#but still doesn't think that actually She may be the villain here

[chemzee]

I already told this particular opinion before but gonna post it here too.

Terrible chemzee opinion 2636

If we look at it from Cassandra's perspective, I believe she was mostly absolutely justified in Y1. Because if some random girl tried to make me dissapear/seriously hurt/kill me (the way it looked like from her perspective) but failed I'd also do a background check on her too 🤨 like girl what if she already hurt someone before? Plus, Cass wanting Ivy to get expelled? DUH she though Ivy almost killed her! Plus she learned she allegedly wasn't the first one so she's even more justified.

[sneezypeasy]

The Lightning Scene, How Azula Targeted Katara (of All People), and the Doylist Reason Why That Matters

Mention Zuko's sacrifice for Katara in Sozin's Comet Part 3 as part of a pro-Zutara talking point, and invariably you'll get a Pavlovian response of:

"But Zuko would have taken the lightning for anyone."

(Not to be confused with the similar-sounding Pavlovan response, which is "Zuko's sacrifice ain't shit compared to a mouth-watering, strawberry-topped meringue dessert"*, which is actually the only valid counter-argument to how the lightning scene is a bona fide Zutara treasure, but I digress.)

Now, I've talked in depth about how the lightning scene is framed far more romantically than it had any right to be, regardless of how you might interpret the subject on paper; this is an argument which I still stand by 100%. That Zuko would have gotten barbecued for anyone, and that he was at the stage of his arc where his royal kebab-ness represented his final act of redemption, doesn't change the fact that the animators/soundtrack artists decided to pull out all the stops with making this scene hit romantic film tropes bingo by the time it played out on screen.

(I mean, we stan.)

There's also a deeper level to this conundrum, a layer which creeps up on you when you're standing in your kitchen at night, the fridge door open in front of you, your hungry, sleep-deprived brain trying to decide on what to grab for a midnight snack, and quite inexcusably you're struck with the question: Okay, Zuko may indeed have taken the lightning for just anyone, but would Azula have shot the lightning at just anyone?

But there's yet a deeper layer to this question, that I don't recall ever seeing anyone discuss (though if somebody has, mea culpa). And that is: would you have written Zuko taking the lightning for anyone else?

Or in other words, who Zuko would have taken the lightning for is the wrong question to be asking; the question we ought to be asking is who Zuko should have taken the lightning for, instead.

Get your pens out, your Doylist hats on, and turn to page 394. It's time to think like an author for a hot minute.

(If you don't know what I mean by Watsonian vs. Doylist analyses, and/or if you need a refresher course, go have a skim of the first section of this 'ere post and then scoot your ass back to this one.)

So. You're the author. You've written almost the entirety of an animated series (look at you!!) and now you're at the climax, which you've decided is going to be an epic, hero-villain showdown. Classic. Unlike previous battles between these two characters, your hero is going to have a significant advantage in this fight - partly due to his own development as a hero at the height of his strength and moral conviction, and partly because your villain has gone through a bit of a Britney Spears 2007 fiasco, and isn't quite at the top of her game here. If things keep going at this pace, your hero is going to win the fight fairly easily - actually, maybe even too easily. That's okay though, you're a talented writer and you know just what will raise the stakes and give the audience a well-timed "oh shit" moment: you're going to have the villain suddenly switch targets and aim for somebody else. The hero will be thrown off his groove, the villain will gain the upper hand, the turns will have indubitably tabled. Villains playing dirty is the number 1 rule in every villain handbook after all, and each of the last two times your hero's braved this sort of fight he's faced an opponent who ended up fighting dishonourably, so you've got a lovely Rule of Three perfectly lined up for the taking. Impeccable. The warm glow of triumph shines upon you, cherubs sing, your English teachers clap and shed tears of pride. (Except for that one teacher you had in year 8 who hated everybody, but she's a right bitch and we're not talking about her today.)

Now here's the thing: your hero is a hero. Maybe he wasn't always a hero, but he certainly is one now. If the villain goes after an innocent third party, there's basically no-one your hero wouldn't sacrifice himself for. He's a hero! Heroes do be like that, it's kind of their thing. The villain could shoot a bolt of lightning at Bildad the Shuhite, and the only thing that'd stop our boy Redeemed Paladin Bravesoul McGee from shielding his foxy ass is the fact that Bildad the Shuhite has the audacity to exist in a totally different show (disgusten.)

But. You're holding the writer's pen. Minus crossover shenanigans you don't have the licensing or time-travel technology to achieve, you have full control over how this scene plays out. You get to decide which character to target to deliver the greatest emotional impact, the juiciest angst, the most powerful cinematic suspense. You get to decide whose life you'll put at risk, to make this scene the most intense spine-chilling heart-stopper it can possibly be.

This is the climax we're talking about, after all - now is not the time to go easy on the drama.

So.

Do you make the villain target just anyone?

Or do you make the villain target someone the hero cares about?

Perhaps, someone he cares about... a lot?

Maybe even, someone he cares about... more than anybody else?

You are the author. You are the God of this universe. You get to choose.

What would deliver the strongest punch?

If you happen to make the inadvisable decision of browsing through these tropes on TV tropes, aside from wasting the rest of your afternoon (you're welcome), you'll find that the examples listed are littered with threatened and dead love interests, and, well, there's a reason for that. For better or worse, romantic love is often portrayed by authors, and perceived by audiences, as a "true" form of love (often even, "the" true form of love). Which is responsible for the other is a chicken/egg situation, one I'm not going to go into for this post - and while I'm certainly not here to defend this perspective as objectively good, I do think it's worth acknowledging that it not only exists but is culturally rather ubiquitous. (If you're playing the love interest in a story with a hero v. a villain, you might wanna watch your back, is what I'm saying.)

Regardless of whether the vibe you're aiming for is romantic or platonic however, one thing is for certain: if you want maximum oomph, the way to achieve that is by making the villain go after the player whose death would hit the hero the hardest.

And like I said, this doesn't have to be played romantically (although it so often is). There are platonic examples in those trope pages, though it's also important to note that many of the platonic ones do show up in stories where a love interest isn't depicted/available/there's a strong "bromance" element/the hero is low-key ace - and keep in mind too that going that route sometimes runs a related risk of falling into queer-bait territory *coughJohnLockcough*

That said, if there is a canon love-interest available, one who's confessed her love for the hero, one who has since been imprisoned by the villain, one who can easily be written as being at the villain's disposal, and who could quite conveniently be whipped out for a mid-battle surprise round - you might find you have some explaining to do if you choose to wield your authorly powers to have the villain go after... idk, some other sheila instead.

(The fact that this ends up taking the hero out of the fight, and the person he sacrifices himself for subsequently throws herself into the arena risking life and limb to defeat the villain and rescue her saviour, also means the most satisfying way this plays out, narratively speaking, is if both of these characters happen to be the most important person in each other's lives - at least, as of that moment, anyway - but I think this post has gone on long enough, lol)

This is, by and large, a rebuttal post more than anything else, but the tl;dr here is - regardless of whether you want to read the scene as shippy or not, to downplay Zuko's sacrifice for Katara specifically as "not that deep™" because "Zuko would have taken the lightning for anyone anyway", suggests either that a) nobody should be reading into the implications of Katara being chosen as the person nearest and dearest to Zuko, so that putting her life in jeopardy can deliver the most powerful impact possible for an audience you'd bloody well hope are on the edge of their seats during the climax of your story or b) the writers made the inexplicable decision of having the villain threaten the life of... literally who the fuck ever, and ultimately landed on someone who's actually not all that important to the hero in the grand scheme of things - which is a cardinal writing sin if I ever saw one (even disregarding the Choice to then season it with mood lighting and sad violin music, on top of it all), and altogether something I'd be legitimately pissed about if my Zuko-OTP ship paired him with Mai, Sokka, or just about anybody else 😂

Most importantly c) I'm hungry, and I want snacks.

*The Aussies in the fandom will get this one. Everyone else can suffer in united confusion.

[missbluesunflowersstuff]

Some batfamily headcanon

They all have auditory processing disorder at this point, except for Damian and Duke

Damian is the youngest and Bruce and the others protect him most and Duke uses armor plus his powers makes him a little difficult to get hurt

Dick is partially deaf in his left ear and Tim is partially deaf in his right ear

Bruce and Jason suffer from chronic pain

If Steph or Damian just stopped and went into some blank state for more than two minutes call the most responsible adult near immediately, they are having an anxiety attack (they just freeze and stare at nothing, this is their anxiety attack)

Tim has narcolepsy actually this is why he has the worst sleeping schedule of them all

(Tim's narcolepsy may be undiagnosed, diagnosed but his parents hid the result, Tim refuses to take his medication because he believes he can "handle" it, it's up to you)

Jason, Cass and Damian have PTSD

(all of them have it actually, but these three have the worst attacks)

Dick emergency contact is Donna Troy

and it doesn't matter what the batfamily do or say, Dick is always puts Donna as his emergency contact

Damian emergency contact is Maya Ducard

Damian had a lot of nightmares in him early years, the family takes turns to take care of it

Jason and Damian have intrusive thoughts (hurt the others and hurt themselves, Jason villain era was basically 'I let my intrusive thoughts win' ) - today Damian handled it better than Jason did in the past (Jason I love you, but I will never forgive you for what you did to Mia Dearden)

Bruce created a lot of personas for his work and because of it Dick created the "hamburger theory"

If he accepts the hamburger and eats it with both hands it's Batman; if he starts eating his hamburger with fork and knife it's Bruce Wayne; if he's holding the burger with a napkin and smile it's Brucie; but if he rejected the hamburger just run, it's not safe near him in that moment

Dick made this theory when he still was a Robin and this is some 'don't tell dad' information between all of the kids

They usually share information with Cass in audio to help her understand, Babs still helps her with how to read but she prefers to use emojis or audio messages

Cass may or may not respond to their audio, but she will view it

Bruce and the others have no clue about Dick real health status because the only person who has legal rights to it is Donna and she doesn't share with them

One time Tim tried to steal Damian medical records to put in their data, he found out that Maya already did that and now she is the only person in the world legally allowed to have that information

Both Dick and Damian don't regret their decision because they really trust in their sisters more than the bats

(and yes, Bruce feels breyated because of this)

14!Damian is still a little afraid of sleeping, because he doesn't know what kind of dream he might have (he doesn't have nightmares like he used to, but the anxiety is still there)

Duke and Damian usually hang out more than the others; one time Steph asks why in the common channel and Duke only answers "you know that me and him are basically immortals, right? When everyone leaves, we'll still be here" (Duke is immortal because of his powers and Damian... Do you really think his family would allow him die?)

No one knows exactly the kind of shit Damian was submitted in the league and as Tim falls in get his medical records they'll never knows

The same applicants for Cass trying, what exactly Cain did with her is something she'll never tell

Jason actually has amnesia from his league days or some kinda of weird and very selective amnesia, everything just looks like a blur to him

Jason believes that he was hypnotized to forget everything or some weird magic stuff. But on some nights, in the silence of his room, Jason still seems like a fat baby lying near him, he wonders who is the baby and who they are now...

Some days, because of his chronic pain, Bruce uses a cane to walk around the house, but only inside

[laxxarian]

Dani is trying to convince Bruce that she already has a family but the man was unconvinced.

Being Batman, he patrols at night together with Robin and from time to time, he'd see Dani sleeping at abandoned buildings or under a bridge of some kind.

Each time he sees the girl sleeping here and there, he'd wake the little girl and convince her to at least seek shelter maybe at someone's certain house but that got Dani giving flashbacks of Vlad and his creepy way of talking.

Vlad changed and all but still creepy.

Now Dani is deciding to go back to Amity Park cuz she already has seen the parts of Gotham but before she leaves, she bids farewell to Bruce at first. Going to his mansion and all, saying goodbye and to his kids.

Saying that she's going to Amity Park to be with her family but Bruce wasn't convinced, why? Because in their data, Amity Park doesn't exist.

This whole thing is suspicious so he plans to follow the girl as she goes back home as Batman.

Dani also waited around where Batman usually patrols at night to say goodbye cuz why not? She didn't want to let the guy get worried seeing as how the man would keep trying to help her.

She didn't want him thinking that she might be dead, well, she is, but they don't know that.

So after the goodbyes and all that. Dani waits for a bus, why? She wants to experience using a public transport and because of that, Batman gets to follow the girl easily but little did he know, Dani could actually hear and see perfectly fine because of her ghost powers that Batman was following her. A bit creeped out but she understands.

The bus stopped at nowhere but home was close, Dani just needed to walk, usually she flies but a bat was following her.

Dani contacted Danny to get her and also informed him that a certain dude just won't go away.

And then blah blah blah, Batman was caught by Danny.

Danny: why are you following us?

Batman: !?

Dani: don't worry, Danny, he's a superhero too

Danny: *looks up and down* ....I see...

Batman now gets to see Amity Park and now that he knows where it is and confirmed the girl's safety. He left.

Then researched about Amity Park back at his mancave but bats themed.

Batman found out that the GIW were keeping the place a secret, not that they were doing illegal but to protect the ghosts from any other people.

After the GIW found out about Danny Fenton and Danny Phantom, they started to open their eyes and sees how good can ghosts be and is actively helping Danny now.

But Batman doesn't know such real reason and theorized they were trying to keep a meta human a secret so they could get Phantom without anyone knowing about it.

So, Batman called the young justice team to go out and investigate.

Strange things that the team found out was that Amity Parkers doesn't care about what's going on the outside of their homes and that's mostly due to ghosts and the only hero their is also a ghost. Not wanting for anymore villains, they all decided not to attract anymore people from getting here and give the Parkers more trouble.

What they also found out was that the residents may be clueless and blind at some times, they were all fascinatingly fast learners when it comes to fighting and also fleeing.

The team also gets to meet Phantom, a cheerful guy and Dani (human form) who was talking casually with him.

[weebsinstash]

*me, a poor peasant child holding up my plate.*

Please sire, may I have some more platonic yandere Lucifer and Charlie? 🥺

Of course, starving Victorian child! (Also you just said platonic but I wound up writing this as like, mostly family platonic yandere so idk if that's a distinct difference to you but, here ya go!)

-- I feel like these two would really kinda infantilize you, specifically when it comes to violence, drugs, alcohol, and sex. You know how Charlie is clearly an adult woman but it could not be anymore clear that she's still really sheltered and naive, almost like a kid would be? Like the skit she had Pentious and Angel do literally brought up like, no sex before marriage as a sign of being a good person... did her dad ACTUALLY raise her with vaguely traditional/religious values. That's the kinda thing they start enforcing on you. Oh, you're dressed so cute! where are you going? gasp! A bar??? But that's soooo .... risky!! You're young, and, you're just so nice, and... why don't you stay home and play board games with the Morningstars instead?

You're over here, "can I PLEASE smoke some fucking weed" and Lucifer would deadass with his full chest, "no, none of the Devil's lettuce for MY baby! Those other Sinners can run around with their crack and their whippets and their absinthe but MY CHILD is better than that"

-- platonic yandere Charlie and Lucifer passing the single brain cell they share back and forth, "Dad, they bought some new clothes and I thought it was gonna be for that outing we're taking later this week but they put it on and left the Hotel and went somewhere else!! Who else would they dress up for? Do you think they have a secret second family and they actually hate us? 🥺" "Charlie, do you have any idea how... totally possible that is, oh golly, we've gotta follow them and make amends so they come home!!" and you're just like.... having coffee with a new friend

You're at a cafe looking cute and Lucifer and Charlie are having a stakeout in the fucking bushes nearby or some shit, Lucifer grinding his teeth trying to guess who this piece of shit trying to take his baby away is, growling how hes gonna rip them apart, like who the actual fuck does this person think they are, and Charlie is like, trying to be a little more level headed "haha cmon Dad they would never replace us :)" but then the second she looks over and sees this other person is exchanging too many meaningful glances at you and making you laugh, her switch flips. "Actually yeah Dad you know what you were totally right, they're obviously a creep trying to hurt Readsr and we should kill this guy :)"

--Charlie has no problem with you hanging out with Alastor but I like the idea that she can suddenly see right through him when it's YOU he's doing stuff to. He can be on his whole "oh just call me dad" shit to her and it'd give her the warm fuzzies, but the second she sees Alastor going out of his way to come up and interact with you in front of her father, she knows he's trying to rile her dad up and may even tell him he needs to wait his turn and interact with you later. Lucifer meanwhile all but wants to bite the cannibal like a rabid dog for coming near you and treats him like Al's the evil villain trying to take away his little royal heir. He has no idea what that yellow toothed black gum cretin wants to do to his baby!

-- I can just see arguing with Lucifer, "why can't I date? Charlie gets to date!!" and Lucifer's just like trying to bullshit an excuse for why he just doesn't want you dating because, you're his widdle baby and he isn't ready to see you act adult yet :( the only man you should be kissing is your short father on the cheek! Lucifer is VERY MUCH "I am the only supportive guardian figure you need in your life" kinda yandere dad, if you go to anyone else for help before him he's taking it as a personal slight against him and vows to show up that other person so you never "choose them over him" ever again

-- obviously I'm so fucking biased but. Lucifer with Daughter Reader is obviously just him being your tiny guard dog all the time like, he is so soft, he is such a girl dad. No men talking to either of his baby girls!! No touching his little princesses!!! You'll be out in fucking public as a grown ass woman and Lucifer would still be like, "oh, there's a lot of people here, here sweetie, hold my hand so you don't get lost", marching around holding your hand as the most powerful Anti Rizz Shield in all of Hell, he has no shame, this man is fucking Mayes Hughes whipping out his wallet, "wanna see photos of my girls?!?!?!? Here's one of them in matching dresses, here's one from the musical we went to last week, and here- gosh arent they just the cutest ☺️❤️"

like if you ever wander into another ring like Gluttony by accident, Bee is buzzing up to you, "oh my gosh, it's Luci's little pup, sweetie you're not supposed to be down here, let me get you back upstairs, your pops is FREAKING!!" and talking to you like she already knows you like a friend because Lucifer is showing your photos to ALL his demon friends at every like, Rulers of Hell meeting. Lucifer is over here beaming with pride as Stolas looks over his special I Love My Daughters Photo Album and nodding his head, "perhaps we can arrange some playtime with your girls and my Via, let them all get to know each other" and it's like Lucifer can you PLEASE stop recruiting other all powerful almighty demons into the Let's All Be Platonic In A Creepy Overprotective Way Club. You just turn around one day and like half the Overlords and a few of the Cardinal Sins are all vying for your attention and you're like a celebrity and it's cause your dumb duck dad is blabbing his mouth showing your picture to anyone with eyes

-- you know how Sinner Demons come in all these different sizes and shapes, with fur and wings and, bugs and dinosaurs, fish and object heads? What if Lucifer has the power to alter your demonic form? One day you turn around and you're no longer whatever multi armed fuzzy creature you once were, but you're now... human again. Or at least, human like. You've got your old face again, your old skin tone, but, you've got horns that look suspiciously like your friend and her father's, a retractable tail with a heart on it like theirs, maybe even those like, kinda weird rosy cheek things. And it's because Lucifer and Charlie have decided, well, they don't care what you look like regardless, but now, don't you actually look like a member of the family? Now everyone can tell when you're together! ^^

Like it's kinda sweet but the adjacent horror of Lucifer "oh yeah I completely changed the shape and appearance of your body to more resemble me and my daughter so you look like you're ACTUALLY our family :)" like can you imagine him pulling this kind of shit when you're like not even that kind of close yet. Basically kidnapping you into the Morningstar family tree and actually making you look like them to the point other people can spot you and instantly know to steer clear. Maybe you even get a little special outfit of your own,your own little suit and bow tie with an apple or snake on it somewhere

-- you know how sometimes you just want to be alone? You just like space? You just like not knowing you're being watched or having to share your space with anyone else, you can just breathe? It's not about hating someone else or other people, it's just like... wanting to be the master of your own space for a while?

Foreign fucking concept to these two. Your activities become THEIR activities. Oh cool you're 6 episodes deep into an anime? Here's Charlie and Lucifer, "oooo what are we watching?" "Oh she's really pretty, what's her name, is she the main character?" "That lady sure isn't wearing a lot of clothes, I don't know if this is appropriate for you to watch" "oooo oooo pause it, I'll go make popcorn, dont start it again without me!"

Don't get me wrong I can see this being adorable, you're just like adhd autism infodumping and catching them all upon who everyone is and all the stuff that's happened and "I can restart it from the beginning and we can watch it together?" And they're eagerly hanging off of your every word based on how interested and excited you are about the subject, for whatever hobby or show you're indulging in

BUT I can see this turning into them intruding on everything you do and when you finally do try and say "hey I'd like a little space" that turns into a DISCUSSION. wait why don't you want to spend time with them? Are you sad? Did they do something wrong? Tell them exactly what you're thinking, OBVIOUSLY the correct action ISNT to just give you the space, CLEARLY this is an emergency needing investigation!! Like God forbid you tell them a lie to sneak off and hang out with someone else because THEN it's "who is this clearly abusive evil person telling our precious Reader to lie to us? The altar calls for their blood"

--SINGING!!! These two sing all the time (Charlie sings the most as the Not Depressed Morningstar) and they teach you too! They'll encourage you to join into song, and even just do those little songs you and I do when we're doing small tasks. You'll catch them in the kitchen, "washing the dishes, washing the plates, put them away and have a wonderful day ^^" and they'll try and rope you into singing until eventually you're expected to belt out musical numbers with them like anyone else in this show (bonus points for your first musical song being some sort of rebellious rock ballad about wanting to run away from them because they make you feel controlled or something)

-- mandatory family trips to Lu Lu World! You are NOT going home until you play all sorts of games and eat all sorts of carnival food and are struggling to walk home carrying your giant stuffed duck. God, really missing my childhood going to Six Flags before capitalism ruined amusement parks...

-- "cringe" does not exist in this family and they wont make you feel bad for liking something unless it's like ACTUALLY HARMFUL (like getting drunk and high). You cannot tell me these two do not already have fursonas and they'll geek out on the couch watching cartoons and playing video games with you. You're eating candy watching Naruto and playing LEGO Batman and playing dice games and they're loving every second (Reader why did you have to hit that Nat 20 roll on the "Getting Adopted By The Morningstars" quest, now they're never leaving you alone bro, bro i think youre gonna have to murderhobo your way outta this bro--)

-- I feeeeeeeeeel like. Lucifer if he concentrates really really hard would be able to tell where you are at all times because, Hell is HIS house. He um. He literally has pocket dimension "make shit appear out of nowhere" powers, so like... do you think he can feel all the souls in Hell? Do you think he would be able to concentrate and be like, "oh I can tell Reader is in that direction and is feeling really happy right now"

I just... I picture Reader having a really awful fight where you yell and scream at Lucifer and you can tell you actually really hurt his feelings, maybe even making him tear up, which would then make Charlie really upset with you, and then you're running off because you feel like you can't stay there anymore, and you're wandering the streets, lost, hungry, starting to get cold, wishing you could go back and apologize but feeling like they would never take you back, and, of course, the age old trope, you get cornered by some robbers or some potential attackers and they start beating you around and, all you can think is how ungrateful you were, that you wanted to apologize to Charlie and Lucifer but they probably hated you now, it's too late, it's... it's...

You don't know if it'll work, but you're about to be hurt really badly and you're genuinely scared and missing them and, you just clasp your hands and say a prayer, calling out to Lucifer, but you're like... literally saying it like... you're manically whispering and whimpering not knowing what the fuck you're supposed to say or if something like this would even work, "O Dark Lord Lucifer please hear my plea for your aid and-- no fuck it, come help me DAD I'm really really SCARED DAD THEYRE GONNA HURT ME COME ON DAD PLEASE DAD I'M SORRY, WHAT I SAID WAS WRONG, DAD PLEASE-" and he's there like, before you're even done speaking. You're still covering your head and whimpering and crying and you just hear, "It's OK now" and he's standing over you with bloodied fists and the attackers all crumpled on the ground and he's picking you up like it's nothing to take you back home.

-- lastly, I feel like there's few boundaries on nudity with these two. Like, it's not incestuous or anything, but if Lucifer walks in on you changing and you've got your beav out, he would probably politely put a hand over his eyes and keep talking anyways. Charlie treats it like walking in on her sibling, on someone her age she's known all her life. She'll be walking up, picking lint off your clothes, helping clasp your bra, whichever whatever without any regards for how exposed you might be feeling. Oh you're feeling shy? But she's your sister; you don't have to be shy!!

It's all fun and games until you're completely butt ass naked having Family Bath Time, Charlie scrubbing shampoo through your hair while Lucifer has ungodly amounts of duck themed bath toys floating around and you accidentally catch sight of THE Angel Of The Bottomless Pit's full-on dick and balls that you're realizing, oh, when they said they want to treat you like family, they meant like FAMILY family... oh shit... hope this doesn't turn into a huge "hey also we couldnt bear the thought of losing you so you're kind of immortal now" kind of problem...

[oldmemoria]

okay heres the fucking thing about this script controversy that some people don't seem to get.

just gonna say it blatently:

strap in babes this is gonna be a long one!

The way Miguel O'Hara is written in the leaked transcripts is blatantly racist, here's why from a Latino himself!

all wrapped up in a sweet little bow for everyone who doesn't know how to comprehend what they're reading, cheers!

er. i mean.

¡Salud!

Miguel fans are not mad that they depicted him in a bad light and that they made it clear that he is in the wrong

WE FUCKING KNOW. WE'RE NOT STUPID.

Miguel has been depicted as a morally grey asshole since the early 1990s, which is when Spider-Man 2099 was initially debuted. And while yes, the movies are.... inaccurate, to say the least, it still stands.

The issue here is how he is depicted. They directly call Miguel O'Hara, a Latino man, an ANIMAL (he is directly called an animal TWICE. FUCKING TWICE.)

[1st image id: Miguel leaps onto Vulture, Clawing his way in past the renaissance armor. he is an ANIMAL. (keep in mind ANIMAL is literally in all caps.) /end id]

[2nd image id: Miguel SLASHES at the walls of light that surround Miles. Clawing the energy field apart, an animal in the throes of bloodlust -- /end id]

I need you to really soak in the fact that he is called "AN ANIMAL" twice. I'm awful at alts and ids but I feel I must so you can read it in plain text. sorry if they suck.

Our issue is not that the writers seem to have a bias against the character. a lot of writers write characters they dont particularly like and in turn tend to write them from a foggy lense of their own perception. An example would be Kate Cary and how she didn't like Crowfeather, a character she had to write about. I'm sure some of her bias seeped through. but this is different.

writing a Latino man as a bloodthirsty animal, implied to be called a predator because they call one of the people he fights (im not sure if its miles or the vulture, im leaning towards believing the former.) his "prey", THOSE ARE ALL RACIAL STEREOTYPES. ALL OF THEM.

[3rd image id: But Miguel can only see his prey: /end id]

There is no context to be needed here, the context is that this is miguel we're talking about and that they call him an animal. it does not matter if he is a villain or not (which he isnt, factually he fucking isnt im tired of having this conversation, fuck you). it matters that he's depicted in a racially insensitive way.

and this person brought this up pretty well actually, I didn't even think of it:

[4th image id: Tumblr user @/404-505 saying:

i want to be so mean to them

they couldn't write miguel crossing the border and stealing a job so they wrote him crossing into another universe and stealing his own identity

they couldnt write miguel as a drug addict so they gave him spider steroids instead /end id.]

They bring up a really good point about these clear stereotypes being seemingly. . . disguised behind points that are narratively relevant? This could literally just be pure coincidence, but noting how the writers wrote him before... it isn't looking too good for them. Sorry. Not sorry.

It is clear that there is some kind of bias against miguel that led to really disgusting, racist retoric. Whether or not it was intentional or if it was a first draft or whatever, the writers, which may i remind you were white, still wrote this at some point.

it makes me question whether or not they hated him because of his "bullshit utopia", their words not mine, or because of their own racial biases.

We cannot know because miguel is the only mexican character on the cast. I know Miles is Puerto Rican, but there are differences between how they were portrayed. also Puerto Ricans and Mexicans come from competely different cultural backgrounds that share simularities but are still different dont even try i will destroy you.

Using another users words again, but:

[5th image id: Tumblr user @/transmiguelohara says:

Don't talk to me about the Miguel parts in the script. I'm so disappointed in how the writers view him.

The difference between the way Miguel is written (antagonist, not the villain) vs Spot (the villain, whats to kill Miles' dad and everyone he knows) is soooo.....I don't know man it just screams racism in sorry. Describing Miguel as a bloodthirsty animal? Repeatedly? Treating him like he's mindless and has no motivation beyond having a hair trigger temper? It sucks man. /end id]

It also strikes me that now that we finally have a brown-skinned miguel, they write him like, well. this.

I don't really know if this is petty or not, but I want to wrap this back to the way the fandom also sees Movie Miguel.

Because TRUST ME it is not good either.

Miguel O'Hara Vs. FANDOM: Spoilers, it's been troubling since the beginning.

From the beginning (and by beginning in this case I mean since he was announced to be a character in this movie) Miguel has been continuously sexualized, beyond belief. He is repeatedly called "papi cholo" which NEED I REMIND YOU "Cholo" is a derogatory term used to call someone, usually a mexican person, a criminal or a delinquent.

FUCK YOU if you are not Latino OR hispanic and use this to describe people. from the bottom of my heart.

I'm pretty sure the majority of the people who called/ still currently call him "papi cholo" are mixing it up with "papi chulo" (white people moment.) which means something completely different but is still troubling as hell.

"papi chulo", which is slightly different in the way, just directly translates to "big daddy". Which again, Latino men being overly sexual "Latin Lovers" is ALSO A RACIAL STEREOTYPE. also its just blatant fetishization. Point blank fucking period.

Not only that but I notice a lot of art and fanfiction depicts him doing a lot of violence, or being very overbearing and demeaning, or in short terms.

a lot of people write him as physically and sexually aggressive.

fuck do you mean he growls during sex i can and will send you to space with no return.

which

for the millionth time

racial stereotype

halleluiah or however you spell it.

Having him say random spanish phrases you don't know the meaning or connotations of in your fanfiction is icing on the cake at this point.

fucking end me.

it isn't even only sexual depictions, since he's been shown in the movie, a lot of people seem to just see him as this guy who goes off and tries to kill children at a hairs trigger. which uh. fun fact no he fucking doesnt.

you clearly didn't watch the movie as well as you thought you did. hes just sarcastic and generally pretty level headed through the majority of his runtime, whether its implied by how characters around him act, or its just what we see on screen.

He doesn't necessarily have anger issues, the moment we see at the climax of the film is quite literally a mental break. he is not acting in a way that he usually would because he was cracking under the stress of holding the multiverse together with some scotch tape and orange glitter glue.

Also side tangent but he also has a mental break in the comics that's a little more... droopy and sad as compared to the movie, but it still happens. he has shitty mental health is what im saying. he only really lashes out angrily when hes at his wits end because that's how he grew up. he was taught to suppress his feelings and seem smaller when he was upset.

he is the result of abuse and neglect. of course he wouldn't be amazing at emotional regulation.

Which before anyone says it no, this is not an excuse for his actions. just an explaination that isn't "hes an angry animal that has it out for miles UwU" that everyone seems to have in their brain. I'm tired of you all. truly.

the sentiment that hes agressive and angry and his only emotion is anger and upsetness unless he's horny which is when he experiences all these emotions tenfold is. racist. idk how clear i have to be for people to get it through their damn skulls that the way the fandom depicts him is harmful. do i need to slap you in the face with a fish until you understand. do i need to burn your fanfiction. will you get it now that a 15 year old latino boy has to scream it in your face.

and dont even get me STARED on how inaccurately he is written

this is a more light hearted section because idk. feels like i should have it because this part is just comical, pun intended. How can you fuck up this hard guys.

I was gonna give them the benefit of the doubt because "Miguel has fresh trauma!" "He only shows up for like 10 minutes!" "insert 3rd reason!" for his drastic change in demeanor and personality, which, without context, are valid reasons for him to be a little different. trauma fucks you up man. we only see 10 minutes of him. but at this point im chalking it up to complete incompetence

it doesnt take that long to read a comic book guys. you could have done a little research, I know you can do it.

first off:

[6th image id: Miguel's SPIDER-SENSE goes off! He races to the edge if the building and peers into an empty alley -- /end id]

LMFAO WHAT THE FUCK DO YOU MEAN "SPIDER-SENSE"

Unless you didn't get the total of TWO jokes that they made in ONE scene (the vulture fight scene), Miguel doesn't have a spider sense. at all. He has elevated senses, but he doesnt have a spider sense.

guys

guys.

you made TWO jokes IN A ROW about it. YOU WHACKED HIM IN THE HEAD TWICE WITH IT. HOW DID YOU FORGET

I cant help but laugh! this is a rookie mistake! these are seasoned writers! They could have done at least a little research, or at least remembered that he doesnt have one, no? is it that hard? or does his lack of a spider sense only matter when you're making fun of your least favorite character? thats what I thought.

this one is less funny. not to sound like a stereotypical comic nerd but this infuriated me a little bit I'm not gonna lie.

[8th image id: tumblr user @/darksidecorner reblogged tumblr user @/spiderxpawz with:

They definitely didn't

a screenshot of the script reads:

AN INDUSTRIAL TANGLE OF HUGE PISTONS -- the literal DARK UNDERBELLY that undergrids Miguel's bullshit Utopia.

Miles doesn't know where to go... but he doesn't need to: SOMEONE YANKS him up into the safety of an alcove.

the user then continues:

This in particular made me PISSED because they quietly canonized that Miguel is CEO of Alchemax while conveniently ignoring that he did everything in his fucking power to BETTER Neuva York. Downtown wasn't built by him. It was built by people WAY before him.

I can excuse and defend some comic deviation, but THIS? Holy FUCK /end id]

I honestly cant tell if I find this part funny or pathetic because seriously. he did not do this. why are you blaming him for something he had nothing to do with. i dont think he decided "hey i should build a city for rich people over poor people because reasons" when he was like... not even alive. Alchemax did this before he was even sentient. it had always been this way since he was born. he also actively hated this decision. because he actively hates alchemax.

but right MIGUELS bullshit Utopia yeah HE did this that EVIL LITTLE BABY i cant believe him

kill me.

In conclusion:

I. . . Don't really know, to be honest. I'm still processing all this. I am genuinely disappointed and upset because this isn't okay. It never will be, and if it takes yet another blunt essay with absolutely no filter for people to understand it then so be it. I don't care if this comes off as mean. This is something I feel qualified to talk about and I will express my disappointment and anger if I want to.

All of the posts I reference I have reblogged within the last 24 hours of making this post, they shouldn't be that hard to find, but if you want the links to them here they are:

https://www.tumblr.com/spiderxpawz/735344322114977792/live-mexican-reaction?source=share

https://www.tumblr.com/404-505/735289664739606528/they-couldnt-write-miguel-as-a-drug-addict-so?source=share

https://www.tumblr.com/transmiguelohara/735289238625648640/cant-believe-the-writers-have-the-same-reading?source=share

if you want your image to be removed or for your link to be removed just ask and I'll do it. but currently im kinda bummed out and tired.

goodbye.

[armed-with-a-waffle-iron]

Stephanie Brown ACTUALLY having the character arc that fanon pretends Jason Todd had (plus a defence of canon Jason)

What I'm really saying is that Stephanie Brown is underappreciated, Jason Todd is often misinterpreted, and, though it should go without saying, ignoring canon is poor media literacy. So let's actually analyse canon and get to the bottom of what the stories are trying to say and how they use their characters to tell this, as opposed to just which character should we stan.

I'm arguing that Stephanie Brown's story actually features a redemption arc that sees her transform from a violent, almost murderous teenager into the most unwaveringly hopeful of heroes and that Jason's story is about a villain who we're meant to empathise with to expose the cracks in the Batman's heroic facade; a Frankenstein's monster if you will. Here's a numbered list:

Part 1: Outgrowing Violence, Anger and Murder

A big part of Stephanie Brown's growth in canon is her learning not to kill or use excessive force. But it's not as simple as just killing is wrong, don't question it.

Let's begin with the narrative's relationship to violence, anger and murder. Why doesn't Batman kill? Because "[those] who [fight] with monsters might take care lest [they] thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you". If he kills, he's playing god, choosing who gets to live and die. No one deserves that kind of absolute power and absolute power also corrupts. Batman doesn't want to lose sight of himself or his cause. Deliberate murder is treated VERY negatively in the Batman mythos.

Enter Stephanie Brown.

Stephanie was a working class latchkey kid who grew up on the wrong side of the tracks. She had an abusive, criminal father, who was in and out of jail, and a mother struggling with addiction, who Steph became a carer for at just 15. Steph also became pregnant with the child of her horrible ex. At 16, she gave birth to that child and had to give her up for adoption. Steph is also a survivor.

The world was never kind to Steph and left this teenager with a hell of a lot of bitterness and rage which her vigilante career became an outlet for. You can tell by the way she fights since Steph fights DIRTY; she'll tug hair and spit in your eyes and strike below the belt and catch a kick to twist your ankle and dislodge your already broken nose. On the one hand; the narrative tells us Steph is resourceful. She's 5'5", 130 lb and has zero powers, but can always find an opening even when going up against Gotham's grizzliest. It's telling that quick thinking, savviness and spontaneity become her thing when she becomes Batgirl; Steph is the wild card. On the other hand, she was a real diamond in the rough and a complete loose canon. In her first arc, it's Batman who stops her from making the biggest mistake of her life; killing her dad. To deliberately kill; to play god, is to lose yourself, remember. Her first arc is about not being defined by who your parents are and about not giving up on yourself. Batman basically tells her, there's hope for you yet Stephanie Brown, by getting her to spare her dad. And she does. And so began her superhero career.

Nonetheless, it's never that simple. Steph is still a bitter, angry teenager, no matter how many jokes she cracks. It becomes a personal crusade when she, now Robin, discovers that The Penguin is using children as runners. It takes Cassandra Cain to stop her from inflicting anything she may regret.

The narrative wants to show us how cruel the world can be and that it isn't black and white, either. The story ends with an angry Stephanie lamenting "why". It's a "why" she is asking herself too. Why does she do what she does? And it informs us that she, and maybe us the reader too, still have a lot to learn. Murder's not the answer but what is?

Stephanie later saves Bruce by almost murdering serial killer Victor Zsasz. Bruce reprimands her and she cries, quite honestly, "I don't get it, I really don't", following on from where we left off in Batgirl. "There are always other options than to kill" asserts Bruce, forget not being on the same page, they're reading different books. The thesis of the story is what Bruce should have told Steph when she was an angry 15 year old about to murder her dad; "[those] who [fight] with monsters might take care lest [they] thereby become a monster". The world's cruel, Steph, but that doesn't mean you have to be too. "Are you firing me?" "No, I'm teaching you".

Over 2 years down the line, an around 19 year old Stephanie, establishing herself as the new, hoping-inspiring Batgirl, is now teaching a brash Damian Wayne what she's learned.

"To murder or not to murder" is just a plot device to the themes of overcoming your own anger at the world's cruelty to contribute good, coming to terms with shades of grey, not giving up on yourself and staying hopeful in the face of adversity and horror. These are Stephanie's arcs and as a consequence, she goes from would-be-murderer to Gotham's cheeriest caped crusader.

Part 2: Double Standards and Second Chances

Another huge part of Stephanie's story is her overcoming double standards and doubters, to earn her own second chances. Her resurrection and rise to the role of Batgirl were choices made to hammer home this theme; it's never too late to turn things around.

There's some juicy metatext to analyse here too. DC editorial's treatment of Stephanie during War Games was horrific and panned by both fans and writers. To reperate for these harms, Steph was retconned back to life and then made Batgirl during Batman: Reborn. Here's a quote by Batgirl (2009) author Bryan Q. Miller on what his run aimed to bring out of Steph:

The whole point of Stephanie's resurrection and take over of the Batgirl title was to give her a redemption arc.

In text, Stephanie was unfairly treated too, notwithstanding that she was brash and had a massive violent streak in her Spoiler and Robin days. Tim Drake constantly condescends her and tells her to give up vigilante life, even though she was ALWAYS a match for Tim according to Convergence: Batgirl. Cassandra Cain constantly underestimates Steph. Bruce Wayne tells his allies to cut off ties with Steph and then later fires her as Robin for DISOBEYING HIM as if that's not the first thing Dick Grayson ever did as Robin. Barbara Gordon tells Steph she has a death wish. Dick deems Steph too reckless (moments before he resurrects a zombie Batman). And Damian is an entitled brat who gives her a hard time for no reason. Everyone doubts Stephanie and it generally says more about the doubter than it does Stephanie.

Stephanie was never great with authority or criticism so she still went out there and earned her second chance. And it felt rewarding when her doubters came around too.

Stephanie was brought back from the dead to be redeemed and man did she take that chance!

Part 3: What is Jason Todd's Story Meant to Tell Us and My Defence of Canon Jason

Jason Todd returns from the dead as a ghost of Batman's past; he is the living embodiment of Batman's greatest mistake who couldn't stay buried and is back to haunt him. He's a character we are meant to empathise with but he's a villain nonetheless. He's not irredeemable but for the most part his story is not really about redemption. Succinctly, it revolves around the idea that "we are each our own devil, and we make this world our hell” to quote Oscar Wilde.

When we first meet the resurrected Jason, he's a cold-blooded murderer who's slinging guns and using The Joker's old moniker. These choices are made to emphasise that he went down the wrong path; he's breaking Batman's "don't play god" rule and his actions become eerily closer to those of the Clown Prince of Crime than Batman's. In fact Nightwing and Batman spend some quality time together in the next two issues because Nightwing is the foil to the Red Hood; he's what Bruce considers his greatest success. Remember that thing about "those who [fight] with monsters might take care lest [they] thereby become a monster"? Well Jason DID become a monster. And if he's the monster, then Bruce Wayne is Frankenstein.

We're not supposed to think "yes, kill the The Joker, Jason", we're supposed to think "good god, please Jason, it's not too late to turn your life around". Here's Dick and Jason being the exact opposite of each other, an issue apart.

So what was Jason's villainous return trying to say? For one, that people are the products of their circumstance, lest we forget Jason was once an eager and studious Robin who just wanted to be part of something greater when life, but specifically Bruce, sent him awry. This is also a story about Bruce which tells us says that our mistakes have consequences that don't stay buried, and that we will always be forced to reckon with our histories or it becomes everyone's problem. This next panel shows this best. All of Jason's killing and torture and fear-spreading and chaos does not come down to some "murder or not to murder" debate, it comes down to his relationship with Bruce. He is the monster that Frankenstein created who's back to haunt him and no one is safe.

Jason's initial Red Hood arcs were never supposed to pose the question "should Batman kill The Joker or not?". The answer is no and always has been. They are supposed to show us how Bruce's poor fatherhood of and partnership with Jason Todd led to all this horror. And Bruce can't turn back the clock, he has to reckon with the consequences of his actions in the present or more people will get hurt. It's significant that these first arcs don't end with Jason returning to the manor and seeking help surrounded by family.

We then see Jason and his issues with Bruce threaten the lives of others like when he beat Tim half to death twice, tried to blow up Mia Dearden and then tried to become a murderous, gun-touting Batman after Bruce's "death".

Once Dick Grayson becomes Batman, the narrative sheds a bit more light on how Bruce's Frankenstein created a monster in Jason; Bruce wanted Jason to be another Dick Grayson.

The red hair is a perfect metaphor. Jason is naturally red-haired and he is now balding because Bruce made him dye his hair black so he'd look like Dick as Robin. That sums it up for me. Bruce really created his own demon here and Dick, as the new Batman, is trying to make amends with the sins of the Batman's past. Jason's a great choice for a Dick Grayson villain because of their histories, considering Dick Grayson is the legacy Batman.

"I tried really hard to be what batman wanted me to be...which is you." Jason tells Dick.

That line is so painful and way more recognisable and relatable than anything fanon has produced.

"But this world...this dirty, twisted, cruel and ugly dungheap had...other plans for me."

Look no further, this is who Jason Todd is.

That's a powerful story if you ask me, and this is why I like Jason Todd as a character; a villain I pity deeply, who is portrayed as a product of their circumstances without diminishing their agency and who makes me see the cracks in the hero's facade because they are the monster our "hero" created. He's also a very nuanced foil to the ever-shining light that is Dick Grayson. The appeal to Mary Shelley's Frankenstein isn't that the monster murdered people. I also would never swap canon Jason out for, I dunno, Wayne Family Adventures Jason who's the amalgamation of 3 or 4 common fanon tropes. This is my two cents.

[rriavian]

So I'm sure this point has been made already but something I really enjoy about the Corinthian (specifically in the show as I haven't read the comics) is that the entirety of season one is just him finding increasingly elaborate ways to avoid interacting with Dream.

And I love it because it's the smartest thing he could have done.

Desire technically does something similar but that's a different point. Typically the 'villain' plots to have at least one moment to gloat over their fallen enemy. Arguably we should have seen this in episode 1, once Dream is trapped, because it's the perfect moment for the Corinthian to saunter down to the basement and be like 'haha I've just told Burgess all of your secrets and I'm going to leave you here in this glass cage I told him to build'.

But the Corinthian doesn't do that.

For an antagonist that enjoys indulging in his vices the Corinthian shows impressive impulse control when he chooses to. He keeps away from what is perhaps the biggest temptation of all.

There is so much I could say about that specifically, but I might come back to it another time. The point is that even though there shouldn't really have been any risk the Corinthian leaves as fast as he can, hoping to never come back, and while I'm sure he felt tempted to taunt his creator he never does. Then when Dream is free the first thing he does is try and get someone else to confront him, and when that doesn't work he follows Ethel to where John is. But the Corinthian only interacts with him enough to make sure he's on his way to the ruby, doesn't go with him, because he's not interested in getting caught up in the battle himself.

And the Corinthian doesn't even want to make it obvious he's helping at all.

Yet he's still prepared. Though the Corinthian only acts when Dream is free he still knew exactly where to find Ethel, who she was, what she'd stolen. That confrontation may have sent him back to the Dreaming (arguably the first time the Corinthian indulges a little of his urge to taunt though he only says he'll fight Dream if he comes after him, not that he's already making a move) but Ethel's amulet doesn't really do much to slow him down.

It's a near miss for sure.

It could have put him directly in Dream's path if timings had been different but the Corinthian doesn't lose his cool. In fact, as soon as he realises Dream isn't in his realm he slyly starts seeing how much information Lucienne might tell him. Her neutral greeting already made it clear she wasn't outright suspicious of him. It's a great scene!

(Again I could ramble about it.)

The Corinthian knows that he doesn't have the power to defeat Dream himself but he's smart enough to consider what else he can do. He knew enough about how to hypothetically keep Dream trapped to the point of advising Burgess on it, had obviously thought about it, and crucially ended up being right. Diving into the second half of the season would make this post way way too long, but the Corinthian is still trying to play things from behind the scenes, figuring out who else he can use to attack Dream.

He spends the whole season trying to stay hidden and at no point did I think it made him seem weak.

Alongside all else he is the Corinthian is shown to be methodical, patient and calculated. Realistic. It's a really nice demonstration of character for them both - for him and Dream - the Corinthian understands how powerful Dream is and never lets himself forget it, which means we as the audience never forget it. The inequality in power is built into the story, he constantly treats Dream as the biggest threat, someone who could wipe him out of play if he revealed himself. It makes for a very satisfying antagonist, one who actually seems to use their brain, because the Corinthian knows exactly what he's up against.

And it shows how terrifying Dream is to his enemies.

Because he's the antagonist of the Corinthian's story. One the Corinthian refuses to give in to, rejecting every opportunity he might have had to manipulate his way back into Dream's good graces, to return to the Dreaming with the rest. While I do think the Corinthian believed he wouldn't be forgiven no matter what, I still love how he stands by his own convictions, and though there are similarities with Gault I find his reasoning more complex and compelling. However we might consider the morality of both characters, however we might weigh the merits of their perspectives, from the Corinthian's point of view Dream is very much the villain. And he isn't an easy one to defeat.

The best chance anyone has against him is to run, to hide, maybe try and delay him with a trap if circumstances permit, but you better hope he has better things to do then give chase.

The Corinthian doesn't try to fight him.

Instead he does everything he can to stay out of Dream's way right up until there are no other options.

[professorspork]

thinking about how when Jaune described how everything went wrong, he kept saying "we." meaning their entire traveling group, himself and the Cat. Whatever [the Herbalist] said to her, she wasn't the same after that. She lost all trust in us. Started accusing us of things. The more I tried to get the story back on track, the more she distrusted me.

thinking about how after Jaune was poisoned, Juniper took him to the Paper Pleasers to recover somewhere safely.

thinking about how Jaune told everyone he doesn't trust the Cat because of the Cat's role in the Ever After. He says: I figured it out later, when the Cat came back to me once Alyx left. When people lose their way here, the Cat... convinces them, somehow. Either to keep performing their role, or to go to the Tree and get a new one. The Cat calls it "healing," but. It's manipulation. The Cat was never helping Alyx, or you. Their purpose here is to feed the Tree. To keep the cycle going.

thinking about how the Cat may have earnestly believed Alyx could just take them to Remnant, without using anyone as a host... and maybe when that turned out to be wrong, finding Jaune vulnerable post-poisoning and having whatever chat they did was their first attempt to do exactly what they ended up doing to Ruby/Neo. one they must have been subtler about, because Jaune still thinks of the Tree as the ultimate villain and the Cat as its agent, rather than the Cat going rogue from the Ever After's rules.

thinking about how I can't actually know that for sure because it is ENTIRELY UP IN THE AIR what happened to Alyx and Lewis

[cassafrasscr]

Not only is Lilliana full of shit... I think (at least subconsciously) she knows she's full of shit.

Here's thing #1. She claimed in the most recent episode (C3 E92) that she didn't become aware of the heinous crimes committed by the Ruby Vanguard until recently.

If she only just learned that Ludinus' plans involve doing some seriously evil shit... then why would she insist that she's the only one capable of curbing his worst impulses?

Really, Lilliana? If you know Ludinus is doing bad things, and he would do worse things if you weren't around to reign him in, you can't claim ignorance as an excuse for your involvement in his plans.

#2. If you don’t think Predathos is dangerous to mortals, why would you have spent the last 10 years in Imogen's dreams telling her to run away? Why would you be so afraid for Imogen the first time you noticed her attempting to commune with Predathos directly?

I guess it could be argued that communing with Predathos could draw Imogen further into what Ludinus is doing. But even then... if Predathos is really the one in charge, and is just manipulating Ludinus, why not just ask Predathos directly not to involve Imogen in its plans? Does Predathos not care about harming its Ruidusborn children? Do you think Predathos would lie to you, even though you claim to know exactly what it does and doesn't want?

Lilliana KNOWS that the Ruby Vanguard are committing enormous harm to normal people. She KNOWS that Predathos is dangerous to mortals.

As Lilliana herself has said... she's in too deep to back out now. Or at least, that's what she believes. She's spent AT LEAST 10 years (probably longer) following Ludinus and fighting for his cause. She gave up her life with her husband and daughter to pursue this. If she leaves now, all that time and work and pain will have been wasted.

Not only that, but the idea that this mission she's given up her whole life to pursue might be a lie? Lilliana has made this cause her entire life and identity. Imogen and her friends aren't just challenging the plan. They're challenging everything that makes Lilliana who she is as a person. If her cause is a lie, Lilliana herself is a lie.

Plus, the thought that the plan she's been fighting for has already done immense, irreparable harm to thousands of people across Exandria AND Ruidus... and threatens to do even more damage still? It's unbearable. She thought the cause she's devoted her life to and sacrificed so much for was just and beneficial. Now that she's being challenged by someone she loves (her daughter) with undeniable evidence to disprove that idea, she's trying to double down. She can't process the thought that not only is she the villain in someone else's story... they would actually be right to think of her that way.

All this is to say: I think a big part of why Lilliana is such a frustrating, infuriating character... is that she's actually a pretty realistic depiction of a member of an extremist cult. The problem is that deprogramming from those patterns of thought and behavior takes a long, long time. Time that Bell’s Hells may not be able to give her.

(All the negative feelings about Lilliana are, of course, valid. She also makes me Big Mad, lol, especially after the latest episode. That said, she's also a very interesting and compelling character... based on all the meta I've seen written about her since last night, anyway. Good job, Matt Mercer! 😂)

[epickiya722]

It is so crazy to me how some people are quick with the slander and calling Shoko a "villain" and acting as if she doesn't have a single ounce or emotion in her body.

Let's be real, if Shoko was screaming and crying they would have called her annoying. I bet they want her to be "more emotional" just so they can slander her that way but given she's not doing that it's "she's a villain because she doesn't care".

Look, I like Gojo, too but HIS WORDS YOU'RE GOING TO FOLLOW?! He's a good guy. But do we not remember who he is?!

In 220, this is Shoko.

Meaning, this whole time maybe Gojo never thought to talk to her after the situation with Geto. Oh, but he's "annoyed that Shoko wasn't against" his decision for Yuta to use his body if he dies, but...

One, knowing Gojo, he probably didn't mean those words and knew that Shoko knew there would have been no winning battle with that one.

Two, Shoko is going to be the same person who later had to snitch that body together and transplant Yuta's brain into it. If anything, Shoko was emotionally and mentally preparing herself for that. She "not caring" is her way of trying to process "I may have to do this horrific task".

Here's a couple of things to consider.

People like to bring up how she acted in Shinjuku when she met up with Geto.

She may not have been close as they (Gojo and Geto) were to each other, but she was there. She was often separated from Gojo and Geto and it wasn't like she had a choice, but she did hang out with them when she could. You think she was really okay with Geto deflecting? No. She just didn't act out because here's a guess, she knew there wasn't any way to convince him otherwise. Hell, Gojo wasn't able to change his mind.

And even if she could have changed Geto's mind, he would have probably still been executed.

She doesn't care? Way back in the beginning, Shoko comforted Yuji after the confrontation with the transfigured humans. She wasn't even in the same room and told him to not think it was his fault because it wasn't. She told him this through the phone. She didn't have to look at his face to know how he was feeling.

In the movie (JJK 0), Shoko was seen taking care of the injured sorcerers and expressed anger because Geto indeed cause trouble for everyone. She wasn't okay with any of that!! We see her walk out the room when they have that meeting about Geto, but we don't see her face. No doubt, she was holding back tears.

She picked up smoking again in the Shibuya arc being stressed out from everything. She had to keep herself together!

Shoko isn't devoid of emotion. She has to keep a tough exterior, she has to have a hard shell. Everyone else had shown to do the same thing, but I don't see anyone slandering them.

Gojo had to keep it together in Shibuya as people were dying right in front of him, but y'all seem to understand that. No slander on his name for it, huh?

Also, Shoko is a doctor. If anyone has an up close experience with death it's her. Imagine the number of bodies she has had to see right in front of her. Colleagues, friends, her fucking teacher!! Everyone around her is dying and she has to see it right in front of her eyes!

That woman ain't getting proper sleep! She had to wash blood off her numerous times! She has to keep herself from breaking down so she could do her job!

But she's the villain?

The same fandom who is so quick to be horny for the actual villains is calling Shoko a "villain"?

Wow, the audacity. But I expected it.

[icedragonlizard]

Headcanon: Magolor hosts late-night slumber parties inside the Lor Starcutter

Magolor's sleep schedule is... not very consistent, to say the least. There are several nights where he struggles to sleep, and so during those nights he'll reach out to someone to hang out with inside Lor.

... The people that accept the invitations are other villain-turned-dream-friends. They don't mind staying up late for such a thing!

Marx, Daroach, Taranza, Susie, Francisca, Flamberge and Zan Partizanne have all participated in Magolor's Lor slumber parties.

Of course, never all at the same time. But one of them may show up! Combinations of them may show up! Magolor appreciates it either way. He likes the company regardless, no matter if it's only one other person. He just considers the slumber parties to be incredibly fun!

The things that happen in these slumber parties include: pillow fights, drinking, playing extremely unhinged games of "truth or dare", having the Lor blast music, and having the Lor troll whatever group is inside for the night. There's more things, but these are the biggest ones, and I think you might get the general idea here at this point!

Typical slumber party stuff! They get very competitive with the pillow fighting, by the way. It's enriching for them to be competitive about it.

It's typical unhinged college-age young adults in their 20s having stupid unhinged fun here. That's more or less what this is.

Well... actually, I headcanon that Daroach and Zan are in their 30s in human years, but they still join in on the fun anyways, and everyone else that's mentioned here I interpret are in their 20s in human years.

These parties can range in time. They've done it as early as midnight, but they most commonly happen between 2 to 3 AM, and can even happen as late as 4 AM. The vast majority of people in Dream Land are well asleep at those times, which is of course where Magolor and the Lor claim as their home. And... uh, the slumber parties in the Lor can get pretty damn loud, especially if music is being played.

Don't be surprised if there's incidents where someone gets woken up by this shit and tells the group to quiet down, LOL.

The Lor herself enjoys these parties. She has a sense of humor similar to Magolor's, and so she loves doing these things at like 3 AM, not really caring if it disturbs the sleep of Dream Landers nearby.

Unfortunately, it's not very common for the groups in the slumber parties to be big in size. Susie and the mage sisters don't live in Popstar, and so they're only capable of participating in this thing whenever they come to vacation on the star-shaped planet.

Marx is the one that participates the most often by far, and there's many nights where it's just the twosome of Magolor and Marx. That's perfectly fun enough! They're best buds and enjoy these late nights.

Taranza can come by relatively often for these parties, since Floralia is still within Popstar and thus not a very far distance, but he doesn't get along with Marx and so those two will not show up for the slumber party at the same time. It's one or the other in that case.

Daroach also enjoys coming by quite a bit. While Magolor and Daroach enjoy stealing from each other during the day, they'll be more chill during the night and have a drink or something.

It becomes exciting when Susie or the mage sisters take a vacation on Popstar to be able to participate, and it becomes ESPECIALLY exciting in the occasion that Susie and the mage sisters vacation at the same time. That's indeed happened before, and oh boy do the slumber parties in the Lor get pretty big and fulfilling at that point.

I'll mention though that there are 100% nights where it's the threesome of Magolor, Susie and Taranza inside the Lor, because wave 3 trio sleepovers deserve to happen. And there's nights where it's a threesome of Magolor, Marx and Francisca, because Marx and Fran are close buds alongside Magolor. And there's other combinations existent for the parties. Lots of combinations like I said!

The spiciest slumber parties included Taranza, Susie and all three mage sisters. When the party got that big, it was nuts! It was incredible. So much unhinged fun was being had there. Six childish adults having ridiculous pillow fight competitions and some of them 100% got drunk in the end. They were all a damn mess when they woke up in the morning, LOL. But it's not like they care, they had fun!

Now you may be wondering how Magolor pulls this off nowadays when he runs an amusement park? It's alright, there may be occasions where he closes Merry Magoland for the day to chill out. He can use those opportunities for slumber parties. He can also take advantage of days where the park needs to close because of bad weather or something. The slumber parties did become less of an occurrence when Magoland first opened up, but they still happen sometimes! It happened a whole lot before Magoland first opened, though. A lot of these guys have fond memories of these parties.

Thanks for reading! Magolor is a fun-minded bro that's had a pretty ridiculous sleep schedule for many years, and so he used his messed up sleep schedule as a chance to host these silly parties in the Lor.

[shera-dnd]

Well with the final Suletta sunday I guess it's a good time to do one last bit of thematic analysis and symbolism

There were no actual tomatoes this episode, so I think it's time we address the core theme those tomatoes played into

Choosing Love

Because in the end that's what saves everyone. It's why even our hated villains get to live.

Because when everything went to shit and they could have all chosen anger or despair, they all chose love

Prospera and Suletta, Ericht and Suletta, Lauda and Guel

They chose to love and live and be together as family

Because love here isn't just the romantic love Suletta and Miorine have for each other, but familial love, and the love between friends too

That love comes together as all the gundams join Callibarn at the end (plus Elan's love for Suletta) and release it all in one crowning moment

A gigantic blast of gay rainbows. A love so strong it overrides that super weapon and shuts it down

Lets not fucking forget the ghosts stored in the data storm. All of those who died to the gundam curse returning one last time, as their memories are allowed to live on

All those who our protagonists lost, but that are still with them. The memories of them helping them fight on

It's those memories that let Suletta surpass Permet Score 8

But like Sophie said, Gundams are weapons of war. They're meant only for killing.

And once again they choose love. They decide that if Gundams can only exist to harm, then Gundams shouldn't exist at all. The Mobile Suits, Quiet Zero, every weapon disintegrates, leaving behind the thing they truly wanted Gund Arm tech to be

Medical technology. Something that exists with the sole purpose of helping people.

Love may be stored in the gundam, but with them gone that love is allowed to be free again

Of course the mobile suits disintegrating is also meant to parallel the benerit group falling apart, because guess what Suletta isn't the only one going for that thematic consistency

HER WIFE IS DOING IT TOO

Miorine could spend years using her financial power to fight the other companies or made a big show of making donations to Earth, or "helped" in a myriad other ways that still kept her in power as the head of a mega corporation

But what did the bitch do? She dismantled the company and sent all the assets to earth, so they'd be able to rebuild and flourish without becoming dependent on her company's good will

Because guess what choosing love is choosing vulnerability. Choosing love doesn't mean shit if you're still holding power over others around you. They chose love and that means choosing to let go of that power

No money, no death robots, they don't need the power, they don't need control, they just need to help others in whatever way they can

Considering that clinging to control and power has been a very common recurring trait among our villains, this was genuinely the best way this could have gone

And so they all get to live, in a world they built together, a more peaceful world. Because they made their choice

WAIT HOLD ON THIS MIRRORS HOW THE HOLDER THING WAS TAKING AWAY CHOICE FROM MIORINE AND NOW-

Okay I'll stop. I could write a god damn thesis about this show, but I think this about covers things

Love me a show about being hopeful and full of love and joy in a world that expects only bitterness and spite

[jaimexbrienne-fic-finder]

Wedding

May is Wedding month, so here are stories about weddings! Some are only about a wedding, some just have a bigger part about a wedding. There are lots more I can't remember right now, if I think of many more there will be a part 2!

Found Wanting by dreadwulf

Brienne is still convinced that the entire affair is a joke on her. Surely there is a real bride somewhere in the castle, who will be brought out once the crowd has had a good laugh at the cow in a satin gown. When she said as much to her intended, he said it was surely a joke on them both. Let them laugh, he said. What’s funnier is that Queen Daenerys made the match in the first place – she must have thought them intolerable to one another. The Beauty and the Kingslayer. Surely Brienne could see the humor in it?

Something Drastic by bearsofair

Brienne ducks out of a wedding reception early. Her "date" comes looking for her.

the battlefield between us (isn't here tonight) by robotsdance

“I missed you, ” Brienne says like she’s admitting something else, and Jaime wants to say it back to her in exactly the same way: loaded with all of the things they’re not saying. Let that truth settle between them, unsaid but at least somewhat spoken. That could be enough. To share that quiet understanding with Brienne, here, alone together in the middle of the woods, in the middle of a war, in which one of them will be on the losing side. That could be enough. I missed you too.

Brienne would understand.

What Jaime says instead is “Marry me.”

The Lion, the Wench, and the Wardrobe Trailer by GilShalos1

Jaime Lannister’s entire acting career has been built on playing reckless cads and heartless villains – ever since a scandalous death on his first film, Kingslayer, was quickly hushed up at his father’s behest. Nearly fifteen years later, acclaimed director Olenna Tyrell has announced her retirement: after one last film, Oathkeeper, inspired by the mythic story of the Long Night. She wants Jaime to do what he does so well, play into his on-screen persona and off-screen reputation, and be a villain for the ages in her final film. But to make sure his infamous ways don’t interfere with production, she requires his personal assistant to keep him on the straight, narrow and sober. Brienne Tarth, in her first job on a film set, finds herself tasked with keeping the impossible Jaime Lannister under control …

Something Blue by Aviss

Jaime Lannister was a wedding planner, though he sometimes missed his old job where he was actually allowed to kill people. Ten minutes with his latest clients and he was already convinced they should not get married. He wasn't a marriage counsellor though, he wasn't invested in this Hunt and Tarth wedding beyond the planning of the ceremony.

Never A Bride by CourtingDisaster

(Modern AU) Wedding bells are ringing in Westeros. After an unpleasant first meeting, Brienne and Jaime find themselves being thrown together over and over as their friends and family marry off. After all, as Tyrion likes to point out, there really aren't any other groomsmen tall enough to escort everyone's favorite bridesmaid...

Over the course of several weddings and receptions, Brienne and Jaime form a sort of truce, perhaps they even become friends. But Brienne isn't going to let the atmosphere of romance carry her away, no matter how handsome Jaime is...is she?

Vows by theworldunseen

Jaime Lannister profiles the most interesting and romantic weddings in the country for his super popular blog, The only problem? His own heart has been stomped on, and it might have ruined weddings for him forever. When he finds out about a woman who’s going to be in her twenty-seventh wedding party, he thinks writing about her might be his way back to loving weddings. But Brienne Tarth isn’t anything he ever expected.

What happens in Sunspear (doesn't) stay in Sunspear Series by Luthien

Brienne wakes up the morning after a night on the town in Vegas Sunspear, with unexpected company in her bed - and that's just the first surprising discovery she makes.

My Best Friend's Wedding by wildlingoftarth

A desperate Brienne hires a “professional party date” to accompany her to Renly’s wedding on Tarth. It’s just a weekend – what could go wrong?

so keep me close. by SeeThemFlying

Brienne pines for her husband, Jaime, who she is convinced is not madly in love with her.

[ashlayan]

Overworked

I'm late but happy bday Horropedia 🥺🫶🏻

Tw: SFW, written with a fem reader in mind, a smol amount of angst followed by much fluff.

Pairing: Horropedia (Joshua) x reader.

May this year witness the freedom of Palestine 🇵🇸🇵🇸

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Work in the Foundation was usually fine, the fact you were a Supervising Field Agent usually meant you got assigned, well, interesting field work. But sometimes the higher ups would demand evidence to backup your mission report "Claims", be it for a trial, or an open investigation, and you would need to spend all nighters sifting through both your and your subordinates' files, as well as archived news articles, archived books, archived tapes, or really anything that could be of use.

To say all that left you mentally exhausted would be an understatement.

More than anything, it makes you yearn to finish up work quickly and go home for a hot bath and indulge in your guilty pleasure: Romance Stories.

You're pretty sure anyone of your colleagues hearing about that hobby would be more likely to think they're being pranked than actually believe it.

You, who worked hard and rose quickly within the ranks of the foundation, despite your young age.

You, who thanks to your constant networking and relentless hard work, was the youngest to be awarded with the title of Field Supervisor, bar Vertin of course as she's the Timekeeper.

Exactly why, when asked, you would usually give the far more acceptable "Tennis" as an answer. Really at this point only very few people have any clue about your obsession, and only because they were your classmates back in your more innocent and naive school days. People like this fool who came unannounced, sitting uninvited on your office couch, thoroughly distracting you from your urgent task.

"And then, we're thinking the main character would be revealed to have actually been the real villain all along! Like the serial killer will still remain a separate person, but the way Blonney's thinking of doing it is making Jessica turn out to be even more terrifying!! We'll drop hints throughout the film and-"

And so he goes, on and on. He even stands up and starts pacing as he bothers you further.

You want to groan. This annoying, silly, helpless, cute, sweet, adorkable fool.

"Aren't you supposed to be grounded?" You say deadpan, "What are you even doing here?"

Horropedia stops and turns, facing you properly, "So you can talk!" He practically cries out with mock shock, his face a mask of "disbelief". "Here I thought you'd gone mute, turns out you were just ignoring me." He says as he walks over and plops down on a chair facing your desk.

You roll your eyes refusing to play along. "Some of us have work to get done, Joshua. We're not children anymore, it's high time you start acting like an adult and quit those silly, childish stories."

"Oh?" He says smugly, but you can tell you've definitely hit a nerve by calling him Joshua instead of his preferred nickname. He then proceeds to take a long look around your office, craning his neck this way and that.

You're not sure what he's planning but it can't be anything good.

"Bingo." He says just under his breath as he stands back up and heads for the cupboard you use as a make shift file cabinet. You tense slightly but remind yourself to keep a cool and aloof facade.

He places one hand against a compartment's door and asks: "So then, there isn't a hidden stash of silly, childish romance novels right in here?" He asks, tapping a finger against it.

Go big or go home. "Please, I outgrew that nonsensical hobby ages ago, do you honestly think I have the time to-"

Horropedia then grabs the door handle without permission and proceeds to yank it open-

Or he would have if the door wasn't locked shut. It doesn't even budge.

You smile smugly. "Did no one teach you going through people's belongings is bad manners?"

"Coming from the person who used to steal from my candy stash? I don't wanna hear it." He says dismissively, now focused on intently staring down your cupboard's lock.

You blush, because he's bringing back embarrassing childhood memories of your's, definitely not because he looks really hot when he stops being a lovable goof, or because of the way the light hits his side profile just right and he looks so serious in a rare picturesque way-

You snap yourself out of your reverie just as he brings something out of his utility belt, you blanch when you realize what it is.

"Seriously? Lockpicks? Who goes around carrying those?! Wait- is that how you got out of confinement?!"

Horropedia ignores you and gets immediately to work.

You spring up and rush towards him, only to arrive a second too late as he opens the cupboard with a dramatic flourish, revealing far too many books with cutesy artworks for covers, some with even more tantalizing titles. In fact, their were so many that they proceeded to slide down and out of the compartment, forming a sizeable pile on the floor.

Your stash now exposed, you do the next best thing and head straight for the open office door instead to shut it. This however is far from ideal.

You turn around slowly and as expected, the dork is giving you and adora- Infuriating smirk.

"How. How did you know they were in there-"

"Relax Short-Stuff, I just know you too well." He says, almost preening with pride at his "accomplishment".

You frown, "Don't call me that."

"Don't call me Joshua." He fires back.

You don't reply, and instead take a silent step towards him, then another.

Alarm starts bleeding into his expression, as he himself takes a step back while throwing a glance at the closed door behind you, no doubt gauging the distance in case you decide to attack.

Instead you ignore him and bend down to start gathering your precious but embarrassing treasures.

"What was that about knowing me so well?" You say offhandedly.

"Well- you used to tackle people who pissed you off so- I mean- Forget it."

Now with you both feeling defeated, he bends down to help you gather the books and says: "When do you even find time to read all of these? Everytime I see you you're either writing a report, heading to a mission or coming back from one."

"The car rides are usually pretty quiet, I can read them in peace as long as I hide the covers." You say without looking up.

After a moment of Horropedia not saying anything back or moving to help you, you look up.

"What?" You snap. You know that look, he's judging you. "If you have something to say say it."

"No, no, it's not like that I just... Do you ever get any rest? I'm pretty sure you even work weekends, and I heard you do volunteer work too. This isn't healthy is all I'm thinking."

You blink. Well yes, he does have a compassionate and sweet side too, it's usually hidden by his general tomfoolery though so you tend to forget about it. You also didn't expect him to be keeping an ear out for news about you, it's not like the two of you chat all that often either. You're caught sufficiently off guard that you now have your mouth hanging slightly open with no sounds coming out.

"Earth to (Y/N), you there?" He snaps his fingers a couple of times, and when you're still silent he sighs and continues gathering your babies- your books, and springs back up to stuff them in your cupboard, then dusts his hands off.

You're looking up at his standing form and damn, he actually looks really good from this angle, really accentuates his already impressive height-

This time he forgoes trying to talk to you and just grabs your from the waist and lifts you back to your feet, giving you a quick pat on the shoulder for good measure before letting you go.

Then he seems to think something over and places a hand on your forehead.

"You're not running a fever, but your zoning out is really out of character for ya. Good thing it's 6 already, you can clock out now." He says with a gentle smile.

The smile isn't exactly rare for him, but it also isn't something he usually gives you.

Ever since you set your sights on climbing the corporate ladder... You have been pushing everyone away, even those most precious to you. You've been taking on more and more, piling the tasks and duties up to the point where, sometimes, you just want to do something crazy and impulsive, to get the load off your shoulders even for a short while.

He's still gazing at you, but his smile is wavering. He's still waiting for an answer though.

You consider what would happen if you say yes to clocking out now, if you even gather some additional courage and ask him to hang out? As friends of course! For old times sake! But then again, if you're already that far, what if you ask him out for real? Maybe just for today, you can ignore the far too many responsibilities piled high on top of you and just-

You shake your head. "No sorry, I'm actually spending the night here, I have a lot of work to get done. I know you want to leave though, so you go on ahead, don't worry I won't rat you out so no one should come to drag you back to the school." You say with a chuckle, and wait for him to get going.

But he doesn't move. You can't read his expression, and the way the light hits his glasses isn't helping. Finally what he says is: "I guess you haven't changed that much after all."

Saying you're bewildered would be an understatement. "Huh?"

He loudly sighs, throwing his head back for added effect as he massages the bridge of his nose.

When he's looking back at you his glasses are now sitting crookedly on the space and you have to hold back the urge to reach up and fix them.

Two hands are now on your shoulders, as if to stop you from escaping the truth. "Listen." He says very seriously, all traces of his usually cheery voice gone. "I'm going to say this as plainly as possible. You're working yourself to the bone. I get it, you have some bigger picture in mind, some larger goal that I probably can't see and you're throwing everything trying to reach it but consider this. Maybe it's just not worth it. Not if you'll die long before you get to it within whatever crazy time limit you've set for yourself. Come on (Y/N), you're a field agent for God's sake, how lame would it be if you bite the dust from overworking on reports?!"

He's panting slightly, that speech was clearly coming from the heart and you really appreciate it, you really do, but ever since he first came in today you've had a nagging suspicion you've been trying to stamp down, but it was time to address the elephant in the room.

"Joshua. Why do you care so much? Because honestly the way you're talking right now..." You take a deep breath, "The way you sought me out today, the way you say all of this... I don't want to sound arrogant, but am I correct to assume that- that-"

You can't do this, if you're wrong what's left of your already dwindling friendship with him might be the price.

You back away from him. "I'm sorry never mind, forget I said anything, I'll keep your advice in mind so please just-" just go! I don't want you here when I cry!

But he must see something on your face because he's pulling you in for a hug. It feels so familiar so right that you can't help but melt into it. The exhaustion finally seems to catch up to you and you can't imagine having to trek the walk back to the dorms, much less get any more work done tonight.

You almost miss it, but you just barely make out the words "Yes, you are correct."

And that wakes you right back up.

You push back and straighten up, and he's immediately startling with you. "W-what?" He asks, looking absolutely adorable. This time, you do reach over and right his glasses.

"What did you just say? You whispered something just now, did I hear it right?" You stare at him intently, your gaze unwavering and determined.

He looks to the side, "Don't look at me like thaaaat." He quite literally whines.

"Like what?" You ask, finding yourself genuinely curious as to what he sees in your expression.

He looks back, "Like I'm one of your high priority missions. Don't give me hope if you don't mean it (Y/N)."

You're tired from a long, mentally exhausting day. Your brain to mouth filter is gone, but then again it usually is around Horropedia. You are not thinking straight but you kinda never are around this man.

You grab his necktie and snatch it down, dragging him with it. Your lips are on his in a second, he's reciprocating (thank goodness) the kiss in the next.

When the two of you break it off for air he has the widest grin he has ever given you. No not ever, but in a long time. The intense nostalgia is the last addition to the melange of feelings churning inside of you and the tears finally fall freely.

Predictably, Horropedia panics.

"I'M SO SORRY?! I DON'T KNOW WHAT I DID BUT I'M SORRY?!?! WAS IT THE KISS? IT WAS THE KISS WASN'T IT-"

You quickly cover his mouth before he broadcasts any more private information to the whole office floor.

"Shhhh! Calm down! I just... I just needed a good cry I guess..." You end meekly, wiping your tears away.

Horropedia stares at you wide eyed. In another situation this would be the perfect teasing material, (Y/N) actually knows how to cry?! Or something along those lines, but evidently even he has better sense than to do that, so he instead silently hugs you again, and doesn't tighten his hold until you hug him back.

You could stay in his arms forever, which sounds cliche but isn't that amazing? That you could get to think of something so silly and cliche instead of the probability of success of your next mission strategy? You take a small step back without letting go, just to look at the wall clock and debate what to do next. You can tell Horropedia is eagerly waiting for your decision with bated breath. Finally you pull yourself out of the hug.

Only to grab your purse and keys, then quickly come back to his side.

"Alright. You win, what's the plan now?" You ask, twisting a scarf high around your neck to hide your excitement.

He frowns slightly, and hesitantly asks. "Do you still suffer from insomnia?"

Of course he remembers. "It's better now but yes." Is your answer.

"Then we go on the most anti-insomnia date to help you sleep!" He announces, opening the door for you.

You chuckle and head out, waiting for him to follow so you can lock your office.

"And where are we going?" You fiddle with your keys, slipping one in the lock.

"To your dorm room?" He asks more then answers.

You freeze. "Moving a little fast there don't you think?" You turn to face him.

He flushes bright red. "Noooo!! I knew you would misunderstand!!! I meant because your bed is there and you could go straight to sleep once you feel like it!!!"

You giggle. "Oh I know, just teasing." You say wiggling your eyebrows.

He gasps "You! I! Why you! Hmph!" He turns and walks on ahead, but there's a spring in his step and he's headed towards your dorm, so you know he's not actually mad. You jog to catch up to him.

"Geez Joshua, not all of us have long legs wait up!"

And he does slow down, but he also throws you a question. "Why do you keep calling me Joshua? At first I thought it was to annoy me, but that can't be right. So what's your reason?"

You consider this carefully. After everything that just happened, admitting this truth hardly feels like such a hard challenge. You talk as you walk.

"More than one reason I guess... For starters it's what I've always known you as... Despite what I said before, you actually have changed in a lot of ways, heck you used to be shorter than me." You laugh a bit, "The name feels like all I have left from back then." You say with a sigh.

He keeps silent, probably guessing there's more, so you continue, "Also... Well, this is a bit embarrassing but everyone calls you Horropedia... I guess I kinda felt special by being the only one calling you Joshua. It's silly I know."

Horropedia stops walking and grabs your hand, halting you too. He's silent for a moment before he croaks out, voice clearly emotional "You can call me whatever you want." Then he goes back to walking while still holding onto your hand, pulling you along. And that's that.

He walks you all the way to your dorm room then stops.

"You're not coming in? You didn't change your mind already did you?" You ask half jokingly but also kinda worried.

"Nope! I'll go bring my tv and some supplies, I'll be back in an hour or so, that way you'll have time to freshen up and maybe relax for a bit?" He says with a small smile, and ruffles your hair lightly.

You blink, then processing the first part of his sentence you ask: "Why are you bringing your TV? I have a TV."

"You do?" He sounds surprised.

"Of course, how else would I be able to play my romance film tapes?"

His mouth forms an "o" shape. "That actually makes sense, I don't know why I didn't think of that. Well there's still other stuff to be brought but this definitely helps save time, alright see you soon." He gives you a quick hug before parting ways.

Now home, you proceed to tidy up the dorm room and hop in the shower, then get dressed in a comfortable but cute outfit and style your hair into something more relaxed and comfy.

You head to your wardrobe and start opening the large bottom drawers you use to store blankets and pillows, and start constructing a pillow fort on the rug, facing the television.

It's not long until you hear a knock at your door, and with less restraint then you would usually allow, you rush towards it and swing it wide open to reveal a-

A pile of shopping bags and a plushie?

"A lil help here? Actually can you let me in?" You hear Horropedia's voice as he tries to right one of the bags sliding down with his knee.

"Ohhhh!" You intone, mesmerized, "A talking pile of bags and a plushie!"

"Haha, very funny." Horropedia's head pops up and despite his words he's definitely amused.

You quickly begin grabbing the bags closest to you and realize they're pretty much all filled with snacks and fizzy drinks... All of which you know for sure are nothing like those issued by the foundation.

"Where did you even get these?" You ask, as the both of you drag the bags inside. From the corner of your eyes you notice him taking extra care not to drop the relatively large plushie.

"Oh you know, I have my ways~" He replies, going for a mysterious tone.

Do his "ways" include Vertin's suitcase? Probably. But you don't say anything, let him have his moment.

When everything is set up nicely around your pillow fort, you turn to ask him what you're watching when you find him on one knee, dramatically presenting you with the stuffed toy.

"Will you do me the great honor, of accepting my humble offering?" He asks solemnly.

You burst out laughing "Wha- what are you doing..?" You wheeze.

You bend down to grab the plushie and admire it, it's a nice medium size, aka the perfect hugging size.

"I thought you might need a little friend to keep you company as we watch-" He takes out a film tape with a flourish "This movie!"

You blanch. "Is this one of your horror films? Are you serious? I thought we were trying to put me to sleep not keep me up all night." You say with an exasperated shake of your head.

"No no listen, you're used to romance movies, they're no good to help you sleep anymore or they would've worked by now right? Maybe what you need is something to wring out all the nervous energy from you so you can relax!"

Somehow that both makes some sense and no sense at once. But then you have a realization.

You pretend to think it over. "I don't know, even if what you say could hypothetically work, and while your gift is cute, I just don't feel like it's huggable enough, you know?"

His face falls slightly. "Oh? You don't like it do you? I knew I should've brought a bigger one-"

"No, what I'm saying is, it's not the same as cuddling with a warm human being."

You wait for the mostly genius yet sometimes dumb dumb young man in front of you to connect the dots. You can tell he did when his face is the shade of a ripe strawberry.

"OH! Ohhhh!! Oh. Yeah, yeah we can definitely uh- cuddle. As much as you want. Of course."

You laugh "Dude we were just hugging and kissing in my office! Why are you getting all shy on me now?" You tug him along by the arm to set up the film.

"I knoooow," he whines, "it's just this is a step further ok? And that was an I'm-really-worried-about-her hug, and the kiss was a very emotional moment my brain just wasn't braining!"

"Whatever you say." You reply as you poke his right cheek. "You're cute though so it's fine." You giggle.

You wait for him to berate you about calling him, the horror genre enthusiast and connoisseur "cute", but all he does is stare at you with a dopey smile, just making you melt.

"Are you sure we can't just watch a romance movie?" You ask softly.

"Nah, we're being our own romance movie right now." He says as he grabs your hand and hoists you up with him, leading you back to the pillow fort. "You'll pick the movie next time."

The screen turns on, displaying the title of the horror movie you settled on. “It’s a classic!” Horropedia says, clearly excited to share the movie with you.

As you both sink into the pillows, the opening title sequence of the film begins playing.

As the horror style music plays, you notice Horropedia lean in his body closer to yours, careful to not make it seem like he was trying to get nearer.

"You can come closer I don't bite," you say jokingly, "and if I was uncomfortable with having you here I wouldn't have mentioned cuddling in the first place."

Horropedia's face turns fully red as he realizes he was not being subtle.

"Yeah... sorry."

His body shifts, and he slides one arm around your shoulders. He then speaks, barely above a whisper, "Can I get a hug now...?"

"I didn't know you were the clingy type Joshua," you start to tease, "and before even the first jumpscare hap-" but you immediately get interrupted by a joke jumpscare, a character that is not the antagonist innocently scaring their friends as a prank, yet embarrassingly managing to startle you "Eeep-" your hands instinctively grab onto the nearest object, which of course has to be his torso.

Oh dear lord. You sigh internally.

You look up at his face, finding he at least has the decency to try and stifle his laughter, though he wasn't succeeding much. But his droopy eyes were crinkling at the sides, and his smile was just too beautiful so you couldn't get mad.

Horropedia chuckles at your expression, probably finding the irony amusing, and the fact it was a fake jumpscare that did you in.

He then quickly pulls you closer to give you that hug you were just teasing him about not a moment ago.

You feel your head lean against his shoulder as he pulls you in, wrapping his arms around you as you both settle further into your cozy pillow fort setup.

"This doesn't count you hear? I wasn't scared or anything, I'm just a bit jumpy." You say, trying to preserve your dignity. The last thing you need is the no.1 horror enthusiast to misunderstand and think you're a scaredy cat, you would never hear the end of the teasing.

You could feel his chest vibrating with laughter underneath you, and he reaches up with the opposite hand and ruffles your hair.

"Uh-huh." Is all he says.

~~~~~~

By the time the movie ends, you're already sound asleep. Horropedia carefully untangles your limbs and carries you off to bed. The day did not go as he'd expected, he'd go as far to say it went more like his fantasies then actual reality.

He tucks you in carefully, being mindful to jostle you as little as possible. He's fairly certain if you go on a second date (you probably will right? This date went great right?!?!) you won't settle for anything other than one of your romance movies.

Not that he minds, really. After today he doesn't think he'll be looking at the characters on the screen with jealousy or disgruntlement. He also thinks he'll enjoy whatever you pick.

He glances at your alarm clock. Oh it was late. He'd better get moving, while he has more freedom under Vertin's supervision now he still shouldn't push his luck. He decides he'll tell you tomorrow about his new, more flexible work arrangement.

He heads for the dorm room entrance, opening and closing the door softly behind him. His last thought before leaving is he'll have to ask what you thought of his movie pick tomorrow.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

From the river to the sea PALESTINE WILL BE FREE ❤️ ❤️ ❤️ 🇵🇸🇵🇸🇵🇸.

If you pray, please pray for Gaza and the Westbank 🙏🏻🙏🏻

[balanceoflightanddark]

I would be curious to hear your full thoughts on Azula in the Spirit Temple

...oh boy...my full thoughts on Azula in the Spirit Temple...

Needless to say, there has been a LOT of discourse on the release of the Azula one-shot these past few days. I know cause...well, I made a post saying my fic was on hiatus till I got my head straight. So needless to say, I've been in the middle of it myself.

The thing about the one-shot though is that it's not just the comic itself but all the baggage and expectations that comes with something that we've been waiting 15 years for. This is the first time Azula has EVER gotten the focus for once. For many of us, this has sort of been a make-or-break situation. I'll get to why in a moment but needless to say, it's been a stressful week.

But having read the comic, I'm ready to give my opinions on it. Spoilers. Obviously.

By now you should know the synopsis: after a raid on a granary, Azula's Fire Warriors make a rescue attempt for one of their comrades, leaving Azula behind. After trying to track them down for their "betrayal", Azula stumbles across a temple deep within the wood home to a monk. Of course, not all is as it seems, as it becomes apparent that something dark resides within, pitting the Princess against her very own psyche.

As I mentioned before, this is Azula's first time in the spotlight. The whole comic is written from her point of view, and she is effectively the protagonist. Going in, I was both excited...and terrified. See, this is her first appearance since the Yang comics and...

...yeah. Needless to say, there's a LOT of bad blood for me going into this comic. So much so that I nearly lost it when I heard some of the spoilers going in.

But I'm getting ahead of myself.

To begin, this comic does the most critical thing right: Azula is NOT portrayed as being an irredeemable monster. While she's still a villain and makes a lot of questionable choices (her treatment of the Fire Warriors is reminiscent of how she treated Mai and Ty Lee after all), she's also given a great deal of sympathy. Probably the most we've seen out of the franchise so far.

If Azula was some kind of monster, there's no way panels like this should even exist. What's more, I actually think it does something that I think wasn't handled well in the series and treated little!Azula as...well, a kid. Not a monster or "sick" as Zuko called her in "Zuko Alone". Just a talented kid who unfortunately caught the eye of Ozai for being good at firebending. Hell, that teaser image of her burning the turtleduck was actually a toy and not the real deal.

It's stuff like this that got me excited for the comic initially. This was what we've been waiting for years now. Writers actually acknowledging that Azula was a victim and not some monster.

...which is why I blew up when the previews turned out to be misleading.

See, Azula doesn't get her redemption here. She's offered one (we'll get to that in a minute), but she rejects it and ends the story as a bad guy. Granted there are hints that she's starting to change, but she's still going after the throne and is still opposed to Zuko. Which...kind of got me upset. Mainly cause I thought it was another bait-and-switch like with Yang hinting at Azula changing at the end of The Search, then going around with her crappy portrayal in Smoke and Shadows.

Course there's only so much you can do within a single one-shot, so admittedly...my hopes were too high. Like, there was a lot I wanted. I wanted the heroes to finally get called out on their bull crap. I wanted Azula to get a break. I wanted...I guess I wanted to feel validated that somebody was listening to us.

And granted there is a little bit here and there. The asylum is NOT looked on kindly by Azula or any of the Fire Warriors, with her even trying to reassure herself she's not being held there anymore.

She even calls out Ursa on abandoning her, saying that Ozai effectively conditioned her into being a weapon when she didn't have any choice in the matter. Hell, there's a heavy implication she's genuinely hurt by what Zuko, Mai, and Ty Lee pulled in the past (which considering what they did in the comics, is a lot) and wants some kind of apology from them.

Again, while she's not entirely a saint here, I don't think they'd have this panels if she was entirely in the wrong.

Which then we get to the redemption offer. Basically, the Spirit offers to give her a chance to change...which she rejects.

The problem is, said chance involves her apologizing to THEM first. And I don't think that's portrayed as a good thing since the hallucination of Zuko looks eerily reminiscent of Ozai and downright monstrous. As others have pointed out, it's clear that the Spirit doesn't know Azula and the "redemption" sounds more like groveling for forgiveness. So of COURSE it's not going to work for somebody like Azula since that won't solve anything for her.

So...we come to the ending.

The Spirit calls Azula a monster, says she's squandered a chance for redemption, and she looks upon the Fire Warriors having fun together and...she leaves...

...alone...

...look. I understand that @prying-pandora666 said this was essentially a reset. Getting Azula to a post-Sozin's Comet state with a fresh start. And I get that. Particularly if the animated stuff is gonna feature her.

...but she's alone...again...

I'm okay with her not getting a redemption since I don't think she was mentally ready for one. But...

sighs

Listen, remember how I said I wanted a lot from this comic? Too much in fact? Yeah. I was so focused on what I needed as opposed to what Azula needed. A fresh slate might be what she needs. And in a vacuum, I think this comic is pretty solid.

It's just everything else is where I have problems.

15 years waiting. 15 years of Bryke/Yang's comics, ableism, and lack of empathy. 15 years of stress, of being seen as an outcast by the fandom. It's...it's a lot to hold. And there's no way a single good comic is gonna be able to rebuild those burned-down bridges. I understand that there's talk of a potential follow-up and stuff for her from Avatar Studios.

It's just...you know. You're always afraid of this being the end. Which...doesn't sit well with me. I'm just afraid they're gonna use Azula as a marketing tool to sell future comics. That they're gonna drag this out. That they're gonna keep playing this centrist field instead of committing (it's fine here, and I do think Faith does lean in towards Azula being sympathetic after all), it's just...

I'm sorry. I want to love this comic and be excited for more stuff with Azula but...15 years is a long time. And it's going to take more than a single good comic to get me back on board fully.