praying that one day they animate buddy stories solely so we get shirtless aki in swim trunks in that one beach scene... or at least an illustration.
I went mad reading it knowing aki was shirtless and we couldn't see.
I need aki in swim trunks I need aki shirtless with a little bit of tan I need aki with his hair all wet and sunglasses relaxing on a beach floatie PLEAAAASSEEEE
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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If anyone saw this for a moment earlier when i accidentally hit post, no you didn’t
The Ultimate Enemy ends a bit differently. Though Danny does still overcome his evil future self, Dan leaves him with a few parting gifts for his trouble.
Danny is thrown into another universe, and his obsession is distorted. Where it once was Protection, now all it is is Violence. One last-ditch attempt by Dan to make Danny into a monster like him.
However, Danny’s human mind is still intact. So despite feeling the perpetual urge from his ghost half, he can keep it in check. Somewhat.
But not entirely.
So he becomes a Rogue. He doesn’t like it, but what else can he do? He needs to do something.
Of course, he does his best to minimize real harm, to focus his attacks on those that deserve it - the polluting factories, the corrupt businessmen, and all others that exploit people. He tries to eke out as much nourishment for his core as he can from the engagements, especially the fights against the heroes that come to stop him.
But it’s not enough. He still knows he’s causing harm and hates every second of it, even as his obsession sings at being fed.
The heroes notice. How could they not? A powerful, young, villain who clearly doesn’t want to be doing what they’re doing but seemingly can’t stop? There must be something else going on. Some force pushing him to do this.
And they’re going to save him from it.
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When I say I really want a Jason adopts tim fic, I don't mean I want him to become a parent at 19 to a teen like 2-4 years younger than him, I want Jason to meet Tim and decide that he wants Tim on his side.
I want Jason to adopt Tim as his Robin, like he decides that he wants to recruit this 15 year old that is some how the smartest and snarkiest person in Gotham. I don't want infantilised tim, I want a sorta Nani and Lilo sibling dynamic, but with a smaller age gap.
Like sure, Jason sees his little brother as some sort of soggy kitten that he must protect, but also a Tim that is very capable of looking after himself.
I want Tim to look at Jason, see Bruce back when he first donned the Cape and traffic light colours. And then in true Tim fashion decide to fix him, B was being too over protective since Red Hood showed up anyways.
Like imagine, Jason meeting Tim instead by accident when he drops in on a drug trade. Tim says some quip that throws him off his game while fighting. Jason basically losing to a very deadly fifteen year old who's not slept in 29 hours, and he thinks 'f it, I like the kid'. Then trying to recruit him consistently until Tim goes 'why tf not'.
I want enemies to caretaker, but they both think they're the caretaker
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CHAT I'M WRITING A FIC!!
Hey chat this has been a long time in the works, but I'm currently writing the DCA/reader fic of my dreams! I've titled it Chasing Stars, based off the song Chasing Cars by Snow Patrol. I've started off with our wonderful Sunny boy's reference sheet!
(Obligatory click for more quality...)
And an alt version with something Y/N gives them...
Okay just to give a little context, I do plan on writing out the fic (I already have OCs and chapter one partially done lol), but I can't promise a release date or anything. However!! I will be posting doodles and drawings in context for the fic, including more reference sheets! Y/N's sheet is also done, but I need to tweak it :P
Chasing Stars is pretty much your typical DCA Pizzaplex AU, but it's more of a... prequel, shall we say ;)
MOON'S SHEET HERE!! Y/N's Sheet Here!
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I think them as a childhood group of friends cold be very fun! Like they kinda work as a Scooby Doo/Solve It Squad kinda group except most of the crimes are actually supernatural and connected to the occult (I’m sure that’s a thing i guess Gravity Falls?) thinking of calling them the Hatchet Catchers or something like that?
Anyway Duke mostly handles the “civilian” stuff (talking to witnesses and adults) and patches everyone up with the first aid kit he keeps in his bag. Holloway is also very good with adults but she mostly handles research and take-down. Wiley is more the action type but he has a way with cult members that can get kinda creepy at times. He also sews which is fun! Sheila is best as long-cons and waiting shit out, she’s also very good to have in a fight.
Here’s them as teens too. This is like a month or so before the Accident™️.
Duke(definitely lying): Sorry dad. We’ll never sneak onto an active crime scene again.
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The timer soulmate au, but one person REALLY doesn't want to meet their soulmate (everything's gone wrong recently, they're so tired emotionally, etc etc) so they resolve to just stay in bed all day. They cancel EVERYTHING.
Unbeknownst to them, their soulmate is having one of The Worst Times.
They meet when their soulmate is bodily launched through their window.
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