#Just the season villain who was trying to kill her first!

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

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fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[amtrak12]

*runs back to Tumblr dash and slips it over my mouth like an oxygen mask*

*gasping*

You don't even know what they're doing out there, you guys. Those fans… okay, those fans, eeeeee :S ….. They want to punish Eve for kind-of-definitely instigating a demon mutiny after her boyfriend broke up with her -- WHEN WE ALL KNOW SHE'S VALID FOR THAT! Even if it wasn't her very first break up in the history of humanity, she's a woman with really pretty brown eyes! That's an automatic get-out-of-jail free card in TV land, we all know that. Don't we all know that!??

(Breathe, breathe)

*slips mask back on*

*rips it back off*

Oh, but then -- BUT THEN YOU SEE! -- these same people also want to woobify Michael and make him a misunderstood twin instead of the shittiest angel to ever shit. HE FUCKING KILLED CHLOE!!! Stabbed her right in the gut with a super blunt object so it probably hurt like a bitch on top of the dying! So how is him being played by the same actor as Lucifer make him redeemable? Huh? HUH?? RIDDLE ME THIS BATMAN!! Why is it oh so fucking sad that MICHAEL, the evil scum, was treated appropriately as scum in the show, but MY FUCKING BEAUTIFUL EVE WHO NEVER DID ANYTHING WRONG IN HER LIFE is the true criminal who should have obviously been punished after S4 if the writers knew anything?

THE FUCK IS WRONG WITH THE OUTSIDE WORLD?! 😱😫😭

[burntoutdaydreamer]

To Write Better Antagonists, Have Them Embody the Protagonist's Struggles

(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).

Writing antagonists and villains can be hard, especially if you don't know how to do so.

I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.

Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).

What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.

To show what I mean, here's four examples of the thematic roles an antagonist can serve:

1. A Dark Reflection of the Protagonist

The Devil Wears Prada

Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.

The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.

In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.

2. An Obstacle to the Protagonist's Ideals

Avatar: The Last Airbender

Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.

Why?

Because his very existence is a threat to Aang's values of nonviolence and forgiveness.

Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.

In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.

3. A Symbol of the Protagonist's Inner Struggle

Kung Fu Panda 2

Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.

Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.

Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.

Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.

4. A Representative of a Harsh Reality or a Bigger System

The Hunger Games

We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.

President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.

Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.

Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.

In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.

[lowkeyrobin]

Miguel x reader but reader is just absolutely in love with Miguel but Miguel has eyes for sam and reader tries to be supportive be can't so they distance themself away from Miguel😁

- ♠️

dude I swear we're gonna brawl and I'm gonna make the guy ur talking too watch as I win. I'm so srs rn I'm gonna tell meemaw (I lit don't even know them all that well but idc) ; anyways thanks I guess 😒 /sarc ; but I went a little off the rails w this one cause why not

MIGUEL DIAZ ; casual

summary ; you have eyes for miguel while he slowly distances himself to be with sam, and you accept your fate

warnings ; language, physical fighting / a punch thrown

disclaimers ; miguel is a whole fucking villain, kinda off to canon timeline cause I'm rewatching atm and it's hard to keep 5 seasons straight in the brain, fun hawk tory and demetri content cause they'd be so cool together

track ; casual, chappell roan

word count ; 1.4k

masterlist

You thought that maybe after all these months being with Miguel meant that you were together. Apparently not.

After two weeks of dating, his mom invited you over for dinner.

You gave him everything.

You did everything for him, you owed him everything, you could only thank him for being alive now.

After all the passionate making out, the special dates, the first time experiences, after everything, he said that. He said that there were no attachments. Every time you kissed, you gained anger issues, knowing his lips were probably on another's at some point between the last and now.

He made out with you after pressing you against the wall while his family sat at the dinner table down the hall.

But no, it was just casual.

You knew he just told his friends that it was just casual.

You loved being dumb about it for a while, at least while you thought it was real. After graduation, you'd have an apartment, and he'd show you off to his friends at the pier.

You noticed his unfocused gaze upon you. You noticed how he looked more interested in Sam LaRusso, again, for that matter.

You were just a rebound, apparently.

But apparently, it was just casual when he made out with you in the locker room just before the All Valley tournament. Yeah, it was just casual when you were on the phone trying to convince him not to run away to go find his dad, yet he went anyways.

You made out with him when you went to dinner, his mom and Johnny at the table.

Yet once he knew that you knew that he was into Sam again, he wondered why you were bitter. He bragged to his friends about how much he loved your lips, how much he wanted you and how amazing you were.

You hated how you allowed it to drag on, how you let it break you as much as it possibly could before you just gave the fuck up.

You hated yourself.

You hated yourself for allowing it to happen. You hated yourself for letting him think it was just casual. You hated yourself for not fucking killing him once you caught him in the act.

But no, you had to be the chill person who would just shrug it off.

At least some of your mutual friends were on your side after you texted them about it. Demetri, Tory, and Hawk the most, slightly surprisingly on Hawk's part.

The trio immediately rushed to your house, knowing you needed someone to lean on. For fuck's sake, you just saw your supposed boyfriend making out with his ex in a rollerrink.

The (kind of unlikely) trio, during a grace period between Eagle Fang slash Cobra Kai and Miyagi-Do, had to team up just this once for their favorite, non-Miguel friend. They were all shocked and disgusted by Miguel's actions, though kind of expecting it.

He was infamous for his love triangles, apparently.

Tory holds you in her arms, allowing your vulnerability to show through while Demetri talks, hoping his rambles would ease your pain. Hawk is downstairs, making you some mac and cheese since you hadn't eaten dinner.

"Fuck him," Tory smiles, cutting of Demetri's nonsense ramble. "You're better than him, in many ways, actually. But, he lost you, that's his problem. You're free, Y/n. It wasn't just casual, I don't know why he's lying to himself, but he and Sam can go suck it. He clearly doesn't deserve you. You're way out of his league anyway"

You look up at her, a smile painting your face before you hug her. "Thanks, Tory"

Demetri awkwardly sits on the foot of your bed, unknowing of what to say or do. Tory gives him a look, considering you'd need feedback from both male and female friends of yours slash Miguel's. Her current state of mind was just showing you that there were apparently sides and they were on yours.

Demetri nods, quickly getting the message. "Yeah, he doesn't deserve you. You should like, get him back or something. Or at least yell at him, or something. I mean, getting back with your ex while trying to tell your current partner it's just casual? He fumbled"

You giggle, wiping your tears away. "Thanks, dude."

A light knock is heard at the door before it's opened, revealing Hawk with a tray carrying four bowls of mac and cheese, forks stuck in each of them. In his pockets are water bottles, two shoved in each one. The purple haired boy lightly sets the food down on your dresser, handing a bowl to each of you, then tossing you a bottle of water.

You all eat in silence, you trying to gather your thoughts while the others attempt to even wrap their minds around what you were going through after what Miguel did. In the background, on Demetri's phone, The Umbrella Academy plays, his phone perched against a few pillows on the bed where you were all huddled together.

Hawk and Tory share a look before turning back to the screen, enjoying the calm quiet that basked over them.

"what do you mean, why am i bitter???"

"youre being weird about this, we were never anything. you were basically a rebound. get over it omfg"

The three look up from your phone then at you, astonished looks painting their expressions. Their eyebrows are furrowed, their eyes widened.

"What the fuck?" Tory asks, "You weren't lying about that, were you?"

You shake your head. "Literally, what does he want from me? Of course I'm mad, he basically lead me on and won't explain why he was making out with his ex, then bragging to his friends about "oh we're casual"

Demetri bites his lower lip, trying not to laugh, considering it was a nervous tic of his. He shares an eyebrow jump with Hawk before listening in again. Hawk quickly grabs your phone from your hands unexpectedly.

"Dude-"

"What're you doing?"

"Calling him"

"What?!"

"Why?"

"I'm not talking to him-"

The dial tone makes your skin crawl as you hear it.

"Just let it out," Hawk shrugs, handing you the phone.

"Feel like I'd rather do this in real life, Moskowitz."

You feel an absolute weight fall from your shoulders as it moves to the voicemail, seeing as Miguel declined the call himself. You sigh out of relief, quickly shutting your phone off.

You glare at Hawk.

"Would you rather do it face to face? I can tell him to meet me somewhere and we'll jump him or something" He shrugs.

"Violence isn't gonna help anything," Tory declines. "We'll get him to go somewhere quiet yet busy. That way, you can expose him or something. Mental violence is better than physical"

"Says the champion of the All Valley girl's team"

"I'm tempted to paralyze him again."

The three friends share half fearful looks, knowing you didn't joke lightly in times like this. They lay their eyes upon Sam and Miguel again, holding hands as they walk through the hallway.

You bite your tongue, trying to hold back yelling profanities as they walk past you. You lean against the red lockers where Demetri fishes out a few textbooks from his. Tory stands by you while Hawk leans against them as well, arms crossed.

"What if we tell people there's a fight, you expose him, since you got receipts, and you beat him up?" Hawk suggests, throwing his idea out there.

You shrug. "I think he could beat my ass. That'd be embarrassing"

He shrugs in return. "Eh. He hasn't been practicing recently. He's probably a little rusty. Like, he hasn't been showing up to class for days"

Tory and Demetri nod to confirm Hawk's statement. You shrug again.

"M'kay"

"You wanna get suspended over this?" Demetri asks, closing his locker.

"First offense," you reply with an informative tone.

"Oh, I'm crazy because I thought you gave a shit about me? Please, inform me what casual is to you"

"Something not serious."

"But that's why we went out on dates, and why I did everything you asked of me?"

"You didn't have too"

"So?"

"So what?"

"So you're a bitch"

You quickly pull your clenched fist back, then push forward to hit Miguel straight in the face. He quickly gasps, along with the bystanders, holding a hand to his now bleeding nose.

"What the hell?"

Tory and Hawk goofily grin while Demetri lightly smiles, proud of you for sticking to your word.

"Too-da-loo, mister casual." You spin on your heel, walking back to your three friends.

They wrap you into side hugs, pulling you away from the shocked boy who'd essentially played you. Bystanders laugh at him and gawk at you, snapping pictures, sending videos across the school.

A happy little smile remains on your face as you're sent home for the rest of the week.

[imfromthemiddlekingdom]

I don’t understand the fandoms love for Daemon, by all rights he should be as hated as Joffrey was. Not only did he do almost everything Joffrey did, he also did worse. Even Tywin wouldn’t hold a candle to his cruelty. I understand liking a villainous character, I do too with Cersei and Tywin, but I’ve never went out of my way to whitewash their characters. I love them because they are villainous and practically irredeemable, if team black stans liked Daemon for his villainous actions before and during the Dance of Dragons I wouldn’t have any problems with it. But the fact that they go out of their way to defend him killing Rhea Royce because “he was forced into a marriage he didn’t like!!!!” As if she wasn’t too. And the fact that they defend him sending Blood and Cheese to psychologically torture Haelena and kill Jaehaerys due to “a son for a son it’s only right” when they despise Alicents moment of madness when her son was denied justice, makes me want to hurl.

It’s alright to like villainous characters, it doesn’t make you a bad person if you like them. But you know what makes you a moronic person? Whitewashing everything that makes a character compelling because you want to like them without seeming like a ‘bad person’. Your opinion on a character does not determine your own morality, it doesn’t make you better or worse than someone who hates them. But what it does, when you erase their entire identity as a rouge to make them more palatable to you, is make you seem moronic, stupid, and lacking any critical thinking and reading comprehension skills.

Rhaenyra is a compelling character because she is entitled and spoiled and lacks any political experience, she shows how badly Viserys fucked up when he tried to compensate for his guilt of murdering Aemma. Alicent is a compelling character because she is a mother who is trying her best to protect her children from the reality that if Daemon took the throne for Rhaenyra, he would kill all of them because they are a threat. She is even more of a compelling character in the books because of her ambition and cunning and want for her family to rise far above the ‘station’ of being a noble house in the Reach (as if house Hightower aren’t the oldest house in Westeros who could trace their lineage back to both the Garth Greenhand the high king of the first men and the Andal Kings that came afterwards). Daemon, for all that I dislike him as a character, is compelling for his ruthlessness and shortsightedness in his pursuit of the throne. He didn’t raise an army for Viserys because he thought he was a competent leader, he did it because it raised his own standing within Westeros, he groomed Rhaenyra not because he loved her, but because having him in her good graces means that he stood a better chance of being king after she was named heir. His ruthlessness is compelling. Taking it away to make him into a ‘malewife’ or a ‘loving father’ or a man who is lacking any ambition beyond wanting a valyrian wife is taking away his agency. It makes him seem like a Gary Sue who only wants the throne because his brother said Rhaenyra was heir. It makes it so that he is so completely white bread like that not even I, someone who loved the more morally bankrupt characters in ASOIAF can find him agreeable in any way shape or form.

Daemon is a fundamentally morally bankrupt character and he should stay that way. If you like him you should acknowledge and accept that he is one of the ‘bad guys’. Just as Cersei fans acknowledge and accept that she is fundamentally a morally bankrupt person who is selfish to the extreme. We like morally black characters because they are morally black. To make excuses for their actions is to take away their agency which makes them unlikable and very hate-able.

Daemons actions aren’t justifiable, blood and cheese would never be justified. A son for a son is akin to the visceral disgust the fandom had to Alicent when she asked for Lucerys’ eye, yet I bet when season two comes out and Blood and Cheese happens we’d see Daemon fans applauding and trying to justify it as ‘not that bad’ and ‘team green deserved it because of Aemond’s actions’ when little Jaehaerys, a boy of 6, was as far removed from the incident as can be. It would be akin to Team Green saying that due to Jaehaerys’ death, Aegon III or Viserys II deserved to have their head cut off in front of Rhaenyra.

Let morally bankrupt characters be morally bankrupt. You aren’t morally bankrupt because you like said character, it’s a fictional story loosely based on Empress Matilda. It’s not that deep. Like the characters you like without trying to justify their actions. They might be monstrous but you aren’t because you like them. It’s not a measure of your own character because you like said character. But it is a measure of your intelligence when you try to change said character’s entire personality to make it so that they are more digestible to you and everyone else.

[aristaspark]

The reasons why I think Stella and Bloom's friendship is amazing and is not something we often see

Or why Fate is trash

One aspect of Winx club I always loved growing up was the friendship between the girls. They all love each other, despite their very different personnalities and having some rough times.

While I could write an essay about almost every duo in Winx club, I do think that Stella and Bloom are the most interesting to analyze.

Even though they are part of a friend group, the show doesn't try to hide the fact that Stella and Bloom are each other best friend, they even say so themselves.

This friendship is truly groundbreaking when we think about it, for one simple reason: Bloom and Stella's archetypes usually hates each other when depicted together in media.

Hear me out.

Stella is the girly girl, the mean girl, the popular girl with a big mouth who can appear shallow. Plus, she's blond. She bases a big portion of her self-worth in her apperance. Basically, she's the Regina George of Winx Club.

Bloom, she's not like the other girls. There's nothing wrong with her, she's attractive and a sweetheart, yet she attracts attention for being different (in the show there are a few reasons for this, first she's from Earth and she's also the keeper of the Dragon Flame, making her a god-like existence in the story). She has messy hair, dresses in jeans, doesn't really care about her apperance... She's a fish out of water type of character, the character everyone can and wants to relate to. She's the Cady of Winx Club.

These two were designed to hate each other.

Taking into account Stella's nature, we expect her to hate Bloom out of sheer jealousy. Bloom doesn't try and gets all the attention, she's the new girl who turns out to be the one girl more powerful than her, she's also a princess. We could say that everything Stella can do, Bloom can do better.

And yet...

Stella would kill a bitch for Bloom. Never in the show does she display any sort of ill feelings toward Bloom, on the contrary, she spends her time trying to get her to be more confident in herself and her abilities. She's sweet with her and does her best to uplift her. I can say with confidence that Stella is the one person in the show who loves Bloom the most (tied with Daphne), like Sky doesn't hold A CANDLE to her.

When Bloom leaves on missions by herself she's worried sick, she's always clinging to her, teasing her, looking out for her. She's always the one there for Bloom when things get hard (when the Trix steal her powers, when Sky gets engaged to Diaspro, when she thinks of her family...)

And Bloom, she just loves Stella. She's the reason her dream became reality (it was her meeting with her which caused her to learn her true nature), and Stella took her under her wing to make it easier for her to fit into this new world. She saw from the beggining that Stella was willing to lie for her, to fight for her and she couldn't help but love her, even if she had a big mouth and quite the personnality. Stella brought lightness and laughter into her world, she was her anchor.

For real, just look at her reaction when Stella throws herself from the cliff in season two. She spends the episodes after that obsessing over finding and saving Stella.

These two can't live without each other even though one is the 'your typical mean girl' and the other is 'not like the other girls'.

Heck, everytime the villains freaking spy on the Winx these two are all over each other.

I think the heart of their friendship is their first meeting. Stella was what Bloom had dreamed of all her life: she was a real fairy, the living personnification of her dreams. She's the one who made her dream a reality. As for Stella, she was saved by a human who risked her life and stood up for her even though she didn't stand any chance and didn't know her. Bloom was just lucky she turned out to be a fairy. Bloom then took her to her house and took care of her, without expecting anything in return, which caused them to bond instantly.

That relationship was freaking transgressive for the time, and Fate's writers deserve jail for what they did to their friendship. Bloom and Stella fighting over a boy and Stella turning into the typical insecure and jealous mean girl? Hell no.

Look at these queens 🥹

[bloodyshadow1]

I get people being sympathetic to the Rat grinders, I really do, but the way people will out right lie about canon to make the Bad Kids the villains. The Rat Grinders are kids, they're being groomed by charismatic and dangerous teachers who they trusted, they're corrupted by rage so they're not thinking straight. At the end of the day, that makes them cultists, pitiable and sympathetic, but still villains who are perfectly willing to create a hell on earth for the plan.

I've seen posts condemning the bad kids for killing the rat grinders, I've seen posts calling the Bad Kids bullies this season, I've seen posts that blame the Bad Kids for the whole thing saying the rat grinders are just kids who are being tricked. It's all bullshit, whatever your headcanons, whatever your feelings on the Rat Grinders, they're not the good guys here and are very much the villains this season.

The bad kids killed the 3 of the rat grinders this fight, Ivy, Oisin, and Ruben. No, they didn't stop to try and reach out to them, to try and make them see the light. The Rat Grinders are trying to condemn a whole town to become the domain of a the new god of rage and murder a goddess to usurp her domain. They are high level with the capacity to cast 9th level spells regardless of their hp, with two epic level pc's with super abilities that normal class features don't cover. If the Bad Kids hesitated they would be dead, they knew that, the Rat grinders tried to murder them little over an hour ago. They've hated the bad kids for years and now decided to make their vendetta known, they fucked around and found out.

Which leads me to my second point, the Bad Kids are not bullying the Rat grinders. They're not pleasant to the rat grinders, but you don't have to be nice to the people who hate you. Other than Fig, who I will admit was messed up with how she treated Ruben this year, but also the Rat Grinders did something similar, they were just bad at it, the Bad Kids mostly ignored the Rat grinders. The worst thing the other bad Kids do to the Rat Grinders is make fun of Kipperlily's name, that's it. They don't even do it in front of other students, unless they legitimately forget her name, other than that it's only in front of each other or not other students like Alewyn or Jawbone. It's not great, but that is literally all they have done.

The Rat grinders however, have done all they could to make themselves enemies of the Bad Kids. Ivy was a mean racist bitch who helped steal the cloudrider engine and place pingpong balls all over seacaster manor for the plan. Ruben tried to get the bad kids to take drugs knowing it would get them in trouble. He intentionally had frosty fair held at Gorgug's home to corrupt it, putting not only Gorgug's family in danger but countless other people. Sure Jace had a hand in that, but at best Ruben was an accomplice. Buddy was a smug creep who vandalized Kristen's locker, threatened her brother, and demeaned her and her goddess, without being corrupted by rage. Mary Ann legitimately didn't do anything wrong this season she was just there and did her best on the field as she was supposed to (not even saying this as a joke, she has literally done nothing bad on screen so it's hard to judge her like the rest). But Oisin tried to honey pot Adaine the first week of school, stole the cloudrider engine and the pingpong ball trap, and sent a whole pack of dragons on them to murder them and hundreds of other kids. Kipperlily has been goading the bad kids since the first day of school, she has tried every dirty trick to try and win. She has murdered people, not even people affiliated with the bad kids, but people like Buddy who was on her side, she's tried to murder the bad kids or at least make sure it's harder for them to come back to life if they die, she's stolen from them, she's tried to kill them, she's done everything bad the fans have accused the bad kids of but worse.

And that's just the Rat Grinder's individually. Why are the Bad Kids monsters for killing dangerous people who have tried to kill them, but the Rat Grinders aren't? The Rat Grinders literally tried to commit mass murder of their school a little more than an hour. 500 students of the Aguefort adventuring academy were in Seacaster manor when it was brought into the sky and beset by dragons. 500 innocent bystanders, almost all children, half of them younger than both parties.

I'll get to the rage stars in another post, but I just want to finish this off with, the Rat Grinders are kids, kids who are being groomed by evil men and corrupted by magic. But the Bad Kids are just kids too. They're kids who have been specifically targeted by the rat grinders. The rat grinders started this feud, the Bad Kids retaliated and were better at it. If you're going to take a shot at the king you better not miss, and the rat grinders have been missing their shots this whole season. I don't get why people are blaming the bad kids for trying to save the world but it pisses me off. I apologize for the rant but the tag is for everyone

[cosmerelists]

Cosmere Characters in the Hunger Games

As requested by @sweetteaanddragons :)

I haven't read or watched Hunger Games, but I've picked up enough through cultural osmosis...I hope. They're kids in an arena fighting to the death, right? And it's a media circus? And there are 12 districts? And they're poor? I think I got it! Anyway, let's stick Cosmere characters in that arena and see how they do!

By the way, for the most part I'm imagining these characters in their own separate hunger games, not all together, just because I didn't want to imagine all of my blorbos killing each other.

1. Kaladin

After a kid who looks just like Tien literally dies in Kaladin's arms (note: all of the kids look exactly like Tien so far as Kaladin is concerned), Kaladin realizes that the Hunger Games are about kids dying, not about kids surviving. He decides that he has to save everyone, and quickly builds a coalition with the other tributes. They all die anyway and Kaladin wins.

He's not happy about it.

2. Shallan

Sadly, Shallan dies while trying unsuccessfully to convince a stick to become fire. Technically, I think this means the stick wins, but they give the award to some kid instead, for some reason.

3. Adolin

Adolin was doing really well until FOUR other tributes all decided to gang up on him. Even then, he fought like an uncaged tiger and very nearly survived. Nearly. (Hey, uh, most characters die in Hunger Games, right?)

4. Vin

Vin slices through the competition like a vengeful god. Emphasis on vengeful. And god. She barely even lets herself get distracted by the weird love triangle between that guy who wants to make the world better and the one who wants to burn it all down. She's too busy, like, killing everyone.

5. Zane

Zane thinks it's pretty swell to be in this killing arena killing people. What isn't swell is that Vin isn't into him, even AFTER their romantic killing spree. What gives? Anyway. Vin kills him.

6. Elend

Elend has a lot of thoughts about the sociological implications of the games. He does not have a lot of thoughts about how to sharpen a stick into a crude spear and ram it through someone's chest. (Is that what happens in the Hunger Games?) Regardless, I don't think he makes it long... Sorry, Elend.

7. Spook

Spook is a wraith. No one ever sees him coming. Or sees him at all. He keeps receiving supplies and weapons from a mysterious benefactor. At one point he starts wearing a handkerchief over his eyes and killing people by sound alone. I don't really see him winning, tbh (sorry Spook), but he is definitely a crowd favorite who makes it super far.

8. Szeth

"To kill innocent children for the amusement of distant viewers blackens my soul with a stain that shall never be removed. Oh, how I hate this. Oh, how I hate this senseless, senseless killing," Szeth thinks to himself as he constructs an unnecessarily elaborate death trap that kills his opponents horribly. "No one suffers like me," Szeth thinks, over all of the screaming.

9. Renarin

Hey remember when Renarin killed a Thunderclast mostly off-screen? Plus he has future sight. If they've got their powers in this game, then Radiant Renarin is probably taking it all. If not, well...let's not go there.

10. Vivenna

After her sister is sent as a tribute in Vivenna's place, Vivenna enters the Hunger Games anyway, determined to somehow put a stop to them. For example, she takes all the food she can find and hides it in one place so that it will be safe for everyone. She figures out how to predict supply drops to ensure that she always gets to them first. While convinced that she is the Hunger Games Breaker, she is actually the season's most notorious villain and eventually everyone bands together to kill her. Sorry, Vivenna.

11. Kelsier

Kelsier wins the hearts of viewers everywhere, mostly due to his determination to keep smiling no matter what horrors he must survive. He's, like, really good at killing people also. The Survivor, people call him. But when he is shockingly cut down and killed, his death galvanizes a rebellion against, uh, President Snow? Is that the big bad? Anyway. There's a religion about him now.

12. Ann

Oh, Ann. So excited to shoot guns. (Do they have guns?) So excited to shoot bows and arrows maybe. But she can't shoot worth a damn. She has a splendid time and hits no one. And, well, she does not win.

13. Cord

Frankly, Cord wants to win and bring glory and money (?) back home to her people, who desperately need it. I'm assuming the districts get stuff if their person wins. Cord is in it to win it. And she's awfully good with that bow and arrow...

14. Lift

Man, I don't want Lift to be in the Hunger Games! Lift thinks killing is lazy and boring! Sure, she'd be great at hiding in trees and getting food, but I definitely do not see Lift actually being able to kill anyone. Is that allowed? Will she be disqualified?

15. Tress

Tress looks at the Death Arena Whose Purpose Is Death and says, "But is anyone gonna Make Friends about it" and doesn't wait for an answer. Somehow, by the end, basically everyone IS friends. Except for that one person who really did want to kill. But she and Tress went off together and only Tress returned. So.

Basically, Tress's influence ruins the Hunger Games that year. Nobody wants the Friendship Games.

[powerpuffobsession]

As much as I love Adam for a few fun parts of his character and for what he could have been at the hands of a competent writer (as shown by the fanfics where he gets properly developed)...

I feel like he (and the way he's characterised) is what broke Hazbin hotel season 1 pacing, Lucifer's character and the show's overall atmosphere.

(Long and packed rant under the cut, because I've been having these thoughts since I saw season 1, and I want to share them. Viewer discretion is adviced)

Before Adam existed (pilot era) it was all simple and worked more properly: a story about the hotel and its inhabitants, and most importanty, redemption. It was a small snuggly location with a few characters in the center of a plot

Heaven was in the background and kept as a mystery. Moreover, from what we've seen in the pilot, Lucifer was obviously a background villain or at least an anti hero, one of the real obstacles for Charlie to overcome on the way to her goal (instead of a minor inconveniece resolved in a single broadway song)

But when Adam and his weird obsession with murder broke into that perfectly cut out premise, everything just shattered. Too many themes got weaved into the short story of the 8 episodes: Heaven vs Hell politics, overlords, war, Charlie's conflict with Adam, the seraphims...

All of that pushed the hotel and the redemption to the background instead of Heaven.... in a cartoon that's named after the hotel. Because 8 episodes is not enough to talk about politics, a war and a 6 month redemption course (the latter even happened behind the screen with only some verbal hints given about the amazing secretive progress the hotel guests made that we were not allowed to see!)

(Had this cartoon stayed indie, there would have been a possibility of making more episodes and tackling more themes properly. But big name broadway actors are more important than that, it appears)

Back to Adam.

He is not even a good villain. He really should have been more of a background antihero. Give the man some sedatives, for f's sake! Where did all that rabidity even come from, after centuries of living in Heaven? Honestly, he'd be expected to act calmer and wiser than how he actually did, especially with how old he is (as old as the earth itself). But instead it's like he got frozen in a state of a dumb jock bully from high school

Imagine if Adam allowed Charlie and her hotel guests to prove that redemption is possible, out of principle, or curiosity. Hell, maybe even allow him to threaten to kill them, but not straight away! Later, after they fail to prove him wrong! If that's what Adam's role had been, the hotel part would have gotten time to breathe and more spotlight

All Adam did in the series, was:

1. make a lot of excessive noise

2. do dumbass things (and it wasn't even explained WHY he's the way he is, not even a single flashback or his own musings and thoughts shown, which makes all of his actions fall flat in every sense)

3. break the remains of logic (Heaven looks plain dumb because of him, not able to tell sinning from non sinning and to judge human souls properly. It's not even corruption, since Adam is not that important or benefitial to Heaven, an actual archangel like Michael could have been leading exorcists in his place and do a better job.... it's just stupidity)

And then Adam just died, for nothing and with no consequences.

I mean, straight after Adam's death Lucifer is immediately trying to divert the viewer's attention: "who wants pancakes? :D". It's like the cartoon itself doesn't care that the first human, one of the most mysterious beings in vivzieverse and someone who badly needed a second chance and therapy, just died. By a very stupid joke too (Niffty didn't even have to stab him).

In short, Adam's plotline is a huge waste of screen time...

And while his final smile to Lute may give us some hints that there's something good inside Adam, but it's more akin to mockery. Since we were never shown that there's more to Adam besides "the main character's opponent=ultimate bad"

And of course Lucifer was retconned into a pathetic uwu boi, who's depression and "silliness" have overshadowed the fact that he practically doomed humanity to a life full of pain, suffering and surviving and took away Adam and Eve's home. We don't even get the slightest glimpse of what exactly Lucifer DREAMED of that was so important to force him to do the humans dirty. Meaning it was something abstract and not thought-through anyway.

(Free will my ass.. Adam and Lilith did as they pleased in Eden without the free will, Adam ordering his wives around, Lilith being able to defy him and Eve being able to disobey God. What good did "free will" from that fruit even do them? If anything, it only did harm to everyone)

And so now this daft egotist is being portrayed as this selfless harmless character only for the sake of contrasting the painfully obvious bad evil that Adam is.

That comes off as black and white writing, fit more for a childrens cartoon, despite the show critisizing Adam for thinking in black and white terms. Not a good look

[fantasywater]

Catradora and Stolitz: Same Toxic Ship just Different Genders

This series has always felt like the Catra Show, and so much so that even Hordak never felt like the main villain. And nothing drove that point home more than season five proving once and for all that this series' moral line(or lack thereof) is really about a Villain Protagonist when the character that increasingly became a monster for four seasons still got everything she wanted in the end.   

Catra is the poster child for the moral bankruptcy of this series. 

I can't buy her ''redemption,'' or her relationship with Adora, because she went too far. 

Therefore nor can I buy the mental gymnastics that arise when she is the topic of discussion in the fandom. 

For four seasons I watched this character willingly and gleefully jump rope with the moral event horizon. Then she finally broke it to the pieces when she genocides the planet, and everyone on it, because of her sick, evil, obsession with being better than Adora.

Loved all this time my behind.

Catra was a vile person from her introduction, and just got increasingly more poisonous as the show went on. 

Season Five wants us to treat Catra like she was just a bad friend.

She just said a few mean words here and there, and therefore all she has to do is sincerely apologize then friendship can begin again.  

Here's the thing Catra wasn't just a bad friend she was an abuser and a fascist. 

She had multiple opportunities to leave the horde, and had no reason to stay in the first place, gleefully attacks the resistance, is the reason Angela died, tried straight up multiple times to end Adora’s and her friends lives, and was just an abomination to even the ones on her side etc..   

On the flip side we have Adora who doesn’t give a damn about Catra for four seasons. She’s too busy enjoying life with her real friends.

Try and recall, was there ever a moment where Adora was...concerned for Catra’s safety? Pining for her in any way romantically? Ever? Even once during the first four seasons? Because I don’t.

Honestly, Catra wasn’t important to Adora until Catra showed up on screen. And then they both wanted to kill each other. Any moments of Adora thinking about Catra it was in the context of Catra being her enemy.

But I'm supposed to believe in their romance based on what? Catra's toxicity? Adora's nonexistent romantic feelings for pretty much the entire series?   

It seems in season 5 all Catra had to do was one act of atonement and out of nowhere, like Adora has been possessed by the ghost of Queer Rep, she suddenly can’t get Catra out of her head.

Also, note that Catra didn't save Glimmer because she realized her past actions were evil; no it was all for Adora's sake i.e. the person she is toxically obsessed with. 

Furthermore, the redemption in question is handled with the most condescending of kid gloves.

It seems like she was replaced by a clone for season five. She’s just accepted.

It's like seasons 1-4 didn't happen. The forgiveness was excessive and forced so we could be okay with this abuser/war criminal being chummy and romantic with her victims.

For example, Glimmer cries over her, kisses her cheek, etc... Yet Catra is responsible for her mother's death, the world ending, trying to kill her, war crimes against Bright Moon, etc. 

Then Entrapta also forgives Catra like it’s nothing even though she sent her to die, and apparently, she was in this hell space for a year.

But everything is supposed to be wonderful because an abuser ends the series romantically involved with her victim?   

When Adora said you made your choice and now live with it that should have been the end of any reconciliation either platonic or romantic. 

Even her flashbacks are of her being abusive.

You see her in one of them( in her so-called redemption season at that) scratching Adora's face to the point it left blood, and jumping on her stomach just because Adora dared to be friends with other people.

This was pretty much every childhood flashback they showed.

She would emotionally and physically abuse Adora, and then Adora would take her back.

This would continue even as young adults. It was a pattern(red flag) that Adora unfortunately didn't escape. 

But.....I always loved you,says Catra. 

For Adora's own mental health/closure, she could forgive, but only if she also makes it clear that she doesn't want her abuser/ex-friend back in her life.   

I could have tolerated that ending instead of Adora becoming a couple with her abuser. 

Basically, this Villain Sue ends the show getting everything she wants even after manipulation of several characters, genocide, war crimes against her own people, physical and mental abuse(especially toward Adora), repeated attempts at murder, and just being a complete psychopath to anyone within spitting distance of her toxicity. 

She gets to be pretty much abusive scum for four seasons, on top of actually doing the same thing Prime wanted to do, yet whiplash forgiveness and Lesbians 4 Evah is her ending.   

"So we're all just okay with this?", says Mermista incredulously of the war criminal Hordak. Good question, but then I remember you all seem to be okay with war criminal Catra sooo.....

Her mirror Hordak, according to the showrunner, is sentenced to Beast Island for his war crimes. However, my question then becomes where is Catra's sentence? Oh, that's right if you're Catra you get to be a war criminal in peace, and especially if you're dating the protagonist.   

It's also convenient that Mermista's was chipped, and therefore didn't get to say anything to the girl who helped bring down her kingdom with a smile on her face.

Funny how that worked out. 

It's even more convenient that her victims gave their lighting fast forgiveness.  

Can't have icky things like abuse and war crimes get in the way of that ending smooch you know.

I suppose we also just need to look at Angella as collateral damage while we smile as her daughter hugs and kisses her killer I guess.   

I also find it odd(since we're loving abusers) that Shadow Weaver point blank doesn't get forgiveness from Adora, and she even ends the series dead.

However, she defected to the hero's side in season two(regardless of any impure motivation), and stayed there and helped the protagonists until her season five death.

But Catra, who not only stayed with the conquering organization the Horde for almost the entire series while also eventually becoming their leader, was not only forgiven but also rewarded with a romance with her victim. Curious. 

The only way I can stomach her season five 'redemption', and lighting quick forgiveness, is if I forget the monster of four seasons didn't exist.

Problem is I can't do that. 

Why should I get any catharsis that the protagonists prevailed over Horde Prime when Catra is pretty much him with a sob story attached.

So it seems this show's message is no matter how much emotional and physical pain a person does to you it's okay to not only let them back in your life(damn your mental health I guess), but also enter a romantic relationship with them too.

It’s also hilarious that some of her fans say she’s Zuko.

No.

She’s what would happen if Azula and Kylo Ren were made into one character.

Titles the show should I have had:

She-Ra: The Story of a Villain Sue Antagonist That Gets a Happily Ever After With Her Victim

Another alternate: She-Ra: The Story of Lesbian Reylo or more current Lesbian Stolitz.

[weebsinstash]

Just when I was chugging my Batfamily juice and was trying to nail down an idea for that, here comes season 2 of Invincible, "hey you wanna see an alternate universe version of Mark who turns evil like his father and when Eve rebels against him he literally PRACTICES AND PERFECTS how to non-lethally PERMANANTLY PARALYZE HER so he can stop her without killing her"

Like genuinely the actual psychotic yandere adjacent behavior and he's also gaslighting her the entire fucking time, like genuinely one of my favorite but most infuriating tropes of the "unwilling hero x infatuated villain" dynamic is when the villain is like psychologically manipulating their intended conquest with the whole, "I didn't kill your friends, YOU killed your friends when you recruited them to stop me/run away/save your planet whatever. sweetie i hate seeing you upset so why did you make me break your toys"

I know the clip is about Mark but I can just see Nolan and a human/hero darling and you're desperately trying to run away from him, break up with him, literally run away and disappear, and you've got all your friends and coworkers helping you literally like, leave the country, maybe even leave the planet, and here comes Nolan crashing in, reducing all of your friends to just PASTE and you're sitting there mourning and screaming and horrified and here's Nolan just tut-tutting at you, "why would you make me do something like that? You think I WANT to make you cry like this? You got a little scared and got your friends involved on some little scheme and now look what happened! Honey can't you see why I'm worried about leaving you alone? You need me"

It's like. It's like in Don't Worry Darling where the boyfriend would rather keep her completely helpless in an unfulfilling mediocre life when before she actually used to have significantly more agency and played a role in society but he thinks THIS is what's best for her, and inherently implying being his wife is all she needs. You could be like a molecular scientist or some shit and Nolan will think you're so cute and smart but it's in an "oh look at you and your little human tech, that's so cute, not anything like MY species though" infantalizing way. You could've been a scientist on the cutting edge of technology furthering your species and Nolan is just like, "but it's just human stuff" and thinks it doesn't matter because. I mean. He loves you but your lifespan is NOTHING like his, and your planet is already going to be conquered and Viltrum doesn't really need your work, so, just, settle into being his complacent little mate ok? Just focus on being his companion and, if you're able, he'd like to start on making a family--

I think it would be absolutely horrifying to find out you're pregnant and be trying to run away from this man with the baby because like. Fuck off if you think he'll let that happen. And in another twist, could you even imagine if you turned out to be a viltrumite hybrid or some kind of powered mutant too. Imagine being absolutely terrified and running to get an abortion and they can't even sedate you because suddenly your skin can't be pierced by a needle. Like actually on a conceptual level just, brine in the concept of not even having abortion as an option, knowing there is some inhuman hybrid growing inside of you that has now completely taken your body for itself, cannot be removed, holding you hostage like a malicious little parasite. Meanwhile Nolan is OVERJOYED because this is going to be his first baby ever and, obviously, the first baby the two of you are having together. The first of many, he hopes

I also think it'd be like. So fucked up if this is some twisted "something unrelated and unfortunate happened to Debbie" scenario where Nolan is raising Mark on Earth already as a single father and THEN Nolan falls for you because like. Imagine technically being not that much older than his son and the second these yandere aliens attach themselves to you, you've got a husband who you don't even know how old he is and a "son/brother" who's like. Maybe not even 5 years younger than you. Like can you imagine making friends with Mark and you're like hanging out and playing video games and suddenly it's just "Oh hey dude your father's been acting kind of weird around me, and-- wait what? What do you MEAN you guys want me to live here. What do you MEAN I could be like a big sister to you, bro we were just playing Xbox--"

You think of Mark as a buddy and friend and you eventually find out he and his father are straight up stalking you and starting to dig their fingers into your life and your business. You're at work running back and forth not knowing the figure floating and watching from however many hundreds of yards away amd scowling as you're worked to the bone. You grab a drink with a coworker and they kiss you at the door of your apartment and the next day they got into an accident that sent their car off the road, killing them. You vent personal private feelings to Mark because he's a good friend in your relative age group and he's running off, "DAD LISTEN--" "oh so That's why they've been like that. Huh. Good work, son." like the actual fucking levels of SCHEMING

And just when you think maybe you've gotten away and shaken them off, then you've got some third motherfucker suddenly showing up at the secret hideaway in another country you poured the rest of your money to. An old man with white hair and an unamused expression introducing himself only as Cecil as he not so subtly threatens you that he has Nolan on speed-dial and that the American government has an especially vested interest in you returning home, maybe or maybe not to pacify the not one but TWO extremely irreplaceable alien protectors of the planet, and then you've got Seal Team Six already shoving you in a duffle bag and dropping you off on the Grayson doorstep just in time for dinner

[unknown-cold]

I hate that people still think Vi needs to sacrifice everything for Jinx. As if she hasn’t been selfless her whole life and has immense guilt/trauma around it. Vi finally has the autonomy, after 7 years of being locked away, to make her own decisions. Girl is trying her best. She’s her own person and not solely responsible for her sister’s wellbeing. This is why I love Caitlyn and Vi together. Caitlyn tries to remind her of that. So sick of people always demonizing Vi for all of this :(

I agree with you on this, I don't know why people don't want to admit that Vi is also traumatized and not just Jinx and she feels guilty about what happened and what will happen. Cause Season 2 will focus on Vi and her suffering and hesitation in making decisions. And as you said, Vi is not the only one responsible for Jinx's actions, Jinx has gone too far in her actions, I understand her situation but I will never accept that she kills people and is the reason for the war. I mean the council finally agreed to the independence of Zaun and their freedom, then Jinx comes and ruins everything. And someone will come and say Jinx had the right to do this. Oh really I'm sure if it was another character who did this they would have hated her, I mean okay I understand the character but I will not accept that she does bad things and I say she has the right. That's hypocrisy guys, okay.

As for Caitlyn I feel sorry for what will happen to her, she was trying to keep the peace and help everyone but unfortunately what will happen in season 2 will change her character. For me, I can totally understand Cait's character change. The problem with these people is that they will never stop making Cait and Vi look like villains, even though they're not, they're just trying to protect civilians from Silco's men and Jinx too. I don't know, despite Jinx's bad actions, they still defend her and don't even justify her. Even Silco these people still defend him despite all the heinous acts he did throughout the first season.

I don't know what to tell them, are these people teenagers who love villain characters so they defend them or do they just like to make noise? I honestly don't know, but the only thing I know is that they are hypocrites of the first degree.

But don't worry too much about what they say because they are really annoying.

The important thing is that we know we are right because we have facts and our words are not biased towards certain characters because we love them, but rather we are defending good characters who are doing their best to do the right thing. And let's not forget that what makes this show special is that the characters make mistakes, not the perfect characters. "But the difference between them is that there are characters who admit their mistakes and try to fix them in any way they can, while other characters make mistakes on purpose and believe they are right".

[ha1taniwh0re]

BSD TOPICS

‼️Spoilers,ped0 mentioning, mafia content?‼️

Ready for hate once again

So im back at watching BSD and im currently at season 5, so I want to talk about some things I see on tik tok recently.

Mori effect

We all know about Mori's "children". Dazai, Yosano, Elise, Q and how Mori traumatized them. First Dazai, he was traumatized before he even met Mori so Mori didn't traumatized him but he did gave him some bad memories(aka killing ex boss Infront of Dazai), Yosano wasn't really traumatized directly by Mori. Mori is a person who will try not to make much mess, he would rather make one person to lose mind than millions of people lifes. Let's remember that ADA and PM have same job, they protect Yokohama's people, ADA is light and Port Mafia is dark so Mori isn't really heartless, he killed ex boss so millions of people wouldn't die just like in war(The leader of an organisation is at the pinnacle of the organization and, at the same time, he is its slave. The leader must be more than willing to commit any atrocity in order to insure the survival of the organization.). At the time yosano was traumatized by Mori she was in war. That experience is already traumatising, her ability was really helpful but it wasn't just Mori who traumatized her but also a soldiers too. They started to hate her at some point because of her ability Mori is doing what anyone in military would do if they were in Mori's position while they are in the middle of the war. Elise, elise is his ability. Yeah yeah she was a young girl before Mori transformed into little girl, but now she is just an ability and Mori controls her how he wants she can't be really traumatized as ability, she doesn't seem like she remembers that she was a real person before. Q is indeed traumatized by Mori too but most by Dazai, Dazai was the one who locked Q.

ADA member transfer to PM

Where to start here? There are some of things that are hinting on Dazai being next boss. Mori predicted that Dazai will be boss at 23(now he is 22), Dazai took off his blue thing off (that was sign that he is with Ada), Mori not sitting in openings and Dazai is scene before that and after. All ADA members having white background in outro s5 but dazai has red. And much more that I saw. People also said that Dazai won't be a person will be back to PM because of Oda. Let's remember that Oda was famous mafia member that never killed someone. So Dazai can be like Oda and he is still keeping his promise to Oda but also he will save ADA people from being in PM.

Better villains

BRO YOU GUYS COULDN'T HANDLE THESE TWO AND YOU WANT "BETTER" VILLAINS. They are THE BEST villains you guys just see one wrong thing and you become blind af. You saw for Mori being ped0(still bad not defending) and never saw anything else but he just is soooo not important. If he wasn't important he wouldn't be still alive. Fukuchi was SOOOO GOOD never could guess he was fifth member. Poor Tachihara became blind T^T

[batmanisagatewaydrug]

sorry to post about OUAT outside of the safety of the patreon corral but I just. truly cannot stop thinking about the bugfuck insanity of the writers deciding to drop in the seventh episode of their show ever that Regina has kept the same man as a sex slave in two separate realities.

like the nature of Storybrooke is that, having altered memories and lives constructed by Regina, I think almost everyone is off the hook for any sex under the effects of the OG curse—ie, Snow White might regret hooking up with Victor Frankenstein but the two of them were as on an equal footing as possible in the situation and both consented based on their understanding of reality at the time—with the obvious exception of Regina! who is extremely aware that everyone else in town is the most under the influence that maybe anyone has ever been in the history of the world!

which would be yucky enough if it was like, a bad situationship that developed organically in Storybrooke, but no man she was just recreating her setup in the Enchanted Forest where she kept Graham as a sex slave for god knows how many years. hello! hello!!! is anyone listening I'm going insane.

season one kind of revels in getting to roll out little reveals of Regina's litany of crimes via flashbacks to keep emphasizing, over and over, that she is insane and petty and willing to stoop to pretty much anything. in the first episode you know she's responsible for the curse that drives the entire plot, standard big bad stuff, but by the tenth episode you know she also kidnapped multiple children and sent them to their deaths in the candy house from Hansel and Gretel. which is obviously bad, no shit, but it's like. she's Snow White's wicked stepmother, she's the villain in a loosely goosey live action adaptation of classic Disney movies. endangering children for cruel and petty reasons is part of the territory.

but she also like. you know. she explicitly has a scared, trapped man dragged away to her bed chamber after she forcibly kisses him and magically rips his heart out of his chest specifically so that he can never defy her again. and then in case there was even a little bit of doubt left about what's going on there she continues to make his real world counterpart have sex with her, and even under a spell that's completely erased his memories of his old identity and life, he admits that his relationship with Regina doesn't make him feel anything. no one ever comes right out and says Regina is using her power as the mayor to pressure him into it, but that would frankly be mild by her standards.

I can't even quite articulate why I'm so hung up on this except that it's like, so jarring to have Regina do so many over the top cartoon crimes with her magical murder and mayhem and then also slip in oh, btw, she's also a rapist! she raped that man!" especially when you factor in that, based on my memory of the show and general understanding of what mind of show this is, no one is ever going to acknowledge that. when Regina starts her good guy redemption arc and other characters try to hold her accountable for things it's always going to be "you killed Graham" and never "you killed Graham after raping him repeatedly for many years in two different realities." no one is ever going to talk about that.

except for me, because I'm stuck watching six and a half more seasons and I will not be able to forget.

[enavstars]

Time for Aus :D

(Poster/ desings are not final)

Details:

Eclipse:

Takes place after crystallized, the ninja have recovered their powers and got back to the status quo.

Rumors start spreading on the Internet that Kai is actually useless because he's never defeated a supervillain on his own. Kai gets insecure about his worth to the rest of the team, acting more and more rashly out of the need to prove himself. However, everyone else thinks he's overreacting for attention, so in a mission with Lloyd and Nya, after trying too hard and messing up, they snap at him, thinking he just wants to regain his popularity disregarding people's safety.

Much later, Kai is injured on a solo mission and is saved by a mysterious woman (the villain) who secretly aims to manipulate him to turn against the ninja and Ninjago as a whole, taking advantage on his past hardships as a child and his current mixed feelings towards them. She uses dark magic (sort of like Clause) to take and amplify what little is left of the corruption from Chen's elements staff into a mask, to slowly make his own thoughts turn against them all, eroding him from inside out.

At first she convinces him to become a kind of vigilante, killing criminals who might have used him in the past under said mask as Akatora ("Red Tiger"), steadily growing more corrupted.

Once the ninja discover Akatora's true identity, they believe he's being forced to betray them and try to "save" him, which only angers Kai further for not realizing how badly they've treated him.

But when they realize that they're at fault, the team splits in two: Cole, Jay and Pixal can't see a way of saving Kai on time before he self-destructs and takes the entire city down with him; while Lloyd, Nya and Zane try to get him back at all costs.

At first, the villain didn't care which elemental master to use to get the ninja to destroy the city. But upon finding out more about Kai's past, she decides the Ninja are no good for him and wants to "save" him, to get him out of that toxic environment. She even confronts them more than once after taking him under her wing. However, later on she changes her mind...

I have many more details but this is all I'll say for now. I want to make it a realistic and morally grey season where neither the ninja nor Kai are the villain, because the ninja do love Kai, they just have to show it. Also Kai's corruption is going to be slow where you don't really know how of it is Kai's true intentions.

On the road:

This AU is set years after Kai and Nya's parent's disappearence. Despite still living at the blacksmith off Kai's odd jobs, the siblings are fairly neglected by the townspeople of Ignacia. After getting seriously beat up in a fight with some kids who had been passive-agressively bullying Kai for years, they go a little too far by almost killing him and threatening to do the same to Nya. Kai is forced to abandon the hope of their parents ever returning and leaves for Ninjago City with Nya, hoping for a better life.

After travelling for a while they stumble across Ronin. They somehow convince him to take them in for a while in his rudimentary shed and to teach Kai how to hunt and be more self-sufficient for the journey. In the meantime, Nya shows off her handiwork, making toys off scraps for Ronin to sell as thanks. When they decide to part ways, Ronin gives them a map, setting them on the right direction (he's no babysitter, but hey, he actually cared).

Days later, Nya finds a hungry and weary Lloyd along the way, lost after escaping Darkleys and looking for his uncle Wu. After some convincing from Nya, they agree to take him in and start travelling together, eventually bonding and becoming a found family.

The Au is mostly about their (fun) little adventures and Kai being an overstressed mom trying to keep their younger siblings alive and relatively out of trouble (but don't worry, he's actually enjoying it).

In the end, after having taken their shot in Ninjago, they find Wu and are taken in at the monastery. Yes, Wu is actually a good uncle here. They deserve it. Especially Kai.

Kai is 13, Nya 11 and Lloyd 9 (older than canon, no tomorrow's tea)

Feel free to ask any questions about the aus.

[pinkiemachine]

We need the entire El chronicles! (not in a pressurey way)

Lol! Okay, so here’s all I’ve got so far of DAWN OF SUPERMAN, to recap (full versions linked below):

SEASON ONE:

—Krpyton gets destroyed by both their collapsing sun and a massive civil war.

—Jor-El and his family try to escape Zod and his followers and head to the secret Kryptonian colony.

—Zod finds them and when Jor-El ejects his loved ones into space in escape pods, Zod opens fire, killing Zor-El and Alura, and knocking Lara, Cal, Kara, and Krypto of course. Jor-El evades capture.

—Lara and Cal land on Earth and Lara dies from an injury sustained in the blast. Cal is then left in the care of the humans John and Martha Kent.

—Clark has adoptive siblings, Micheal, Sean, Rueben, and Suzie.

—Cal’s desire to find his alien family leads him to become an investigative journalist and he moves to Metropolis in his early/mid twenties where he meets Lois Lane and Jimmy Olsen.

Now, the rest of the season I haven’t fleshed out as mush as I have Season 2, but that will be fixed in months to come. For the moment, here’s the basic outline: The premier two-parter follows the events stated above, along with lots of little anecdotes of Clark’s childhood. Then, once he arrives in Metropolis, things become a bit episodic. One episode, we’ll be watching Clark try to adjust to life in the big city and become Superman for the first time, then the next, we’ll be exploring Lois or Jimmy’s characters, fighting interesting villains like Livewire or Banshee, and building up Lois and Clark’s relationship. (Side note, Martha made Clark’s suit for him. When Clark was a kid, he asked her once to make him an outfit that looked just like the ones in his family holophoto, including his family crest on the front. Naturally, Clark had outgrown that old costume, but just before he moved out, Martha surprised him with a fair well gift: a new Kryptonian-style suit.)

HOWEVER… there’s another story growing beneath the surface. Ever since Clark became Superman, he’s had eyes on him. The whole world is watching this man become the most powerful, most undefeated superhero of all time, but that’s not precisely why the government’s interested in him. They’re interested because he’s wearing the same crest as the alien woman they found twenty+ years ago. Waller is immediately on the case, and she sends out a lackey to bring Superman in for questioning. (Haven’t decided who this character is yet.) When Clark realises that the men in black suits are coming after him, he immediately gets spooked and worries for his family. If they got hurt because he was being reckless and showing his powers publicly, he’d never forgive himself. So Superman’s gotta lay low for a while. Eventually, though, Waller figures out his secret identity, but Lois winds up being the one to save Clark for just a little bit longer, threatening to run this story in the papers if they don’t leave Clark—an innocent and upstanding citizen—alone. But as soon as the two of them have a moment, Lois immediately asks what’s going on and Clark reveals that he’s Superman.

By now, Waller is getting antsy, but there’s someone else who wants to join the party. Lex Luthor. He’s been funding the research on the Kryptonian pod, and LexCorp has been reaping the rewards of learning the secrets of their advanced technology for years. He crafts a machine/suit/(need to read the comics) that can go toe-to-toe with Superman and almost beats him. Doesn’t though. Lex will remember that.

By now, Clark is sick of running and hiding. Time to take the fight to them. With help from Lois and Jimmy, he tracks down the secret base where the pod and his mother’s remains are being kept, and the final battle commences. Waller loses, Lex loses his hair, they both swear revenge, and Clark takes back what’s rightfully his. He buries what’s left of his mother on the farm, and stores the pod in the shed temporarily. It’s a triumphant yet slightly melancholy ending for our heroes, especially as Clark and his brother get a chance to really talk some things through while he’s home visiting. Then Lois gets introduced to the family, and for a moment, everything’s right with the world.

Little does Clark know, though, that there’s a probe droid on Earth, watching him, and now it’s flying back out into space to report what it’s found to its boss. Zod.

SEASON TWO

—Zod shows up, tries to manipulate Clark, but they wind up fighting instead, and Clark beats his butt off the planet. He does manage to spook General Lane, though, and now he’s dead set against Krpytonians and what they could do to the planet if they so choose.

—Anyway, now Clark knows that his father is actually alive, and there’s also a secret colony of Kryptonians out there. He decides to look for them.

—The team (plus extra members) journeys into space where they meet all sorts of new aliens, including Green Lantern, and they also cross paths with Kryptonite.

—Then they find Kara and Krypto, who lead them to the colony.

—Along the way, they also manage to track down Jor-El, and he and Clark get to have a well-deserved reunion.

—They go to the colony together, but Zod follows them. There’s a big battle, Zod gets booted to the phantom zone, his ship is destroyed, and the colony is saved.

—PSYCH, just kidding. One of the extra members of Clark’s team is military, and he has secret orders from General Lane to kill any and all new Kryptonian forces he may encounter. So, using some Kryptonite he kept hidden, he makes a bomb and blows the colony sky high.

—Clark, Kara, and Krypto are the only Kryptonians to survive.

(Clark briefly wants to set Earth on fire…)

—Then Clark discovers that, on Jor-El’s ship, his father had made many recordings and created an A.I. Version of himself for company. This is now all Clark has left of him as they fly back to Earth.

—The ship later gets parked up the Arctic, becoming Superman’s Fortress of Solitude.

—Clark’s laid low with grief, but Lois and his family are there for him now more than ever. There’s still hope for the future.

THEN comes JUSTICE LEAGUE: HEROES RISING!

At the moment, I’m still working out which stories of Superman’s will be adapted into the show, but the main idea is that every season, there will be at least one or two BIG over arching plots that center around one of the main characters and an arch foe of theirs, like OG Teen Titans. But less episodic. Or, at least… not episodic like putting a tournament episode right in the middle of the Judas Contract arc, and more so like Avatar the Last Airbender episodic, where we’re having fun, but also learning more about the world and how various aspects of it work. The first major villain(s) will have something to do Zatanna and/or Green Lantern.

Speaking of the other heroes, here’s a quick little tidbit: So, Batman’s actually the one who brings the Justice League together. It falls into one of his contingency plan models. In case of emergency, CALL EVERYONE. During his first two seasons of BATMAN: GOTHAM FILES, he’s already come across The Flash—and Wonder Woman, over the course of the first two seasons of WONDER WOMAN: HEIR TO OLYMPUS, she’s become familiar with Atlantis and their royal family. And if you remember, Clark’s already met Green Lantern (Hal Jordon). Now all that’s left is Zatanna, hence I thought a Zatanna-centric Season 1 might be a good idea. Magic is a threat the rest of the Justice League can’t easily combat on their own. But I also had a thought, like what if I combined the Zatanna villain with the GL villain—SPACE WIZARDS!!! Idk, just thinking about it. Anyway…

I sadly haven’t had a chance to write Season 3, but what I do know (for just general stuff that’s supposed to happen eventually) is that Lois and Clark do get married and have a little boy named Jonathan. Then, some time later, Clark and Kara get called away into space on urgent business, and that’s when someone new appears: Con-El, aka Conner Kent, aka Superboy. He comes crashing down to Earth in an escape pod just like Clark’s, claiming to be a member of Superman’s family. After much convincing of the Justice League, they let him stick around until Clark gets back to truly vet him. In the meantime, he slowly gains the other heroes’ trust, becomes a member of the second generation of Teen Titans (The New Teen Titans) and helps save the world. HOWEVER… turns out he’s been working for Lex Luthor this whole time! Dun dun dun! I’ll save the rest of that story for later, heheheh…

Then, of course, when Jonathan grows up, he becomes the next Superboy and joins the third generation of Teen Titans, (Ultimate Teen Titans), and has some adventures of his own. Haven’t decided what his big arc will be yet.

Would love to do a mini-series following Kara when she was lost in space. T’would be cool.

And that’s currently all I have written, story-wise, for the Kents. Personally, I don’t really see many of the other SuperFam characters to be especially relevant to the story, or interesting, so I’m probably gonna either scrap them or repurpose them, unless there’s just, like, a MASSIVE fan outcry. It’s just that the whole point is that Clark and Kara are THE LAST KRYPTONIANS. The last of their kind, that’s part of their whole story—being alone. You can only get away with new Kryptonians falling out of the sky so many times before it gets old. And Conner was lying about his origins, so I can get away with that.

Here’s some fun stuff I wrote about Krypton and Kryptonians 👇

Here’s the Fall of Krypton and the El family’s escape 👇

Here’s the next part of Clark’s Origin Story 👇

Here’s a deep dive into Lois and Clark’s relationship 👇

And here’s Season 2 in-depth 👇