#I like asks!

[kalinara]

Hello! New to the X-men fandom, drawn here by Scott Summers (I love your blog so much!) Two questions, if you don't mind:

1. What would you consider essential reads for Scott specifically? There are so many starting points it seems.

2. I did finish Whedon's run of Astonishing X-Men (at the recommendation of reddit) and was wondering if Scott (now?) doesn't need his ruby quartz glasses/visor? Sorry if that's a run-specific question!

Hello!

The first question is surprisingly difficult, only because Scott's such a staple throughout the entirety of the X-Men. So let me kind of give you a run down of your options.

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The 60s comics are really fun, if you want to see where things began. It is very 60s though, and the style may not be to your taste. There's also some period sexism that's not great (though surprisingly less than I expected. Possibly because Jean's meant to be a fairly liberated teen, as opposed to older ladies like Sue Storm or Janet Van Dyne.)

The Claremont Era (Starting with Giant-Sized X-Men, which introduces staples like Storm and Wolverine) is probably what will be the most familiar to folks who became used to the X-Men from other sources, like the cartoons. The Animated Series and X-Men '97 adapt a lot of Claremont era stuff, so it'll be pretty familiar.

It's also soapy and dramatic, and Scott (and Jean) feature very heavily. You'll also meet Rachel. Rachel is fun.

X-Factor's first run is something I'd recommend only after you've gotten into the character more. It's actually really good, IMO, and an amazing deconstruction of how much of a trainwreck the poor guy actually is. It's not always a flattering portrayal though, which is part of what makes it interesting. (It is good though to read the Madelyne stuff for yourself eventually, summaries tend to ignore the aspects that make Scott's side of things a bit more understandable, if not sympathetic.) Baby Cable is here too.

The 90s X-Comics are pretty fun too, like the earlier Claremont era, this is likely what folk are familiar with if they remember the cartoons. Costumes, characters, and so on. Scott is one of a very large cast, but he tends to have some really good arcs here and there. The art takes getting used to it. This is where you'll start seeing adult Cable as a major character. And another AU Summers child, Nate Grey. He's complicated.

the 2000s-2011 era of Comics have a lot of upheaval and events. Scott is still an idealist, but he's been jaded by a lot of events (and will be jaded by more). You'll see him get darker here, but not evil. It's pretty sad though. SO MANY big events though, Scott pulls off a lot of wild shit.

In 2011-2016, we have two Scotts basically. Avengers vs. X-Men is a massively huge event that changes Scott's role for a long time. For our main Scott, the next few years are going to read a lot like whump fic. He's going to suffer, people are going to blame him (unfairly, imo!) for a lot of things, and he'll be treated like a monster at times. That said, there are people who do see the truth and end up even joining him.

But also around this time, through shenanigans (read: Hank McCoy), the timeline is disrupted and the 1960s era Original Five (specifically circa issue #8) are brought to the future. They have their own adventures in lines like All-New X-Men (v1. and v2.), X-Men Blue, and Scott specifically has a solo series early on and then joins up with Kamala Khan's Champions and it's darling.

Eventually older Scott "dies" (it happens in comics). Young Scott continues though. When Young Scott goes to the past again, older Scott comes back (unrelated reasons).

For 2019-2020, there's a short run by Matthew Rosenberg, starting at issue 11 or so. The original team of X-Men is presumed dead (really they're dealing with some multiversal nonsense. Possibly Nate Grey's fault), and a returned Scott starts gathering new X-Men. It's intense, angsty and kind of bleak. This isn't about saving the world anymore, just maybe going out doing what they should.

From 2020-2023, we get a massive, amazing change in direction called the Krakoa arc. Scott's not featured as prominently here (It's Xavier's show), but he's solid in any series that he appears (Adjectiveless X-Men will always have him somewhere. He's very prominent in Teen Cable's book too.) Krakoa is something very different than anything the X-Men series(es) have done before and it's definitely worth reading. Though for my own taste, I like the return to form that comes with...

Our current era is "From the Ashes" and it's not actually a bad place to jump on. Everyone's a little scattered and out of sorts since the fall of Krakoa, but Scott, being who he is, has already pulled his own book together for the kind of mutant-rescuing heroics that he is wont to do.

As to where to start? Honestly, I'd go with whatever seems the most fun to you. Eventually, I think, you'll find yourself branching out and it won't be nearly so confusing. (There are also wikis, podcasts, and annoying pedants like me who like explaining everything.). Fans will often have their favorite special books (Children of the Atom, for example, is probably my favorite version of the O5 origin. It came out in 2001 and has a truly horrifying Jack Winters), and we'll always leap on the opportunity to share those things.

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as for 2. I don't know if you read the Giant-Sized finale of Astonishing X-Men, but they do have a scene where Scott's eyes start glowing again and Emma places the visor on him. It's a nice, quietly somber scene.

In current X-continuity, Scott does still need the visor. The inability to control his blasts may have a psychological component but there's also physical brain damage. (In the Krakoa arc, there are mechanisms where he might have repaired said damage, but it actually does come up at some point, and he specifically chooses not to. I hope I can find that page again, because I feel like there's a lot of interesting potential meta in that choice.)

I don't think they ever really revisit why Emma (or Cassandra, possibly) had been able to neutralize Scott's blasts/restore temporary control over them, but I tend to go with the interpretation that a powerful enough telepath could force a bypass with his powers, but it's an incredibly traumatic, potentially damaging, and ultimately temporary solution. Hence, what we see.

For her part, Jean Grey (at least in the modern era) is able to psychically block his powers. And that's always fun. (And sometimes a little kinky!)

[catmask]

i dont consider myself a 'fashion guru' by any means but one thing i will say is guys you dont need to know the specific brand an item you like is - you need to know what the item is called. very rarely does a brand matter, but knowing that pair of pants is called 'cargo' vs 'boot cut' or the names of dress styles is going to help you find clothes you like WAAAYYYY faster than brand shopping

[teaboot]

what annoys me about explaining evolution to people who don’t think it’s real is that everyone’s idea of how it works seems to be from this

Whereas the reality is far more like

[aropride]

did… did she do that?

[noodles-and-tea]

Don’t worry, bud, Bruce will get it eventually…

[beholdthemem]

My fellow bitches under 5'5. Whatever the money, do not take a job working at a middle school. A fellow adult tried to put me in detention last month and would NOT give up until I showed her my badge proving Yes, The School Hired Me To Work Here. It's not meant for people our height.

[goldensunset]

if someone is talking about how much they love their parents do not jump in and start venting about your issues with your parents. if someone is venting about their issues with their parents do not jump in and start talking about how much you love your parents. peace and love amen swag city

[koobiie]

shoutout to everyone who wants to infodump but cant string together coherent thoughts to form sentences and instead just look at you like this

[a-random-fandom-friend]

Because of Re: Carmilla, I thought you all would enjoy my edition of Carmilla :

The holes go all the way through, the sides of the book are red, and on some pages the text is colored red just under the holes !

I was so happy when I found it in a little french bookshop specialized in queer texts ❤️

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[everythingwasnormalhere]

Ok so, I just remembered how people in the comments of a tiktok video were being assholes, and I want to rant now :3

The video showed two wheelchair users at a train(?), who had just arrived to their stop to find nobody was there with a ramp so they could leave the train. One of them blocked the door so it wouldn't close, and this lasted for 15 minutes. The train was stopped for said 15 minutes. There was a button by the door, that said that it'd contact the driver when pressed. It didn't. People offered to go find the driver, and they came back with the news that there were no people in the platform to put the ramp. In the end, passengers had to go out, and place the ramp themselves, before the train could carry on. The wheelchair users had warned they were coming, and asked to have the ramp put there so they could get down. The platform turned out to have workers, they all just ran away because they'd never encountered the situation in which they needed to do this simple task.

Because of the workers' negligence, the train was forced to stop for 15 minutes.

Everyone's comments?

"Why did they block the doors and stop the train? So selfish" Selfish were workers who refused to do their job.

"What if someone had needed to get to their stop urgently? They shouldn't have stopped the train" It wasn't the disabled people's fault, it was the workers who were negligent.

"Why didn't they just wheel themselves down those steps?" They shouldn't have to risk their (expensive) chairs just because people didn't do what they were paid to do.

"If I had been in that train I would've been pissed, how dare you stop it" And you probably wouldn't have even thought about fixing the problem yourself, would you?

"Entitled assholes" Ok I'll leave you stranded in a train with everyone who could help you get down outright refusing to. Let's see who's an entitled asshole now.

If someone fights for accessibility, as much as it might be a bother for you, you do not have the right to be mad at them. If someone fights for accessibility, it is exclusively the fault of a world catered exclusively for able-bodied people.

So next time you think, "hey the consequences of these disabled people fighting for their rights bother me", instead of blaming them for this, help them solve the issue. This way, next time they will not have to fight at all.

Able bodied people, go out and fight for a fucking accessible world if you're not an asshole.

[ Able-bodied people are encouraged to reblog this post, but try not to derail ]

[noka-exe]

doomed family

[stealingpotatoes]

My apologies, Lady Normal. But where does you Eunuch come from?

[inkskinned]

it's extremely critical that you see the photo of the perp walk for luigi mangione as being propaganda. i've seen so many people wave it off and instead fawn over his looks. and trust me, i know it ended up being kind of pathetic and weird - but please don't brush it off as a "modelling opportunity" for him. it's a fucking terrifying message the police are sending.

i want to make a few comparisons here, in case you're not from the US or familiar with why the perp walk thing is something to pay attention to. just to set the groundwork for why this is a purposeful, unusual, and cruel act by the nyc police - for why this is not a common occurrence and for why that matters.

the prosecution alleges the show of force is due to the charge of "terrorism." for comparison, in june 2015, tsarnaev was found guilty for the boston marathon bombing, which killed 3 people and injured hundreds. his actions are considered to be an act of domestic terrorism. i have spent the last hour looking through google for pictures of similar to mangione's perp walk - and so far, i have found zero. i also just do not personally remember a moment like that, despite living in boston at the time.

they allege that luigi is a stone-cold killer who carried out a longterm plan, making him particularly dangerous. again for comparison: in nyc, recently cory martin was found guilty of the killing of brandy odom. the murder was planned and premeditated to steal insurance money. and yet no staged perp walk. why didn't her life matter enough for a "show of force"?

but mangione gets paraded by a veritable army of police officers as if he is a rabid animal. for a single citizen who allegedly killed one other single citizen, the "largest perp walk ever" occurs.

so what is the "strong message" that the mayor and the police were trying to send here? the mayor speaks as if mangione is already convicted of terrorism. there is a very thin number of people who feel threatened by the CEO's death. none of us felt like mangione needs to be under massive armed guard.

the message is that you shouldn't resist. they are trying to "make an example" of him - that if you behave badly and kill a single rich person, you'll be treated as if you killed hundreds of people. you will be treated worse than a man who was found guilty of terrorism. you will be considered guilty without trial. the message is that the rich are a protected class, and you cannot touch them without massive punishment. they are trying to prevent a revolution by showing dominance and force against you.

the message is that the police are a puppet of the wealthy and that the law is not equally applied across class disparity. it is "some are more equal than others." it is "one life is more precious than another."

the show of force wasn't for luigi. it was for us. it was a warning. they are trying to remind us who is really in control.

[holographings]

they got me. they fucking got me. jayvik nation hello

[officialspec]

spec. spec. spec youve changed the game. i never realized your pointer finger and your wrist artery are the same. holy shit. im going to draw hands thank you

aasdjsd its not really an artery but its a useful landmark to facilitate the Flow of a pose imo