#some of these events can be less impactful than the others or more

[chrissv4mp]

WHY AREN'T YOU HOME?

NAVIGATION — SERIES MASTERLIST

● — The cool air of the night hit you just perfectly, the heat from the party you had just stepped away from almost completely gone now. You don't even know why you agreed to attend this party. It was just some stupid event for people with over 1M followers on Instagram. Your friends were the ones who convinced you, and you really wish they hadn't.

Your manager said it was good for you as well, and what else were you supposed to say? You weren't really the best at saying no to people, either. So, you had no choice other than to come.

As you sit down on the side of the sidewalk, you rest your chin on your palm, staring out into the empty backlot of the building, eyes darting all across the parking lot until all you can see is darkness. Your phone buzzes repeatedly in your other hand, signaling that a call was coming through, but you couldn't care less.

It was probably just more scam callers trying to sell you some fake product, but as you decline the call, you realize it's not the same number. Your phone buzzes again, "No Caller ID." Flashing at the top of your screen in bold letters. Who else would call you at 10 pm?

Your thumb presses down on the answer button, sliding it to the right and watching as the call duration begins to rise slowly. You move the phone up to your ear, lips parting to speak but not getting any words out before the person on the other line goes first, "Why aren't you home, Y/N?"

It almost feels like your heart stops once you hear those words. You take a deep breath, trying to find an excuse. Maybe it was a fan who just... possibly happened to guess your number? Fuck.

"You got the wrong number, sir." You mutter nervously, but as you hear a chuckle on the other line, it finally sinks in. How could you forget?

"Dont'cha think I'd remember your number after all these calls, sweetheart?" He says, his tone playful. You hated how he was always able to play with you, "Now, answer my question, Y/N. Why. Aren't. You. Home?"

You let out a shaky breath as you stand up, head turning to look at your surroundings as you move to the backdoor of the building, "How do you I'm not?"

The man just scoffs, and you flinch at the loud shatter of glass you hear from the other side of the phone. His tone is more stern this time, almost growling into your ear, "Because I'm at your fuckin' house. Don't play these games, Y/N, you know better.

"Stop calling me!" You retort, breath catching in your throat as you realize the door had locked behind you when you came outside, "Shit." You whisper.

"Block my number." He replies quickly, giggling as he hears your frustrated sigh, "Awh, wait—You can't. 'M'Just gonna change my number, maybe get a new phone...?" He trails off.

You can practically hear the stupid, cocky smile on his face even through the phone, and it makes you wanna throw the device onto the hard pavement beneath your feet, "Fuck off."

As you move the phone away from your ear and hover your thumb over the bright red button to end the call, you hear a loud, booming voice scream at you from the other line, "DON'T HANG UP, Y/N."

Shivers are sent down your spine at his authority, but you still disobey him. You swiftly end the call and then quickly run towards the alley that leads to the front. No thoughts run through your mind except him. Where was he? Your house wasn't that far. Was he here?

As you turn to round the corner towards the front, you feel a pair of hands grab at your waist and roughly pull you down onto their body. You both fall backward, his body acting as a pillow and lessening the impact of your fall.

Before you can scream, his slaps a hand over your mouth, his other hand on your waist in an attempt to get you to stop squirming, "Don't wanna hurt you, mamas, just—Fuck—Close those pretty lips for me."

You only continue to struggle against him, punching all over his body to try and get him to let you go. He doesn't, and it's only when you turn your head that you can see his face. His eyes are wild, and his lips are full, parted so as to let out heavy breaths.

"Hey, you."

@jetaimevous @livialifesblog @watercolorskyy @blahbel668 @her-favorite @wiidfi0wer33 @loving1dsworld @fallingforfallthings @ncm9696 @hrtsdollie @snowysosturn @1800-love-me @ladyy-whistle-d0wn @ginswife @spideylovin @dej4vhs @strnlxlqve @joemamaaa42069 @fratbrochrisgf @slut4chriss @h3arts4harry @str4wberryk1sses @riasturns @nwlluvsturnsstars17 @asimp4chris @byneptunee @ilove2021chris @freshloveforthefit @sturniologals @ifwdominicfike @sturnsdoll @3lizaluvs @matt444nixi @nikki-starx @notmylaa11 @fionaheartswomen @sturni0l0 @sturniolofannnlmao @demzzz @n3-vaeh @melanch0lybby @viiiwwwee @johnniesverr @kaisturni @chrissfawn @obsessedwurex @flower-sturns @styrnioloss @oliviasturniolo21 @lucysturniolo

[dashcon-two]

Our First Update!

Hi everyone! Wow, the reception to DashCon 2 online has been insane. We are so incredibly grateful for the support! We know that there haven’t been a ton of updates in these past few weeks, but we promise that we’ve been planning a bunch behind the scenes. We're going to be going over a lot of information here that we covered in our newsletter, along with some more behind-the-scenes details. 

If you haven’t subscribed to our newsletter, please consider doing so! We’ll be putting out monthly summaries of important updates, alongside regular short posts here on our blog and these longer summaries.

NOTICE 07/9/2024: We're currently having some trouble with the newsletter and cannot guarantee that you'll receive our summary right away. We're sorry for the inconvenience and working hard to resolve the matter

WHY HAVEN’T THERE BEEN MORE UPDATES 

Frankly, a lot of the stuff we’ve been working on is pretty boring. We’ve been working a lot on budgeting and logistics, what you’d expect from a con that’s still pretty early on in development. We also haven’t wanted to rush announcing anything just to have something to put out; we don’t want to make promises that we can’t keep. We have more in the works, we promise, but we’ve been taking time to make sure that we’re laying a strong foundation for all future plans. 

To be completely honest, we originally planned on publically announcing our plans in mid-September, which has definitely impacted our publication schedule. When we learned of Strange Aeons’ DashCon video we realized that it would be a great time to reach out to her (which we’d already planned on doing), and go public with our plans. We were also concerned that if we went public after her video it would be assumed that this was a cashgrab aiming to ride the hype from her video. Because of this, we’ve had far less to announce than we would’ve necessarily liked. However, we’re now at the stage where we’ll have a more consistent update schedule going forward. 

OUR TEAM

To start, we have received a lot of questions about our team and experience. The DashCon 2 team is a mishmash of people in and around the convention world. For specifics you can consult our  About Us page, but as a collective we have people who have worked professionally as event/programming coordinators, volunteered at conventions/festivals/renaissance fairs, and of course, we've all been attending conventions as guests for over a decade. 

If you’re interested in potentially joining our team, we’ve now opened up volunteer applications for people interested in helping organize DashCon Two. Please fill out this form, and we’ll be in touch soon!

Our team is also working hard to connect with other people in the con scene, especially in our local area. We’d like to give a big thanks to Jenn from Dangerous Ladies for consulting with us and shouting us out on Twitter. Please check her out on Twitter @dangerousladies!  If you’ve been involved in con organization and wouldn’t mind having a quick chat with us, we’d love to hear your two cents! Please contact us through this form.

VENUE

Unfortunately we don't have a specific venue confirmed yet. We’ve been in contact with a variety of venues available around our preferred date, but we're still negotiating the details. We cannot confirm anything until paperwork has been signed, but know that not matter what, we will be paying for our venue in advance.

Because of some new venue updates (that we can't talk about yet), the date of our event may be subject to change, but will remain within the month of July.

VENDOR APPLICATIONS

The team is thrilled by the excitement so many Canadian artists have for vending at DashCon 2. Vendor applications are not open yet because we haven't yet signed for the venue. Once the venue is confirmed we'll be able to finalize our numbers, including attendee expectations and price.

Thanks for reading! The DashCon 2 Team

[ivanaskye]

(wo)men are flipping on tv, or, ivana's olympic watching experiences so far i guess

(artistic) gymnastics: the absolute classic of flipping on tv. you're probably either already watching this or not i guess. if you are on the fence men's is much, uh, more competitive than women's right now. speaking of gender the 6 men's events vs 4 women's is sure some kind of way--and of those 6 vs 4, only two (vault and floor) overlap! and of course women's floor has music and includes facial expression in judging whereas men cannot have music, that is too girly. what precisely is manly about a single high bar as opposed to two bars of uneven height? no one knows.

trampoline: speaking of gymnastics this is technically a subcategory of it, along with the above and rhythmic gymnastics my beloved (but not having yet happened). uhhh ok so in trampoline people Go, up into the Air, apparently 26 ft+. then flip. very concentrated flip per second here, recommended if you want flip. each athlete's run is very short though, which may impact followability

diving: this time we flip into water. synchronized diving is very easy to tell if people are doing well bc you just kind of go, hm, are they doing the Same thing? in all diving you know someone's done something right if they make very little splash into the water. ok ive also literally only watched one event here

skateboarding: if you take anything from this list, let it be this- please please please watch olympic skateboarding it is so fun. skateboarders attempt two 45 second runs (of which only the best score counts) and 5 individual tricks (of which only the two best count). as such they are incentivized to take a lot of risks and fall down all the time. it's great. also makes for great ease of watching: you know they did well if they landed All That, and probably didn't if they are on the ground.

bmx (jump version): kind of like skateboarding but worse bc risks are less incentivized

boxing: absolutely incomprehensible to a mere mortal. apparently the judges determine who wins each round based on.... uh..... who... seemed to be doing better. so, vibes? vibes. it's not something as pedestrian as 'who landed more hits'. absolutely mystifying. also moves very fast.

judo: moves much slower than boxing! so you can at least tell who is doing what to who. as for whether what they are doing scores points. well. uh. see. the match instantly ends if one fighter throws the other with "strength, speed and control". if they have only two of these they get a point; two points wins. how are any of these words measured? uhhhhhh. vibes!

handball: i checked into this for maybe ten minutes to see if i could figure out what handball 'is'. i still don't know. there's a ball in a hand. soccer-like but with a hand instead of a foot. how do the rules actually work? a mystery.

table tennis/ping pong: actually pretty followable though not engaging enough to me specifically that i watched much. mb not enough flipping. my god these people move fast.

equestrian jumping: in some ways like many other events, except the creature jumping is a horse. i like to imagine what the horses are thinking about this whole situation. i tried to look up what a horse's name meant and discovered he has a website (he has no idea he has a website) where his sperm is sold for hundreds of pounds (he has no idea this is happening either). very followable as there are no positive points of any kind, only penalties. did that horse clear the bar without knocking it over? congratulations that was a success.

equestrian other things: opposite tier of followability i have no idea what these creatures are doing.

track: running is the easiest thing to understand, closely followed by swimming. who gets from point a to point b fastest. we can all understand this. however mostly it is not very interesting

triple jump: jump far*. the closest part of the indentation they make in the sand to the starting line is what is judged as their distance. *technically, triple jump is 'jump far with extra steps'. long jump is the true 'jump far' but i haven't seen any yet.

hammer throw, shot put, discus: the throw things real far events. to which javelin is added but i don't think ive seen even a bit of that. wait im not sure i saw any hammer throw yet either. anyway. the builds of these athletes are so mountainous. which is great.

elsewhere in field i haven't watched any pole vault but that one guy did get betrayed by his own junk so there was that

shooting: unfortunately the memeable people everyone has seen are in air rifle which is perhaps the least interesting event to try to watch of all time. you can barely even see when they pull the trigger and you don't get to see the target itself, only a graphic of it. mystifying presentation choices. skeet and trap however are followable as moving targets are shot, scored on a pure yes/no of did you shoot that thing or not. americans hilariously uncommon in shooting events despite our gun culture; don't you know, it's not actually american to shoot something accurately!!!

[cy-cyborg]

We have communities - Writing disability quick tips

So often, stories centred on disabled characters, especially in modern settings, emphasise how lonely or isolated the character is because of their disability, especially if it’s a newly acquired disability or one that non-disabled people assume would have a big impact on our ability to do “fun stuff”. This will often be accompanied by statements of “no-one understands what living with [insert disability here]” is like!

And while isolation and loneliness are things a lot of disabled people deal with, a lot of us are not completely alone either, especially in the modern day.

Just like any group of people with shared experiences, we find one another. Sometimes this is through formal systems; some spinal rehabilitation centres for example, will pair newly paralysed people up with a mentor who’s had a similar form of paralysis for much longer to help guide the person while the adjust to their new disability. Other more formal systems can look like disability sporting organisations - the one I used to work for used to specifically encourage very newly disabled people to join so they didn’t feel like the had to learn everything about their disability alone, or support groups.

Other times though, these communities are much less formal. They may look like online forums, such as the ones on Reddit, built by and for disabled people to talk about their experiences and seek recommendations from others in the same boat, or parts of larger social media sites. For example, on Tumblr, there aren’t really any formal groups, but thanks to the hashtags we use in our posts, we often find one another fairly quickly there. We sometimes also carve out our own little subsections of fandom or hobby spaces, brought together by the shared interest itself, how things like disability might impact the way you interpret or interact with it, and how we can modify it (in the case of hobbies) to make it work for us.

A lot of disability communities, formal or otherwise, also form out of necessity, such as advocacy groups run by and for disabled people, and those built around ensuring the rights of disabled people are protected.

Isolation and loneliness are problems within the disabled community that many of us deal with, but this tends to be more in the context of isolation from the wider public, exclusion from public spaces and events (despite there being laws that are supposed to stop this because they’re often not enforced), disconnect from non-disabled friends and family, etc, most of which are the result of systematic issues or the lack of understanding or care and support from non-disabled people in our lives. Not always, but often.

The communities made by and for disabled people though are often (at least in part) made to help make up for this, and they’re more common than you might think, you just have to know where to look. It would be nice to see more creators reflecting this in their work a bit more often, or at least acknowledging that they are there, even if your character chooses not to engage with them.

However, as a reminder to authors and creatives: These communities, especially the online ones, are for disabled people, they are not there for you to use as a reference as a creator. Some communities are ok with you being there to learn, so long as you listen and don’t try to speak over/bombard their members with questions. Others are not. The ones that are, typically will have something written somewhere if it’s online (e.g. subreddits that accept writers wanting to write disabled characters will often have it written in the “about” section or the rules). There are also dedicated groups and platforms for non-disabled people seeking to learn more about us and our communities, which can be excellent resources for creatives like writers. Just remember to be mindful of where you are and respectful of people’s spaces and boundaries when doing your research.

[raven-at-the-writing-desk]

Something I’ve noticed across collecting different cards is that Twisted Wonderland seems to have a bit of a skew in which characters get character x player ship bait. Between events and card lines, some characters look like they are getting neglected in the ship teasing category. Is there some kind of popularity bias behind this? Like maximizing profit or game popularity by targeting certain groups of fans among the fandom?

Mmm… I haven’t noticed a skew, personally. If there is one at all, I’d wager it isn’t significant and it’ll probably depend a lot on what point in time you’re evaluating at. Since TWST is consistently releasing new content, the voice lines are sure to “even out” eventually if given enough of a waiting period. For example, you could say that the GloMasq boys have “more” bait lines… until Playful Land boys were released the year after, thus leveling the playing field.

All cards have character x player ship bait to some degree. Most of them will have at least 1-2 lines which involves complimenting you/your look (and if not in the card lines, then directly in the event, especially when Yuu has changed into a new outfit), Yuu touching them in some way (or being invited to), or asking Yuu to hang out or to do an activity with them. Everyone gets these lines because there are fans of every character that have spending power; it doesn't make sense to intentionally devote more lines to one while leaving the others starving for content when there are big spenders for all characters (which will vary widely anyway depending on the server too, so there are very few consistent "favorites"). Devoting time and energy to every character is what makes the most profit in the long run, as you risk losing the fans (and money) of "less popular" characters if they don't get new food too. It doesn’t matter that the high spenders for like… Azul stay because they’d still be losing the revenue coming in from Jack stans who dropped the game due to content drought.

I would say that what is and is not categorized as a "shipping bait" line depends a lot on other factors, the strongest of them all being individual perception. For example, if you ship yourself/your Yuusona with the character, you may be more likely to perceive any line spoken by your favorites as "more romantic" than other characters. This feeds into your preexisting expectations, and is therefore a form of confirmation bias. Meanwhile, if you ship two canon characters with one another, there are many more potential combinations so it's less likely that the particular ship you're into will get "bait". Additionally, some people are more liberal with what they perceive to be romantic or not. For example, Ace inviting you out to do something can be seen as both platonic or romantic, based on who is judging the line because there isn’t anything inherently romantic in spending time together. This is also the case in the main story or events; some players see Yuu giving Malleus the VDC/SDC ticket in book 5 as "a date" while others do not. This brings me to another point: character relationships within the main story and their personalities will also have a drastic impact on what is perceived as romantic or not. Rook, for example, speaks in a very flowery manner. Because of this, a majority of his lines could be seen as "bait". Characters that are gruffer (Jack) or "loner" types (Idia) would naturally have fewer inviting lines due to their characters. And again, with Ace, since he is presented as one of Yuu's closest friends in the main story, it's easy to perceive him as a platonic bestie when reading his lines since your friendship is already established.

Lastly, I think it's worthwhile to consider that there are also nuances that are lost in translation between JP and EN, which may alter which lines are seen as "bait" and which aren't. A really popular one I see floating around is Malleus's vignette level up line, which is translated in EN as "You aren’t afraid of me. But I’m starting to become afraid… of losing you.” Many fans perceive this as romantic and often joke that “Malleus missed the meeting about TWST not being a dating sim!” However, this line has a different context in JP which reads as more platonic.

The original Japanese line is お前は僕を恐れない。そんなお前を失うことが僕は恐ろしくなり始めている。This roughly has the same meaning, but the wording Malleus uses seems to specify that he is afraid of losing the Yuu that is not afraid of him. EN omits the そんな (son na) part, which would refer to a type or kind of person (as in, “son na hito”). In this case, Malleus is afraid of losing “the kind of Yuu that is not afraid of him”. So really, the original meaning of the line is that he is expressing a fear of what would happen if his true identity comes to light (as Yuu is the one person who doesn’t know), not that he is afraid of losing Yuu as a whole.

To summarize: it’s up to individual perception and, given enough time, every boy will get their fair share of fanservice for the player.

[nonaltercdd]

For being a dissociative disorder the CDDs are the ones who I see less of dissociative symptoms be talked about in the community

So I thought, why not make a post about some of the dissociative symptoms the CDD has!!

Depersonalization: Depersonalization is one of the big levels of dissociation that, in certain cases, can be categorized as a disorder in company of derealization. Depersonalization can present in various forms, but as general definition it's when someone it's so dissociated from themselves that they don't feel connected to their body or sense of self, just like you were external to yourself

Derealization: Derealization is one of the big leves of dissociation that, in certain cases, can be categorized as a disorder in company of depersonalization. Derealization can present in various forms, but as genera definition it's when you feel strange, fake, unreal and distorted your reality and all the things surrounding you.

Depersonalization and derealization tent to come hand in hand and sometimes together, this is most common between systems and it can overlap with a lot of other things making the experience more unique and worst for the pwCDD

"Autopilot" mode: Autopilot is a state of being in which your body reacts to what is needed and, like the name suggest, in an autopilot mode, is not necessarily a depersonalization mode cause it can come from more light dissociation, and sometimes you don't even feel it or realizate it happens (when depersonalization tend to be a semi-conscious and aware state), even though it can come hand in hand is not always like that

Crisis identity: Alters aside, being pwCDD can give you a lot of crisis identity, and when it comes to dissociative part is one you feel some kind of blurriness, disconnection, confusion and lost about you, can be because of many factors and can lead to severe impact in your personal view to the point of not being sure if you're you and questioning a lot of things about you, this kind of dissociative behavior can overlap with many factors which makes it worse

Emotional amnesia: Emotional amnesia is an specific kind of dissociative amnesia characterized by remembering the facts and/or events but feeling emotionally disconnected to that, not feeling or remembering the feelings regarding that memorie/event, and the sense of third person regarding the event, is being emotionally separated

Blackout amnesia: Blackout amnesia is one of the most named kinds of amnesia a pwCDD will experience, though is less common than emotional amnesia, the blackout amnesia is characterized by forgetting all about what you experienced, counting emotion and memory

Dissociative amnesia: Dissociative amnesia is a very big spectrum, this is why it's a diagnosis/disorder by its own. But for being general dissociative amnesia is when you dissociate things about yourself, this can be memories, important information, daily life, etc, to a point you end up forgetting that information

Flashback: Did you know that flashbacks are a dissociative response to trauma? You didn't? Now you know! Flashbacks are a way in which your brain dissociates from reality to relive a memory or experience you previously have, in this connotation, a traumatic experience

"Non-pain" mode: Sometimes even hurting yourself (accident or not) you can't feel the pain of that, it's like that physical damage isn't yours, this is a kind of dissociation more connected to how the brain is connected to your body and the sense of physical pain. SO sometimes your brain, aiming to protect you, dissociates from the physical pain to be "safe"

Denial: In some cases denial can be a dissociative response as a way for keeping you away from understanding and knowing you have certain trauma and passed trough certain experience. When you deny having or passing through something you tend to dissociate the memory and sometimes to the reality as a way to try keep yourself safe

Daydreaming: Daydreaming is a dissociative coping mechanism and sometimes it can come to the point of being maladaptive and dangerous for yourself. Daydreaming is a way in which trough dissociation your brain makes up a new "reality" in hopes to scape the real life and reality

Emotional disruption: Did you know that if you feel sad and then you stop being sad is dissociation? One of the dissociative ways of coping with a stressful and heavy emotion is "turning off" your emotions, or in the other hand, feeling like the past emotion was replaced by another one, it's important to note that this mood change is without any apparent explanation and you cannot return to the previous emotion cause you know feel detached to it, like isn't yours anymore. In the other hand you can be ok and a new emotion comes up to you, you feel detached to this emotion and don't have any idea where it come from and why are you feeling it, but you do, and it doesn't feels yours

Skill variation: Having in one moment one skill and in the other don't, having different skill abilities in which one time you can be good and other not that good, and all the variations within the ability to do certain skill (can be any skill, like writing, talking, moving, drawing, etc.)

"Emotionless" state: The emotionless state is when, for one or another reason, you feel empty, null, like you lack any kind of emotions, like there's a void in whee your emotions should be, this emotional dissociation can happen for many reason and in company of other symptoms, though sometimes one doesn't notice it because of this emotionless state

This are some of the dissociative symptoms I can recall at the moment, maybe there are more that I didn't put here and you want to add in comments/reblogs or you can ask me to add them to this list

Well some of this symptoms can overlap with the alter part of the disorder they're not 100% attached to them and it's important to recognize this as very prominent symptoms of the disorder, after all this is a dissociative disorder, isn't it?

If you want to add more to this or ask a question go ahead, we'll see it 100% sure!!

[memento-rory]

If possible may you please do more Schlatt x Ted’s partner!reader?

i would be delighted to :) find the first part here.

schlatt tries to be normal with you. he tries so fuckin’ hard, because he never wants you to look at him the way you did when you asked if he hated you ever again. he had never realized how his actions would impact you, only worried about how he’d be impacted.

so, he tries. he’s not very good at it — he’s either too quiet, just barely acknowledging the things you say to him, or too chatty, overcompensating for how not normal he’s being. it’s a fuckin’ nightmare, honestly, but he does it.

it’s a few more agonizing months before ted’s talk of you dies down. he’s mentioning you less and less, and you’re not joining him for events or meetups or parties as often. when asked, ted just says you’re busy, but schlatt can tell he’s lying. he’s always been good at reading ted.

you find yourself talking to schlatt a lot more often now that your relationship with ted circles the drain. (the two of you are trying to make it work, but you’re kidding yourselves.) schlatt’s much more receptive than a few months ago. he sends you messages out of the blue, completely unprompted, and it’s rare that you’re texting him first anymore. saw this and thought of you. hey, have you ever seen this movie? i’m bored, wanna hop on minecraft or somethin’?

about two weeks later, you and ted call it quits. it was inevitable, really. there’s no bad blood, the two of you splitting pretty amicably, promising to remain friends through tears. of course it hurts — you loved ted, truly. he was a good boyfriend (until he wasn’t, you suppose) and it’s a big change. you have to find somewhere else to live, and while ted says you’re free to stay at his place until you find something, it feels a little weird while the breakup is still fresh, and you have no idea how long it will take before you find another place.

that night, schlatt hits you up to play something with him, but you politely decline, saying you’re just not feeling up for it tonight. your phone rings just moments later.

“you okay?” schlatt’s voice comes through your phone speaker.

“yeah, i’m good,” you tell him, though the crack in your voice betrays you. realizing there’s no use pretending, you just let it all come out, trying to stay quiet so ted doesn’t hear you from the other room. you tell schlatt about the breakup and how you need to find somewhere else to be asap.

“you can come stay with me.” schlatt suggests, before he can stop it. in truth, he knows it’s so fucking selfish and more for his own benefit than yours, and it makes him feel a little sick. here you are hurting, and all he can think is, here’s my chance.

“really?” you ask, biting your lip in contemplation. sure, he lives in new york, but you work from home anyway, so it’s not like it would matter if you just up and left LA. it could be a good change of scenery.

schlatt should say no. he should say, “no, (y/n), i’m sorry. i shouldn’t have offered.” but he knows he can’t. it was shitty to offer in the first place, but it would be even shittier to go back on his offer.

“yeah,” schlatt responds instead, silently cursing himself, “could be fun. and we could find ya somethin’ up here, some cute lil apartment or somethin’.”

“okay.” you nod slowly, still weighing the option. it’s so spontaneous, something you’d usually give a little more thought, but as you hear ted padding around the place you used to call home, you decide to take schlatt up on his offer. “okay, yeah. when do you want me?”

now. forever. schlatt finds himself thinking. “how fast can you get packed?”

“i’m already halfway done.” you tell him. you’ve been slowly getting your stuff together for the last few hours.

“how long d’ya think it’ll take you to finish?”

“maybe a day, maybe less.”

“i’ll hire some movers to come get your stuff in two days and book ya a flight.”

“schlatt, no. i can move my own stuff. i’ll just rent a u-haul.”

“just lemme do somethin’ nice for ya, would ya, angel?” the pet name falls from his lips so fast that he doesn’t even register he’s said it. you feel your face heat up.

you’re already letting me live with you, you want to say, but you know there’s no arguing with him.

“fine,” you concede, “i’ll see you in a few days.”

“great.”

“…thanks, schlatt. this really means a lot to me, you know.”

“just trynna help out a friend.” schlatt responds.

helping out a friend is the farthest thing from what he’s doing, but maybe if he says it enough, he’ll believe it.

[ozzgin]

Also I love your blogs sorry I’ve been spamming 🩷Hii Author, could you do another part for the small prehistoric reader, where she is actually really strong even though she’s small and innocent looking like stronger than Yujiro and Baki but she’s only really like that when she’s in heat. I wonder how the would react Yk 🤔

Sure! It’s been suggested in the comments as well and it does have a fun twist to it. Female characters stronger than the main cast is the one uncanonical construct that I deeply enjoy.

Baki Characters x Prehistoric! Small Reader Headcanons (II)

Featuring the Baki characters and a prehistoric but small sized reader that turns out to be unexpectedly strong.

[Baki Masterlist] [Part I]

The fighters keep a respectable distance from you in order to assure Pickle of your safety. They’d rather not pose as a threat to his mate, especially after seeing how protective he can get. He always keeps you under his watchful gaze, ready to interfere if you need to make use of his strength. At times he’s particularly anxious around you. Professor Payne has explained in more scientifically appropriate terms that you might be dealing with female specific issues. No one pressed it further.

This peaceful resolve does not sit well with Yuujirou. How very pathetic and boring that everyone concomitantly agreed to mind their own business. He itches for a little bit of action and what better way to rile up the prehistoric warrior than messing with his little protégé? He doesn’t want to risk fighting a half-assed Pickle, he wants the wrath, the readiness to kill. So with arrogant mockery he decides to give you a little nudge in front of everyone. Just a mere push, he does show mercy to weaklings like you. Baki is enraged and the other men join him. Everyone is waiting for Pickle to make his move, though bizarrely enough he just stands there, eyes wise in shock. Yuujirou didn’t expect this lack of reaction.

The Ogre is a man with battle experience and nothing can take him by surprise. It is to be noted, however, that sometimes a trade off for the sake of efficiency has to be made. A rational agent in artificial intelligence may have to take millions of variables into consideration in order to compute the most optimal solution and react to the environment. Realistically speaking, therefore, some less probable events are taken entirely out of the equation. So, for example, the idea that you would attack Yuujirou was not something his body expected to react against. The impact of your small fist was doubled by this element of surprise. His eyes roll back and his large body is thrown at quite the distance, leaving significant damage behind.

There’s a deafening silence that lingers for what seems an eternity. Baki feels a mild discomfort on the walls of his throat and he realizes his mouth has been hanging open for long enough that it almost dried up. Did you…did you just knock his father out with one single hit? He slowly turns his head to the other witnesses, wondering if this is a dream and the others will confirm it. Judging by the equally dumbfounded expressions surrounding him, he suspects fearfully that it is, in fact, something that just happened. Jack feels like he’s been kicked in the crotch. Katsumi is overwhelmed by a certain nostalgia, the nervousness he felt when he was a little child attending the Dojo for the very first time. Retsu purses his lips as a solemn frown creases his features. Tokugawa can feel the beads of sweat gathering in the folds of his wrinkled forehead.

The least impressed of the group is Pickle. Almost as if he expected it to happen, he walks up to you and grabs your shoulders before you can approach Yuujirou’s passed out body. Your face relaxes once again and you look up to him with a genuine smile, as if soothing his worries. You’ll stop here, no worries. You pat his large hands and turn around, prepared to leave the scene.

The frightful question now plagues the fighters within the arena: was Pickle protecting you from them, or has it been the other way round all along?

[tsukimefuku]

wardrobe malfunction ❖ nanami kento

summary: your cursed technique isn't exactly clothing-friendly, and when you find yourself in a less than ideal situation, you only had one person you could ask for help.

tags: jujutsu kaisen, f!reader, light nanami x reader, cursing, kind of suggestive but not exactly (?), second hand embarrassment is real, this is just pure crack to be honest, is reader lucky or unlucky? i fret, for i do not know, this is barely proofread because i wrote this absolute nonsense on a complete whim, i hope you have as much fun reading this as i did writing it.

wc: 1k

❖ collection of stories: "jujutsu partners au" → masterlist for fics listed in chronological order of events

You had just finished blowing up a grade 2 curse that lunged at you full-speed. Your chest heaved up and down with tiny droplets of sweat coming down, as you panted inside the abandoned apartment complex. For a while, the adrenaline pumping through your veins made it hard to assess your state, but then, as you began decelerating and looked at your body, you realized something.

“Oh, no. Not again.” 

Considering your innate cursed technique involved casting small bombs of cursed energy, they could blow up through many things, and when you didn’t manage to distance yourself from them before the impact… Well, safe to say that some things were bound to happen.

You pulled your phone ready to call… someone. Anyone, really. But the ancient piece of technology that you failed to replace in these past few weeks wouldn’t let you access your contacts list, providing you solely with your three last dialed numbers — Gojo, Yaga and Nanami.

Your fucking phone. Your damn, fucking phone.

Just thinking about this had you beyond mortified, but it was either this, or never leaving the building again. So you took a deep breath before pressing dial.

***

Nanami found Shoko to take care of some minor injuries on his arm, and as she was finished, his phone rang. He pulled it out of his pocket, and saw your name flashing on the screen.

As he answered, you stuttered for a moment before mustering up the courage to speak.

“So, Nanami, I need, uh, some assistance.” 

He found that to be odd, considering you knew he was on another mission today, and this was a solo endeavor for you.

“Has something happened?”

“So, you know how my technique works, right?”

That question had the sorcerer feeling somewhat puzzled, given he had seen you use it — and explain it — multiple times already.

“Of course, we've been on missions together, and you have explained it to me more than once.”

You sighed before proceeding. “So, here's the thing, I kind of blew myself up.” 

That quickly got his attention and he tensed up. Shoko had just finished removing her gloves and noticed it.

“Are you injured?” His usually impassive voice had a hint of worry to it.

“No, no. I'm fine. Sometimes this kind of happens, and I'm pretty used to blocking the impact and using RCT if needed.” 

Is it her? Is she okay? She better be, I need her tomorrow, Shoko whispered at Nanami as she walked around and sat on a bench in front of him.

He didn’t notice what she asked, as he was humming confusedly, given you still hadn’t clarified why you called.

Your voice kind of cracked up for a moment, as you violently blushed on the other side. At least, the phone is an imageless form of communication.

“So, I’m okay. But my clothes, they, uh… I blew them up.”

He slowly began taking in what exactly you were saying.

“That's it, that’s what happened. I… I need clothes, please. Can you bring me some, just so I can get out of here without getting arrested for public indecency?”

Nanami kept silent for some time, and felt a slight rush of heat run over his cheeks.

“Nanami?” 

He coughed slightly, tensing his posture as he did.

“Yes, of course. But wouldn't you rather someone else to do that for you, like Ms. Nitta, or one of the female students?” 

That caught Shoko’s attention, and she discreetly looked at the sorcerer while he was still on the phone with you.

You nearly gagged.

“No! No way. I… I'm mortified as is.”

Somebody please fucking kill me.

“I can't talk about this with anyone else. It's too damn embarrassing,”  you stated, letting your mind go to random facts in order to try lifting the mood. “I now understand why that student from Kyoto keeps taking his shirt off to fight, but that's beside the point.”

You were met at the wake of your failed joke.

“I-I mean… Just bring me something, please.” 

Nanami cleared his throat as he pulled on his tie and opened his shirt’s top button.

“Fine. Send me your location.”

You sighed, relieved.

“Great, you're the best, thank you!”

He switched his phone off and grounded himself for a moment.

“Is she alright?” 

“Yes, she is,” he answered, some words choking on their way up for a second. “Ms. Ieiri, do you happen to have any clothes around here?” 

“What? Why would you need that?”

He couldn’t muster up anything remotely feasible to say, and given that embarrassment is an infectious condition, it began creeping up on him, too.

Nanami resumed speaking. “… I'm sorry to bother you. I just remembered I can get an assistant's uniform.” 

He then walked towards the door to leave.

“Nanami…” Shoko began.

“Hm?” He asked, as turning around.

“… Are you blushing?”

“... Good afternoon,” he answered, before stepping out a little quicker than usual.

***

Nanami had just arrived, and you let him know you were upstairs. As he asked how you wanted to receive the clothes, you were insistent that he threw the bag over the steps, and being a reasonable and rational person, the sorcerer obviously declined to do that.

“Just throw the thing already!” you yelled from the top of the stairs, away from his sight.

“I’m not uncivilized,” he replied, sighing. “I’m going to put them down here, and wait for you outside.”  

Nanami was considerably less mortified than you would expect, but it was him, Mr. mature, after all. Also, this wasn’t the first embarrassing situation of yours that he had witnessed.

You were prone to setting yourself up for absurd shenanigans, it seemed.

As you heard him leave and close the door, you stepped your way down and flimsily put the black pants and white buttoned shirt, which didn’t match at all with the hiking boots you usually wore on missions.

You went outside, and were met by him, his usual impassiveness slightly disturbed by something you couldn’t quite yet identify.

“Thank you, Nanami,” you stated, sighing relieved.

“It’s no trouble,” he answered, adjusting his glasses on the bridge of his nose. 

You were both uncomfortably silent for a while.

“These kinds of unexpected things happ-”

“We will never talk about this again as long as I live, please, I can’t cope” you pleaded, voice simmering with desperation for this awkward moment to be over, “just, please.” 

He cleared his throat, mindlessly adjusting his tie around his neck. It strangely felt more tight than usual.

“Of course. I apologize.”

“No need. It’s fine. Let’s just go back to Jujutsu High and pretend this never happened.”

“I do not know what you’re talking about,” he said, sparing you a quick glance.

You smiled, amused and thankful.

“Right. Precisely.” 

[soracities]

since this seems like a place full of wise and whimsical people: i'm constantly seeing pleas online for young depressed people to remember that the freedom of adulthood and maturing into a fully realized person is infinitely better than adolescence (especially in the context of queerness which does make sense to me.) but i look at the actual real adults i know in my family and they're all constantly stressed by money, they wish they had chosen different things in life, they miss being taken care of as children, and honestly they're still really immature on some levels. i'm getting very close to leaving home and it seems like i'm missing most of the maturing experiences that other people get; it's never been logistically viable for me to have a job or a car, and i've never had to feed myself day by day. is there something i need to be doing now that will give me a genuinely freeing and fulfilling experience as an independent adult?

Every adult you meet (and you and your friends will be included in this), regardless of maturity level, is a former child in some regard; and as such how they act, respond, and cope with the world around them is a throwback to whatever they still carry from their childhood, or from the things that impacted them most in life, and whether or not they were able to adequately deal with them (and some do deal with them, and some refuse, and some are just in circumstances that make it difficult to even begin with).

I think what people mean when they say adulthood is better than adolescence is that the world get bigger, wider, and more interesting as you get older. It becomes less insular and all the things that preoccupy you most when you're 17 or 15 or that feel like the end of the world become diminished because you have a larger frame of reference for that world that goes beyond your school / friends / immediate family etc. It doesn't mean adulthood is not without difficulty, but simply that you won't be 17 forever. And as such you won't be stuck with all the things you hate about yourself at 17 forever either.

I don't know if there are any specific things you can do, because freeing and fulfilling mean different things to different people. There are some experiences / realisations you can only have when you are out on your own, true--but I also think maturity or maturing events are not necessarily only external ones, though those have an impact too: they come from getting to know yourself, facing your insecurities and flaws and limitations with unfiltered honesty and learning to understand these and work through them and learning to do the same with other people, too. Those external experiences can only go so far if you don't have the tools to fully apply what you learn from them.

In the end, the only thing I can really advise, if you have the time and the means, is to devote yourself to some kind of volunteering or community work. I think a great deal of growth comes out of the time you devote not so much to yourself but to others. It will also give you the opportunity to meet and learn from other people whom you may not have the chance to meet in your day-to-day school life. If you're really looking to broaden your experiences of the world around you, then this is one of the most important, in my view at least. Best of luck with it all, anon xx

[theabigailthorn]

Surely with how popular you are you would have had a few cancelling attempts, but you're drama free. How? I thought you'd be target number 1 with TERFs.

So the thing is, people on the internet have and do try to wreck my life! But it's true that I get less of it than a lot of other women, and I often ask myself (and them) this same question. I think it comes down to a few factors. In no particular order:

I'm white and thin

I don't post selfies very often

The Philosophy Tube Jutsu: I never use my platform to say anything bad about individuals, so I don't make enemies

I'm British

I don't put my pronouns or the word 'trans' in my bio. I mention it if it it's relevant but to a casual troll looking for someone to go after there are more obvious targets

My brand: in terms of online content, my brand is 'Educational and Compassionate.' I try to be even-handed and listen to all sides and never be angry, and people are maybe a bit reluctant to get mad at someone who does that? In terms of acting, my brand right now is 'I'm Trying Hard and I'm On My Way Up!' which I guess people like?

I have a posh accent

I don't make online content about video games

I'm pretty enough that men like looking at me but not so hot it makes them angry

I transitioned in private before I came out publicly. I knew that when I did I'd get a lot of backlash, so I pre-emptively muted LOADS of words in my comments section and wove a kind of digital safety net

I'm so busy that I often miss whatever the discourse du jour is and don't get involved. As a wise woman once said, 'Do Not Tweet.'

I deliberately dress and present myself as 'classy' in public-facing stuff

Most of my content is scripted, so by default it attracts people who like to sit down and listen

Philosophy Tube is literally all about critical thinking and not taking things at face value. So if a typical Philosophy Tube Subscriber sees a post that says 'I saw Abigail Thorn kicking a puppy down the street!' they're more likely to stop and think, 'What's the evidence for this?' This means that when there are hate campaigns and lies spread about me (and there are, from time to time) my core audience sees through it and sticks around

I have very good mods! Big shout out to all the lovely people on r/philosophytube and all the people who moderate my livestream chats!

I have a social media manager who can look out for hate and pre-emptively guard against it

I don't hitch my brand to other people. I sometimes do little collabs or appear at events with other creators but for the most part I fly solo. That means if another creator blows up or posts something awful I minimise my chances of cancellation-by-association. I'm friends with lots of creators but for the most part I keep it behind the scenes (Learned this one the hard way!)

I'm not a sex worker. Those people get hate like you wouldn't believe - the sex workers I know are the toughest folks I've ever met!

I'm not very fun to bully! I do get death threats and hate campaigns and people make fake porn of me and libel me and all that stuff - literally every day - I just never talk about it publicly so trolls don't get the satisfaction of seeing me get upset. I just mute and block and move on silently. When I have to talk to a lawyer or the police about someone causing a problem, I handle it behind the scenes

Platform size. When TERFs in British media go after someone they tend to pick on people smaller than them, cause they're bullies.

I built my platform slowly, so I've had time to adjust and get used to how it impacts my life

People have tried to cancel me in the past and it's blown up in their faces, e.g. the Trump Transition Tweet Incident and the B*ck A*gel Affair.

To be absolutely clear, a LOT of this is luck and privilege. I'm not trying to blame the victims of online harassment: yes, some of these factors are things I choose to do but not everyone is able to make those choices. It's also the unwinnable game of respectability politics: yes I might get less hate because of the way I dress or whatever, but fundamentally that won't protect me if I get arrested and sent to a men's prison. These things aren't a substitute for a more just distribution of power. There's also this final possible factor:

It just hasn't happened yet.

[reallyromealone]

We want more of this please 🙏🥺

https://www.tumblr.com/reallyromealone/735239715115106304/i-can-already-imagine-what-will-jean-and-barbaras

Title: meeting the in-laws

Fandom: genshin impact

Warnings: male reader, fluff, innuendos

Notes: none

☁️🩷☁️🩷☁️🩷☁️🩷☁️🩷☁️🩷☁️🩷☁️🩷☁️🩷☁️

(name) was jovial with his life, his beloved husband even going as far as to build a small temple for (name) in the grand mansion they lived in. Pantalone learned fast that fancy gifts didn't hold the weight that love and time did, the spectacled man often making time in his busy schedule to make it home for dinners or lunches when he could, of course never leaving without some loving from his sweetheart.

"A letter from my sister's!" Pantalone learned that (name) was the middle sibling of three, a younger sister who took his mantle of Deaconess at their church and an elder sister who was a knight, something that made Pantalone hesitant "they wish to meet you!" His precious bunny seemed over the moon that his beloved family wanted to meet his husband "they couldn't come to the wedding so they wish to meet you! They're coming to visit next month!"

Pantalone didn't know how to approach this, his sweet little snow bunny so happy that his sisters were visiting but he knew them both and knew the elder would be at his throat in a second...but not if (name) was present.

He was like a cute little shield.

With each day passing (name) could barely keep his excitement contained, Pantalone having to fuck the energy out of the other to keep him less of a tornado.

"They're here!" (Name) said rushing down to the foyer to see his two sisters in winter attire "(name)!" Barbara squealed as she ran to her older brother who beamed "how are you (name)?" Jean asked she looked over her younger brother who beamed "I'm great! Come in come in! I want you guys to meet my husband!" The two sisters were sceptical, they saw the wedding photos that were sent and were less than impressed that (name) was stolen by one of them.

"This is my husband, pantalone! These are my sister's, Barbara and Jean!" The two sisters glared daggers at the fatui who in turn smiled charmingly, though the two could tell it was smugness "pleasure to meet you both, (name) speaks quite highly of you both" Pantalone said cooly as they went to the parlor, the room warm and inviting as (name) put photos of family and events, weddings and birthdays in ornate frames.

"He has spoken of you as well" Jean said through gritted teeth as they sat down "big house... You two planning on children with a house this grand?" Barbara asked absentmindedly, knowing (name) wanted little ones "maybe in the future, for now I just want to show (name) all I have to offer" he wanted to be able to do lecherous acts wherever he wanted without little eyes watching. "(Name) wants many children, think you can handle that?"

"As long as my beloved is happy" (name) happily slipped his drink, fully unaware his family were all arguing Silently, passive aggressive remarks and rage from the sister.

(Name) showed them everything, Pantalone investing in a whole large room for (name)s prayers and such, it was quite beautiful as if it were a micro version of the one back home.

"(Name), are you happy?" Jean asked earnestly as (name) beamed "I never been this happy, he's wonderful..." He said softly as pantalone had to leave to work, he was a busy man after all.

"Just... Please visit us sometime, promise?" Barbara asked softly to her older brother"of course barbs"

It was ten months later when the two sisters,

Received a letter with a photo, it was (name) and pantalone with a little one year old, a precious little girl they adopted and (name) was beaming ear to ear.

Pantalone was just happy (name) had something to focus his attention to while the banker had to attend his work, banking and other activities.

"Still hope pantyloner stabs himself in the foot" jean grumbled as she framed the photo, focusing on her brother and nephew.

[xbomboi]

i wonder if people actually realize that darling and dexter being twins was a retcon

if it were up to me, they’d have always been presented as twins from the start, because that’s just way better imo, but i’m not CEO of Mattel so it’s NOT up to me and we have this weird inconsistency.

i mean, first of all, the start of the tv series already includes that weird period of time where darling just straight up Does Not Exist because at the end of the day this is just an extended toy commercial and there wasn’t any toy to advertise yet.

when darling WAS, however, introduced into the show, she strangely interacts with DARING more than she ever does dexter, despite her closeness to the latter that’s established as early on as her doll’s diary. my personal guess as to why that is has to do from the show capitalizing heavily on darling’s princess charming gimmick of being a girl who’s a knight, and as a result, benefited from portraying the fact that she and daring are, in a way, foils to each other.

anyway, when darling’s doll released, her bio listed her birthday as November 16th. dexter’s birthday had already been established as the 11th of February, so at this time, darling was not intended to be his twin.

and we can see this further shown by the word choice in darling’s diary. she refers to daring as her “oldest brother” and then goes on to refer to dexter as her “older brother”. which, sure, a twin can be older than the other, but in her doll diary, she’s gonna call him her twin if they want us to know that they’re twins.

i’m not sure exactly when the earliest instance of any official media referring to darling and dexter as twins was, but if my memory serves me correctly, i believe it was a post from the official Facebook that had stated they were twins. again, don’t quote me on that.

this discrepancy is important to me as someone who has to constantly fact check lore and timeline of events, because it very much so impacted Ever After High media released prior to the twin retcon’s ability to hold up. as far as I can remember, a good amount of the books were written under the initial status of darling’s birthday falling on 11/16 rather than 2/11 with dexter, the Susanne Selfors books coming to mind in particular. but i could be wrong, because i’m not going to reread all of those books just for this post.

the updated birthday for darling ended up being the one they stuck with. a brief scroll on the official Ever After High Instagram page will show as much, with birthday posts for dexter & darling on the same day. there is the tidbit of information that dexter is still older by a few seconds (not sure if this was ever officially stated, i’m only going off of the wiki for this one detail), but i honestly think that’s only included as a way to try and rectify the past instances of darling or possibly anyone else referring to dexter as her older brother.

as of today, it seems like everyone understands darling and dexter to be twins, and if they are familiar with the past retcon, they prefer the twin change and are glad it was made. i’ve never witnessed anyone say anything like “ugh, i really wish they wouldn’t have made darling dexter’s twin and kept her younger!!”.

still, it’s interesting that it happened. i call it what it is: a retcon. and most people hear that term and associate it with negativity. which, to be fair, in terms of writing, it more often than not absolutely is. but in this isolated case, despite it making some of the supplementary pieces of media for the series confusing (though the show and books/diaries take place in a different continuity anyway), i see this as a good thing. right off the bat, it makes less sense to me that the Charmings would intentionally go on to have not just one but two other children individually after daring with him being the successful golden child they wanted. it makes more sense that they decided to have one other child just for the hell of it and happened to end up with two.

also, and i don’t have the source for this so i’m just going based off of memory, apparently the grade-level cut off isn’t in the fall in the Ever After High universe, because daring, dexter, and darling are all intended to be in the same grade according to what i believe was one of the writers or producers or something of the sort for the tv show. and i make that conclusion about the cutoff not being in the fall because daring’s birthday is April 2nd, and since he’s older than dexter & darling, they’d have been born in February of the following year, meaning in order for them to be in the same grade together, the grade level cut off couldn’t fall anywhere within the roughly nine months gap between April to the next February. which, if you’ve done the math, you’ll have realized must mean that either the cut off for the next grade either falls sometime late February anywhere after the 11th, is on the 1st of April, or is any day in the month of March.

darling being in the same grade as daring and not a grade (or two) below also makes daring and rosabella work considering that, being her roommate, rosabella would be in whatever grade darling is in, and were she to be anymore than a grade below daring, there’d be a questionable age gap. not to mention with darling herself and apple. jesus. so it’s definitely a positive that’s not the case. and to anyone who may have been confused before, this is also why dexter can room with a character like hunter, because he too is in the same grade.

or maybe this is a show for babies and nothing matters.

[orphiclovers]

Yoo Joonghyuk's timeline (approx.)

The scenarios start when he is 28 years old. We know this from the first time Kim Dokja activates Character Summary, so at least that's for certain.

And we actually get his POV of the first time he went through the first scenario. Here's what World Of Zero has to say for himself.

There's a couple of things here. When he talks about 'discord between teamates and director's high-handedness' he's talking about events of Yoo Mia side story, which he said happened 'years ago'.

Since then, he has stopped going out of the house, so, become a shut-in, and is 'staying under the radar'. Presumably, he's not working as a pro-gamer anymore.

One other thing he mentions is that his sister was left to him when he was 'on the fast track to success'. More on that later.

Here he quickly summarizes his whole pre-scenarios life, skipping some details. All of this is expanded on in yoo mia side story, but it's nice to have corroboration from the main story.

Onto Yoo Mia Side story. Let's say it happened 3 years before the start of the scenarios for simplicity's sake, since that's an amount of time that could be described as 'years ago' while also not so long ago that the media would have forgotten him completely. So Yoo Joonghyuk would be 25 years old in Yoo Mia side story.

He had been on Team Ash for 3 years total at this point, since he was 22 years old. A year into his gaming career with Ash, at 23, he got a big break and became famous.

This must be around when he got Yoo Mia left at his door.

If she wasn't a newborn, she was still very young. I think if she was 1 year old at the time, she would be 3 years old in Yoo Mia side story and 6 years old at the start of scenarios, which makes sense to me. She already knows how to talk in Yoo Mia side story, but her sentences are quite simple and she baby-talks a lot, which would match the development of a 3 year old. Kang Woohyun seems to think her language skills are lacking for her age, but that's probably because she (is implied to have) some kind of speech impediment.

(This would mean post timeskip, she's the youngest transcendent in history at 9 or 10 years old. Also, she calls Gilyoung and Yoosung 'oppa' and 'eonni', meaning they are older than her. If they at 11 years old and she is 6, that tracks.)

One thing that makes no sense is that Yoo Joonghyuk says she's 'about 68 cm tall'. That's the height of a 10 month old baby, which she definitely isn't, as she walks and talks and eats solid foods. I'll assume Yoo Joonghyuk is just bad at judging heights and leave it at that.

Back to Yoo Joonghyuk.

Here he is reminiscing on meeting Park Jinsang 3 years ago at 22 years old.

Before that, he was at his first 'workplace' - Director Kim's camp. This is his earliest memory, as Zero tells us, the 'illegal work site' he conveniently spawned in.

He worked there for an unknown amount of time until Park Jinsang took him away. Probably somewhere between a couple of months and 4 years, since the impact it left on him leads me to believe it wasn't less than a month and it couldn't have been much before he was 18, since Zero says this and he's probably right.

Yoo Mia side story Yoo Joonghyuk says it a little differently, that he 'doesn't remember when he started living alone.'

I interpret this as his first memory is still spawning at Director Kim's camp, but he just assumes there must have been something before that, as he's younger and less shrewd than Zero and hasn't accepted the supernatural nature of his amnesia.

Okay, there's one more thing and then this damn post can be over.

Yoo Joonghyuk at one point calls his past with Park Jinsang his 'teenage years' when he would have been over 20 at that point. If this isn't a translation error, I think Yoo Joonghyuk is being hyperbolic here in that it feels like 'teen years' to him as it's his earliest memories and he was a lot more naive back then. It's the only way I can figure it all making sense in a cohesive way...

Aaaaand that's it! Yoo Joonghyuk's life from around 18 to 28 years in reverse chronological order :P

[covid-safer-hotties]

Hi! Sorry if this is a dumb question, but what do you know about reusable covid-safe masks? I've never stopped wearing the fabric masks, but I'd like to step up my protection. I'm also just worried about all the trash single-use masks will produce -- I want to be environmentally responsible too -- but a lot of mask resources don't seem to specify much on reusability/washability. I'd be really grateful for anything you can send my way.

First off, reusable filters don't offer enough protection. You need at least n95 rated material, and washing it breaks it down and removes its electrostatic charge, rendering it less protective. There's no 100% earthy-crunchy green way to give yourself adequate covid protection. What elastomeric masks do, however, is reduce the amount of waste in reducing filter size. This also brings the cost of filters down in most cases. Some companies exist that recycle masks too, but I only have links Canadian examples and I don't know where you are.

There's a lot of elastomeric masks out there. 3M has over 3 dozen n95 or p100 models to choose from. There's even forced-air options if you wanna go for the absolute best protection, but in all but the highest risk and research covid scenarios, it's major overkill.

Because I don't know you or your measurements, I can't tell you what mask will 100% fit you. Personally, my everyday wear is a big-nose model Flo Mask, and for high risk scenarios, I break out my MSA Advantage 300. There's dozens of models and levels of protection out there ranging from full face, forced air respirators to the thong-like B99 B2 that only barely covers my mouth and nose. The zero covid reddit might be a great place to ask people for recommendations based upon your concerns with fitting an elastomeric to your specific face type: low/high bridge, shallow/chubby cheeks, and chin size all impact which elastomeric is likely to get and keep a good seal in use. You might have to buy 2 or 3 before you find *the one* is a problem you may encounter, but of all the elastomerics I've seen, Flo Mask has the best general fit and would be a good starting point.

Basically, even disposable masks will prevent you using even more resources and plastics and such by keeping you healthy and out of the hospital. Someone who uses and throws away 2 or 4 masks every couple weeks (depending on your specific needs, could be a little more if you like sweat at work a lot or something) is far less impact than a ICU stay for covid. Also, you could help prevent covid *and* offset everyone's mask waste by eliminating Taylor Swift since she flies two private jets to all her events which spread more covid than any other superspreader event. (For legal reasons, I am joking)

[imbecominggayer]

Writing Exposition And Info Into The Story

This specific post is for @loverboyxbutch who has asked for multiple things with multiple caveats so we have to absolutely get this perfectly answered!

Question One: Exposition And Letters

The quote: I was wondering if you had any advice about telling part of a narrative through things like letters or diary entries?

There are two different ways to incorperate diary entries and letters. It all depends on your formatting

You could have the person's letter be an actual quoted segment of the letter so the reader could physically read it or you could have the basic information be relayed to the reader by the characters.

Neither way isn't better than the other but they do have different pros and cons.

The benefits of quotes is the fact that it allows the reader to see the original writer's personality to come through in their writing. The con is the fact that this quoting can quickly get out of hand and the information is kinda under the emotion.

The benefits of characters relaying the information is the fact that this cuts down on flowing emotion. All the information is laid out there! The negative is the fact that this information lacks emotion and personality.

Objectively speaking, expositio is best gathered through story since it's more natural without having to do an infodump!

Question Two: Balancing Emotion With Info

Quote: "I’m not too sure how to balance the realism and emotion with the information that needs to be displayed."

Remember, realism in stories is less "factually accurate" and more "consistent within itself".

In this case, realism in information is "would this character say this" and "how would this character say this"?

Audiences hate "infodumps" because it feels like the character's personality has turned off and now a college professor is speaking.

So it's definitely important you maintain a character's unique voice and personality when reporting on information. However this can lead to some unreliable narrating.

Ultimately, a character's emotion trumps all else. If a character doesn't have a personality that would reveal all this information in an objective way then they will hide stuff or tell the information in a way that validates their own perspective.

However, in the case a character is willing to reveal information without trying to impress their ideology and beliefs onto your character you need to keep in mind what a character could reasonably know and care about.

Two characters could know the same information but prioritize others. For example, D might focus on the damn bread prices rising again while C is focused on the official's death.

Question 3: What Context The Reader Needs

Quote: "I struggle to imagine how much context the reader would want or need."

This is definitely the hardest thing to answer since this is a highly case by case basis but I will try.

The best universal measurement for what a reader needs to know is how much a character needs to know.

Your characters have information that the readers don't have and the readers have information that the characters don't have but readers don't want to know everything.

Readers need a little confusion and curiousity so they will keep reading and investigating.

The key is to get enough information out there that readers will be emotionally incentived to chase after the rest.

For Worldbuilding, unless this information directly impacts the characters then unfortunately readers just wont care about all the little details.

For future events, forshadowing and outlines are your best friend. You can also use an unconventional story formatting by having "flashbacks" be imbedded into the story as their own individual chapters.

For characters, you can use the "show, don't tell" method. Characters who aren't actively trying to deceive others will lay their personality on their clothing, their face, their room, their friends, and the way they speak.

I hope this was informative @loverboyxbutch . I genuinely appreciate your constant support and I wanted this to be an amazing post for such an amazing mutual :)