#does that concept apply to all the different kinds of love?

[freepassbound]

First of all, I want to thank you for the april asks idea. This is so lovely, and though I am late to the party, I'll still try to participate every day. The convenient list of ask games is also very thoughtful :) I'll be reblog these, and as a personal rule, I pose (at least) one question of every list to the person I've reblogged from. Therefore, would you mind answering the following:

How long does it take you to fall in love with somebody?Is the sensation of ‘falling in love’ or ‘being in love’ better?

Thank you and have a nice day 🧡

Oh! You're quite welcome! 😊

Though boy... stepping right in with the big questions! 😮‍💨

Truthfully, I have little confidence that I am in touch with my emotions well enough to actually know the answer to either of them. But I'll give it a go.

How long does it take you to fall in love with somebody?

I don't think I'm really aware of it as it's happening? The only answer I can think of is to glibly paraphrase Hemingway on bankruptcy: slowly, then all at once. The 'slowly' part is what I'm not aware of, and it's happening while I'm getting to know them, while we're talking, while we're exchanging memes and whatever... and then I wake up one day and realize I love this person.

I think certainly it is dependent on some level of interaction with another person - I might feel fondly about some people I've never directly interacted with, but I don't think I could love them. And I think it's also dependent on the amount and the quality of the interaction.

Is the sensation of ‘falling in love’ or ‘being in love’ better?

I don't believe they can be quantified in opposition to each other. They're two very different feelings, and they're both absolutely wonderful.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[lightlycareless]

Hiii, can i request a scenario on how naoya (when he has reached a point where he loves wife!reader from an arranged marriage) would react to one day not being greeted at all when he comes home? It is completely silent, no response as he calls for her and is getting a bit worried as he starts searching the rooms. But then he sees her laying on the couch, shivering and sweating from a cold that’s so intense she’s barely lucid and can’t even tell he’s there and talking to her

Heya!!

So... I took some liberties when writing this, kind of went a completely different route (the sick part, alongside worried Naoya still remains though), it just occurred to me when reading your ask, but I hope it's still of your liking 🥺!!!

anyways, here are the warnings: mentions of death, miscarriage, a very concerned and overprotective Naoya, a bit of fluff, and everyone wants to spoil you rotten lol.

And without further ado, happy reading!

“Y/N, I’m home!”

Home.

A word he never really cared for, always considering it sappy, alongside the fondness that was usually assigned to it, which Naoya couldn’t think of as nothing but ridiculous, if not hilariously overrated.

For many years, Naoya thought that a home was simply the place that one was raised in and that’s about it. Nothing of the sentimentality others liked to apply to it, brag about it…

Until, of course, he finally came to understand what the word meant; why it was so special, and why it was important to have one.

A home wasn’t made by the people he knew as family, blood related, found in the place he was forced to be in since he was born, and probably die in—no; it’s the one that was made by the people of his choice, people he met through his course of life, connected with, and now, cherished.

Amongst them, you.

He considered himself lucky to have found the love of his life, a concept he considered so… foreign, impossible for someone like him, if not a stupidity of delusional people desiring more from life.

So was Naoya destined to think for the rest of his existence, condemned by his same family to live a life of loneliness, hatred, and die the same way.

But you’d come to show him otherwise, shockingly, and unexpectedly, and in such a way he couldn’t even put up a fight, completely surrendering to you and the wonderful feelings that being in love with you provided.

Now that he’s experienced them, he couldn’t find the reason as to why his family would ever reproach such beautiful thing as harshly as they did—or that he believed them in the first place…

Well, that’s not something that bothers him anymore; the Zen’in clan could continue on in their hard stuck ways for all he cared; he, on the other hand, plans to spend the rest of his days alongside the woman of his dreams, starting by today, finally back in your arms after days of being pulled into pointless missions after pointless missions, which he would not hear of for a few weeks—having earned a well-deserved break for his consistently good performance.

Naoya even prepared accordingly for the occasion, having bought gifts from all the places he’d been to, as well as ideated ways to distract you from the boring estate and his nagging relatives he knows you don’t enjoy being around with, only tolerating them because they were, well, your in-laws, his family—with exceptions of those you do get along, and for them, he’s grateful that they do.

Ah, he couldn’t wait to see you, your face, and the adorable way it brightens up whenever receiving him.

To tell you of his day while resting his head on your lap, with you passing your fingers through his hair, gently soothing his stresses away as you reassure him that he’s the best sorcerer out there, he’s just… unlucky to bump into lesser talented ones.

Get something to eat too, he’d like his favorite for a start, miso soup—and perhaps have you feed it to him? God, it’s been a while since both have done that, and it’s not because he doesn’t like doing it, or you for that matter, but rather, he doesn’t want to risk being seen by others, it has to be in the utmost privacy, after all! He isn’t to be vulnerable in front of his family!!

Oh, he needs wishes to see you—right now. And he’s absolutely sure you’re feeling the same way…

If so… why hadn’t you responded? Why hadn’t you come to receive him in the same manner you’ve always done?

Naoya knows that his schedule can be a bit… unpredictable, making it difficult for you to know exactly when he’ll come back home—but even then, it didn’t take you that long to meet him after announcing his return.

You’d always come to the entrance, no matter if it happened right that moment, or a bit later; you just… did.

But today… it seems that you opted to break the routine by taking far longer than you usually do.

He’d remain attentive to his surroundings, hoping to either hear your approaching footsteps or voice softly calling for him at a distance, yet as time went on, he was received with neither…. And Naoya only begins to grow more worried.

Your husband tries to not jump to the worst conclusion just yet, opting to think that you were perhaps simply caught up tending to the house, maybe even partaking in an unwanted conversation with one of his relatives and having trouble brushing them off—for no matter the times you’d reminded them that your husband was back, and you needed to be there to receive him, still acted as if it wasn’t that important.

Things that implied that even when running late, you were still ok.

Yet…

“Y/N!” Naoya calls once again, hoping for a change…

…

…

…

Silence.

It’s by this time that he decides it’s better to search for you than to stand around and wait for you to magically appear.

Naoya begins by going into the main wing, eyes scanning through the gardens, your usual place of leisure when not busy, where you’d calmly enjoy the diligently tended for flowers (the ones he had changed to your favorite as soon as he found out which ones they were) while snacking on something, or in the company of your loyal staff—if that were the case of your absence, he understood why you didn’t answer.

But he wouldn’t find you near any of the gardens, or anywhere in fact! A statement that weighed even heavier upon finding out that the staff was in the same predicament as him, for when he asked a nearby servant of your whereabouts, he was received with the following answer:

“We haven’t seen her” Naoya’s heart sinks.

“What do you mean you haven’t seen her?” he breathes. “Where could my wife—did she—did she leave the estate?”

No. You… didn’t. Because that’s not what you told him you’d be doing a few hours ago, after letting you know he was on his way back home; if anything, you replied with how excited you were to see him again and that you’d be eagerly waiting for him!

So obviously, their words didn’t make sense. But if so… where were you?

Naoya now frantically searched for you through every wing, room, space, chamber, closet, just— anywhere, literally anywhere you could be while repeatedly calling out your name in hopes of getting a response, or even a glimpse of you; he doesn’t care what at that point, he’s happy with either!

Yet, the longer he went on without an answer, the bigger his sorrow became, to the point where his mind was machinating nothing but the worst-case scenarios, slowly losing his inhibitions as he repeatedly wondered Where were you? How come no one has seen you? Did he have to escalate this situation?

Just—Where are you, Y/N?!

Thankfully, there would be no need to pursue bigger solutions for he’d get his answer soon enough after entering the east wing, passing through the living quarters, and arriving to the laundry room, one of the last places he’d thought you’d be—rightfully guessing so, for you were there, apparently washing whatever garments you had pending, which you hadn’t been able to wash due to a variety of unknown reasons…

But far from feeling elated to have found you, Naoya felt as if whatever he had left of his heart was effectively broken, which felt short compared to the way he found you.

“Y/N!”

The sight that received him is one that will remain imprinted in the back of mind: you were laying on the floor, on your side, tightly clutching to your stomach as you breathed heavily, eyes tightly shut while groaning in what Naoya could only interpret as pain.

As if his worries weren’t through the roof at that point, this last conclusion is what urged Naoya to hastily make way to your side, swiftly kneeling to your level as he calls out for you once more.

“Y/N—Y/N” He’d breathe, firmly yet carefully placing his hands over you with intentions of picking you up, but his hold falters when his fingers briefly graze your skin, making him gasp in return. “Y/N you’re—you’re burning!”

This would be the only time you’d respond to him, barely able to move your head onto his direction, slightly opening your eyes to see him, a gaze that shows how much pain you were going through, barely able to understand what was going on, except for gently breathing the word that makes his heart squeeze out in pain.

“Na—Naoya…”

Any hesitation is effectively thrown out the window by that point, picking you up and rushing you towards their shared bedroom, all while barking orders to the nearby staff, demanding them to call for a doctor, as quickly as possible, unless they wanted to be jobless by the end of the day!

The staff reacts accordingly, and a few minutes later, the family doctor arrives to the estate, guided to your room and seeing that you were already being tended to, or at least that’s the idea he gets from the dampened towel on your forehead, undoubtedly in efforts of lowering your fever—which unfortunately, had been for nothing.

Well, he was there now, and he didn’t waste time either to get to work, quickly assessing your condition by the apparent symptoms, starting by your temperature, the color of your skin, and even the way you reacted to him while doing so, completely uncooperative—apparently, whatever put you in this state had evoked great instability from you, thus the doctor found it necessary to put you under sedatives.

But even when he was able to quickly gain control of the situation, the doctor still couldn’t arrive at a proper conclusion, less when the people around you had an even smaller idea of what struck you.

“I—I don’t know.” Naoya would respond, angrily, frustrated—and rightfully so. How come none of the servants had noticed your absence? Or worse, hadn’t seen anything that could hint as to what your sickness was about?! “Can’t you just—help her?!”

“That’s what I’m trying—I can’t help her if I don’t know what I’m dealing with.” The doctor responded as calmly as he could, but even he had to admit that everyone’s seeming ignorance annoyed him as well. “But I can still say that this seems much more than just a simple… sickness.”

“What do you mean?” Naoya frowns, the doctor looks at the nearby servants, tasked to be on stand-by if needed.

“I’d like to discuss this in private.” He tells them.

The servants don’t wait for Naoya to repeat the order before they’re already out the room and away from their earshot; a request that while didn’t raise any concerns from Naoya —if anything, he was glad their pesky, useless presence, was finally away from you— the doctor’s face was quick to convince your husband that something far worse than what met the eye.

And this made Naoya’s nerves reach a new limit.

“I told you; I don’t know what happened—” Your husband is quick to defend, believing the doctor was to interrogate him once more, only to be interrupted.

“You don’t need to tell me for me to know what happened.” He interjects, Naoya’s eyes widen.

“I’m lost.” Naoya scowls. “Stop talking cryptically and get on with it!”

“I’ve seen these symptoms before, Naoya. And as I said, these are not from a simple sickness, an allergy or any of the matter” He takes a deep breath. “I heavily suspect she was intoxicated—and not accidentally, but rather, intentionally.”

“Excuse me?” Naoya frowns.  “I told you to stop talking in riddles, say what you—”

“Poisoned, Naoya. I believe your wife was poisoned.”

Naoya’s world comes to a screeching halt.

You…

You were poisoned.

According to the doctor, you—You were attacked, besieged, with malicious intents.

Taken advantage of in the one place you’d never be on edge, your home, the same one he had repeatedly reassured your father that you’d be safe in—the Zen’in estate, home to the prestigious Zen’in clan! There was no safer place in the whole world! There couldn’t!

No one— no one wouldn’t dare do such a thing here—they knew better! Naoya would force them to now better…

Yet, someone dared to commit this transgression against you.

And to make it all worse….

Almost got away with it.

Who would even think of doing such transgression against you?! You?!

You had no quarrels with anyone, and even when you did, you handled things in such an amicable way just so you’d live peacefully, free of nonsensical arguments—you had no space for them in your life!

And yet, this still happened, and right underneath his nose….

There’s no doubt that he’ll put an investigation into order to find the bastard responsible for your suffering, and once he does, he’ll make him regret his existence, to the point he’ll have him begging for mercy—and even then, it wouldn’t be enough for Naoya.

However, that is something that will have to wait until he knows you’re safe, healthier, which the doctor had slowly began to help you with by giving you something that will immediately trap the poison from being further absorbed by your blood—activated charcoal, so he remembers— as well as some other prescriptions for side effects he wishes to prevent.

“Your wife was very lucky to survive, have you waited a second more—”

“I wasn’t waiting.” Your husband immediately responds, offended by his wording. “I wasn’t aware of this until I returned.”

The doctor presses his lips together, taking notice that throughout his whole visit, Naoya has never left your side, nor freed your hands from his.

“And I’m not surprised.” He silently admits.

Naoya hates the notion the doctor was implying, that this was an inside job. But considering the odd behavior of the staff, their seeming ignorance of your location and your status… it all pointed to that same conclusion.

The boiling fury inside him grows bigger.

“How could this be?” Naoya seethes.

How could someone get this far, this close to you, and no one suspecting a thing?

Your husband might’ve reproached the way the doctor expressed himself, but there was an undeniable truth behind them; he truly was lucky to have gotten back home just when he did, for had he taken a second longer, just one, you could’ve die—

Outside of that, the second most important question regarding this whole situation was…where was your staff? Why, of all days, were they absent?

Naoya is confident that if Mariya, your closest confidant, had been around, this would’ve never happened in the first place; the moment she saw anything out of the ordinary, she would’ve pulled all the stops and acted accordingly.

Yet, she was nowhere to be seen, and this makes Naoya both highly suspicious, and furious.

Where was she?  Where are the rest? Why would they leave you in your most needed time? Did they plan this? Plot against you?! Where the hell could they possibly—

“They’re going to be away for the weekend to visit their families.”

He suddenly remembers; you told him so earlier that week through a text.

“Will you be ok?” Naoya also remembers asking; he didn’t feel happy knowing you’d be alone without your most trusted staff.

“It’s just a few days, Naoya. Besides, they deserve a break! I don’t want them to get tired of me, you know?”  you laugh. “But you better come back quickly, ok? Just because they’re not around doesn’t mean I like being alone…”

“I won’t take long. I promise.”

If only he’d kept his word…

Well, if that was to be the answer to their absence, then it wasn’t fair to hold any level of animosity towards them, a weight being lifted from his burdened shoulders upon realizing your staff could strill be trusted in.  

Now all that was left to worry about is finding the culprit… and the status of that too.

“Is she ok?” Naoya would ask.

“She is, I managed to—”

“No, I mean… that.” Naoya’s voice hints to a silent agreement between the two. “Is… that ok?”

The doctor quickly catches what he means, affirming so by a nod. His reassurance lifts an immeasurable weight from his heart, even greater than the alleged betrayal of Mariya and the rest. One less thing to worry about.

“What now, then?”

“Since the damage was limited, to say the least, it won’t be necessary to move her to a hospital, however—”

She’s still in danger. Naoya concludes. More so if the attack came from someone inside… And what makes him think that just because he’s back they’ll stop trying?

If anything, seeing how close they got, they could try once again!

The mere thought is enough to push him into taking what is perhaps the most radical decision he could’ve taken in this situation, something that might come to torment him in the future, but until then, he won’t care, not even a bit; not when he had your safety to worry about:

That is… Naoya fired everyone, effective immediately.

He took no heed if any of them had been serving the family for years, if they were close friends of his father, or if their livelihood would be affected— Naoya just wanted them out of his sight, the estate, and as soon as possible, less they wanted to receive more of his anger, before continuing with the rest of his plan.

Due to the gravity of said situation, Naoya knew he had to contact your family; he also knew that you would’ve refuted the idea as soon as he mentioned it to you, not wanting to worry them if you’ve truly been attacked, but he couldn’t do this to your father; not when he was amongst the few people in the world he knew had your wellbeing as utmost priority— as well as holding a great amount of respect and appreciation for him, specifically for the way he welcomed him into your family.

Eiichi, your father, had to admit that getting a call from the Zen’in estate that didn’t come from you surely surprised him beyond any comprehension, and yet, that would be nothing compared to the shock he’d get upon knowing the motive behind said call; Naoya swore he almost heard your father passing out, or at least, in the process of.

“Poisoned?!”  Eiichi gasped, tightly clutching onto the phone—he might’ve as well passed out and dived into a nightmare! “Is she ok?! Where is she right now?”

“At the estate, with me—the doctor didn’t think it necessary for her to be hospitalized since he was able to stop the poison from spreading any further, but she still needs rest.”

“And the baby?”  the referenced secret between Naoya and the doctor; your pregnancy.

“Fine.” He breathes, swallowing. “The doctor didn’t tell me of any damage done to the baby…  but I’m—I’m still taking her to the doctor, just—just to be sure.”

“How could this happen?” Eiichi laments, heart breaking not only for you, but for Naoya as well. Your father knew all too well what it was to lose the love of his life, a pain that he would never desire on anyone, not even his own enemies…

One that he could slowly begin to hear in Naoya’s voice; oh, he could only imagine the pain he was going through, or what waited for him if he had lost not only you, but his child too.

But, well, the worst is over… at least for now.

“Someone from the staff did it.” Naoya declares, Eiichi’s heart sinks even further. “But I’ve taken care of it, I’ve fired everyone.”

And your father, contrary to Naoya’s relatives, did not question him. If anything, he seconded his decision, because had he been in your husband’s shoes, he would’ve done the same thing.

“Was her staff involved?” Your father asks, feeling a slight… anger with the idea that the ones you greatly cherished could’ve plotted against you.

“No, they were not; in fact, they were out of the estate when all this went down.” Naoya responds. “But I know that if they had been here, this would’ve never happened in the first place.”

“Bring her here, with me.” Eiichi immediately suggested, Naoya blinks, startled by the idea, if not against it.

“Father—"

“We can take care of her while she’s recuperating, take her to the doctor too. I’ll make sure that she has everything she needs. And not to misjudge your staff, or lack of, but the people here would never hurt her—they’ve known her since she was a child! There won’t be another safer place for her to be than here, Naoya. At least…  until she’s better.”

Previously, Naoya would’ve questioned the veracity of his words, done all he could to prove you were much better with him, but after this occurrence… he had to agree.

As much as it hurt him to know you’d be away from him, especially when you were pregnant… he knew this was the right decision to make. He couldn’t expose you to another similar situation—not even if he got a completely new staff… or if you didn’t want to leave.

So, Naoya accepts Eiichi’s suggestion, alongside buying him a ticket for the earliest available flight to Kyoto; a few hours later, your father would arrive to the estate, rushing to your side, keeping you company while tending to your every need as Naoya prepared everything for your departure.

When you eventually regained consciousness, you were (although a bit surprised) overwhelmingly elated to see your father visiting you, for it had been so long since you’d seen him, probably around the time you announced your pregnancy!

However, that excitement would soon diminish when Naoya told you why he was there… alongside the cryptic explanation of your “sickness.”

“It was an allergy.” Naoya would say, not wanting to stress you by the fact that you were intentionally poisoned, although that excuse did little to stop you from doing so. “Rare, but it can happen, especially with pregnant women.”

“An allergy…? But I didn’t…” you frown.

“It happened to your mother, once.” Eiichi followed Naoya’s lead. He hated lying to you, but… he concurred that keeping you safe, both mentally and physically, was worth doing so. “It’s nothing but hormonal changes, so don’t worry much about it.”

“I guess…” you frown, pressing your lips. “But that still doesn’t explain why I have to leave.”

“We need to check what caused your allergy” Naoya responds. “It might be something about the food, the flowers, or even the wood; I rather you be safe than to go through that scare again.”

“But is… all this really necessary?” Naoya gives you a tight smile and a nod. “Naoya, I—"

“It’s not all bad, Y/N.” Naoya says.

“Besides, don’t you want to spend time with your papa? It’s been so long since I’ve spent time with my adorable pumpkin!” Eiichi laments.

“Dad!” you gasp, flustered by his words. “Don’t—don’t say that in front of Naoya…”

“What? It’s true! And that’s all I’ve ever wanted to do since I learned I’m going to be a grandfather!”

“Stop it!” your face becomes redder. “You’re embarrassing me!”

Naoya chuckles; it’s not like he’s seen you in… worse situations. Or better?

“But… I guess a visit is overdue.” You eventually concede, Naoya and your father sigh out of relief. “Though what about Mariya, Haruko, and Hitomi?”

“They’ll go with you, if you want.” Naoya says; he doubts they’ll say no, especially after knowing of the whole fiasco that occurred when away, might even offer themselves before he suggests the idea.

“If I didn’t know any better, sounds like you want me gone.” You jest, Naoya frowns. “It’s a joke, of course…”

“There’s nothing more I would like than you staying here, but until we figure out what caused that reaction from you, I’d rather not risk it.”

“It’s only temporary, Y/N. Besides, look—I brought you gifts!” Eiichi says, taking out the bag he brought from home seemingly out of nowhere, filled with things he knew you’d love, such as sweets, your favorite mochi’s of course, alongside some plushies that would always brighten your day when you were a child. “And there’s much more back home…”

Naoya can’t help but feel relieved you had your father for support, but at the same time, a bit jealous and, well, threatened. Not for bad reasons, of course, it was simply because how the hell did he not think of bringing you gifts first?!

“Dad… you’re embarrassing me in front of Naoya.”

“Ah, that’s a parent’s bane, isn’t it? To always embarrass their children—you’ll see what I mean when you both have your baby.”

Perhaps the main reason why you ended up agreeing to leave was because your pregnancy did not seem affected by your supposed allergy; had it been you would’ve refused to leave your husband’s side!

… Well, you still would’ve refused either way, but perhaps a bit more. You hate the idea of being away from the father of your child for too long, after all.

“I don’t think so—Naoya and I are going to be the cool parents, you’ll see.”

“That’s what your mom and I thought, and look at me now, can’t even say anything without you telling me I’m embarrassing you!” Eiichi says, you chuckle.

“I don’t know what you’re talking about, mom was cool! You were always the funny one!”

Naoya smiles.

Now he knows for sure that there’s no safer place for you to be in than with your family, even if that were to be on the other side of the country…

After Naoya prepared everything for your departure, the three eventually made way to the exit, where you and your father would bid their last goodbyes.

“Won’t you accompany me?” you ask, a slight pout on your face, he smiles in hopes to cheer you up, but really, he felt miserable.

“I want to, but I can’t.” He explains. “I have to deal with this as fast as possible if you’re to come back quickly.”

“… Will you visit me over there, at least?” you frown.

“Yes. As soon as I have a chance, I’ll go see you.” Naoya promises.

It had all been too soon, just a few hours ago he arrived at the estate, and now, you’re leaving. Naoya laments that he couldn’t spend a day with you before your departure… but he guesses this to be a rightful sacrifice for your well-being.

“I wouldn’t dream of keeping away from my wife and baby for too long.”

At those words, Eiichi couldn’t help but frown out of sorrow.

It wasn’t fair that neither of you had been able to enjoy this wonderful occasion as you should.

He still remembers the excitement in your voice, the glint in your eye, and the beaming smile on your lips when announcing your pregnancy—alongside the nerves that came with it, of course, which Eiichi eased by reminding you and Naoya that their enthusiasm was nothing but indicative they were already on their way of becoming the loving and supportive parents their baby needed.

But as excited as both were, Eiichi had to cruelly put a stop to their celebrations, especially after Naobito was made aware of this, who wished to proceed by announcing the news to the whole community.

“I have to disagree, Naobito.” Eiichi would be the first to reject the idea, much to everyone’s surprise—yours, specifically.

“And why is that?” He’d ask back, not understanding why the father of the expecting mother, of all people, would be the one to reject so.

“It’s best if Y/N keeps her pregnancy a secret, at least… until it’s undeniably noticeable.”

“But… why, dad?” you asked. This was a moment of absolute joy, to be treated as such! So why did he intend to keep it a secret? Was he… disappointed?

No. Never. He was nothing but happy to see you happy and become a grandfather himself for the first time in his life!

But as a man of his years, he’s learned to be cautious of how said blessings are to be celebrated, as well as seen his fair share of happiness turn sour… things that Eiichi would rather take upon him than allow them to ever befall you.

“Because there’s people out there that might try to hurt you—or the baby.”  He’d explain. “Naobito cannot not deny this, but if anyone hears that you’re pregnant with the Zen’in heir’s baby, those that want to hurt the Zen’in clan, or our family, will see this as the perfect opportunity to do so.”

“I’d never allow such thing, rest assured, there’s no safer place than—” Naoya quickly interjects, wanting to reassure your father, but Eiichi was set on his warnings.

“I wouldn’t have said this if I didn’t see it myself.” Eiichi reminds him, Naoya swallows. “We live in a highly competitive world due to the nature of our families; I’ve lost my wife because of this! And I’d be damned to allow it to happen again to my daughter.”

He hated to remind you of the harsh truth; hated to see how your face would sadden, the excitement for your first child, his first grandchild, quickly disappearing…

“Why would someone do that?” you murmur, frowning.

“They wouldn’t dare—I’ll make sure of it.” Naoya hisses.

Eiichi remained silent, sad for you and your husband. Because even if you’ve experienced first-hand what it is to lose someone through these matters, both have yet to fully understand the extremes those supposedly loyal to them can go to if properly incited. Especially for someone who had so much to lose, just as the elite members of prestigious Zen’in clan.

Even then, your father would not allow such pain to reach you, not the same way it almost did to him and your mother, so, he insisted you keep these news secret from the world—and if you must, only if you must, reveal it to your most faithful ones; the rest could learn when your stomach was too big to deny.

If you do so, keep your baby hidden from the world, safe from those that harbor nothing but pain and sorrow… all will be fine. Eiichi promises so.

…

Or so, that’s what everyone hoped would’ve happened, because if there’s one thing to be learned from this incident, is that no matter how cautious you were, word of your pregnancy still managed to land in the wrong ears, and now, were actively against it.

The question no longer pertained as to how, but rather, who; who was the author of this terrible act?

The notion that someone of Naoya’s relatives, indirectly informed through Naobito’s… drunken rambles, soon crosses the minds of your father and husband. If so, it would make sense as to why they’d use an innocent staff member to do the deed, keep their hands clean of the whole situation, instead of going to bigger extremes.

It’s the most probable of the theories, but they could not annul the following: jealousy from the servants.

Naoya considered that statement to be the most delusional one your father could’ve gathered, but he’d be wise to remember how others perceive him—or more like what he represented. It wouldn’t be too far-fetched that others would desire what he had, or him, in some cases. And naturally, you’re an obstacle to that goal, your baby even more so…

It wasn’t fair, but it was your reality.

Nonetheless, Eiichi and Naoya will still do whatever it takes to keep you safe.

“It’s just for a few days, pumpkin.” Your father would say upon seeing the sadness in your face, which remained even when reassured that Naoya would be with you as soon as possible. “Besides, you’re going to see your brother and sister too—they’ve missed you very much, you know? They’ve been wanting to spoil you and their future niece, or nephew!”

You smile, it’s good that even when in the storm, your family is still able to exude happiness. You could only imagine how enthusiastic they’d be when the baby was finally here.

“I know… I missed them too.” You admit, before looking over to Naoya one last time. “Well… I hope that whatever is keeping you here is quickly dealt with.”

“You won’t even notice I’m gone.” Naoya promises, placing a kiss on your forehead. “Don’t worry your pretty little head about anything—before you know it, you’ll be back at the estate, with me.”

That’s a promise he unfortunately, doesn’t know if will become true inside the promised timeline, but will do anything in his power so it does.

Either way, it’s safe to say that Naoya did manage to keep one part of his promise—and that would be the one where he reassured you wouldn’t even notice his absence, done through sending you endless amounts of gifts, every day, effectively filling your room to the brim with all things he’d knew you’d like, and some for baby too: from clothes for you, to cute onesies he’d like his baby to wear when she was finally here.

“You still think the baby is going to be a girl?” you’d ask through one of the many videocalls he’d make—one daily, at the very least. “Wait a minute… you better not have spoiled me!”

“I just know” He reiterates with shrug; you roll your eyes. “If not, then I’ll have lots of things to return.”

“Well, if it’s worth anything, I also feel like our baby is going to be a girl.” You smile, warming up Naoya’s heart. “I can’t wait to meet her—I just know she’s going to have your eyes!”

“Or yours, I hope.” He longs, you blush. “Have you been eating well, my love?”

“Yes; and no allergies yet.” You explain, Naoya feels relieved—at least the problem didn’t follow you there. “Maybe I was just unlucky that day, Naoya… Are you sure I can’t return to the estate yet?”

“Not until I’m sure you’re going to be safe here.” Naoya responds, and while his words are meant to be comforting, you can’t shake off the sense that something worse happened; that something far bigger than a simple allergy had struck you, specially with the way your staff and family would act around you, going as far as denying you of any information pertaining to the Zen’in.

But… if your husband had a reason to not say anything now, then the best you could do is trust him. The truth will come out eventually, you suppose. So instead you could focus on other pressing matters.

“Well, at least don’t send me too many gifts.” You continued. “While I appreciate them, between you and my father, I don’t think my house has enough room to store all the things you’ve both given me.”

“Who’s given you more things? Me or your dad?” Naoya nonchalantly asks, you gasp.

“Naoya! That’s not the—take it seriously! Control yourself with the gifts, ok?” you say, he chuckles, but ends up agreeing; at least until the topic has quieted down, because there’s no way in hell he’s going to let your father win the upper hand like that one day ever again. “Or at least save them to when I’m back at the estate… which I hope is soon.”

“Almost there.” Naoya says. “Just a few more things, and we’ll be together once again.”

… even if the answer was to be the same, you still needed to ask.

“Is… everything ok?”

Not precisely, not when he has yet to find out the one responsible for all this…

But he’s gotten a lead, an idea of where to start, of who to hunt—which he knows he’ll find in record time thanks to the fury he harbors, further motivating him to do this as quickly and precisely as possible just so he’d have you back home, with him.

“Nothing you should worry about.” He reiterates. “Just keep focusing on your health, the baby, and not doing anything strenuous.”

“I’m just pregnant, Naoya… nothing extraordinary. I still want to help around., you know?”

“I know, and you’ll be able to do that and more in due time, but for now, keep safe, for me, ok? And our little mochi.”

“When will I see you again?” you ask again, hoping that perhaps this time around, the answer will be different.

“Soon.” He promises. “Soon, my love.”

Once he deals with the bastard that hurt you.

Naoya will give them nothing but a glimpse of the sorrow and pain they’d put you through, his fury—make their life a living hell, make them regret the foolish idea that they could ever get away from it; and still, he doesn’t think he’ll be satisfied with his revenge.

He’d want more, he’d want everyone to know that his family are not ones to mess around with.

He’d burn the whole world to set the message across if necessary—and that would only be the bare minimum for you, the love of his life, and now, his baby…

His home.

[yesimwriting]

oh my god yes i'm very much interested in a drabble about my favourite besties kissing as besties do!!!!!!!!

the one that i really can't stop thinking about is the "i trust you more than anyone else" stuff like it's me and you against the world i'm such a sucker for that!! especially since felix is surrounded by people who wanna be close to him all the time and as easy going and open as he seems with anyone, it's of course on an entirely different level with reader

ugh the intimacy of it all makes me melt i love them😭😭

you get the vision!!

also had to start off a little angstier than usual bc the bestie kiss ™️ is only justifiable if both of them are upset enough to be more focused on being close than anything else, y'know

----

The taste lingers. The bitterness infects all it touches, poisoning you from the inside out as you down the drink that some guy pushed into your hand a few minutes ago.

A familiar warning briefly flashes to the front of your mind. Don't take drinks from strangers...especially not drinks that you didn't see them make. One of a hundred safety rules that you usually adhere to.

You've never really under the self destructive urge after drinking thing. Maybe it's just being tired. Maybe it's just this.

You wipe at your eyes with your palm, only remembering the products you had so carefully applied to your skin a few hours ago after the fact.

"Are you--" A familiar voice cuts through the music. You blink once, but it's not enough to force your eyes to adjust, so you try again. After screwing your eyes shut for a second, you can finally make out the person in front of you. Annabel. "You don't look like you're doing too good."

Your irritation has nothing to do with her, and yet seeing her standing there, effortlessly flawless with a slight edge that just fits here, you feel the knot in your stomach tighten. But that's not her fault, so as stabiliy and politely as possible, you answer, "I'm...fine."

She regards you for a moment, eyebrows pinching together in uncertainty. "Why don't we find Felix, yeah?"

Why does everyone always assume that Felix is the solution to all of your problems? "I'm okay," you try again, voice a little more certain, "really."

Annabel still doesn't seem too convinced. She turns her head, scanning the crowded room. It doesn't take long for her to find Felix. It never does.

He's sitting on a loveseat that's been pushed towards the edge of the room. A few people are standing around him, a girl is sitting on the chair's arm, her legs swung over his lap.

"And he seems..." You force your face to remain neutral as your eyes finally land on him. "Busy."

Annabel looks back at you, her lips pressing together. Her expression only adds to your unease. "He wouldn't mind. It's you."

You shake your head, the motion adding to your slight nausea. Usually, you wouldn't think twice about sticking by Felix's side. Especially in this kind of setting, but after the words the two of you exchanged earlier, everything feels off its axis.

You're not used to fighting with Felix. It's such a foreign concept that the strange tension that had you walking away from him earlier probably doesn't even constitute an actual argument. But it's enough to make you feel out of place.

Swallowing once, you force yourself to focus on Annabel. "I think I just need some air." Annabel's still regarding you with uncertainty. "I'll be back in a minute, and if I feel sick or anything, I'll go get Felix." She doesn't move until someone calls her name. "Go. Have fun. I'll see you."

Annabel nods once, giving you a polite smile before leaving.

The door is near where Felix is sitting, which means there's no leaving without walking past him. There's enough of a crowd around him that him not noticing is a likely option, so you feel safe crossing the room.

You push your way through the room, eyes trained on the ground to help your balance. It's also a good excuse to not look at Felix as you reach the door.

There are stragglers--a group of girls chatting and giggling in front of the door, some guys doing shots, a girl in the middle of a phone call that looks painful.

You walk around the side of the house until you find an empty section of the sidewalk. The party feels far away here, even though the only thing dividing you is a few cars, a mailbox, and a streetlight. You sit and let yourself pretend that the bit of distance you've managed to create means something.

You could actually leave. Sure, this is a slightly off campus house party, but it's only a few blocks away from the street that'll take you to your dorm. You did walk here, but that was when you were focused, sober, and you had Felix with you.

But that's--you brought cash. You think. Maybe you should call a cab. It's not the worst idea. You drop your attention to the ground, instinctually searching for your purse.

Ugh. Your purse. Felix. You gave it to Felix.

Okay, you're still an independent person. This is probably for the best. It's never a good idea to leave a party without at least telling the person you came with, and this way it won't be a big deal. You'll ask for your purse so that you can call a cab. He probably won't even care.

You just need a minute to get it together. Then you'll be able to go back in, tap Felix on his shoulder, and get your purse. He won't even have to get that girl off his lap.

It is such a double standard. Felix completely forgetting about you is perfectly fine, but you talk to one person that isn't more Felix's friend than yours at one of these things and that must mean you're trying to replace him as a best friend.

Maybe you've been deluding yourself, convincing yourself that your friendship means more than it actually does. The thought makes it hard to breathe right.

"It's cold out."

Your palms press into asphalt as you snap your head to find the source of the sound. Felix. A lump wedges itself in your throat. "I'm fine." He takes a step forward. "I just wanted some air."

You turn your head, forcing yourself to stare ahead. Soft footsteps, the crunching of asphalt echoes, somehow sharper than the music coming from the house. Felix sits.

He's farther than he usually is.

You lift your hands, taking your time brushing your fingers against your palms to get rid of the debris that indented itself into your skin. "You um--you have my purse, right?" You fold your hands against your lap. "I need my phone. I--I need to call a taxi."

"What?" His voice doesn't come out angry, but there's a flatness there that burrows deep into the pit of your stomach. It almost feels disappointed. "Why?"

You squeeze your hands together, "I want to go home." You still can't look at him. "I want to go back to my room." Your voice starts to crack on the last word. Nails instinctually dig into your knee.

Felix sighs, angling himself towards you, "You don't have to do that." His voice is soft, cautious. "If you want to leave, I'll take you."

"No," you shake your head once, attention still focused forward to keep him from noticing the fact that your eyes are now watering. All of this feels so dumb, so small. Why are you almost crying? "It's okay, you're having fun, I can get back by myself."

He lets out another breath, moving his arm so that his hand sits between both of you. "You're drunk."

"So are you."

A beat of silence that feels like an attempt at admitting that he's more than just drunk. You saw Tyler--or Trevor, or maybe Timothy--wandering the halls. Some guy whose name you can never remember because he only shows up at the end of nights, when you're too out of it to do much more than just be happy. He's known for carrying--and sharing--harder stuff.

Not that you'd know. There's nowhere that Felix won't take you, nothing that he keeps from you. That's part of the beauty of your friendship, the lack of judgement. But Felix isn't fond of you participating in everything all the time.

If you ever show interest in anything on a night that Felix isn't feeling too sure about, he'll offer to get you whatever you want later, when it's just the two of you. Maybe you'd mind his concern if you cared about getting high more.

You can feel Felix's stare, the weight of his full attention. "You don't actually think I'm going to let you go anywhere alone, after drinking, in the middle of the night."

There's a patience there that makes it hard to sit still. You turn your head, finally looking at him, "I'm fine. I can--" You cut yourself off with a slight sniffle.

You wipe at your face with the side of your palm. Felix's eyebrows are pinched together. You don't know what to make of the way he's watching you. Felix lifts his hand, fingers finding their way against your jaw before you can move. "You're upset."

Pressing your lips together, you try to force yourself to look as neutral as possible. "I'm fine." He doesn't move. "You should go back to your party, Felix."

"The party?" His expression briefly contorts in confusion. "I don't care about the party." Your vision is starting to blur. "There are other parties. You're crying." Felix shifts his hand up your face, his thumb brushing against the apple of your cheek.

You try to take a stabilizing breath, "It's not a big deal." You will yourself to move, to rely on him less. "I don't think I'm going to be any fun tonight, you should go, and I--I'll talk you tomorrow."

He frowns. "You don't have to be any fun." Felix shouldn't have to coddle you. Embarrassment and guilt further knot your stomach. "If you want to sit here, we can sit here. If you want to go inside, we can go inside. If you want to go home, we'll go home."

"Earlier," you manage, focusing on keeping your voice as even as possible, "When we--" Tears pool in your eyes, something at the back of your throat constricts. "I didn't--I don't know--"

You're not making sense, forcing out fragments of thoughts that don't work together. Felix seems to understand anyway, his thumb grazing against your cheek. "We don't have to talk about that now." You nod slowly. "If you still want to go home, let me take you."

You attempt a full breath, "But what ab--"

He tilts his head in a way that makes it feel like he's telling you a secret, "If you ask about the party again, I'm calling you delusional."

You roll your eyes. It's a relatively lame threat, but it serves its purpose. The corner of your mouth tugs itself upwards, your lips pressed together to hold in a partial laugh. "Okay."

Felix's hand slips from the side of your face and finds a new place against your shoulder. "Yeah? Let's go then."

He stands first and then extends an arm to help you. His stability makes it easier.

There is no laughter or pausing on sidewalks to try to hold onto each other. The two of you are quiet, but Felix does keep your fingers intertwined the entire way back to his dorm.

You don't think to question where he's taking you until you're in his room. "Felix." The walk had been good for you, the fresh air and time to gather your thoughts providing enough of a reprieve for you to get it together. "I want to go to sleep."

"Yeah," he mumbles, "I know, I'll get you your favorite shirt."

Your eyes focus on the ground. "I think I should sleep in my room tonight."

Felix sighs, turning away from the door. "You're trying to leave again."

The accusation only half makes sense, but there's a quietness to his voice that gets to you. All the nervous, alcohol fueled energy is coming back with a vengeance. "When have I ever left you?"

Felix scoffs, the sound bitter. "You left me tonight." If his voice was any less raspy, any less urging, you likely would have laughed. He's the one that got mad at you. "You just--you walked away from me. Like I didn't even matter to you."

The a thinly veiled sadness there that almost feels nervous. He can't meet your gaze. The pride encouraging you to stand still bleeds from you. Without its heat, its fire, there's not much keeping you stable.

You move forward, footsteps cautious. "Felix." You stretch a hand forward, fingers brushing against his forearm. He doesn't move. "Of course you matter to me. So much." Your fingers bend around his wrist. "You're my best friend."

He turns his arm. Your body tenses, preparing for his rejection. Felix's hand squeezes yours. There's a tension in his hold, but you embrace it all the same. "You walked away from me."

You take another step towards him, freehand finding his arm. "That's why." He sets a hand against you waist. The contact is firm, unforgiving. There's still hurt, but the only thing more unthinkable than holding on is letting go. "What you say means so much to me, because you're my best friend." His fingers press into your side. "And you were upset--and there were so many people--" Tears prick the corner of your eyes. "And I couldn't do that there."

"No." He squeezes your hand. "No, don't--don't cry, we're okay." As if to prove his point, Felix pulls you closer. The movement's too sudden for you to keep your balance on your own. You tighten your hold on Felix's arm. "Still my best girl, yeah?"

This is nowhere near the closest you've ever been to him. He has a hand on your hip, but that's far from the touchiest he's ever been. It shouldn't--he shouldn't be this distracting. It takes you a second too long to remember to nod.

He angles his head downwards, his cheek finding a place against your shoulder. Felix's breath is warm against your neck. "Wouldn't leave me."

You nod, moving your hand to rest against his back. Felix relaxes against you. It's not easy to stay stable with the alcohol still in your system and Felix's weight on you, but you manage.

"No." You mean it so much it almost hurts to get out. You'd never walk away from him. There's nothing like your bond with Felix. You could talk to him, be around him forever without feeling drained. "Of course not."

Felix turns his head, brushing his lips against your neck. "Stay over, then?" The question is soft, fragile. It'd be smart to create distance. If tonight's proven anything, it's that you're too attached to him. "Please?"

You smooth your knuckles against his spine. "Okay." He presses a kiss against your shoulder. "Yeah. I'll stay."

He hugs you even tighter. "No more tears, alright?"

You squeeze him back. "Alright."

For awhile, the two of you stay like that. There's nothing left to say, and that still manages to be comfortable. Silence is never uncomfortable with Felix.

He eventually shifts to place a kiss against the side of your neck. "We should get ready for bed."

You hum once in agreement. Neither of you move. Things are simple when you factor out the rest of the world. Things are easy when it's just you and Felix.

An overwhelming wave of fondness brings you back. As gently as possible, you start the process of untangling limbs. Felix pouts at you, expression drowsier than before.

Your fingers carefully brush his hair out of his face. "I need to change."

Felix fully straightens. His hand finds the back of your head. He pulls you towards him, pressing a kiss against your forehead. "Okay."

He lets go of you before walking towards his dresser. Felix opens the top drawer and finds your usual sleep shirt. You take it before entering his bathroom.

Going out outfits are cute, but there's something about the moment you get home that immediately forces every ounce of discomfort to hit all at once. You shed the restrictive layers before pulling Felix's T-shirt over your head.

You swear there's some kind of rich guy secret to keeping clothes this soft. A combination of fabric, fancy detergent, and some third thing that's reserved for those in the know.

You turn on the sink, ready to wash what's left of the night off of your face. Felix has never gotten rid of or moved anything you've left in here. What's left of your buzz has you more emotional than usual, making the evidence of your life in his space heavier than it should be.

The feeling is good and bad all at once. Your attachment to Felix is the kind of thing that can only come from fully understanding someone. But there's an inherent danger in knowing someone like that, carrying about them like that. Especially Felix, who has everyone so he doesn't need anyone.

You splash some more water onto your face, attempting to shake off any lingering angst. You don't want to dissect your friendship until it eventually falls apart into nothingness.

When you finally step back into his room, Felix is sitting on his bed, back pressed against the wall. He's managed to change into pajama pants, but seems to be struggling with everything else. His shirt's half unbuttoned, and his fingers are actively working at undoing the rest of them. Felix's movements are slow and clumsy as he tugs on the fabric.

Wow. Maybe you were right to think he was high. "Hey." He looks up at you, hands still attempting to pull apart his shirt. There's something endearing about the clumsiness. He drops his head back down to refocus."Do you--uh--do you need help?"

He angles his head to one side, a smile playing at his lips. "Are you asking to undress me?"

Heat burns through your chest, leaving you hollow. You approach his dresser, leaving your neatly folded outfit on the wooden surface. "Figure out your own shirt."

"No," his sigh is light, almost a laugh, "'M kidding." Your glare only seems to add to his easygoing mood. He smiles, dropping a hand to pat the space next to him. "Come here."

You give in with a sigh, crossing the room and sitting at the foot of his bed. He reaches forward, briefly squeezing your shoulder before returning to work on his shirt. It's hard to watch him stumble through undoing a single button, just to have to start the process all over again.

You pull your legs onto the bed, turning to fully face him. Your knee is pressed against his thigh.

"Lovie," he hums, as if your presence is some kind of revelation.

"Felix." He grins, hands releasing his shirt in favor of trying to grasp your arm. "Wait--" His fingers wrap around your wrist. "I'm--trying--" He pulls your hand towards him, placing a kiss against your knuckles. You laugh. "I'm trying to help you."

He tugs on your arm. His pull isn't harsh, but the unexpectedness of it paired with your buzz makes it enough to throw off your balance. Your freehand presses against the mattress in an attempt to stabilize yourself. Felix laughs, tugging on you again.

Fighting your own fit of giggles, you instinctually push yourself onto your knees in an attempt to regain some control. Felix gives you a second to find your footing. You gently pull his hand off of your forearm and set it on his lap. He frowns.

You extend your arms, placing your hands on his shoulders. Part of the reason for it is to help keep you stable, the rest of it is to keep him focused. He looks up at you, eyes pools of hesitant affection. "Stay still."

He lets you reach for his shirt. "Y'don't have to, I'm okay."

Shrugging, you continue to work at unclasping his buttons. "It's okay, I like helping you."

You unbutton the few buttons that are left. "Better?" Felix nods. "I'll get you a pajama shirt."

Before you can get far, Felix grabs your hand. "We're..." He focuses on bending and straightening your fingers. "Good, right?"

There's something soft about the question, almost shy. "Yeah." He turns over your palm, tracing the lines etched into your skin. "Of course we're good." You adjust, crossing your legs beneath you to sit down.

"Honestly, I was thinking about it, and part of the reason I was upset is because..." This is harder to admit than you thought it'd be. "You seemed really okay without me, and that--I don't know. It's dumb, because I really do want you to be happy, but it made me feel a little replaceable, I guess."

"What?"

You sigh, dropping your attention to your intertwined hands. "I know, I said it was dumb." You pause, eyes darting up to look at him. His expression isn't judgmental or like he needs space. You can't fully read his expression, but nothing about the way he's looking at you feels unkind. "I only mentioned it to be honest, I don't like the idea of keeping se--"

He pulls on your arm again, this time his hold a little firmer. You're closer now. Felix's other hand finds your hip, anchoring you in place. You're too confused to do anything but blink at him.

Felix lets go of your arm, fingers finding their way beneath your chin. He angles your head so that all of your attention is on him. Your lips part, a half thought out question is on the tip of your tongue when Felix leans towards you. His lips meet yours.

You're still, shock and something a lot more electric rendering you in capable of anything else. This isn't the first time Felix has pressed his lips against yours. He's affectionate, especially when drinking is involved. He'll brush his lips against yours after taking a shot together, or just because at the end of a long night. It's not an everyday thing, but it's happened from time to time.

This--this isn't that. He's lingering, lips parting so that his teeth can graze against your bottom lip. Felix pulls away just enough to look you in the eye. His thumb brushes across your cheek.

"You're my best friend." Felix's words are so urging, so pleading you nod before you can think. "Best mate. You're the--the only one that gets me. Really gets me." His hand moves to the back of your head, pulling you back to him.

Any sense of hesitance vanishes the second time he kisses you. He's all consuming, lips dragging against yours with a desperate patience that's dizzying. It's disorientating, the desire to be that much closer to someone when there's no way to get there.

Felix's hand finds your back. He pushes you towards him. There's no good way to oblige. You try anyway, shifting your weight back onto your knees. Felix pulls you forward by your waist. You're too focused on him to realize what's happening until you're on his lap.

He takes his time letting you go, teeth tugging on your bottom lip. "I trust you more than anyone." Felix leans back in, placing a quick kiss against your lips. "You're not replaceable." He squeezes your shoulder. "You know that, right?"

Still breathless, you nod. He's watching you with so much patience, so much care it's almost hard to bare.

His thumb smooths circles against your shoulder. "Let's go to bed, yeah?"

You lift his hand off your thigh to press a kiss against the back of his palm. "Yeah, lets go to bed."

He squeezes your shoulder once before letting you go. You move off of his lap carefully.

Felix sits up enough to push his shirt off of his shoulders. Your eyes instinctually fall to his sheets. "Do you want me to get you a shirt?"

"Why? Distracted?"

You roll your eyes in an attempt to the fact that you are struggling to look at him. "Shut up."

He grins as he pulls back his sheets. "M'okay." You take the opportunity to slip beneath the layers of fabric. Felix waits until you're settled to crawl beneath the sheets. "It's warm enough, even with you stealing my blankets."

"I do not," the sentence is more of a mock gasp than anything else. Felix shifts onto his side before collapsing his weight on you. "Felix."

"What?" He rests his cheek against your chest. "This is the only way to keep you from taking my sheets."

You sigh, feigning annoyance as your fingers find his hair. "Rude. I'm a great bed sharer."

Felix lets out a partial laugh against the side of your neck. His hand finds your hip. "You are pretty great."

Your hand trails down towards his back, nails grazing against the bare skin. "You are, too."

Silence stretches between the two of you for so long you assume that he's already fallen asleep. Felix has a talent for drifting off in the blink of an eye.

"Lovie?" He whispers the term so lowly you almost convince yourself the sound is a figment of your imagination.

"Yeah?"

You can feel the shift in his breathing. "It's you and me--just you and me, when it comes down to it." His thumb brushes up and down your side. "You know that."

He relaxes as your fingers trail down the start of his spine. "Yeah. Of course I know that." A part of you feels naive for believing his words so easily. He's too adored to just be your Felix at the end of the day, and yet-- "Just you and me."

Felix leaves an open mouthed kiss against collarbone. It's the kind of warm that leaves goosebumps breaking out everywhere the contact can't be felt. "Good."

----

taglist; @vader-is-hot @spiritofbuddha @getosangie @freyafriggafrey @ilovehyperfixating @aryiannarae @willowpains @ker0senebunny

[honeytonedhottie]

HONEYS IT GIRL MAGAZINE august edition⋆.ೃ࿔*:･🎀

welcome back to honeys it girl magazine, this is the august catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion. a magazine for it girls ✨ and now please enjoy, the it girl magazine.

WHAT UR DREAMS REVEAL ABOUT YOU ;

have u ever woken up from a vivd dream and thought "what does that even mean?" yeah same. so i decided to dive into this for this catalog and here's what i found. dreams represent unconscious desires and wishes. we have dreams that mirror our emotional state.

three of the most common dreams that people have are falling, being chased, and dying. which are all inherently negative things. when u dream of falling, it shows a loss of control over an important situation. when u dream of being chased, thats ur brains way of telling u that ur stressed out. and when u dream of dying, it could represent a part of you that is dying or something you'd like to escape. 

and dreams about death are the most scary to me cuz i have MASSIVE fear of death but there are more than just negative dreams. usually my dreams consist of things that radiate positivity, or my dreams can be flat out weird. either way, if i remember my dreams i like to write them down and yap about them with my friends.

HAIR HEAVEN ;

i thought that since its leo season and leo's have the BEST hair its only right that hair is the topic of this month's beauty section. so im going to focus on talking about styling, treatments and general care.

how you style ur hair is SO super important to ur whole vibe and aesthetic. hair styles look different on everyone for a multitude of reasons but one of the most obvious is that people have different face shapes and different styles are flattering on different faces.

remember, u dont have to get the same haircut as ur favorite celeb bcuz its so much more cute and original when u get ur own haircut…💬🎀

now unto hair treatments. hair treatments are so important to keep ur hair healthy and lustrous and just well taken care of. so im going to give some hair mask and treatment recipes to keep ur hair healthy and radiant…💬🎀

now finally lets talk about some general tips to keep ur hair gorgeous and lovely on a day to day basis.

♡ use scrunchies instead of elastics when u can to avoid putting strain on ur hair

♡ incorporate collagen into ur diet with supplements or vitamins because its rly rly good for hair skin and nails

♡ when using heat on ur hair, use a heat protectant and try not to apply heat to ur hair on a daily basis

AUGUST MUSIC ;

this month i've really been listening to CHECK by the girl group FLO and let me just say, that song is an absolute MASTERPIECE. the music video was amazing. i love love the cinematography and the concept cuz its super hyper girly just like me and the girls looked so amazing and beautiful.

one of my favorite albums that also dropped this month was latto's sugar honey iced tea album. latto is so so talented and gorgeous and she rly ate down with this album so i highly recommend it to anyone who's been thinking about giving it a listen. my favorite songs on the album are shrimp & grits, look what u did and S/O to me.

BACK TO SCHOOL SEASON ;

for a lot of us, its back to school season and its the time to kind of transition from summer -> into the school year SO here are 5 tips on how to seamlessly transition from ur hot girl summer into a successful school year…💬🎀

♡ get urself an established routine

get urself an established routine 2 weeks before u start cuz the earlier u start ur routine, the quicker it'll be for it to become a habit. adjust ur sleep schedule by sleeping a little earlier, and going to bed at a reasonable time.

♡ reflect and write down some goals

reflect on ur last school year, what u did good and what u did not so good and based on that formulate a couple goals that u can commit to and hold urself accountable to so that then ur making progress thats trackable.

♡ be organized

organize ur notion, ur space, ur school bag EVERYTHING. organization is so crucial especially for school and can protect u from feeling overwhelmed and cluttered.

♡ brief review

im not the kind of person that like summer work, in fact i hate it. but a week or two before school starts i'll do a quick refresh or research the classes that im going to be taking to kind of set myself up for success.

♡ fix ur attitude

stay POSITIVE and dont take on a bad approach to this school year before you've even started. believe in urself, ur discipline and ur abilities and stay in a good mindset.

i have lots of back to school content planned still that hasn't dropped including studying, resources etc so that we can slay this school year…💬🎀

BACK TO SCHOOL FASHION ;

details for back to school fashion/academic princess style :

♡ plaid

♡ grey, pink, black and white color scheme

♡ collared shirts and jackets

♡ pleated mini skirts

♡ sweaters

♡ headbands

♡ knee/thigh high socks

long bouncy curls with a headband that matches something on ur outfit. ballet flats and leg warmers. baby pink gloss and square shaped french tips, delicate necklaces and bracelets…💬🎀

when i think of pink academia fashion the first person that comes to my brain is cher from clueless. here are some of her most princess academia moments in the movie.

cher emphasizes literally everything i've talked about in the pink princess school fashion scheme. the pretty socks, fluffy pens, collared shirts and pink->white->grey color scheme. even the way that she does her hair is very very pretty and flattering.

WHATS MY HOROSCOPE (AUGUST 25-31) ;

♡ you’re the star of the show this month, virgo! it all begins on august 4th with a leo new moon that awakens your zone of spirituality. you could be focused on sacred release to clear space, welcoming in new beginnings. confidence is cultivated through deep soul-searching. on the same day, venus enters your sign, bringing a boost to your energy, creative projects, and style. mercury stations retrograde, also in virgo, encouraging self-reflection.

♡ for aries, it’s an exciting month ahead! the action begins on august 4th, when the leo new moon activates your zone of pleasure, inviting you to follow your passions! a playful approach in romance and creativity can inspire new beginnings that feel fun and stress-free. on the same day, venus enters virgo and visits your sector that rules self-care, encouraging you to embrace healthier habits. In the evening, mercury goes retrograde in virgo, signaling a time for you to get centered.

♡ for taurus, it’s an emotionally powerful month. it all begins on august 4th, when the leo new moon activates your zone of intuition, bringing major insights that lead you to new beginnings. with your environment in the spotlight as well, you might use this time to beautify your living space, pulling in bold animal prints and patterns. later in the day, love planet venus enters virgo, activating your zone of pleasure. take a practical approach to love, money, and creativity. then, mercury stations retrograde in virgo, urging you to release perfectionism and rest.

♡ for gemini, his month is full of connection! the magic starts on august 4th, when the leo new moon activates your communication sector, inspiring you to shine your light, share your ideas, and express yourself. leo’s passion blends with the fresh slate of the new moon to bring you an exciting new path to explore. later, venus enters virgo, awakening your intuition so you can manifest! mercury stations retrograde in virgo as the evening comes to a close, marking a period of rest and awareness.

♡ for cancer, success is yours this month! it all begins on august 4th, when the new moon in leo visits your money zone, inspiring you to share your talents and build up your resources. the bold expression of your skills impresses others and serves as a beautiful boost of confidence for you too! you’ll crave more meaningful conversations when venus enters virgo, awakening your communication sector. mercury stations retrograde in virgo at the end of the day, signaling a time of required pause.

♡ for leo, it’s an expansive month! the excitement starts on august 4th, when a new moon in your sign ignites a path to new beginnings. you’re stepping into the most confident version of yourself! set intentions for the future with courage and inspiration. on the same day, venus enters practical virgo and visits your financial sector, helping you organize money matters and work projects. mercury goes retrograde in virgo that night, encouraging you to embrace stress reduction and physical relaxation.

♡ for libra, it’s an enlightening month ahead, libra! the leo new moon on august 4th activates your friendship sector and invites you to step into the social spotlight. you could be making plans with friends or passionately helping others. set intentions for the future and remember that dreams do come true! venus enters virgo later to help you get grounded as you explore your emotional realm. mercury stations retrograde in virgo that night, highlighting the importance of practicality.

♡ for scorpio, prepare for a month of empowerment! the leo new moon on august 4th inspires you to showcase your talents. by doing so, important people take notice and doors of opportunity open. don’t be afraid to courageously share your expertise. venus enters virgo later in the day, enhancing your powers of negotiation as well as your charm. mercury stations retrograde in virgo before the day ends, signaling a need for patience.

♡ for sagittarius, it’s an adventurous month! the fun begins on august 4th, when the leo new moon lights up your travel zone, encouraging you to explore on physical, intellectual, and spiritual levels. embrace new beginnings that bring abundance into your life. venus enters virgo on the same day, inviting in well-deserved acknowledgment and opportunity. mercury stations retrograde in virgo, asking you to review your long-term commitments and responsibilities.

♡ for capricorn, it’s a month of personal growth, capricorn! the leo new moon on august 4th awakens your zone of transformation and brings change. you could be healing your relationship with money or crafting a plan to tackle debt. when you surrender into evolution, manifestations become reality. venus enters virgo later and lands in your adventure zone. seek out experiences that feel fun, expansive, and abundant. mercury goes retrograde in virgo before the night ends and asks you to slow down.

♡ for aquarius, your relationships are highlighted this month, aquarius! the leo new moon on august 4th activates your relationship zone and opens new paths in love. create heart-led manifestations and enjoy quality time connecting with others. venus enters virgo on the same day and visits your sector of intimacy, encouraging you to bond beyond the physical plane. communicate with care when mercury goes retrograde in virgo that night, marking a time of potential misunderstandings and snafus.

♡ for pisces, get ready to fall in love this month, pisces! it begins with the leo new moon on august 4th that encourages you to love the most important person of all: you! this is the time to take excellent care of your mind, body, and soul so you can feel rejuvenated. venus enters virgo the same day, activating your relationship zone. strengthen your bonds! mercury goes retrograde in virgo that night, marking a time of healing.

CELEBRITY GOSSIP - BLAKE LIVELY ;

this month the movie "it ends with us" was released starring blake lively and justin baldoni and it has been gaining LOTS of traction on the internet for a multitude of reasons. i haven't been to watch the movie yet but if u have, tell me how it was!

the reason why im going to be talking about this in the celebrity gossip section is because of the fiasco blake lively and how out of touch she is…💬🎀

blake is getting called out for how shes been acting during her press tour for it ends with us and her past actions and behaviors that rly showcase how tone deaf she is. the movie is based on the book it ends with us that was written by colleen hoover, and in the book it explores topics such as domestic violence, emotional abuse etc. because of the serious nature of the movie, her saying "grab ur friends, wear ur florals" was a tone mismatch.

a clip of her is going viral where she was asked by the interviewer on, what was the best way someone who understands the themes of the movie, could talk to her. and she responds with literal sarcasm. leaving everyone confused and kind of put off. furthermore during the filming for the movie about literal DOMESTIC VIOLENCE. she launches a haircare brand. which could just be unfortunate timing but i feel like with how good marketing is, this wasn't a coincidence but thats just my opinion.

the last thing i wanna talk about is an interview a while back when blake was pregnant. the interviewer congratulated her saying "congrats on ur little bump" which is so sweet. blake responds "congrats on YOUR little bump" which was SO uncalled for because one, the lady wasn't pregnant and two, the lady literally couldn't have kids. throughout the interview blake just continued to be absolutely obnoxious, ignoring the interviewers questions and just being such a horrible guest.

anyways i'd love to hear ur thoughts and opinions on this situation in the comments and if ur kinda curious about the celeb gossip i recommend watching this video bcuz d'angelo rly explains everything well.

STYLE DISSECTION MARILYN MONROE ;

marilyn monroe is an absolute ICON and legend in literally every form of the word. shes an amazing role model and something that i rly rly love about her is ur style and her beauty which is why im doing this month's style dissection on her…💬🎀

one of my favorite marilyn monroe outfits was her gorgeous deep burgandy silky dress in the film how to marry a millionaire. in this film we get the ICONIC diamonds are a girls best friend and honestly they're right. marilyn sports GORGEOUS diamond jewelry in this movie that rly tie her outfits together and give the air of luxury and opulence that is so so hard to recreate which is why no one can do it quite like marilyn.

marilyn rly made the iconic 1950s glam what it was. everything from her signature platinum blonde bob to her gorgeous, feminine allure. in her film gentlemen prefer blondes shes wearing an absolutely stunning orange dress that shows off her body. it has a super flowy mermaid cut at the bottom which compliments the snugness of the dress around her waist, hips and chest.

i could talk for HOURS about the fashion icon that marilyn monroe is but we dont have that kind of time in this years august issue of the it girls magazine…💬🎀

[3hks]

How to "Copy" a Character (Step-by-Step Guide)

Have you ever fallen in love with a specific character's concept? Where you absolutely NEED a similar character in your story, but aren't too sure on how to mimic it? It's quite simple, really, so let's get into it! (Disclaimer: If this qualifies as plagiarism or anything similar, please let me know ASAP and I'll take this down immediately. I do not support plagiarism and I do not wish to be encouraging it, even if indirectly.)

1. LIST EVERYTHING

Once you have your chosen character, list everything you know about them. This especially applies to personality traits, habits, emotions, and thought processes. Make sure to include their negative qualities and any headcanons you have! Circle or highlight any defining characteristics of the character because it may be the same for your fresh one.

2. REMOVING AND REPLACING

Your list should be rather long if you were thorough. Now, strike out anything you don't want to be a part of your new character and include any original features you want to add. This altered list should have pretty much their whole personality and you can work from there!

3. WHEN AND HOW?

Now, let's put the personality to use! Adding onto your list of traits, add when/how they will show. This way, you are able to keep your character's character in check. Starting with the five senses is a good idea, but you can go from there! (This is kind of confusing so let's look at an example! ^^)

NAME

Affectionate: Physical

Relaxed: Verbal (Tone)

Stubborn: Verbal

Fashionable: Physical appearance

Anxious: Mental (Only shows in xxx situations)

Unpredictable: Actions/Physical

Does this make more sense now? There are many different ways of demonstrating one's qualities and to keep things organized, it's a good idea to know how they'll demonstrate it! And if you study your original inspo character, you'll see that they establish certain attributes exclusively by how they talk or act!

4. FINE DETAILS

Alrighty! Finally, let's include all the fine details about your character! This will vary amongst everyone, but there are a couple of things that I highly encourage you include!

Morals

People they're close to

Relationships between the people above

Goals

Love language

Habits

Backstory (This can come later, but it's good to have one at any point)

And lastly, list ALL the differences between your new character and the reference one! Maybe they both show passion but in different ways, or maybe they have separate speech patterns! It's always interesting to see how far you have gone!

See? In all honesty, it's really straightforward and just about breaking the characters down in order to rebuild them in the way you want!

Just an extra note, school has OFFICIALLY started for me! I'll still be uploading once or twice a week, but please stick with me if I'm a bit late! This school year already seems far busier than the one before, so I need to figure out how to re-balance things!

Thank you all so much for 700 followers!! It's crazy in all honesty (I haven't been giving out the best content recently, ik) T~T but I WILL WORK HARDER!

Happy writing~

3hks <3

[miraculouslbcnreactions]

When I first saw a Miraculous Ladybug salt post it was the usual Lila takes away all of Marinette's friends Adrien does nothing Marinette becomes super successful Lila gets exposed blah blah blah

When I see posts like the ones you post where people give actual constructive criticism about the characters and not favor one character over the other has made me realize that these are fictional characters and its not their fault they are the way they are. Also they're 14 what kind of 14 year old makes good choice's? Especially when they have the fate of the world/universe on their shoulders

If anything the character I really blame is Master Fu. He was obviously meant to be some sort of mentor figure for them or at least Marinette's mentor. He was the one to tell and encourage Marinette to keep everything a secret from Adrien. Comparing him to other mentor like figures in the world of superheros he isn't really all that helpful.

Compared to DC Ladybug and Chat Noir do not have any adult superheros to help them. In DC younger superheros have entire superhero families to help them out and if not that than they have other adult superheros to help them or they have an actual team. We know that other miraculous holders exist and the order is back I have a vague idea as to why they can't help but I still find it weird as to why they are around if not to help. Like phones and the internet exist do they not?

Sorry for they rant, I want to know what your thoughts are on this?

Your rant was fine! I don't think that I've talked in depth about mentors as a concept and I should both because I love mentors and because Miraculous has completely failed to give us any good ones. This is a writing failure not because good mentors are required, but because the show chose to have mentors characters and then not use them.

Before I get into the topic at large, I want to start with a brief discussion of mentors in shows aimed at young children as Miraculous' intended audience is young children and that fact is worth keeping in mind when discussing what Miraculous did wrong and some of the ways that you can fix it.

Shows aimed at kids generally avoid adult characters in major roles for the very obvious reason that the intended audience is kids, so you want the kid and teen characters to be the stars. This doesn't mean that adults aren't allowed to save the day or have important roles. It just means that they should be used sparingly. This is why mentors are a great addition to kids shows. They allow adult characters to be deeply involved with the plot without anyone expecting them to intervene because that's not their role in the story. They're not here to be the hero. They're here to guide the hero.

One of the powerful things about this setup is that it allows the writers to give the real kids watching at home real advice about real life problems. For example, if Marinette comes to Fu to talk about feeling alone and overwhelmed, then he can give her real, practical advice that would apply to anyone who is feeling alone and overwhelmed, but no one expects him to directly intervene because he's supposed to say hidden.

A lot of these elements apply to mentors in media aimed at older audiences, the rules just apply for different reasons, so I'm going to stop reminding you that Miraculous is for elementary school kids and focus on the failed mentor issue as it would be an issue no matter what Miraculous' intended audience was.

When it comes to bad mentoring, a lot of people focus on Fu and I get why. At first glance, he's the classic wise old Asian man who is supposed to be there to guide the protagonist on her mystical journey (not getting into the racism issue here, just know that I'm aware of it and that Miraculous dropped the ball on this in a lot of ways even though they absolutely could have made it work.) But Fu isn't the main focus of my ire because, while the writers seemed to have designed him around the mystic Asian trope, they never actually wrote him like a mentor.

He doesn't train Marinette and Adrien in the ways of the miraculous. He just sneakily gives them their miraculous and then disappears from their lives for quite some time. So he's not around to get them properly started on their hero journey. That's strike one for the mentor role.

Strike two is the fact that we never actually see him mentoring Marinette. I don't think that she ever went to him for advice? If she did, then it wasn't a big element of their relationship. When I think of Marinette and Fu, I picture her going to him to grab a miraculous or two before booking it back to the ongoing fight and that's about it. The guardian training she supposedly had was all off screen, so we have no idea how close they were or what he even taught her outside of potion making. Even that wasn't really him teaching her something. It was them working together to figure out a puzzle because Fu never completed his own training, making it impossible for him to properly train a successor.

Strike three is the fact that - outside of the King Monkey incident - Fu never gets directly involved in helping team miraculous. He's never gives them feedback on fights or works with Ladybug and Chat Noir to strengthen their bond. He doesn't even help them track down the two missing miraculous or hand out the temporary miraculous on Marinette's behalf, a choice I still find super weird. "This fight is super hard and we need help, so I'm going to leave Chat Noir to fight alone while I go get said help!" is absolutely nonsense logic and one of the many examples of the writers desperately needing to let Marinette hand her responsibilities off. Why wasn't this Fu's job?

This brings us to fix one: if you want the guardian to be a mentor - which is a role they arguably should have - then the guardian needs to be actively involved in Marinette and Adrien's lives in an on screen way. For this to work in the context of Miraculous - a show that really wants to focus on the teen characters - then the guardian probably needs a teenage apprentice who isn't Marinette and that apprentice will be the one doing the mentoring.

My pick for this is Luka for two big reasons. The first one is that his calm personality is perfectly suited to a mentor. The second one is that it seems insane to me to have the snake be a temp holder. The snake should be watching every fight, but staying out of the actual fight so that they can use their power whenever it's needed. That's the perfect role for a mentor character to fill. Someone who is active in the plot, but only ever as a support because their power stops them from getting more involved.

Moving on to the bigger issue.

As I said up above, Fu doesn't actually get my ire. While I wanted him to be a mentor, he never once filled that role and he didn't really need to because the show already had mentor figures that it was actively using and using poorly. Those figures are the ancient magical creatures that follow our heroes around, dispensing terrible advice whenever they feel like it. That's right, as much as it pains me, Miraculous' biggest mentor failures are Tikki and Plagg.

The miraculous did not need to have magical creatures associated with them. They could have just been magical jewelry that Fu handed out and explained. Instead, the writers chose to give us the Kwamis and I don't disagree with that choice. I like the Kwmais! The problem is that they're used in the most lackluster, asinine ways you possibly could.

The Kwamis are not presented as oblivious to the world and unable to give advice. They give lots of advice! The problem is that advice tends to suck! I can think of many examples of times where the Kwamis made everything worse, but let's look at the one that grinds my gears the most: Plagg's actions in season four.

In Rocketear - the episode where Nino gives Adrien an incredibly inaccurate picture of why he knows Alya's secret identity - we get this:

Adrien: I still can't believe Ladybug entrusted Alya and Nino with those Miraculous. Plagg: Of course she did. She's the Guardian. Adrien: But they're a couple and they know each other's secret identities. Plagg: So...? Adrien: So, why does she make it a rule that we can't know each other's identities but it's okay for them? Plagg: She's the Guardian, the Grandmaster Cheese Ripener, and you and I are just cheese on the platter. She decides what's on the menu.

Hey, Plagg, maybe don't tell your clearly upset and vulnerable teenage holder to just suck it up and deal with it when he's feeling alone and betrayed? Maybe encourage him to talk to Ladybug about his feelings so that he can get the full story? Knowing that they learned their identities during the Scarlet Moth incident would probably do a lot to smooth over Adrien's hurt feelings.

What's even more rich is that the episode Kuro Neko lets Plagg go off on Marinette for not appreciating Chat Noir:

Ladybug: What's gotten into him? I didn't do anything. Plagg: Didn't do anything? Well yeah, you did! You've been neglecting a very classy piece of camemebert on your plate for too long! And as a result it got runny, and moldy! Ladybug: What? Cat Noir never gave me any camembert. Plagg: Of course not, Cat Noir is the camembert! For a while now, you've been neglecting this camembert— I mean Cat Noir, and going on adventures with the all other cheeses! Ladybug: But he should be happy about it, it gives him more time off. Plagg: Cat Noir doesn't wanna have time off, Ladybug! He is in love with you! And your persistent calling on all the other heroes has broken his heart.

Dude, if you saw all of this going on, then why didn't you say something??? You and Tikki are in the same location for multiple hours five days a week. Go tell her how your holder is feeling and figure out how to fix the situation! Or be an actual mentor and encourage Adrien to talk to someone about his feelings! At the very least, cut up a wheel of cheese, sit down, and listen to your kid so that he feels less alone!

Also what exactly do you want Ladybug to do to fix the problem you presented? Let Paris burn until Chat Noir decides to show up to today's fight? Refuse to use the temp heroes even if it means losing a fight? None of those are valid solutions when the problem presented in the episode is Chat Noir missing fights. Especially when we know that he's doing it on purpose. Why are you yelling at her instead of working with her to come up with an actual solution? You are such a terrible mentor...

To be clear, I don't think any of this is intentional. I don't think the writers want Plagg and Tikki to come across as actively hurting their teenage charges via bad advice. I think Plagg and Tikki are supposed to be seen as good and helpful, but they can't fill that role because they're tools of the narrative and the narrative has really wacky views on what good advice is. Thus nonsense like the example I discussed above or Plagg and Tikki picking new holders instead of guiding their holders through an identity reveal.

I personally adore letting Plagg and Tikki be good mentors in my own stuff. It falls under the same category as Alya and Nino being terrible friends on screen. I acknowledge the problem and then delight in fixing it by writing the exact opposite setup because what is fanfiction for if not heavy self indulgence?

[minmin-vs-physics]

HUP, EPR, and Bell’s Theorem

Abstract

An educational document discussing the Heisenberg Uncertainty Principle, the EPR (Einstein- Podolsky-Rosen) Paradox, and Bell’s Theorem, written for an audience without a background in physics, but with their head still screwed on right.

1 Introduction

Ah, quantum mechanics. A bizarre theory which unfortunately describes our physical world exceed- ingly well. Einstein didn’t get it. Bohr didn’t get it. I don’t get it. And soon, you won’t get it either. As the saying goes, the more you know about quantum mechanics, the less you understand it.

I will be skipping around in terms of topics covered in undergraduate quantum mechanics courses to prepare you for the actual beast, Entanglement.

Entanglement, the property of quantum systems to remain correlated even when separated, is a concept which has transformed from a worrisome byproduct of a thought experiment [1] into a cornerstone of quantum mechanics itself. What is a quantum mechanics? Google is your friend, my dear reader. My time with you is limited„ and I cannot teach you the alphabet to make you read Shakespeare. I can only explain what you directly need to understand this article. Anything else shall be your homework, and if I am feeling kind at the end, I will provide a list of accessible resources on learning quantum mechanics the RIGHT way.

As we dive into the frankly confusing world of entanglement, it is vital that you remember one thing– A quantum particle is described by a wave function, Ψ. This wave function is a solution to the Schrodinger equation.

This is what they mean when they say something is both a particle and a wave; It’s behavior can be described by a special kind of wave equation, which we all know and love as the Schrodinger Wave Equation. But that’s not important right now. I’ll explain more if I need to. We need to get to HUP.

2 Heisenberg’s Uncertainty Principle

Formulated by Werner Heisenberg in 1927, the Uncertainty Principle is an indomitable tenet in the field of quantum mechanics. Its premise is simple. The more precisely a particle’s momentum is determined, the less precisely is its position. In one dimension, this can be summarized with the following mathematical statement: ∆x∆p ≤ 2

Here, ∆x is the standard deviation or “spread” of the position x, while ∆p is the standard deviation of the momentum p. As the spread of one quantity decreases, the other must increase in order to maintain the inequality. I will not bother proving the Principle in full, but I have Heisenberg’s original proof in the references.

Is that it?

Ummmmm, no. An important thing to remember about HUP is that it is not exclusive to x and p. HUP applies to any two quantum mechanical operators, A, B, which do not commute with each other i.e. [A, B] = AB − BA = 0. But that’s all mathematical nonsense, Min! What does it really mean?

Fine! I’m only doing this because it will be useful when we get to measurements in the EPR paradox and Bell theorems. In order to understand what “not commuting” means in the physical sense, let’s use our favorites, position and momentum, as an example. In quantum mechanics, xˆ andpˆ are referred to as the position and momentum operators respectively. (Why the little hats? Firstly, they’re cute, and secondly, well, you’ll see.) The whole point of calling them operators is that they act on wave functions. And in the crudest sense possible (please don’t try this at home, folks), hitting an operator on a wave function and taking the expectation value, gives a measurement of the quantum mechanical system.

There is about three semesters of quantum mechanical education I’m waving off right now, but bear with me. When we act the momentum operator on the system, in some sense we extract the momentum. Same thing for position. However, the whole deal about x and p is that they do not commute. So, the order in which you conduct the measurements absolutely does matter. First measuring x and then p would give you a different answer than first measuring p and then x. This is because the very act of measuring a quantum state changes it. That’s right! It changes. This makes all the difference when you consider the standard deviation of a bunch of measurements. If my memory of introductory quantum mechanics serves me right, after about three pages of algebra you arrive at the familiar position-momentum uncertainty principle.

The moral of the story is that the non-commutativity of these operators manifests as a sort of granularity in the accuracy of measurements you can make on a physical system. This granularity is retained between any other kinds of non-commuting measurements you can make!

On second thought, do you really need this? Probably not. But, the algebra of uncertainty principles is a pet project to me. Especially the strangest of them all, the energy-time uncertainty principle. Enough on that! Here’s the main takeaway (other than the actual HUP statement) that you need from this section:

Making a measurement on a state changes its wave function. No exceptions. None. The detached observer is not a reality in the quantum mechanical world.

3 Spin

I realized that the following sections will not make any sense if you don’t at least know what spin is. So, let’s make a short pit-stop at Spin City to learn about this nonsensical physical quantity.

We’re all aware of angular momentum– its the rotational analog of linear momentum (which we talked about the previous section). We all agree that it is a property related to the motion of an object, right? WRONG! Sometime in the 1900s (Seriously, 20th Century Physicists should chill out), it was discovered this angular momentum from motion i.e. “orbital” angular momentum, as it was called in the atomic physics context it was first described, does not account for all the angular momentum of a particle. Long story short, the remaining angular momentum, which is intrinsic to a particle, is now called Spin. Every fundamental particle has a particular value of spin, which, in quantum mechanical jargon, is the eigenvalue of the spin operator.

For understanding the following sections, we really only need to care about spin-1/2 particles, which are lovingly called fermions, and are the building blocks of all ordinary matter. The shining feature of spin-1/2 particles is that their spin can either be +1 or −1 , which is often referred to as spin-up (↑) and spin-down (↓) respectively.

Physically, the up or down comes from whether the measured spin is along the axis it is measured, or opposite to it. Yes, spin is a vector, so it does have three independent components in the three spatial directions, but it is convention to consider the z-component of the spin for calculations and experiments. Any references to up and down in the next sections are along the z-direction.

Oh, and one more thing, spin-0 particles have no intrinsic spin. This will be important when we encounter the EPR Paradox.

4 EPR Paradox

After skipping a whole bunch of most-likely important concepts in the study of quantum mechanics we arrive at the EPR paradox.

The EPR paradox is a thought experiment first described in the groundbreaking paper [1] by Einstein, Podolsky, and Rosen in 1935. Einstein was quite vocally a hater, and the EPR paradox was proposed as evidence that the description of reality provided by quantum mechanics is incomplete. Reality doesn’t care, of course, and the EPR Paradox isn’t really a paradox. In fact, it is the foundation of entanglement– a magnificent, very real feature of reality which spans black holes, quantum computers and even my field of research: Entanglement in elementary particle physics.

In fact, I’m so self-centered that the example we will use to illustrate the EPR paradox is from particle physics. Just kidding, my explanation follows Chapter 12 in Griffiths’ Introduction to Quantum Mechanics, and is a simplified version credited to David Bohm

EPRB Paradox

Suppose a pion (funky particle with spin-0) at rest, decays to an electron and positron which fly off into opposite directions. Since the pion has spin-0, conservation of angular momentum dictates that the electron and positron occupy the following spin configuration.

√(1/2) (|↑↓⟩−|↓↑⟩)

BE NOT AFRAID of the mathematical jumpscare. The fancy bracket |·⟩ is what’s called a “ket”, and is used to denote the state of a quantum system. All the expression says is that either the electron is

spin-up (+1) and the positron is spin-down (−1) or vice-versa, because the total spin of the system 22

must add up to 0. (Since the initial state is spin zero, the system must stay spin-zero even after the decay occurs. That’s what angular momentum conservation is all about.) We don’t know which combination we will get, but it must be one of the above. Measuring the spin of one of the particles will automatically tell us what the spin of the other particle is. This means that the spins of the electron and positron are correlated. In modern terms, such a state is called entangled.

Now, let’s pretend that these particles fly off in opposite directions, until say, they are several light years apart. What would happen if we found the electron and measured its spin to be +1 ? We instantly know that the positron’s spin is −1 . This is obvious. Why are we mad about this?

Naturally, we may think that the electron really was spin-up from the moment it was created and it was only that quantum mechanics did not know until we made a measurement. But by the principles of quantum mechanics, neither particle had a definite spin, until we made a measurement, causing the wave function to “collapse” and instanteously produce the spin of the positron which is lights years away!

The EPR bros were NOT having it. Einstein famously called this phenomenon “spooky action at a distance”. They stated that the quantum mechanical standpoint must be wrong! The electron and positron must have had well-defined spins from their creation, even if quantum mechanics does not know it. Quantum mechanics is not a complete description of reality and there must be some hidden variables which describe a physical system that we do not yet know.

The fundamental assumption guiding the EPR argument is that no information can propagate faster than light. This the principle of locality. In order to appease this, we can say that the wave function collapsed at some finite velocity and is not instantaneous. However, this violates conservation– If we measured the positron spin as well before the information of collapse reached it, there is a 50–50 chance that both particles are spin-up, which means the system has total spin-1. Preposterous! You can mess with anything you want in this universe, but you don’t mess with conservation laws. What do we do now?

Okay, let’s calm down. The theorists may say whatever they want, but experiment doesn’t lie. Experiment tells us that in these cases, spin is perfectly correlated. The wave function collapse is instantaneous. That’s crazy. Call your mom and tell her you want to go home. The EPR Bros are frightening you— Quantum Mechanics is NOT local so it is NOT complete.

...Except. It is. Enter, Bell’s Theorem.

5 Bell’s Theorem

Now, what’s the situation? The EPR gang is not happy. I’m not happy. You’re not happy. Is quantum mechanics wrong? No, silly! EPR said it themselves: they think it’s merely incomplete. So, in order to completely describe a quantum mechanical state, you not only need the wave function Ψ, you also need some unknown, hidden variable λ. Lots of hidden variable theories were proposed after the Einstein-Podolsky-Rosen paper, but none of them ever gained traction. It was still a respectable area of study until 1964, when J.S. Bell proved that any local (Remember locality from the last section?) hidden variable theory is incompatible with quantum mechanics.

I’ll spare you the details of Bell’s work, dear reader. One thought experiment in an essay is gruesome enough. (It is also getting quite late and I still didn’t code my calculations. I have spent far too much time on this already.)

Bell’s proof involves the wonderful use of probability, and the barest assumptions that can be made about local hidden variable theories. Basically, in any local hidden variable theory, the probabilities of various outcomes are related by what’s known as a Bell inequality. If EPR’s conjecture is right, and there really are hidden variables we don’t know about, then any physical system must obey its Bell inequality.

Except, there have been various experiments since the 1960s confirming that Bell’s inequality is indeed violated. This came as a rude shock to scientists as it is not fun to learn that reality is very much nonlocal. It was all fun and games when this was all merely a mathematical artifact, but nonlocality felt like a gateway drug to a much grimmer violation.

Causality

Bell inequality violations, no matter how surprising, are merely wonderful correlations between two sets of otherwise random data. Sure, the measurement of the spin of the electron affects the positron, but it does not cause it in any meaningful way. The person measuring the electron spin cannot use this collapse of the wave function to send a message to the person with the positron, since they don’t control the outcome of the experiment. They can decide whether to measure the electron at all, but the other person only has access to the positron’s spin and cannot tell whether the electron has been measured or not.

Phew! This sort of nonlocal influence does not transmit any energy or information, so it is exempt from the speed of light. Meanwhile, causal influences, those which do transmit information or energy, cannot travel faster than light. According to special relativity, if this was possible then, there are reference frames in which information can propagate backwards through time. And that, my dear reader, is what we call a big nono. Since the EPR paradox does not imply that causality is violated, we can lie uncomfortably on our bed of nonlocal but causal theory of quantum mechanics.

So rest easy, quantum mechanics is weird, but safe. Entanglement is not a fairytale, but also not the boogeyman. It’s probably more scared of you than you of it. Just give it some time. More answers will follow.

What Do I Do Now?

So, you want to know more? Or curl up in a ball and never think about this again? Either is fine. I won’t judge. If your answer is the former, here are some resources to guide you through the thickets of quantum mechanics.

PopSci Sources

1. IDTIMWYTIM: Heisenberg Uncertainty Principle 2. Why did Quantum Entanglement Win the Nobel Prize in Physics? 3. Bell’s Theorem: The Quantum Venn Diagram Paradox

Surely, you’ll get more out of these wonderful science Youtubers than you did from me yapping for four pages. There are a bunch more probably, but you’ll have to find them yourself.

Academic Sources

1. An Introduction to Quantum Mechanics, D.J. Griffiths.

Of course, there are other quantum mechanics textbooks that I like much more than this one. But, this is the least daunting, so I’ll leave it here.

Don’t forget to like and subscribe for more silly academic style papers.

References

[1]  A. Einstein, B. Podolsky and N. Rosen, “Can quantum mechanical description of physical reality be considered complete”? Phys. Rev. 47, 777–780 (1935) doi:10.1103/PhysRev.47.777

[2]  Heisenberg, W. “Über den anschaulichen Inhalt der quantentheoretischen Kinematik und Mechanik”. Z. Physik 43, 172–-198 (1927). https://doi.org/10.1007/BF01397280

[3]  D.J. Griffiths, D.F. Schroeter, “Introduction to Quantum Mechanics, Third Edition” Cambridge University Press (2018) 978–1–107–18963–8,

[caffedrine]

Rio Ortiz - Beyond the Connection Between the Past and the Present – Event Summary

This is mostly a summary for me - I make no promises on the accuracy of what’s happening. I’m not nearly fluent enough to get half the jokes/innuendo much less accurate plot points.

On her day off, Emma sits in Rio’s room, drinking the tea he brewed.

Suddenly the door slams open, and to Emma’s shock a little kid who looks like a mini-Rio walks in, only to stop and stare at her as if she was the interloper.

The kid asks who she is, also asking what she thinks she’s doing in his room. Rio, who is also in the room, asks the kid who he is.

Valerio.

Huh, that name rings a bell for some reason.

Rio kindly introduces himself and asks Valerio about his circumstances. 

Well, he was just at the courtyard pool in the garden, but before he knew it, he was magically in the palace hallway. It was weird and scary, so he returned to his room, only to find them.

Rio nods and surmises that this is himself as a child somehow transported to the future. Emma feels like there were a lot of jumps to that reasoning - but here they are with a kid who looks like he’s doing his best not to cry, so she’ll go with it.

Besides, he looks just like a mini-Rio - all cute and adorable.

(Picture this but clingier)

Valerio does, unfortunately, break down into tears, and he asks them why he is here and what should he do. Emma reaches out and pulls him into an embrace, which Valerio admits he likes. 

Rio explains that somehow Valerio has found himself in his own future. Until they find a way to send him back to his own world, it might be better if Valerio stayed with them.

Since they’re here now, Emma asks if Valerio would like to play some games with him. Valerio cheers at this, he wants to go swimming, can they go to the beach.

He’s cute and a little spoiled, but Emma can’t bring herself to mind. She offers to make the three of them lunch to Valerio’s delight.

Literally peeling Valerio off of Emma, Rio offers to arrange the carriage. 

Valerio complains, he was comfortable hugging Emma, and she smells nice too!

Rio explains that Emma is his fiancé, and surely Valerio isn’t so rude as to try to cuddle someone else’s fiancé.

Well, if Rio is Valerio’s future self, that means Emma is his fiancé too. So, where is the problem?

(No! We are not applying logic to this situation!)

Oh, there is a big problem. Rio is the one who fell in love with Emma, confessed his feelings, grew his love with Emma, and got her to fall in love with him. Not Valerio. Yet.

Valerio grumbles that his adult self is especially heartless. Come to think of it, they have different names too . . . 

Rio explains the concept of nicknames to Valerio, which blows his younger self’s mind. 

Besides, it’s the name Emma picked for him .  . . 

Valerio complains about the weird expression Rio is making. Rio explains that he is never normal when he talks about Emma. He launches into a speech about all of Emma’s wonderful and excellent qualities.

Rio ends his profuse compliments by comparing Emma to an angel, which Valerio latches on. With shining eyes, he asks if Emma really is an angel.

Angels are kind, and pretty, and probably smell as nice as Emma. After listening intently to Rio, Valerio is now convinced that Emma is an angel touching down on earth.

Emma tries to explain metaphors to Valerio.

Valerio gives her a really big wink; angels are supposed to pretend they’re human when they walk on earth. Don’t worry, he totally understands.

Emma turns to Rio for help.

Rio muses that Valerio has a point, and besides, it’s not like she has ever proved that she’s not an angel. 

Valerio is happy, he’s going to the beach with an angel!

Defeated, Emma goes with it. Valerio is smart, he’ll figure it out eventually.

At the beach, Valerio puts his mind to collecting beautiful seashells for his angel- oops- his fiancé. Rio helps, and soon it’s time for lunch. 

Valerio cheers at eating lunch on the beach, and Rio fawns over Emma’s homemade meals.

They make sandcastles - or at least something similar. Valerio is proud of his boat; Emma thinks her rose cake is quite nice and Rio . . . Rio made an effigy of Emma out of sand. Rio is satisfied with his near-lifelike idol of Emma - he can admit that there are limits to how cute something that is not Emma could be. 

It’s starting to get late, so Rio suggests they return to the castle. Valerio, finally showing signs of exhaustion, agrees. Emma suggests that they bring back some of the seashells and make a decoration out of them to commemorate this trip. 

Valerio grows quiet - he likes the idea, but anything he ‘owns’ will be taken from him.

Oh, right, back then Rio wasn’t allowed to have things. 

Rio assures him that in this day and age, that won’t happen. Valerio snaps back that Rio is a liar, everything is always stolen from him. 

Emma comforts Valerio and asks him to trust her. She’s an angel, so her words are true, right? He doesn’t need to worry about that happening here.

Valerio relaxes, smiling up at her with pure trust. 

Rio remarks that all teasing aside, Emma is an angel to him and Valerio. The smile that he gives her is gentler than Valerio’s dazzling smile, but no less warm and trusting.

Maybe, if only for these two, being an angel isn’t so bad.

[chubs-deuce]

With your Chalastor with child AU (I think?), I have a few questions. How did Vox react to Alastor having a child? What do the other overlords think of Alastor being a father? Who is Dawn's god parents (if something happens to Charlie or Alastor or both)?

hi! :D the response here got a bit long so I put it under the cut woops

I'm not 100% sure tbh, but I like to think he had to reboot pretty hard, was then hella in disbelief and denial, then later decides he has to one-up Alastor and tries to find some unlucky brat to take under his wing as an adopted child :'D

Velvette and Alastor are actually friends to some degree, they meet once or twice a month for tea and gossip. Velvette thinks him having a kid is fucking weird and she doesn't like kids, but you bet she insists on being allowed some exclusive rights to design clothes for her when she's older as a form of hush-money for not spreading the news like wildfire immediately. She won't keep Vox from doing so (that's his business then), but she won't snitch either. Valentino couldn't care less unless it infringes on his business in some way :'D Zestial I think would be curious about the circumstances but wouldn't prod impolitely. Carmilla is first shocked, then confused. She half suspected he kidnapped the kid or that it's a trick of some kind, but soon enough changes from confused to concerned because overlord meetings are no place for a child like that and generally keeps judging the shit out of his parenting choices :'D. So she's kind of second-hand mothering I guess? Zeezi (I assume that's her name? We lack confirmation from the show) fucking loves the little stinker, mainly bc Dawn looks at her like she hung the moon and stars in the sky for a long time. Dawn loves any kind of animal that is big and has sharp teeth, so Zeezi's appearance fits that pattern perfectly lmao. She doesn't care for Alastor in any particular way, so she doesn't pay a lot of attention to his role as a father so much as the kid being an adorable little gremline. Rosie I've gone into before in a different post, but to summarize: she adores Dawn right away and ends up providing a lot of other things too like diapers and pacifiers etc. She does give Al a hard time over doing it all backwards, since he had a child with someone and didn't put a ring on her first.

I'm ngl I never had godparents of any kind myself so they were kind of a big mystery to me in terms of what the fuck that even meant, so I haven't put any thought into that concept applied to my AU either woops I guess it'd make sense for each parent to pick one? In which case I think the obvious choices would be Rosie and Lucifer? I'm half toying with the idea of Charlie picking Vaggie too, but I'm not sure where their mutual trust is at by the point such a thing would be discussed >_>

[karmathehalflander]

Why both Eddie and Venom are autistic and how the movies are actually a metaphor for neurodivergence

Includes some of my personal headcanons and concepts that I’ve been thinking about and need to share.

BE WARNED!!! This post is a bit long (and also a cringy, rambling, nonsensical mess) full thing under cut.

Some quick notes before we begin: when I have one of their names at the beginning of a section it means anything in that section only applies to one of them. (Idk, I couldn’t figure out how to organize this, you’ll see what I mean)

I don’t know much comic lore, all of this is based off of the movies. Though the movies are a different universe so I don’t think it will matter too much.

Also I use He/They/It pronouns for Venom.

In the end, Im just one guy with a hyper fixation please take everything I say with a grain of salt and feel free to add on or correct me about stuff. Especially if I say anything stereotypical or offensive about nurodivergance/autism a lot of this is based on some personal experience and I absolutely make mistakes and generalizations.

Alright enough of my yapping let’s get to it.

Overall big picture stuff

Applies to Both of them

the whole concept of them being “losers” together is kind of autistic coded. Autistic people are often viewed as incompetent or childish or useless. And I like to think they are connecting over that shared experience.

Noise sensitivity!!! Both of them have noise sensitivity! I probably don’t need to elaborate that much but that one scene in their apartment was some of the best overstimulation representation I’ve ever seen overstimulation guitar scene

Venom

Venom comes across as unfeeling because they don’t emote in a “normal” way.

They’re very blunt and literal.

Venom sometimes has a slightly higher-pitched voice when excited or angry. Which I’m going to attribute to him masking. He wants to appear tougher and scarier. This is important to its species and Venom, who is already perceived as weak by their peers, intentionally deepens his voice a bit to blend in. (This is definitely a headcanon but I love this concept so I don’t care that the real reason is that the voice modifier they use does silly things)

This is also why I think it’s so concerned about Eddie and him “looking bad” Looking weak was dangerous and they trained themself to hide “weakness”

It’s always “How does Venom affect people” and never “What does Venom need and how do other people’s actions affect them”

Venom prefers to express its thoughts and feelings through mental connection with its host and then have that person relay the information to whomever they are “speaking” to. Nonverbal communication!

Venom not understanding humans (social interaction, conventions, etc.) is kind of autistic coded.

Eddie

Edie kind of disregards a lot of social conventions. Still hangs out with his ex-fiancé AND her boyfriend. He also doesn’t seem to mind talking to Venom out loud.

Eddies is just kind of anxious in general.

Eddie struggles to find full time employment.

On that vein, he also struggles to maintain relationships.

Eddie's sense of justice. Eddie has a strong sense of justice and morals that often don’t align with generally accepted values and he follows this view of justice and morality to an absurd degree and it often gets him in trouble. Aka, the entire plot of the first movie is because Eddie has autism.

He wears the same clothes all the time.

Specific moments that I think about

Venom

Venom chewing on the tire swing (they both have oral stims btw)

Sand between his toes. Idk I just thought it was cute and chose to believe they like the sensation.

Say it with me. Tater tots are a safe food!!!

Venom rocks back and forth a lot.

This is a stretch but when Venom is like “look at all these weirdos, my kind of people” it’s a metaphor for him being queer but I’d argue it also kind of fits with neurodivergence. Neurodivergent people often connect with “weirdos” (other neurodivergent people)

Likes organization “Pile of bodies, pile of heads”

Eddie

I’ve been told Eddie chews on his necklace at the beginning of the movie but I can’t find the clip and can’t do a rewatch right now so take that with a grain of salt… (I chose to believe this happened though. Also his bracelets are stim heaven)

When he says “Oh, I have a parasite” to Mrs. Chen he had no clue what to say here. He just said the first thing that came to mind and panicked instead of explaining.

Also the way he says things funny. Ex: “���It’s a treeeee✨” supa, supa, fhasstt” “Heee…. has. one. up. hi’s. Ass toooooo” “ET. Phone home. Aliens? 😃” I chose to believe they are vocal stims (I also attempted to find a compilation but I couldn’t find any. Maybe I’ll make one sometime)

Eddie also makes sound effects a lot.

Eddie writes notes on pen and paper instead of digitally.

He apologizes an excessive amount. Like he says “I’m sorry” to people actively trying to kill him. Which is so real.

“I just bit that guys head off” “I, uhhh, yea I’ve been there it’s not fun” 😕

Eddie also rocks back and forth. Which can be seen in this scene

Quick segment into why I think Venom was rejected by other Klyntar (it’s because he has autism)

Venom doesn’t adapt as quickly or as efficiently as other Klyntar. It doesn’t handle change well.

All of the normal Klyntar weaknesses are turned up to 1000 with them. Instead of just certain frequencies, the range that hurts him is larger and is also affected by loud noises. As shown by: “Venom” car alarm scene

instead of just fire, heat also bothers it. Also doesn’t adapt to light well. (Just a headcanon)

Can’t create weapons out of their body like other Klyntar. struggles with “simple” skills.

Much more emotional than other Klyntar and develop attachments (also purely a headcanon)

Just overall didn’t fit well into their society.

Just headcanons

Venom and Eddie are so compatible because their brains work the same way.

“I wish I could just mentally project my thoughts and feelings directly into your brain. Oh wait, we can do that!”

Venom also has temperature sensitivities. He gets hot.

Venom likes to stim to low key music, mainly jazz and lo-fi. Does the one song on repeat for three hours to wring all the happy chemicals out of it like a dish rag thing.

Venom also absolutely loves cheesy pop music (unrelated to anything here but I’m right and I needed to include it)

Venom functions as a weighted blanket for Eddie when he’s anxious. Maybe even hides under his shirt and stuff and becomes an extra weight.

Eddie stims with his jewelry.

Venom likes to sit in the freezer. Sometimes they visit Mrs. Chen's walk in just to chill (lol)

Purely my opinion but I think Venom also has some light sensitivity for a bit because it’s not used to being in such a bright environment. He gets used to it eventually but every once in awhile he finds the city lights overstimulating.

They are both very tactile. Touching things. Love a good texture.

Venom is super particular about food for someone who eats out the garbage but certain textures and flavors drive them crazy.

Venom hates vegetables. (Except for celery because it likes the crunchy and stringyness of it)

How all of this makes for a great metaphor!

Feeling like an alien in the world is probably the most relatable thing for a lot of nurodivergent people. Like there’s a manual for being human you don’t have. And just the concept of a literal alien showing up and struggling to navigate in a world not made for it is so relatable!

The way they both immediately connect to each other because they have the same weird brain stuff and weren’t accepted by their respective societies is so adorable and wholesome.

“We’re not so different, you and I” This line lives rent-free in my mind at all times. It’s my favorite quote. I think it perfectly encapsulates their relationship and why it’s special. They have autism and are bonding because the other is the first person who truly understands them! (Cries, screams, throws up)

In conclusion

They are in love and have autism. And they cling to each other because they are the first people to truly understand each other. Thank you for coming to my ted talk.

Also I listened to UFO by Smith and Thell on loop while writing this. It’s very autistic symbrock coded so give it a listen if you’re a fan of inde-pop.

[ellesthots]

Fateful Beginnings

XXIV. “natural curiosity”

parts: previous / next

plot: under extreme pressure to perform, you prepare for your first and final interview with Bruce Wayne. Batman learns intriguing info on the gruesome murder of John Doe.

pairing: battinson!bruce wayne x fem!reader

cw: 18+, mental illness, anxiety

words: 3.2k

a/n: this brings me to the end of my back-posting! we are now up to date across tumblr, ao3, and wattpad 🥳 excited to keep writing more soooon 👀

Was this some kind of cruel punishment?

If it hadn't been for Dr. Vry's unfortunately logical and desperate plea, you wouldn't have said yes—now you were left flying back for half a week. With enrollment for freshmen starting the first day of September, you had to have this in to Bridgit the morning after meeting with him. Thinking of all the belongings you'd just bought for the apartment you thought you'd be living in, you decided against a flight and booked a U-haul for that weekend instead. You'd see if Mar wanted to drive back with you in it, and if not you'd buckle down and do it yourself.

Your parents came back not an hour later. After a few minutes of hugs and chitchat they put themselves to bed, exhausted. Your mom didn't appear critically ill or markedly different in any way (besides a darker tan), so you let yourself relax for the evening out on the couch. A rerun was on the television, the air was stale, and the setting sun stabbed your eyes. You grappled with feelings of guilt as the minutes turned into hours of nothing. You loved them, but was this all you had to look forward to?

Bruce busied himself with monotonous tasks the rest of the day. The panic attack had wiped him out physically, but his mind was wired. A still-relevant yet menial task he felt he could get into a rhythm with involved stealing the giant stack of newspapers Alfred kept by his fireplace in his office for kindling. He flipped through pages and pages of decades-old Gazette publishings, refusing to indulge his curiosity as he passed the months directly preceding or proceeding his parent's murder. It felt like an impossible feat as he discarded them to his left, forcing his eyes to remain tethered to the current moment. Eventually he found clippings from the past few years, and he nestled into the corner chair to pore over their contents. Why was the Gazette failing? Why was the journalism department going to shut down? He distinctly remembered his parents reading the Gazette together every Sunday before church. On the walk to church, he remembered people sitting on park benches reading it. He only paid attention to the comic strip curated by the art majors, but even as a young kid he knew the paper was influential.

As he skimmed through the recent few years of publishing he couldn't discern why sales were lower. It was putting out relevant information that was decent to read... He stood up and walked down the hall to Alfred's room, and found him buttoning his cuffs. "Master Wayne, what's wrong?"

Bruce shook his head. "You read the Gazette, right? Do you know how many people read it?"

Alfred finished the last button and shook out his sleeves to straighten them. He shrugged. "I don't know precisely, but in concept it seems to be doing rather well. On my grocery trips I see lots of people reading it."

Bruce nodded and made some small talk for a moment about dinner ("I've been craving some sausage and cabbage soup, would you mind that, boy?") before making his way back to Alfred's office. He logged onto the computer and looked up sales for the Gazette. While there had been a decline, it had been slow and not enough to completely shut down a department. After looking into Gotham's budget, he realized there was enough budget and in fact, the majority of the Gotham finances were allocated between GCPD and GU. Looking into the school attendance rate there was still a good amount of students applying to the university; less people going into journalism, sure, but still enough to warrant continuing the major. Was Vry a particularly attentive and anxious president, or was it manipulation to get him to agree to be interviewed?

Alfred forced him away by physically walking upstairs to bring Bruce down, and they ate the soup in silence. It was warm, and soothed him enough to take the edge off his guttural sense of impending doom.

The next day he got a call from Gordon. A quick change into the suit and a back exit getaway later, Bruce found himself at the police station. The guards stiffened their spines and glared at him as he walked up; usually it didn't bother him, but after being discovered he felt every eye on him was an x-ray. He walked down a dingy, slim hallway to Gordon's office and knocked on the door. Gordon invited him in, appearing visibly stressed. "In the office on a Saturday?"

"Hey. I don't know what to tell you, but the results came in inconclusive."

Bruce narrowed his eyes. "No idea what the metal is?"

"That's not exactly the problem." He reached into the desk and pulled out a plastic EVIDENCE bag smattered with pokes from the sharp metal inside. It landed on the table with a sharp rap. "We know what it is, but we are lost as to its function."

Bruce swirled the bag so the shrapnel tilted and moved about its cage. Gordon continued. "We brought in a few dentists, even one doctor, to clarify why this might be used as a filling but no one had heard of it before." He quickly continued. "Well, one guy did. Said he used to be a chemist. He'd heard of the metal, but said it was bordering on corrosive. He couldn't make head nor tail of why it would be used in a man's mouth."

"What is it?"

"The man said 'Electrum'. I made him repeat it because it sounded made up." Gordon rolled his eyes and bit his lip, lost in thought. His tone was biting. "I just want to find these punks. Can't have someone causing crime scenes like that running loose."

He'd never heard of Electrum. He opened his mouth to speak but Gordon continued again. He's talkative today. "The man said its properties are that of a 'spark to light up the wire'. Something about conductivity. I think it's just some man who got an under-the-table dental. Probably cracked open a soda can and peeled off a clip to tuck into his gums." By the end he was mumbling, and quickly stood up.

"They were certain it's Electrum?"

Gordon nodded. "He said it was clear. Bet his life on it." And with that he left, motioning to be followed out.

Electrum. Nothing could be found on the web about it. Alfred didn't know, and there had never been a mention about it in any newspaper since 1800 (any further back he couldn't find). By this point he was exhausted, and hadn't even realized he'd pulled a whole weekend staying wide awake. He physically pored over every newspaper article himself pre-1900, his smart engine struggling and misreading the small, fuzzied print. There was nothing that could even be vaguely related to Electrum. Fuck. He dragged his feet up to bed and crashed early Sunday evening.

Had it really only been a strange, foreign filling? Usually this would be his favorite type of thing to sleuth out, something no one could find but he could; he would read the small print from an article in 1806 and solve the mystery, following its crumb trail to an ultimate victory. It was the perfect catharsis, but he was too in his head. All Monday afternoon he twiddled his thumbs and waited for evening, but when evening came he couldn't bring himself to put on his suit. That one scrap metal felt like it was lodged in his tooth, giving him an emotional toothache. He slipped into bed and laid on his back with his arms behind his head. He gazed up at the ceiling, drawing a mental map of the situation. The John Doe couldn't be traced back. Dentist, former chemist, clarified it was Electrum. Electrum can't be found anywhere. No trace of it. Testing was inconclusive. Bordering on corrosive. Man was stabbed repeatedly and hung by the blades. Owls were etched into hilt. Owls were etched into pins and rings of the Gotham University president... Bruce squinted. How could he gain more information on Dr. Vry? His first thought was a Batman interrogation, second idea stalking her in his car for a week to see what she was up to. Both options, especially the latter, caused an internal cringe. Much like he couldn't shake his suspicion about Electrum, he couldn't shake the thought you embedded in him that he was too invasive.

Being invasive to criminals isn't bad. Often, it's the only way to catch them. Your voice came into his mind. And you're assuming she's a criminal. What happened to probable cause?

Her jewelry insignias perfectly match those on the weapon in an unsolved murder.

Perfectly, huh?

Almost.

Almost, yeah.

Even imaginary you mocked him. He continued having a conversation with himself until Alfred knocked on his door. He bristled and sat upright in bed. The old man leaned against the doorframe and gazed at him, spectacled. "Wanted to check in. Social battery ran out, I assume?"

Bruce stared down at his sheets. "Unsolved murder. Can't find any clues."

"Peculiar. Not much stumps you these days."

He struggled not to receive it sarcastically given how vigilant Alfred had been about his mental wellbeing the past few months. He hoped this wasn't another request for him to meet with his therapist, but his hopes were quickly dashed. "I called New Discoveries, they have a few openings this week and next."

Bruce bit back a retort. "If I ever need her, I'll give her a call."

"Bruce,"

"Stop, please. I've got enough to deal with right now."

He leaned in and raised his eyebrows at the boy. "Your analyst could help with that."

"I don't need someone to tell me my parents died."

Alfred heaved a deep sigh. "I'm worried about you."

"I'm not talking about this." This was the push he needed to get out and into his suit. He jumped out of bed and strode firmly past him, ignoring Alfred's calls to get him to 'just make a phone call'. He was surprisingly swift getting into the suit and out on the town. Guilt plagued him at abandoning Alfred, but this was about the tenth time they'd had that conversation since June and it was making him ill. He wouldn't mind seeing his therapist again, he'd liked going after the murder, but he didn't think he could handle being forced to reckon with his mortality at this point in his progression. He still wasn't sure it existed, and until he tied up all the loose ends about the owls, or his symptoms got significantly worse, he was going to ride this last high as long as it let him.

The next few days with your parents went smoothly. It was almost like before your mom had gotten sick, plus Walter. Walter was ecstatic to see your parents back, and you no longer sobbed in the shower out of lonely desperation. You were able to distract effectively through various arts and crafts with your mom, and by the time you were starting to need 'me' time she would tire. You spent some time with your dad fixing the back deck and pulling some weeds out of the raised flower beds. You tended to the pumpkins your parents had planted in June, and harvested some bell peppers and blueberries.

You avoided thinking about Gotham until you were in Gotham; you hadn't even mentioned to your parents you'd been fired/quit, and figured they'd know when a U-Haul ended up at their house with you and Mar inside. The quiet neighborhood was relaxing when your family was around, but that desperate feeling of loneliness was pinned to your chest. The town felt more desolate after being in the city, the quiet felt heavier when they were gone, and knowing how fragile her health was you figured you'd spend more of your life without her than with her. The combination threatened to consume you, and you spent every lull in conversation and every night lying in bed unable to sleep from worry about finding your purpose in life. What interested you? What motivated you? What were your values? How could all of the above be translated into a livable life?

Where did you belong? Did you belong here, in the sleepy town with wide open skies? Did you belong in a city with skyscrapers and sardine-squishing sidewalks? You liked the access the city afforded you. When you'd first moved there, you'd been enthralled by the hundreds of restaurants and stores within a mile's radius. You'd maxed out a small credit card being silly and young, trying cuisines you'd never even heard of. You found cute themed shops that were abhorrently overpriced but nonetheless aesthetically pleasing to visit. But the city moved so fast, and just in time for you to settle into a routine with a favorite restaurant they'd be closing shop. It was cutthroat and intimidating, and you felt softer. Too soft. Life here was too slow as to be entirely, aggravatingly boring. There were only a handful of restaurants in town and they were all dying fast food chains strung out amongst various struggling mom and pop shops that wouldn't dare invite in a health inspector. But the nature was beautiful, and sometimes you loved the quiet breeze of it all. You had no friends besides Mar who you could never see leaving the city, a degree that was worthless in the current economy, and your extended family lived in south Florida for some unknown reason. You only saw them once a year at a family reunion that was usually in July, but had been postponed to Christmas. Ugh.

On Monday you set off for Gotham. You'd arrived on time a few days earlier to ensure you could properly pack your stuff. Day one was filled with throwing out the perishable groceries and giving yourself a moment to breathe outside of your childhood home. The food tasted bland, your favorite shows had lost their spark, and your bed was lumpy and hard. The floors were cement and made your feet ache with every slapping step. The water took ages to heat up compared to home, and you kept watching your step for Walter who never showed. The flight had been frustrating. Your head pounded. You felt like screaming into an empty field, creating a dust storm from pounding your hands into the dirt until you were bruised.

Day two after arriving back to Gotham, you sat down at your small desk in the corner to think up some questions. It was impossible to focus, but you kept yourself to task by repeating you'd be out of here permanently, genuinely, so, so soon. As you stared at the blank page, anxiety sprouted. It hadn't before occurred to you that everyone would be reading this; in fact, everyone would likely be seeking this out so much it would be translated to different languages hours after being published. For a moment you couldn't wrap your head around why this time felt so much more high-stakes, and then you remembered the fate of an entire university department rested on how marketable and quality this interview was... and remembered how obscenely rich and powerful the subject was. You twiddled your fingers just slightly above the keyboard, nervous to even begin to dive into it.

The first thing you did was peruse Scypher, especially their forum sections.

SEARCH: Bruce Wayne

SEARCH: Mr. Wayne

SEARCH: Bruce

SEARCH: billionaire

SEARCH: Gotham

SEARCH: Gotham City

SEARCH: Gotham and Bruce

SEARCH: Gotham and Bruce Wayne

You sifted through hundreds—if not thousands—of posts thirsting after him. There were pap photos, one-shots written daydreaming about him, some tweets hating on how rich he was (you liked those), but the vast majority were simply pining after him in a public arena. You got a small sense of what people wanted to see from him, but not enough to create a substantial question.

You went onto Google and searched the same things. A handful of articles from major news outlets were titled similarly: What We Know About Bruce Wayne, the Orphaned Billionaire. People generally knew about the circumstances of his parent's murder, that he lived at home with his maids and butlers (was there more than one Alfred?) and everything that he'd announced at Gotham University graduation. There was logistical data on his Wikipedia page such as his height, birth date, current age, and where he went to school growing up. Information for the past decade was slim, the only bits being where he attended college, his date of graduation, and his major. It appeared the only times since his parent's death he peeked out into the public eye were school-related.

No one knew anything about his personal life, and you worked yourself into a tizzy brainstorming ways to persuade him into talking about himself. Where was the line between too benign of a question and too invasive of one? What was relevant information to someone high-profile's first interview? You'd spent hours digging into the first interviews of now-major celebrities, but they all happened before they rocketed into fame. This was different: he was born famous, and now at age 30 he was finally speaking to someone. After a certain point in your research you feared you would need to be the blueprint for this kind of thing; even nepo babies had been interviewed as children, asked questions such as their favorite musicians, movies, books, and colors. How did you show the public he was normal, personable, even? Did you even want to make him appear normal, because he didn't seem it. He was an enigma. Someone you couldn't quite peg.

You took a deep breath and closed your eyes. What's my goal with this? No one else's, mine? What do I want to learn about him? What are my natural curiosities? This led to an immediate rush of creative energy, questions popping up left and right; you didn't care about how invasive or off-kilter they might seem. After the brainstorming, you gathered the questions into three categories: COMFORTABLE - DEEPER - DANGEROUS.

The first contained questions that were more basic, and likely wouldn't elicit an emotional response in any way to the interviewee. The second probed a bit more, considered more thorough and juicy. At this point an interviewee might be more choosy with their phrasing, or pause to think about it. The final category was fully questions of your own mind, questions you didn't think you'd ever ask but wanted to be put to paper. These were so juicy as to be intimate, so personal as to be disorienting.

When else would a woman have the leverage to ask such a dizzyingly powerful man anything she wanted?

[duckiemimi]

this might be a little controversial, but i genuinely don’t understand why some ppl shove geto and gojo into heteronormative boxes to justify why they ship them the way they do. we’re talking about a gay ship here—why are we treating them like a straight couple?

i’ve seen ppl say geto is the “girl” in the ship bc he’s caring, he’s kind and considerate. because he wears robes that have dress-like silhouettes, has piercings and long hair. because he’s shorter than gojo. i think the worse part about it is when they take a small detail about him and turn it into something it’s not, like them saying that geto caring about gojo and asking him if he’s alright is a “wife-coded” thing to do. is being a good friend inherently gendered? is being gentle gendered?

these types of ppl also force gojo into being this alpha male caricature, a womanizer who’s emotionally unavailable, a trad man. they flatten his character into something that doesn’t even resemble him anymore all bc of a ship, all bc they want to perceive him a certain way. like, i promise u, gojo experiencing deeper emotions and being soft isn’t a threat to his masculinity.

gentleness/softness/tenderness does NOT cancel out masculinity.

(a little side-note: what is being masculine anyway? what is being feminine? it’s every person’s prerogative to define what those concepts are to themselves bc at the end of the day, ur lived experience is different from other ppl’s. keyword—yours, and only yours.)

dont get me wrong, i love fun gender hcs, especially if they’re personal to the hc owner, but outright saying that one part of the ship is the traditional woman gender role and the other half of the ship is the man, is…strange?? when they’re both canonically the same gender??

i love queering ships and using het norms in a subversive way, in a fun way, but when ppl apply this heteronormative rhetoric to a ship’s overall dynamic…making it as if the queer ship is a straight couple…right.

[multigenderswag]

How should I describe what “lesbian” means? Bc wlw isn’t right since it excludes some people and non-men loving non-men ALSO excludes some people, I’m very aware of this. But then I run into the problem of when I’m talking to people who aren’t very familiar with the queer community (i.e. grew up in a queerphobic place or js a place that didn’t teach about lgbtq+) asking the genuine question “what does lesbian mean?”

And then I don’t know how to describe it?? Cuz like I said the only 2 definitions that I know of don’t work…

This also applies to “gay” or other mono labels-

Idk I’m js asking you since you talk about this stuff

I think it's unrealistic (and kind of boring) to search for a perfect definition of "lesbian" that includes all lesbians and excludes all non-lesbians. "Lesbian" probably means something different to every lesbian, since everyone has a very unique relationship with their own sexuality.

I think it's good to use words like "typically" or "often" when defining a label like this. It conveys the general idea of what the label means to most people, but it's not rigid or exclusive.

The way I might describe lesbian to someone unfamiliar with the concept might be something like "lesbian usually means women who are attracted to women, but trans and genderqueer people are included in lesbianism if they identify that way."

This message has been approved by my lesbian friends on discord

[dia-souls]

DIABOLIK LOVERS DAYLIGHT Analyzes [ Vol. 3 Sakamaki Reiji ]

Original title: 遅い朝に

Source: Diabolik Lovers Daylight Vol. 3 Sakamaki Reiji

Seiyuu: Katsuyuki Konishi

Analyze by: Admin Afra

Admin's note: My God. This CD really moved me to tears. I can boldly say that Reiji has one of the most reasonable behavior in managing such a crisis. Among all the CDs I listened to, he was one of the few boys who was willing to find a solution to cure Yui without losing his cool or thinking about killing himself. This man is truly a gentleman.

What a beautiful flashback to describe Reiji's love. Sometimes I think about the words of these vampires who are so kind and I ask myself if this is really the same boy? Is this the same boy who tortured and humiliated Yui to the point of death at the beginning of their relationship? And now he wants to go to the death to save the same girl?

It's really hard to believe that these boys have changed so much, but I think it's really beautiful that they all got the concept of love. This also applies to Reiji. Reiji's own description of how he was changed by Yui is beautiful to me. Reiji believes that Yui has taught him humanity, something that was hard for Reiji to accept, but Reiji himself realizes over time that Yui is a treasure that he gained from this. Just like chinaware is a treasure for Reiji, Yui is another treasure for him that he wants to take care of with all his heart.

But what is important is that Reiji will never let go of the treasure he cares about, so he chooses to never let go of Yui's hand and stay by her side forever. Reiji's words are said while he decides to abandon the investigation and enjoy his last minutes with Yui. It can be understood from his words, does it mean forever that he will follow Yui even after death?

When Feshbak ends, I see a normal daily life of Yui and her partner again. This time Reiji tries to wake up Yui and complains about Yui being lazy and sleeping too much.

I don't know how others see their relationship but I always find it so cute how Rosji tries to teach Yui like a father and teach her good manners. Yui's playfulness and clumsiness is always endearing to me and I'm sure Reiji enjoys it too.

What really caught my attention was that Reiji noticed something strange about Yui's health condition just by looking at Yui's walk. Everyone knows someone else who was so quick to notice the abnormality in his behavior and health. Honestly, the rest of the boys needed at least two tracks to realize this. This shows that when it comes to Yui's health, Reiji is smarter than the others and realizes it sooner.

As usual, spending a beautiful day drinking tea with Reiji. This is very enjoyable.

Also, Reiji, who certainly cares more about his father's royal parties than anyone else and likes to train Yui for it, is very gentlemanly. I honestly feel that Reiji is really like a kind father to Yui. We can even say that Reiji has acted more like a father to Yui than Seiji.

The dance ceremony looked very interesting and Reiji's jealousy was very cute. The fact that he took Yui out because he didn't want other men to look at her simply shows how easily he can get jealous. Also, I have no doubts about Reiji's unique taste in clothing. I'm sure he made Yui so beautiful that he made all the men attracted to her.

Walking with Yui makes Reiji more aware of Yui's poor health. Of course, I'm pretty sure Reiji already knew about it, he just didn't want to worry Yui about it, or felt like it wasn't too important to worry about.

But when he carried her in his arms, he had undoubtedly noticed her low weight. And as he himself said, the irregular rhythm of her heart as well as the different smell of her blood had convinced him of this and started his research to find a solution to cure Yui.

As expected, Reiji is one of those boys who tries to act rationally in such situations and instead of thinking about suicide because he loses his love, he decides to look for a solution. What most boys did not do. Well, to be honest, I really like this feature of Reiji and I think he did better and more reasonable than all his brothers in this case.

The interaction between him and Yui in track 3 can be interpreted as a symbolic relationship of Reiji's love for Yui, who is precious to him like a treasure. When Yui accidentally breaks Reiji's china cup, Reiji likens it to something interesting. That something that is not eternal will disappear one day. Reiji may have once thought that because vampires were immortal, death was like a celebration for them, but he soon realized that it was different when it came to something you hold dear. You simply do not like to lose someone dear to you.

In this track, I would like to mention more details. For example, Reiji used to punish Yui with a whip for breaking his china cups, but in this departure, when he found out, he was more worried about Yui getting hurt than anything else. It's very interesting how one of Reiji's main obsessions has been changed by Yui and I find it very very valuable.

Maybe that was the reason for Yui's insistence on fixing it. I can boldly say that Yui never has high expectations from her partner. She never looks for expensive gifts and clothes. The only thing Yui wants from her partner is pure and simple love. When Yui does something bad, she feels guilty because she was hurt by that boy before and thinks she deserves to be punished. This can refer to their past relationship. Before, Reiji or even all the boys would punish Yui for the smallest mistake. It can be said that over time, Yui has made herself believe that she is nothing but a moving blood bag and that the only value is her blood, so when she does something bad, she deserves to be punished. And maybe the reason is Yui, who keeps trying to offer her blood to the boys because she believes that her value can only be summed up in her blood.

But what Yui doesn't realize is that the boys have changed over time because of Yui's golden heart and humanity. They have learned humanity from Yui and this is something that Reiji himself has admitted to.

Reiji can't imagine life without Yui just like all the boys. Although he wants Yui's blood, Reiji tries to control himself so as not to cause harm, and it can be said that this action seems completely fair and natural from someone like Reiji.

Reiji's thinking is all about Yui's bad health and the fact that he can't find a solution for it makes him conclude that he is the cause of it because he always sucked her blood.

When Reiji went from imagining a room without Yui and a house without Yui to a world without Yui, I realized something. Reiji thinks that Yui's existence is necessary not only for himself but also for the world. In his opinion, the world needs someone like Yui, that's why he doesn't want to let Yui disappear from this world.

Reiji's efforts to find a solution are futile and therefore he considers himself useless. When he realized that Yui knew about this, he accepted Yui's request to be together. But I doubt that Reiji, by accepting this request, was content to give up and stop trying. I mean, we're talking about Reiji. A person who never gives up to achieve his goal.

But he agrees to spend the remaining time with Yui to make Yui happy. I feel that Reiji feels remorse for the sins he committed against Yui in the past and wants to make it up to Yui in some way.

I realized this because Reiji tested the drugs he made on his own body. This was what he used to do with Yui in the past. He was experimenting on her body and forcing her to take her medicine. It can be said that Reiji now realizes how much he hurt Yui and somehow experiencing this karma made him blame himself for Yui's current state.

Reiji wants to give Yui her last wish. But I guess her last wish as a human being, not the last wish of her life. Because at the end of the track, Reiji said, "I will give you a kiss with the promise of eternal love." Well, here we can have different interpretations of this sentence. But my impression is that Reiji plans to turn Yui into a vampire to make this love eternal. As he said in the previous episodes, he cannot imagine a world without Yui and he will be by her side forever.

Forever can mean even after death but I know Reiji as someone who will never give up on what he wants and even if he has to turn her into a vampire to keep Yui he will do it.

In the end, Yui's life for Reiji was like the same flower that he intended to pick. Yui was a beautiful and fragrant flower that always shine next to him and tempted him to pick her, and with this, Reiji shortened her life and he can no longer be by her side forever. He can resurrect this flower as an immortal being, but this flower will forever have a different color and smell just like Yui.

[monicaeidolith]

my OLBA MC, Sunny Last ☀️

(his backstory + close ups below)

Step 1 -

Sunny is a very shy and nervous boy, who's easily afraid of strangers (when he first saw Cliff, he ran away) and easily worried. Sunny hates getting in the middle of a conflict and will avoid taking a side if he can. He loves spending time at the beach, collecting seashells, reading books and going to the library, things that will never die down growing up.

When he met Cove, Sunny was initially worried about him, as Cove was crying all alone. Sunny gets fond of Cove and befriends him quickly. As "selfish" as it may sound, Sunny did wish Cove would never go away from Sunset Bird and stay with him.

Sunny doesn't have any romantic feelings towards Cove during that Step though, he only starts developing a crush on him some time before Step 2.

Step 2 -

Sunny remains a nervous person, in fact, it seems he has social anxiety, though he developed a more teasing and snarky side growing up. Whenever he is openly snarky depends on how close you are with him... or how pissed he is at you (side looking at Jeremy), otherwise he keeps whatever he's thinking for himself, like he often does for what he's truly feeling actually (unless your name is Cove Holden (doesn't apply to the subject of romance)). Ironically, he struggles to understand when a stranger is being sarcastic or not. Despite all that, he's someone you can rely on if you need.

His love for literature grew and he kinda wishes to be a writer. In fact, he writes some things sometimes, such as poems or songs that his cousin Lee could sing. While he isn't particularly a sporty guy, he loves surfing, swimming and playing volleyball. At 13, he started getting interested in jewellery specifically, to Lee's greatest joy.

During Step 2, Sunny starts feeling insecure about his physical appearance and doesn't like showing his body that much (but summer is kind of the "worst" season for that specific part). He thinks he's too "scrawny". Also doesn't he look weird for blushing for anything?

He's also conflicted about his feelings towards Cove: during this gap of 5 years, Sunny's feelings for Cove grew into something different than friendship and he doesn't know what to do about it. He never felt this way before, not with anyone else either. He's too scared to say a word about it to Cove directly, he doesn't want to mess up their friendship (classic.).

When it comes to romance in general, concepts like "love at first sight" don't really make sense to him. How can you fall for someone you barely know? Sounds like a myth.

Step 3 -

At 18, Sunny manages a bit more with his social anxiety, though he's still a bit uneasy around people he doesn't know. His snarkiness hasn't tone downed growing up... and sadly for him, his insecurities about his body haven't that much either.

18 years old is probably the age where the contrast between his clothing style and his name is the most ironic and the object of many jokes (none of them are ill-intended of course). But wearing black clothes won't change the fact he's his moms' little sunshine!

His interest for jewellery turned into the hobby of making hand-made jewellery, mainly with seashells, sea glass or pearls.

During Step 3, Sunny is now afraid of the future. He does have some projects for the future: going to college, specifically for studying literature and hopefully working in the writing industry (not necessarily as a writer like he wanted to at 13, just as long as he can write). And he was happy to find a part time job in the library he always loved. However, all of that means leaving Sunset Bird one day, and he's scared of that. He always lived in the same place, with his moms, with Cove as his next door neighbor, ... And Elizabeth leaving for college was already something... How much will things change?

About his relationship with Cove: Sunny knows for certain he's in love with him. But God forbid he actually tells him how he actually feels.

He also figured out his sexuality: he's gay and demiromantic (oooh so that's why love at first sight felt like a complete myth...)!

Step 4 -

His personality hasn't changed that much since Step 3 but one thing that changed is that he managed to outgrow a little bit his habit to hide his negative feelings from others, at least to a less extreme level. His social anxiety is still present of course, but he learned to live with it. He also learned how to love himself and feel comfortable with his body! It was hard but he did it!

Living away from Sunset Bird was also hard, very hard at first, especially since Cove confessed his love for Sunny at the end of the summer and then they had to be separated for long times. But it seems nothing could break their bond.

Sunny got a 4 years English literature degree and works pretty much on freelance writing now. (I'm not sure myself yet tbh, that may change in the future.)

the close ups!

listen the fact Sunny is kind of similar to Athena (my OLNF MC) is completely involuntary lmao

this is what happen when you keep on projecting bits of yourself onto your OCs