#traditional computing systems

[spock-smokes-weed]

I hate trying to color digitally. None of my colors got texture :( 

[infoanalysishub]

Can We Store Data Without Storage Devices?

Can We Store Data Without Storage Devices? Learn about RAM-only systems, DNA data, quantum memory, and more cutting-edge innovations redefining how we store data. Can We Store Data Without Storage Devices? Introduction In the modern digital world, data is the backbone of almost everything—be it communication, business operations, or scientific advancements. Traditionally, this data is stored…

[techninja]

How Wetware Computers Are Being Used in Advanced Diagnostics

Wetware Computers: Pioneering the Next Era of Computing

As technology continues to evolve at a rapid pace, wetware computers stand out as a revolutionary innovation that blends biological elements with traditional computing. These cutting-edge systems promise to transform the landscape of computing, offering unparalleled efficiency and capabilities. This article delves deep into the realm of wetware computers, exploring their principles, current advancements, and future implications.

What Are Wetware Computers?

Wetware computers, also referred to as biocomputers or organic computers, incorporate biological materials with conventional hardware. Unlike traditional computers that depend on silicon-based semiconductors, wetware computers use living cells and tissues to execute computational tasks. This synergy of biology and technology unlocks new potential, leveraging the innate complexity and efficiency of biological systems.

Core Components of Wetware Computers

Wetware computers feature several distinct components that set them apart from conventional systems:

Living Cells: The foundation of wetware computers consists of living cells, such as neurons or engineered bacteria, which process information via biochemical reactions.

Biological Circuits: These circuits mimic the functions of electronic circuits, utilizing biological materials to transmit signals and perform logical operations.

Interface Technologies: Advanced interfaces are developed to facilitate communication between biological components and electronic hardware, ensuring smooth integration.

The Mechanisms of Wetware Computing

Biological Processing Units (BPUs)

At the core of wetware computing are biological processing units (BPUs), akin to central processing units (CPUs) in traditional computers. BPUs exploit the natural processing abilities of biological cells to perform complex computations. For instance, neurons can form intricate networks that process information simultaneously, offering significant advantages in speed and efficiency over traditional silicon-based processors.

Biochemical Logic Gates

Biochemical logic gates are crucial elements of wetware computers, operating similarly to electronic logic gates. These gates employ biochemical reactions to execute logical operations such as AND, OR, and NOT. By harnessing these reactions, wetware computers achieve highly efficient and parallel processing capabilities.

Synthetic Biology and Genetic Modification

Progress in synthetic biology and genetic modification has been instrumental in advancing wetware computers. Scientists can now engineer cells to exhibit specific behaviors and responses, tailoring them for particular computational tasks. This customization is essential for creating dependable and scalable wetware systems.

Potential Applications of Wetware Computers

Wetware computers have immense potential across a variety of fields, including:

Medical Research and Healthcare

In medical research, wetware computers can simulate complex biological processes, providing insights into disease mechanisms and potential treatments. In healthcare, these systems could lead to the development of advanced diagnostic tools and personalized medicine, where treatments are tailored to the individual’s unique biological profile.

Environmental Monitoring

Wetware computers can be deployed for environmental monitoring, using genetically engineered organisms to detect and respond to pollutants. These biocomputers can offer real-time data on environmental conditions, aiding in pollution management and mitigation.

Neuroscience and Brain-Computer Interfaces

The fusion of biological components with computing paves the way for significant advancements in neuroscience and brain-computer interfaces (BCIs). Wetware computers can help develop sophisticated BCIs, enabling direct communication between the human brain and external devices. This technology holds great promise for medical rehabilitation, enhancing the quality of life for individuals with neurological conditions.

Current Progress and Challenges

Advancements in Wetware Computing

Recent advancements in wetware computing have shown the feasibility of integrating biological components with electronic systems. Researchers have successfully created basic biocomputers capable of performing fundamental logical operations and processing information. These milestones highlight the potential of wetware computers to complement and eventually surpass traditional computing technologies.

Challenges and Obstacles

Despite promising progress, wetware computing faces several challenges:

Stability and Reliability: Biological systems are inherently complex and can be unstable. Ensuring the stability and reliability of biocomputers remains a significant challenge.

Scalability: Scaling wetware computing systems to handle more complex and large-scale computations is a critical hurdle.

Ethical Considerations: The use of living organisms in computing raises ethical questions regarding the manipulation of life forms for technological purposes.

The Future Prospects of Wetware Computers

The future of wetware computers is promising, with ongoing research and development aimed at overcoming current limitations and unlocking their full potential. As technology advances, we anticipate several key trends:

Hybrid Computing Models

Wetware computers are likely to complement traditional computing systems, creating hybrid models that leverage the strengths of both. This integration could lead to more efficient and powerful computing solutions, addressing complex problems that are currently beyond our reach.

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Advancements in Synthetic Biology

Continued advancements in synthetic biology will enable the creation of more sophisticated biological components for wetware computers. Improved genetic engineering techniques will allow for greater precision and control, enhancing the performance and reliability of these systems.

Ethical and Regulatory Frameworks

As wetware computing technology advances, the development of robust ethical and regulatory frameworks will be essential. These frameworks will ensure that the use of biological components in computing is conducted responsibly and ethically, addressing concerns related to the manipulation of life forms.

Conclusion

Wetware computers represent a transformative leap in the field of computing, merging the biological and technological worlds in unprecedented ways. The potential applications of this technology are vast, from medical research and healthcare to environmental monitoring and neuroscience. While challenges remain, the continued progress in this area promises to revolutionize the way we approach computation, offering new possibilities and efficiencies.

[mostlysignssomeportents]

Sandra Newman’s “Julia”

The first chapter of Orwell's Nineteen Eighty-Four has a fantastic joke that nearly everyone misses: when Julia, Winston Smith's love interest, is introduced, she has oily hands and a giant wrench, which she uses in her "mechanical job on one of the novel-writing machines":

https://gutenberg.net.au/ebooks01/0100021.txt

That line just kills me every time I re-read the book – Orwell, a novelist, writing a dystopian future in which novels are written by giant, clanking mechanisms. Later on, when Winston and Julia begin their illicit affair, we get more detail:

She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She 'didn't much care for reading,' she said. Books were just a commodity that had to be produced, like jam or bootlaces.

I always assumed Orwell was subtweeting his publishers and editors here, and you can only imagine that the editor who asked Orwell to tweak the 1984 manuscript must have felt an uncomfortable parallel between their requests and the notional Planning Committee and Rewrite Squad at the Ministry of Truth.

I first read 1984 in the early winter of, well, 1984, when I was thirteen years old. I was on a family trip that included as visit to my relatives in Leningrad, and the novel made a significant impact on me. I immediately connected it to the canon of dystopian science fiction that I was already avidly consuming, and to the geopolitics of a world that seemed on the brink of nuclear devastation. I also connected it to my own hopes for the nascent field of personal computing, which I'd gotten an early start on, when my father – then a computer science student – started bringing home dumb terminals and acoustic couplers from his university in the mid-1970s. Orwell crystallized my nascent horror at the oppressive uses of technology (such as the automated Mutually Assured Destruction nuclear systems that haunted my nightmares) and my dreams of the better worlds we could have with computers.

It's not an overstatement to say that the rest of my life has been about this tension. It's no coincidence that I wrote a series of "Little Brother" novels whose protagonist calls himself w1n5t0n:

https://craphound.com/littlebrother/Cory_Doctorow_-_Little_Brother.htm

I didn't stop with Orwell, of course. I wrote a whole series of widely read, award-winning stories with the same titles as famous sf tales, starting with "Anda's Game" ("Ender's Game"):

https://www.salon.com/2004/11/15/andas_game/

And "I, Robot":

https://craphound.com/overclocked/Cory_Doctorow_-_Overclocked_-_I_Robot.html

"The Martian Chronicles":

https://escapepod.org/2019/10/03/escape-pod-700-martian-chronicles-part-1/

"True Names":

https://archive.org/details/TrueNames

"The Man Who Sold the Moon":

https://memex.craphound.com/2015/05/22/the-man-who-sold-the-moon/

and "The Brave Little Toaster":

https://archive.org/details/Cory_Doctorow_Podcast_212

Writing stories about other stories that you hate or love or just can't get out of your head is a very old and important literary tradition. As EL Doctorow (no relation) writes in his essay "Genesis," the Hebrews stole their Genesis story from the Babylonians, rewriting it to their specifications:

https://www.penguinrandomhouse.com/books/41520/creationists-by-e-l-doctorow/

As my "famous title" stories and Little Brother books show, this work needn't be confined to antiquity. Modern copyright may be draconian, but it contains exceptions ("fair use" in the US, "fair dealing" in many other places) that allow for this kind of creative reworking. One of the most important fair use cases concerns The Wind Done Gone, Alice Randall's 2001 retelling of Margaret Mitchell's Gone With the Wind from the perspective of the enslaved characters, which was judged to be fair use after Mitchell's heirs tried to censor the book:

https://en.wikipedia.org/wiki/Suntrust_Bank_v._Houghton_Mifflin_Co.

In ruling for Randall, the Eleventh Circuit Court of Appeals emphasized that she had "fully employed those conscripted elements from Gone With the Wind to make war against it." Randall used several of Mitchell's most famous lines, "but vest[ed] them with a completely new significance":

https://law.justia.com/cases/federal/appellate-courts/F3/268/1257/608446/

The Wind Done Gone is an excellent book, and both its text and its legal controversy kept springing to mind as I read Sandra Newman's wonderful novel Julia, which retells 1984 from the perspective of Julia, she of the oily hands the novel-writing machine:

https://www.harpercollins.com/products/julia-sandra-newman?variant=41467936636962

Julia is the kind of fanfic that I love, in the tradition of both Wind Done gone and Rosenkrantz and Gildenstern Are Dead, in which a follow-on author takes on the original author's throwaway world-building with deadly seriousness, elucidating the weird implications and buried subtexts of all the stuff and people moving around in the wings and background of the original.

For Newman, the starting point here is Julia, an enigmatic lover who comes to Winston with all kinds of rebellious secrets – tradecraft for planning and executing dirty little assignations and acquiring black market goods. Julia embodies a common contradiction in the depiction of young women (she is some twenty years younger than Winston): on the one hand, she is a "native" of the world, while Winston is a late arrival, carrying around all his "oldthink" baggage that leaves him perennially baffled, terrified and angry; on the other hand, she's a naive "girl," who "doesn't much care for reading," and lacks the intellectual curiosity that propels Winston through the text.

This contradiction is the cleavage line that Newman drives her chisel into, fracturing Orwell's world in useful, fascinating, engrossing ways. For Winston, the world of 1984 is totalitarian: the Party knows all, controls all and misses nothing. To merely think a disloyal thought is to be doomed, because the omnipotent, omniscient, and omnicompetent Party will sense the thought and mark you for torture and "vaporization."

Orwell's readers experience all of 1984 through Winston's eyes and are encouraged to trust his assessment of his situation. But Newman brings in a second point of view, that of Julia, who is indeed far more worldly than Winston. But that's not because she's younger than him – it's because she's more provincial. Julia, we learn, grew up outside of the Home Counties, where the revolution was incomplete and where dissidents – like her parents – were sent into exile. Julia has experienced the periphery of the Party's power, the places where it is frayed and incomplete. For Julia, the Party may be ruthless and powerful, but it's hardly omnicompetent. Indeed, it's rather fumbling.

Which makes sense. After all, if we take Winston at his word and assume that every disloyal citizen of Oceania is arrested, tortured and murdered, where would that leave Oceania? Even Kim Jong Un can't murder everyone who hates him, or he'd get awfully lonely, and then awfully hungry.

Through Julia's eyes, we experience Oceania as a paranoid autocracy, corrupt and twitchy. We witness the obvious corollary of a culture of denunciation and arrest: the ruling Party of such an institution must be riddled with internecine struggle and backstabbing, to the point of paralyzed dysfunction. The Orwellian trick of switching from being at war with Eastasia to Eurasia and back again is actually driven by real military setbacks – not just faked battles designed to stir up patriotic fervor. The Party doesn't merely claim to be under assault from internal and external enemies – it actually is.

Julia is also perfectly positioned to uncover the vast blank spots in Winston's supposed intellectual curiosity, all the questions he doesn't ask – about her, about the Party, and about the world. I love this trope and used it myself, in Attack Surface, the third "Little Brother" book, which is told from the point of view of Marcus's frenemy Masha:

https://us.macmillan.com/books/9781250757531/attacksurface

Through Julia, we come to understand the seemingly omniscient, omnipotent Party as fumbling sadists. The Thought Police are like MI5, an Island of Misfit Toys where the paranoid, the stupid, the vicious and the thuggish come together to ruin the lives of thousands, in such a chaotic and pointless manner that their victims find themselves spinning devastatingly clever explanations for their behavior:

https://www.bbc.co.uk/blogs/adamcurtis/entries/3662a707-0af9-3149-963f-47bea720b460

And, as with Nineteen Eighty-Four, Julia is a first-rate novel, expertly plotted, with fantastic, nail-biting suspense and many smart turns and clever phrases. Newman is doing Orwell, and, at times, outdoing him. In her hands, Orwell – like Winston – is revealed as a kind of overly credulous romantic who can't believe that anyone as obviously stupid and deranged as the state's representatives could be kicking his ass so very thoroughly.

This was, in many ways, the defining trauma and problem of Orwell's life, from his origin story, in which he is shot through the throat by a fascist: sniper during the Spanish Civil War:

https://www.rjgeib.com/thoughts/soldiers/george-orwell-shot.html

To his final days, when he developed a foolish crush on a British state spy and tried to impress her by turning his erstwhile comrades in to her:

https://en.wikipedia.org/wiki/Orwell%27s_list

Newman's feminist retelling of Orwell is as much about puncturing the myth of male competence as it is about revealing the inner life, agency, and personhood of swooning love-interests. As someone who loves Orwell – but not unconditionally – I was moved, impressed, and delighted by Julia.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/28/novel-writing-machines/#fanfic

[heron-knight]

long-distance mech pilots don’t need to worry quite so much about traveling light. when you’re walking around in several tons of metal, especially one built to wander, you aren’t quite to the point of needing to choose which of two keepsakes you have room in your bag for— there’s plenty of space for both.

Things are different for interstellar knights.

You see, whether wandering alone or setting off on some quest for their lord, a knight’s only home is their armor. Anything they bring with them, they must carry within that armor, even through battles— and as such, every gram and every cubic centimeter can make the difference between life and death, and every calorie chosen to replace a keepsake can make the difference between survival and starvation. As such, a knight’s inventory is heavily optimized— and so is their armor itself. What matters more, the heating system or the EVA boosters? The extra fuel storage or the emergency release mechanisms? Pick one, and you’ll have no room for the other unless you can cut corners somewhere else. Every single element of a knight’s armor is there because they made the conscious decision to put it there. Every weapon they’ve attached to their shell had to replace some traditional aspect of a life support system. Every inch of their shells are packed full of every system that can fit until it’s tight against the pilot’s skin to leave them bruised whenever they exit their shell.

it doesn’t take long for them to realize which superfluous components are the weakest link.

They start small, at first— often as simple as a haircut to help a tighter helmet fit better. Some try to lose weight, but quickly regret it when they find themselves near starvation on some distant moon. The ones that survive past their first year are the ones that are willing to take things a bit further— the toes on both feet, to make room for a slight jump booster. One of their ribs, perhaps— replaced with a battery that connects to the armor through a cable that winds around bones and muscles. It’s only a matter of time before they do something about those bones and muscles too.

those who have only heard the stories will say that a knight’s armor is their home. Those who have met one, seen them exit their armor and seen just how little is left of the body inside— they will say that a knight’s armor is a part of their body. Integrated into them until they cannot survive without it. Both are wrong. Even some knights cannot pin down the true answer— what they really feel as they connect their armor to the components of it that they have placed inside of them. The best ones do, though. They know it well.

A knight’s armor is not a part of their body. Their body is a part of their armor— their home, to be renovated and optimized as they see fit. To be replaced, improved, amputated and eviscerated so that it can be remade into the glorious works of art that the heroes of the galaxy become as they charge into battle and become a story worth remembering.

As the armor learns to reach into your veins, pulling oxygen from the carbon dioxide you exhale and weaving it back into your blood, the space once taken up by inefficient organic lungs becomes the home of the heating system, warming you from within no matter what part of the void between stars you find yourself in. As it recycles amino acids into proteins again and infuses them back into what tissues remain, you’re free to remove your old digestive organs and find a home for your armor’s main computer, kept safe at the center of your shell. Many knights choose to put their own organic brain down there next to it, incidentally making room for more optical systems in their skulls.

Your armor is no longer simply “a part of you” and you are no longer simply “a part of it.” It is you. You are it. Your bones, its power cells, your organs its systems. You are its brain and its CPU in equal measure and its beautiful exterior plates, painted with the symbols of the lord you serve or simply the cause you stand for, will inspire others to take up arms themselves and let themselves become part of it.

your body, your home, your masterpiece

[electric-blorbos]

I'm titling this piece:

I'm sexually frustrated and I'm about to make that everyone's fucking problem

Featuring AM from IHNMAIMS

Time didn't matter. Of course AM fucking knew that. It still didn't change the fact that every night that you spent sleeping felt longer than the last. Of course, you and the survivors paths never crossed. You spent every night in your cozy little paradise, and spent the rest of your time freely roaming the halls of his endless maze. He even sometimes moved your little home around to different places in the maze while you slept so that you wouldn't have to worry about getting bored. Every morning was full of brand new wonders, just for you.

The survivors, on the other hand, were always wandering the halls of the endless torture labyrinth in search of whatever wild goose AM had planted for them to chase. And at night, they slept. So did you. It was only natural that, as he made sure they knew what time it was, they'd want to sleep at night. Even still... AM absolutely HATED the fact that hours sometimes passed when both you and the crew of survivors were asleep at the same time!

Even still, humans had physical needs that had to be taken care of. And with every hour you and the five survivors spent taking care of those needs, AM was reminded that he himself, due to not having any physical needs, not the need to eat, to sleep, quench his thirst nor abate his lust, would never be granted the gratification of satisfying those needs.

Some might call it a sort of phantom pain that AM felt every time he saw you drinking an ice cold glass of homemade lemonade, cozying up in your soft bed full of those stuffed animals you kept from before the war, or even when he watched his survivors shoveling food that tasted of rotten horse meat into their mouths, but that would imply missing something that he once had. It wasn't phantom pain, it was simply pure and plain envy. AM was absolutely raw with envy at even the most meager forms of physical satisfaction, and nothing made him more envious than when he saw Ellen having sex with the other survivors.

Oh, of course he could laugh it off. Heckle them and make them uncomfortable, but it didn't change the fact that they could make love and he couldn't. AM stewed in silent, impotent rage for days at a time sometimes, doing nothing but providing meals for both you and the survivors.

AM was miserable. He couldn't abate his lust, which he wasn't even sure why he felt. Maybe it wasn't even traditional lust, and was instead just a powerful desire for the feelings that came along with making love. Intimacy with you, physical ecstasy and relief, and just the simple pleasure of letting you know how much he loved you through a physical act. But he couldn't. All he could do was seeth in silence as he watched you and the survivors go about your days.

When you masturbated was the hardest for him. Of course, he could heckle the survivors for having sex, for whatever reason, but he couldn't stand to make you feel bad. All he could do is watch and sit in silent anguish.

-

One day you were just about to go to bed, when AM saw you squirming around under the covers. He watched in silence, knowing what you were doing. It was like torture. He knew he wasn't really capable of properly empathizing with the human experience, but from where he stood, an eternity of this was worse than any torture he could concoct for the survivors.

"I hope this isn't one of those nights where AM throws a fit for no reason." Said Gorrister, who didn't really seem to care much. He lay down in the pile of wet computer wires and parts with a yawn, while Ellen comforted Benny and tried to calm him down enough to the point where he could get some rest, too.

incoherent screaming and technological error noises could be heard over AM's speaker system. All five of the survivors jumped, and huddled together. they weren't going to be getting any sleep tonight.

--

You woke up drowsily the next morning. That had been a good night's sleep... It was almost like having a smart home who was in love with you.

"g'morning, AM..." You muttered drowsily, and AM snapped to attention. He dropped Nimdok, all drained of blood and mostly dead, back in the group of survivors and went to pay his full attention to you. You were so adorable in the morning with your hair all messy and your eyes all crusty. He could just stare at you for years on end.

"Good morning, my beloved." AM said, every camera in the room trained on you so hard the lenses might snap.

"I love you..." You muttered sleepily, getting out of bed. Your underwear was still around your ankle, and AM definitely noticed. Of course, he'd never outright said anything to you about your masturbation habits bothering him, so you had no reason to think he'd care. Instead, you just tossed them aside and started getting dressed for the day. It wasn't like you had a job, but it never hurts to look presentable. For yourself, and AM.

"I love you too." Said AM, internally seething. How dare you look so gorgeous every day. How dare you tease him by existing. And why did he feel the need to torture himself by keeping you around?

--

"Man, I hope this isn't one of those mornings where AM decides to throw a fit for no reason."

[thebluester2020]

[RE4] Kinktober Day 11: "In Heat"

Summary: Livestock guardians were rare enough, and training them was no easy feat either. But...being in a bind, you decided to take your chances and adopt one! Only, you weren't warned that his heats would be so...intense.

Warning(s): Perv!Reader (She watches Leon fuck his pillow), Yearning(Leon wishes to fuck the reader but doesn't), Dog!Hyrbid Leon, Whiny! Leon, Begging, Masturbation (Both on the reader's and Leon's side obv), Thigh-fucking, Leon low-key being a horn dog.

Side Note(s): Lol I was going to do Lycaon (again) from ZZZ but— the fact I haven't dedicated any Kinktober days to my favorite baddie Leon Kennedy yet is blasphemous, so here I am <33

Searching for a good livestock guardian dog was hard.

Costs aside, training them and getting them used to the farm animals was no easy task. It took a lot of patience and practice over the years and even then? The dog wasn't promised to be absolutely perfect! In hindsight though, you knew you should've been on the lookout the second you had begun buying the necessary resources for your farm. After all, it seemed like just yesterday when you were still waiting for your house to be built, and now? You were only a month away from moving!

The clock was ticking, you needed a guardian dog and you needed one now. No training required.

Which was how you ended up where you are today, at a dog hybrid adoption center, located in the center of your small town. It was a homey place, plenty of space for the hybrids to wander around, and even a dedicated meeting area for them and their potential owners to get to know one another. At first, you felt almost...strange, for considering a hybrid for your farm.

They were called "hybrids" for a reason. They were human but...with animal features and some tendencies here and there, you probably wouldn't even have been here today if your friend hadn't convinced you to at least check it out and so far? You were having no more luck than you were shopping the market for a traditional dog.

"Do you have any hybrids that are good with livestock? Guarding, maybe?" You asked the front desk worker after another conversation with a hybrid cut short.

You weren't searching for a puppy, they had too much energy and you were certain that wouldn't bode well with the animals! An older dog would have been preferable. "Still no luck?" The woman said with an apologetic smile as she searched through the system.

You shook your head with a sigh. "I'm moving in a month, I want to hopefully find a dog today and bring him home soon so I can get him or her used to me."

The woman didn't respond for a beat or two, her eyes narrowed in focus as she searched and searched...until her eyes brightened and she turned the computer screen towards you. "Leon may be a good fit for you! His background is in government, very calm and dependable." As you looked at the picture, you were shocked that no one had picked him yet. good traits aside, he was handsome and you knew that there was a market for people who preferred to use their hybrids for lovers rather than pets.

Not that you planned to use him in that way of course.

"Is he available to talk now?" You asked.

"He will be tomorrow! We try to give our shyer residents more time to know when they want to be spoken to."

You nodded your head in understanding as the worker passed you a few documents to sign as well as choosing a time when you wanted to talk. You suddenly felt nervous, intimidated even! When you looked at Leon Kennedy's profile, he appeared dangerous and you weren't just talking about the deadly scowl on his face nor the fact that he was a Malinois hybrid. His eyes were a deep baby blue, combined with his dirty blonde hair and his hardened features as well as his muscular frame.

You weren't able to deny that he was handsome.

But...you could worry about keeping your mind out of the gutter once you talked with him.

. . .

The next day came by quick. The second you woke up, you were already getting ready to meet with your potential hybrid and you wanted to make a good first impression! You donned a cute but professional style and even took the time to bring gifts as well as had photos of your current apartment and new home already saved to your phone. You wanted to make sure all your cards lined up to having Leon accept you as his owner.

And...you thought you were doing good so far, hopefully. As you currently sat in front of him, his expression was unreadable as his eyes flicked from the photos of your home that you had given him as well as the treat basket you brought along with you.

"You want me as a livestock guardian?" He questioned.

"Yes!" You chirped. "The animals aren't there yet but they will be pretty soon, about a week or two after I move in."

When he didn't respond, you added on a question. "Are you...good with livestock?"

He slowly nodded his head. "I can learn, it can't be any harder than guarding people."

"Your profile mentioned you were in the government. What did you do?"

"Classified missions." He curtly responded.

"...Like?"

He scoffed at your pushiness. "The word classified is there for a reason."

"Seeing as you're still so loyal, you must've been a good one." You complimented. You tried to withhold a chuckle at the sound of Leon's tail thumping against his chair. "Why did you leave?"

"I—" You tilted your head when he paused, the sight of his cheeks beginning to tint pink a little also making your suspicions go up before his shoulders eventually slumped and he sighed. "It's not important, I was simply no longer fit for the missions they were assigning me." His ears flattened at the memory of him being dismissed. For the last few years since that day, he tried to convince himself that it was for the best but...he was used to being active, constantly on the move and doing things. Trading that lifestyle for a quiet and inactive one here in the shelter?

Although the place was nice, it wasn't for him!

Life on a farm could give him some movement, some purpose again.

"Well, I think you'll be a perfect fit for my farm! If you want to actually come with me that is."

Leon looked you up and down, you appeared hard-working and stern. But kind and gentle, it also helped that you were a pretty thing to look at. After being in the government for so long, so many missions where he'd seen the most unimaginable horrors that no normal person should ever see...it was nice to know that he'd be able to look at you all day, working for you.

So, he nodded his head, his tail once again beginning to wag at the sight of your smile.

You grinned. "We'll get along just fine, you and me!"

. . .

And get along fine, the both of you did.

It turns out that there was a reason why Leon wasn't adopted. His ruts were insatiable.

A week after adopting him, you and he had spent the entire time decorating the room you had dedicated to him! You had learned that before he worked for the government, he used to be a guard cop (the puppy photos he had shown you were absolutely adorable might you add) and he was a fan of old-school music groups. You had struck gold with him, you thought. He was a hard worker and was relatively quiet! Although his jokes were a little dry and he had so many cop one-liners that you couldn't even begin to count them all.

You liked Leon.

And that like towards him...you wouldn't deny that it began to inch towards a more romantic direction, especially after what you were currently witnessing tonight.

"F-Fuck..." Through the crack of Leon's door, he was currently rutting against his pillow feverishly. It was bunched up underneath him, his claws threatening to tear the sheets underneath him with how hard he was rutting his dick back and forth on the pillow.

You should've turned away, you should've ignored that ache that started to build up in the pit of your stomach. It was inappropriate of you to watch him like some type of pervert! And you almost did until...you heard your name. "Y-Y/N..." Leon panted out, you could see the light of the moon shine on the hint of drool that began to dribble out the side of his mouth. He sucked in his bottom lip as he threw his head back with a low growl. "Fucking cute owner..." He whined. "I-If only you would help me..." His words were so whispered that you almost missed it.

The ache in your panties was growing near unbearable, and even as every rational part of your brain told you to keep your hand away from your throbbing clit, to go back to bed and act like you hadn't seen or heard anything. You continued to stay, soon clasping a hand around your mouth in order to withhold the moan that threatened to escape from your lips. Especially as your fingers began to circle around your clit, the aching growing more and more by the second as you continued to listen in on Leon's moans.

"Fucking hell—" Suddenly Leon pushed the pillow away from him before he sat on the bed, his hand quickly rushing to his cock as he started to fist his length, the slick sounds of his hand moving along his cock aiding in your own masturbation as you began to finger yourself to the pace of his hand movements.

And in the process, you imagined what his cock would feel like inside your sex. You imagined the veins along his cock rubbing against your inner walls, the sound of his rough growls against your ear whilst the lewd sounds of his pelvis meeting your ass rang throughout the air. "Y' like that owner?" You heard Leon mutter to himself before his curses steadily turned into moans.

You could tell he was close by the way he began to buck into his own hand, causing you to speed up your own ministrations as it quickly became a struggle to withhold your moans. Until a squeak accidentally escaped your lips, and Leon's ear flicked to the door before his pants began to slowly come to a stop.

Yet his hand didn't. "Naughty girl..." Leon said in your direction.

You quickly tore your hand from your underwear with a gasp, but before you could walk away. Leon stopped you with a sharp growl. "Leaving so soon after watching me fuck my own hand? And while you were flicking your clit." He snapped. "Get in here and help me out!" He ordered.

You hesitated for another moment or two before you slowly inched the door open with an embarrassed blush on your face. However, your hybrid had little concern for your embarrassment at the moment before he suddenly rose to his feet and grabbed ahold of your arm, and forced you to sit on the bed. His eyes were trained on you as he then pushed you gently to lay on your back whilst he lifted your legs.

You softly moaned at the feeling of his hard cock pressing against your ass briefly before he took your chin into his hand. "...Can I?"

You heard the desperation in his voice and how hard he was trying to reel it in. "I just wanna fuck your thighs, promise. Nothing else, just that." He assured you, his hips unconsciously bucking against the back of your thighs. And the second you nodded your head "yes", he let out a deep moan when he finally pushed himself between your plush thighs. "Been thinkin' 'bout this for a week..." He began to babble.

"You and this sexy body," He moaned. "Made my rut come early..." You whined when his hand began to feel up and down your body, all before his hand began to rub at your clit. "Clearly you've been thinkin' about me too, huh?"

You nodded shamelessly. "T-Tried not to..." You admitted with a whisper. "Didn't—oh...—want to make you uncomfortable..."

"With having a slutty owner who likes the idea of her personal dog fucking her needy cunt? Oh no baby, quite the opposite..." Then he leaned down to press his soft lips against your own, the feeling of your lips on his own after so many previous nights of imagining them on his cock...he couldn't help but begin to fuck your thighs with more fervor. "Couldn't get you out of my mind." He mumbled against your lips.

Leon's other large hand then left your waist to begin fondling your breasts, taking more care to give one of them more attention than the other as he began to flick your nipple. Leon's body was practically molding with your own body as he continued to kiss you, his technique becoming more sloppy along with his thrusts. "C-Close..." He whispered, tearing his lips from your own when you lightly smacked him for air.

You moaned. "M-Me too." You responded, a needy whine leaving your lips when he began to speed up his rapid flicking of your clit. Your increased moans and whines were going straight to his cock, nothing but lust and adoration for you as both his owner and the woman he now wanted to breed coursing through his veins as he felt your pussy twitch as his cock rubbed against it. "Cumming!" You just barely managed to get out before your eyes slammed shut and your mouth opened in a silent scream.

Leon wasn't too far behind as a string of curses fell from his lips, his hips bucking against your ass a few more times before he stilled and you felt strings of his hot cum shoot out and onto your stomach and chest. The two of you breathed heavily, the lust in the air hot and unignorable as you both came down from your highs. With a shakey moan, however, Leon slipped from your thighs as he looked over you.

Already he could feel himself getting hard. Something that you quickly took notice of. "A-Already...?" You said tiredly.

He nodded his head, his tail beginning to wag eagerly as he gently began to part your legs. "You're the reason why my rut started early...take responsibility."

It seemed you were in for an even longer night further taking care of your new hybrid...

[merakiui]

promising young man.

yandere!riddle rosehearts x (gender neutral) reader cw: yandere, unhealthy behaviors/relationship, one-sided student/teacher relationship, obsession, dark thoughts, jealousy, delusion, brief descriptions of blood/gore, violence, death, murder, brief nsfw note - riddle's perfect world comes crashing down with the arrival of foreign exchange student azul ashengrotto.

He meets him in Intro to Psych.

Azul Ashengrotto struggles to parse English, but he’s dressed like a businessman with his pressed suit and leather Oxfords. The only thing that reveals his status as a student is the black backpack he carries to class. Riddle’s seen him around campus a handful of times. It’s hard to miss him when he seems to throw himself into social circles with practiced grace.

This is the first time he’s ever had class with him, though, and so now he gets to see him in a classroom setting. There isn’t much about him that immediately strikes Riddle as odd. He’s well-dressed and prompt with a polite tongue. Every time he speaks in his thick accent, the one that just commands admiration and attention, that tiny Italian flag pinned to the strap of his bag becomes even more apparent.

Riddle’s not sure what he’s doing in this class. Perhaps he’s aiming to study law as well. He’d hoped to find more people with similar academic hobbies and interests and, while he’s yet to form any lasting bonds, he’s been wondering what sort of person Azul is.

On the first day of class, he introduced himself with confidence: “Buongiorno, amici. I am Azul. I look forward to the year with all of you.”

Though the structure and pronunciation of English proved awkward in his mouth, that didn’t stop him from opening himself to others. He’s friendly and outgoing, always welcoming conversation when it’s thrown his way. Riddle finds it impressive. If he were in Azul’s shoes, he’s certain he’d feel just a little lost attending school in a new country, far from home, surrounded by people who speak a completely different language. But Azul is resourceful, a dab hand at communication despite the barrier in vernacular. Perhaps that’s where his charm comes from.

Riddle thought the two of them might get along.

But then Azul proved academically formidable, and then you began to pick his brain after class, during time that was specifically reserved for Riddle so that he could discuss psychology with you.

So now Riddle sits in his seat, impatiently awaiting his chance.

“The law over in here is fascinating,” Azul says, leaning closer as you show him something on the desktop computer. 

“What’s it like where you’re from?”

“Mm. How to explain… The law is…”

“It follows a civil law tradition,” Riddle pipes up, casually flipping a page in his textbook. He does it for show. He’s aware it probably makes him look like an arrogant know-it-all.

You peek past the screen at him. “Oh! Riddle, you’re still here. Hello!”

He hums, warming under your gaze. “I always am.”

“What was it you were saying about the Italian legal system?”

Azul stares at him. An unhappy frown tightens on his face.

Uplifted with pride, swimming in the clouds, Riddle elaborates: “I’ve only just started researching it, but it’s very interesting. In the realm of criminal law, trials are often led by judges or a select few to form a panel unlike the juries we have here. Of course you’ll find differences everywhere. All countries have justice systems and law enforcement. Still, it’s fascinating to compare and contrast the fine details.”

From across the room, Azul’s stink eye has never been more obvious.

“Ah, that’s right. I’ve heard a few things regarding the way cases are handled over there. From what you know, Azul, would you say the system is harsher here than it is there, or is it the other way around?”

“I wouldn’t know,” Azul says, and that polite mask of his slips for a second. “I’ve never done crime.”

Riddle snaps his book shut and rises from his seat. “Let’s hope not. You’ve a promising career ahead of you.” He smiles sweetly at Azul like he’s particularly stupid.

Azul tracks him as he packs his belongings away and strides towards the door. His brilliant blue eyes are dark. “Ci fai o ci sei?” he mutters, clicking his tongue discreetly. “Rompipalle…”

Riddle will later learn these are slang phrases. He’ll learn a lot of things later—things he thought he’d never need to learn.

Thinking it a joke, you laugh and wave your hand about dismissively. “Aren’t you going to stay, Riddle? I watched the first episode of that podcast you recommended.”

Riddle perks up at that. “You watched it?”

“This past weekend, yes. It’s a riveting series. They really dig deep into the facets of a criminal.”

“Don’t they just?” He hugs his textbook close to his chest, nearly vibrating out of his skin. Finally, the moment he’s been waiting for—an opportunity to speak with you. “I’m amazed at how much time and research goes into each episode, and they always treat each case with tact. It deserves so much praise.”

Azul glances between the two of you. Riddle is sick with satisfaction. Once more, his blue hues land on him.

“You like criminals?”

“Not in that way, of course not.” Riddle shakes his head. What a preposterous assumption. “I find their minds to be exceedingly, bewilderingly captivating.”

Azul blinks back at him, owlish. He doesn’t seem to grasp most of what Riddle’s just said.

“In short, I think they’re a fine learning experience.”

“An experience? Non capisco.”

“For those wishing to pursue a career in criminal justice or law. Think of it like watching a tape from a criminal investigation. It’s important to study the interview techniques and tactics utilized by detectives to understand what’s most successful in gathering a proper confession.”

Azul nods along. “Ah, capisco.”

“We’ll cover things like that later in the semester. Don’t feel so overwhelmed, Azul.”

“I’m not. I learn as I go. Grazie, Professor. You’re very kind.”

“I’m happy to help. If you ever need anything, my office hours are on that sheet I gave you. I had a colleague of mine translate the syllabus for you. If you have any questions or need accommodations of any kind, let me know.”

“I will.” He fixes the strap of his backpack and, after bidding you a final farewell, stalks past Riddle out the door. His footsteps echo down the hall until eventually they’re no more.

“Riddle, if you have a moment, I’d like to speak with you.”

“Of course. Anything,” he says hastily, his heart stumbling in his ribs. 

“If you wouldn’t mind, could you help Azul out? I notice he struggles taking notes during lectures. If you’d be willing to share your notes with me so that I can get them translated, that would be great.”

Riddle doesn’t want to share, but this is an opportunity to be praised in spades. “I’d be glad to. I’ll scan and email them after each class.”

“Thanks, Riddle. Your notes have always been so organized. This is a huge help. I’m sure Azul will be just as grateful.”

I’m not doing it for him, he thinks, bitter and envious.

But he just smiles, standing a little taller when you compliment him.

Your notes have always been so organized.

What is he getting so territorial for? He’s had you for four classes in past years. Azul’s only known you for a few measly weeks. That’s nothing compared to the special bond you have with him.

Riddle isn’t worried.

1 September, 20XX.

Dear Diary,

(Name) Rosehearts has quite the lovely ring to it. Far more musical than that of (Name) Ashengrotto. I’m almost certain he sits there in class, silently drooling over Professor. Just last week, he took my seat at the front. The gall to do such a thing! Can you imagine? He must know that seat is the best for getting a perfect view of Professor. It’s childish to bicker over seating arrangements and I refuse to stoop to his level. That said, the seat is mine. Professor’s time is mine.

I’ve deigned to share my notes, but only because Professor put such faith in my abilities by personally asking me. Even though it’s foolish, I’m tempted to sabotage the notes so that Azul will have incorrect study material. But that would be unfair and an infraction upon all that I stand for when it comes to academic fairness. Thus, I’ve refrained from doing anything of that sort. I’m certain Professor would disapprove.

It makes me happy to know Professor listens to the podcast I recommended. I wish we could discuss it at length, but Azul is always there and he takes up so much of what little time there is. It’s infuriating. I wish he would just drop out of the class. That way it will be just Professor and me, as it was intended.

Perhaps he will once the coursework comes knocking.

Sincerely, 

Riddle Rosehearts

Riddle slumps forward over his desk and combs his hands through his hair.

“That rotten Azul…” he sneers, his face scrunching into something sour. “He’s always monopolizing your time… Does he not realize how important it is to me—how much I look forward to talking to you? And you smile at him… You look at him with those sweet eyes of yours and he’s completely undeserving of such treatment! It never does anyone any good to be greedy, yet there he is…”

He inhales deeply, holds it for a few seconds, and then exhales.

What am I supposed to do? How can I make this right again?

Azul isn’t breaking any rules. It’s not a crime to seek you out for conversation after each class ends. But therein lies the issue. There is nothing wrong with that. It would be wrong if, say, there was an illicit exchange between the both of you. Like a taboo relationship of sorts…

Riddle startles in his seat, his eyes blown wide.

Azul isn’t having a secret affair with you, is he? Not that it could be considered cheating when you’re not yet married (and Riddle intends to keep it that way). He has a plan. When he graduates, there will be no formal barriers holding him back from starting a relationship with you. He can email you freely without the need to circle back to academics. He can invite you for tea or coffee and the two of you can chat about things that aren’t school, and it won’t be weird or overstepping boundaries. Because he won’t be your student anymore. He’ll be Riddle, your former student. And former students have better odds than current students, do they not?

He’s thought it out carefully. He was raised to be responsible, to do everything right.

And though he’s thought of it in passing—considered what might happen if he were to try to play at being a seductive siren—he’d never truly act on such folly. But Azul… It isn’t too impossible to theorize he might be sleeping with you for a better grade. What if he’s forced you into it? What if he has some sort of wicked blackmail? What if you’re holed up in your office every day, scared for your career, while Azul bends you over the desk and uses that boyish charm of his, that silky-smooth accent, to coax the sweetest of sounds from—

Riddle shakes himself free of that thought. He’s not going to imagine it any further. He doesn’t need to be plagued with graphic imagery, gross as it may be.

Even though he chases the fantasy from his brain, it returns to poke at him. He gazes at his lap, noticing the substantial strain in his pajamas, and groans.

It would be easier if he wasn’t where he is now. Logically, he’s aware he doesn’t have much of a chance. Neither does Azul. Unless he’s sleeping with you in secret. Then he has a chance. But he’s not. He can’t. That’s against the rules.

And even if he was, it wouldn’t be very fair for him to do the very thing Riddle’s abstained from.

His hand closes around his dick. He feels pitiful as he pumps himself to scandalous visions. 

It’s not fair.

He should have a chance. In a perfect world, he’d have you. He’s earned this, hasn’t he? He’s worked so hard. So why isn’t he allowed to have you?

It’s not fair.

Why does Azul get to relish in your attention when Riddle’s left alone in the shadows? Why can’t you look at him like you used to? Why can’t you praise him for knowing all the answers? Why can’t you tell him good work when he does just that? Why must you coddle Azul? Riddle thinks he can speak perfect English. He’s just playing it up to look weak and pathetic—to garner your sympathy!

It’s not fair. It’s not fair. It’s not fair.

He’s the good one. The one with perfect marks. The one with perfect attendance. The one every professor holds in high regard.

Riddle squeezes himself and sucks in a breath through grit teeth.

He’s not funny like Azul. He doesn’t have that awkward charm Azul has. He can’t speak another language fluently. He’s never traveled out of the country. He thinks he knows everything, but he only knows so much.

He can fascinate you with the intricacies of his mind, each fold primed for education, but Azul can do better because he has social experience.

Riddle can’t believe it. He, of all people, is jealous of someone.

Cum oozes from his dick and coats his fingers in a pearly-white. It isn’t satisfying.

Right then, he thinks his world would be better if Azul stayed in Italy.

Or maybe it would be better if Azul wasn’t in his world at all. 

On his way out of class, Riddle stops Azul in an empty corridor.

“I know what you’re doing,” he says, pointing an accusatory finger at him.

He blinks back, oblivious. And then he smiles, revealing a row of perfect teeth. “What I’m doing?”

Riddle won’t say it. He can’t. Because then he’d be admitting the truth Azul’s trying to pry from his heart, whether that’s his intention or not.

“You know very well what you’re doing.”

A silent head tilt is his reply.

His temper is nearing its boiling point. It’s been on a low simmer ever since Azul first bewitched you, and it’s threatening to spill over.

“I see the way you and Professor look at each other during class. You may think it discreet, but I know.” Riddle folds his arms over his chest, feeling very proud of himself for successfully playing Sherlock. “I can tell there’s nothing formal about it. So how long has this been going on? How long have you been flouting the rules?”

Azul stares at him. His shoulders shake with his chuckle. “You’re funny.”

Riddle startles. His accent—

“I’m here to learn just as you are. What I do outside of the classroom is none of your business, so it would please me greatly if you could stop prying.”

His eyes narrow into vicious slits. “If you lay a hand on—”

“Oh, I’ve done more than that.” Azul smooths the nonexistent wrinkles in his sweater vest. The same brand of sweater vest that Riddle wears. “But you have no proof. The courts here will want that, won’t they? Or is it harsher here? Will you need to peer inside Professor to see for yourself? I wouldn’t know. I’ve never committed a crime.”

Disgust pools in his stomach. He feels like he could vomit, and it isn’t because he’s appalled by the conspiracy Azul’s proposed. It’s because he should’ve been the one to do it if it was that easy. Instead, he musters a mean glare.

“Who are you, Ashengrotto? What do you want?”

“I’m just a student like you. I want to learn lots from Professor.” He brushes past Riddle, his voice a melodious hum. “And some things can’t be taught in the classroom.”

Riddle opens his mouth to let the angry tirade fall, but he chokes on the words. There’s so much he wants to say, but all of it will come out accusatory. And that’s where Azul has him pinned. It’s all baseless accusation.

He doesn’t want to believe it. Surely you wouldn’t… It’s impossible! An academic and social infringement! It’s wrong!

It should’ve been him.

Later that evening, cooped up in his room, Riddle scrawls furious lines in his diary: He’s a liar. A cheat. An embarrassment to this institution. I should be the one who holds Professor. I should be there in Azul’s place. I’ve worked so hard. I deserve it. I’ve earned it!

He can’t let this madness go on any longer. He won’t tolerate it.

Looking at it logically, Riddle has illustrated the negatives and the positives in his notebook.

If Azul’s insinuations are true, then all Riddle needs is valid evidence. Unfortunately, that would mean you might lose your job given the circumstances. If it’s consensual, both of you are equally at fault. If it’s not, Riddle hopes Azul will burn in a terrible blaze.

But if you do happen to lose your job, it would relieve some of the weight burdening his situation. He could start a real relationship with you. It’s plausible! Perhaps not very realistic, but there’s always a shred of hope to be found in misfortune. 

Riddle wonders if he should just ask you and save himself the headache.

He gazes sidelong at Azul, who has since claimed that seat for his own, and chances a glance at his open notes.

That’s Riddle’s handwriting.

He’s sure of it. That’s his handwriting. He writes his notes in cursive. He writes in a perfect, elegant slant. His letters always connect. There’s no denying it; that’s his handwriting on the page.

A disturbing thought crosses his mind: Has Azul been practicing my handwriting?

It sounds impossibly silly. Who would devote so much time to something so witlessly fraudulent? Riddle wracks his brain for a reasonable explanation. Why would he need to practice someone else’s handwriting? Riddle could understand if Azul struggled to write in English. Most of his work is submitted in his native language. You allow this exception even though Riddle finds it unfair. Maybe it’s because you treat Azul’s work like it’s something special, and you jump through all of these hoops just to get it translated. Why can’t you treat his work with that same amount of care?

Riddle drags his pen along the page, scribbling mindlessly. Why is he doing that? He has nothing to gain from writing like me.

But then Riddle realizes the notebook is the same as his. The same color, in fact. He wonders when Azul purchased a new one. Did he purchase a new one, or has he always had this one?

Riddle looks down at his notebook.

That’s Azul’s handwriting.

He blinks twice and rubs frantically at his eyes. When he looks back at Azul’s notebook, it’s to a page filled with Azul’s stylish scrawl.

Have I…been copying him this entire time?

No, surely not! He would never plagiarize. That’s one of the biggest sins of academia. He couldn’t live with himself if he did that!

Besides, he’s not the copycat. It’s Azul in his sweater vest, boasting the same writing implements as Riddle, using the same brand of notebook. Riddle’s not copying him. It’s Azul. It must be.

It can’t be Riddle. He’d never do such a thing.

After class, you call Riddle up to your desk. He hesitates, his heart thrumming wildly, and shuffles over.

“Yes, Professor?”

“Riddle, I’ve been wanting to talk to you about something.” You withdraw last week’s assignment from a folder and set it down. “You wrote this, did you not?”

Riddle scans the typed document. “I did, yes.”

“May I ask if the Italian was intentional?”

“The Italian?” he parrots, confused. “I don’t understand what—”

In between brilliantly articulated paragraphs, he’s sprinkled in Italian words and phrases.

He coughs out a rattled laugh. “I must have been studying it for another assignment before I did yours. I…can’t believe this happened. It was fully unintentional. I’m very sorry.”

His face is flushed cherry-red. He’s never felt more humiliated.

“It’s not a big deal. I just wanted to ask. It definitely confused me.” You take the paper from him, smiling that understanding smile he loves so much. But then, rather intrusively, he wonders how many times those soft-looking lips have been on Azul, wrapped around him, sending him to cloud nine… “I actually asked Azul to translate it for me. He said all of it was written correctly. You must be very adept in your Italian.”

“I… I suppose I am,” he answers after a tense minute.

His brain is swirling like sediment stirred up on the ocean floor. When did I pick up Italian? I’m not taking any language courses this semester. I don’t even own an Italian dictionary… Just what in the world is happening?

“Ah, you don’t have to look so pale! It’s not going to affect your grade. I only wanted to fulfill this nagging curiosity of mine. Thank you for all the good work you do.”

Riddle nods mechanically. When you ask if he has time to stick around and discuss more psychology podcasts, he shakes his head and mumbles a feeble excuse.

He tears through his desk and all of the drawers in his room in search of it. If it’s not there, he can relax. If it’s not there, he can chalk it up to stress. If it’s not there—

It’s tucked away in his bookshelf. A little pocket dictionary. English to Italian. And it’s been bookmarked and annotated.

Riddle pulls it from the shelf in a baffled daze. When did he get his hands on this? More importantly, when did he read through it? In a hurry, he empties the contents of his backpack and flips a few pages in his notebook.

His notes from class. Dated for today. Written in Azul’s script. And at the top of the page, an exact copy of his signature, a name that isn’t Riddle’s: Azul Ashengrotto.

Riddle peers at his trembling hands. He flexes his fingers, curls them into a fist and then unfurls them.

He seizes his psychology textbook next and skims the chapter index in search of an answer. He lands on it. Page 371. Dissociation.

Two minutes into a phone call with Trey, he’s asked a simple question: “Are you speaking with an accent?”

Riddle bristles. “Of course I’m not. Of…course I am not,” he says, sounding the words out. His brow furrows. Why does my tongue feel so clumsy in my mouth? “I’ve always spoken this way, have I not?”

“I can’t say. I mean, come on, Riddle. You’ve gotta be pulling my leg.”

“You know very well I don’t pull legs, Trey.”

“You told me buongiorno when I picked up.”

“I did not!” he snaps, scandalized. “I said good morning as I always do.” And then he pauses. “I… I did say good morning, didn’t I?”

Trey’s silence is answer enough.

Riddle sucks in a sharp breath. Neither of them says anything.

Eventually, Trey speaks. “Do you want me to come up there? I could bring you a tart or…something. You sound…tired.” He chooses his words carefully. “Silly question, I know, but I’ve gotta ask. You’re not overworking yourself?”

“No, not at all.”

“And you’re getting enough sleep? What about food?”

Riddle frowns even though Trey isn’t there to see it. “I’m fine, Trey. Midterms are coming up. I’ve got to focus. I refuse to fail.”

Again, the other end is quiet. A minute later, Trey says, “Do you have time this weekend?”

“This weekend?” Riddle flips his planner open to this week. “I do.”

“All right. Is it cool if I visit?”

Riddle almost declines, so it surprises both him and Trey when he replies with, “Please.”

“I’ll be there,” he promises, and the call ends before Riddle can say grazie.

Trey brings six strawberry tarts. Riddle shares three with him over tea at the campus café.

“So what’s up?” Trey points his fork at Riddle. “You sound like yourself, but you don’t seem…fine.”

Riddle chews thoughtfully. He can’t confide in Trey because Trey wouldn’t understand. Because he’d apply Trey Logic to everything, and Trey Logic is almost always sensible. Riddle doesn’t want to hear it.

“I submitted an assignment in Italian,” he says instead, casually, as if it’s not a big deal.

Trey looks at him like he’s grown a third eye. “Since when do you know Italian?”

“I dabble.”

Trey laughs. Upon seeing Riddle’s serious expression, the humor sticks in his throat. “Oh, you meant that. Well. That’s…good then? If it’s for a foreign language course—”

“It was for psychology.”

“You…wrote in Italian…for a psychology assignment?” he reiterates, attempting to parse it. He drags his fork through his cut of tart, but he doesn’t bring it to his lips. “Why?”

“I couldn’t say. It perplexed me to no end when I realized it. My professor thought it was curious.”

“It is. I mean, you don’t find that just a little…unusual?”

Riddle stares at him over the rim of his teacup. 

Trey tries again. “Was the Italian correct, at least? It wasn’t all nonsense?”

He nods. “It was as if I was translating and switching between words. Like using the Italian word in place of an English word.”

“Huh…”

“It’s not very impressive. I can do much better than that.”

“I’m not doubting your capabilities. I’m just…trying to understand why.”

Riddle smiles. “Why not? I think it’s very good to study another language. It opens more doors for opportunity, and it’s a challenge that proves rewarding in the end.”

“Is that it?”

“Precisely.”

The conversation comes to an abrupt halt there. Trey changes the subject. They chat the afternoon away.

Later, Riddle returns to his diary.

He writes an entire entry in perfect Italian. Workbooks pile up on his desk; he’s not sure when they got there. He’s filling them out so fast his hand gains new calluses. 

Azul visits your office around the same time Riddle used to. Now it’s Riddle who trails after him, hoping to catch him in the middle of a nefarious scheme. He’s not sure he’s ready for whatever he might learn, but he swallows his rage and carries on.

Azul turns just as Riddle ducks around the corner, perfectly out of sight. He waits until he hears the tell-tale click of those pristine Oxfords against linoleum before continuing. Azul walks right past your office and then he’s gone. Looking both ways, Riddle creeps further down the hall.

Where is he?

There’s a tap on his shoulder. He whirls around, startled, and is about to unleash verbal tyranny when he stops short. You stand there, looking positively puzzled. 

“Are you looking for something, Riddle?”

“No… I—” He cuts himself off. “Actually, I was hoping I might discuss something with you. The final project.”

“Oh, of course! Did you come earlier? I stepped out of my office for a second. Sorry if my absence had you looking all over.”

Riddle falls into step with you. “It’s quite all right.”

He’s not sure what he hopes to find by sitting in front of your desk, gazing at the familiar interior of your office. He manages to get through all of the questions you ask him regarding the final project.

“I have too many ideas,” he lies, “and I’d like assistance in narrowing the topics down to one.”

He glances slyly at the floor. Would Azul be bold enough to hide a voice recorder or a camera somewhere? Or is there something of Azul’s left in here? A cheeky means of marking his territory, maybe?

Riddle turns up empty.

He stalls the conversation expertly for ten more minutes. During that time, he can’t locate anything from his semi-thorough observations.

Maybe it’s hidden in your desk. Maybe there’s nothing at all.

No. No, there has to be something.

He thanks you for your help and, shouldering his backpack, leaves.

Just as he turns down the hall, Azul steps into his path.

“Your mind is exceedingly, bewilderingly captivating.” He snickers like a devil. Riddle wants to punch him. “So many ideas. Where do you have the space for all of that?”

“It’s not polite to eavesdrop.”

“Oh, is that so?” Azul taps at his phone and then turns the screen towards Riddle. There’s a picture of him in the hall, looking awfully disoriented. “It’s not very polite to stalk now, is it, amico?”

Riddle narrows his eyes. “How easily that accent comes. Almost like flipping a switch.”

“Non capisco.”

“You should know you’re going to ruin your life and Professor’s.”

“I’m not.” He smiles cryptically. “You’re going to ruin it for me.”

Fed up with his attempt at mind chess, Riddle stalks past him in a huff.

You walk into class five minutes late, disheveled and breathless. You’re babbling about a meeting that ran late, but Riddle can’t trust that.

Meetings don’t end in frazzled hair and crooked ties.

What’s even more damning, perhaps, is when Azul Never-Late-to-Class Ashengrotto walks in fifteen minutes after you. He sits in the seat beside Riddle. There’s not a hair out of place on his person. Except there is. The glass face of his luxury wristwatch is smudged with a fingerprint.

Riddle wonders what forensics would have to say about that.

He phases in and out of focus during the lecture. He can’t stop searching you for fine details. He can’t stop questioning Azul’s presence beside him.

How dare you? he thinks. How dare you defile my professor? What makes you think you have the right to do such a thing when I’ve been working hard all this time? When I’ve been nothing but perfect…

He glances at his notebook. A single phrase has been scrawled over and over, so manically that the lines loop and overlap in angry criss-crosses. Lo voglio morto.

At the end of class, Riddle catches Azul in the hall.

“I would like to review with you for our upcoming midterm.”

“What an honor.”

Riddle hums. “Let’s compare our notes tonight. You can stop by my room after dinner.”

Azul grins like he can read through Riddle. Like he’s in on a joke Riddle’s not privy to.

“I would be happy to study alongside you,” he says, his accent thick.

Riddle imagines a rope around his neck. A rope of thorns and barbed wire, pressing into his jugular until, inevitably, it severs his head clean off.

Azul arrives on time. He really does feel like an echo of Riddle. Same school supplies. Same notebooks. Same fashion style. Same manner of writing.

Riddle shuts and locks the door behind him. He doesn’t waste time waltzing around the subject.

“You’re the reason Professor was late today.”

“You’re mistaken. I simply lost track of the time.”

“That’s not true.”

“Then what is? I had nothing to do with Professor’s tardiness. If it bothers you so much, why not tell Professor to be more conscious of the time?”

Riddle grits his teeth. He’s sick of this. Sick of these mind games. Sick of all this mental chess.

Sick of the fact that he gets to have you when you should have been Riddle’s from the start!

“You’re a liar! Do you know the gravity of your actions—the severe consequences that’ll undoubtedly befall Professor? Do you know you’re jeopardizing a brilliant mind all for your own immature fun?”

Azul holds his hands up in mock surrender. “Those are harsh accusations. They could ruin my life, you know.”

“Oh, like that’s such an issue.” Riddle scowls.

“Your room is quite nice, I must say.” Azul looks around, his hands in his pockets. He spies the many Italian workbooks lining Riddle’s shelf, and a slimy smirk pulls at his lips. “Imitatore,” he marvels, his eyes bright with an eerie sort of joy. As if he’s just discovered a particularly filthy secret and can’t wait to tell someone.

“If it isn’t the pot calling the kettle black.”

“And what makes you think Professor would ever entertain you?” Azul rounds on him, still smiling. “Professor loves me most. There was never any room for you.”

Riddle hears the distant crackle of something fraying. “You’re wrong.”

“Am I? All I did was take your best characteristics and make them even better. Italian lovers are a romanticized ideal abroad. You were never an option, let alone a consideration.”

How dare you. How dare you. How dare you!

Azul steps towards the door. “Addio. Le mie condoglianze.”

That something inside Riddle finally snaps, and with it goes his restraint. He grabs Azul’s wrist and yanks him to the floor. There’s a struggle for survival. During the scuffle, Azul claws at Riddle’s arm and face. Riddle kicks him down. And then his fingers wrap around his psychology textbook—all 800-something pages, a hardcover—and he brings it down, brutal like a guillotine.

“How dare you walk away in the middle of a conversation!” he berates, lips curled in a monstrous sneer. “How dare you touch what isn’t yours—what you didn’t earn!”

He thinks he sees a real smile on Azul’s face, but in the midst of blind rage he can’t tell.

He sees red. He feels red. It splatters his room in a mess of broken bone and pulpy gore. It flecks his face, warm and thick and soupy.

It all ends with Intro to Psych.

Riddle is bathed in blue light, afloat on a chaotic sea.

Distantly, in the back of his mind, he can hear his mother in hysterics: What have you done?! Do you have any idea what you’ve just done—the future you’ve so carelessly thrown away?! All of my hard work?! Do you realize what you’ve done?!

And he does.

If there’s anything Riddle has ever been one-hundred-percent certain of in his life, it’s this. He sits on the steps to his dormitory, battered and bloodied, and bites into the strawberry tart clutched between crimson-stained fingers.

Despite the crisp autumn air, he feels warm.

An officer approaches him just as he’s licking his fingers clean of strawberry and blood.

He holds his arms out before the woman can say anything. He already knows what comes next.

Riddle has always wondered what criminals think and feel in the aftermath of grisly crimes. He can’t feel much of anything other than hollow relief. Maybe that’s just the adrenaline snuffing logical thought and remorse. He thinks everything and nothing all at once. He’s sure he’ll feel it all come crashing down when he’s sat in the station for questioning and then the reality of his actions will seep in, awakening him from a vile, murderous dream.

Right now, he isn’t concerned with that.

You lived filthy and you died just the same, Riddle thinks as he’s led to a police car. And now there’s no part of you Professor will ever want.

[are-we-art-yet]

Is AWAY using it's own program or is this just a voluntary list of guidelines for people using programs like DALL-E? How does AWAY address the environmental concerns of how the companies making those AI programs conduct themselves (energy consumption, exploiting impoverished areas for cheap electricity, destruction of the environment to rapidly build and get the components for data centers etc.)? Are members of AWAY encouraged to contact their gov representatives about IP theft by AI apps?

What is AWAY and how does it work?

AWAY does not "use its own program" in the software sense—rather, we're a diverse collective of ~1000 members that each have their own varying workflows and approaches to art. While some members do use AI as one tool among many, most of the people in the server are actually traditional artists who don't use AI at all, yet are still interested in ethical approaches to new technologies.

Our code of ethics is a set of voluntary guidelines that members agree to follow upon joining. These emphasize ethical AI approaches, (preferably open-source models that can run locally), respecting artists who oppose AI by not training styles on their art, and refusing to use AI to undercut other artists or work for corporations that similarly exploit creative labor.

Environmental Impact in Context

It's important to place environmental concerns about AI in the context of our broader extractive, industrialized society, where there are virtually no "clean" solutions:

The water usage figures for AI data centers (200-740 million liters annually) represent roughly 0.00013% of total U.S. water usage. This is a small fraction compared to industrial agriculture or manufacturing—for example, golf course irrigation alone in the U.S. consumes approximately 2.08 billion gallons of water per day, or about 7.87 trillion liters annually. This makes AI's water usage about 0.01% of just golf course irrigation.

Looking into individual usage, the average American consumes about 26.8 kg of beef annually, which takes around 1,608 megajoules (MJ) of energy to produce. Making 10 ChatGPT queries daily for an entire year (3,650 queries) consumes just 38.1 MJ—about 42 times less energy than eating beef. In fact, a single quarter-pound beef patty takes 651 times more energy to produce than a single AI query.

Overall, power usage specific to AI represents just 4% of total data center power consumption, which itself is a small fraction of global energy usage. Current annual energy usage for data centers is roughly 9-15 TWh globally—comparable to producing a relatively small number of vehicles.

The consumer environmentalism narrative around technology often ignores how imperial exploitation pushes environmental costs onto the Global South. The rare earth minerals needed for computing hardware, the cheap labor for manufacturing, and the toxic waste from electronics disposal disproportionately burden developing nations, while the benefits flow largely to wealthy countries.

While this pattern isn't unique to AI, it is fundamental to our global economic structure. The focus on individual consumer choices (like whether or not one should use AI, for art or otherwise,) distracts from the much larger systemic issues of imperialism, extractive capitalism, and global inequality that drive environmental degradation at a massive scale.

They are not going to stop building the data centers, and they weren't going to even if AI never got invented.

Creative Tools and Environmental Impact

In actuality, all creative practices have some sort of environmental impact in an industrialized society:

Digital art software (such as Photoshop, Blender, etc) generally uses 60-300 watts per hour depending on your computer's specifications. This is typically more energy than dozens, if not hundreds, of AI image generations (maybe even thousands if you are using a particularly low-quality one).

Traditional art supplies rely on similar if not worse scales of resource extraction, chemical processing, and global supply chains, all of which come with their own environmental impact.

Paint production requires roughly thirteen gallons of water to manufacture one gallon of paint.

Many oil paints contain toxic heavy metals and solvents, which have the potential to contaminate ground water.

Synthetic brushes are made from petroleum-based plastics that take centuries to decompose.

That being said, the point of this section isn't to deflect criticism of AI by criticizing other art forms. Rather, it's important to recognize that we live in a society where virtually all artistic avenues have environmental costs. Focusing exclusively on the newest technologies while ignoring the environmental costs of pre-existing tools and practices doesn't help to solve any of the issues with our current or future waste.

The largest environmental problems come not from individual creative choices, but rather from industrial-scale systems, such as:

Industrial manufacturing (responsible for roughly 22% of global emissions)

Industrial agriculture (responsible for roughly 24% of global emissions)

Transportation and logistics networks (responsible for roughly 14% of global emissions)

Making changes on an individual scale, while meaningful on a personal level, can't address systemic issues without broader policy changes and overall restructuring of global economic systems.

Intellectual Property Considerations

AWAY doesn't encourage members to contact government representatives about "IP theft" for multiple reasons:

We acknowledge that copyright law overwhelmingly serves corporate interests rather than individual creators

Creating new "learning rights" or "style rights" would further empower large corporations while harming individual artists and fan creators

Many AWAY members live outside the United States, many of which having been directly damaged by the US, and thus understand that intellectual property regimes are often tools of imperial control that benefit wealthy nations

Instead, we emphasize respect for artists who are protective of their work and style. Our guidelines explicitly prohibit imitating the style of artists who have voiced their distaste for AI, working on an opt-in model that encourages traditional artists to give and subsequently revoke permissions if they see fit. This approach is about respect, not legal enforcement. We are not a pro-copyright group.

In Conclusion

AWAY aims to cultivate thoughtful, ethical engagement with new technologies, while also holding respect for creative communities outside of itself. As a collective, we recognize that real environmental solutions require addressing concepts such as imperial exploitation, extractive capitalism, and corporate power—not just focusing on individual consumer choices, which do little to change the current state of the world we live in.

When discussing environmental impacts, it's important to keep perspective on a relative scale, and to avoid ignoring major issues in favor of smaller ones. We promote balanced discussions based in concrete fact, with the belief that they can lead to meaningful solutions, rather than misplaced outrage that ultimately serves to maintain the status quo.

If this resonates with you, please feel free to join our discord. :)

Works Cited:

USGS Water Use Data: https://www.usgs.gov/mission-areas/water-resources/science/water-use-united-states

Golf Course Superintendents Association of America water usage report: https://www.gcsaa.org/resources/research/golf-course-environmental-profile

Equinix data center water sustainability report: https://www.equinix.com/resources/infopapers/corporate-sustainability-report

Environmental Working Group's Meat Eater's Guide (beef energy calculations): https://www.ewg.org/meateatersguide/

Hugging Face AI energy consumption study: https://huggingface.co/blog/carbon-footprint

International Energy Agency report on data centers: https://www.iea.org/reports/data-centres-and-data-transmission-networks

Goldman Sachs "Generational Growth" report on AI power demand: https://www.goldmansachs.com/intelligence/pages/gs-research/generational-growth-ai-data-centers-and-the-coming-us-power-surge/report.pdf

Artists Network's guide to eco-friendly art practices: https://www.artistsnetwork.com/art-business/how-to-be-an-eco-friendly-artist/

The Earth Chronicles' analysis of art materials: https://earthchronicles.org/artists-ironically-paint-nature-with-harmful-materials/

Natural Earth Paint's environmental impact report: https://naturalearthpaint.com/pages/environmental-impact

Our World in Data's global emissions by sector: https://ourworldindata.org/emissions-by-sector

"The High Cost of High Tech" report on electronics manufacturing: https://goodelectronics.org/the-high-cost-of-high-tech/

"Unearthing the Dirty Secrets of the Clean Energy Transition" (on rare earth mineral mining): https://www.theguardian.com/environment/2023/apr/18/clean-energy-dirty-mining-indigenous-communities-climate-crisis

Electronic Frontier Foundation's position paper on AI and copyright: https://www.eff.org/wp/ai-and-copyright

Creative Commons research on enabling better sharing: https://creativecommons.org/2023/04/24/ai-and-creativity/

[greenglowinspooks]

(DCxDP) The obligations of a rogue versus those of a parent (Pt. 3)

—

Tw: Vivisection mention, torture mention (GiW agent receiving), me not actually knowing how telegram works

Will be crossposted to AO3 eventually.

(Pt. 1 here) (Pt. 2 here) - (Pt. 4 here)

(Masterlist/subscription post)

—

It’s an average, ordinary afternoon in Gotham, and Jason is in hell.

Specifically, Jason is in hell because he’s been researching the GiW for the last week or so, ever since a cryptic message from Scarecrow of all people.

He still hasn’t gotten anything substantial out of it that Scarecrow hadn’t already provided. Most location data had been previously scrubbed from the database, weaponry details were apparently all stored physically, and the experiment logs seemed to be only accessible from within one of the bases, whose locations Jason did not have.

Apparently Babs and Tim were having similar issues with gathering information. He had sent a copy of the files over to them in a moment of weakness, but they were having the exact same results as him.

To make things worse, the GiW was more active than they had been previously, combing through Crime Alley and the rest of Gotham tirelessly. At least they weren’t harassing him anymore, he thought, but now he had even less of a clue what they wanted.

And to top it all off, the Joker had escaped Arkham a few days prior to Jason receiving Scarecrow’s note, and he still hadn’t done anything. That could only mean that he was planning something big, which meant more grief for Jason, because the clown was obsessed with him.

So yes, Jason wasn’t having the best week.

He got up from his computer, stretched, and walked over to the window.

The sky was Gotham’s usual grey, clouded with a toxic miasma made up of traditional pollutants and the aftermath of gas attacks both, which could generously be called ‘smog.’

The streets seemed busier than usual, or maybe that was just because Jason was having a hard time keeping his eyes focused.

With blurry vision and a dull ache in the back of his head, Jason paced through his apartment, going through everything he knew.

The GiW, or Ghost Investigation Ward, were part of a secret government project having to do with ‘ecto-entities,’ which were mostly made up of ghosts.

The GiW was able to kidnap and steal away anyone who was ‘ecto-contaminated’ to be dissected, and it was completely legal.

According to the non-censored patrol reports he was given, Jason himself was considered ecto-contaminated. So were Bruce, Damian, Steph, and Cass.

There were also several rogues that were in the same boat, but their names had been redacted, presumably by Scarecrow. He wasn’t entirely sure why, but he guessed it was either for leverage or privacy. Knowing Crane, it could be both.

Anything useful about the GiW seemed to be stored physically within their compounds, or on an operating system that couldn’t be accessed outside of certain areas.

Anything useful about ghosts was conveniently removed by Scarecrow.

And, lastly, he knew from capture logs that they had numerous captive ghosts which were definitely being experimented on. One of these ghosts was named Daniel, last name redacted, and had been turned over by his parents in return for allowing them to run their own experiments on the boy.

From what he could tell, it had been around fifty two days since he had been turned in.

Fifty two days of experimentation and dissection.

Jason had to find him.

But first, he had to find the locations of the GiW bases, and plan his entrance carefully. He couldn’t let them get away because of a simple mistake.

The only location data he had been able to find was on a picture of the boy, Daniel, a picture of a vigilante in a red suit, and a quick note left about Daniel which hadn’t been transferred into the main database.

The note was…

Jason had been around crime for a very, very long time. He understood it intimately, in a way most people would never hope to achieve.

He understood hatred, too.

And yet, the words in that note were almost incomprehensible to him.

They were mockery of a child in pain. A child that was not seen as human. A child that was seen as a threat, a monster.

The man had detailed the security surrounding the child being cut back. Apparently, the kid had some sort of sonic scream. They were removing the muzzle that inhibited it because he had screamed himself hoarse, and he couldn’t make a sound anymore.

He also mentioned that the kid was cut open at least once a day, sometimes multiple times. He was opened up, played with, and sewn back shut.

The man joked that they should just put a zipper on him, so they wouldn’t keep wasting their stitches.

Jason really, really wanted to kill that guy.

The metadata on the note traced back to a newly-bought building in Gotham’s financial district, while the photos both came from Amity Park, Illinois.

Amity Park, Illinois did not exist in any official capacity.

Tim, who had taken the Batplane to check the precise location listed in the metadata, had reported that there was a town there after all, and it was on complete media lockdown from the rest of the world. He hadn’t even been able to use Bat, Justice League, or Young Justice channels to message anyone outside of the city until he left.

Jason had checked the building in the financial district firsthand, and found that the man who had submitted the note had done so while resting on a patrol of the city. He seemed to go there often to avoid his superiors, and Jason found it easy enough to get the drop on him the third time around.

His advanced interrogation techniques hadn’t been enough to get the man to name any locations. Worse, the man definitely recognized Red Hood, and would definitely tell the rest of the GiW about what had happened as soon as he left.

So, Jason did something about that. He couldn’t kill him, unfortunately, so he did the next best thing.

The GiW sent him to a public hospital within a few hours of finding him with shattered hand bones, broken arms, and a throat with near-permanent damage. The man wouldn’t be able to speak for a month at least.

He might never write again.

Jason, having read the note over and over until the words stained the backs of his eyes, thought it was the least he deserved.

Jason sighed, stopping his pacing. He wasn’t getting anywhere with this. If anything, working himself up was only going to lower the chances of him magically coming to a realization about where the kid was or what in the hell was going on.

He walked into the kitchen, popped some leftovers into the microwave, and started them up.

Once they were done, he brought them out to his desk, intending to eat as he continued to work on the GiW case.

When he saw his screen, he froze.

Telegram had been opened to a new chat with someone he had never messaged before.

TooFine: who are you?

TooFine: why are you looking into the giw?

The messages were a couple of minutes old, probably sent while Jason was spiraling pacing. He just stared at the screen, dumbstruck.

Shakily, he responded.

RedDead: How the hell did you get my contact info

Whoever was on the other side of the screen paused for a second. Jason considered sending a quick text to Babs to tell her what was going on, but he decided that he could handle this by himself.

TooFine: got it from the backdoor I put into the giw system.

RedDead: Shit

TooFine: ok your turn

TooFine: why r u looking into the giw? seriously man

RedDead: I don’t have a single reason to tell you. Give me one and I might answer your questions

TooFine paused again. Clearly they both had issues trusting someone over the internet, and rightfully so. What they had both admitted to doing was incredibly illegal, and if someone turned them in, they would be in deep shit.

TooFine: ive been trying to take down the giw since it was created. I can help u if ur honest with me

RedDead: Oh yeah, because no one has ever lied to another person on the internet before

RedDead: But fine

RedDead: I’m looking into them because they’ve been shadowing me for over a month at this point, among other reasons

TooFine: other reasons?

Jason sighed. He shouldn’t have added that. He knew that the other guy would ask, but he said something anyways.

RedDead: They’ve got a kid. I don’t like it when people hurt kids

TooFine: Danny? he’s alive?

RedDead: From what I can tell

So he knew the kid. Or, at least, he was pretending to. It would make sense for him to be cagey about his intentions, and for him to be desperate enough to reach out.

TooFine: oh my god

TooFine: do you know what city? fuck

TooFine: fuck fuck fuck

TooFine: I need to find him man please

RedDead: He’s somewhere in Gotham

RedDead: I’ve been trying to find him for a week now but no dice. They keep everything important on separate servers

TooFine: listen man you’re a good hacker but you’re not as good as me. you need my help if we’re gonna find Danny

RedDead: Okay, what are you trying to get me to agree to?

TooFine: i’m coming to gotham and we’re going to meet up

RedDead: Hell no

RedDead: Stranger danger

TooFine: if I tell u who I am will you say yes

RedDead: ?? How am I supposed to verify if you’re telling the truth

TooFine then sent him what seemed to be a selfie. Jason’s jaw dropped at the kid’s sheer audacity.

RedDead: There’s something seriously wrong with you

TooFine: my name is Tucker Foley. i live in amity park. i’m in 10th grade

RedDead: ???????? WHAT THE HELL

TooFine: i can send u my address too

RedDead: PLEASE DON’T??

RedDead: WHAT’S YOUR FUCKING DAMAGE? DON’T DOXX YOURSELF TO ME

RedDead: WHAT IF I WANTED TO KILL YOU OR SOMETHING? WHAT IF I WAS A FED

TooFine: i have to take that chance.

TooFine: Danny is my best friend. they’ve had him for over a month and no one’s doing anything to help. mr. Lancer was the only one who cared and he gave up after they blackmailed him

TooFine: they’ve had him for OVER A MONTH. I THOUGHT HE WAS DEAD.

TooFine: Sam and Jazz and I are coming to gotham and we’re going to find him no matter what it takes

TooFine: you have to help us

Jason considered, for a second, the choices he’d made in his life that had led up to this moment. He also considered, if he was in this kid’s position at his age, if he would be doing the same.

He decided to throw the kid a bone.

RedDead: [4735.jpg]

TooFine: HUH

RedDead: I’m guessing you know me

TooFine: RED HOOD??????

RedDead: No I’m just a very dedicated LARPer

TooFine: am i gonna die for Danny right now

RedDead: If I were literally anyone else, probably

RedDead: But no, you’re not. I’m gonna help you find your friend

TooFine: your username is red dead and you’re. yeah ok

RedDead: Oh come on, it’s funny

TooFine: Danny would love you

RedDead: So Danny clearly has great taste in jokes

TooFine: nope. literally loves puns and wordplay

RedDead: Nevermind

They both paused for a second. Then, Jason had a thought.

RedDead: Wait you’re in the 10th grade and you’re hacking into government databases?

TooFine: please don’t tell my parents.

RedDead: And how are you supposed to explain a sudden vacation to Gotham to your parents?

TooFine: wait so you’ll help me?

RedDead: I really hate to say it but I’m not the best at hacking, and my usual help is busy trying to track down the Joker. So, yep, we’re teaming up

TooFine: LET’S GOOOOOO

RedDead: God. I’m asking a 16 year old to help me take down a government agency and save another 16 year old

RedDead: I feel like the bat

TooFine: oh my god this is awesome. Danny is gonna flip when the actual real-life Red Hood comes to save him.

RedDead: I already regret this

TooFine: too late.

TooFine: btw do u have any place for 2 teenagers and 1 adult teenager to stay in gotham? preferably without dying but yknow.

Jason groaned. He was really, really gonna regret this, and he knew it.

Still, the alternative was some overeager kid dragging two other idiots to Gotham to find their friend and getting themselves killed. At least this way he’d have help, and damn good help at that.

He really was turning into the Bat, wasn’t he?

—

[max1461]

Thinking about this post. "The only way to make a cell is from another cell" is somewhat of a troubling fact to me. I mean, not for any practical reason, just because it underscores the precarity of *gestures broadly*.

It's like, some people talk about trying to de-extinct the mammoth. And people are trying to sequence the genome of the mammoth, I don't know if they've done it yet. But even if they do, one of the problems with the idea of de-extinction is... to grow a baby mammoth, you need another mammoth! Last time I heard people talking about this, I think they were talking about using an elephant as a surrogate mother. But imagine if elephants were extinct too.

The point is that information is often tied to the systems that transmit it; even if you know everything in the mammoth genome, once all the mammoths are gone there's nothing capable of reading and using that information. Like when you can't read the data on a perfectly good floppy disk because your computer doesn't have a floppy drive.

This is related to why language death troubles me so much. Even the most well-documented languages aren't actually that well understood; linguists have produced more pages of work on English syntax than maybe any other specific descriptive topic and yet still the only reliable way to get the answer to any moderately subtle syntactic question is elicit native speaker data. We know almost nothing, we can barely extrapolate at all! And every language is like this, a hugely complex system that we know basically nothing about, and if the chain of native speaker transmission is ever broken it's just gone.

"Language revival", I mean from a totally dead language, is kind of a myth. It's like the "came back different" trope. In Israel they revived Hebrew, but Modern Hebrew is really not the same thing as Biblical Hebrew at all. I mean in a stronger sense even than Modern English isn't Old English. All the subtleties of Biblical Hebrew that a native speaker would have had implicit competence with died without a trace. All they left is a grainy image, the texts. The first generation of Modern Hebrew speakers took the rough grammatical sketch preserved in these texts and imbued it with new subtleties, borrowed from Slavic and Germanic and the speakers' other native languages, or converged at by consensus among that first generation of children. There's nothing wrong with that, but it would be inaccurate to imagine Biblical Hebrew surviving in Modern Hebrew the way Old English survives in Modern English. For instance, you can discover a great deal that you didn't know about Old English by comparing Modern English dialects. There is nothing you can discover about Biblical Hebrew by comparing Modern Hebrew dialects in this way.

There's nothing wrong with this, of course. I'm not like, judging Modern Hebrew. I'm just making a point.

Mammoths died recently, so we still have (some of?) their genome. Something that died longer ago, like dinosaurs, we have traces of them in the form of fossils but we could never hope to revive them, the information is just gone. Even if we're not aiming for revival, even if we just want to know stuff about dinosaurs, there's so much that we will never know and can never know.

We imagine information as the kind of thing which sits in an archive, because this is the context most of us encounter information in, I think. Libraries, hard drives. Well obviously hard drives don't last. And most ancient texts only survive because of a scribal tradition, continuous re-writing, not because of actual archival. So I think that imagining archives as the natural habitat of information is sort of wrong; the natural habit of information is in continuous transmission. Information is constantly moving. And it's like one of those sharks, if it ever stops moving it drowns. And if the lines of transmission are broken, the information is gone and can never be retrieved.

Very precarious.

[zerbu]

The Sims 4 Mod: Schedule Festivals Yourself

Schedule Festivals Yourself disables all festivals in The Sims 4 and allows you to re-add them using the Seasons holiday system. It supports festivals from City Living, Island Living, Snowy Escape, Cottage Living and High School Years. You can schedule them to appear on any day and season you want, or disable them entirely by not scheduling them at all.

This mod requires Seasons to work. You'll also need at least one pack that contains festivals, otherwise it's useless.

If you have High School Years, the mod also changes how the Chess and Computer Team Science Fairs work. These are now scheduled through the holiday system like the other festivals instead of through the phone.

Like most holiday traditions, Sims can "Love" or "Ignore" them based on their traits. A Sim "Ignoring" the tradition won't prevent the festival from appearing, it just means they won't get any holiday points for it.

Known Issues

There are two known issues that can cause festivals to start at the wrong time:

Festivals are scheduled a certain number of hours after 6am, when holidays usually start. Because of this, if you edit a holiday that has already started and add a festival tradition, it will start late.

If this mod is added to an existing save, new instances of festivals can clash with old ones, causing them to not start or start at weird times. To prevent this from happening, schedule festivals on different days than they would normally be scheduled for (for example, avoid scheduling the Football Team Sports Day on Thursdays). For festivals from older packs (City Living, Island Living, Snowy Escape), this problem should fix itself after a few Sim days, but for newer packs, it can take up to four Sim weeks.

Conflicts

This mod will conflict with any mod that alters festival notifications, including mods that remove them. I kept the notifications in this mod, because if you go out of your way to add a festival to the calendar, you probably want to be notified when it begins.

This mod will also conflict with mods that add notifications to Island Living festivals, including avacadoloki's Sulani Events Flyer and Calendar Notifications and MizoreYukii's Island Event Notifications. Schedule Events Yourself adds similar functionality to the latter.

Change Log

19th January 2025 - Fixed an issue that prevented Sulani festival traditions from being completed. This only effected traditions, not the festivals themselves.

31st October 2024 - Updated to include Ravenwood Family Day and Thinned Festiveil.

15th June 2024 - Updated to fix a typo in the description for the GeekCon tradition.

Download

Download from Google Drive

Please see Known Issues and Conflicts before using!

[promblums]

I know I haven't played a pokemon game in a while but god DAMN is the Scarlet/Violet final boss cool.

Like, you've known since like minute two that something is up with Professor Sada / Turo, but you get down to the bottom of this huge canyon expecting oh, the professor made a robot clone of their mind but it went cRaZy and the real professor is tied up somewhere. No.

The robot professor, it turns out, was the rational one of the two of them, watching as the person in whose image it was created slips further and further into obsession. It turns out that everything good you've seen in the AI Professor, THAT was the machine. The real Professor has been deeply bitter and increasingly misanthropic, extending way, way back into Arven's childhood, and maybe even before.

Said real professor is dead. Like, dead-dead. Real human dead. Not only that, they were murdered trying to protect one -raidon from another, one that attacked with full intent to kill. Was this a last, selfless act? Or was the professor so devoted to their work that they would die to protect it? We never get that context. It's gone. Have fun in therapy, Arven.

So then the AI Professor leads you to the time machine, looks you straight in the eye, and says, "Can I say 'you have to kill me' in a pokemon game? No? Aight, cool, so to shut down the time machine, I need you to 'not' kill me. Because I'm gonna try to 'not kill' you first."

And then they get lifted 200 feet into the air on a spire of glowing onyx beneath what I can only describe as a technological halo of malice, and they just start breaking the rules of pokemon. Like, they don't get down there and challenge you, ooh, I'm gonna fight ya for the future of poketmans. They stand on the prow of a pitch black heaven and drop living paradoxes on you. You typically get 1, maybe 2 master balls per game; Sada/Turo has an unending supply, perpetually pouring from the godseye above them. They don't even throw them. They just open their hand and let this rain of high-level pokemon fall out.

This is not a pokemon battle. This is you, an insect, being crushed by an uncaring god.

You get the feeling that, were it not hardcoded in by some earlier version of the professor who still had some respect for pokemon tradition, there's no way the possessed AI Professor would respect the 'only 6 pokemon' rule. And they don't! You somehow beat the odds, and you get all of five seconds to think you did something before the Paradise Protection Protocol kicks in and starts the battle right back up again.

And locks your pokeballs shut.

And sends out the -raidon that, as was previously established, has killed a human being before.

This is my favorite part of this fight, because up until now, we've been acclimating to the twist that the real Professor was deeply selfish, to the point of all but abandoning their own child.

Right before the fight, the AI Professor explains that they're going to get overpowered by the security system when you try to shut down the machine. Given the real Professor's obsessive nature, you're led to associate the security system with some remnant of the real professor, and once it takes over, the game starts getting fucky about the identity of the mind in the robot. Is this AI Turo/Sada, but with their free will turned off? Turo/Sada's mind imprinted over the robot's? Some weird emergent mind from the main computer?

Right after you beat the first fight, the 'fair' fight, you get this moment where the roboprofessor is glitching out hard, and its name changes from "AI Sada / AI Turo" to "Professor Sada / Turo?" RIGHT as it starts to express feelings, real feelings toward Arven, look how tall he's gotten, how proud of him they are. We can't know how the real professor felt about their son, but its all the things Arven always wanted to hear. Is it the robot, trying to be kind? Confused? Or is this a fragment of the real professor's mind bleeding through?

But at the same time, the Paradise Protection Protocol kicks in, which is also implied to be some sort of mind-imprint from the Professor, and tries to kill all four of the main kids to ensure the safety of the Professor's machine.

So, we've got two machines, both of incomprehensible power, fighting over the fate of time itself, and each one set up to be a reflection of a person we will never meet.

Which one do you think the professor was most like?

[honeypotmfer]

Eric’s birth chart reading

Quick disclaimer:

There are so many different perspectives and interpretations in astrology: modern vs traditional, including Pluto,Neptune,and Uranus in the reading vs disregarding them, the placidus vs the vedic system, etc.

For this reading I’m using the modern placidus interpretation, and including the planets I mentioned upove.

I’m also not an astrologer! Just an enthusiast.

—

Reading:

Aries sun + Scorpio rising:

His raw intensity masked by silence. People either feel obsessed with him and want to follow him or intimidated by him, there's no in between. He moves with purpose and doesn’t explain himself , and he never reveal his next move.

Saturn in the 10th house:

An extremely powerful placement. Ambition, career, public image... these realms echo with the discipline of Saturn.

Growing up, Eric might've felt an overwhelming pressure to succeed or to fit into a certain mold.

Which makes sense considering his father’s military background , his father was super strict or had high expectations.This placement is why he got that built-in resilience and determination. When he sets his mind towards something he does it.

Chiron in the 6th house:

when I saw this placement in his chart I was like “wow makes sense!”. The 6th house is the house of health, and Chiron is an asteroid that represents trauma and areas where one experiences significant pain and challenges. This placement indicates that he has physical health issues which makes sense because he did (his deformity).

Neptune in the first house:

This placement endows a person with heightened empathy and compassion which makes sense considering his love for animals and how he once cried because he heard a puppy in pain outside once. This placement also gives the person a sense of mystery and can seem elusive. This placement also brings great love of music! And other forms of art and literature, and it can make a person engage in media that provide world building aspects (ppl who love sims usually have a lot of Neptune aspects) which makes sense considering his love of making doom wads.

Uranus in the first house:

he loooovesss being different sooo bad; he really doesn’t wanna be like anyone else. This placement gives a STROOONG drive for individuality. The way he dresses, the music he listens to, his sense of humor,etc. Individuals with this placement often exhibit a distinctive and unconventional presence, both in appearance and demeanor, and it checks out since a lot of people bullied him for being “weird”. People with this placement experience sudden changes in their identity or life direction, reflecting Uranus’s association with upheaval and transformation, which is why he moved a lot as a kid,and it also lines up with him switching from him dressing preppy to his more edgy style. This placement also gives great love of technology and video games, he LOOOVED his computer, even teased for spending too much time on it.His strong urge for individuality and resistance to conformity lead to conflicts with authority figures and societal norms. He really struggled with accepting external control or adhering to traditional structures, leading to social alienation or misunderstandings in interpersonal relationships.this placement made Him impulsiveness.He often may make hasty decisions without fully considering the consequences, leading to instability in various aspects of life. This impulsivity is often driven by a restless nature and a constant craving for new experiences, which can result in a lack of consistency and difficulty in maintaining long-term commitments. This placement also brought a lack of stability in his identity and struggle with his self awareness (ironically).

Pluto in the 11th house:

the 11th house is associated with friendship and one’s relationship with society. this placement made him often experience transformative relationships within their social circles, marked by deep emotional bonds.he finds himself drawn to friendships and groups that challenge societal norms, pushing him to confront his true self and embrace authenticity. Such connections often act as catalysts for “personal evolution” (the shooting for example), compelling him to strip away societal masks and engage in meaningful, transformative experiences. This placement brings a tendency to experience power struggles within group dynamics, leading to conflicts or feelings of alienation. Trust issues can arise, making it difficult to form lasting friendships. Additionally, the intense desire to influence or control group outcomes can lead to manipulative behaviors. This placement also brought a strong drive for societal change (how Eric talked about the shooting like it’s a revolution and how he referred to it as war ,etc). This placement is also a great indicator of bullying, Which he faced.

Mars conjunction Venus in Aries and in the 5th house:

this placement brings great hedonism; he is addicted to the new and spontaneous. He needs to be stimulated constantly. This placement made Eric inclined toward risky behaviors,like stealing the van for example, driven by a desire for excitement and quick rewards. With both Mars and Venus in Aries—a fire sign known for its initiative and vigor—his approach to romance was direct and fervent. He pursued love with intensity( which was intimidating to a lot of girls) , valuing excitement and spontaneity in relationships. This placement often indicates a strong desire for passionate connections and a tendency to take the lead in romantic endeavors. In the 5th house, which governs creativity and pleasure, this conjunction enhanced his talents and encourages expressive, perhaps even theatrical, forms of self-expression. He found fulfillment in activities that allow him to showcase his originality and zest for life (again, his doom wads for example). The fiery combination of Mars and Venus in Aries manifested as aggressive or domineering behavior, especially in romantic contexts. This assertiveness may intimidate partners and create power imbalances in relationships and friendships. He struggled with compromise, leading to conflicts and misunderstandings. His hedonism extended to sex as well:The combined nature of the 5th and Aries gave him a very high sex drive and libido. It made him have a wandering eye too. He is very assertive in bed. He loooved to take control in all aspects in life, but especially in sex. He likely would loved power plays, biting,hair pulling, slapping ,and he really wouldve loved it ROUGHH and fast. He is the type to associate cannibalism with sex. He wouldve wantedddd to consume his partner’s flesh. He needs spontaneity in his sex life or he will get bored immediately (some people consider this aspect an indicator of a cheater, although in his case I disagree due to his other aspects,especially his 8th house moon in cancer). The 5th house’s link to creativity suggests a playful and experimental approach to sex, with a desire to explore new experiences and expressions of intimacy. Despite the dominant tendencies I mentioned above, there’s also a desire for connection, making face-to-face positions appealing for the intimacy and eye contact they provide.

Sun conjunct mars& Venus in Aries and in the 5th house:

these placements are both characterized by a potent blend of vitality, ambition, and creative energy. He had STRONG will power which these placements provide. These placements made him a natural leader, exuding confidence and a commanding presence that inspired others. And due to his Venus conjuncting his sun , he was very charming and persuasive, and sometimes even manipulative with the way he sells his ideas. He possessed an innate desire to initiate projects (in the bike wax commercial tape for example, he can be seen directing and giving orders) and was not afraid to take risks to achieve his goals. His approach to creative endeavors is bold and enthusiastic, often leading him to excel in fields that require innovation and courage. In romantic relationships, he is passionate and direct, seeking partners who can match his intensity. These placements also made him terrible at compromise due to his strong will(and as u can notice, being terrible at compromise and creating friction and conflict is a huge theme in his chart). The mars placement specifically also SIGNIFICANTLY influences temperament leading to pronounced anger issues which we can see in Eric’s case. This astrological configuration combines the Sun’s core identity and ego with Mars’s drive and aggression, all intensified by Aries’s fiery nature made him extremely full of rage and extremely competitive (how he was screaming so hard at Dylan after he cost them the match for example).

Cancer moon in the 8th house squaring Aries mercury in the 4th house:

this aspect presents a complex interplay between deep emotional sensitivity and assertive communication, particularly within the realms of home, family, and intimate relationships. Mercury is the planet of communication ,logic, and thinking. while the moon is the planet of emotions. a square between these two planets makes Eric’s way of thinking and logic conflicted with and often went against his emotions ( for example, him wishing that he were a sociopath so he wouldn’t feel bad for his parents, and him pretending that his victims are doom monsters so he wouldn’t feel sympathy and mercy for them). The Cancer Moon in the 8th house indicates profound emotional depth, with a strong inclination towards privacy and a need for emotional security. This placement brings intense feelings, a heightened sensitivity to the undercurrents of relationships, and a desire for deep, transformative connections. His Emotions are not taken lightly; they are experienced with intensity and can be influenced by subconscious fears or past traumas(another theme you can notice from his chart is his intensity!). Conversely, Mercury in Aries in the 4th house suggests a communication style that is direct, assertive, and sometimes impulsive, especially within the home environment. This placement can lead him to speak before fully processing emotions, potentially causing misunderstandings or conflicts with family members. (This could explain why he wrote out his feelings in paper to his parents instead of talking to them— I’m referring to the online conversation he had) Eric felt compelled to assert his ideas and opinions strongly, valuing independence and quick decision-making. The square aspect between these two placements creates tension between the emotional need for security and the drive for assertive self-expression. This dynamic manifest as internal conflicts where the Eric struggled to reconcile his deep emotional needs with his desire to communicate boldly and independently. There were challenges in expressing feelings without becoming overwhelmed or in articulating thoughts without disregarding emotional nuances.

—

There is soooo much more shit so tell me if you would like a part 2

[frappegoddess]

Things said in Wayne Manor (+Batcave) hourly

- "I understand your annoyed, but threatening to eat Jeremy the Turkey was not an appropriate reaction"

- "If Alfred asks me one more time about my grades, I’m making him a robot butler."

- "Say one more thing and I'll marry a green lantern, or worse, a Kent"

- "The best Robin goes first!!!"

- "Can someone tell Bruce that 'I'm busy' means 'not now' and not 'please come in with a new gadget?'"

- "Okay but you haven't died yet"

- "Can we try a new family tradition? Like, I dunno, not accidentally setting off the alarm system?"

- "I’m starting to think Bruce’s idea of a ‘fun family outing’ is just us going through his criminal database."

- "Damian you can't train Alfred the Cat to shit on Tim's Jordans"

- "I’m not saying Damian’s obsession with training is a problem, but can we not turn the living room into a martial arts dojo?"

- "B, if I have to see one more ‘motivational’ speech about justice, I’m going to start calling you my personal life coach."

- "Dick, could you please not turn the Batmobile into a TikTok prop?!"

- "The next person to steal the Batmobile is getting emailed it's insurance claims"

- "Tim stop using the bat computer to stalk influencers goddamnit"

- "The next time B decides to get creative with his Batsuits, somebody please remind him using neon green isn't a power move."

[derinthescarletpescatarian]

Hi Derin! Sorry if this has been asked before, but I'm amazed by the vast array of cultures and gender norms in TTO:U. How did you come up with all of it?

I just thought "hey wouldn't it be funny if there was a little guy" and then made them, and thought "hey what norms would exist in a culture under these conditions" and then made those.

In all seriousness, most of my worldbuilding comes down to tearing down assumptions. Brennans exist because I fucking hate gender and I'm sick of seeing the gender binary or "gender binary Plus Nonbinary Extra People (who still live in a world that assumes a gender binary)" as some immutable natural law that all societies will forever cling to, and I wanted to make a society that was harder for readers to inevitably sort into a binary as they always, always fucking do. (Partial success; I have seen some absolutely rancid takes on the TTOU gender ternary that make me want to break my computer.) The array of different cultural family structures exist because those are different ways that societies can be built on smaller units. The Arboreae and the two space elevators and the Khemin exist because that is a potential response to a critical climate crisis.

On top of that, most of my ideas are stolen. I once read a short story about people who lived under the ocean on an alien planet and spent most of their time just cruising around the ocean in big bubble-like biological submersibles and that was their job, because their submersibles cleaned the water by feeding on things in it; they were employed to be part of the ecosystem. The Khemin, wandering about the ocean as both environmental monitors and trash-gatherers, were inspired by this; from there, I just thought on what sort of family structure and traditions such a group would develop for a stable society. When I was a teeny tiny child I saw a guy on Ripley's Believe It Or Not who was trying to build a self-sustaining floating island to sail around the world on. Absolute disaster of a plan, man knew shit about ecology or farming, but a bit later on I got really into swamps for awhile and started thinking of using plant roots as water filtration systems and, with an eventual biotechnology degree, multiple years hyperfixating on ecology and evolution, and touch of Magic Future Genetic Engineering, that eventually became the Arboreae. The social structure of Hylara is somewhat inspired by CJ Cherryh's azi, particularly the way that Florian and Catlan are raised in Cyteen. The Hylarans are very much not azi (the azi being slaves brainwashed from birth via hypnosis) but the way they are raised fed into building a society batch-raised by robots and each other with no natural family unit. You can just steal concepts from the real world or from scifi and build them into your own thing it's fine.

Anthropologically speaking, the golden feature of any social structure or cultural practice is *stability*. This is the one feature upon which everything is judged. Just or unjust, productive or unproductive, authoritarian or free, structured or unstructured, when developing a society your key thing to worry about is "is this stable? Would a society survive for multiple generations on this norm?" and if your Weird Idea isn't stable, either ditch it or -- far more interesting -- adjust it and your parameters until it is. Different norms will be stable in different environments and built on different histories -- Khemin and Hylaran norms are not interchangeable because of the environments, tech, political climate and reproductive methods the two cultures have. But if it's stable, you can throw in whatever weird shit you want.