Most children, once they've grown up and moved out, sometimes come back to visit their parents to use their house as a sort of personal grocery store
And with Bruce being a literal billionaire whose house is always stocked with food and supplies, the batkids (that aren't living in the manor) definitely visit just for the purpose of taking shit for themselves.
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For Dick, it's just small things, food and maybe some utensils. Bruce is barely in the kitchen so he never notices dishes go missing, and there are like 10 other children in his house so literally any one of the younger kids could've stolen food in the middle of the night, so he doesn't bat an eye at all.
Babs probably steals Bruce's hardware or his tools from the batcave. Sometimes, if she's nice, she'll leave a note.
Steph probably takes shit that no one will notice at the time but will absolutely be annoyed about when they need said thing. Stapler, soap bars, the microwave plate, etc...(Taking after Jason, she steals the hub caps off the batmobile's tires)
However, for Jason, once his relationship with Bruce is somewhat decent, of course he's gonna be petty and start stealing the more expensive shit in the manor for his apartment. Jason's microwave is broken? The next day, the cave's self-made and enhanced microwave made by Bruce for convenience is just gone.
Jason's feeling a coffee maker for his place? The one in Bruce's study disappears, too.
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At first, Bruce thinks he's just sleep deprived, but then much bigger things start to go missing, like the whole TV and couch set in the living room. He assumes the younger kids are just playing pranks on him (sounds like something Stephanie would do) but then Bruce notices that the thief deliberately avoids stealing things from the kitchen, which is where Alfred is most of the time, and suddenly Bruce has an irritated clue on who the culprit is.
At first, he doesn't say anything, until one day he comes back, tired from a patrol, and is about to log in all the info on the computer only to realize his batchair is gone. That's when he texts Jason a blunt "If you really need things for your place, you can just ask me. I'll buy them for you." (As if Jason himself isn't loaded from his totally legal activities)
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So now Jason's pettiness levels increase tenfold, and oh, wouldn't you look at it, his bike needs some new tires, and he knows a great place to get some more.
One night, Bruce is just blearily getting up for a late night snack, only to see Damian scamper away with a...lamp? So Bruce immediately follows him into the foyer only to see ALL of his kids (sans the ones not living in the manor), trying to haul two arm chairs out the window, and they just stop dead silent to stare at him until someone whispers a nervous "Crap"
Bruce doesn't even have any energy to fight, he just pinches his nose and is all "What is the meaning of this" in his tired dad voice. And Duke meekly responds with "we wanted more chairs at Jason's place"
And suddenly it all makes sense. Not once did Bruce wonder how the HELL Jason managed to lug a whole 60in TV and a full couch set on his own in one night. Of course, he had accomplices. Bruce just turns right around and goes right the hell back to his room to sleep. He'll deal with this in the morning.
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So… I’ve been turning all this over in my head since last night, and I wanted to make a post about vampiric transformation as sex, and how it’s being used in wwdits as a metaphor for sexual repression, sexual freedom, virginity, and cuckolding.
Before I even get into the obvious metaphors about virginity and cuckolding, I think we need to talk about the elephant in the room. Guillermo’s sexual repression and how that’s come to find an outlet in his vampiric longing.
Guillermo is highly repressed, sexually speaking, but I don’t think he’s asexual. He’s shown interest in sex several times, but in an uncomfortable “this can’t be for me yet” kind of way. He was clearly raised Catholic and has internalized a lot of that shame re: sex, especially gay sex. He wants intimacy, but he’s also internalized the idea that wanting these things is dangerous and shameful.
But… the vampiric world seems to symbolize all the things that Guillermo wants but cannot have. He wants to be strong, powerful, attractive, and sexually liberated. As much as their openness about sex embarrasses him, there’s a certain longing there, too. He didn’t just want to be handsome as a vampire — he explicitly used the word “sexy.”
A vampiric Guillermo is a version of Guillermo that gets to have sex. Loudly, proudly, and without shame. It’s a version of him that is wanted, that wants, and who gets to have the precise kind of intimacy he's always craved.
Now, how much Guillermo has actually done sexually is still up for a lot of debate in fandom, but I think that’s kind of immaterial. For most of the show, Guillermo clearly wasn’t having the kind of intimacy that he wanted to be having, and he only started to even begin to allow himself to seriously consider all that in s4, when he got a boyfriend and came out to his family.
As being gay and wanting to be a vampire.
Guillermo is finally starting to own both his homosexuality and his vampiric life, and that means he’s finally starting to explore sex.
Now… At the end of s4, I talked about how Guillermo going to Derek in the finale had the air of a person who’d been fantasizing about losing their virginity in a certain way all their life — but then they finally give up on those dreams and hire a sex worker instead. There’s a resignation there in Guillermo that he couldn’t get it “the old-fashioned way,” he’s disappointed and jaded when it comes to intimate relationships, and now he’s tired of waiting for love and just wants a business transaction.
I wasn’t quite expecting for them to push that metaphor even more in s5! The money aspect was almost forgotten (Did… Derek even take the money? Why is he still cleaning toilets?) but the scene with Derek biting Guillermo was clearly a metaphorical virginity scene.
Guillermo’s nervous eagerness, his growing realization that this wasn’t actually the way he wanted it to happen. Asking Derek if he’d ever done this before and figuring out if he was “ready.” Taking off his clothes (that his grandmother got for him, even, that’s a whole meta post right THERE) and trying to make the vibe “right.” His insistence that though Nandor had never done this for him, they still had a caring and intimate relationship.
But… it was also a metaphor for bad sex. Many people lose their virginity in a way they don’t find satisfying, and Guillermo definitely seems to fall in this category. It was awkward, it was bloody, it hurt, his partner didn’t listen to him, they weren’t on the same wavelength, they didn’t connect, there was no emotional bond, and most importantly, he didn’t feel changed.
Like a lot of people do, Guillermo thought losing his virginity would change him. He’d be cooler, sexier, more powerful. His station in life would change. He’d become an adult his ideal form. But he’s still just Guillermo.
As he told Laszlo, as soon as he did it, he regretted it. He immediately knew that he’d been right, that this wasn’t the way he wanted to do it. He wanted to do it with someone experienced who loved and cared about him, who listened to him, and he wanted that person to be Nandor. But he wasn’t patient, he paid an inexperienced acquaintance for a one-night-stand instead, and he was left feeling deeply unfulfilled.
Most upsettingly, he immediately discovered that, like virginity, you can’t lose it twice. He can’t just have a do-over with Nandor now. He’s given something up that he can’t give to anyone else, and he’s going to have to live with the consequences.
Because like sex for humans, transformation has social implications in the vampire world. It can only be done in very specific situations. Guillermo seems to have grown up in a human world where sex should only be happening within a heterosexual marriage, and now he’s finding that in the vampire world, transformation is only supposed to happen between a master and familiar currently in a contractual bond.
So… him going to Derek and finding “outlet” in another relationship, so to speak, is effectively vampirically cuckolding Nandor. He’s given that honor to another vampire, which Nandor seems to find both vampirically humiliating and personally hurtful. It would in fact hurt him so badly that he would probably not survive it, in Laszlo’s words.
(There’s also definitely an element of an abusive “if I can’t have you, no one can” vibe in Nandor’s threat to kill Guillermo and then himself if Guillermo got what he needed from another vampire, but since when have we ever liked them well-adjusted?)
Guillermo is realizing that, as much as he’s been thinking of this in sexual terms, so have the vampires. He thought he was the only one who thought it was a big deal. He thought he was the only one placing intimacy and partnership and loyalty into this event. But now he’s realizing that as much as it meant to him, it might have even been a bigger thing for Nandor.
For Guillermo, vampirism-as-sex represents the idealized transformational aspects of losing your virginity. He’d built up this big event in his mind that represented his intimate bond with Nandor, he’d built up this idea that the event would change him, would make him better, would make him free. But he’s finding, like many first-timers do, that sometimes it’s not transformational. It’s just awkward and disappointing and the only thing that’s changed is that you ache in the morning.
He still doesn’t have the intimacy he wanted. He still doesn’t have the ability to be loudly himself. He still hasn’t been able to fully own his sexuality and ask for what he wants. He wasn’t ready. He didn’t enjoy it. He regrets it.
He also regrets it because now he knows it will hurt Nandor and the relationship they’ve built. Because for Nandor, vampirism-as-sex represents the societal aspects of sex. The rules people follow. The societal humiliation you feel if you’re cuckolded. The personal agony you feel when you’re cheated on. The sense that your home is broken if your partner goes to find satisfaction with someone else.
Guillermo, who has had to deal with societal disapproval of his desired type of sex in the human world his whole life, was viewing vampiric transformation as a way to be free of all that. The shame and the repression and the societal penalties for being himself.
But he’s just found himself in a mess of new rules, hasn’t he? Different culture, same struggle. And while the vampiric world has always symbolized a sexual liberation that both repulses and attracts Guillermo, he clearly doesn’t have as much freedom here as he thought.
So… to sum up, Guillermo always kind of thought of transformation as losing his virginity. He associated vampirism with sex, and he thought this would be his entrance into the sexual world. He wanted to have an intimate experience with Nandor, but eventually gave up on that and decided to pay for it — and then immediately regretted it, both because he found it personally dissatisfying and because it came as a betrayal to the man he loves.
The problem is that he thought he was the only person thinking of it as sex — he didn’t realize that Nandor does, too, just in a very different way.
Nandor was also thinking of vampiric transformation as this special act, and one that belongs only to him as Guillermo’s master/partner. He was thinking of it in intimate terms, but also in societal partnership terms. He’s thinking of his household, while Guillermo was thinking of things on more individualistic terms.
If only they’d both talked about all this shit even once. :’)
But that’s not how we do things here in Staten Island!!! We just long for things ineffectively, keep secrets, and fuck everything up!
(There’s also a whole thing here about how Nandor wasn’t keeping his side of the relationship bargain and that’s why Guillermo looked elsewhere in a moment of weakness, but I guess that’s probably a separate post. This is long enough already.)
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