they cried, and under what circumstances? (Good way to get some *emotional* backstory in.) 

Are they an oldest, middle, youngest or only child? (This one might be a me thing, because I LOVE writing/reading about family dynamics, but knowing what kinds of things were ‘normal’ for them growing up is important.)

Describe the shoes they’re wearing. (This is a big catch all, gets into money, taste, practicality, level of wear, level of repair, literally what kind of shoes they require to live their life.)

Describe the place where they sleep. (ie what does their safe space look like. How much (or how little) care / decoration / personal touch goes into it.)

What is their favorite holiday? (How do they relate to their culture/outside world. Also fun is least favorite holiday.) 

What objects do they always carry around with them? (What do they need for their normal, day-to-day routine? What does ‘normal’ even look like for them.) 

[andicareaboutyou]

I have a question for the fanfic writers among you: How do you treat your work in progress when a very similar story is put out there? Do you go on writing - in the spirit that everything is unique in its own way - or do you abandon the piece - in the spirit of preventing 'superfluous' contributions?

Let's add a further wrench into the process by saying the recently published work by another author, so similar to your own, seems so much better written than your own (granted we are always our own worst critics). Where do you go with that?

Maybe this is a question for readers, too. Do you mind reading similar works/story lines?

[thatpunnyperson]

According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.

And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.

Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.

So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.

Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.

[3hks]

50 Questions For Your Characters

What motivates your character?

How does the public view them? (Doesn't have to be anything major, it could be classmates, friends, strangers in the park, etc.)

Is your character an optimist or pessimist?

Does your character care about their reputation and/or how others perceive them?

Is your character more of a family or friends person?

What, if anything, sticks out about their appearance?

Is your character good with kids?

What are some internal obstacles that your character has to overcome?

What emotion does your character feel most frequently?

If your character is an antagonist or something of the like, do they self-justify their actions? If so, how?

What events in their past helped shape and influence them into who they are today?

What are some of your character's pet peeves?

Who is the closest person to your character?

How did they become so close?

What habits does your character have?

What is your character's relationship with their family?

Overall, is there anything special or peculiar about your character compared to others in your story?

Who/what comforts your character?

Summarize your character's goals in one sentence.

Who's in the way of those goals?

What is your character's relationship with their emotions?

What regrets do they have, if any? (From any part of the story, not just exposition.)

If your character is at a loud, people-filled party, how would they act?

From childhood to their current age, how has your character changed?

What is the main setting of your story and how does it impact your character?

What are the top three most distinguishable personality traits of your character?

How does your character view themselves? (Expectations, intelligence, confidence, self-belief, etc.)

What emotion is the most unfamiliar to your character and how do they deal with it?

What are the three things that your character values most?

Is your character hiding something from other people, if so, what?

What genre of music does/would your character love?

How does your character view their past?

What are three positive traits that your character has?

What are three negative traits that your character has?

Imagine the ideal home for your character. Where would it be located? What type of housing would it be? Who/what would be there?

What are the things that make your character enter a full rage/cold mode? (Depends on their character.)

What does your character want to change about themselves?

Someone your character dislikes goes up to them and confesses. How does your character react? (Doesn't have to be a rejection.)

What does your character have yet to realize about themselves?

Is your character good at time-management and responsible?

What kind of clothes does your character wear?

What is one thing that your character dislikes about themselves? ("Nothing" is also a valid answer.)

What does your character see as the greatest injustice?

What does your character fear?

On a scale from 1-10, how intelligent is your character? (1 being incredibly stupid with almost no knowledge of the world, and 10 literally being Light Yagami. If you don't get it, that's on you lol; but it's basically having over 200 IQ.)

Does your character specialize or have remarkable talent in anything? If so, what is it?

In a group setting, what role would your character have? Leader, co-leader, follower, or outsider?

What event in your story altered your character the most?

In the end, what is your character grateful for?

Why did you choose to use this character to answer these questions? (I would love to see your answers!)

Happy writing~

3hks :)

[becca-e-barnes]

Bucky pinning you down so you can’t squirm and he’s just sitting inside you while he tortures your clit feeling you clench around him. He makes you cum over and over until he finally cums.

Overstimulation + super soldier stamina = …

- 🍯

Dear God, I know I just don't have it in me to behave during cock-warming. When it comes down to it, I genuinely have no patience at all 😵‍💫

"You..." Bucky begins, pressing you down onto the bed before gripping your ankles and forcing you to flip over onto your front. "Have a problem with control."

With your face turned away from him, you can't help but smile to yourself. No one has ever said it out loud but you know he's right.

Being in control is where you're most comfortable. No hands are safer than your own. Except maybe his. You know he won't fuck this up.

"And you..." He continues, gathering your wrists behind your back, holding them tightly with one hand. "Need to learn how it feels to have control taken from you. Do you understand?"

As soon as you begin to nod your head, you feel him start to tape around your wrists, holding them together behind your back. Once he's content they're secure, he sits on the edge of the bed, facing the mirror before he pulls you onto his lap.

"Legs spread over the top of mine." He orders and you do as you're told, not because you have to but because you want to.

You notice the way your cunt is already glistening in the mirror and you're almost embarrassed because he hasn't even touched you yet.

"Fuck, you're made for this." He groans, lining his cock up to your slick entrance and you wonder if he's holding his breath too while he slides into you, as deep as your bodies will allow.

You're obsessed with the sight in front of you; your own naked body, with your legs spread so far apart you can see how your cunt is stuffed full of him.

Being shorter though, your feet can't touch the ground like this. There's no way you'll get enough leverage to fuck yourself on him but as soon as you start to tell him that, he silences you with two thick fingers between your lips.

"I'm not letting you fuck me." His free hand roams over your body, squeezing your breasts, pinching your nipples and then settling between your spread thighs.

"I'm going to play with you. I'm going to see how much you can take. I'm going to work out exactly how you like your clit stroked and I'm going to do that until your legs are shaking and your body won't let you cum any more. Maybe then I'll fuck you but sweetheart, that will be hours from now." His breath is hot against the side of your face, his fingers slipping from your mouth to your waist while he starts to flick gently against your clit.

"I'm going to start slowly. I'm going to do everything I can to drag this out as long as possible. I can feel every clench and flutter of this pretty little cunt and I'm going to enjoy it until you're dripping over my balls." At this rate, it won't be long until you're dripping onto the carpet, never mind over him. You dreamed he'd want to take control like this but you never imagined the way your body would respond.

"And then, when you've cum more times than you can handle, I'm going to tell you that I love you while I fuck you like I don't."

Update: Part 2

[thebiggestfuckgiven]

i may or may not be planning a fic where one of the many subplots is that Jason (as Red Hood, but Danny already knows) is following/investigating Danny because he thinks Danny’s dangerous somehow. I won’t go into the details because it’s so much, but point is i have a silly little scene in my head wherein Danny goes out to work on a uni group project with Tim, and on their way to the cafe some asshole car hits a guy on a motorcycle. The Biker goes into a rage and starts cursing him out, takes off his helmet and lo and behold it’s Jason.

Mid-verbal fight with the asshole he catches sight of Tim (recording the whole thing and waving at Jason) and of Danny (potential danger he’s been investigating for nearly two weeks), and Jason gives the asshole a “this isn’t over” threat and dips. Then,

Tim, who noticed Danny’s reaction: You know that guy?

Danny: Oh, yeah, that’s my stalker. You?

Tim: Nemesis. I’m sorry he’s your what?

Bonus:

Tim texting Jason: are you stalking my classmate??

Jason: Mind your own business, Replacement.

Jason: Wait, did he tell you that?

Tim: yah

Jason: RH’s been investigating him. Why the FUCK does your “classmate” think it’s me?

Tim: dick is gonna love this. the great rh has a containment breach

Jason: DON’T YOU FUCKING DARE TELL HIM REPLACEMENT

Tim: LMAO fuck it we BALL

Jason: TIM

[gojoest]

“i don’t like it”, satoru growls.

he’s sitting next to you, legs crossed, the upper one bouncing nervously in sync with his finger tapping on his knee. the frown on his face is so serious and intense that you’re pretty sure if he relaxed his features a bit you could still see the line marks between his eyebrows from furrowing too hard.

“you don’t like what?”

“the way he looks at you”

“and how does he look at me?”

“dunno. . . like he owns you or something. it’s like the way i look at you. and i don’t like it”

the audacity, he thinks. to stare at you like that while he is sitting right next to you.

“satoru.. it’s just a cat”, you sigh and keep petting the little purring beastie on your lap.

[luxaofhesperides]

Soulmark AU + Sleeping Beauty ; requested by @candeartist422!

For the last few years, Duke’s been waiting for his soulmate to die.

It sounds cruel to say it that way. But the waiting is more painful, he thinks, than just mourning a lost love. It’s not like most people ever meet their soulmates anyways; his parents weren’t meant to be, but they still loved each other and had a life together. He wishes he could turn his focus away from his soulmate, but Duke is a romantic at heart and has always wanted to find the other half of his soul.

But since he was fourteen, his soulmark has dulled, fading in and out of color. What was once a vibrant blue crystal star, with eight points and a swirl of watercolor hues around it, dimmed more and more until Duke was sure he was watching his soulmate die slowly. 

His soulmate didn’t die then. Whoever they are got better, his soulmark gaining color, but it never went back to the way it was. For years after, Duke would check at the beginning and end of each day, keeping track of when it faded and when it regained its color. 

He thought his soulmate was sick. In and out of hospitals, fighting to stay alive.

And then it went nearly colorless. 

Duke doesn’t remember much about that day. He knows he woke up, brushed his teeth, the lifted up his shirt to check his soulmark in the mirror. The blue was almost completely gone, the star on his left hipbone nearly gray with how colorless it was. He started at it for a moment, shocked, and reality slid away from him as he retreated into the safety of his mind, fully dissociating. 

Bruce had found him when Duke didn’t show up for breakfast. He held him and offered quiet words of comfort that Duke couldn’t understand, but just having someone with him lessened the hurt of losing his soulmate. 

Seeing the color come back the next day, faint as it was, hurt even more.

A year later, Duke still can’t break the habit of checking his soulmark twice a day. It hasn’t changed at all, still faint and dim, but carrying just enough color to show that his soulmate was still alive. At the very least, they were still breathing, but his chance of ever meeting them is basically zero. Still, he can’t help but hope, wishing that he could meet them even once before they die and leave him forever. 

“Same as ever,” he murmurs to himself as he brushes his thumb against his soulmark. He’s terrified that he’s forgotten how beautiful the blue of it was when his soulmate was healthy. 

Duke doesn’t let himself think on it too much anymore. Though his thoughts often turn to his soulmate during quiet moments like these, the busy nature of Gotham is usually more than enough to pull his attention back to the here and now. There’s no use in obsessing over his soulmate anyways; they’re just going to die, sooner or later, and Duke knows he’ll never get to meet them. They’ll just be another empty space in his life, right next to his parents. 

“Come on, Thomas, focus,” he tells himself firmly, then gets dressed and heads down to the kitchen for breakfast.

The manor is quiet. It usually is in the mornings, with everyone from the night shift dead asleep and trying to get as much rest as they can before they have to start their day. Not that many of them stay in the manor these days; Duke and Damian are the only permanent residents at the moment, but Steph usually stays half with her mom and half in the manor during the summers when she’s home from college, and the others drop in whenever they feel like it. 

Bruce lives more in the Batcave than the manor, so he doesn’t really count. It’s also why Duke is surprised to see Bruce awake and dressed like a normal person, drinking coffee in the kitchen as if this is a normal occurrence. 

“Morning,” Duke offers.

“Good morning, Duke,” Bruce replies. “Sleep well?”

“Well enough. Alfred out or something?”

“He may have kicked me out of the Batcave to clean it up a bit,” Bruce answers tiredly. “Want me to make breakfast?”

Duke has heard the horror stories of Bruce’s attempts to make edible food in a kitchen. In the interest of not dealing with food poisoning, Duke shakes his head quickly and says, “Nah, it’s fine. I was kinda wanting to eat out for breakfast. Get out there as me, and not a mask, you know?”

“Mind if I join you? Alfred may forgive me for not sleeping if I willingly go outside.”

Duke laughs. “Sure man, as long as you pay.”

“I’ll drive, too.”

“What, don’t trust me behind a wheel?”

Bruce gives him a tired look, eyes dead and dull. “I have taught all my children how to drive. The day I willingly let them take the wheel when I am not actively dying is the day I’ve been replaced by a robot clone of myself who doesn’t know better yet.”

“That is… very specific. Is that a thing you usually worry about?”

“I’m Batman. I have to worry about everything.”

Yeah, that tracks. Duke wouldn’t be surprised if he has at least five contingency plans for that scenario, should it ever happen. “Well,” he says, “Right now, all you need to worry about is having your wallet and driving us down to The Foodie Nook. I’ve been craving their breakfast plates for ages.”

Bruce doesn’t object to his choice of restaurant and follows Duke down to the garage, grabbing a random set of keys and pointing it out to the many cars he owns. One near the front blinks its lights as it unlocks and Duke cheerfully tosses himself into the passenger seat as Bruce opens the garage door. 

The drive into Gotham is smooth. They don’t hit traffic until they reach the bridge that leads into the city proper, taking them away from the quiet of Bristol. The morning is busy, but not enough that Duke worries about being out as the Signal to help keep the peace. It’s a normal type of busy, one borne from people going about their lives, feeling safe enough to go out. 

The Foodie Nook is entirely local and very popular, so the parking lot is nearly full. But they expanded their space last year, which means he and Bruce don’t have to sit outside while they wait to grab a table. Bruce keeps conversation light and casual, well aware of the many listening ears around them, and it’s nice, feeling normal for once. 

Well, as normal as life can be with Bruce Wayne™. The server who comes to lead them to a table realizes who she’s talking to after she gets a proper look at them while holding open the door and promptly stutters over her words. 

“No need for any special treatment,” Bruce laughs lightly, “We’re just here for breakfast. Nothing special.”

“Of course,” she replies, cheeks red. “Um, right this way! We’ve got a table by the windows for you. Just two, yeah?”

“Yup! Just two. Thought this was a good day to spend some time with Duke. He’s a great kid, you know, I’m glad I was given the opportunity to foster him.”

The sunny, cheerful Bruce Wayne persona is so different from the usual Bruce he works with that it feels like he’s standing next to a stranger. But his words are sincere and warm his heart, filling up the gaps that his soulmate has left. 

“Here you are!” their server announces, showing them to their table. “I’ll be right back with some menus.” She’s gone in a rush, and other customers glance over before quickly averting their gaze. 

It’s one of the unspoken rules of Gotham: give the Waynes their privacy while they’re out in public. Questions and conversation are for public events only, but if they see a Wayne out and about during a normal day, everyone leaves them be unless spoken to first. Duke used to follow those rules as well when he was just another Gothamite. It’s strange being on the other side of that now that he’s in with the Waynes.

Duke barely has to look through the menu when it’s handed to him. The breakfast plates are his favorites and he gets one every single time he comes to The Foodie Nook; stacked full with breakfast foods from around the world. As a kid, he loved the Mexico Plate, but these days he’s craving either the Brazilian Plate or the Vietnamese Plate.  

He can’t decide on which one and thinks about tossing a coin to decide, but seeing how that’s Two Face’s whole thing, he decides to hold off and settle the matter with eenie-meenie-minnie-mo. 

He gets the Vietnamese Plate.

Bruce, on the other hand, reads through the entire menu like it’s a novel, then leans over and says rather loudly, “Duke, what’s a tort-illa.” 

The pain he feels hearing that is only worsened by the amusement in Bruce’s eyes. He’s doing it on purpose, playing up the Brucie act for the public so he can psychologically torment Duke. A few nearby customers choke back laughter, turning away to hide their smiles. 

Duke shakes his head and says, “Don’t worry about it. It’s just food. Don’t ask any more questions, I just want a peaceful breakfast.”

“Well then,” Bruce replies, “I suppose I know what to order now.”

As if she was summoned, their server reappears before them, cheeks still looking a little flushed. “Hi! Ready to order?”

She writes down their orders quickly, valiantly keeping a straight face at Bruce’s mispronunciation of tortilla, then heads off to deliver their orders to the kitchen. 

Rather than draw out a conversation with Brucie Wayne, Duke settles for playing a few idle games on his phone; his current favorite is one quiet cat cafe game where he directs cats into fulfilling cafe orders. 

Bruce, despite being out in his civilian identity, is working. He’s on his Batman phone, which looks the same as his other cell phones except this one has a bat symbol sticker just barely hiding a Superman sticker on the phone case. His brow is slightly furrowed as he reads whatever file he’s accessing from the Batcomputer. It’s a little worrying but it could be anything. Bruce makes the same expression when he reads one of Tim’s snarky comments getting quoted in the news.

But that’s not Duke’s problem! He’s here to enjoy his breakfast and it will take the end of the world itself to remove him from his seat before he’s done eating.

The game takes most of his attention until their food comes out, and by then Bruce has tucked away the smallest of his Batman mannerisms. They enjoy a normal, peaceful breakfast. Bruce ends it by asking their server if she has any debt that’s weighing her down, then giving her a tip that’s at least five thousand dollars above that. 

She does cry and Bruce hugs her. It’s very sweet. 

As soon as they get back into the car, his easy going smile drops and Duke knows some superhero nonsense is about to take over his day. 

“Duke,” Bruce starts, seriously, “I received a message from Zatanna.”

“Don’t drag this out,” Duke says, “Just give it to me straight. What terrible thing is about to happen to us?”

“It’s nothing too big. They just recently defeated a magical being who had been tearing apart secret government facilities in Illinois. He had both magic and a high tech weapon, which they confiscated and are delivering to me. The government agency he was fighting was suspiciously interested in the weapon, and based on their behaviors and newly revealed work, Zatanna made the decision to turn the weapon over to us so it doesn’t fall into the wrong hands.”

Bruce smoothly merges into traffic as he speaks, getting them onto the road back to the manor. There’s a look in his eyes that means he’s keeping a lot unsaid, and Duke knows without a doubt that whatever this government agency was doing is bad if Zatanna needs Batman to act as extra security. 

He’s not sure about her decision to trust the weapon to be safe in Gotham, either. Sure, Batman will keep it as safe as he can, but with their luck, it’ll end up in the hands of a Rogue and lead to a lot of death and destruction. 

As soon as they cross the bridge and return to Bristol, Bruce steps on the gas and the car tears down the road. Without any other cars to worry about (or traffic laws), it takes barely two minutes to reach the manor, when the gates open for them and let them into the garage. 

Alfred waits for them by the door, looking them over with a critical eye. “I see you have managed to go outside, Master Bruce. What’s the special occasion?”

“Just breakfast,” Bruce answers. “I’m heading back down to the Batcave. Zatanna will be here soon to deliver a weapon.” He’s gone before Alfred can say anything more, hurrying down the hall and turning the corner, disappearing from sight as he heads towards his office. 

“I see we have yet to break that bad habit of his. Did you enjoy your morning out, Master Duke?”

“Sure did, Alfred. I’m, uh, also going down to the Batcave. He’s definitely not telling me a lot about what’s going on, so I’m just going to read about it over his shoulder. I’ll be back up for lunch, though!”

“And perhaps you’ll be able to drag Master Bruce away from that cave of his,” Alfred comments wryly as he walks with Duke towards the office. He gives Duke a nod, then splits away from him, returning to the kitchen where Duke can hear Damian speaking to someone, probably Tim by the annoyed tone of his voice, and mentally wishes Alfred luck in handling them.

Duke sets the correct time on the clock in Bruce’s office and heads down to the Batcave, taking the steps two at a time. 

Bruce is already at the Batcomputer, shoulders tensed, when he arrives. 

“More bad news?” he asks as he makes his way over.

Bruce doesn’t bother looking away from the screen as he says, “More details about the fight. It seems the magical being called himself a ghost and was going on a rampage due to a betrayal. He says they nearly killed his son.”

“Oh, yikes.”

“And two of the scientists working with the government agency said that he stole their son and is keeping them from saving him.”

“Yikes,” Duke says with more feeling.

He doesn’t get to hear anymore details about JLD’s fight with this ghost when he catches a flicker in the corner of his eye. Duke turns and stares at the empty space in the Batcave near the medbay and watches as colorful magic gathers and swirls in dizzing circles. The portal opens a moment later and Zatanna steps out, looking exhausted and lightly singed. 

“Batman,” she greets, holding a white gun that looks like it belongs in an early sci-fi movie from the 60s. “The GIW is trying to arrest us. Constantine keeps burning their badges and documents so it shouldn’t be a problem, but they are determined to get this back. I wouldn’t be surprised if they came after you next. They’ve got some way of tracking things, but I didn’t have time to get any details before I had to leave.”

Bruce takes the gun from her hands carefully, looking it over with a sharp gaze. “Why would a ghost want to use a gun?”

“I don’t know. He had a variety of powers, too.”

“What does this do?”

“Shoots ice. He never let it go and nearly burned me alive for taking it before we subdued him.”

“We’ll keep it locked up,” Bruce promises. 

Zatanna sighs. It looks as though a physical weight fell off her shoulders. “Thanks. I’m going to head back to stop Constantine from getting into a fistfight with the GIW agents.”

She opens another portal with a waved hand and a muttered spell. Bruce is already walking away to set the gun down on a work station, so Duke is the one to wave Zatanna goodbye. 

By the time he reaches Bruce’s side, the gun is already dismantled, all pieces neatly set aside. Sticky notes denote which pieces go together and in what order. It looks the same as most guns, save for the aesthetic, but the heart of it is a glowing blue orb, large enough to cover the entirety of Bruce’s palm, and it brings a chill to the air.

Duke stares at it and feels his soulmark burn ice cold.

“Duke?”

It’s in his hands. He doesn’t remember reaching out to take it, but it’s in his hands. He can’t take his eyes off of it, cradling it gently and bringing it closer to his chest. 

It’s the same blue his soulmark once was. Before his soulmate began to fade, before every day became a waiting game to see how long his soulmate will last before they die. 

This has something to do with his soulmate. He’s sure of it. 

He won’t let anyone take it from him. 

“Duke. Give that to me.”

He doesn’t feel like he’s in his body. He’s detached, floating somewhere outside his body, puppeteering his limbs, making them move without feeling the motion. Shadows condense around his feet and Bruce takes a step back, wary. 

“Duke,” he says again, but Duke can’t find any words, can’t draw on his voice, can’t even look away from the bright, bright blue of the orb. It pulses lightly in his hand like a heartbeat. 

Bruce reaches a hand out. 

He’s pulled back by shadows before he can get close, and Duke holds the orb against his chest, right against his heart, and feels the cold seep into him. 

“Duke. I need you to look at me.” This time, Bruce’s voice has Batman’s growl in it, a heavy command that he can’t help but instinctively follow. He looks up and meets Bruce’s eyes, but he can’t focus. All his awareness is in his hands and the heartbeat of the glowing orb.

“I have to protect this,” Duke manages to whisper. “I… I think it’s alive.”

“Okay. Let’s get you to the medbay so you can sit down. We’ll figure this out, Duke.”

Bruce slowly, carefully, sets his hand on Duke’s shoulder. He keeps his attention away from the orb, so Duke allows it and lets Bruce guide him to the medbay and onto one of the medical cots. Bruce leaves him after a minute of quiet fussing, muttering about calling Zatanna.

Whatever. None of that matters when the heartbeat of the orb grows stronger, steadier, and Duke feels it match the beat of his own heart.

Time slips away from him. Distantly, he hears people move around the cave, speaking in low tones. A hand presses against his shoulder, warm, then moves away. 

The orb in his hand moves. 

Duke blinks slowly, then claws his way back to awareness, pushing past the haze that’s fallen over his mind. The orb turns over in his hand, then cracks right down the middle. The glow grows stronger, washing the medbay in blue light and a symbol appears on the orb.

It’s his soulmark. 

Later, he won’t be able to say why he did it. There were no thoughts, no reasonings, no explanations. Duke simply moved on instinct and lifted the orb up to his face and pressed a soft kiss against it. 

One moment, the orb was still.

The next, it had burst in a flash of light that blinded everyone in the Batcave, and then a thin, injured teenager had fallen into Duke’s lap. 

Hands immediately grab him, pulling him away from Duke. The teenager puts up no fight, eyes barely open, but he reaches for Duke weakly. On his wrist is the bright blue snowflake, the color strong and vivid. 

“That’s me soulmate,” Duke whispers as he watches Bruce and Tim set the boy down on another medical cot. 

“What?” Tim says, turning to face Duke, concern clear on his face. 

“That’s my soulmate,” he repeats, louder. Then, panicked, he pulls up his shirt enough to see his own soulmark; the color is still dull, weak, barely there, but it’s more blue that it has been in a while. He doesn’t need to say anything. Tim sees the dullness of his soulmark, looks at the boy, and puts the pieces together on his own.

“I’ll call Doc Thompkins,” he says, already moving to fix everything. Bruce remains where he is, making sure the boy is tucked in and breathing steadily before he returns to Duke. 

“Are you alright?”

Duke swallows roughly, unable to tear his eyes away from the boy. He’s pale and thin, as if he’d been starved, and there’s frost beginning to spread on the bedsheet from his fingers. “He’s my soulmate,” Duke manages to say. “He’s been dying for two years.”

Bruce’s eyes a hard, a determined light in them. “We’ll save him,” he promises. 

If anyone can, it’s Batman. 

If anyone can, it’s them, Batman and the Signal, and their entire network of family and friends. 

Duke’s been waiting for his soulmate to die all this time. Now, he’s going to save him.