#this is really just the intro for the first book

[meo-eiru]

What's ur inspo for art? ur art style is so cute... any art advice?? Jajsjdkkaka, I understand if u wanna gatekeep 👁👁

I meant to answer this several days ago but couldn't find it in the sea of asks welp

Anyway as I mentioned before we don't gatekeep art related stuff in this household, artists help other artists.

Honestly it's hard to name an inspo but I do have artists I look up to a lot (this might be a bit long)

Kanisuke, you guys might be familiar with her, she's the artist of the upcoming yandere inside game Yandere Town. I know it's not out yet but I'm actually obsessed with this game and have even translated all the character intros (they are a bit old atp so there might be some mistakes) and actually if you see a Yandere Town related post high chance it's from me. Not only her art but I love her writing style as well.

Hakuri-sensei, their manga Sachi iro no One Room is definitely one of my biggest inspirations. I love the relationship between Sachi and her "captor" and it's the only manga I actually cried my eyes out while reading.

Tayu-sensei, all of their work for Yuugen Romantica (one of my fav drama cd series) are breathtaking and they've also developed even more since then, their current works are just so stunning and I love studying the way they draw hair

Shirahama-sensei, she👏is👏a👏queen👏 honestly I don't have much to say, go read Witch Hat Atelier it's an artistic masterpiece and a giant love letter to art itself

Furumi-sensei, another queen! She's the artist of my favorite Fate Grand Order character Ashiya Douman. I've even bough her art books before, honestly she is just so talented. I don't know what she was drinking when she came up with Douman but I need some of it

Usagi Routo-sense, another fgo artist AND JUST LOOK AT HOW INCREDIBLE THEY ARE AT USING COLORS LIKE??? HOW??? Their art is like cocain for my eyes I could look at them for hours

AU, one more fgo artist and oh my god guys this person right here is one of my biggest inspirations just look at their drawings. I'm not kidding I actually spent hours just inspecting how they shade outfits. I'd sacrifice my soul just to get a chance to watch them draw live

☝︎ FAN, an Ashiya Douman fanartist and god guys the comics they draw!!! They are the cause of some of my current biggest fetishes ngl

Oyo-sensei, an fgo artist and is also the main artist of 18trip. They have such a clean art style that's very pleasing to the eye. I especially love the reference sheets they draw.

Shibatora-sensei, she is the artist of my FAVORITE drama cd series Shinai naru Thanatos and my overall favorite yandere character from any fiction Seo Eito. Honestly if you know me irl probably the first thing you'd mention about me would be my chronic Shinai naru Thanatos addiction because based on what everyone says I start speaking about it within 2 weeks of meeting someone new.

ORKA, the artist of A Stepmother's Marchen. Anyone who knows that manhwa probably knows why she's on this list, her art has so much soul and passion in it, literally every single panel looks like a painting and it makes me want to cry just looking at it

82 Pigeon, an incredible incredible Korean artist, I think they also give art lessons? I really tried to get them but couldn't figure out how. They also have a youtube channel and I learn a lot just by watching their speedpaints

[sarahreesbrennan]

I remain mad that Long Live Evil doesn’t have a movie because I want to edit the characters so bad. What do you mean I can’t make an edit of Eric with the intro of ‘The reason I walked in like I own the place is because I do.’ and the song is Brat by Charlie XCX??? This is ridiculous.

I thank you and I could see it!

Long Live Evil is the book I ‘see’ most of all my books in a cinematic way because I was thinking so much of adaptations as I wrote it. Not of getting an adaptation (though it would be nice, wouldn’t it!) but of how stories change in the telling, as they did with oral tradition and bards back in the day. But as they do now mainly from being transformed from one medium to another.

And that transformation necessitates change. Even a good and considered faithful adaptation should bring with it the change of needing to work in a different medium for a different audience, and the change of another person’s vision altering the telling.

I’m not just talking movies or TV shows in Long Live Evil but plays - we have a major playwright character, we start off with a Richard III epigraph and have innumerable Shakespeare references thereafter - plus references to Greek plays, the chorus, and catharsis - plus musicals and pantomimes (I tried to foreshadow in such a way that some would be surprised and some would spend much of the book yelling ‘behind you! The narrative doom is BEHIND YOU!’).

One major thing shouted out in the acknowledgements was Wicked, a musical that is very different from its book (I really enjoy both), which is getting a movie adaptation I’m interested to see, and which is full of villainous sympathy and joie de vivre. I believe Wicked foreshadowed the runaway success of Frozen.

Musicals are also a refuge for joy and camp in an increasingly self-conscious world of story. I was talking on… sigh… X about the change of Oswald Cobblepot’s name to Oz Cobb in ‘the Batman’ universe and I said ‘everyone is afraid of being cringe, and tbh I think being afraid of being cringe IS cringe. Let’s get a little silly sometimes. Let’s be wild and overblown and sincere.’

Musicals DO that. They have to, by their inherently artificial nature - we can’t pretend people burst into song and dance numbers - and that gives them a certain freedom. I love a musical. I went to see the Vampire Lestat the musical and The Lord of the Rings the musical. I can’t be kept away. The second-most-common note from my critique partners was to get rid of the musical in Long Live Evil and I just couldn’t, as the musical was one of the first seeds of the story, and it said what kind of story I wanted it to be: a joyful celebration of art that wasn’t afraid of anything. Including being cringe.

… I’ve wandered off the point I fear. I would also like to see an adaptation! Love an adaptation.

[serenanymph]

wip intro - beast

A single feather drifts from within the boy's bloodied cloak to the ground, floating, dancing on the wind. Pitch black, stained red, exactly like the ones Crys had seen earlier on the trail. Silence. The world holds its breath, both of them staring at that feather on the ground, a single second stretching out into eternity. “Oh,” the boy says weakly. “Shit.”

GENRE: YA high fantasy

POV: third person, multiple, present tense

STATUS: book 1 on hold (final draft), book 2 ongoing (first draft)

FEATURES:

found family and large casts

queer characters of various flavors + background romance

sarcastic one + ray of sunshine one

chill lesbian + disaster lesbian

undead creatures!!! cool magic!!! shapeshifting!!!

a Journey

discrimination, eventual rebellion, lots of blowing stuff up

telling each other to practice self-care while not practicing self-care

and a protagonist who doesn't really fit the 'hero' or 'chosen one' role

SYNOPSIS:

There are monsters in the woods.

Beasts have been at war with humans for centuries. The children of Katas himself, they are shapeshifters, magic wielders, and the source of the Witchrisen that has been plaguing Kosei since time immemorial.

For Crys Averwell, a human boy from a backwater village, there has never been any reason to doubt the old legends. However, when he stumbles across a wounded crow-boy in the woods whose wings have been brutally hacked off, everything he knows is thrown into question.

On the flip side, Icarus Kal-Nira is wingless, weaponless, and stranded miles and miles away from home, with no way to get back. If he wants to survive, he's going to have to trust Crys.

Quite unfortunately, that's the easy part - because when the entire world hates Beasts, a single ally won't be enough to grant an edge. And as time goes on and threats increase, it's only going to get harder for Crys to hide Icarus's existence from his village...

POV CHARACTERS

Crys Averwell - 16, human, archer. sharp tongue and even sharper wit. walking personification of "I'm fine", needs sleep and therapy but is getting neither because I keep putting him in Situations

Icarus "Ink" Kal-Nira - 17, Beast (Crow), dual-wielder. ray of sunshine and genuinely the nicest person to ever exist. giant golden retriever energy. Trying His Best

Dahlia Reistveil - 17, human, daughter of a tavern-owner. Crys's childhood friend. often seen as the Mature One, but underneath all that she has a boatload of her own Issues

Beatriz Das-Reille - 16, Beast (Crow), Icarus's sort-of-but-not-really-little-sister. fast flier, wields a rapier, and is made up of only anxiety and more anxiety.

taglist (lmk if you want to be +/-): @sapphos-scientist

feel free to browse through the gen tag in which I reblog everything from inspiration to resources, and occasionally actually post something! I'll probably make a proper long page later on and sort out the tagging system, but until then you just get this.

[pasdetrois]

on the bachelor and resurrection

Thinking about how the concept of resurrection is touched upon in Daniil’s routes, and how the Marble Nest makes something of a mockery of it, casting him into the role of both resurrectionist and the resurrected. The man with an affinity for the living trapped in a cycle of communing with the dead..

+ the reminders that neither remaining nor returning shall constitute anything akin to a victory for him—just a trick mirror and, if you'll forgive the pun, a dead end

(p.s. the original marble nest line is a bit clearer in this connection, where the word for Sunday can also mean resurrection)

[khufiya-khaufnak-antariksh]

So earlier today I introduced some of my WIPs to some new people, and I realised that many people might not be familiar with those two WIPs.

Kriya Petri: fantasy (with body horror & dystopian elements). Setting: A country called Fillor on a planet called Thuluke. In Fillor, to bind yourself to the one you love, you require a trinamate potion to seal the bond. 'Trinamate' is marriage (though that is a rather crude translation of the word). But to get a trinamate potion legally, the couple needs to be… acceptable. A man and a woman who plan to have at least one child. Yes, it's been 1000 years since the global apocalypse, but 'sufficient reproduction' is still a concern among the Filore people (plus it's a moral virtue for the Divine Monarchy, who reside on the cloudlands, with an iron grip on the institutes of Fillor). A potioneer wants to elope with their lover, but the pair is, let's just say, not acceptable. So what are they to do? The potioneer brews a trinamate potion on their own, finding the closely guarded methods & ingredients for the potion through who-knows-who, bunch of shady people. The potion explodes. The potioneer knows the punishment for something like this. They'll be condemned to Kaewoe (so will their lover, if anyone finds out), a realm so deep below the ground that it's close to the core of the planet. Kaewoe, where the mind & body are destroyed by the horribly high concentration of magic. Kaewoe, the names & lives & loves of all who enter it, all slowly turned to unknowledge. Good thing stealing identities is absurdly easy in Fillor! The potioneer wipes all memory of their crimes & love (or else the Thought magicians would know), flees to the city of Naebo. Their name is now Kriya Petri,

.

Welcome To The Real World: scifi, fantasy, surrealism, horror, tragedy

This one's in very early stages Inspired by Frankenstein Setting: The Great South Asian Rip in Reality, where physics (time & space both) is just completely twisted. The year is sometime in the 2070s. Sometimes it's the 2040s outside the Rip. Depends when/where you step out. Moh-maya, reality's very fabric & everything that keeps up the illusions that comprise reality, are very malleable in here. Main character: Kabir aka Moksh. A closeted Indian trans man who lives a double life, perhaps even a triple life. One in which he's a cis woman & a regular bright STEM student (STEM studies also include study of moh-maya). Another in which he's just some guy with good friends (the most authentic of his lives), where he goes by the name Kabir & uses moh-maya to present as his true self. If only temporarily. (it's painful, mentally & physically, whenever he has to revert to the female form). The third is some mad scientist bullshit, he's going by the name of Moksh among his fellow mad scientists & his main project is a moh-maya Frankenstein's monster that others can share their consciousness with, such that they can experience shape-shifting more easily & go where they physically aren't, do things they physically can't. Let's simply call it the 'entity'. Due to many reasons, creating this entity is pretty illegal. Hence the new name & collaboration with fellow shady people. the plot, put shortly: he starts doing vigilante justice w/the entity & then goes far & gets more & more consumed w/work & things go verrrrrrryyyyyy wrong despite starting with (dubious but) good intentions.

in this second one i neglected to mention the fact that you, as the reader, get front row tickets to the main character's spiral into madness & justifying murders thru the entity + the entity is a whole person & has opinions + a whole lot of other stuff, I DID mention that this WIP is in very early stages but holy fuck i could go on & on about it (just not in a way that can be packaged in a structured & sensible introduction)

[meduseld]

"Hey! I'm a horror book that sounds right up your alley!"

:))))))))

"Recommended by that horror author you can't stand!"

:(((((((

[nikariot]

I have essentially spent the entire pandemic looking at book-focused social media and just learning more and more deeply how fucking horrible most people’s taste in books is.

[sourcetalkrambles]

Consuming a newer piece of canon source material that you don't relate to at ALL is so funny like. just that visceral reaction of That Is Not Correct

[lightfallensea]

unfortunately if a new door appeared in my home leading to dark and endless hallways with impossible geometry i would be the fool with a gopro getting stalked and devoured by nightmare creatures

[schoenpepper]

A Little Birdy Told Me~

Intro: You have two admirers, and someone spread the news that you're in a relationship with the other. How does it go?

Warnings: bad writing, awful grammar, not proofread, super rushed, one french word idk, main cast minus ortho and lilia

A/N: Super random idea. I spun the wheel of names and paired them all up and thought, huh, what if they were love rivals? Here we are. Super rushed so it didn't make it to my WIP, too lazy to get to that Jamil songfic.

Masterlist

Silver (Vanrouge) vs Jamil Viper

Silver thinks you’ve made a great choice. Jamil is his peer, and he knows that the other will treat you well. He’s responsible, smart, good with- you’re not together yet? But whenever he sees you two, you always seem so happy with each other. Just friends? …Really? Don’t give him hope. Now that he knows he has a chance, he’ll do as a knight should do and fight for the right to court you, after all, his father taught him to go after what he wants in life, and he craves for your affection. So chivalrous and gentlemanly, he’ll have you swooning when he sweeps you off your feet without even realizing it. If you choose him, everyday that you’re together is another day that he treats you like the royal you are.

Jamil won’t fall for rumors that quickly, if at all. A student from Scarabia should uphold its core values, and that means he’ll find out the truth from you without even seeming too interested. Oh, you’re just friends with Silver? Hm, interesting. He’s saying this because he’s a little worried about your reputation, but someone’s been saying that you and Silver are dating. You should clear up the news, right? Hope you’re hungry, because he just happens to have too many leftovers every meal, everyday. Hey, if you’re struggling with that subject, you can come to his tutoring sessions with Kalim, one more person wouldn’t make a difference. If you choose him, you’ll be each others’ reprieve, his oasis in the desert.

Epel Felmier vs Azul Ashengrotto

Epel is shocked, flabbergasted even. Ya’ sure ya’ want that nasty two-faced (omitted bad words)? He’ll come up to you looking like an absolute mess, demanding the truth. He thinks there’s two ways the rumor could’ve happened in the first place, a) that slimy octopus spread it himself, or b) people are just straight up blind, clearly Azul is no good for you. He’ll amp up the antics now because he wants a fair fight, between real men! Y’know, his grandma taught him how to bake a real mean apple pie, you wanna try it? You have class together, he’ll walk you, and even carry your books for you! All that stuff about how beauty and charm can be power too, don’t be surprised when he uses it on you. If you choose him, he’ll make sure to cherish you always.

Azul is panicking. He’ll make an attempt to verify it of course, but oh what if it’s true and you’re actually together with that little—it’s not true, okay yeah he never believed it for a second—stop laughing, Jade! He doesn’t see Epel as competition for your heart, so he might be a tad bit more confident than he should be. That doesn’t mean he won’t further his efforts though. Fancy candlelit dinner for two where he’s both the chef and the person paying? Foolproof notes for your potionology exam? You need a new set of kitchenware for Ramshackle and you can’t afford it? Gosh, all your problems are miniscule, dear. As for repayment, how about you sign on the dotted line? If you choose him, he’ll put up the suave debonair facade before slowly letting you meet the smart, diligent, resourceful, and sensitive little tako in the tako pot.

Vil Schoenheit vs Idia Shroud

Vil doubts its authenticity right away, by the seven, you wouldn’t really choose Idia of all people, would you? While his reasoning is rather condescending, he finds that he’s not wrong at all, it was just some rumor spread by those with nothing productive to do with their time. If you think he’d ever find Idia threatening in a romantic rivalry, you’d be horribly wrong. Might be a little too sure of himself, but he does as he always has. He sends you products he swears are just extra from PR deals (they’re homemade don’t believe him), takes you shopping because potato, your outfit just isn’t it. He even strings you along to some gigs he has every once in a while. Feel honored, he doesn’t do that for just anyone, he’s a world famous model and actor, after all. If you choose him, you’ll always be pushed to be the best you that you can be.

Idia gets it, really. Anyway, how is he to compete with the sparkly and strict Pomefiore housewarden when Vil is practically perfect or whatever and Idia’s—what’s that, Ortho? You did some digging and it was just fake news? Lol, of course Idia didn’t believe the rumors lmao he’s not some normie who just up and believes lies, information literacy and all that, you know? Plus, he’s a genius, so he’d never ever fall for something like that. Doesn’t leave his room even after everything, but you know that gacha you like? Yeah, you have like a bunch of currency in it now, don’t worry about it. Does your daily grinding and in-game events with you, and if you really insist, then maybe he can go out with you to that movie adaptation that just came out the other day. If you choose him, he’ll let you chill with him whenever wherever (plus his wifi’s nuts).

Ruggie Bucchi vs Cater Diamond

Ruggie is confused, or maybe more nervous. Is it true? He goes about his day and pretends everything’s the same as it’s always been. Hey, Cater’s a real good guy, so you lucked out by snagging him, you know? Haha…it’s not real? Oh thank the seven (no he wasn’t about to cry). That threw him for a real loop right there, and it only forced him to own up to the feelings he’d desperately tried pushing back. So uh, if you need a guy to help out with chores, Ruggie’s real good at getting his hands dirty. Plus, if anything needs repairs, he’s never had enough money to call professionals, so he’s gonna be a dab hand it whether it be the pipes or the wires or the gas. If you choose him, you’ll get a lifetime of laughter and smiles.

Cater skips the ‘everything is ok’ thing and gets right to the ‘crying in his room’. He’s good at covering up his feelings, but he really does like you a lot, so spare him if he’s a little sensitive about this, ‘kay? He’ll be back to normal in no time! Anyway, Ruggie’s nice, if not a bit too clever about the wrong sort of things. So Cater hopes that you two are happy…or whatever. Trey needed to barge into his room to break the news because he wouldn’t leave, and there’s just so much relief, like he can breathe freely again for the first time in a long while. He’s bringing you to all the most cammable spots in town, doing things ‘besties’ do while posting all about it constantly. The guy to share memes and try the newest crazes with. If you choose him, you’ll always have fun at the forefront of the most popular things.

Leona Kingscholar vs Deuce Spade

Leona doesn’t even bat an eye. So? Who cares? As if his herbivore would ever choose that blue-haired little punk. He’s correct in his assumption, but also kind of a jerk about it. Another one to not see the rumored person to be competition at all, but hey, it’s Leona, he’s just smug like that (and way smarter than he’s given credit for). While you do deserve a proper courting and all that jazz, he’s not exactly good with words, so his wallet will have to do as a love language. What, you got a problem with that? Of course you don’t, Crowley never gives you anything nice, but Leona’s a prince, you know? 100% uses you as a pillow whenever and wherever he naps, as long as you’re near, you’re cuddling him and falling asleep in his arms. If you choose him, you’ll always be secure, both financially and in his love for you.

Deuce drives down to the beach, and when he thinks he’ll start shouting in anger, he may or may not break down in sobs instead. But it’s a good choice, he admits, because Leona’s tough and he’s got power and money, and Deuce can only really claim one out of those three things. Almost shouts in happiness when you deny the rumor to his face. So like, you’re single? Then how about studying together? He’ll make you proud by showing you a perfect test score, promise! So cute when he tries to impress you by lifting stuff for you, or opening doors for you, or buying you snacks from the cafeteria when the line’s horribly long. Even offers to introduce you formally to his mom (tell him it’s too early). If you choose him, he will literally protect you with his life.

Riddle Rosehearts vs Jade Leech

Riddle believes the news to be preposterous (he almost chokes on his tea). But, he prefers it to be verified before he takes any sort of action, and when you clear up the air during a tea party he’d invited you to, he feels uncomfortably happy. Jade isn’t anything bad, don’t get him wrong, he rather likes the polite and well-kept young man, but Riddle’s a better option, yes? Suddenly, you have your own exclusive throne at unbirthday parties. What did he hear about you struggling with a subject? He’s an outstanding housewarden and NRC student, so he’ll lend you his freshman notes if you wish for it. You really enjoy certain snacks and a specific kind of tea, you say? It just so happens he enjoys them too, so you can expect your favorites during tea time everytime. If you choose him, a structured and dignified life awaits you.

Jade smiles. What, you don’t seriously think he’ll believe rumors, hm? He keeps tabs on you, of course he knows your relationship status. Riddle is no threat to him or his feelings for you and thus he was never worried for a single second (lying liar who lies). Starts to scope out your possible feelings for him after the incident, also a small (big) possibility that he comes up with some overly elaborate scheme for you to confess to him instead of the other way around. Will fool you into thinking you fell first, and will definitely make you think you fell harder. Dinner dates, hikes, camping—he’s prepared for anything and everything, you don’t need to worry, dear. If you choose him (you will, he’ll make sure of it), prepare for a life of adventure.

Jack Howl vs Ace Trappola

Jack is rather despondent; tail hanging sadly and ears flat on his head. He’ll overthink this, and maybe go for a run to clear his head. Well, you and Ace have always been close, but he thought he had a chance. He genuinely hopes you’ll be happy with Ace. All this directly translates to an ecstatic wolf beastman once the fake news is cleared up. There’s no way he’s letting this chance slip through his fingers, not when you’re right there! Do you need help with carrying that? Do you want to work out with him tomorrow? What, you think it’s too early? No problem, he doesn’t mind pushing the hour back, as long as it means he can go with you. If you choose him, every day will be (leg day lmao) another day of bettering yourself and living to the fullest.

Ace is one hundred percent ready to sabotage you. Yes he loves you, and yes Jack’s his friend or whatever, but there’s just no way in hell he’s giving you up. He’s your first friend in NRC, your best friend too! What’ll happen to him when you’re all lovey dovey with Jack? He’s thankful when you tell him it’s fake (that means he doesn’t have to break you guys up haha), and he tries to hint his affection for you through…interesting means. He’ll do things for you but claim you “totally owe him back” (you never asked), he’ll give you random stuff because he just “found them lying around”, and he gets so clingy and touchy but covers it up with friendship. If you choose him, every day will be exciting and new.

Malleus Draconia vs Kalim al Asim

Malleus is upset. Al Asim is a rather cheerful individual, so perhaps that was the kind of person you preferred to court? He’s not quite well-suited to that, but he will try if he must. When Lilia informs him that it was all a hoax (lightning strikes down whichever poor soul started it), he calms down and gets remarkably happy. You are unattached to any individual romantically, child of man? How lovely. He’s princely and noble in all he does; holding your hand on late night walks while talking about anything and everything, giving you bouquets of your favorite flowers upon every meeting, and what he enjoys most of all, is dancing with you under the gaze of the stars above, even with no music involved. If you choose him, the throne of Briar Valley awaits.

Kalim straight up bawls when he hears the news. You’re with Malleus now? Really? If it makes you happy, then he’s happy (he is not, he is miserable). Malleus is a good guy. But, Kalim is also good, you know? Continues crying when Jamil tells him the good news, but this time from happiness. Well, it’s Kalim, so of course he’ll absolutely lavish you in wealth and luxury beyond your wildest dreams, gold and diamonds and gems galore. He throws banquets in your honor and teaches you how to dance and sing to traditional songs of his hometown, and he hand feeds you bites when he can. His favorite activity with you will always be a magic carpet ride, it’s just so fun, so free and romantic. If you choose him, Scalding Sands will be waiting with open arms and a parade of elephants.

Sebek Zigvolt vs Trey Clover

Sebek doesn’t care. Why would he care that you, an annoying human, is dating another human? All that matters is…Malleus…and he needs to convince himself more that you don’t matter to him, not in that way. He can begrudgingly befriend a human, but he can’t… He tries not to react when someone tells him it’s fake, but he can’t help the beating of his heart or the shaky nerves. Suddenly, you might notice that Sebek is around more often. He will reluctantly help you if you struggle with certain subjects, or even help you carry things even when you seem perfectly capable of doing it on your own. He’s bright red when his hand just barely brushes against yours in the halls. If you choose him, he will be your knight and your protector forevermore.

Trey is mostly confused. He’s hesitant to believe it because Sebek is loud, a little arrogant, and perhaps a bit obnoxious—the complete opposite of Trey. His disbelief is proven right, and he takes a big sigh of relief. He really doesn’t know what he would’ve done had it been real. Hope you like sweets, because now you’re invited to every tea party ever in Heartslabyul, courtesy of their vice housewarden. He’ll bring pastries and cookies and puddings and cakes to you every other day, as mama said, the way to the heart is through the stomach, right? He might also give you a set of toothbrushes and his preferred brand of toothpaste in order to make sure that your teeth are unharmed by his sweets. If you choose him, he will be your safe haven in the chaos.

Rook Hunt vs Floyd Leech

Rook is very happy for you, after all, what else is more beau than young love? He’ll clasp his hands together and spout some lengthy poem about intertwined hearts, but no one will ever notice his own as it breaks. Floyd is a very interesting person, Rook is glad you’ve found your one! But it doesn’t take long before he finds out the truth, and when he does (he’ll hunt down the source), best believe he’s skipping over to you and doing his best to serenade you with nothing but his bow as an instrument. He’ll teach you how to use it too if you want, perhaps a kiss will be enough as repayment? Just on the cheek. An arrow will fly through your window everyday with a scroll filled with words praising your beauty and kindness, so you better keep it open. If you choose him, you’ll learn how to see the beauty of the world even if it all seems dark.

Floyd is ready to fight! You, or that weird seagull, or whoever told him the news, everyone’s in for a real good squeeze. He’s pouty and annoyed and his mood is at an all-time low, beware all those who cross his path. He’ll find you to hear the news directly from you, so you better deny it quick before his squeeze breaks your ribs. Eh? It’s a lie? That’s so boring (he’ll hurt the source of this news for sure). Now you have a clingy eel always by your side, if he was clingy before this whole thing, he’s inseparable from you now. He’ll cook you something nice at the lounge if he feels like it, and you’re automatically invited to basketball practice whether you like it or not (please come, the team is begging you). If you choose him, one thing’s for sure, you’ll never be bored again!

[year2000electronics]

Bill & Ford & A Book, Oh My!

DISCLAIMER: The Book of Bill has Bill Cipher serving as an unreliable narrator. If we go out trying to say something is "definitively a truth" or "definitively a lie", we're going to keep arguing about it until the heat death of the universe. This is just my own personal interpretation of the source material. If you don't agree, that's fine! Also TBOB spoilers abound.

So it's no secret that interest in the dynamic Bill & Ford have (enemies, platonic, romantic, formerly romantic, whichever way) has really skyrocketed since TBOB's release. Of course, there are the 'easy' culprits to point towards, with Mabel referring to Bill as 'being like a needy ex', and the whole O'Sadley's fiasco (Him literally crying over losing Ford and going "one Sixer, please"? Messy. Messy behavior. Still, I think it goes so much deeper than that.

Bill, being the unpredictable chaos entity that he is, also serves as the main antagonist for a show about family and having close bonds with each other. We don't really need to look into his inner psyche that much, because that's just not what he needed to be doing at that point in the cartoon. He's meant to be a way to divide the Pines, really. And a silly little guy. A silly little obstacle. So, naturally, when it came to Bill's arguably "closest" relationship to someone in the show (Ford), it was very easy to interpret it as Ford being tricked by a completely apathetic Bill, who was just using him as a rung on the ladder. And I do want to stress that Ford and Bill's physical actions remain fairly consistent throughout interpretations, and focusing on the fact that Bill badly hurt Ford is important, so if that's how you still see it, then fine by me! No harm no foul!

But I think the relationship, their story, their tragedy just becomes so much more interesting with the lens The Book of Bill has presented. We’re finally able to see Bill’s perspective as a “protagonist” of sorts in a medium where he’s not just something to defeat- and that’s something we’ve never gotten before, so it’s shedding light on an area we didn’t know about for sure! Again, Bill is lying to the character of "the reader", so we can't trust it as a completely unbiased source. But we can speculate on where the "truth" is between these lies.

First of all, Bill's backstory was that he destroyed his home dimension- we knew that already. But now, with the extra content we have about it, we see something interesting- that Bill's backstory mirrors Ford's to an uncanny degree.

Both of them champion their intelligence, although they highlight how it set them apart from others, as well as highlighting their own 'rare mutation/birth defect'.

Again, with this self-isolation already spurred on from their "weirdness", but also as a little aside, I would also like to highlight that Bill being 'ready to be one', looking up at the stars, striving to 'reach' them, is a shared motif he has with Ford, who is also associated with space, the stars, and reaching them.

Bill's 'trying-really-quick-to-convince-Ford' fantasy sequence even has him in a field of stars as a sort of "ultimate wish fulfilment". Remember, this is Bill showing Ford something he thinks would win Ford over, at least a little.

(And I'll take a quick time out for this train of thought to point out- hey! Bill admits he sought out most of his other victims, but Ford summoned him, and it took him by surprise! That adds a fun little layer of complexity to everything, don't you think? Another little layer of humanity for this whole mess- Bill didn't expertly seek out the 'perfect victim' or anything, it was just... luck. Some twist of fate.)

Anyways.

Obviously, the intro page to the 'Sixer' section has a ton of red flags galore (I mean, poor guy's literally depicted as a hapless puppet. C'mon, Bill. Not to mention the "OH BOY HE'S ALREADY SO ISOLATED, IT'S PERFECT" thing.). This guy is kind of a terrible companion no matter how you slice it. He's terrible to everyone close to him, because he's a deeply traumatized character who refuses to heal. BUT, the wording here is kinda deliciously intriguing to me. All of humanity is Bill's puppets, his future victims, but to me, it's clear that he holds a fondness for Ford. From "This is what a partner looks like", to "Me and Sixer could be the perfect team", to "He had what I always wanted- fingers" (drawn to his strangeness, maybe?), "He was destined for so much more", "I looked at his futures and giggled", and most stand-out to me, "Society calls these people freaks, I call them Henchmaniacs!"

Going back to the pre-Book of Bill era I was talking about, Bill's offers for Ford to join him were always in a sort of murky territory for interpretation. The first offer could definitely be read as mocking, with the line "WITH THAT SIX-FINGERED HAND, YOU'D FIT RIGHT IN WITH MY FREAKS!" in particular making it seem like Bill was only saying that to rub Ford's strangeness in his face, and the second offer to join Bill being under a new circumstance- that now Bill is desperate and believes Ford is the only one who can help him. But the Book of Bill mentions the idea of Ford becoming a Henchmaniac more than once, and also has Bill upset at losing Ford and claiming "he'll be back", as well as Bill seeming to use "freak" more like a badge of honour, and having previously complimented Ford's six fingers (In the Sixer intro page, he highlights Ford's fingers as a quality he likes, and in the pages about bodies, he states that "humans should have more fingers". To me, that first offer reads more now like Bill being genuine about finding Ford a place among his misfits. ...Although, the moment Ford says no, he does zap him into a statue. So. Y'know. He's still got issues.

(Yeah, again, red flag city. "Just hazing"? Bill, none of what you were doing over there was okay! You might have suppressed everything traumatic that happened to you, but that doesn't mean you can go around traumatizing everyone! Good lord.)

Bill has already been imply to like other characters because they remind him of himself. Pointing towards a connection with a character Bill DOESN'T have a weird undefinable ex-partner thing with... Mabel! Alex has says in multiple official media and interviews that Bill sees a lot of himself in Mabel, and essentially, that he thought Mabeland was the perfect prison because if HE liked all that awesome, uncontrolled chaos over any family or friends, why wouldn't SHE? And we see that again in TBOB. So basically, what I'm saying is that we have two characters to back up the fact that Bill seems gravitated towards humans or other living beings that he views as being 'like him'- beings he can relate to! So, y'know, what does that say about Bill and Ford?

There's also Bill's plans for the reader and "Weirdmageddon 2.0", where he portrays the reader as getting to, like, perch on his arm like a little bird and get their own little crown? And specifically calls out Ford for not going through with things?? Okay, Bill??

AND Ford not only being the only human mentioned on the list of people he "definitely doesn't miss so stop asking", but also having his own category? Alright, man.

Of course, another point to the 'Hey, maybe Bill can actually feel emotions towards humans besides complete and total apathy' club is this page here, which has ALSO been hotly debated! Certainly, we know he's telling the truth about his home dimension being destroyed, and we know that he's lying about the 'monster', but some interpret this scene as Bill not being remorseful at all and playing his reaction up to earn Ford's sympathy. And me, personally, I dunno if I agree. I feel like the specific inclusion of Bill "looking distant, more distant than I'd ever seen him" (Mirroring the fact that he keeps blacking out when thinking about all his large-scale massacres) and him "laughing joylessly", I think this sequence is meant to tell us that Bill actually is being vulnerable with Ford here, it's just hidden under layers and layers of deceit, whether towards himself or Ford or both.

And finally for my Book of Bill collection stuff, there's the stuff that could be read as more romantic in nature. In the 'love' section, Bill claims he doesn't love anyone, but, like-

Come on. You can disagree with me that it's Ford, but he does have exes. And he's clearly not over them. Shrimpy little liar. And then there's the fact that a lot of his hokey 'advice' is stuff he ends up directly doing to Ford.

These rats.

The Love Cage.

The Book of Bill really outlined all that in bold, but in my opinion, it was never an entirely new revelation! Bill seems to hold a preference for Ford over other humans in the show. He shows up in Ford's dreams just to say hi, tease him, and gloat (Mabelcorn) unlike the other two dream appearances he's made (Dreamscaperers, Sock Opera) which were exclusively for business purposes. Unlike every other character that gets exclusively one nickname for their zodiac sign, Ford gets multiple (Fordsy, IQ, Sixer, smart guy, brainiac, the list goes on). Bill asks Ford to join him TWICE, whereas anyone else who tries gets their face rearranged, put in a cage and made to dance, frozen in stone, etc etc. And finally, I think, the most emblematic of Bill's weird, specific relationship with Ford, is that whereas everybody else gets turned into stone, Ford got turned into gold.

Which kinda sums up their whole thing up pretty well? Bill gave him special treatment by turning him into a golden statue (similar to yellow ha ha), always holding him close, but, like... Dude. You still kidnapped a man and turned him into a statue and then threatened to kill his niece and nephew. I don't think it will change his opinion on you if he's the Most Pampered Hostage, Actually. I just don't think that we need to explore the relationships between characters as simply "Well, this character hurt the other one, so we shouldn't really think about why or what they feel personally, because what they did was bad, so there".

Bill & Ford interest me because they're a tragedy in motion. We can see that Bill and Ford mirror each other in a multitude of ways, and we can see that they both do have positive feelings towards each other at the time they meet, and we see that Bill very desperately wants Ford to be just like him in the unhealthy ways; the ways that make Bill destroy entire universes and compartmentalize it all, because maybe then, he can finally have the companionship he so deeply aches for. Bill and Ford both had tough, lonely upbringings, but Ford moved on from that "I don't need you" mentality. That's what saved him. Bill didn't, and that's what got him where he was in the end. I feel like that's just so much more interesting than Bill just being a flat entity that makes abuse Happen to Ford, just as another Event in his life. I mean, isn't it just SO much more interesting that Ford humanizes Bill, in a way? That Ford makes him- in Bill's own words- "sentimental"? That a chaotic dream demon has regrets and loves and favourites and connections? It's the same thing with Fiddleford & Ford, although, obviously, to a MUCH lesser extent than Bill & Ford. But you get what I mean, right? You know that Fiddleford and Ford are going to undo each other in the end, and the path to that downfall is... it's telling a story! I like the story of it all! I think that's what I've been invested in and intrigued by all these years- the story, the tragedy of Bill and Ford. No matter what form it takes.

(Plus, as tumblr user fordtato pointed out in their own essay (not tagging because this post is messy enough as is oh god), hey, Ford now has two incredibly queer-coded narratives, with one of them being about how he recovered and was able to heal from an abusive relationship. And, well, I think that's just neat.)

Anyways, that's the end of the post. Thanks for reading this long!

[prettyboykatsuki]

TEXTBOOK CITATIONS ON IMMORAL SEX | S. GETOU ft. F. TOJI

✮ tags ; porn no plot, afab + fem!reader (good girl, little girl once sarcastically by toji, pretty), mild degradation (dirty girl, a bitch in heat), professor!getou + security guard!toji, dubcon, imbalanced power dynamics, age gaps(10+ years), mild coercion / blackmail, spit play, wet ‘n messy sex, face-fucking, oral (f +m!recieving), spanking, restraints, dirty talk, creampie / unprotected sex, 18+

✮ wc ; 10.6k

✮ synopsis ; You’re willing to do anything to pass your intro course. Whatever it takes. No cost is too high.

✮ a /n ; a comm for the beloved @fushironi !!! thank you for commissioning me and letting me post your work. if anyone is interested in a commission i will be reopening them at some point this month hopefully

A SIDE NOTE: THIS IS VERY CONSENSUAL!! but the relationship is inherently unethical so the dubcon tag is there. and this is. just smut. no plot no brain. just porn.

You're failing ethics. 

You're failing ethics and failing it badly. 

You refuse to take all of the blame for your failures. Some of it is your fault, but most of it is the fault of your good-for-nothing academic advisor. You're not sure what they get paid for, since it seems like there's an elaborate prank going on between staff and you're the only one not in on the joke. In what universe is it possible, plausible - that an individual could get paid for doing everything but their job? 

Apparently this one. But whatever. 

In your last semester of university, on the edge of graduating and totally on the right track - you're informed that you're not going to be able to graduate in the expected time frame because you are missing a single course. You learn this information about two days before registrations close, which means all the meaningful classes contributing to your major are booked and busy. Everything is full, and everything that isn't doesn't contribute to your degree. As in, even if you took it - it wouldn't give you what you need to graduate. 

After a full-blown mental break, a long night crying yourself to sleep in your dorm, and an egregious amount of begging - you managed to snag yourself a class. It wasn't ideal by any stretch of the imagination, and it did put quite the strain on your schedule. Straight out of your 8am lab - you had to speed walk to the other end of campus and make sure you made it to lecture. The lecture time itself was an hour and twenty minutes, attendance mandatory, twice a week - which meant you had to delay lunch again till afterwards and learn on empty fumes till 1 pm. 

Still, better than not graduating at all. 

You'd hoped (expected?) that the course itself would be about average in coursework. For one, it's an intro class. Intro to Ethics or PHIL-2467, with Professor Getou Suguru. Secondly, the actual listed coursework seems simple enough. Discussion boards, reading analysis, and a few papers made up for most of the grade. The expectations were outlined as clearly as they could be. 

You didn't really know anything about Professor Getou at the time, only that his ratemyprofessor described him as somewhat strict but mostly good. 

In any case, you'd consider yourself lucky. And in an effort not to freak out about your circumstances, you'd practically chanted to yourself each night the same mantra. Everything was going to be fine. You've taken nearly 120 hours of coursework, and a little extra time won't kill you. At the start of the semester, you fully believed it too. Bright-eyed, bushy-tailed, and utterly naive.

How could a single course torment you like this? You hadn't the faintest clue. At first, it struck you as odd that the course felt as difficult to grasp as it did. The readings were complex and extremely long but always said a lot of nothing. Much of your grade was dependent not only on assigned work but participation and discussion. The paper criteria was only simple on the surface, but proved to be too lengthy to comprehend and too difficult to fulfill. 

Long story short, the class was kicking your ass. And the ass-kicking slowly progressed into a failure so bad it was laughable. You're in your final year, and that means taking a lot of difficult and specified courses in relation to your major. You were at the point where your classmates were starting to thin out, and you were seeing the same group of people you had as a freshman. As far as prioritizing goes, a 3-credit hour course that isn't technically meaningful to you falls to the very bottom of your priorities. You're more concerned with things like job-hunting and finishing your capstone and all the stuff related to your actual career. 

So you've been half-assing all the papers and exams, falling asleep in class, and lowkey straight up ignoring the weekly discussion boards. 

However, above everything else, the worst part of your class is your professor. Professor Getou Suguru. PhD in Comparative Ethics with a Masters in Cognitive Science. 

You didn't really have a chance to speak with any of your friends about Professor Getou, despite it being in your best interest - because you only knew you had the class two days before it started. You'd come to learn only two things about him after attending. First, he's a complete hardass when it comes to grading any assignments, and second most of his merit comes from the fact he is ridiculously good-looking. 

He can't be any older than his late thirties or early forties, which means he's young. Young enough to be attractive but old enough for most of your peers to thirst for him in unhealthy ways. He's at least a decade and a half older than you, and by god does he make it clear. 

What they don't tell you about college is that there's nothing that can make or break a class more than your professor. Everyone is always too worried about everything else, about getting their schedule right - that they often overlook this basic tenet of college life even though it's so crucial. The worst part is that while various websites rating your professors are helpful, you won't truthfully know how you feel about a professor until you've met them in a classroom. You've had professors with lower ratings be absolute angels, and professors with higher ones being some of the most useless in your entire academic career. 

You were hoping that Professor Suguru would be what you expected. That his astounding 4.5/5 would be a meaningful assessment of his character, that he would be tolerable and polite and understanding and that your semester would be smooth sailing because of it. 

But of course, of course - that couldn't be further from the truth.

You don't know at what point exactly your relationship to Professor Suguru became as sour as it is right now. There's no real pivotal movement where mild intolerance became full-blown and outright distaste. But part of it, you know, stems from the fact your beloved professor is a snake. 

You have no idea how no one else notices it. It genuinely feels like you're the only one who catches the subtleties of his behavior. There's just something about him that's a little…off. The irony isn't lost on you. He's an ethics professor, but something about him makes alarm bells go off in your head. A walking red flag, though a handsome one. He's off in a subtle way, but more than that - he's very openly smug to every single one of his students. It's just that no one else seems to really care. The air of pretension that surrounds him in his every movement is suffocating. Maybe that's part of the charm, if the way girls flock to him after class is anything to go by. 

Even so, you just know there's something deliberate about his casual cruelties. He always seems to pick out the quiet kids, and from the beginning of your semester to now - he always, always manages to single you out of the crowd of students. In every class, in every discussion, in every chance he has to make you out to be a troublemaker he will. 

Yes, you don't really have any idea how it started. But you've been keeping a long record of every single act of personal terror that damned man has been inflicting on you since the start of the course, and you're not unconvinced that your shit grade is in part because he wants to see you grovel in front of him. 

The first time it happened - you figure it was a coincidence. He had called you out in class after you missed a discussion board. You hadn't done the reading, and it wasn't obviously humiliating but it singled you out all the same. When you fumbled coming up with an answer, he gave you a smug smile that so quickly morphed into a fake sincere one, you wondered if you were imagining things. 

The second time was when you came in late after a walk of shame, and Professor Suguru greeted you by the door by asking if those were the same clothes you wore yesterday. After being completely mortified by it, the once dark gaze immediately rescinded to his usual fake-calm self. It was suspicious, but not the concrete evidence you needed. 

And the third time was after your first project of the semester. Your grade was lower than you deserved, and you knew it - so you went to his office hours to bitch and moan to get it bumped up. But he wouldn't budge, saying that he thought his assessment was accurate. Made a smug face as he told you he just didn't think you thought your points out through. Unfair critiques shielded by flowery words and polite gestures. It was that moment that cemented the dislike, though it wasn't the start.

The beginning of the end, so to speak.

Ever since then, you've harbored nothing but dislike for him. You can see past his pretty face and you don't see anything good. You've had unpleasant professors before, but none have ever targeted you so specifically. None of your previous professors, even at the worst, seemed to hold such an unbelievable personal grudge. 

You're all alone, fighting an invisible battle. 

The worst of it though, is that you simply couldn't be bothered to give a shit about it for most of the semester. You had way too much going on, so you just had to put up with the inexplicable dread of attending that class until you had to deal with it again eventually. 

And after months and months of avoiding the issue head-on, you're at a point where you can no longer do so. Your grade is officially below a C after bombing your last quiz, and there's only 5 weeks left until your semester is over and you're barred from graduation. 

And you have no fucking idea what you should do about the situation. 

__

There's a subtle pit of dread in your stomach as you enter your first philosophy lecture of the week. 

For the first time since the start of the semester, Professor Getou doesn't antagonize you as soon as you enter the door. In a strange way, this makes you kind of uncomfortable. He gives you his usual fake smile, but the fact he's gone out of his way to leave you alone makes you feel like he's planning something. 

You brush your paranoia aside as you take a seat in the back of your class. You don't have any friends in this lecture, at least not ones you do more than greet. You sit closer to the back of the lecture hall, tucked into a corner and up a few steps.

The charms on the end of your book bag zippers click together as you take your seat. You open your laptop - pulling up the lecture slides to pretend to study while opening 2048 to play while Professor Getou goes on about his business. You're hoping he's going to go easy on you today, and that his lack of interference is a sign of mercy. 

More people start to trickle in and the classroom is the usual amount of packed it is by this point in the semester. The last day to drop passed last week, so the number of students has decreased despite it being spring semester. 

Your professor starts his lecture as soon as the clock hits 11:30am. You look up from your computer, watching him as he sets up his slide deck and waits for all the conversation to settle before he begins talking.

He catches your eyes briefly before he continues, but he holds it for long enough that you know it's intentional. You frown at him, and it almost looks like he laughs - but you can't be sure your mind isn't tricking you into thinking that. 

"Good morning everybody," His voice is smooth and pleasant - hair tied up neatly. He's wearing his usual attire. Black slacks, and a loose-fitting white shirt with some kind of canvas shoe. "How's everybody hanging in there? Good? Bad?" 

He takes a look around the room, gauging peoples replies before chuckling. 

"Not in good shape huh? Stick it out, a few more weeks and you'll be out of here. Today, we're going to continue on into section five of our coursework - the shortest of all of our other sections," He grabs something that clicks the slide into the next one, a few images next to a wall of text "We have a lot to cover in the last few weeks, but I want to start with a refresh of what concepts we've been learning for the last few weeks." 

The swiftness in the way his eyes land on you is comical in its predictability. You give him an uncomfortable half-smile as he calls your name and brings the class's attention your way. A few looks of pity don't go unnoticed. You stiffen, straighten your back as he says your name slowly before asking. 

"Do you think you can tell me, what are the four core structures that define modern Japanese philosophical thinking?" 

There's real, uncomfortable weight to his gaze that makes you choke. You pull back slightly. 

"Uhm, well - there's Shintoism, Confucianism, Buddhism and western ideology. Primarily German idealism."

He gives you a smug look, the same one you always see before it fades off to an uncannily brilliant smile. Not a sincere one, because when is it ever - but there all the same. 

"Someone's been studying hard huh? But you are correct. We've spent the majority of this class going over the first three. How Shinto tradition, Confucianism, and Buddhism were experienced in Japan - isolated from Anglo-Saxon influence for the first few centuries of its establishment. We've also studied the vague historical timeline of these influences, mostly focusing on modern philosophy. We've covered Edo period philosophy as a precursor for what we know and understand now." 

You can say a lot about Professor Getou, but more than anything - he has a certain way of commanding the room's attention that never lets you get completely comfortable. He has an air of charisma you've never seen in your life and being in close proximity to it makes you feel like you're being swept in by waves larger than life. 

You fidget almost anxiously as you wait for him to continue his lesson.

"Our last few weeks are going to cover the culmination of your previous lessons, and what dictates both national morality and the hierarchy of modern Japanese social mores - Bushido. The way of the Samurai." 

Professor Getou continues with this slide deck as he outlines Bushido conceptually. From its existence as a moral code in late 12th century Japan, to the many misconceptions about the strictness in which it was adhered. He starts the lessons like he starts many others, explaining misconception and myth before touching the surface of the subject at hand. 

It's in his nature to advocate for the whole truth. From the start of your classes to now, Professor Getou always places the same emphasis. If only that truth is unable to be understood without opposition. It's like his whole being is constructed by it, opposition that is always radical and jaw-dropping. You've known this about him since he voiced his open critique for certain ideas about social welfare and about the emphasis of national morality. 

You can't be certain what he really believes - only that he'll voice his views as critically as possible, if only to stir the room. 

"Bushido is the heart and soul of modern and postmodern Japanese ethics, but it remains critically undefined despite its usage and citation functionally. Other philosophical schools of thought have strict definitions - Bushido is evolutionary in nature. Inazo Nitobe is primarily credited with the modern and popular interpretation of Bushido, but has received criticism for its obvious influence from Western ideas, and its comparison to chivalry."

Professor Getou sits back on the edge of his desk with a look on his face. 

"The tendency of Japanese philosophy to lean into metaphysics does not align with the many values of infrastructure and military present in the culture now, but I'm not going to critique the philosophy for you," He skips to the next slide, your last project of the semester on the wall "For the sake of brevity, I'm going to have you write a paper on one of the eight outlined ideals in Nitobe's work, and I want you to reflect on that ideal in your paper." 

A collective whispering erupts in the class as people stress about the assignment of their final few weeks. Not unexpected given the circumstances. Professor Getou doesn't flinch as he waits for the room to settle down.

"This will be your final project in this classroom, and will count as your final grade. On one hand, doing a good job on it means you have nothing to worry about for the last few weeks. On the other it's make or break," He locks eyes with you again as he says this, startling you as his smile grows coy and inauspicious "So if you're in need of a good grade to pass you, I'd recommend coming to see me during office hours or during one-on-one time so I can get you the grade you need. We'll discuss more at the end of class, but we've gotta get through more lectures so you can get an idea of what you can pick."

He gives you one another look, another pointed and obviously direct look, before he proceeds on with his lecture. It gives you a bad feeling in your stomach, and maybe you're being too self-centered thinking he's focusing too much on you.

But you can't help it, swallowing down your uncertainty as you continue on with the lesson. 

You need to pass this class. 

___ 

You meet up with Nobara after the fact. 

She's a good sounding board for your problems as usual. Where you're always looking for the most civil solutions, she's good at giving it to you straight on what you should do. She's no bullshit and you like that about her. Whenever you need a kick in the ass or an ounce of courage, she's the person for the job.

 So after meeting up for lunch, ranting again about Professor Getou (for the hundredth—no, thousandth time), and whining about his weird behavior, you're expecting some semi-sound, if not mean advice on what you should do. 

"Have you thought about just fucking him?" She says instead, her voice full of sincere boredom. It comes out so casually, like she's relaying the news cycle to you - and you can't help but be utterly shocked listening to it. "Not that it was my first suggestion, but I mean…it's getting ridiculous." 

"Hello? Where the hell did that come from? What do you mean just fucking him?" 

She gives you a sideways glance of disdain as if you were the one saying something unreasonable. She leans forward into her hand mirror, gluing on her eyelashes for her afternoon date with Maki. She scoffs when she realizes your shock is genuine. 

"Are you serious? Does this not read as an elaborate scheme for this total jackass to fuck you?" 

You're flabbergasted. Surely she's not being serious with you. 

"Nobara." 

"Haah? Tch. Don't make that face. It's a gross abuse of his power but well, he's not ugly. If he were any younger of a professor, would you like… not assume that was the end game?" 

"Nobara, he's a professor of ethics. His whole career is ethics." 

"Yeah. Like. The perfect cover for wanting to screw his wide-eyed, desperate students. He's a hot, young professor. Not my type but you get me. Don't you think it's a little naive to assume his personal vendetta against you is shit, I don't know… totally lacking that motive? Think with your brain, not your tender little heart for a minute, okay?" 

"It's not that!" 

"Really? Just like your relationship with Mr. Fushiguro is totally platonic?" 

"I said it was one-sided, not platonic." 

"You're my whole heart and soul, you know that right? I didn't freak on you when you said you had a crush on Megumi's deadbeat dad. You're my salvation from the idiots we call guy friends. So I'm saying this with love, and not as the complete bitch you know me as - you're being dumb." 

"Nobara, are you seriously saying you think this whole thing is about him wanting to," You can barely even get the words out. You're not that much of a prude but god. "Wanting to have… sex with me?" 

"Yeah. What else would it even be? I think an awful man is interested in screwing you - a hot, capable twenty-something. Are you stupid? Is that like, sooo impossible for you to consider?"

"Well it's not the first place I would think to go, that's for sure." 

"And that's your whole problem. Don't get me wrong, again, totally gross. Is it like.. a total abuse of his authority? Yeah. But that doesn't have anything to do with you personally. If I'm right, and you fuck him - you get a good lay and to graduate. And you need both."

"Nobara!"

"Don't be mad, I love you, okay? But I'm thinking about your future and your prospects. There's nothing wrong with it on a technical level."

"That is so untrue and you know it—"

"Look. I don't like it. I think it's a weak move and kind of corny and gross. But you've been planning your big graduation for years. And it's not a bad opportunity, and you're not a complete idiot. You said before that he's never inappropriate with the other girls right? You might even be the only one. As far as I'm concerned, there's no reason for you to not get laid and pass." 

"Oh, so the student-teacher thing isn't reason enough?" 

"Not if you wanna graduate it's not." 

The two of you remain at a stand-still as his words trap you into a corner. How the hell do you even deal with this information? And how on Earth is she so sure of herself anyways? You think you're pretty good with signs, at least about things like this.

But it doesn't feel like flirting. He's never flirted with any of the students in class, despite how much they seem to fawn over him. Could this weird, psychological dance you've been doing for the last twelve weeks be some sort of unspoken foreplay ritual? 

The more you think about it, the less it seems implausible to you. There's a wave after that, some cross between impending doom and shameful arousal blooming up inside of you as everything hits you all at the same time. 

When you return to reality after being trapped in your thoughts, Nobara gives you a mindful (almost pitiful) smile and shakes her head. You frown at her in reply, squeezing the bridge of your nose. 

"If it were like literally anyone else, I'd totally tell them it's a bad idea. But it's not like you're going on to date him, and you're what - 24? because of your gap year so you're not a preteen like some of the freshmen in your class. I just don't see any reason not to go for it." 

You tamp down the small voice in the back of your head, encouraging you to do - and instead ask her a follow-up question. 

"...Do you think I should attend his office hours tomorrow, yes or no? I have to email him by tonight to get the one on one." 

"Yeah. Yes. And shave before you go." 

__

You decide, for the sake of your sanity and everyone else's - to ignore Nobara's odd implications about what Professor Getou wants from you and to attend his office hours.

(That's a partial lie, you figure - given the fact you did shave, and shower before attending. You're wearing something kind of nice underneath. But you still don't think he wants to fuck you. It's more of a safety precaution than anything else.)

 You made the game plan last night that you would go, present your idea, and then beg him to be kind to you during the grading process. You even developed a list of things to sob and cry about it to generate something of a sob story if everything went awry. You've forsaken your pride. The only thing that you need to get out of this meeting is a passing grade. 

And that is, of course, by any means necessary. 

Fearing for your life, the state of your mood improves as you approach the building hosting Professor Getou's office. Of all of the people you interact with semi-regularly on campus (all of which you are quite fond of), Nobara wasn't lying about your affection for campus security guard - Toji Fushiguro.

He's an older man. Older than you by double digits, and from what you can tell - older than even your professor. You've been fond of him ever since he brought you back to your dorm after a horrible break-up with your ex as a sophomore. He's got a rough edge, and there's plenty of unverified rumors of his past. You know that he has something of a criminal record too. 

But for all of those rumors, and for all the things you hear about him - he's been one of the highlights of your campus experience. You've had a one-sided school-girl crush on him ever since that night, because you were sober enough to catch his body and how it feels. He was strong. Not in an average way. He made it so effortless when he was carrying you home in his arms - and it's not the first time you've seen him lug around things at least over 300 pounds like they were nothing. 

But attractiveness aside, he is uncharacteristically good at cheering you up. He's funny and witty, all while maintaining a cool facade. He's endearing in his own way too, and you're a little head over heels for him though you'd never push yourself to make the first move. 

Still, when he sees you come towards the building - he greets you with a wide smile. The scar over his busted lip - split open and welcoming as you run up to him for a hug. He's normally patrolling around campus, so it feels lucky to catch him where you least expect. 

He wraps you up with a single arm, your feet temporarily lifting from the ground before you get put back down again. 

"Mr. Fushiguro, what are you doing here?"

"I got moved over here since there's been some rumor about someone stealing from the labs upstairs. So I'm on lock up duty for this building 'till it gets fixed up and solved," He says, voice as smooth as ice "What about you sweetheart? It's gonna get dark out soon." 

"Ah, I have office hours with Professor Getou today. I need to consult with him about a paper." 

"That right? Just gonna be you in there, then?" 

"Yep. I'm gonna go in there and beg him for a good grade on our next assignment. So for the sake of my sanity, please wish me luck?" 

Mr. Fushiguro tilts his head to one side, grinning. 

"Wouldn't that mean you graduate sooner instead of later? Can't wish ya luck on that." He says, making you flush and letting the feeling linger before continuing "Just kiddin'. A pretty face like yours should do you just fine. Knock 'em dead." 

"I feel a lot better about it with your encouragement." You say honestly. Mr. Fushiguro gives you a laugh.

"Treat me to something if my luck makes any difference. And hurry in. Last thing you'd wanna do is be late." 

You nod, wide-eyed and dazed by how charismatic he is before you rush into the building. It's silent, given how late in the school day it is. Most people have already gone home, with the exception of the other poor souls likely chasing down their professors for the same reasons as you. 

You feel an overwhelming sensation of dread as you encroach upon Professors Getou's office. There's no one else in the close vicinity, only a few closed classrooms and students who are passing by the small corner where his door resides - most of which are making their way to leave. 

You decide to take a deep breath, calming your shaken nerves before knocking politely once on his door and entering the room. 

Professor Getou's office looks like how you'd expect it to look. It's clean, and sleek - and lacking almost completely of items of personal effect with the exception of his desk. It's the first time you've ever been inside of the room before, but it smells distinctly of him. He has that same scent surrounding him, like flicks of nicotine and a hint of bergamot. Sweet with the taste of metallic bitterness, like blood and sugar.

You feel the back of your throat bob as you see your Professor sitting at his desk. It's lacking his usual gracefulness. His shirt is unbuttoned down by three entire buttons, and his slacks seem looser. Most notable is his hair - classically long, now in a loose bun with pieces falling all on his shoulders and rolling down his neck. 

You think of what Nobara said to you earlier in the day alone, a strange and overwhelming sensation of lust and embarrassment making it difficult for you to open your voice and talk.

It's Professor Getou who greets you first. He looks up from whatever he was reading and looks at you from where you stand awkwardly at his door. His smile widens, though it's just by a little. 

"Ah, I was wondering when you'd be here. Looks like you're right on time." He says first, sitting up in his chair but not bothering to gather himself in any way otherwise "Come on in and sit. I assume you're here to talk about your grade."

 You sit across from him hesitantly, hands folded in your lap as you put your bag down on the floor. 

He studies you quietly. There's a long stretch of silence, where neither of you do anything but sit in each other's company.

He breaks the silence first.

"So, while I have a guess," He says, elbows on his desk "Do you want to talk to me about what you're here for?" 

You've practiced the dialogue in your head so many times now. What to do and how to say what you need too, but the words seem to fizzle out completely when it's time to really say them. Leaving nothing but uncertainty, you open your mouth only to close it once again. 

"Uhm," Your voice strains trying to make the words out into a coherent sentence. "I came to talk about my paper. And my grade, like you mentioned in class."

"So you decided to heed my advice? Good girl, that was a smart choice," You try not to be taken aback by the pet name - unsure if it's as inappropriate as you think it is "Do you know what virtue you want to cover?" 

"I thought I would pick uhm, righteousness - and then pull from some of the Western ethics we learned about. Making uh, connections between deontological ethics and duty and how it relates to the defined idea of righteousness," You explain nervously, an uncomfortable laugh bubbling out of your throat "How practicing duty and righteousness relate to each other."

 "Hmm. Sounds like you've had time to think about it a little, then."

"I uhm, haven't finished the reading but I did take a look over my section to see if I could make it work." 

"I think you have something to work with. You'll need to straighten out the thesis of your paper into something more tangible. I know that's an ironic ask. But I think it's a good idea," He gives you a brief glance, studies you with eyes. Snake-like. Something coils inside of you, tickles and brushes against your skin and makes the hairs on the back of your neck raise "It seems like you have something more to tell me, though." 

Do you? Is there anything more there? The answer lies indifferently on a scale from obviously to no. nothing at all and it haunts you that he's able to pick it out. 

"It's just well. Uhm. You know, I don't have the best grade in this class so I was more prepared to go down with my grade. You approved quicker than I thought you would." 

"Your grade is pretty abysmal. Did you come in here planning to beg?" 

You refrain from an instant yes, even though it's what you feel. Something about the way he says it makes your stomach clench. Your heart quickens. Your tongue feels too heavy in your mouth as you laugh uncomfortably. 

"Something like that? Uhm, or at least try to hash things out between us. I know our relationship over the c-course of the semester has been kind of sour so I…"

He cuts you off.

"Has it?" 

Your brain stutters to halt.

"Uhm. Yes?"

It's unpredictable, utterly and completely - the way he reflects on your words like you've said something incomprehensible. You aren't sure if that's sincere. You can't be sure if any of the words out of his mouth are. But he doesn't seem like he's lying. Your mind flashes to Nobara, and you find yourself speaking before you can stop it. It comes out like a flood.

 "I j-just always assumed you singled me out in class because you didn't like me? I don't mean to be accusatory, though."

"I'm afraid you've got the wrong idea," He says, shaking his head "I don't harbor any negative feelings for you at all."

"Oh," You say, eyes falling down to your lap again "Right, then." 

"You must be desperate for that passing grade, hm? If you're meeting with a professor you think hates you." 

You glance at him. 

"Well, yes. I want—need to pass this class. I've already planned my graduation for this semester." 

"And you'd be willing to do anything for that, is what you're implying?" 

"Yes," You say, with a sudden rush of unwavering confidence "Anything." 

"Let me ask you another question, then." He lets his elbows rest on the edge of his table, a familiar coy smile "Do you think there's any other reason for why I've been paying special attention to you, aside from me disliking you? You're a smart girl, so I'm sure you'll be able to figure it out." 

The weight of his words don't go unnoticed. The air feels heavy as it hangs between you. He couldn't be implying it so directly could he? Your mind drifts back to Nobara's warning to you, and your breath hitches. Your eyes widen as you glance up for the first time and give him a look of mild distress. 

And he smiles. His grin widens as soon as it dawns on you.

"Seems like you've reached an important conclusion," He says, casually - as he sits up in his chair and leans back. Stretched like nothing could get in his way "Why don't you share with the class?" 

"You," Your voice is a nervous tremor. You must be crazy. You must be completely out of your mind "...To sleep with me?" 

"See? I told you, you're a smart girl." 

The question is a burning one. One you've been wanting to ask since you started thinking about it last night. 

"B-but…why? And why me? A-and," 

"You have a tendency for being combative. You know that? An air of defiance. I can tell you're a little older than your peers. A little wiser, and a little more knowing of when to ask for help," Getou outlines, staring you down "And seeing you with that sense of desperation was exciting for me. I'm a man of simple tastes. At my age, I know what I want." 

"And I like when tough, combative, clever women turn into babbling, desperate, needy girls. I'm quite fond of it, actually." 

He's detrimentally serious. Your stomach flips. 

"Do you want to pass this class?" He asks you, an air of confidence surrounding him. You close your eyes, unsure if you can call it coercion when you're feeling so terribly willing about it. 

"Yes. I need to pass." 

"Then come up here," He gestures, widens his legs and leans back in his chair "And sit." 

Your body is burning. You don't know if you're even really in the situation, or if you've daydreamed it into something impossible. Something phantom moves you. Stands you to your feet shakily before walking in short strides. Professor Getou looks at you from where you stand over him. 

His hand brushes your outer thigh, patting it. 

"Sit." 

So you sit. You spread yourself and straddle your professor - and the reality dawns on you the minute you touch what you're doing. You haven't gotten laid in a bit, and he's nothing like anyone you've ever slept with. You feel out of your element. You get the impression he's a man, a grown one. There's a confidence in him that looms and looms and looms, overshadowing any of your doubt.

He's sexier up close. There's the faintest trace of smile lines on his expression as you look down at him. He guides your arms to loop around your neck, and holds your hips with his hands. 

Then you feel it, almost instantly - something hard and bulging pressing against the seam of your pants and against your crotch. He's already half-hard and he hasn't even kissed you. He grins at you lazily, like a cat with cream. 

"I'll pass you as soon as I put it in," His hands are so big - long, slender fingers gripping your ass "And give you extra credit when you cum for me. How's that sound?" 

You feel dirty. It's all happening so fast. Almost vulgar, but it's impossible to feel cheap. To believe in the wrongness of it when Professor Getou is so undeniably sexy. Wrong, on so many levels, to do this for the sake of your grade. Or just in general. Yet you want it, yearn for it, find the culmination of all your annoyances melting as he graces you himself. 

"I wanna pass," You say, uncharacteristically nervous about everything. You add the next part a little quieter "...I want it." 

"What do you want, exactly?" 

"Want you to fuck me." You admit, against your better judgment "Please?" 

"Gonna make a real pretty mess out of you," He says, voice smooth and serene. You look down at him. His knuckles brush against your jaw, on your cheek before his thumb holds on your lower mouth. His fingers push past the edge of your lips, sliding against your tongue and gently running along your teeth. He gags you on it, so slightly - enough to startle you but not enough to hurt. You feel spit pour from your lips. 

Thick messy strings of drool drip down the sides of your mouth. You want to back away in shame. But there's an air of intention behind the gesture. It's deliberate, the action - the mess and how it runs down your neck. Before you know it, he's kissing you in that same state. 

Professor Getou kisses like he's done it before.

His hands grip on your ass as he kisses hot and heavy. Self-assured, he sucks and bites at your mouth - sticking his tongue in and mixing his saliva with yours in a way that feels downright dirty. Yet it makes you throb, white-hot flames licking at the back of your thighs. The sparks of arousal crawl up your skin. 

Your nerves tighten as Professor Getou cups your face with one palm, kissing you with fervor. You melt into him, arms wrapped tightly around his neck. 

"Been thinking about what you would look like bent over my desk all semester," He says as he pulls away, looking on with admiration at your messy complexion "You wanna go on ahead and show me?"

Another wave of embarrassment washes over you, but you find yourself standing to your feet. Sliding your sweats off down your legs - your lower half is left bare with the exception of your feet. You lay or stomach on his desk, the cold wood sending chills up your whole body and your stomach and tits lay flat and squishy against the hard material. You stand, shoulder width apart, and present yourself in front of him. 

"That's what I like to see," His voice is rich and deep as he speaks. You can feel him inch towards you, pulling you apart with his palms before his hand comes down on your ass in one hard motion. The noise echoes against the walls of the room "See, I knew you could listen well when you had to." 

You don't say anything in reply, pressing your cheek against the desk. 

"W-what do I call you?" You ask, your voice trembling. You feel his fingers against the seam of your panties. He snaps the cotton waistband against your skin before humming thoughtfully, a light tap to your ass. 

"Getou is fine. Suguru is too. Sir if that makes you more comfortable."

 Getou makes a show of fondling you, though you can't see it - you can feel the way his eyes nearly swallow your naked lower half. How his fingers touch and prod all of your sensitive places, with some kind of keen observation. Everything Getou says is like that, keen and particular.

"Such a pretty pussy on you. Would've been such a waste if you didn't come to me."

You don't bother to ask what he means by that. Behind you, there's a noise. Of a chair rolling back, and the dull thud of knees hitting the ground. Before you know what's happening, there's a face dangerously close to your clothed pussy. The minute you try to squirm, there's a tight grip keeping you in place. He takes a deep breath. Without any real hesitance, you feel his tongue lick across the clothed material. 

In one fell swoop, he pulls your panties to one side and kisses your clit without any more real introduction. You're gripping the edge of the table you're bent over as you feel his tongue slide against the wet folds of your pussy, making your voice cry out involuntarily. Normally people would urge you to be quiet, but you got the feeling he didn't care if anyone heard you crying out for him. You get a second wave of intuition telling you he might even like it. 

A sensation of bliss washes over you as he sucks hungrily at your cunt. It feels good enough to be holy. There's such immense expertise in it that you can't help but succumb to it completely. The warm, heavy muscle gliding over sticky folds.

You're so lost in the pleasure, your mind completely blocks out the intrusion. The sense that would detect another person in the room disappears completely. You only know because of Getou, the way he stops and scoffs. It forces you to blink your eyes open. He speaks before you get the chance. 

"What are you doing here?" 

You recognize the voice instantly, and your heart drops through your stomach. 

"Thought I heard a ghost howling," Mr. Fushiguro says, his voice is rougher and deeper and older "Turn out it was just a little girl wanderin' into the woods." 

"If you can see I'm busy, why're you still here?"

You can't help but feel the second wave of overwhelming shock as you sit there, naked and unafraid. Still, they stand like nothing is wrong. Chat like they know each other somehow, but you have no idea in which way. All you can focus on is the bubbling, nauseating shame. 

"Oh god." You voice, but both others ignore. Mr.Fushiguro speaks first.

"This one is off-limits, Suguru. What kinda professor goes around fuckin' their innocent little students?"

"Just the one, Mr. Fushiguro. And I'd like to get back to business."

"Ah, no way I'm letting you off the hook. I could report this y'know? Make headlines. Ethics professor coerces student into sexual activity. It'd be big. 

Your heart drops. 

"Fuck off, would you? Does she look coerced?" 

A beat of silence. "Nah. Not with the way she's twitchin'. But it's not fun if I just let you go. How about you tap me in and I'll keep your little secret hm? She's gotta cute crush on me already."

Your heart flounces around in your chest, a muffled noise of shock escaping your lips as you squirm to move but are held, still, so firmly in place. Your expression and feelings all go through 5 stages of grief before settling at dumbfounded. They don't especially ask for your input, but you hear Professor Getou behind you.

"Fine, if it'll get you to shut up. And I'm fucking her first."

Strange. Nothing about today makes any sense. You don't miss the almost childish sense of competition in Getou's voice that changes your view of him in an instant. Humanizes him in the strangest and most unrecognizable ways. It lacks his usual virtue.

Mr. Fushiguro walks up in front of you, imposing. He's grinning, a well-worn smile on his face that you know. He helps you up, and you keep yourself upright on your arms as he grabs your chin with his palms. You look up at him wide-eyed, unsure of what to do.

"Dirty fucking girl aren't ya?" He says, though he almost sounds like he's impressed with himself 

"You into older men or is it a coincidence you're screwing 'im for your grade?"

You're speechless, and you moan a little pathetically as Getou doesn't stop eating you out. This only seems to make Mr. Fushiguro even more excited. You look up at him through wet lashes, unsure of what to do.

"Don't mind either way, just curious. Guess I'm a little sad 'cause I thought your little heart eyes around me made me special," He tells you this looking down at you, eyes locked. You can tell he's just teasing you, and it makes you twitch "But I guess that's not true, is it?"

"You're different. I uhm. Well it's true at least."

"Yeah? You're just letting both of us fuck you 'cause you're like a bitch 'n heat?"

You flush. He gives you a smile and a well-meaning laugh that makes your body feel warm with heat.

"Mind if we're a little rough on you, sweetheart?"

You shake your head.

"Good. Stick your tongue out and open your mouth for me then."

You listen, oblige the instructions almost obediently. Your face is still covered with spit from before. You watch idly, intently - as Mr. Fushiguro pulls his cock out from his black pants. The loose material covers him well, but as soon as they're down past his thighs - the outline of his cock borders on intrusive. Your eyes widen, fluttering and unfocused because it's hard to think about anything while feeling such intense pleasure.

But Mr. Fushiguro is captivating as he pulls himself out for you. His cock is thick and heavy, protruding but too much that it can't stand up on its own. Weighed down by gravity, you stare at it wide-eyed. It's the size of your forearm, so thick you can't possibly imagine what it feels like.

Your heart stammers. 

"It won't fit in my mouth." You say, gasping for air as if you're already suffocating on it "You're—you're so huge."

He laughs with an edge of snark. You blink at him in complete seriousness, taken aback. He lets the tip of his cock tap the plushness of your cheek before pressing against your lips. You stare at him, almost afraid.

"Of course it'll fit," He says in confidence "Just gotta make sure you're relaxed. So relax, sweetheart, and open your mouth for me." 

Hesitantly, you open your mouth wide. You feel the corners of your lips stretch around the intrusive, thick head of Mr. Fushiguro's cock. The taste of sweat and skin is invasive and heavy, violating your senses. Just the tip and it barely fits in your mouth. You try and concentrate, sticking your tongue out and curling it around the underneath of his cock, focusing on sucking just the tip. He groans above you, a hand on the back of your head. He doesn't force you down, but you can tell by the twitch in his fingers that he wants to.

"Look at you," He says, his voice coarse with restraint and desire "You're drooling on my cock while you're professors busy eatin' your pussy. Thought you were an innocent girl, but now I don't know what to believe."

He says this as he eases more into your mouth, slowly letting you adjust. He rocks his hips back and forth until you relax. You open yourself up, trying to focus on blowing him.

But a hand comes down on your ass, hard and heavy - making you yelp. The noise is muffled but audible. A short squeal, you can't turn your head to look 

"Don't you think you two are getting too comfortable upfront without me? I'm the one who decides your grades."

"Maybe you're not doing good enough for her to care."

You can feel a strange sense of competition between them, but you're too occupied to ask about it. How do they know each other, and for what reason do they seem so automatically hostile? It bothers you, but you can't think about it too hard.

"That's not true. Her pussy is soaking fucking wet." He punctuates his words with a harsh smack against your cunt, the force rippling through your as you bend forward and choke "Almost as messy as her face."

He's quick, again, to latch himself to your clit. He flicks it with his tongue, licking it mercilessly as your brain starts to fog up with desire. Like he's trying to prove a point, you moan around Mr. Fushiguro's cock as your pleasure starts to thrum up again. The back of your legs tense, trembling as a knot begins to uncoil in your lower stomach. The cock in your mouth moves too, using the distracted moans to ease himself even deeper into the wet, arm cavern of your mouth. 

Your head feels heavy, body weak as the both of them use you to their contents. Your stomach starts to stir as a familiar feeling of euphoria claws at you. 

You cum for the first time like that, your body pressed against a wood desk - restrained and under careful watch of two men. Your whole body explodes - white, hot nerves fraying off and ricocheting off your ribs inside of you. Your insides shake as the wave of an orgasm washes over your entire body. You gasp, clenching down hard and gasping as tremors of orgasm pulse and push through your whole body. Something in you ignites as you grip the edge of the desk for your life, trying to keep yourself upright as Getou pushes you through the orgasm. 

You've barely recovered when Mr. Fushiguros pulls out of your mouth, pressing his spit-soaked cock against your face and cheeks with a smile. You let it slide against your tongue, eyes fluttering open as your face gets covered in precum and saliva. 

"You look so fucking filthy right now, you know that? But it looks good on you. I'm dying to fuck you." 

"Mr. Fushiguro," You groan. He clicks his teeth. 

"Toji's just fine sweetheart." 

You whimper helplessly as you ride out your high. Behind you, your professor pulls away. You peek behind you to see him, flush as he wipes his mouth with the back of his hand. 

Toji looks down at your frazzled expression with a grin, teeth showing as he cups your jaw a second time and slides his cock back in one go. This time, he pushes his cock in the base - keeping your throat around him with a hand on the back of your head. 

"Just focus on me for now, baby. Focus on sucking me off, yeah? Just like that, easy easy. He's gonna open you up. Stretch you nice and make your pussy all sloppy. That's what you want right?" 

Getou leans over you, the weight of his body looming as you feel slender fingers slide through your sticky folds. His middle and index brush against your abused clit, rubbing a few circles into it before pulling away. He grabs your arms and positions them behind your back, gripping them in one hand to keep you restrained. You squirm against the gesture, unable to get any leeway as he holds you down. Then you feel his fingers move, middle finger catching on your wet hole as it trembles and sticks. He opens you up like this without any warning. 

His middle finger goes first - delicately intrusive as your pussy widens to accommodate him. They're so much bigger than yours. Just one feels like two of your own. You push back out of instinct but Getou doesn't let you move. He buries himself, pushing in and out until he's able to fuck your pussy all the way down to the knuckle. Once there's no longer any resistance, he pulls back and makes room for another. The sensation is duller, lets you clear your head and think even as Toji rubs his cock on your face and fucks your mouth in short ruts. 

Not enough to make you choke, but enough to smear something hot and nasty all over you. 

Professor Getou repeats the process with his pointer, pushing and stretching and opening until you can't fight it anymore. With two fingers, he scissors them trying to make your insides soft enough for him to take you. 

"You're stretching out for me like it's nothing. You must be turned on, hm? Like getting all your holes used like this? Getting your face-fucked by a man old enough to be your father?" 

Toji laughs harshly, smacking your face lightly, enough it doesn't hurt but enough to make you feel it. 

"She loves it. She's clenching down on you tight ain't she?" 

"Sure is. All this for a grade. Maybe I should've bullied you about it a little more first. Since you're so eager." 

"Gonna give her extra credit for this?"

"I should deduct points for the fact you're even near here."

He laughs good-naturedly at this point, and you're still having trouble making sense of their relationship. You manage to speak for the first time in forever, voice barely there as you go to question them. You're not expecting any solid answers. 

"How do you two know each other?" You ask, before Toji starts fucking your mouth again 

"Goes a long way back. And we're still on bad terms, so congrats on bringing us together, sweetheart. Kind of an expected reunion really." 

"He's been working here since Professor Gojo and I were students here and we knew him from before. A long story. Don't worry your pretty little head about it." 

The burning question is quick to fade out of your mind as you feel your professor's clothed bulge rest against your cunt. You moan, a clipped needy sound as you nearly beg him to fuck you. Toji bends over you this time, reaching back to spread your pussy open by grabbing your ass. You can feel the grip of his hands, strong and assured. 

"She's gettin' impatient. Give it to her." 

"Don't need your help with that." Getou spits, irritation sounding in his words. 

"Consider it an apology." 

The air of tension is there temporarily, before Getou pulls his cock from the confines of his boxers. You can't see it, eyes squeezed tight as you work your mouth and tongue Toji's length. You can feel it though. He makes a show of rubbing his cock against your puffy, sore cunt. You get a feel for its shape as he pushes it between your thighs and lets it cling in between your lips. Professor Getou's cock is longer and more narrow, but it curves upright. It's hard, throbbing between your legs. Whining helplessly you wiggle your ass again. You feel increasingly restless about needing something inside of you. You're still bound though, completely and utterly unable to move. Toji's hand comes down heavy on your ass as you do, clicking his teeth in faux irritation. 

"Don't fucking move unless you want my handmark on your ass forever," He says, his voice cool and forgiving "Impatient." 

Getou must feel something inside of him merciful enough to keep you waiting. Even with all the stretching and prep, the minute you feel the head of your cock push through - something inside of you snaps. It's still so big, still too much, still reaches a part of you so deep you didn't know it was there. The position itself - still being on your stomach, makes it reach so much farther than other positions. The raw, skin-to-skin contact leaves your tummy fluttering, skin prickling with heat. Your top is pushed up enough to expose your lower back and your skin is pulsing. You feel like your whole body is on fire, suspended between men so much older than that want nothing more than to fuck you.

Every time you try to wiggle away from the sensations, Toji's hand comes down heavy on your backside. It doesn't matter how minuscule the movement. If he gets the idea that you're going to try and pull away, he spanks you hard enough that the room echoes with the sound. Your skin tingles, phantom sensation left before as you're held open and made to take your professor's cock - obedient and wanting. 

Inch by miserable inch, it takes forever to take him down to the base. Your toes curl, eyes shut and mouth sloppily trying to keep up with the cock in your mouth and just barely succeeding. 

He groans behind you, shuddering 

"That's incredible," He praises, and it feels so good to hear him saying something so overtly kind you don't know if you want to laugh or cry "Your pussy is fucking incredible. Shit."

"You hear that? You gotta. Pussy's twitchin' like crazy. Ass is too, how cute." 

"Feels sho good," You slur, brain clear of any and all rational thought as a string of saliva drips down your chin "Please fuck me, please,"

"You heard her teach."

Toji lets go of you and returns back to where you are. He pulls his cock away from you, instead holding you up and cupping your mouth open. He kisses you, after everything - with all of his pre-spend in your mouth before spitting into it harshly and kissing it again.

"Such a pretty face you're makin' right now." He says, something of a warm and unprecedented affection to it "So excited to get your pussy filled up."

He leans you on him, lets you wrap around his midriff, and squeeze tight while he pets the back of your hair in a strange streak of affection. You don't know what to make of anything. All you can feel is the long cock pounding into you without any mercy. Razor-sharp thrusts, nudging against your swollen g-spot and pounding into your cunt with immeasurable force. A man so much older than you is fucking you, pounding your pretty little pussy, and turning you into a complete mess. He's meant to be a mentor to you, but he has his cock imprinting itself inside of you over and over and over.

Your stomach feels hot again, but some other feeling takes you over as Toji cradles you - watching you just as intently. He talks you through with confidence you can't entirely understand.

"Yeah, that's it. Tighten up for him, just like that. Feels good doesn't it? I know baby, I know."

You whine out in Toji's arms as he talks you through it. Behind you, you feel Getou's grip hold you tight as he pistons you. The sound of his thighs smacking against your ass is noisy, almost as noisy as your pussy. Slick wet, sounding each time he thrusts.

"I'm not gonna last like this, shit." He pumps into you a few more types before his hips stutter to a halt. He cums with his cock buried deep inside of you, filling you all the way to the brim. You feel his white, hot seed fill your belly, cock twitching as he unloads and makes your legs shake.

A sense of emptiness overwhelms you as Getou pulls out, landing a hit on your ass as he shakes. He kisses your spine. 

The two of them switch places without communicating with each other about it. Getou pulls out, and away - coming back in front of you and picking you up in his arms as Toji positions himself behind you. He spreads your cunt out with his fingers, examining the seed left over with a light laugh. 

"Gonna fuck into your sloppy little cunt, give you another load where you need it and make you cum." Toji says, not hesitating at all. You feel your breathing start to quicken as he takes the same positions as before. 

Toji doesn't neglect touching you as his arm curls around your waist, calloused fingertips brushing against your clit before his cock pushes into you. Your pussy takes him much easier, but even so - Toji is just so thick, you can't help but feel him all over again. This time, Getou has you in his arms, holding and guiding you. Your hands are curled around his bicep and lower spine as you're held up. 

Toji's thrusts are slower, but just as rhythmic - focused on bringing you to another orgasm. It's duller this time, the sensation more focused and spread. Toji is so big you feel it in your hips, your entire lower half tingling as he pumps his cock in and out of you. He gives you all of his attention, staving off his own orgasm as Getou encourages you with his own words. 

"Gonna cum again, pretty? Take another man's cum in you right after me? You want to, right? Take it all in, every drop. You've earned it."

You feel your insides tighten again, for a second time - in a miraculous span. Every muscle in your body tenses and contracts as both sensations work in tandem to bring you closer to your edge. 

Your nerves fire off a second time as you push yourself to the limit. Toji fucks you through another orgasm with ease, thrusting with each tremor until you've ridden out your high. His own orgasm and chase come not long after that fact. 

As soon as you've gone totally limp underneath him, he sheaths himself as deep as he can. Bent over you, he cums hard and deep, filling you to the brim a second time.

There's a brief moment of silence as Toji rides out his high, where all three of you sit in silence.

You find yourself limp as you lay there, Toji pulling out and Getou slowly letting you down before you look up with a tired expression. 

"...So, did I pass?"

Your professor laughs harder than you've ever seen him laugh.

"With flying colors."

[abyssalzones]

hi. so i read the book of bill

and, uh, I really liked it. whoops!

I promised I would write something more in-depth about my feelings on it after my liveblog, and I was unsure whether that would be more "review" or "analysis", and then it kind of turned into both.

and I am actually putting it in the main tags this time- because I would really, really appreciate if people took the time to read and possibly reblog this one. It's a little wordy (as is my standard) but it ended up feeling... important, beyond the scope of my usual analysis. Hope you guys enjoy.

(as is expected, warnings for this one include very in-depth discussions of abuse and manipulation tactics, as well as self-harm. Please be cautious.)

[narislvr]

HEY THERE, SUBW4Y GIRL

one-last-stop au ౨ৎ ˖ ࣪⊹ | e.williams x fem!reader

cws? reader wears glasses and is on the bigger side (not mentioned yet but we need more love for chubby readers!!) reader is a college student working at a diner, ellie is a blip in time but reader doesn't know that yet, love at first sight trope but you're both awkward 🧍‍♂️, no use of y/n for reader, this blurb is moreso an intro to the world so not much ellie yet (might be a series if it dies well!!) Spoilers for the book, and will have some direct quotes.

m.list [๋࣭🪻] part 2 [ 🌆 ] palestine-resources & daily click

"Her eyes are bright and teasing and warm, warm forever-and-ever brown, and august doesn’t know how she could possibly do anything but whatever this girl says." pg 20

You weren't going to cry.

you weren't going to cry over the shitty smell of pancake batter and honey that wouldn't wash off despite your half hour shower ── the smell bonding to you after working too many late hour shifts at the diner ── and you definitely weren't going to cry over the scorching feeling of the coffee cup leaking small droplets of what you were considering your only energy source onto your hand.

you were already running late for your first morning class of the semester, but if you found your right train on time ── which you've already memorized out of fear of this exact situation ── then you'd still make it before it became too noticeable you were late.

sure, things were already going far worse than you'd hoped for, from having to pick up a late shift the night before at the 24/7 diner you work at, leaving you with four hours to sleep before having to get up and get ready for class, to dealing with a rude barista in the coffee shop above the metro station who couldn't even bother to tighten the lid of your cup.

things were not going great, but you were determined to make things better.

to your dismay however, determination alone wouldn't be enough to turn your luck.

amidst your attempt of carefully closing the lid of your coffee cup, you don't notice the group of teenage kids running your direction until one of them bumped into you with a grunt. the coffee, which had been one source of your annoyance this morning, spills across your top staining the once white fabric of your long-sleeveed shirt an opaque shade of brown, and to add to your already shitty morning, you hear the sound of your phone hit the pavement with a loud crack.

The teenager gives you a quick look up and down, their expression contorting into one of horror as they look at the stain on your top and the state of your phone on the floor behind you. ──if that's the way they look at you, then maybe you shouldn't even try looking at yourself── deciding that you wouldn't fight a fourteen year old, not that you would've anyways, you bend down to pick your phone off the ground, your lips forming a tight frown as you look over at all the various cracks on the screen of the phone you had worked so hard to afford.

despite the feeling of a knot tightening further in the back of your throat, you stayed true to your promise.

You weren't going to cry.

Your train pulls up only a few moments later, and you quickly blink back the tears before stepping aboard. to your luck ──if you even want to risk calling it that── the car wasn't as full as you though it'd be. usually it would be a great thing, not being crowded by people, but right now as you stood holding the handlebar, it really hit you just how disheveled you must look to others. Your hair was frizzy, your eyes were teary, coffee soaked your shirt, and now you smelled like a mixture of coffee, pancakes, and faintly of vanilla body spray.

You were a wreck.

you feel someone move to your side and you cringe slightly, your shoulders stiffening as you kept your gaze on the floor. you hear the unzip of a bag, presumably the person beside you getting something out, and you shift your gaze to sneak a glance at the stranger at your side expecting, but hoping it wasn't, a creep ──it's a subway, you never know what could happen in a 15 minute ride── but to your surprise, you're met with sun bleached black converse and baggy jeans next to your own white converse. Slowly your gaze moves upward, noting the way the person's foot tapped rythmicly the floor beneath it before you get a better look at them.

And fuck do you get a good look at them.

The person who you expected to be some lanky guy, perhaps some skater boy, perhaps a creep ──again, can never be too cautious── was actually... a girl. Round cheeks, with a softly scrunched and freckled nose, a girl so pretty you thought you were hallucinating. Her hair was a dark shade of auburn, half her hair up in a small ponytail while the rest fell a little over her nape. On her head were a pair of old looking headphones connected to a Walkman that stuck out the front pocket of her messenger bag as she searched for something down at the bottom with a small smirk. Did she know you were looking? What was she looking for that had her looking like that?

don't be a creep, you thought to yourself, trying to tear your gaze from her right arm. The sleeves of her faded blue flannel were rolled up just above her elbow, exposing the intricate design of ferns and a ──still in the works── moth on her forearm. don't be a creep, you repeated to yourself in your mind as you look away from the beautiful stranger at your side. Why'd she have to appear exactly when you looked your worst?

"Yikes," She finally says, her smirk still ever present on her face as she looks up to face you now.

The hottest girl you've ever seen just took a look at you and said "Yikes." What the fuck.

You were dumbfounded ──inwardly horrified── and she can't help but chuckle as she finally finds what she was looking for in her bag. It wasn't a mocking chuckle. no. it wasn't something lighthearted, curious, and you swear the temperature had risen in the subway car.

"Here," the girl says, pulling out a burgundy colored scarf and holding it out to you. "You look like you're going somewhere important, so," She gestures vaguely at her neck, "keep it."

You blink once, processing her offer before coming out of your trance and shaking your head, "You─ oh my God, I can't take your scarf."

The girl shrugs. "I'll get another one."

"But it's cold."

"Yeah," She says and her smirk shifts into something unreadable for a split second before your attention is caught by the dimples that had formed on her freckled cheeks. "But I don't go outside much."

You stare for a moment and she does as well.

"Look," She starts, her hands fidgeting slightly with the ends of the scarf, "You can take it, or i can leave it in the seat next to you, and it can get absorbed into the subway ecosystem forever."

She drags out the end of her sentence with a playful lilt, her smirk softening into a grin and in that moment her eyes are bright and teasing and warm. warm forever-and-ever a hazey green, and you don't know how you could possibly do anything but whatever this girl says.

A moment later you give in to her offer and reluctantly take the scarf from her hands. The wool is soft and light in your touch, and when your fingertips brush against the ends where the girl had been fidgeting with it earlier, you feel a pop of electricity. The girl, who had been watching you carefully, laughs under her breath, the sound airy as she reaches out to help you wrap it around your neck in a tender motion. She steps back after a moment, and gives you a look, the same teasing smile as before as she raises a brow at you.

"Anyone ever tell you you smell like pancakes?"

Before you can respond, the train plunges into a tunnel. The car shudders on the tracks, and the girl lets out a small yelp as she almost loses her balance and reaches for the hand rail over your head. It all happened suddenly but the last thing you see of her is an unreadable purse of her lips and the beginning of another tattoo on her left arm as she lifts it before the fluorescent lights flicker out.

The darkness lasted a second, two at most, but when the lights came back on, the girl was gone.

[supersoakerfullofblood]

Point of View: the Biggest Thing You're Missing!

Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.

Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.

Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.

Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.

With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?

Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."

This is a lot of info, so let's synthesize this into easy bullet points to remember.

Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?

Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.

Here's another way to look at it!

This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!

[229zmi]

BLIND DATE

Kuroo Tetsurō/Reader | 1.1k words, fluff, reader is a little clueless at first, based off of this tiktok

“I’m sorry, what? Could you— sorry, could you repeat that?”

At the sound of Kuroo’s cackles echoing throughout the study room (that you had booked for yourself, and then he decided to invade it after spotting you through the window), you shake your head, feeling the regret creep up your neck like smoke rising from flames. Still, he continues to offer half-assed apologies in between abrupt laughs, as if that’ll soothe your embarrassment in any way.

“You heard me the first time.” You scowl when he opens his mouth to deny it, feigning cluelessness with a dumbfounded look on his face. “And your sense of humour sucks by the way. It wasn’t that funny.”

“But it is. You really want me, out of all the people, to set you up with someone?” He grins, twirling a pen around his fingers. Inwardly, you wish for the pen to suddenly fly out of control, for him to finally have a moment of failure that will eventually spiral into his downfall in the hopefully near future (a few seconds from now), but it never happens.

“Just one date,” you say, with venom preemptively hanging from the tip of your tongue in case you need to further defend yourself.

However, he surprises you when all he does is lean back in his chair instead of bursting into a fit of laughter again. His eyebrows furrow in thought, and the pen stills in his hand; he sets it down atop his notebook.

“I know someone who has a small crush on you,” he tells you after a beat. You straighten at the newfound information, suddenly interested.

“Really? Are they a friend of yours? Who is it?”

Kuroo — that bastard — shakes his head, now sporting a smug smile as he crosses his arms. “That’s classified information, I’m afraid.”

You groan. “You can’t just say that and not tell me who it is! C’mon, can you at least give me a hint?”

“Sure. What kind of hint?”

Your question hurtles toward him at lightning speed, only half-joking. “Are they rich?”

Waving his finger disapprovingly, he reprimands you, “Such a shallow question. I’m disappointed in you.”

“Yeah, well, are they?”

“Can’t say he is. He’s a college student, same university and year as us,” he says, and you act devastated over the news, slapping a dramatic hand over your chest. It’s too bad your dreams of becoming someone’s sugar baby have been crushed so tragically like this, though you suppose there are other important factors to consider as well.

“Is he—?”

“Hey, you said a hint, not multiple hints.”

“Oh, shut it. Is he hot?”

“Very,” he confirms, so quickly that it’s almost suspicious. You eye him warily, to which he shrugs. “What? Birds of a feather flock together, or something like that.”

“Yeah, okay. So he’s butt-ugly, then, by association with you.” At that, Kuroo kicks your knee as you snicker to yourself.

“You know that by saying that, you’re also calling yourself butt-ugly. Plus, I’m doing you a grand favour, and this is what I get in return?” A long sigh escapes him. “Absolutely nothing but insults. Unbelievable.”

“You’re such a baby.”

“Nothing but insults,” he repeats.

You roll your eyes. There’s no winning with him. “Fine, then. I’ll lend you my old statistics textbook. You’re taking Intro to Stats next semester, right?”

“Yup.” He smiles, and you know you’ve got yourself a deal. “I’ll text you the location and time as soon as possible.”

Disappointingly enough, your date is late.

Kuroo, however, is right on time.

You narrow your eyes at him, glancing at the outfit he’s got on. You’re used to him wearing sweatpants and hoodies with holes in the sleeves every time you see him, but today, he’s put something unusually nice on, although you’re not entirely sure why. You’re also not sure why he’s here, outside of the café and at the exact time he told you your date had agreed to meet you.

“Where’s my date?” you ask before looking around for the umpteenth time to check if he’s arrived yet. However, your movement is stopped when Kuroo gently places a hand under your chin, guiding your focus back to him.

A sly grin reveals itself; his hazel eyes twinkle beneath the glow of the café’s hanging fairy lights.

“Right here. I’m your date.”

You frown, still puzzled. “What? But you said a few days ago, you were gonna set me up with someone who—“

Wait a minute.

Oh, you realise.

Then, you shut your eyes tightly, turning away from him.

“What are you doing?” There’s a slight chuckle in his voice that he doesn’t even attempt to hide, obviously entertained by your actions. He steps to the side to see your face, but you turn away again. “Hey, is my hair really that ugly? I tried combing it down like a gazillion times this morning, I swear.”

“No, just—” You stick your arm out, and Kuroo holds onto it awkwardly, both concerned for you and unsure of what he’s supposed to do. “Pinch me, please. I think I’m dreaming.”

“Oh. You’re not dreaming,” he assures you, opting to instead rest his hands on your shoulders, yet it’s pointless in getting you to look at him. Stubborn as always, he thinks fondly.

“That’s exactly what someone in my dreams would say.”

“Ah, I see. So, I’m the man of your dreams?”

Bingo. Picturing himself doing a victory dance in his head, Kuroo watches you open your eyes to glare at him for his remark. His celebration is short-lived, though, because in a matter of seconds, you’re quick to point out, “You’re blushing.”

Rubbing a hand over his cheek as if to erase the pinkish hue, he denies the observation. “I’m not.”

“You are.” You feel all giddy inside, with your heart feeling like it’s about to leap out of your chest, walk inside the café, and buy a cup of coffee. You’re worried a gooey mess of feelings is what’s going to spill onto the pavement if you so much as speak too quickly, so your question comes out tentative, like a butterfly’s wings fluttering in the wind, “And… you like me?”

That, he cannot deny. But there’s a poor attempt at it anyway. “Don’t get ahead of yourself. I said a small crush.”

“Really?”

“Really.” A pause. Then, he adds sheepishly, “Well, maybe it’s a little more than that.”

Your expression breaks into a grin at the confession, but before you can tease him any more for the blush that has now spread to the back of his neck, he pulls the door to the café open and uses his free hand to gesture towards the interior, bowing his head slightly.

“For my lovely date,” he says, looking up just to wink at you. Whether this is actually to charm you or just to distract you from his embarrassment, you can’t tell.

Nevertheless, as cheesy as it is, you decide to play along, intertwining your fingers through his and extending your gratitude to him for his chivalrous act before pulling him along as you head inside.

notes: another kuroo fic 4 the Kuroo kissers ♥︎ tumblr user @kyoghurts i hope u like it teehee