#write for animation

[w-a-film]

How To Write (and Transcend) A Romantic Comedy w/Elemental Director Peter Sohn

We all love RomComs! But how do you write one? And how can you transncend the cliches to tell a deeper story? In this video, we talked with Elemental's writer/director Peter Sohn to see what's in a RomCom and how Elemental goes beyond the tropes to tell a highly personal story.

[bebs-art-gallery]

© pet_foolery

[artist-issues]

That’s It.

I’m tired of seeing everyone repeat the same four points: “1) Nani gives Lilo to the state! 2) Hawaii has a better marine biology program than San Fransisco! 3) Jumba doesn’t get redeemed! 4) Pleakley’s not wearing a dress!”

Those are not the only things that were bad about this remake. You could easily tell it was going to be all that and more beforehand, but most people’s reaction to the trailer was “it’s surprisingly good!” and now they’re acting all surprised. If you didn’t see this coming, enough to purchase a ticket, you’re part of the problem and you don’t get the original movie any more than the people who made this remake did.

So I’m done being quiet, this is the Lilo & Stitch 2025 Takedown Post.

And as usual the only good thing about an attempted-remake is that it gives people a reason to think about what made the original so good.

Let’s go in order. But just scroll down to the Heading you Care About if you don’t want to read all this.

1. Cobra Bubbles

In this movie, Cobra Bubbles is a secret agent hunting for aliens and they have a new character take his place as the state social worker.

The Problem They Were Trying to Solve With this Change: “We shouldn’t have a black man or a government worker feel like an insensitive antagonist to Lilo’s family.”

That’s a stupid surface-level one-dimensional misread of the character from the original…and it wouldn’t have been hard, at all, for a child to explain to the 2025 filmmakers that Cobra is not an insensitive antagonist in the original.

Cobra Bubbles is not insensitive and he is not in any way portrayed as a bad guy in the original. Nani sees him that way, Nani sees him as antagonistic, because he’s the representation of Lilo being taken away.

But Nani is wrong about him and learns that she is wrong about him by the end of the movie.

Can we please make a list?

Cobra’s first interaction with the caretaker of the child he was being sent to protect was that she ran out into the road, yelled at a complete stranger, and dented his car.

Then he found her locked out of the home and threatening the child inside with a hammer in her hand.

Then he found out the stove was on while she was out, and she’d left a 7 year-old alone.

The 7 year-old made comments about being disciplined with bricks and a pillow case.

The 7 year-old looks like she might be more than a little emotionally unbalanced because she’s figuring out how to put voodoo spells on her friends to punish them.

He still gave that pair of sisters three days to straighten the ship. When in actuality, in 2002, under HRS §587-73, (don’t play with me) the social worker would’ve been well within his rights to remove the child from the home right then. But instead he gives her three days to fix it. THEN

The 18 year-old loses her job.

The family gets a “dog” who he is implied to know is an alien, right off the bat.

The alien is violent and wreaks havoc across town.

The 7 year-old almost drowns while they surf instead of find a job.

He lets the child and caretaker have one more night together to say goodbye, but when he’s on the way to get her he gets a call that she’s being attacked by aliens, hears a chainsaw, and finds the house on fire.

Do you understand what I’m saying.

Cobra Bubbles had NO BUSINESS being as BIG A SOFTIE AS HE WAS for all of the original movie. He was not only well within his legal rights to take Lilo away from Nani immediately, but he was actually required by law, it was his DUTY, to remove her immediately. But he didn’t do that. Why?

Now listen to me very carefully.

Lilo and Stitch is a movie about how “Family chooses to love and commit to one another selflessly, no matter what the other person can do for them or how hard they make it.” The fancy way they say it is just “Ohana means family: family means nobody gets left behind or forgotten.”

Did you catch that? “No matter how hard they make it.”

Cobra Bubbles was a CIA agent before this. A CIA agent who saved the planet, by doing what? Convincing an alien race to leave them alone. Oh, he didn’t fight them off? No. How? He ��convinced” them? He talked it out? Sounds like a pretty compassionate guy, for all his tough exterior. How did he do that?

He could’ve picked any animal that’s actually endangered. The filmmakers chose to make him the guy who convinced aliens to value mosquitos.

MOSQUITOS. Creatures that give nothing, only take. Ugly little bloodsucking monsters. That’s the creature he convinced them to care about enough to save the planet.

NOW do you have any trouble understanding why this is the specific social worker who would give an alien-infested dumpster fire of a dangerous home a chance when two sisters are about to be torn apart?

Do you see that Cobra is just another example of the grace that the movie is always talking about? The love that transforms someone from bad to good simply because it refuses to give up even when it gets nothing out of it? I’m repeating myself because I want you to see why he was a well-done character who NEEDED NO CHANGE.

Cobra Bubbles’ character is not an insensitive monster who doesn’t care who his actions hurt as long as he gets the job done. But you know who that does sound like?

2. Gantu

Gantu is not in the remake at all.

The Problem They Were Trying to Solve With This Change: “It’s going to cost us upwards of 1.5 millions of dollars to design, sculpt, rig, animate, and render a character this big in addition to finding a suitable voice actor to play the part.”

This is a really dumb choice for several reasons. A. Without Gantu, there is no “stakes-raiser” to Lilo and Nani’s story. The movie has no climax without him. For the first and second acts of the movie, it’s about a grieving pair of girls trying to prove themselves to a social worker while the story-equivalent of Beethoven the Destructive St. Bernard wacky Jumba & Pleakley antics get in their way. But when a 40-foot tall alien stomps into their lives and abducts Lilo & Stitch in a spaceship that careens around the island during an explosive sky-chase scene, now you have a high-octane, somebody-could-die climax.

B. Without Gantu, Stitch looks weaker. The climax gave Stitch a reason to come out of the wackadoo puppy he’s been posing as and suddenly remind everybody that he’s a lethal weapon who can survive thousand-foot drops, lava, and astronomic explosions—and a giant alien’s Thanos-dwarfing fist. Take him out and who do we have as a match for Stitch to go up against, even for a moment, and prove how much he’s changed to be willing to risk his freedom and fight?

C. Without Gantu you have no villain to reflect that STITCH is no longer a villain. (So they substituted Jumba.)

But the reason this character is really worth millions is, again, the theme.

I told you Cobra Bubbles was a character who did not put “duty” or even “convenience” or “position” over the real lives of Lilo and Nani. He saw that there was love there, and in his own way, he gave it a chance. And even when he chose to take Lilo away, he did it carefully; he gave them time to say goodbye.

GANTU IS THE OPPOSITE OF COBRA BUBBLES.

Gantu is the insensitive, uncaring, unyielding Captain whose commitment to duty turns into rage and cruelty. Not Cobra.

Nani thinks Cobra is walking in a threatening to tear apart their family in a display of government judgement. But that’s what Gantu literally does.

His first reaction to Stitch is to call for his destruction. Without even waiting to see if “it can be reasoned with” like the Grand Councilwoman suggests. He’s merciless. He mocks Stitch when Stitch is captive. And he knows that he caught Lilo, a human, along with him. He doesn’t care. He even suggests that Stitch eat her as a snack.

There are only two other characters who laugh at others’ misfortune in the movie. One is Stitch, the original villain. Then love changes him. The other is Jumba, who made Stitch. Then love changes him. But Gantu never gets changed. He’s only concerned with his job, and with personally annihilating the flaws he sees in Stitch.

Gantu is unyielding, ungracious, and cruel. And he’s big and powerful enough to be a test for Stitch to prove he’s changed. For the benefits he brings to the story, he’s worth 1.5 million and more. But they cut him anyway.

3. Jumba

In the new movie, Jumba is a villain through-and-through with designs on overthrowing the Galactic Council using Stitch, and instead of being redeemed, he’s sentenced to prison.

The Problem They Were Trying to Solve With This Change: “We can’t spend money on our real villain so we’ll just keep Jumba evil.”

The reason this is dumb is obvious. They created their own problem, and the ‘fix’ makes the movie weaker, not stronger. But here’s how.

In the original, Jumba is introduced as trying to self-protect. He’s on trial, and he lies. But when Stitch is revealed, he’s genuinely passionate about the thing he’s created. And he cares about image. He prefers to be called “evil genius,” and he hates the headlines labelling him “idiot scientist.”

You have to remember he’s part of “Galaxy Defense Industries.” They had him making weapons of destruction anyway. He just got too into it with his genetic Experiments, went a little insane.

I’m not downplaying the fact that Jumba is evil at the start of the movie. He is. It is evil to be outcasted from society and then respond to that with, “well, if they’re going to treat me like an idiot, I’LL SHOW THEM, I won’t care about anything except my passion for mad science!” That’s evil.

But it also explains a lot.

I said it in another post. Jumba’s whole utility as a character is that he knows who and what Stitch really is, better than anyone. He made him to be a monster who can’t belong and wreaks havoc on everybody else’s ‘place of belonging.’ Jumba is the audience’s insider’s perspective on what is going on in Stitch’s head, at first.

But when he’s redeemed, it happens fast. And why? Because that’s how plain and simple Stitch is, as a character. Jumba knows Stitch is a disgusting little monster with nothing inherently loveable about him, and no “greater purpose.” So when his disgusting monster is loved by someone? When his disgusting monster is willing to ask him, Jumba, for help? Something totally outside his programming, totally not what Jumba thought he’d ever be capable of?

That proves to Jumba, in an instant, that there’s love out there that transforms. And creates a place of belonging.

There were already germs of that, a desire to belong, a compassion, in Jumba after he reached earth.

He doesn’t try to get Nani fired, he offers an explanation for Pleakley’s swollen head.

He claims he won’t hit Lilo (why would he care about collateral damage?)

He sounds sorry for Nani when she’s upset about losing Lilo, and tries to keep Stitch from bothering her.

My point is, Jumba’s redemption isn’t important because it’s cute or because we need to set up the big happy found-family trope everybody loves.

Jumba’s redemption is important because it is just one more PROOF that what’s happened to Stitch is so incredible. The love Jumba finds transforming his monster is enough to transform Jumba, too.

But sure, fine, whatever, make him a soulless one-dimensional talking head. Whatever.

4. Stitch’s Design

In this movie, Stitch is cuter than he is ugly, and he’s half Lilo’s size.

The Problem They Were Trying to Solve With This Change: “Ugly-cute doesn’t come across as well in ‘live action’ animation. And all the Wal-Mart moms remember Stitch as ‘cute.’ Plus we’ll save about 15% in rendering the animation.”

This is crippling to the characterization of Stitch.

Stitch is supposed to be an echo of who Lilo could become now that she’s lost her parents and may be losing Nani. This scene:

Where Jumba points out that Stitch has nothing, and destruction is his only purpose, is the evidence for that. But Chris Sanders, who made this whole story, also point-blank said it. Stitch is a future Lilo, if she loses her family.

So that’s reason number 1 that he should be her same height. But also, practically, no iconic pair of best friends, yin and yang, have visuals where one is smaller than the other. Especially not if one of them is supposed to be disguised as a pet.

The point is, Stitch is not LILO’s pet. He is her best friend, her other half. But between the muzzle-muscles they worked into his upper lip and the darkened dog nose and the butt-scooting across the floor, the remake is trying to make him more pet-like in relation to Lilo.

That’s not what he is.

I said this in another post. But Stitch is supposed to throw food to the back of his head like a gator—his lips are not designed for forming words. His gums and teeth are supposed to look like a shark’s. His nose is supposed to be too big, stamped into his face. His ears are supposed to be like bat ears, not bunny ears. He hunches forward, instead of bending at the waist like a toddler. His eyes can narrow to lizard slits.

He has to look like he can believably be a disgusting monster. Yes, he can also be cute. But he has to first look like a monster. Because that’s what he really is, in the story. If he isn’t, then LILO’s love for him doesn’t look as powerful.

It is easy to love a cat even if it scratches you, because it’s cute. It’s harder to love a life-sized spider that keeps knocking you down and eating your prized possessions and laughing when you get hurt. Stitch is supposed to be closer to the second one, so that Lilo’s love shines brighter.

But also, practically:

She can’t look him in the eye for emotional shots when he’s that short. He’ll always have to awkwardly be standing on a box or a chair or a bed.

How is he going to scoop her up, hero-style, and leap off of an exploding spaceship with her in his arms, when he’s half her size? He could do it: it’ll look stupid, though. So they just don’t have that part in the movie.

She can pick him up. That alone is demeaning and again, the visuals are silly. Not what we’re going for.

5. Lilo’s Personality

In this movie, Lilo doesn’t like weird stuff, and she screams when she first meets Stitch. There’s no problem that this solves. It’s just laziness and a lack of care about the characters.

I would like to remind you that the original Lilo:

Made her own doll that looks like a shrunken head and pretended a bug laid eggs in her ears.

Makes up stories about a fish that controls the weather and actively deep-sea dives to bring it peanut butter sandwiches.

Has a knee-jerk reaction of using practical voodoo spells on friends who wrong her.

Listens exclusively to Elvis Presley.

Fills baby bottles with coffee.

Believes Nani’s manager is a vampire.

Has fishing nets and seashells in her room for decoration.

takes safari pictures of overweight bleached tourists.

meets a social worker and her first impulse is to ask if he’s killed someone.

Nails the door shut when she’s mad at her big sister.

She’s not friends with pound dogs in that original movie; when they first get there she acts like she’s never been in the kennel before, and originally wants a pet lobster.

I know that we all love that little girl they got to play Lilo, but if you were really being objective, you’d acknowledge that she’s a little girl. She’s not Lilo. She’s a cute little girl.

They did not write Lilo into the 2025 movie. They wrote any old little girl.

You should have known, from the moment she first sees Stitch and her reaction is to scream in the trailer, that THAT IS NOT LILO.

Lilo had a very specific set of characterizations. She was a character with a personality that exploded out of the screen. Every other character in the movie meets Stitch and reacts with disgust.

But not. LILO. She’s the only one to react to him like THIS:

She is literally not like anyone else. She’s doesn’t care that he’s ugly. Or weird. Or blue. Or even bat an eye when he can talk with all those shark teeth.

From Moment One, Lilo chooses Stitch. She chooses to love him. Regardless of what he can do for her. Regardless of how many times he pushes her over or rips up her house or makes her relationship with Nani harder. That is the number one thing about Lilo.

She is desperate for people to stay, but she chooses to love Stitch even though he’s a monster. And she tries to make him better. And her love succeeds in transforming him when nothing else could.

Lilo’s personality traits all mean something in the story. (I.e. she likes Elvis because she’s clinging to the past, she snaps pictures of tourists like they’re safari animals because they’re inherently people who LEAVE and she has issues with LEAVING, etc.) But the thing I think that was so obvious that the moviemakers missed for 2025 is she has to be weird. If she’s not weird, there’s no reason for her not to have friends. And if she has friends, what does she need Stitch for?

But also, Lilo’s personality in the new movie is just boring. Cute. But boring. Cute’s not that great of an accomplishment; any 7 year-old is cute.

6. Nani

I don’t think you guys need to know this. It’s not just that Nani leaves. It’s that “take care of yourself” is the exact opposite of the selfless message of the movie.

In the beginning, Lilo literally argues with Nani after being told she’s “such a pain,” and goes, “why don’t you SELL ME and buy a RABBIT INSTEAD?”

And then breaks down and cries at the thought of Nani wishing she had a rabbit instead of Lilo, later.

Because Lilo is afraid of people leaving. But Nani won’t leave her. Nani loses her job, her own life, because of Lilo. But she’s desperate to keep Lilo anyway, because she loves her. Don’t you understand? The message of the movie was about self-sacrificial love. A love that doesn't care what I get out of the relationship.

Nani starts it. But you know what, David loves her like that, too. And then Lilo transfers it to Stitch, who shows it off to Jumba. It’s a chain reaction, but Nani is spearheading it.

You realize that when their parents died, Nani already would’ve been in high school? With a whole life of her own? Her own friends, her own potential boyfriend, a job she went to, surf competitions (the trophies are in her room.) Lilo would’ve been well aware that that was the status-quo: Nani has her own life. And even a seven year-old can see that that life is being put on hold, but maybe the big sister wants to go back to it, at every turn.

The fact that Nani never does that, never expresses a desire for that, only ever expresses a desire to keep Lilo with her, is huge. It’s the core of the movie.

I don’t think that needs any more explaining.

We could talk more. Like about how Lilo needs to see that Stitch is an alien, because that’s the ultimate test: he’s one of the monsters who destroyed her house, he’s been lying to her and using her as a human shield, he’s a criminal—but she still winds up giving everything up to protect him.

Anyway. My neck hurts and I don’t want to type anymore. But we could talk about the music, the social worker, the grand councilwoman—it just doesn’t matter.

Ya’ll had more than enough details in the trailer to be able to not go see this movie because it was obviously going to ruin everything. But instead you chose to make this twisted corpse “the highest-grossing movie of any Memorial Day.” You bought tickets because they ruined a perfect movie and slapped together an uglier package for you.

Whatever. It was my favorite movie today, it’ll be your Treasure Planet or Tangled tomorrow. Keep riiiight on giving them your money, and keep letting influencers regurgitate the same four obvious facts to you over and over, because they paid Disney to make a talking-point for their content benefit. Whatever.

[the-overanalyst]

it's always so fascinating and heartbreaking when a character in a story is simultaneously idolized and abused. a chosen prophet destined for martyrdom. a child prodigy forced to grow up too fast. a powerful warrior raised as nothing but a weapon. there's just something so uniquely messed up about singing someone's praises whilst destroying them.

[sacred-treasure]

smut, 18+, mdni

nasty!toji who spits on your pussy while eating you out just to watch it slide down your puffy folds until it dips to your entrance. shoving his tongue inside your hole and fucking his saliva deeper inside, chuckling against you when he feels you clench around his hot tongue. “you like that, sweetheart?” words hot and thick against your sticky cunt.

toji gets impatient with not having an answer and pulls away just to spank your pussy. “asked you a question,” he barks in a sharp tone, catching your attention. you immediately squeal, voice breaking with a “y-yes! oh god, i love it, toji!” you can barely make out a muffled, “good girl” before he’s spreading your folds open wide, watching as you blossom pink and flushed for him before licking up your slit and sucking your clit directly into his mouth.

nasty!toji who lets his tongue wander when he’s going down on you, slipping inside your ass and feeling your pussy clench around his fingers that are still stuffing your cunt full. “quit squirmin’, mama,” he pulls his fingers out, coated in your slick, just to meanly slap your pussy twice before spreading your thighs further.

his tongue licking around your puckered hole, the one no one’s touched, “gonna let me be your first doll? want me to fill you up the way no man ever has?” his voice deep and rough, eyes flaring with something possessive, getting off on corrupting you.

nasty!toji who fucks you hard just to see you squirt on his chest. his thrusts are nothing short of cruel, swollen tip pushing against your abused g spot over and over again. you feel the pressure building, your thighs threatening to close from the intense feeling but toji won’t have it.

no, his calloused palms are shoving your legs apart and driving his hips even harder into the same spot. you try to warn him, voice wavering with each rough crash of his pelvis against your ass, but he only presses his hand down on your lower stomach, amplifying the sensation until you finally spray.

his chest is glistening from your gushing pussy and you feel a wave of embarrassment knowing you’re the direct cause for the sheen on his abs. before you can think too much about it, toji’s pulling out and diving face first into your cunt.

he licks at your folds, thumb rubbing harsh circles into your clit as your juices continue to flood his face despite you trying your hardest to make it stop. he runs his face back and forth across your silky skin and groans hoarsely, basking in your taste as he shoves his tongue inside your pussy.

“toji!! s’ too much—fuck!” you cry out, muscles giving out as you try to push his head away. he pulls his head back only to spit on your pussy, giving her two more rushed licks before sitting up on his knees once more, stroking his cock and fucking you right back in the same rhythm, a dirty combination of slick and squirt decorating the lower half of his face, coating his lips and that damn scar you love so much.

nasty!toji who fucks you in missionary just to watch you cry. the way he rams his cock into you is nothing short of mean, his eyes half lidded in lust and his fingers intertwined with your own as he holds them above your head. you’re rendered helpless, forced to take every rough thrust of his hips even when it’s too much. your cunt begins clenching around him too tight, the slight pain that the stretch of his fat cock gives you growing more intense with each relentless thrust.

you can’t even help the big tears welling up in your lash line or your bottom lip quivering as you begin to pout at him. “t-toji, it’s too deep. fuck, you’re too deep!” you begin to whine out, head turning back and forth against the plush pillow, body being run for all its worth and feeling the twitches throughout your frame in an unfamiliar pattern—you’re at your limit. and he’s still not through.

“just gotta make sure i get all of it, you know this, ma,” his nose is dragging along the column of your throat, his balls slapping wetly against your ass as he ensures every inch of his cock is snug inside your overstimulated pussy. your eyes shut and the tears begin to fall, your heels digging into the dip of his spine to pull him even deeper, body conflicting itself and somehow still begging for more.

“there she is, that’s—shit—that’s my good girl,” he praises once he feels you pulling him in even closer, head pulling back to look you in the eyes before flattening his tongue against your jaw, licking all the way up your cheek and savoring the salty taste of your tears.

“taste so sweet when you’re cryin’ for it. this poor little pussy can’t get enough even with all your whinin’,” his words are punctuated with a rumbly chuckle before he begins lapping at the opposite side of your face. his wet tongue moves slowly across your skin, the humiliation causing soft sobs to fall from your swollen lips but his hips never stop moving. his leaky tip rams against your cervix with each thrust while he presses a wet kiss to the corner of your eye. “so pretty when you cry, just makes me wanna fuck a baby into ‘ya.”

nasty!toji who can’t help himself from eating his own cum out of your pussy. he’d long since lost count of how many times he felt your cunt flutter around him, coming over and over from his insatiable desire to fuck you for all he’s worth. he didn’t give you time to recover after an orgasm, and if you’re honest, you can’t be sure you can tell the difference between one ending and the next one washing over your overstimulated body.

toji had inhumane stamina and sex happened to be one of the places it showcases the best. he can go for hours, never getting bored of your broken moans ringing through his ears or that frothy ring of your cum that coats the base of his dick. but when he does finally come, it doesn’t mean he’s anywhere close to being done with you.

nasty!toji fills you with so much of his cum that it can’t possibly all fit inside of your poor, abused pussy. it spills out even with him still driving his hips forward to push it deeper, making a mess of your thighs and his heavy balls as it overflows. toji simply doesn’t care and groans out in a raspy tone as he feels his orgasm last longer than normal, his cock somehow still filling you with more of his hot, sticky load.

when he eventually pulls out, he’s immediately dropping to his stomach and pushing the backs of your thighs towards your chest. you’ve never looked so messy before, he’s sure of it, as he licks up the thick stream of white pouring out of your sloppy folds. his eyes shut as he revels in the taste of your combined cum, bumping your clit with his nose while his tongue laps at your quivering entrance as he cleans up the mess he made of you.

[elvinapandra]

POV : you have been scrolling for the past hour and all you see is SMUT

Please...life is lot more than fucking🙏🏻

[foldingfittedsheets]

When I was young my dad offhandedly told me he thought people treated fish with so much casual cruelty because fish can’t scream.

The words branded themselves across my soul.

As an adult I think he may have been joking. He payed no especial attention to any indignities fish suffered in our household but I could never forget. I saw fish in a different light after that.

Fish kept in tiny bowls, breathing their own poisons, dying by inches. Fish kept in cold tanks, casually disposed of. Fish touted as being short lived when they could outlive the better loved family dog if only they could breathe. Fish casually won and discarded in cheap plastic bags, thrown away a week later.

How they would scream, if they could.

[interstellarsystem]

Nonhuman expressions of affection are great. Purring. Exposing weak points as a show of trust. Head bonks. Preening and chewing. Nuzzling. Biting. Intertwining tails. Feeding each other. Little chuffs, chatters, beeps and squeaks. Fluffing up of feathers, fur or other things. Dancing to impress. Cleaning their fur, scales, feathers or skin. Sharing body heat. Ears pointing toward those you care about to show your full attention is on them. Slow blinking.

[ophelia-is-not-okay]

I'll just leave it here...

[merakidoll]

the first time choso saw you bent over in the tiny white skirt, he knew you would be taking such a prized possession from him - his virginity!

choso dwelled in being a hot man who had a big dick that hadn’t been touched. but one look at your ass, then in your eyes, he was a gonner like everyone else who crossed paths with you. “f-fuck” he mumbled when you removed his cock from your mouth with a wet pop. a saliva string from your lips to his tip connected you two and it was so hot. “gonna be super duper gentle chocho!” his large bed covered in silk black sheets brought comfort. choso wasn’t scared, but nervous. what if he wasn’t as good as you think he would be? digging your duck nails into his board shoulders you used your free hand to aline him to your fat cunt rubbing his tip up between your pussy lips and circling his head with your clit. you gentle tapped him against your pink puffy clit making pre cum ooze.

“stop teasing” he gritted out, his nails dug into the sheets so tight that some of his red gel polished chipped. his balls were heavy, never feeling this feeling of pain from needing pleasure so bad. with a small wiggle the fat head of choso dick popped into your cunt. a shocked gasped came from your mouth, while choso adam’s apple bobbed. his face becoming red from how hot tight and wet you are. what a welcoming. “oh goddd” you cried out slowly sliding down him, his grith was unexplainable. so fat and long, the best you ever had. once your ass touched his thighs and you sat on him completely you let out a shaky breath.

your big eyes looked at how choso’s eyes were closed as if he was restraining himself. that’s what choso was used to, restraining, but you had his brain so gone. he couldn’t think any thoughts that would usually calm his crazy instincts when he was with you. as if he was blinded by pleasure, choso moved quick flipping you two over and pounding your cunt for all the years worth of pent up agression. “love this pussy, shit” he growled. balls slapping your ass, he enjoyed watching you try to grab anything to run for him. the pleasure knocking the wind out of you. his cock so far deep inside of you that it was hard to breath. “don’t run bunny. take it. you begged for this dick.”

slowing down he leaned down and kissed your wet lips. he pulled back bitting your bottom lip drawing blood that he licked up. your body shook against him, hands shanking as your nails clawed at his back, bow charm popping off. your eyes rolled to the back of your head, squirt shooting out of you and getting all over choso. “thata girl. give everything to your chocho” kissing your neck he stilled inside of you and moaned into your neck, his cum filling you to the brim. when his balls felt empty choso slid out of you, you finally felt as if you could breath. but too soon, as soon as you felt it, the wind was knocked out of you again. choso man handling you on your stomach, and into an arch where he slid back inside of you, smaking your ass. “c-chochoooo i-i can’t!”

tears poured down your cheeks, hands holding the headboard while you moaned, a scream coming from you when his fat thumb massaged your puckered hole slowly pushing in as he fucked you deep and hard. “you can bunny. giving m-my baby everything she wants” throwing his head back choso licked his lip tasting the metal of his lip ring. opening his eyes he was mesmerized by your ass clapping against his cock. he watched more and more cream get on his cock with each thrust. “m’there. fuck bunny!” his body fell on you as his cum came out unexpectedly.

a feeling as if his body was levitating came over him. your pussy clenched and unclenched. the mix of you both coming out of you as you came with him again, then fell into a deep cum driving slumber. with a limp dick and empty balls choso pulled out of you and layed you comfortably in the bed. he stood at the end and chuckled to himself, you could never leave him.

[w-a-film]

How to Format An Animated Screenplay

If you are struggling with the script format? Is not knowing how to format the only reason keeping you from writing your screenplay? Then this video is for you! Learn everything you need to know to begin writing a film script like a pro. It may seem difficult, but I promise you it's far easier than it seems.

[slavhew]

dandadorks

[dr-rato]

THE FEELS Inspired by this scene in the Journal, which has not left my mind since i first read it:

Specifically, this part!

[rayveneyed]

nanami kento is the kind of man that makes people swoon without even realising it.

he's the kind of man to walk into a luxury store after work, suit jacket folded over one arm and a bouquet of flowers in the other -- his blonde hair still mostly perfect from the high-end pomade he uses. he scours the shelves, frowning to himself, while the attendants whisper and giggle amongst themselves near the tills -- an argument over who will be the one to talk to him, because he's intimidatingly pretty.

("just look at him," one whispers. "he's definitely buying something for a girlfriend."

"a wife," another disagrees. "c'mon. he's giving husband vibes."

someone hums. "but i can't see a wedding band."

"his mother, maybe?" says one other. "oh, i love when guys come in shopping for their mother."

"nobody's mother is getting a bouquet of a hundred red roses--")

eventually, one of them is volunteered as a sacrifice -- smiling and sweet as all attendants should be, she clears her throat. the others, crowded around the till, watch the exchange closely. "excuse me, sir. is there anything we could help you with today?"

her mouth is dry and her hands are clammy -- and when he fixes her with those narrow, burning eyes, her throat bobs.

"ah, yes." and his voice is deep and gravelly and drawling, and her stomach turns. she can only imagine what her coworkers are thinking -- hell, she can only imagine what she's thinking. her mind has stopped short. "my girlfriend likes this brand quite a bit. i thought i'd pick her up something..."

disappointment brews in her stomach -- and it's stupid, she knows it's stupid, because obviously a guy like that is taken. and -- she glances down at the roses -- obviously he treats her super fucking well. of course he does, because why wouldn't he? "oh, perfect! do you have anything in mind?"

"well, actually..."

he ends up buying one of the priciest gift boxes available -- fancy body care and perfume laid out in their signature boxes, decorated with ribbon and dried lavender -- no argument, no fight. he doesn't look for something cheaper, doesn't try to haggle or remove something to decrease the price. he adds, and adds, and adds -- and when she mentions a special offer at the till, a little add on for an extra 2000 yen, he accepts it readily. he inserts a black card into the card machine (of course, a black card), takes the beautifully wrapped bag, and thanks the girls for their services -- and just as he's leaving, his phone rings.

of course he answers the phone with hello, darling. of course he begins to ask his girlfriend about her day, the girls think with some amount of annoyance -- of course. maybe the curse of retail isn't entitled assholes expecting you to wait on hand and foot for them -- maybe it's the handsome men coming in to splurge on their girlfriends while you're painfully single and working for pennies.

[iknowmorethanyou]

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