#working through trauma
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hypewinter · 8 months ago
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Ok ok ok so hear me out. I've seen a lot of stories and prompts where the Joker is scared of Danny. But honestly? Big scary ghost? Whatever, doesn't phase him. He's seen scarier. He's done scarier. Try again.
But you know what has been actually proven to scare the Joker? The IRS. So imagine this man's utter horror when one day an IRS agent just appears in his hideout and lets him know that he still owes them money. The agent gives him a deadline to pay his remaining taxes then leaves.
Joker immediately starts scrambling. He needs to come up with this money fast. No way he's making an enemy out of the IRS. But before that, Johnny? Find my accountant and give him the most painfully funny death you can think of.
For the next few days, Joker is running around, trying to collect the remaining money that he owes but he still doesn't have enough. As the IRS agent so helpfully reminds him every time he shows up.
On the day of the deadline Joker is still just short of what he owes so he pulls out his trump card. Begging.
That's how Batman finds one deranged clown killer on his hands and knees begging for a loan or at the very least some protection and he is utterly confused. It's at that moment when a young man appears out of nowhere.
"I'm sorry. It looks like you still haven't paid all of your taxes," he says in a frighteningly cheerful voice before he grabs the Joker by his collar and drags him into the shadows.
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thepeacefulgarden · 4 months ago
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And if that's too much, take it breath by breath.
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batfamhastwitter · 9 months ago
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Part 19! Behold, Tim and Kon's first forays into babysitting! for people in charge of saving the world every other weekend they were way too unprepared for taking care of Lian lol
Prev ~ Beginning ~ Next
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vaguely-concerned · 6 months ago
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thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:
the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)
it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.
"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)
as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.
that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.
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benevolenterrancy · 7 months ago
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("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)
#svsss#bingqiu#luo binghe#shen qingqiu#lbh#sqq#i've been working through the series of unfortunate events and somehow that series has paired really nicely with svsss#the themes of cycling violence and what's justified and what isn't and what can possibly be done differently#and how trying to bring love and honour into the midst of it really changes nothing but also changes everything#it's just *chef's kiss*#i don't know how i can quite do my thoughts justice but i've spent the past few weeks quietly going between the two series (and mdzs and tg#as well if we're being honest they all hit similar questions and themes) and just reveling in the pain and ambiguity of it#everything is interconnected and it means you can never know what trauma and pain and necessity has shaped a person#each story goes too far back to ever ever EVER possibly see the full extent of it#at that level even communication itself is nearly impossible.#and because of that it's almost impossible to change anything. beat yourself apart and the outcome is the same#and yet ATTEMPTING to change things ATTEMPTING to do the kind thing the honourable thing is absolutely critical#because while you can change nothing you also have the capacity to change EVERYTHING#aaaaaaah i don't even know what i'm saying#but i read the beatrice letters today and the love letter just. killed me.#(obviously i cherrypicked some lines because it's three pages long but those ones felt right)#''i love you like a corpse loves a vulture's beak'' i just. can't get over that line.#to be completely changed. altered. destroyed. redeemed. purified. desecrated. reduced to nothing yet entirely necessary for another's life.#what a FUCKING line#anyway i was either going to blow up from thinking about it or else i had to exorcise it via art from an entirely different series#i've already done svsss and discworld why not throw a series of unfortunate events into the mix#i'll be honest folks i did not expect svsss to be the mxtx series that would fuck me up the most about the main ship#bingqiu is something else. i don't even know how to begin to approach my feelings on it. impossibility and necessity all at once#bizarre#my art
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ao3-crack · 2 years ago
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(x)
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highly-flammable · 9 months ago
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Peeta really was the most delusional person ever because he saw Katniss’ reaction to his possible death TWICE and still thought she was gonna turn out alright if he just died in front of her at the end of the Quarter Quell, like IDK what to tell you my guy you are blind
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chloesimaginationthings · 1 year ago
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i absolutely love your characterization of movie vanessa,, like she is so mentally unwell but also she is full of whimsy!
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The duality of Vanessa Shelly,,
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mitternacht · 3 months ago
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Hi I spend way too much time thinking about Fuuta Kajiyama and really wanted an excuse to throw out a full breakdown of his character and why I think he’s so well written.
The long and short of it is that Fuuta’s character was built to represent social isolation and the effects it has on the psyche. And the direction his character has taken in T3 was always going to be the natural progression of his character, especially based on his T1 verdict and the consequences of that, it did not come out of nowhere and is not a questionable writing decision.
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(The rest under the cut for really long winded meta and dissection of Fuuta’s character and how we got here)
To start, I want to talk about Fuuta’s life before Milgram.
He’s a 20 year old university student, with no strong ties to family and no real group of friends or social circle to speak of. Already, he’s very isolated and has shown that he’s quite directionless. He doesn’t have any dreams or aspirations, because he thinks things like that are “childish” and “worthless”. He’s also never felt a real sense of protection or authority from the adult figures in his life, based on the way he talks about his parents. I’m inclined to believe they weren’t really present while he was growing up as well based on what we know of them, which caused further isolation and left him devoid of a sense of purpose. (Getting slightly ahead of myself here, but guess which type of people are most susceptible to falling into cults?)
So, what does he have to cling to? What does he have to keep him going? We all have a deep innate need for human connection and community, so where can he get that?
Online, of course.
So, he turns to the internet. He finds a community of people who enjoy the same things he does that he can connect with, and this serves as a lifeline for him. Now, he’s also been shown to have a strong sense of justice, which is perhaps one of the only other defining characteristics he can claim for himself and one of the only things he believes in. He feels a sense of empowerment and pride when he’s “carrying out justice” in his eyes, and it gives him a sense of purpose and duty that he’s lacking elsewhere in his life. It also brings him validation from his community, who further enable him and fan the flames, so to speak. He’s part of a group, he’s part of something for the first time in his life, and he has no way of stopping at this point. And then, it goes too far.
(I don’t feel like I should need to say this, but for the sake of posterity, yes, what Fuuta did was very, very bad and should never be condoned or excused. But again, it’s a very real problem and is caused by social isolation which is very common in today’s world and is worth having a discussion about. Fuuta’s character is an excellent showcase of how easily this can lead people to do terrible things by turning to online validation and praise for their sole source of connection with others.)
Now Fuuta is a person that doesn’t know how to deal with heavy negative emotions. He’s not very mentally strong, and being so isolated for most of his life with no real sense of purpose has left him with not a lot of ways to properly process or cope. When we first meet him in Milgram, he’s leaning very heavily on denial. He’s convinced himself that he did nothing wrong, and can’t even entertain the thought that his actions had killed someone. He’s also the type of person that can’t stand showing any signs of weakness. He acts big, and angry, and tough, because that’s the easiest way to deflect from any other “weak” emotions he may be feeling.
But, the side effect of this inability to process his negative emotions and acting out like this, is that he can’t make any real connections with the other prisoners in Milgram. (I’m not counting minigram as canon in this breakdown as an fyi, I’m basing this solely on interactions from timelines and voice dramas)
He’s lost the only community he had, completely cut off from it, and is experiencing the social isolation that drove him to this in the first place all over again. He sees the older prisoners as unreliable and not anyone he can lean on in this situation, and at this point doesn’t seem to have any particular feelings about the other prisoners. He mentions looking out for Haruka in particular, but (as much as it pains me to say this since I do love the 0103 dynamic) it’s unlikely that this was a significant enough connection to keep him from feeling socially isolated in Milgram. He states that he’s not looking to make friends with the other prisoners, but that was likely just big talk and hiding the fact that he couldn’t make that connection with anyone.
With all of these negative emotions he can’t process or cope with, the fear and uncertainty of his environment, the loss of community he once had, and without anybody or anything to rely on for guidance or protection, it’s already a recipe for a shattered mental state.
Now let’s throw a guilty verdict, some horrible physical trauma, voices that you can’t escape, heavy sleep deprivation and paranoid hypervigilance into the mix!
(I also want to point out… Fuuta’s second voice drama is titled “Baptism of Fire”. Yes, it’s a turn of phrase involving fire because that’s Fuuta’s motif, but knowing what we do now this was completely intentional foreshadowing)
The attack Fuuta sustained from Kotoko would be traumatic for anyone, and I feel that the effect this attack had on him is frequently dismissed because he wasn’t on the brink of death like Mahiru was. In Shidou’s T2 voice drama, he lists Fuuta’s injuries as: an orbital floor fracture, traumatic retinal detachment, bruising, lacerations, and a partial fracture of the thorax. This is going to cause some very severe chronic pain for him, particularly in his head and chest, especially considering they don’t have access to proper treatment and from what Fuuta has said they likely don’t have access to any sort of painkillers either. Even the act of just breathing is going to exacerbate his pain, and there’s just nothing that can be done for it. Speaking as someone with chronic pain myself, it definitely has a severe impact on your mental state and ability to do quite literally anything.
Regarding the “voices and eyes” of the audience, Fuuta has always been a special case, because out of the characters that have mentioned the voices in particular he has been the most severely and negatively affected by them. He states that he can’t sleep because he feels that he’s being watched, and he’s mentioned several times how badly the voices affect him and how badly he wants them to stop. And this sleep deprivation just aggravates quite literally everything else that he’s currently dealing with, physically and mentally, making everything worse by tenfold.
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The fact that he even admits to being scared and shows weakness to Es, considering the fact that he has an innate need to hide any sort of weakness, should be very telling. We are also told so many times during T2 that Fuuta is at his breaking point and is a complete mess.
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Although it’s not directly stated in canon, Fuuta very heavily showcases symptoms of psychosis that have seemed to become progressively worse through and after T2. (I made a post about this not too long ago, trying not to repeat too much here but I broke this down a little more in that other post)
And what’s a common symptom of psychosis? Religious delusion.
To start with, Fuuta's character even before entering Milgram is a prime example of someone who is extremely susceptible to falling in with a cult. Someone who is socially isolated, craves human connection and belonging, and who is searching for a sense of purpose/duty. You add onto that his murder and the need for someone to forgive him for it, the desperation for something to cling to, the worsening symptoms of psychosis and need for something to cure his pain? How in the world was he supposed to do anything but turn to religious delusion? If he hadn’t, it’s very likely the only other possible option he saw for himself was to end his life, which he mentions doing in Backdraft (and passively in his T2 voice drama).
There was a glimmer of hope when Fuuta mentions that he was grateful to Kazui and Shidou in the aftermath of Kotoko attacking him and what they did to help him, but it’s likely that he saw himself not able to continue relying on them considering Shidou had been so busy with Mahiru and Kazui may not have continued to be as present as Fuuta would have preferred. Which is heartbreaking, considering Fuuta seems to so desperately need an authority/protective adult figure to look up to. Mind you, 20 is not that old and especially if he never had that growing up, it’s natural to still want that at this age.
I would like to reiterate again that Amane did not “brainwash” nor “indoctrinate” Fuuta, she just ended up being the outlet for the only thing Fuuta has become convinced will save him. And now they’re stuck in a very sad cycle of enabling each other through their trauma.
All in all, looking at the pieces of Fuuta’s character I feel that this was always the plan, even from the beginning of T1. We were conditioned from the start to view Fuuta as guilty: by making his character theme red, by introducing him as foul mouthed, angry, arrogant, and unapologetic, and even from Jackalope’s comments in Es’ voice drama. We were conditioned to dislike him from the start, and since that guilty verdict in T1 was made Fuuta’s fate was sealed and this was always going to be the natural progression of his character. It was a slow build up, but was very well thought out and didn’t come out of nowhere.
This is the fulfillment of what happens when you put a socially isolated person through extreme stress and trauma with nothing to hold on to, and again is an excellent showcase of what it can look like to fall in with a cult even with no religious background. And how it’s even easier with individuals who have pre-existing mental illnesses/disorders.
We’ve come full circle and I’m very interested to see where his character goes from here.
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daughter-of-lethe · 9 months ago
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Jodie really knows how to portrait Cassian in the best sexiest way possible...
I mean
Look at him😫
The A earring though.
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🎨: Jodiecreatesartwork
My dear, my beloved Nesta, it's my turn darling 😌
https://www.instagram.com/reel/C-p1s_Po19w/?igsh=MTI4dHUwOXB0ODB1YQ==
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royaltea000 · 1 year ago
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trying to learn how to draw this dude
credit to @/transparentalia for the ref images :)
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thepeacefulgarden · 4 months ago
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bizarrelittlemew · 2 years ago
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calling it right now that season 3 starts like this
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vaguely-concerned · 6 months ago
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can you even imagine what a fucking horror show the early game is from spite's perspective, though. not only is this funky forcibly severed little slip of the fade having to deal with the reverse cosmic horror of physical reality as perceived by a spirit and being trapped in it against its will -- existentially confused and disoriented and hurting and nothing makes any kind of sense, at the mercy of human cruelty at its most deliberately sadistic. and then the one source of comfort and compassion and some kind of safety and clarity that lucanis surely must have been to him in the ossuary despite everything just goes and shuts himself in his room inside with a seemingly passive aggressive number of locks between them and no explanation and won't speak to him and they're STILL in the fucking ossuary. rook came and found them and they could be free now (rook is here!) and still lucanis keeps them in the ossuary even though he PROMISED he promised they'd get out of there together!!! what the fuck DO you think at that point? like did he trick me that whole time??? he wasn't like zara before, so why is he doing this to me now? why isn't he saying anything? 'he won't move. I can't reach him'. at least in the ossuary they had a deal, a goal, a hope -- each other. at least he wasn't entirely alone, before.
this poor poor poor little spite spirit really was ferried into the real world like 'hey welcome to reality! as your first introduction to it you're first getting horrifically tortured and then getting to vicariously experience one of THE most distressing and harrowing psychological conditions the human brain can cook up for itself (a fully fledged and deeply entrenched freeze response flaring up with catastrophic severity due to an unbroken ongoing and unlikely to let up any time soon chain of Unfortunately... Recent Events). I think spite is being extremely reasonable and patient about the whole thing, when you put it into perspective. I'm not saying let him eat the self-lighting candles or anything, but he's got some extremely valid points along the way lol. spite is not only child-like, the metaphor work going on is a lot more pleasingly flexible and complex than that, but he is also helplessly existentially dependent on lucanis in a way that, if anything, is a heightened version of the way a child (or child part) has to depend on a parent to navigate the world and survive.
tl;dr: we truly don't give enough sympathy to spite for having to live in the head of lucanis dellamorte. a place even lucanis dellamorte would prefer not to be. to be fair to him I think lucanis would be the first person to agree with this lol
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reyreedlioncourt · 11 months ago
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Jacob said that Lestat constantly appeared in Louis' imagination because he brought Louis comfort. so during the interview, remembering the trial and Claudia's death, remembering Claudia herself, despite the fact that everything was presented as if Lestat was guilty of letting Claudia die and Louis is supposed to hate Lestat
Louis sees Lestat again, feeling the need for his comforting presence. bc he knows
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aroaceleovaldez · 1 year ago
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underappreciated Nico detail that I like - he seems to be an angry crier! very frequently he's angry when he cries and he cries when he's extremely angry. very AuDHD of him. emotional regulation sucks my guy and he's just going through it.
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