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#To people who refuse to save her over others
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All About Sylus
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Age: 28
Evol: Energy Manipulation
Astrological Sign: Aries
Birthday: April 18th
Height: 6 ft 2
Occupation: Onychinus’ Leader
Workplace: Onychinus
Residence: Onychinus Base
Details:
Sylus is the most influential and dominant figure in the N109 Zone, said to have built his empire on illegal Evol weapons and Protocore deals. His primary objective is resonating with the protagonist. We know little about his past, but multiple references have been made to him having "disappeared" at some time in the past prior to his present return. His closest character connections include Mephisto (a mechanical crow) and Luke & Kieran (mischievous twins who do his bidding).
Appearance:
A distinctive feature is his red eyes, one of which contains an Aether Core that allows him to see people's desires. In his words, "It helps me see what people want the most. It exposes the desires that they refuse to admit".
While he can be injured and bleed, his wounds heal unnaturally fast. We first see this when the protaganist strikes him and gives him a small cut on his face. But after he swipes his hand over it, it Vanishes.
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Interesting Facts:
Can dance (left)
Can play the organ (right)
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Frequently enjoys wine and other alcoholic beverages
His vehicle collection includes: a motorcycle, a car, a private jet
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Often calls the protaganist "kitten" or alludes to her being a cat
Has a love of firearms, a large collection of them displayed in one of the rooms of the base.
Notable Quotes:
"Is this how you greet a new friend? I guess you don't remember anything. Allow me to jog your memory. From your past to your future. To even all the crimes you'll inevitably commit."
"After all, you and I... we're the same. True kindred spirits."
"Family? The people closest to you might be the ones who want to kill you the most."
"Are you worried about me? Save that for the day you actually succeed in killing me"
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romanarose · 1 day
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Wreckage
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Joel Miller
Join my taglist : Masterlist
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Summary: Joel and Tommy go back to Joel's home the morning after outbreak day and comb through the wreckage of their life.
Warnings: I'll be clear, Joel attempts suicide. Major, major, major trigger warning. Joel's extreme grief, guilt as a parent, just sadness. Endless slightly hopeful, a hint that he will find healing. But it's mostly wump. PLEASE head the warning, i cried writing this.
Based on Wreckage by Pearl Jam. I heard it and immidiatly thought of Joel and Tommy, pleeeeeease listen.
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Visited by thought, another darkened day
How you're like the sun, hiding somewhere beyond the rain
I'm needing for the light, stormy is the grey
Rivers overflowing, drowning all our yesterdays
It was over. His life was over. Sarah, his baby daughter, his sweet teenager who was his reason for getting to the end of every hard day, his smart, talented, matured-to-early-because-he-couldn’t-give-her-what-she-needed daughter died in his arms hours ago. Minutes later, him and Tommy were arrested, torn away from where he held her, Sarah’s young body limp in his arms. Joel screamed as the soldiers tried to take him, wanting him to walk away from her when he wanted to lay down and waste away in the field with him. Tommy tried to calm him down but eventually the soldiers took them both away. They were released not too long later, sent back to their little town to gather up their things and move into some quarantine area. Wanting to avoid it, they went to Tommy’s first, grabbing his identification and what he could fit into a bag. Tommy lived in a studio, a messy bachelor pad… Joel had to look through a whole life lived in that house. They stood at the front door, bodies of their neighbors having been cleaned up already. Tommy put his hand on Joel’s back. 
“Are you ready, brother?”
Joel shrugged Tommy off. “No.” He opened the door.
Visited by thoughts on another darkened week
How even every winner hits a losing streak
The mistakes we all make and perfectly repeat
Chains are made by DNA refusing
Refusing to release
Everything was her.
Her soccer shoes on the floor he yelled at her to pick up that day.
The countertop she sat on as a toddler as he cooked breakfast for her on a Sunday that Tommy inevitably would come over and eat. Joel always made extra just incase.
The staircase they had their first major fight when she was 11. She came home late and after years of fairly lax parenting for a mature little girl, he laid down the law. She screamed that he was never around anyway, so why did it matter? Joel wanted to tell her it mattered because he was worried, that he spent the last hour calling every parent he knew, Tommy driving around town after dark because they didn’t know where she was. Instead, he got defensive and raised his voice.
The couch. Every late night movie they fell asleep watching, every time he woke up and she was dozed off on his chest or the arm of the chair. Every night he scooped her up and carried her to bed. Nights she faked being asleep so he’d do it. Feeling her growing up in her arms and feeling his age in his knees but never letting that stop him from picking her carrying her up the stairs, even in her teens. He would have done it last night. Instead he carried her past burning buildings and people killing each other as he and Tommy tried in vain to save her.
Combing through the wreckage, pouring through the sand
Surrounded by the remnants, what we could and couldn't have
Raking through the ashes, falling through my hands
Charcoal on the faces in the burned up photographs
“Whaddya need?” Tommy asked, the question two fold. They were being moved, shuffled to some containment area to be assessed for illness and then… who knows. Joel and Tommy would need clothes for a few days, they were told. But Tommy was also asking Joel, ‘How can I help you?’ But he couldn’t. Not really.
“Some bags in the cupboard.” He answered, looking at Sarah’s 100% paper he hung up on the fridge. Tommy grabbed them, waiting on Joel. They didn't have luggage, he didn’t travel enough for it. Well, Sarah had one, but he didn’t feel like taking a Spongebob suitcase. He had a backpack upstairs where he’d put his clothes in. “Food. Get canned shit.” They had enough of it. Joel was always feeding Sarah chef boyardee and campbells soups, like the lazy parent he was. Why didn’t he take the time to cook her real food? He was always so tired… too tired to take care of his only kid? She was in soccer, she was growing, she was in puberty, why couldn’t he be what she needed? WHy did he have to fail her, again and again and again and…
“M’ going upstairs…” 
Tommy said something, but Joel’s ears were ringing and he couldn’t hear. He couldn’t do it, he couldn’t face his daughter's bedroom… Joel closed his eyes as he walked past. Backpack was in his closet, he would just grab it, shove some basics in there, and get the hell out. When Joel opened his closet door, his backpack was there… And so was the gun he had up top for emergencies.
Oh, visited by thought and this I got to say
If you're feeling the leaving, I can't make you stay
I've only ever wanted for it not to be this way
But you're now like the water
And the water will find its way
He shouldn’t. He knew he shouldn’t. Joel was baptist, he was raised think suicide meant he was going to hell, but what was this world without Sarah? For 13 years, Joel poured everything he had into raising her and it wasn’t enough. He was never home, she said as much in the card she gave him for his birthday. He didn’t feed her right, he didn’t spend enough time with her, every single one of her accomplishments from soccer to her grades was all her. 
The gun was enticing,  up there for him, hidden in a lock box after Sarah got sent home with a pamphlet on gun safety after Columbine. Maybe he should just take it, just incase there was trouble… No, that was stupid. If the government was rounding up civilians, they weren’t going to let him walk in with a gun, everything would be searched. And one guy with a gun wasn’t going to be a match for 100 guys with guns. Joel would probably end up getting Tommy shot too, failing everyone he loved. 
Still, Joel got the keys and opened the lock box.
Combing through the wreckage
Holding out, holding on
Combing through the wreckage
Combing through the wreckage
“Joel, you wanna take a picture or something?” Tommy calls upstairs, startling Joel as he looked at the gun. He barked a no. Joel didn’t need a reminder every day of how he failed Sarah, how his one fucking job was to keep her alive and he couldn’t do that. He was a failure, and without Sarah there was no point.
There was no point.
Oh, visited by thoughts and not just in the night
That I no longer give a fuck who is wrong and who's right
This game of winner takes all and all means nothing left
Spoils go the victor and the other left for dead
Joel took the gun to Sarah’s room. If his home hurt, the pain he felt in here was unbearable. Purple was everywhere, her favorite color. Her bed was unmade, because it never was. He traced fingers over the pictures on her walls, her with her friend, with im, with Tommy. He looked around the room. She was everywhere and nowhere. Tears burned in his eyes, and he didn’t hesitate to let them fall again. Half done homework. When would this have been due? He didn’t know because he didn’t ask. A hair bonnet on the bed stand with some vampire book. The cover looked suggestive, was she old enough to be reading it? Joel knew so little, he was realizing. Did he know too little? It didn’t matter now. All those failures collided into that moment one last night, the moment he lived over and over again. The moment that would be his last thought.  
Combing through the wreckage
Holding out, holding on
Combing through the wreckage
He was taught to believe suicide meant going to hell, but Joel couldn’t fathom that. If there was a God out there, and Joel believed there was, Joel would pay his dues in purgatory and then go on to heaven. If there wasn’t a God, he would just be at peace. 
Either was better than this world without Sarah
Combing through the wreckage
Joel laid down on her bed, smelling her hair products on the silk pillow. 
He raised the gun to his head.
“I’m coming, baby girl.”
Holding out, holding on
Holding out
Holding in
Holding on
Combing through the wreckage
“Joel?”
He flinched. It was a flash of a thought at he pulled the trigger. Tommy. 
The gun went off, grazing his head.
Holding on (combing through the wreckage)
Holding on, oh (combing through the wreckage)
Holding on (combing through the wreckage)
It was unbearable.
When the gun went up, Tommy screamed Joel’s name, running upstairs to find his big brother bleeding out on his niece's bed, and there must have been a moment when Tommy thought Joel was dead.
The pain in his head wasn’t what hurt so bad, it was the pain of Tommy seeing him like this, of being so vulnerable, of having to have the person he should be protecting worrying about him. It was the pain of Sarah’s death. It was the pain of every failure that mounted in his house.
Joel began to scream. He wasn’t sure when it started or when it stopped, but as Tommy sat on the bed and pulled Joel into his arms he screamed.
Falling through the wreckage
“I need you, Joel!” Tommy shouted, frantic as he held gauze to Joel’s head. “You don’t get to leave me! You don’t get to do this!” Tommy was crying too.
But he was right.
Crawling through the wreckage
He had to take care of Tommy. Tommy had to live. Joel had always watched out for his brother, raised him, protected him, made sure he was fed when their dad was passed out drunk and their mom was out late with ‘friends’. Joel had to keep him alive. He failed Sarah, he couldn’t fail Tommy too. 
Joel would lock everything away. He’d push away it all, he’d shove down every feeling about Sarah. He didn’t want a picture, wasn’t going to think of her every day when he had to focus on Tommy.
He looked down at his wrist. When he went to go unlatch it, leave it in the house… but he couldn’t. In that moment, removing the watch would be like removing her again. He decided to keep it. A watch was useful, right?
One reminder. A reminder of what he lost so he remembered to do better for Tommy.
Everywhere, and nowhere at all.
Combing through the wreckage
As they stepped out of the house, the cul de sac seemed far too bright and sunny for the occasion. Too nice. Too happy. But it didn’t matter, Joel reminded himself. He looked at his brother, the younger man’s face seeming aged 10 years in one night. Joel found a new sense of hope.
He’d live for Tommy, he’d keep his family alive. Save who he can.
It didn’t matter what Joel had to do to do it.
*************
Thank you so, so, so much for reading and giving this a chance even though it's not a x reader. I appriciate each and every bit of love you all give.
2 more Joel WIPS to clear out before i excit this fandom
I hope yall give the song a listen, i cried listening to it while writing.
tagging those who might like but dont feel presured!!! i know it cn be triggering
@my-secret-shame-but-fanfiction @miraclesabound @jennaispunk
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all-pacas · 13 hours
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OKAY. 13 AND CHASE IN AFTER HOURS THO
The fact that when 13 needs help, she calls Chase. Why does she call him? Why doesn't she call someone else? She needs someone to deliver her a portable ultrasound, and okay, you could argue Foreman is a bad call because he's her ex and would pry. That House would just refuse. Taub would have been a good pick tbh, he would drop it off and just go home no questions asked. But no, she calls Chase
(And I love that call. "You doing anything?" "Oh, yeah, I'm just about to go out," Chase lies blatantly, asleep in bed with a book on the crusades on his chest. Like the loser he is. I don't know that it was done well but I love how S7 examines his Dumb Whore tendencies: it isn't really him, it's a rebound. He does it again when he gets stabbed.)
And of course the second he shows up he immediately sees through 13's excuses and pushes his way into the apartment. Because we love Chase's observation skills triumphing over his laziness.
13 tells Chase the prison backstory. Like! It's kind of glossed over. She hasn't told this to anyone else. She doesn't hide it. I killed my brother. It wasn't murder. Chase is just pacing, you just know he's twigged as hell, he's so anxious all at once as she tries to brush past it. The idea that 13 kind of had to tell him to explain Darrien's presence but she's also — House is the only other person who knows.
CHASE: Have you talked to anybody about it? I mean, are you okay?
Like we know this immediately triggered something in Chase, but 13 doesn't, and seeing him so anxious and pacing and ignoring the bleeding dying woman as 13 works, it's just. Incredible. It's good. He cares immediately, he's relating to this immediately.
But I love seeing them work together. Like they just immediately go in sync, Chase offering suggestions and 13 doing the work. They're just. It's nice.
SIDE NOTE: House says he called everyone before he called Cuddy. We see him call 13 and Taub. Chase is off picking up drugs, we don't see House call him, but like. He had to have called Chase first, right? Did Chase not pick up? Did he blow him off because he already was dealing with someone bleeding to death in someone's apartment??
The way they fight oh my god. The way 13 just is trying to fucking murder Chase. She punches him, she claws and shoves him, and then he just clocks her and stares horrified as she falls to the floor. Like it's an actual fight, it's brutal, it's so good. They hurt one another. I can't explain it but I love how brutal it is, that they both walk away with bruises, that it isn't pretty. Incredible. Amazing scene.
CHASE: You were defending your friend beyond all rationality, granting her the right to die in your bedroom. Was it really all because of a promise? 13: That word means something to some people. CHASE: Not that much. […] CHASE: You promised your brother you'd euthanize him and you think you won't feel bad about it as long as you can blame it on the promise. That's why you have this twisted obligation to keep all promises… or your carefully constructed defense mechanism could crumble down. 13: I saved my brother from a lot of pain.
!! Chase keeps bringing it up, he keeps bringing up her brother, not out of I can't believe you did a murder or I can't believe you went to prison but: you must hate yourself. He's calling her out on her coping mechanisms, he's calling her out on her guilt, and it's so fucking clear what he means is I get it but he's not saying that part. 13 killed her brother and now has to believe she did the right thing, no matter what, no matter how she feels. She's taking away her own agency: it was for a promise, it was his decision, she had nothing to do with it, it's fine, it doesn't feel bad. Chase killed Dibala and told himself it was for the greater good, it was morally just, it was the right thing to do, it doesn't feel bad. And it nearly destroyed him. And so he's pushing and pushing at it. He never goes 13 went to prison! he never goes it's so crazy you did that! Whenever he brings it up it's only in the context of how worried he is about her. Has she spoken to someone? Is she coping? Is this healthy? Is she okay? He's so worried. He cares so much.
I adore 13 and Chase running out of ideas with Darrien and calling dad. Most sibling coded of all time. Just. And the fact that House doesn't allude to also being in the hospital, actively bleeding and in pain, just, yes, we gotta help bail you two idiots out. Beautiful moment.
Chase getting 13 ice and coffee and still feeling guilty for punching her out, and 13 not blaming him at all. Like. You know. Don't beat people up. But in this one case I totally approve. Because I love it.
13: Darrien had to shoot that kid. It was the right thing. Completely justified. But it didn't matter. She destroyed her life trying to forget. I'm afraid that's what's gonna happen to me. CHASE: You really should talk to someone. 13: I've talked to a therapist. It didn't help. CHASE: Well, maybe you should talk to someone who isn't a therapist. 13: Do you really think you have any idea what it's like to live with something like this? CHASE: Let's grab a coffee.
Since the second Chase found out, this is what it's been leading towards. I love that he doesn't answer, he doesn't say a thing, but this is what he's been thinking all episode, why he's been pushing, why he's been so worried and caring: talk to me. Tell me you're not okay. Tell me everything isn't fine. And 13 holds it back until the end of the case, until it's over and she has no distractions. It's not at all clear Chase himself has talked to someone about Dibala, btw. He probably hasn't.
And how insane is that. He never told Foreman or House; they figured it out. He told Cameron: she left him. (Imagine being 13, hearing this. Realizing the timeline. She went to their wedding. What did she think happened when Cameron just … left? How quickly does she figure it out now?) House told Chase to talk to someone, Chase tried Confessing, but whenever he's tried to tell anyone it's gone terribly for him. I don't think he has talked to anyone. But he repeats House's advice to 13: talk to someone. (Talk to me.) He's offering her what he never got. And their situations are different, hers is much more sympathetic and easy to accept than his. Chase never goes I never got help or you have nothing to feel bad about or implies he doesn't think it's a big deal: his entire reaction is just empathy. He wants 13 to get what he didn't get, he wants to help.
The song that plays over the end of the episode is Bon Iver's Flume. And as much as you can apply it to House, and Cuddy, and Wilson, and all of that — it's a song about feeling isolated, feeling alone and being afraid of letting go. Of holding on to things that stain and hurt. The lyrics that play while 13 and Chase are having their coffee in the conference room, though:
i wear my garment/so it shows now you know
And I just! I love! Them! The ways 13 and Chase are so alike and so damaged, the way Chase reacts with empathy and care and wants her to have what he didn't, the way they know one another's secrets and worst moments and rely on one another so easily. 13's secrecy is a meme, in and out of universe, but Chase is absolutely no better: he won't even admit he's Catholic when talking to a nun. They're private to faults, they mask by sleeping around and taking risks and pretending not to care, they hide their hurts and then somehow, they punch one another in the face and know everything. I'm just. I'm so obsessed with them. I want them like this always.
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postsfromthedark · 11 months
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claudia has made it very hard to excuse her war crimes, but I shall continue to do so
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monards · 6 months
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i know hoyo is setting up rhine to have good intent and whatever in her trying to 'save' khaneri'ah or whatever; but i REALLY hope they stay with the cruel persona thats been built up for her. because it would be so wonderful to see a character who had good intent in the beginning just get absolutely corrupted; with the inability to ever go back to that prior state purely because of what had happened. also because there is NO way in her turning back after all that shit
#sorry. i dont think theres any good and plausible explanation for rhine to still be a kind or gentle person in general#she can (and SHOULD) have her moments. but it'd make so much more sense (and be much more impactful) for her to be inherently cruel#because look at all the stuff thats happened#i love the indomitable human spirit trope. dont get me wrong.#but rhine has that in the way she WONT stop her research till shes either dead or murdered. she is not gonna be gentle kind and optimistic#she watched all her kids (that she was SHOWN to care for) get very brutally murdered.#had to then go and kill her next creations that she didn't consider perfect (which most certainly fucks a women up. no matter what you say)#made the 'perfect creation' and the way she treated him was obviously a HUGE contrast to how she was before (being gentle and nuturing)#and left him (albeit with what we can guess was good intent) with NO goodbye just#a recommendation letter. a text. and his final mission#she could have good intent#and still care for others#dont get me wrong!!!!!!!#but shes. human???#humans can be (as much as i hate to say it) a tad selfish when it comes to survival#and being antagonized demonized AND shunned by teyvat and even her own people. having to survive multiple gods wrath#isn't. gonna be good for the human psych#and it isn't gonna be something fixable#look at how furina progressively faltered over a hundered years WHILE being adored#she already started waning in her ethics and morals (as someone immortalized as a human WOULD)#with exposing lyney and all of that when it was VERY clearly the morally wrong thing to do (which her as a human would know)#and being relatively pessimistic and clearly spiralling#(no hate. i love furina with all my heart.)#if thats how FURINA started going#imagine rhine who has nobody (save maybe alice. but i doubt she'd be constant given her spontaneous nature and refusal to sit still)#shit man. even I'D go crazy and be horrible.#its okay and natural to be bitter#and its not as if anybody was there to help#hexenzirkel has a ton of women who survived their own nations falling yes#but not ONE of them (from what we know) has had circumstances any where near rhine's
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this-should-do · 4 months
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venting dont mind me xp ✌
#if i dont get out of my parents house im going to die#either by my hand or my mothers#i refuse to be forced into the role of woman becuz my mother cant get over herself or accept other peoples suffering#so i either leave or i die#i am never more depressed than when im in this house and it gets worse everytime i return#every second of oeace is a facade careful held up by smiles and jokes while ignoring who i am to please others#and ignorjng the genuinely genocidal beliefs of my parents against myltple peoples#at least one of which includes me#why cant life be easy#when is it .y turn to tbrive#in this hluse i am no older than a middle schooler no more mature or happy#everyday i dream of relapsing sh-ing just for some control of the pain i experiemce something anything#maybe someone will finally listen to me and se ehow ioset i am see how smothered i am and the sting will pull me back down to earth again#but no who would see would understand#my brothers or my parents none of them would kniw why even if i said it to thwir face#i dint event even want to think of what my mother woukd say#shed use it as an excuse to further deny my transness surely#say how horribke and spirtful and manipulative i am against her#that i ddi it to hurt her#i am trapped as a doll in a house only allowed to be agreeable no politics no emotions other tan#contentness and love and adoration for my family#or else i am unloveavle and horrible and sick#i cannot tell my mom she has uoset me becuz it would be unfair i am silent instead#i am to take her anger and rage as a perfect recepticle and no matter how well i handle it#i am thanked with resentment amd scorn amd terfisms#i can neither disagree woth her beliefs nor avoid discussing them to keeo the oeace all she wants is comoliance#i refuse to do that tho ill take hee scorn on that one thing i refuse to xomprimise my beliefs verbally to save my own skin#ill just be quiet#im sure id be a better recepticle for her dead so she can dress me up as a girl one last time#the dead cant argue or disagree with you its everything she wants from me
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morganmnemonic · 14 days
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I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!
Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.
And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.
Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.
So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.
And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.
And, Jon, in turn, holds out hope that she might make better choices until the very end.
This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.
When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.
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boiohboii · 3 months
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The Twitter Marriage
(Oscar Piastri x fem!driver!reader)
Yn Ln has had a crush on fellow driver Oscar Piastri since their f2 days but she never and will never tell him.... at least not to his face
or
In which Aston Martin driver needed the alcohol to confess her feelings
N.B: rushed a bit cause of finals, but I hope you like it. Also, doesn't follow any timeline tbh. NOTHING IN THIS IS ADDS UP IN REGARDS OF DATES AND CHARACTERS AND STUFF, IT IS JUST FOR FUN.
WARNINGS: REALLY BAD PICK UP LINES, SOME SWEAR WORDS. Probably some spelling mistakes as well. Short fic.
faceclaim: sabrina carpenter
Masterlist
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Liked by ynmyworld, f1memes, charliethesinglemom and 168,920 others
Keepingupw/f1: Aston Martin driver, Yn Ln, tweets as she celebrates her p3 in Monaco.... it seems like she has something to say to fellow driver, Oscar Piastri.
username: the entire grid is just having fun with that joke.
username: miss ma'am, STAND UP!!
username: what do you mean stand up? SHE FOLDED LIKE A CHAIR
username: understandably so tbf
username: no but her offering to make Spain Oscar's home race LIKE CARLOS ISN'T LOOKING FOR THAT MAN'S BLOOD.
username: so foul of her 💀
username: her tagging him is insane
username: pr is gonna have a headache tomorrow
username: the fact that she's tweeting this shit while in a club, WHERE OSCAR IS A FEW METERS AWAY FROM HER
username: you know she's out of it when she starts using twitter.
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Liked by F1_updates_live, ynmyqueen, oscaroopastryy and 184,710 others
Keepingupw/f1: yn ln on her way back to the hotel last night after celebrating her Monaco podium.
username: she got wasted omg
username: now those tweets make sense
username: where did she even get the shoe box from
username: and where did her shoes go, papers fell out of that thing
username: so are you guys gonna post the video or?
username: what video?
username: there's a video going on twitter where these pics are taken from she was so drunk, she was actually dancing in the middle of Monaco (go queen, live your best life) and then the papers fell out of the box and she immediately went down to pick them up and put them back but then after she was halfway through she kept looking at the ground then at the box and then at her feet, you can see her pouting as she kept putting away the little papers in the box again
username: shut upp!!! I need that video! IT IS A LIFE SAVING MATTER ATP
username: yn ln is gonna be the death of me
yn ln has shared a story
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text: when you wake up to a video of drunk you on the streets of Monaco and some tweets that should've gone with you to the grave
yn ln has shared a story
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text: self pity and cringe time over, back to our regular schedule of slaying
Sebastian Vettel has shared a story
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text: someone tell her that staying with me till the Spanish GP isn't going to make people forget that she exists
yn ln has replied to your story: your kids love me! AND SO DOES HANNA
yn ln has replied to your story: also, please take pity on me, I can't face him again, ever, I will just retire, I can't do this
yn ln has replied to your story: why are you ignoring meeeee!!! Not you too, Oscar is already doing thaaaat, I wanna turn into a worm, I'd die quicker if I was a worm, I wouldn't have to go through this much embarrassment if I was a worm
Sebastian Vettel replied to your message: are you drunk right now?
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Liked by pierregasly, wtf1, oscaroopastryy and 268,715 others
Keepingupw/f1: we bring you part 2 of the osyn saga
username: i love this family
username: yn is such a pr nightmare
username: the ACTUAL child of fernando
username: wait, now that you reminded me, I need to update the family tree
username: post the updated family tree you coward
username: anyone who doesn't watch f1 will 100% believe that Charles and Nicole are Oscar's parents
username: hey, don't disrespect charles' heartfelt adoption like that
username: this sport is so fucking unserious
username: I refuse to believe that this is real
Sebastian Vettel has shared a story
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Text: huh..... it's not so bad having her here
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Liked by OscarPiastri, Charles_leclerc, Arthur_leclerc and 918,037 others
yn ln: let her cook now 🧡
username: yn.... yn..... YN.... WHAT ARE YOU COOKING YN
username: it has started, I can feel it in my bones
username: so she's with Oscar now, good to know (screaming into my pillow as I type)
username: oh so if I wear orange I'm dating Lando now, nice to know ig
username: fuck off away from my replies, I wanna have fun
username: yn pls don't, I can't lose you, you were the only wife left standing
username: PLS TELL ME THAT MY SHIP SAILED
username: if I see that australian's face anywhere on this account I will start biting ankles
username: ok Leo, geez, no need to terrorise your sister-in-law
username: I can't believe she was simping on main for a boy that goes 'wut'
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Liked by Ynln, pierregasly, Arthur_leclerc and 890,627 others
Oscar Piastri: let him cook 💚
username: nope, no, nuuh, I see nothing
username: other partner's team colors, matching captions, liking the posts..... yup, they're officially dating
username: we lost her to a mini kimi raikkonen
username: I see that as a win tbh
username: kimi was and is the IT girl of the grid
username: how dare you forget about our very own Britney Spears.... nico you will always be missed
username: you can't prove that they're dating from just that
username: oh boy, the delulu is strong with this one
Oscar Piastri and Yn Ln shared a post
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Yn ln & Oscar Piastri: I said let them cook 💚🧡
username: YES YES YES YES YES YES
username: MY PARENTS
username: This is why women shouldn't be in f1, wtf is wrong with Oscar? Why would he date yn? And what is this hand placement? Where can I get a yn? Or an oscar?
username: slowly deleting my paragraph
username: had us the first half, ngl
username: yn hide oscar really well during the Spain GP, we leave his safety in your hands
username: THE CURLS OMG
username: MR OSCAR JACK PIASTRI WHAT IS THIS BEHAVIOUR WHAT IS THIS HAND PLACEMENT
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thelibrarian1895 · 5 months
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If your sibling is a rogue then make the best of it
I would like to think that Jason is very Hondo Onakha about kidnapping, very dramatic, fairly polite/chill to the one he kidnapped, minimal trauma, very professional overall but also very theatrical. Out of anyone in Gotham to have as your kidnapper, Jason aka the Red Hood is by far the very best person.
ALL of Jason's family whether they be legal, biological, emotional, or honorary, will absolutely try to convince Jason to kidnap them to get them out of some stupid civilian event. Whether or not Jason will go along with it will depend on several factors such as:
Does this benefit Bruce and get him out of a boring civilian event too? Then so sorry, you're just going to have to suffer!
How busy is Jason at the moment? Because being a drug lord and vigilante is actually pretty time consuming and kidnapping can be a lot of work for potentially very little gain.
What does Jason get out of it? Yes money is all well and good but Jason is rich by his own merits and can just steal from Bruce whenever, there's got to be more to it!
When is the last time Jason has kidnapped this sibling? He can't do it too often or it gets less effective. He has a reputation to maintain after all!
It may also depend on which sib is asking and what they need to be "saved" from.
Dick asks to be kidnapped from a bachelor auction charity? Ha! No chance, sorry Dickie! He will be there though and take pictures and laugh. (And also join all the other siblings who are stalking Dick and the winner of the auction in the event the winner wasn't one of the Bats or an invited member of the JL or Titans using Bruce's money) Dick asking to be kidnapped from a gala or some opening night of trendy place he's at to maintain civilian status? Maybe but the bribe has to be considerable. And it cannot benefit Bruce. Dick's normal bribes consist of taking some tedious part of an investigation over for Jason or getting intel from JL databases for Jason and the Outlaws.
Cass? Anytime and always, favorite sister who can beat him up has special kidnapping privileges, though they did stop for a very long time when some weirdos put out the theory that the Red Hood was in love with Gotham's Princess. (idk if Cass is considered Gotham's Princess in any version of canon but she is to me) Cass does still repay Jason in the form of Black Bat keeping an eye on Jason's territory when he's out of Gotham for any significant length of time.
Tim? He does owe the kid for several incidents and Tim normally doesn't abusive the privilege so he'd probably do it but there does have to be some sort of bribe for appearances sake. Tim usually gets Jason to agree in exchange for pictures of Batman tripping over his cape or in some other ridiculous position. Bonus in Jason's mind if Tim requests a kidnapping when Bruce is off world or otherwise occupied, therefore giving Brucie Wayne's reputation a hit. However if Tim wants to be kidnapped from something where Bruce is also suffering as Brucie, Tim is SOL (Tim might get revenge by getting Kon to wear Red Hood gear and "kidnap" Tim from the event if Jason refused. Kon will do it because Tim asked and also I would like to think that Kon isn't too fond of the guy who beat his best friend/boyfriend nearly to death and will mess with him if given the chance) Since kidnapping normally interferes with things that Tim wants to do however, he may instead bribe Jason to not kidnap a sibling that has asked to be kidnapped. Jason usually obliges this no kidnapping request.
Barbara? Sorry, no, he doesn't want to stress the Commissioner like that. He will, however, kidnap other people for her if she asks.
Stephanie? No Stephanie, he doesn't care what you offer, he's not kidnapping you so you can avoid your finals! Stephanie has, however, worn various wigs and been various hostages who died at the hands of the Hood in order to maintain his reputation. She gets paid in baked goods for her service.
Damian? Damian considered the idea ridiculous and proclaimed he'd never stoop so low and he would carry out his duties no matter how onerous! Damian then had to go to a Gotham gala. Damian is trying very hard to figure out a suitable bribe to get the Red Hood to kidnap him often enough that Bruce will be forced to keep Damian away from galas because of the ongoing security threat. So far it hasn't worked because Damian is very bad at bribing Jason, Jason thinks Damian forced to interact with normal people is funny, and Tim is successfully bribing Jason to ignore Damian's bribery attempts. The Red Hood has "kidnapped" Damian once, as a treat, when he thought the kid was looking particularly down about something.
Duke? Duke has yet to be made to attend any society gatherings as the solo Wayne (normally that falls to Bruce, Dick, or Tim) and can usually be spotted hanging out with Cass by the snack table at any gala or trendy event. He's not at Cass's level of reading body language but he's pretty darn good and he and Cass have reached a new level of being able to avoid annoying rich people while at parties. Duke is Cass's favorite gala buddy. Duke hasn't felt the need to ask Jason to kidnap him yet but Jason will allow the first one to be free of charge, no questions asked. After that Duke hasn't figured out suitable bribes for Jason but has realized that all of his siblings are hyper competitive and that Jason would absolutely wager a kidnapping in a competition or for a bet.
Alfred? If Alfred asked then Jason would without any caveat. Alfred will not ask however but might ask on behalf of someone else and Jason will comply.
Bruce? Jason just laughs. And if someone else is planning on kidnapping Brucie Wayne from a particularly boring business meeting or gala? Jason will actively thwart the kidnapping to force Bruce to continue to deal with social activity.
Jason usually splits a portion of the ransom money into bonuses for his goons since their original job outline is drug dealer/enforcer/mobster and not kidnapper. If they're going to get major felonies on their records, better make it financially worth it. All of Jason's goons are masked during any kidnapping event. The rest of the ransom money goes towards a charity of Jason's choosing.
Jason has also kidnapped people who are not his family or family adjacent. Barbara thought her dad could use a vacation at one point but he didn't have the PTO for it so Barbara had the Red Hood kidnap him. James Gordon experienced the weirdest kidnapping of his life that included some of the best food he'd ever eaten, an extremely soft bed, his pile of books that were on his reading list, and access to the sports games he'd meant to watch. The ransom was successfully paid after he had a week to relax. Gordon was then, as per protocol, allowed time to relax after his "harrowing" event. Barbara forced him to take the time. Strangely enough, some politicians who had been giving the Commissioner a hard time were suddenly very quiet when James Gordon came back, well rested, well fed, and ready to get back to the grind. It, of course, had nothing to do with the very polite emails with pictures attached that they all received while the Commissioner was very publicly out of the way.
Oliver Queen, when he was visiting Gotham, was kidnapped by the Red Hood. He was released after the ransom was paid and specifically he was released back in Star City. Mr. Queen was unavailable for comment after the incident but some sources say that he was cursing bats for some reason.
Lois Lane found herself kidnapped by Red Hood and ransomed by the Daily Planet while Superman was off world. Lois Lane returned safely to Metropolis and published a shocking expose on Luthor's latest scheme. Her sources for the article remain a secret.
Bruce is very grumpy about the whole thing, not just because Jason won't help his poor father get out of the stupid social event, but also because Jason being technically a rogue like this makes it very hard for him to successfully argue that Jason should let himself regain legal living status.
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satowooo · 4 months
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i. imgonnagetyouback
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The one and only son of the Gojo clan had fallen quite hard, completely and utterly, to a lowly woman who came from the dirt, and got his heart broken by her. Years had passed, he was still as angry since the day you left, but he only wanted you back.
contents. modern au, gojo satoru x reader, angst, not proofread.
Whether I'm gonna curse you out or take you back to my house, I haven't decided yet but I'm gonna get you back
next chapter
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It was pathetic. The sight of Gojo Satoru, a well-respected son of the Gojo clan, was down on his knees right in front of you, begging you to stay, a daughter of a mere servant.
It made him look pitiful and weak, a miserable prince who had his heart shattered by a low class woman like you. But he didn't really give it that much of a thought, ever since he first laid eyes on you. He didn't care what people might've said from the very first time, and he proved it to you a million times as he stubbornly and desperately showed you how much he loves and adores you. So, begging down on his knees is not that much of a deal now, no?
“Stand up, please.”
But you were firm, closing your eyes as you let out a shaky breath. You hated seeing him like this, but you were left with no other choice. Your love for him could risk even the dangers of your life, and you were sacrificing him to save him.
“I do not wish to be with you any longer, Young Master.” You said, uttering his title in a whisper. “What we had was wrong. It was a mistake on my side. And I thought I was in love with you, but it was just a pathetic infatuation and I realised that another man best suits me, and it's not you.”
Your words were nonstop, every single thing that you uttered was shattering his heart into pieces. But Satoru furiously shakes his head, his hands trembling on your lap as his forehead falls on your knees.
“T-that’s not… T-that's not true…”
You remembered everything from that day. Every little detail, every word, every touch, every action, of what had happened stayed forever in your mind. It never fails to shatter you. To make you cry every single time that you thought about him as you lie in the confinements of your small room.
“I have done what you asked for. What else do I need to do–” A whimper escaped your lips as a hand flew over your cheek. Breathing heavily, you felt the sting on your skin as you looked back at the person who had been the cause of your pain.
“Pack your things, and never show your face again.”
Gojo Satoru haunted your dreams and nightmares. He managed his way in your heart, and refused to leave. He was the ghost of your tragic love story, you could only wish that you never should've picked up the pen. It's already been two years since you left, and even until now, your heart only beats for one man and it will always be for Satoru.
So what are you going to do when he comes up at your door, claiming what used to be his?
It all happened so fast that your head can't fathom how you ended back to the place of your nightmares. The Gojo clan's mansion. The place where it all started between the two of you.
Every corner of this place was filled with memories of you and Satoru, all the good and bad. But what you remembered most was the torture, the consequences you had faced for falling in love. You felt like all your scars were slowly tearing apart, opening the wound that was almost healed as you looked back to the man who stood in front of you.
You never should've been back in this place.
“I expect you to work immediately.” Satoru's voice was different. It was laced with authority and demand, not the sweet ones that you remember back when he was yours. “Remember, your family is in the palm of my hands. Try to escape, and you'll face the consequences.”
His eyes looked at you with anger, a pent up emotion that he bottled up all these years. His hands were balled on a fist by his sides, almost trembling, but he wouldn't let you see just how much you still have an effect on him.
Right now, all he feels is anger and hatred for what you did. For leaving him. For running off with another man. For loving him only to break his heart. For letting him hold on to your empty promises.
For those two years, he only loathed you and he's not going to be a forgiving man, he'll make sure you regret. He'll make you beg on his knees, the way he did for you.
“I expect you to be in my office in five.”
Now, you're back to square one. Working as his maid was already bad enough back then, so what's going to happen now that you're back to serve him again?
You can't help but notice how much he changed. Somehow, you can tell that he was still the same, only that he was only mad at you. It was obvious already how he's showing indifference only to you but not to anyone else. His bubbly personality that used to welcome you with warm embraces is now replaced with an angry demeanour of a man who cold-heartedly took you away from your family and took you back to the house where you suffered.
How unfair.
This was not your Satoru.
As soon as Satoru turned around and left you standing, he heaved out a breath that he didn't know he was holding. His heart felt like it was trying to escape from his chest. For the first time since you left, he finally felt his heart beating again.
All throughout those years that you were gone, he relentlessly looked for you. Trying to search your face in unfamiliar places, sometimes getting himself into trouble when he mistakes someone for you. Everyday, he was turning angrier and angrier when you never showed up, while all he needed was proper answers and explanations. He hated all the memory that you had left, and how it tore him to pieces that all of it was just a lie.
He couldn't believe you had the nerve. A woman like you with no name for herself, telling him that a relationship with him was just a mistake as you sought another man. Gojo Satoru was everything anyone could have asked for, so how dare a woman like you? How dare a woman he loved…
Everything comes crashing down into his mind once again. From the first time he saw you and how you've caught his eye. His heart starts to beat frantically, his breath caught into his chest, his tongue tied together. Satoru slumps into his chair as he closes his eyes, letting the memory sink in.
“Who is that woman?” Satoru asked an older servant, seeing your unfamiliar face walking around the garden in a maid uniform as he stared down at you from his window.
“That's [M/L/N]’s daughter. She's here to take her place while her mother is recovering.” The servant answered as she poured him tea.
Satoru watched as you walked quietly, your movements looked calculated and careful. He watched your finger touch a ragged cloth, gracefully cleaning the dirty tables.
From afar, he can see how your skin looked soft and pale. You were a bit thin and looked weak. He can only assume that he could break you with one twist.
Your face didn't have any emotion in it which intrigued him. Even your lips were downturned, like you hated every second of working in his place. You caught his attention in a matter of seconds, a curiosity growing inside him while he watched your every move.
He noticed the way your mood changed when his family's dog, a small golden retriever, came running to you. A smile formed into your face and he swore he could feel all the flowers blooming all around the place. Everything seemed to have lighted up, his heart began to drum in his chest as you kneeled down to the dog, petting and rubbing the cute animal between your hands.
What's so fascinating about you?
He swallowed hard. Satoru felt like a teenage boy realising that he was staring a little too hard. He felt like a stalker for watching you, shivering at his thoughts.
But he wanted to meet you. Something was pulling him to be close to your presence. A magnetic force was drawing him to come near, and it was the very first time that he ever felt like this.
But he'll take his time first. For now, he's going to settle on just watching you from afar, memorising every detail of you, until he is ready.
A knock on the door woke Satoru back to his senses. He straightened up on his seat, erasing the memories out of his head as he coughed. “Come in.”
But how can Satoru completely forget?
You walked inside in your maid uniform, the same dress that you used to wear, and it only took Satoru a matter of seconds for all your pasts to remind him of how much he loved you. He felt a pain in his chest, and for a moment, he wanted to fall back on his knees and beg for you to love him again. But even you had changed.
Satoru was also back to square one. He looks at you, reminded of the first time he had seen your face. The lack of emotion, the frown, the gaze that used to intimidate him, and the wall you had built between the two of you was palpable.
“Take a seat.” Satoru gestured over the chair in front of his table.
He watched you carefully as you stepped inside his office, striding forward with a sense of hurry as you obviously refused to seat. You stood in front of him, an emotion in your eyes that he can't seem to read.
“I have to get back to my family–”
“They are fine.” Satoru immediately cut you off, his voice ringing over your ear. He looked at you with a glare, venom laced in his voice as he says, “You are bound to stay here, as I said so–”
“You can't keep me here!”
Your scream shocked the both of you, but Satoru kept a straight face as he stood up slowly. He chuckled with malice, staring at your helpless state.
“What makes you say that I can't?” He smirked. “I own you now. Every single thing that's yours is also mine, even your family.”
Your eyes fell to the floor, your hands trembling at your side. Your knees felt weak underneath his gaze, burning and crushing your soul.
Everything he said was true. You were in so much debt ever since you left the Gojo mansion, your family almost falling apart if he didn't show up to take you. And now he's claiming every single bit of what's yours, not leaving a single piece behind.
Satoru made it clear when he took you here. He'll pay for everything to save you and your family. Your mother's hospital bill, your father's gambling debts, your brother's education, their food, house, electricity, and all their livings, because you couldn't pay them off by yourself.
So now you're trapped. He's got you wrapped around his fingers.
“You need me, Y/N.” You closed your eyes at his voice, shaking your head in denial. “You can't afford to live without me, and that's the truth.”
It was the truth, Satoru taking her away from her old life.
You were doing just fine when he was gone. But now you don't know anymore.
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this is the part 1 of my mini (?) gojo series! i hope you'd like it and anticipate for what's next to come 🥺🫶🏻 [M/L/N] also stand for "mother's last name" in case you didn't knowww ^.^ I also hoped you understood the flashbacks and such.
this is just a prologue of the main story, sooo the real story starts at part 2.
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gloomwitchwrites · 1 month
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Thinking about…Viking!141 AU
Viking!Price is a Jarl. He came into the position by earning great wealth through success in battle and raids. He is known for his ruthlessness when fighting. Many men flock to him, and the people under his command are loyal to the very end. While brutal in battle, he is beloved for his fairness. He might not always be kind, but he always listens, dealing out justice that few disagree with. Even so, Price spends a lot of time away. He remains unmarried and heirless, though he's never without a woman to warm his bed (and has fathered plenty of bastards from it). The people advising him have offered up an option. Another Jarl has an unmarried daughter. She's the oldest, and refuses to marry unless a man can best her in a fight. Price enjoys a fierce woman, and he intends to claim this one.
Viking!Soap is a member of his Jarl’s personal guard. Skilled with a blade, Soap rose to prominence quickly, eventually saving the Jarl during a battle that earned his respect. Since then, Soap has been by the Jarl’s side. He protects the Jarl, his wife, and all of his children. But Soap is no nobleman, and the small farm he does own is likely overgrown, perhaps even occupied by strangers. Soap won't be in this life forever, but there are few prospects in front of him since he remains unmarried and without children. What he'd like to do is tend some land, brew mead, find a busty wife, and have a small army of children.
Viking!Ghost is the Jarl’s personal blacksmith. He is known for crafting beautiful blades and armor for the Jarl and wealthy landowners of the clan. Ghost is respected by his community for his craftsmanship, how he treats others around him, and his fierceness in battle. But Ghost is alone, a widower who lost his wife in childbirth, and he has not made any attempts to remarry—though many eligible women have made themselves available. It's not that he isn't interested. He wants that connection again, but the loss of his wife still cuts deep.
Viking!Gaz is a skilled ship builder. Every ship he oversees in construction is fast on the waves, durable over long distances, and unique in craftsmanship. Gaz is applauded for not only performance but the artistic excellence with each ship. The Jarl of the clan deeply admires his works and often calls on Gaz to build for him. However, Gaz is unmarried, and therefore expected to go on more raids than his married counterparts. He goes without protest, but it’s not where is heart is. And there is another issue…the Jarl’s daughter and Gaz have been meeting in secret. She often comes at night, the two of them copulating in one of the unfinished boats.
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synchodai · 3 months
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HBO's Continued Insistence on Dumbing Down Westerosi Politics
So there have been countless thinkpieces already on how GOT simplified the feudalist politics of Westeros (by giving a lowborn sellsword lordship over The Reach, by having no consequences for destroying the Sept of Baelor, etc.), but I haven't seen a lot of people talking about that for House of the Dragon.
The worst being that the show presupposes that Rhaenyra is the lawful heir when the books showed there are plenty of lawful arguments why she wouldn't be.
Mind you that I've been enjoying the show a lot so far. This is just to vent out my frustration with the writers' failure to fully engage with the values and protocols of the Middle Age-inspired setting. The show seems uninterested in laws of the Realm in a story ostensibly about politics, save for when they're using it as an excuse to amplify depictions of sex and violence.
Blacks vs Greens wasn't a matter of misunderstanding of who each side thought Viserys wanted on the throne. It was the Targaryens' belief of their absolute authority clashing with the Realm's established traditions. Everyone always knew who Viserys chose as heir. In Fire and Blood, Grand Maester Orwyle said as much when he was parleying with Rhaenyra on behalf of the Greens.
Rhaenyra heard his terms in stony silence, then asked Orwyle if he remembered her father, King Viserys. "Of course, Your Grace," the maester answered. "Perhaps you can tell us who he named as his heir and successor," the queen said, her crown upon her head. "You, Your Grace," Orwyle replied. And Rhaenyra nodded and said, "With your own tongue you admit I am your lawful queen. Why do you serve my half-brother, the pretender?" Munkun tells us that Orwyle gave a long and erudite reply, citing the Andal law and the Great Council of 101. Mushroom claims he stammered and voided his bladder. Whichever is true, his answer did not satisfy Princess Rhaenyra.
(For non-F&B readers: Munkun is the Grand Maester who served Aegon III, the king who came after this civil war. Munkun's book, The Dance of the Dragons, A True Telling, is one of Fire and Blood's source texts. Mushroom is the King Landing court jester from Viserys I to Aegon III's reign. One is a source written with academic rigor but is secondhand at best. The other is a firsthand eyewitness account but is from a literal fool who will take every chance to make things more scandalous and sexual to please the crowd.)
In House of the Dragon, they replaced Orwyle with Otto and Orwyle's discussion of legal precedent with Otto handing Rhaenyra a book page from Alicent. It's quite evident here that the writers, much like Mushroom, thought a discussion on the actual laws of the Realm were negligible in this story about a succession war.
Even Alicent made no pretense that Viserys chose Rhaenyra over her children and I have no idea why the HBO writers decided to make her mistakenly think otherwise. Maybe they thought a queen regent pushing her son to take the throne over another woman made her appear unsympathetic as a character, but if anything, this only makes show!Alicent less politically savvy and more delusional than her book counterpart, fully believing an addled king's vague muttering on his deathbed was sufficient grounds to change heirs last minute.
Book!Alicent following Andal laws instead of her husband's wishes makes sense given her Andal upbringing, her devotion to the Faith of the Seven which enforces said laws, and her desire to protect her children from Rhaenyra given that Rhaenyra has shown she's not above murdering family (see: Laenor).
In the books, there was a long discussion between the former king's council on who should succeed Viserys.
Here are the arguments for Rhaenyra:
Rhaenyra was older than her brothers and had more Targaryen blood
the late king had chosen her as his successor, that he had repeatedly refused to alter the succession despite the pleadings of Queen Alicent and her greens
hundreds of lords and landed knights had done obeisance to the princess in 105 AC, and sworn solemn oaths to defend her rights.
Here are the arguments for Aegon II:
many of the lords who had sworn to defend the succession of Princess Rhaenyra were long dead [...]
Ironrod, the master of laws, cited the Great Council of 101 and the Old King’s choice of Baelon rather than Rhaenys in 92
the hallowed Andal tradition wherein the rights of a trueborn son always came before the rights of a mere daughter
Ser Otto reminded them that Rhaenyra’s husband was none other than Prince Daemon, and “we all know that one’s nature. Make no mistake, should Rhaenyra ever sit the Iron Throne, it will be Lord Flea Bottom who rules us, a king consort as cruel and unforgiving as Maegor ever was [...]”
Should the princess reign [...] Jacaerys Velaryon would rule after her. “Seven save this realm if we seat a bastard on the Iron Throne.”
Once again, the show chose to cut out this long political discussion. Instead, the council had already made up their mind and decided to stage a coup (when in their perspectives from the books, it would definitely not be a coup).
For all their marketing how two sides are equally grey, HotD is actively delegitimizing Aegon II. The strongest argument for him is how his claim follows the laws of the Realm, but the show doesn't seem to care about the laws of the Realm or the political need to maintain a more predictable/tested transfer of power.
Instead, the show focuses on Viserys's relationship with his daughter and the mysticism of the Targaryen bloodline. In doing so, they emphasize Rhaenyra's strongest arguments for succession — that she's more of a Targaryen than her half-brother and that her father prefered her.
And what for? Because in our modern-day, we don't have male-prefered inheritance and people can only imagine misogyny as the only injustice here? What about the injustice of a monarch exercising absolute control, thinking that his "superior" heritage makes him above the established laws of the native people?
This is not to say Aegon II is unquestionably the heir. But this is to say that the show removed the political nuance of why people are questioning in the first place. Precedence isn't the end-all-be-all of succession, but neither is "because daddy said so".
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lovelybucky1 · 1 month
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need more of married logan x reader omg
you love the thrill of being logan’s dirty little secret. it’s even a secret from the people in your life. they know you’ve been seeing someone, but you refuse to tell them any details about it. they can’t know you’re fucking the husband from that sweet family down the street.
it started innocently enough. you met at your neighbor’s backyard barbecue and hit it off. his wife was dealing with the kids, so it was just the two of you. you were smitten with him and he took advantage. he flirted and you flirted back. he subtly gave you his phone number and he saved your contact under “wade wilson.” you didn’t know who that was, but you figured it was to disguise your texts.
you started to go for runs past his house when you knew he was home. you started to go out to get your mail and do yard work in little clothes. you washed your car in a bikini. you put on a show for him all while he would text you whenever he could slip away from his wife.
the first time you slept together, his wife was on a work trip and he invited you over late at night so the prying eyes of the other neighbors wouldn’t catch you. you had to be quiet because the baby was sleeping in the next room. he fucked you in the bed he shares with his wife and you slept on her pillow. you smelled her shampoo and layed on his chest under the blankets she picked out to match the color scheme of the room.
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“Robbie is gone! I’m still here! And I refuse to live in his shadow!”
Rastapopoulos himself may be out of the picture, but his ghost continues to haunt those who were caught in his web.
A collaboration with @aboardthescheherazade using her OC Marlene Katz - an actress Tintin tries to save in Cigars of the Pharaoh!
Five years later and Tintin is baffled to see Hollywood starlet Marlene Katz turn up at his doorstep asking for help. Formerly under the thumb of Cosmos Pictures, Marlene became an unsuspecting witness to Rastapopoulos’ criminal activity and now the mob is after her, seeking to tie up some loose ends. To top things off, she is due to make a public appearance at The Golden Palm, a prestigious film festival. After years of hiding, Marlene is determined to get her acting career back on track, and this film may be her big break.
Tintin is highly suspicious. Chang, on the other hand, is utterly star struck, and after noticing an uncanny resemblance between the two hatches a ridiculous scheme that may finally put an end to this particular problem. It might just work, but Marlene makes the last minute decision to also go undercover, feeling immense guilt over having Tintin and Chang risk their lives for her.
While Tintin is running around in heels and beating up mobsters Haddock is away on a weekend break with Ramo Nash. Before leaving he asked Chang to keep Tintin away from any incidents and to promise not to throw any house parties.
This was my first collab on this blog and I had a lot of fun bouncing ideas off with Vaye. Her blog was one of the first Tintin blogs I followed - definitely check it out, it’s an absolute treasure trove of resources and research! Below are a few notes of stuff we discussed while making this:
- After the Blue Lotus, Marlene breaks away from Rastapopoulos and pulls back from the film industry to lay low, teaching dance classes instead. He keeps trying to come back to her, leaving her exhausted and paranoid. Since Rastapopoulos always considered Marlene to be pretty stupid he never made much of an effort to properly hide his criminal activities from her, but Marlene was able to slowly piece things together...
- This adventure takes place after St. Benezet’s Basement (the boarding school story) and before Call of the Songbird (Tintin Fucks Up and Steals A Whistle). Tintin is still in the grips of trauma from the canon stories. Chang is starting to settle in. Haddock and Nash’s relationship is in full swing, but they are keeping things quiet from everyone else. 
- In some sketchbook comics I did to flesh out ideas there’s hints of Tintin being gay and asexual, his complete lack of interest in Hollywood actresses and his mild irritation of people’s judgements being clouded by crushes! Chang’s attraction to Marlene however, foreshadows his feelings for Tintin later on down the line.
- There’s a role reversal theme going on here. Both Tintin and Marlene are victims of Rastapopoulos but in very different ways. By playing each others’ roles they both can get a clearer picture of how Rastapopoulos hurt people, and therefore a better understanding of their own traumas. Tintin is usually spontaneous and rarely makes himself known, but here he is playing a set character. Marlene as an actress, on the other hand, is used to receiving direction from others, but circumstance pushes her to improvise. I can imagine her using her skills as an actor to get into character as an ace reporter to fake some much needed bravery!
- Marlene’s disguise is literally just stuff she pulls from Tintin’s and Chang’s closets. She’s wearing Tintin’s trenchcoat, dress shirt and suspenders and Chang’s spectator shoes, trousers and scarf!
- Marlene is a very skittish person but will be compelled to do what she believes is the right thing. As Vaye put it, “Marlene’s bravery under fire is that she’s like the one person in a room who’s willing to get a spider outside...” Marlene is also older than Tintin and pretty much views him as a child, even though he’s in his early 20s at this point. She feels incredibly guilty about what Rastapopoulos did to him and the fact he’s risking his life for her. She feels some level of responsibility for him.
This all started because I thought it would be cool for Tintin to beat some guys up in drag
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lovelettersfromluna · 3 months
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Here are a few Love Island!Ellie head canons because god…with how this season is going so far? I need it.
an: This is truly written from a place of fun! This isn’t to be taken seriously AT ALL! This is a funny little Drabble I whipped up in line twenty minutes because I thought it would be funny after my post I made a day or two ago. This isn’t for anyone and is 100% geared to a very specific audience 😭 also if any of you are watching this season of Love Island USA, can we please chat about it in the comments??? What are your thoughts???? Anyways, enjoy!! 🤍
• First of all…queer Love Island??
• I know there’s a queer Ultimatum but…the chaos of Love Island is just something I need to see with a house full of women instead
• Let’s start things off by talking about you
• Your intro is most definitely the one that catches everyone’s attention out of all the other girls. You have a personality that hasn’t exactly been seen in the seasons prior to yours and something about you just feels fresh you know?
• Your intro song is After Hours by Kehlani don’t fight me on this
• I really like how this season started with the girls arriving at night rather than in the middle of the day? Makes an easier transition I feel, so it’s the same for this too I’d say
• You aren’t the first to arrive, so you and the other girls (who you are losing your mind over they’re all so gorgeous and you’re already mentally taking note of who you want to pull for a chat later) when the last few singles arrive.
• They save the best for last of course
• Ellie’s intro 100% paints her out to be the bad girl of the season. Like come on, those tattoos? That fucking face?? The icing on the cake is that her intro song is Bandit by Don Toliver
• When she’s making her rounds of introducing herself to everyone, her eyes on yours immediately.
• Because she knew there would be hot girls in the villa, but Jesus fucking Christ???
• Now, contrary to what you might think, you and Ellie aren’t actually coupled up that night.
• Because you’re here to explore connections! And as much as Ellie literally takes your breath away with that fucking look in her eyes when she first spots you, there are other girls here that you like too.
• And you can also tell Ellie’s type from a mile away, and you’d rather steer clear of that before making any permanent reservations and making yourself look like an idiot for millions of people all over the world to see (we see what Leah is going through with Rob 🫠 let’s avoid that shall we?)
• Ellie though, is relentless.
• Because in her mind, she sees things completely differently.
• Why the hell would she waste her time talking to other random girls whenever you’re right here! Sleeping two or three beds across from her with some idiot instead of her.
• She’s shameless with it honestly.
• She’s always pulling you to chat with her, long fingers lingering on the supple skin of your thigh as you two are sat in the big swing or on the bean bags.
• “why didn’t you wanna couple up with me out first night?” She hums out softly, her head resting on one of the brightly colored pillows as she pulls your legs into her lap (while the girl you’re couple with and the girl she’s coupled with are literally across the villa)
• You giggle softly because she’s wasting no time in trying to get you comfy enough with her to choose her for the next re-coupling and it’s making your head spin.
• In all honesty? You didn’t choose her because you knew the moment you coupled up with Ellie, you’d be spoiled for everyone else.
• And shit hits the fan basically overnight here in the villa, so you’d rather not put all your eggs in one basket on the first fucking night (you refuse to have your family watch you be an idiot at home)
• She groans when you explain that to her, pressing her forehead to your shoulder as her teeth nip at your skin, which makes you nudge her playfully because she is getting way too close and the girl you’re coupled up with is shooting daggers with her eyes at the both of you.
• It also is not helping that Ellie is wearing the cutest black triangle bikini top with a pair of shorts and it’s just…god…her body is fucking insane.
• Later that night it’s the same, you’re upstairs doing your makeup with some of the others girls, having a bit of a recap of everything while spilling a bit of tea and gossip on what you’ve all gathered throughout the day.
• The topic of you and Ellie is top of the list on what the girls ask you about the moment you settle down in your chair to start getting ready for the night, and it makes you smile shyly as you try to find the words to say.
• Especially since the girl thats coupled up with Ellie could walk in at any moment….
• “Yeah uh…I dunno….I really like her but I feel like I need to also explore connections, you know?” You explain, your words a bit muffled as you apply your lip liner onto your lips.
• “With the way she looks at you? Exploring connections won’t be that easy” one of the girls hums out, causing the others and yourself to erupt in a fit of laughter.
• Ellie is quick to snatch you away once again when you and the other girls come downstairs to meet with their couples, barely giving the girl you’re actually coupled up with the time to give you a proper hug and kiss after you’ve all cheered to your second night there.
• I’d like to think that Ellie really values her privacy in the villa, and even though it’s damn near impossible to actually get away from all eyes and ears, she tries her best any way.
• Her hands are interlocked with yours, your heels clanking against the wood of the stairs as she pulls you up to Soul Ties (YUUUPPPP IYKYK)
• She’s staring deeply into your eyes as she brings her cup to her lips, taking a sip of her wine before she settles back against the mountain of pillows behind you, her hands toying with the frilly fabric of your dress.
• “You know I wouldn’t wanna be with anyone else in here but you…right?” She hums out softly, fingers dancing along the exposed skin of your thighs.
• And you can’t help but bite back a laugh, because this seems soooo illogical to you! Like it’s only been two days at this point?
• Ellie groans when you try to explain this to her. “Yeah but it’s different…I’m with you all the time…it isn’t like things on the outside” she pouts out, clearly annoyed with the fact that you’re still keeping walls up with her.
• It makes you sigh softly, because at this point you know you’re only holding yourself back from possibly having the strongest connection in the entire villa, but you want to play the game right! You want to explore the connections that have been placed before you without any regrets.
• But then Ellie’s eyes are going low, and you can see her leaning in closer, her legs interlocking with yours as her hand comes up to tuck a strand of hair behind your ear, and you already know what’s coming.
• Her lips are so soft, and she’s probably the best kisser you’ve ever had. It’s slow and sensual and the champagne in your system already has you buzzing a bit, a soft moan leaving your mouth as your hands go down to tug on her shirt slightly, her tongue working against yours.
• it’s easy in that moment to forget that you and her aren’t mic-ed up and there aren’t about a hundred different hidden cameras pointing at the both of you catching every angle of your face, because it just feels that good.
• But you’re quick to break the kiss once you remember that everything is being recorded, and you’re still in a fucking couple
• And even though you’re honest with the girl you’ve coupled up with about the kiss, and you explain to her that you’re still opened to getting to know her, in true Love Island fashion, your time with Ellie doesn’t stop.
• It goes on that way until the next re-coupling, and obviously your choice is saved for last because the anticipation of it all has been growing and your storyline seems to be the one that the viewers at home have been the most eager to watch.
• Of course, you choose Ellie.
• Not only because you feel the best when you’re with her, but also because leading people on just feels icky, and you don’t want anyone to perceive you as that sort of person.
• Ellie is over the moon of course, her hands wrapping around your waist and pulling you in close the second she’s sat next to you around the fire pit.
• And even though you’re sharing a room with like twelve other people, you get the best sleep you’d gotten in months when you’re sleeping next to Ellie.
• not before a kiss or two is shared before you sleep though 😌
• And that’s how things go for a while! You and Ellie are viewed as the most solid couple for quite some time, the camera always catching you and her lounged out by the pool talking about your families, or her bringing you breakfast in the morning when you’re getting ready with the others girls.
• “Yeah…my dad would love you. I bet you he knew I’d go for you the second he saw you” she hums out as you two are cuddled up on the swing, which makes you giggle softly. (Joel 100% struggles watching his daughter make out with someone else’s daughter every night but he does see how much Ellie likes you)
• Ellie frowns deeply as her eyes scan the fridge and the pantry of the out door kitchen as she’s outside with some of the other girls. “All they have are fuckin’ avocados and eggs?” She huffs out in annoyance before she settles on whipping you up some avocado toast and filling up your water bottle.
• She’s awkward when she brings it up, shy smile on her face as she peeks into the makeup room, eyes scanning the space for you. Her expression instantly brightens when she spots you pulling your hair up into a pony tail, making her way to you to press a kiss to your head before setting your breakfast down in front of you.
• “Didn’t know if you were hungry…so…yeah…” she mumbles out softly, which makes you giggle softly before thanking her and pressing a kiss to her cheek.
• The viewers at home and your fellow islanders quickly mark you and Ellie as the “married couple” of the villa.
• HOWEVER
• What’s Love Island without a couple of bombshells?
• You can’t stay too comfortable in a place like Love Island, especially when you hear that familiar ping coming from someone’s phone.
• It’s yours, and it happens when you’re out by the pool with a few other girls, trying your best to give advice with the relationship issues that they’re having.
• “I’ve been keeping an eye on you from the outside…but now it’s my turn. Meet me out by the beach for a surprise. And wear something pretty…..
Xoxo Abby”
• The girls you’re sitting with erupt in squeals and giggles, grabbing you and shaking you as you sit there in awe, your mouth hanging open as you stare down at the phone, reading the message over and over again.
• Ellie is on the other side of the villa looking as if she’s ready to kill someone, because who the fuck is Abby?
• You obviously have no choice but to go, and while you’re upstairs getting dressed with the other girls you feel a bit excited? Nervous? It was your first time outside of the villa in almost two weeks and it was for a date with a fucking bombshell??
• Once you’re finished getting dressed, you make your way downstairs to talk to Ellie, because you know you have to.
• Wrapping your arms around her waist and pulling her close makes you feel bad, because it’s easy to forget that the producers are obviously trying to test your relationship with Ellie and see which one of you will break first.
• But that doesn’t make it feel any better.
• “I’ll miss you…I’m sure it’ll be fine…she probably just wants to shake things up here” you assure Ellie with a soft kiss to her cheek.
• She frowns softly as she nods, pulling you close to her chest before she sighs, her feelings clearly in shambles as she stares into your eyes.
• “Yeah…have fun…” she mumbles out softly before she presses a soft kiss to your lips, letting it linger for a moment before letting you go.
• You desperately hope that this girl is a raging asshole who you’ll hate the moment you see her.
• But would she even be a bombshell if she wasn’t perfect?
• Abby looks like a fucking goddess sitting on the beach waiting for you. You aren’t sure you’ve ever seen muscles like hers before, and something in you wants her to show you if they’re just for show or not.
• WHAT IS WRONG WITH YOU, YOU ARE SPOKEN FOR
• Abby hits all the marks. She makes you feel comfortable, she makes you laugh, and she manages to make your cheeks and ears warm up every time she sends another flirty compliment your way.
• “So…I see you’ve been coupled up with Ellie…how’s that been?” She asks you gently, the gentle ocean breeze blowing through her pretty blond hair, making your head fucking spin.
• You’re honest with her. You tell her that you and Ellie have been very solid since the moment you’ve coupled up. You explain to her that you didn’t choose her in the beginning for the sole purpose of knowing just how attached you’d get to her when you were actually coupled up with her.
• “Yeah um…I think I’m falling for her actually” you mumble out shyly as you stare down into the bottom of your glass, watching as the bubbles of the champagne rise to the surface only to fizzle out shortly after.
• Abby hums softly as she nods at your words, taking a sip of her drink before she speaks. “She seems cool…but it’s early days, yeah? Still exploring a bit?” Abby asks hopefully.
•When you look up and lock eyes with her, you feel the air leave your lungs, because god she is so fucking pretty. Her pink lips are tugged between her teeth, and it makes you have to swallow back a whimper.
• And like an idiot that is charmed by the beauty of this actual goddess, you fucking nod.
• She chuckles softly before she nods with you. “That’s good to hear baby…” she hums softly before she leans in and kisses you.
• Would she be a bombshell if she didn’t kiss you on the first date???
• Back at the villa, Ellie is losing her shit.
• Because everyone is asking her if she thinks you’ll fold, and if she thinks this is a test to your relationship that you’ll pass, and it’s making her want to fucking throw up.
• And now she’s starting to feel the heat of this fucking show, because none of this would’ve been a problem if she had met you on the outside.
• She’s in the middle of pacing when you and Abby come back to the villa later that night, the sound of the group of friends you’d made squealing once they spot you and Abby coming in through the balcony.
• Hand in hand.
• That’s right, Abby brings you back into the villa, with her fingers interlocked with yours.
• Ellie wants to throw herself into the fucking ocean at that point.
• Her confessionals are filled with her groaning and bitching about how she could never compete with Abby, and how her muscles are probably fake anyways, anything to discredit the girls goddess fucking physique.
• you obviously pull Ellie for a chat once the others pull Abby to get to know her, because even though she chose you for the date, the others want to get to know her the moment they see her.
• But even as you talk to Ellie and try to console her feelings, it really all boils down to you and which one you feel the most connected to.
• So? Who would you choose?
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bhaalble · 1 year
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I like that Last Unicorn quote as much as the next guy but I do always wind up feeling a little detached from analysis that paints Astarion's disapproval as purely envy. Partly because. No one's doing this for Lae'zel for instance even though she has similar disapproval and similar trauma (all she can remember is a hostile physically and emotionally exploitative environment which expected perfect strength and obedience from her or else she would be punished or killed). But also partly because it feels pretty detached from everything he actually has to say about it.
The thing about Astarion is he loathes weakness. He loathes sentiment and he loathes dependence. You can see this when he actually opens his mouth up about the people he disapproves of saving, but also incredibly loudly when he talks about the other companions, as well as his fellow spawn. If Lae'zel submits to Vlaakith he talks scornfully about how some people just come to love their chains. He's confused and put off if Wyll submits to Mizora to save his father. In every conversation with his fellow spawn (at least when hes not actively manipulating them) he's dismissive and harsh, and clearly he's perfectly willing to sacrifice them for the sake of himself.
There's an obvious origin point of those feelings, of course. Cazador's abuse is designed to actively kill off empathy in his spawn, both towards each other and towards victims. The last time Astarion prioritized someone over his own skin he got locked in a tomb for a year. We can see glimpses of it with the other spawn too, how his siblings are (apparently uncompelled at first) willing to drag Astarion back to their master for their freedom, how Petras' first dream of freedom is getting to drain another person dry. Astarion certainly doesn't seem to feel any real sense of solidarity with them, likely because Cazador understands that them building a community is a threat to his authority the way it was to his own master.
I'd also argue its Astarion projecting his own self-loathing outwards. So much of his quest is about his desperate attempt to escape from who he was. He's been given a chance to slip free of the limitations of being a spawn. He clings to that because of course he would. He also instinctively begins to run over everything in his path, because if there's anything he has learned over the past 200 years its that good things can always be taken away unless you make sure to remove any and all possible threats to that scrap of well-being. He's disdainful of people in need of help because they represent who he fears to go back to being! He calls his siblings "poor fools" while refusing to confront the fact that had it not been for the tadpole he would be in exactly their position, forced to cling to the hope that Cazador is telling the truth for once because escape isn't an option either way. He becomes irritated when Tav slows down to help the unfortunate because they represent roadblocks on his own path to safety.
There's an idea in mental health stolen from airplane safety: that you shouldn't help anyone else until your own mask is secure. What they don't tell you, speaking from personal experience at least, is that PTSD, especially for long term trauma, has a way of making you feel like your own mask will never be secure. And while that's scary, and it sucks, and there should be the utmost patience for it: no one is going to realize that mask is secure for you. Eventually you are going to have to accept the fact that you are breathing just fine. Eventually you are also going to have to accept that people asking something of you isn't them endangering you, even if it can sometimes (often) feel like it. It doesn't make you obligated to help them. But it does mean you have to stop reacting to them like a threat, because not 5 minutes ago that was you.
I think the idea that he's only mad because he's jealous is a gratifying fantasy. He didnt feel safe before, but now through your PC and the power of love he'll feel warm and cozy enough to forgive you for not being there to begin with. But I also think Astarion cannot live in a reality where he's never pushed back on. His instinctive self-protective movements are a coping mechanism, yes, but coping mechanisms developed under survival conditions can also be a way of keeping you frozen in your trauma. Outside of the environment they were necessary for, they can even hinder you from growing in the ways you need to grow to move past what happened to you. Sometimes, you need to stop a baby tiefling from getting crazy murdered by a snake because it turns out. That can happen to anybody not just people who are weak and stupid and deserve to die anyways not like me I'm normal-
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