#writing death scenes

[em-dash-press]

The Dark Art of Character Sacrifice: 5 Reasons Why Writers Kill Their Characters

There are some good reasons to kill characters in your fictional stories and definitely some bad ones. It’s hard to know what’s cliche and what’s not when you’re first starting out (or when your mind is caught up in the middle of a manuscript).

Use these ideas to see if taking one of your characters out of a story could make it work better.

1. To Start Their Story

Plenty of stories start with someone dying in the first chapter or two. It’s usually someone important to the protagonist. Sometimes it’s someone whose death directly or indirectly changes the protagonist’s life.

Here are some examples:

The protagonist is a 10-year-old child raised by their grandma, who passes away. The story is about the protagonist experiencing the foster care system.

The protagonist is an 18-year-old graduating from high school. A few days after graduation, the president of their country is assassinated by another leading country. The protagonist joins the military to fight in the ensuing war. The story is about the horrors of war.

The protagonist is a 50-year-old woman. She’s independent, has a thriving career, and feels great about her life. Suddenly, her best friend of 20 years dies. The story is about processing and living with grief.

All of these deaths are foundational to each story’s overall plot and theme. Without the deaths, the stories would be very different. The protagonists would continue living their normal lives and not experience the specific events you want to write about.

2. To Emphasize the Theme

Character deaths can emphasize a story’s theme. Let’s say you’re writing about how deeply cruel humans can be to one another over money. The antagonist kills someone the protagonist cares about. The loss sets the protagonist back due to staggering grief, so the antagonist gets to make a financial deal that the protagonist was trying to score.

There are a few ways this would reflect the theme. It shows how greed can be all-consuming, to the point of erasing someone’s morals. It also speaks briefly to the reality that cruelty happens to people indirectly. It’s horrible for the person who dies and those who love them.

3. To Add Closure to Their Arc

At some point in your story, there will be a character who completes their arc. They might make amends with someone they hurt, feel at peace about their life after reaching a big goal, or otherwise finally feel settled. If that character dies, the reader and protagonist grieve together. They can also come to the same conclusion through the rest of your story—the character who died lived a life that made them happy.

That’s not to say happy people can’t continue growing. Life is always going to present new ways to grow. Stories will do the same for characters. However, when you don’t necessarily need a character anymore, death can be a poetic end.

4. To Add Justice to the Story

When your protagonist stops the antagonist from harming others, the crimes the antagonist committed might make the protagonist call for their death. We have this in the real world with the death penalty. 

This post isn’t going into the ethics behind the death penalty, but I mention it because wanting justice to the point of killing the perpetrating criminal is something many people can relate to. It’s a tool you can use in your story to drive home your theme (what real justice looks like, mercy, forgiveness, etc.) or exemplify your feelings about real-world dilemmas (the actual death penalty, vigilante justice, etc.).

5. To Add a Plot Twist

While you’re writing your story, that draft belongs exclusively to you. You can do whatever you want with it. Sometimes it’s helpful to write a death scene and re-read your work. See how the story feels and if it works with that death written into it.

You might not have planned it, but maybe it gives you fresh ideas about where to take the story. Every plot twist has a purpose—you can find it before or after writing the twist by giving yourself the freedom to explore alternate realities within your fictional world.

-----

There are many other reasons why writers kill their characters. By all means, do more research if you don’t feel like these ideas fit with your WIP. It’s better to know what deaths can mean and do in fiction because it informs your writing. Your stories will make more sense to you and your readers.

[galaghiel]

Both Jack and Maddie stared at him, speechless. Silence blanketed the lab, everything but Danny’s strangled crying, his hand pressed over the muzzle as if to hide it. No- to hold it still, to still the dozen wicked barbs that were digging into his tongue, probably ripping it with each sob.

a little sketch of @liketolaugh-writes amazing one-shot fanfic that you can read here

[wrongspacetime]

The Fall of the House of Usher 1.08 | The Raven (2023)

[cjjasp]

Side Characters - Someone Must Die #amwriting

Side Characters – Someone Must Die #amwriting

We who write live inside our imaginations. The story unfolds before us when we are laying down the first draft, and the characters reveal themselves as we write. The side characters make themselves known to us, and gradually, we come to understand who they are and why they are willing to endure the hardships and support our protagonists in their efforts. Sometimes, the story demands a death, and…

[vivitalks]

we don't talk about it enough but duck and billy's relationship in amnesty is truly a tragic one.

imagine: you rescue a mindless drone. you save his life, you give him autonomy, you give him language. you teach him trust. you protect him at your own expense. you name him billy. he knows three words in your language, and one is your name. you promise to keep him safe, and he betrays his programming to help you in return. he defies everything he was designed to do in order to aid you.

you save him from being a drone, but in doing so, you kill him. he was never supposed to be here this long. you gave him freedom at the cost of rapid decay, and now he's dying. and if he could just go back to his home planet, he would live, but he doesn't want to. because you're here. duck newton, his first friend, his savior, his guardian. you showed him that there is a better way to live - with free will, with pizza and playstations.

he's damned if he stays and damned if he goes. but you can't watch him suffer. that's not who you are. you're duck newton, local beefcake, defender of the disadvantaged. so you wait until he's engrossed in his video game - in humanity, in freedom of choice - and you strike him down out of mercy.

billy reverts to his original form: a four-armed being of light, once a drone, now a friend. he's beginning to disintegrate, but he has unfinished business here. he never finished his video game. and you give him one last gift of mercy: you lie to him. don't worry, you tell him - that character you're worried about? she's fine in the end. no, i know it seems bleak now, but she turns out okay.

you can't give him anything else, so you give him hope. it's the same thing he gave to you, all those months ago when you saved him.

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[river-bottom-nightmare]

bruce “piles my entire moral framework onto dick’s shoulders and blames him when either one of us buckles under it bc i know deep down he’s the only one that’ll forgive me for it” wayne

[bamsara]

obligatory out-of-context TROD draft snippet dump. spoilers

I leave for my trip tomarrow so hopefully I am spared enough internet to upload the next chapter

[gh0st-b0und]

I’m so in love with this small interaction i just had to draw it

From @bamsara ‘s fic :]

[nyctophicbtch]

The Songcord - Neteyam

[ Neteyam x Omatikaya!reader ]

Request: Can I request a Neteyam x Omaticaya!reader

Author’s note: I recommend listening to From Darkness to Light, The Spirit Tree, and The Songcord if you have tissues prepared

Warnings: angst, mentions of blood, death

Word Count: 3,101

“Feels like I haven’t been here in ages,” you muttered, hands brushing the glowing strands of the tree of voices. Kiri and Tuk were already immersed in their own worlds, not hearing a thing you were saying. Spider was out exploring on his own, eyeing the sky, the flowers, the tree, and basically everything else.

“Better make the most of it then,” Lo’ak replied, attaching his queue to a strand.

Neteyam was standing near the bark, and it looked like he wasn’t going to join them any time soon, so you followed Lo’ak and did the same.

It had been a while since you’d done this, or had been anywhere near the tree at all. Although there were plenty of excuses to use, you knew you were just scared of what you’d see.

It was moments like these, where you’d hear and see your actual parents, that made you afraid. You had been fighting so long to earn your place here with the Sully’s.

Even though you started off wanting to befriend the family of the person who insisted on becoming your friend, it’d grown into something deeper over time. And every time you looked back to your parents whenever you visited the tree made you realize that you could never have what you actually wanted.

The feeling overwhelmed you, screamed at you until the bond was forcefully broken and you were thrown back off your balance. You didn’t know what was happening, but you could somehow make out Lo’ak’s muffled yelling over your blurry vision and ringing ears.

“Neteyam!”

“What happened?”

“I don’t know!”

“Move!” You felt hands grasping your shoulders, but you were too caught up on trying to breathe to see who it was. It felt like the air was sucked out of you and none of your senses were working properly. “Hey, it’s okay. We’re here.”

There was no coherent thought on what was going on, but you could feel the thumb gently rubbing small circles on your shoulder.

“Shh. You’re okay,” Neteyam whispered, leaning his forehead to yours.

Your shallow breaths slowly returned to normal, and you started to make sense of what was happening. You could start to feel the numbing of your legs from the uncomfortable position, and you could see Lo’ak’s worried gaze on you. You started to hear Neteyam’s comforting words clearer and feel the way he was holding you.

You heard the sigh of relief Lo’ak released when you felt yourself calming down and Spider running towards you, closing your eyes to let yourself succumb to Neteyam’s comforting hold.

He kept his eyes closed and forehead pressed against yours for as long as you’d like to assure you that he wasn’t going anywhere. It was only when you felt the numbing of your legs begin to worsen when you pulled away, finally looking at your surroundings.

Kiri and Tuk were still engrossed in their memories and it looked like they did not witness the scene that had just unfold beside them, much to your relief. You didn’t know how you’d explain this to the cheery child.

“Hey, you okay? What was that?” Spider questioned.

“I don’t know.”

They all decided to leave you to yourself and give you time to think, well except Lo’ak who wasn’t going to let it slide that easily.

“What did you see?” he asked as he sat down beside you, leaning his head against a tree.

“The usual.”

“Then why did-“ Lo’ak stopped himself with a sigh before he could interrogate you any further. “Don’t leave me hanging for too long. Talk when you’re ready.”

“Yeah. Of course.”

“Guys, it’s dark out we need to get back.” You heard Kiri call out from a distance.

“You were the one that took so long,” Lo’ak replied as he stood up, offering a hand to you for support.

“Let’s go, children.” Neteyam rallied everyone, placing a hand on Tuk’s back when she almost lost her balance.

You all ran back from the way you came, anxiousness gripping at each one of you when you saw the sky completely dark, the only thing lighting it up were the stars and moons.

But there was no room to worry about curfew when all you could think about was what had happened back there. Everything happened so fast you could barely process it.

“You coming?” Neteyam’s voice pulled you from your thoughts.

You looked up to the boy waiting for you, his head turned back to face you expectantly. In a matter of seconds, you regained your senses and jumped up to the branch near him.

Maybe you didn’t really regain all of your senses after all, considering how you slipped on the moss and fell backwards. Lucky for you, Neteyam had incredible reflexes, grabbing your hand before you managed to fall. Being the Olo’eyktan in training had its perks.

“Careful.”

“Thanks,” you muttered half-heartedly.

Neteyam decided he wasn’t going to press you further on it, giving you some space for whatever is going on in your head.

The branches suddenly felt further apart than they were, and your legs felt heavy as you leaped from branch to branch, following the Sully kids.

“Mom’s going to be so mad,” said Kiri as she ran past Lo’ak to catch up with Spider. Poor Tuk was left behind, so you grabbed her hand and matched your pace with the youngest Sully.

“Come on, Tuk,” you encouraged her when you saw the big jump she had to make. She pursed her lips and made a running start before leaping, Neteyam steadying her balance on the other side.

“Go ahead, I’ll be right behind you,” he whispered as you passed him.

You could see the circled-outlines of the moons in the sky, their glow being the only thing that allowed you to see your path, apart from the glow behind the opening in a tree bark that indicated you were finally there.

“And where-“ Neytiri started as Neteyam joined your circle. “Have you all been?”

Technically you weren’t actually family, you thought as you slowly backed away from them. With it being so dark and you standing on the edge of the group made your escape seem pretty easy. Neteyam noticed your movements but didn’t comment on it.

“You too.” You froze in your spot, Neytiri’s eyes trained on you like a spotlight.

You doubted that they saw you as family, but Jake and Neytiri had an odd way of making you feel like it. You had been a little younger than Tuk when Lo’ak had found you, and from there, each day you spent with the Sullys brought you closer to the family. But in times like this, you wished you didn’t feel like part of the family enough to escape Neytiri’s scolding.

-

“Why do they get to do the fun stuff while we sit here? I’d rather join them.”

“Suit yourself. I like it here,” replied Kiri.

Just on time, you stopped your pacing and ran out to the sound of the people shouting for the war party. The scene that greeted you wasn’t what you had initially expected, but it was no surprise either.

You kept your distance as you watched the two boys look down guiltily when Kiri approached, trying to drag the older brother out of the situation.

However, the huge gash on Neteyam’s chest worried you more than anything. His tail was swishing gently, showing the unease he felt.

Eventually, Jake let them both go and you followed them into the tent, and when the boys saw you, their faces lit up.

“Hey,” you approached Neteyam who was sitting on top of a wooden table with Kiri tending to his wounds.

“I’m offended you didn’t come to me first,” grumbled Lo’ak from the corner of the room. He had his arms crossed over his chest stubbornly, and the bright look turned into a sour one.

Although you knew he was messing around, you heard some truth in his words. Besides, it was Lo’ak that had befriended you first, and it was him that had spent his nights up to no good with you when his brother was busy being a good child.

“Missed you too, Lo’ak.”

“Ouch. Can you not?” Neteyam flinched as Kiri pressed into the cut a little too forcefully.

“Do you want me to help?”

“You’re doing this on purpose.”

“No I’m not,” she scoffed before pressing his wound even harsher, making him slap her hand away. “Now that was on purpose. You do it, I’m gonna find Tuk.”

Kiri gave you the bowl before exiting the tent. You were never one for healing, but you saw her plenty of times and she knew that. It was usually Kiri that did all the work when her brothers came back all bruised and bleeding.

“It’s fine. I don’t need it anyways,” Neteyam argued and started to get up when you smeared the sap on his cut.

“It’s deep. You’ll get an infection.”

“No it’s-“

“Sit down.” You gently pushed the hand that wasn’t holding the bowl to his chest and Neteyam sat down. He kept his eyes on you as you continued working on him, making sure to be extra gentle.

“I’m still here,” Lo’ak called out, unamused. “This is getting sappy. I’m leaving.”

“How come you’re younger than me and you get to boss me around all the time?” Neteyam started once his brother was out of earshot.

“I’m Lo’ak’s age.”

“And I see him as a baby.”

You sighed, feeling around his head to find any injuries. Neteyam could tell you were distracted and that your thoughts were everywhere but here with him just from the look in your eyes. You’ve been welled up in your thoughts ever since your last visit to the tree of voices, and the change of mood that came with it was evident.

“You okay?” Neteyam finally decided to speak up, wincing when you pressed on a sore spot in his scalp.

“Hmm?”

“You’ve been like this for the past week,” he explained. “Distant.”

“What do you mean?”

“Come on. I know you better than that. Lo’ak thinks it has something to do with me and he won’t shut up about it.”

“I’m fine.” You applied the sap with just a bit too much pressure on his head and he grasped your hand in his, bringing it away from his head.

“I won’t tell him,” he started when you finally looked at him for the first time ever since Kiri left. “What’s going on in that pretty head of yours?”

Neteyam saw your hesitance and reached for the bowl in your other hand to set it down next to him. He lowered his voice, speaking gently as if he was afraid of hurting you. “What happened when we were in the tree of voices?”

“I don’t know. I saw my parents and when it stopped I just panicked and I don’t know why. This never happens. Then I started thinking about your family and how they don’t really consider me a part of their family made me wish I had something like that.” You didn’t even realize the tears were falling until you felt Neteyam wipe the ones that fell to your cheeks. He stood and put an arm around you to bring you into an embrace, allowing you to bury your face in his shoulder.

Every welled up thought and feeling from the past week you’ve tried to shove as deep in the back of your head as possible suddenly resurfaced all over again. Maybe you were too scared to admit it, but Neteyam’s comfort was what you’ve been needing.

“You’re as much of the family as I am,” he softly assured whilst pulling away, tilting your chin upwards with a finger to look at him. “It might not look like it, but we all care. Even mom and dad.”

And then Neteyam did something stupid.

He leaned in to press his lips against yours, his grip around you tightening to pull you closer. You could taste the salt from your own tears as you responded with the same amount of intensity, all the built-up emotions finally pouring out into the kiss.

Your hands reached out to wrap around his neck when you felt his tail brush against your leg, the slow loving movements indicating how blissed out he was.

You weren’t sure how long the two of you stayed in that tent, but when you pulled away breathlessly, Neteyam did the same with visible effort.

“How am I going to tell Lo’ak?”

Neteyam breathed out a small laugh and closed his eyes, pressing his forehead against yours.

“I’m more worried about dad.” At his words, you parted from him anxiously. “Relax. You’re family. If anything, they’ll be more worried about you than me.”

He wasn’t wrong. Jake looked like he was having a panic attack when the two of you told him and Neytiri.

“You want to tell me how this happened?” He pointed between the two of you who looked like guilty kids that had gotten caught stealing. You both glanced at each other hesitantly as Jake grew impatient waiting for an explanation from either of you.

“Neteyam kissed me.” Your voice came out so quiet you weren’t sure whether you’d said it out loud or if you’d only said it in your head.

Jake and Neytiri looked purely out of it. They cast their son a look while he looked anywhere but at his parents.

“Neteyam,” Neytiri warned.

The Olo’eyktan made sure to make the list of rules clear for the both of you. No wandering off too far alone together and definitely no sleeping together, even just next to each other separately. Jake mentioned how he knew it wasn’t uncommon considering how you’ve been doing that since you were children, but now it was off limits. He also mentioned a whole set of other rules and how he would kill Neteyam if the boy laid a hand on you or hurt you in any way.

In a way, the protectiveness they held towards you made you feel welcomed and accepted. It made you feel as if you were actually part of the family. And even more so when they offered you to join them to pursue lands beyond the Omatikaya clan.

Since the only people you’ve stuck to since you were young were their kids, Jake and Neytiri knew you’d be devastated if you had to part with them, especially when you were now attached with their eldest son.

There was no dismissing their offer from your side either. You weren’t going to leave the only people who truly knew you, and you weren’t going to leave Neteyam. Though you had to admit, you missed the forest just as much as everybody else.

“What’s that?” asked the youngest Sully as she peeked over your shoulder to get a closer look at what you were holding.

“A bracelet I’m making for you.” Her face brightened even more.

“It’s pretty!”

“It needs more shells. I’ll fetch some more outside and woah-“ your eyes widened when Neteyam and Lo’ak entered, all bruised and bloody. “What now?”

“Got into a fight with Tsireya’s brothers. They were picking on Kiri. Hey Tuk,” Lo’ak said, ruffling his sister’s hair.

“You too?” You looked at the older brother.

“What? Was I supposed to stand there and watch him get beaten up?”

“I could’ve handled them on my own.”

Neteyam snorted. “No, you’d be with Eywa if it wasn’t for me.”

Lo’ak grumbled his way to Tuk, who looked like she had so many questions for him. He picked up the bracelet you made and twirled it in his hands, earning an angry protest from his sister who snatched it away from his hands.

You were about to leave to go shell-hunting when a thought passed through your head after seeing blood on Neteyam’s lips.

It looked like it hadn't dried up, so you acted on impulse when you approached him and brought your hand to his jaw to pull him into a gentle kiss, making sure to lick his bottom lip where the blood was.

The kiss took Neteyam by surprise, and once he was about to respond, you pulled away, leaving him puzzled.

“You got blood on your lips,” you whispered, tracing your fingers along his jaw before reluctantly letting go.

“Gross, you two. Poor Tuk’tirey’s tainted.” You barely heard Lo’ak’s words as you walked away from them.

The rest of your days were filled with the same routine. You’d learn a thing or two from the Tsireya and then Lo’ak would stir up trouble with her brother and his friends. How they had managed to get along after some time was a miracle.

Everyday was filled with new discoveries of their waters. Tuk would ask to see something new almost every hour, and being the favorite, you’d accompany her almost every time. If you weren’t with Tuk, you’d be sitting somewhere with Kiri. If you weren’t with Kiri, you’d be exploring the waters with Lo’ak, and if you weren’t with Lo’ak, you’d be discovering new places on land with Neteyam.

Today, you were with Lo’ak, and you hadn’t expected that warning his Tulkun friend would turn into something much much worse. You weren’t even sure how it came to this point.

You were escaping the sky people when Kiri, Lo’ak and Tuk were taken. It was one thing after the other and the next thing you know, you were trying to keep your composure as you watched Neteyam writhe in pain from a bullet wound in his chest, your palm caressing his jaw to let him know you were here.

It’s okay. He’s going to be okay.

“Hey, it’s okay,” Jake voiced your thoughts.

“I want to go home.”

No. It’ll take more than a bullet to kill you.

“I know, I know. We’re going home.”

No. No.

You felt your heart breaking followed by a tear with every sob and pained sound that came out of his mouth.

“It’s okay,” you quietly assured him as your thumb gently stroked his cheek, the first word you’ve spoken coming off as a whisper.

Neteyam glanced your way one last time at your voice before the pain in his eyes turned lifeless and his convulsing body went still.

“No. No, no-“ Neytiri begged and it felt like the air was sucked out of you. “Neteyam!”

You couldn’t even hear your own scream over the ringing of your ears. Everything happened all too fast.

“Neteyam,” you sobbed, cradling his head close.

You can’t leave me. Come back.

:)

[spadillelicious]

Hi! Question about LDR- does Y/N ever get an unproblematic friend?? I saw the drawing of them being friends with DJMM and i just wish it was canon… My guy needs a break! T^T

Y/N will become friends with DJMM in canon too! <3 In fact, Y/N is going to get two new unproblematic people in their life very soon...! (And a bunch more problematic people too of course ;D)

[sad-leon]

Something about a big leo hugging a little leo in the mindscape just hits different

this time flavored with @remedyturtles's Death Wish boys!

i care about them so much lakdjfalsdjflskd if i had the spoons, there would be a second animatic made already, but alas, school >:(

[cir-cea]

i like to think that l is severely and utterly touch-starved. and that during yotsuba arc, light and l shared small little casual touches. nothing much at first, and all were initiated by light on accident. it started with light casually brushing his hand against l's, and then he'd put his hand on l shoulder to lean over him, ect ect. it was normal for light but the whole time l is just basking in these small touches. and he too gets used to them. he gets used to the warmth light radiates, his constant presence, and the small touches. soon he's responding back to the touch and now its their new normal, the others constant presence and touch. and then higuchi is arrested. light isn't a constant present for l, not to the degree he used to be. there isn't another warm body next to him at all times. l shouldn't be bothered by this, he shouldn't crave lights warmth, his touch, but he does and oh god he finally realizes why humans crave other humans. he really does. and when he does finally realize and want and crave this feeling he can't have it anymore because that light is gone.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[buttercupshands]

MHA didn't create some miracle way of helping others. It was never promised to be this way. And when it came to villains...

Spoilers for manga all the way to chapter 423.

The only way to get anything in life in MHA was to be born "normal" like everyone else and that way of thinking never left Izuku with Toga getting the same treatment she did before from everyone from her family to her "normal" classmates. It was Ochako who helped Toga even if just a little by lifting the weight of all the feelings that Toga had.

She couldn't save Toga the way one could save a civilian by saving them from harm. If it worked that way Dabi would've saved Toga even before Ochako could apologize for failing to notice Toga. She was so lazer focused on saving everyone else, that she was just another villain to stop, not a human.

Even if by the end of it Ochako helped Toga to deal with her grief, acceptance as it was wasn't something possible when a quirk makes you want to drink someone's blood from jealousy.

We got a bittersweet ending with Toga, in which she probably died from blood loss just like her double did in MVA. If it wasn't for Twice she would've died back then.

Giving away her blood for Ochako wasn't a redemption or a way to save Toga in the end, more as it was her being true to herself until the very end.

Just like Twice chose to stay with the League even if Hawks offered him a way to survive that battle. He refused and died protecting his friends who accepted him instead of choosing to betray them and accept Hawks' offer.

After Twice's death... It was a matter of time that more 'active' LoV members would join him as well. As sad as it is, we now can return to Izuku.

Who, after his time OFA-AFO quirk space, now wanted to help a "crying boy" he saw in Tenko just as before with Katsuki in chapter 1. He didn't forgive Tomura and didn't excuse the way he chose to solve his problems.

It didn't mean that Tomura would survive in their battle, even if Izuku didn't see killing others as a way to solve problems. He didn't understand Tomura, but he still wanted to try, and try he did.

The rest of this post was nothing more than a contextual prologue to understand that it's not the first time a hero failed to save a villain and in Twice's case we know that he died and his death was the reason Toga started thinking about her own possible death and Dabi finally revealed himself as Toya.

The goal of saving a "crying boy" never was an end-goal for Izuku in the Final arc, since helping Tomura deal with his feelings just left him hollow with a goal that clashed with Izuku's. As being a hero for villains meant destroying the world for them to help them live freely.

But that was before AFO resurfaced.

Sadly after that Tomura who was talking about making his own choices for a while now stopped doing that. Even if he still had a goal of helping villains and only villains, Tomura was almost gone. And his goals were now unreachable.

Izuku helped Nana who in turn kept Tomura from fading away entirely. In MHA there were countless situations where Izuku's help affected people by helping a different person to keep hope, All-Might being the first one and Nana being the last one at the moment.

Hollow after Izuku helped him to get rid of his hatred Tomura could do the only thing he did - accept the situation as it was.

Accepting AFO as his Sensei, accepting Stain's ideals and Overhaul's deal was the way he solved his problems. Just like Izuku had a problem of understanding something outside of his norm, Tomura was accepting too many things, which lead to his downfall after accepting AFO's quirk.

Just like Twice could've given up everything that he had for his friends so did Tomura.

With Izuku helping as much as he could let Tomura to finally rest as he wasn't really living ever since waking up in the hospital. With his body now affected by AFO's wishes instead of his own until the end.

In a way Izuku didn't succeed in his wish for Tomura to stop ever since PLF war arc. As he "kept fighting to destroy" no matter how hard Izuku tried to stop him.

The only thing he succeeded in was changing Tomura's mind about himself, instead of viewing himself as a monster he accepted that he was a human just like Izuku said. A "crying boy" who couldn't really destroy Izuku's hands in the end.

For a group of Villains who weren't supposed to get profiles of their own at the start of the series, League is slowly fading as the most memorable group that there was in MHA, getting backstories, their own Villain themed arc all the while being as human as anyone else.

As sad as their story is they were not "unlucky", they didn't need a happy false ending where they would need to change to be normal - they chose to live this way and they lived it to it's fullest.

[skylersprompts]

DC x DP Prompt *7*

Robin was staring at the screen of the Bat-Computer, while his mind was trapped in the past.

Damian could still clearly remember growing up in the League. And he remembers that he never questioned Grandfather or Mother, except once.

He had been seven, almost eight, when he was training his stealth. And what would be better practice then to follow his mother around till she spots him.

But this day his mother seemed distracted, something that never happened. He followed her to Grandfathers study and listened.

"The boy is nothing but a hindrance to Damian. He fails to kill and has sympathy that's unbecoming for an al Ghul. If Danyal won't complete his next mission, you will dispose of him", Grandfather sounded annoyed, as if he didn't just spoke about killing his twin, about how their mother would have to kill her own flesh and blood.

He didn't wait for his mothers response, knowing that she wouldn't oppose the demon head. As fast as he could he searched for his other half, they needed an plan.

On their next mission Danyal died. It was tragic, but he had sacrificed himself to save the heir of the al Ghuls. At least that is what Damian reported to the League.

Danyal was on the run and for the next 19 month he was forbidden to leave any clues about his whereabouts for Damian.

At some point he would be able to find him again.

He had searched for Danyal, ever since he stared to life with father. But the little voice in the back of his head kept whispering about how Danyal probably died because of his injuries years ago and that father would see it as his fault that he lost another son.

But know he found one of his clues. An online post from someone with the username 'ghostboi', about a constellation and the story that he himself spun around it. A story only the two of them knew. Well... and a few hundred strangers now, but he would have to talk later with Danyal about that.

Now it was time to tell father about yet another son that mother kept secret from him, oh joy.

.

.

.

The talk had been going as good as anyone could expect, which meant that he and father now sat in a private jet, only two hours after they found out about Danyals whereabouts and three hours since Bruce Wayne knows about his second blood son.

They where going as Civilians, since it would probably go smoother. And because the Brucie Wayne persona seemed to gift his father the ability to talk a little bit easier about emotions. Except for right now, because he was angry at Damian for keeping his twin a secret. Still, Damian couldn't see how he could have handled this better and also stayed silent.

Quietly he goes over the things he found out about his brother.

He now goes by the name Daniel James Fenton

He lives in Amity Park, Illinois

He was adopted at the age of nine by the Fentons

He goes to the local high school

He has an older sister, Jasmine Fenton, who is in college for psychology

His parents are ecto-scientist

He has two friend with the names of Tucker Foley and Samantha Manson

It wasn't a lot, but he didn't have much time and also not the patience to wait any longer. It had been almost nine years since he last seen his other half and even if he was nervous, he just couldn't bear to wait any longer.

After they landed in an airport in the city nearest to Amity Park, the two immediately got into the back of a car and their journey continues.

For a long time it was silent in the car, till Damian couldn't bear his father's brooding anymore.

"I didn't know if he had survived and I deemed it better for everyone involved if I'm the only one with this particular uncertainty and possible grief", even if his own voice was levelled and his father just responded with a grunt, the air in the car seemed now easier to breathe.

~

Yes, Bruce had been livid and heartbroken when Damian had told him about his youngest, but he could understand to some degree where the boy was coming from. And if the situation wouldn't be so heartbreaking, then he could be able to call it sweet of his son. He just didn't want him to hurt, but even so... now it was to late to think about the what if's, in a few minutes he would have Daniel in his sight.

They stopped in front of a house that was a clear violation of every OSHA law he could think of. But the big "FENTON WORK' sign, told him that they were right.

Bruce put on a light smile, before he knocked on the door, Damian on his left side. From inside he heard a little bit of shuffling and a carbon copy of Damian opened the door. Everything except for the eyes were the same.

But before Bruce could say anything, the twins were already in each other's arms. He could hear quiet sniffling.

"You found me, your safe", the words came like a mantra out of Daniels mouth.

"Ahbak, Danyal", was the whispered answer from Damian.

And Bruce felt like an intruder in this moment. He had never seen his son so openly affectionate and it was like a weight had lifted of Damians shoulders.

It took a few minutes till the two brothers let go of each other. Except for their hands, that stayed clasps with each other.

"Hello Daniel, I'm Bruce Wayne. I'm yours and Damians father", he introduced himself with a smile, even though the boy seemed to shrink a little bit into himself.

"Please call me Danny Mr. Wayne. Just Fruitloops call me Daniel", his son gave him a crooked smile and Bruce nodded.

"Of course, but call me Bruce", he answered easygoing.

"Is there a place where we can talk Danyal?", Damian got the attention of his twin with a little tuck on his hand.

"You can come inside. Mom and Dad are out of town to get a few supplies for a new project", his answer was sheepish, as he lead them inside.

It seemed like he had adjusted well to a civilian life. How he wished he could have seen his growth.

They sit down in the living room and start to talk a bit about Danny's life with the Fentons. It's apparent for both him and Damian, that Danny is hiding something from them, but they don't press. Maybe he'll tells Damian, when they have a moment alone.

"Should I help you to pack your possessions now? I'm sure the Fentons won't need to long to come back, so that you can say goodbye", as Damian was speaking, he stood up and looked at a bewildered Danny. But Bruce wasn't really better. As much as he would love to bring Danny home with them, they couldn't just rip him out of his life. And Danny seems to see it just like him.

"Dami... I'm not leaving. I love my parents and my friends, I can't just go and leave them", Danny also stood up and clasped his hands on Damians shoulders.

"Tt... so you choose them over me?", his voice was barely over a whisper.

"No! I-... it's just... give me time? I'm almost done with high school and I want to go Gotham U, so... just wait a bit? Please?", his tone was pleading, as he searched his brothers eyes, whom just answered with a defeated sight.

"Danny is right Damian. We can't just uproot him like that. As much as I want us all together, we found him now, the rest can wait", Damian deflated a little more at his words. And so Bruce couldn't just let the opportunity pass to comfort his children for once.

He closed the small distance between them and hugged both of the boys lightly to himself.

"You know that I always wanted to raise you myself and now that I see you both like that, I wish for it even more", he sighted with a woeful smile, while Damian grumbled about the proximity. But Danny's little smile shifted to a horrified look.

"Your wish is my command~", the feminine voice came out of thin air, but Bruce had no time to think about it. Because just a second later, there were two little Babies in his arms. Two little, screaming Babies.

Bruce never regretted it so much in his life, that he hadn't brought Alfred along.