#help prompts

[thepromptswhisperer]

Help Prompts

1. A asks their crush B to help them with something (minor) as they hope to spend more time with them.

2. A’s help only makes everything so. much. worse. (Are they even helping? Or are they trying to sabotage B?)

3. A is taken aback when they see that B is suprised that they volunteered to help them with something. (It’s almost like nobody ever bothered helping/looking out for them.)

4. "No. Someone strong would accept help from others if needed."

5. A helped B with something, not expecting anything more than a little gratitude in return. B, however, has different plans.

6. A is bad at comforting others, but they still try to help in their own way.

7. A is frustrated. They badly want to help B, but they just… don’t want to hear it. (They do not need help – or so they say.)

8. "I’ll always try to help you. Even if it means spending all my money on a last minute flight to [your location]/kidnapping your neighbor’s dog so you can finally sleep through the night without any interruptions/etc."

9. To incentivize A to help them, B promises them a reward.

10. A agreed to help B with something. Yet, as it turns out, they don’t know how to be helpful in this very situation.

11. "That’s my good deed of the day/etc. done."

12. A always thought they’d be willing to do anything for B. Yet when the latter needs help with something, they hesitate. (Are they really ready to go that far?)

13. Usually, A would ask B for help. This time, however, they don’t feel like they can do that.

14. "Just shut up and let me help you."

15. A and B are both well aware of the latter’s desire to help everyone. (A finds it admirable./And A intends to use this knowledge to their advantage.)

16. A misinterprets B’s call for help. (e.g. thinks it isn’t as urgent as they make it out to be)

17. "Just talking to you already helps."

18. A is in a bad place and realizes they need help from others to cope with it all. (Yet, they cannot bring themselves to ask for it/they believe nobody would care enough for them to help.)

19. A feels awful for relying so much on B’s help.

20. A knows there’s only one solution to their problem: Accepting/Asking for help from their rival/enemy/etc. B.

21. "Fine. But you’ll owe me."

22. A loves doing things that make their loved ones‘ lives easier. B struggles to accept their gestures.

23. A always believed to have a great support system around them. But when they need help, nobody shows up (– well, nobody except the person they expected it from the least).

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[chronicsymptomsyndrome]

yay water

time to drink water woo hoo yay

[thewatcher727]

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

[thewriteadviceforwriters]

Other Words for "Look" + With meanings | List for writers

Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.

Gaze - To look steadily and intently, especially in admiration or thought.

Glance - A brief or hurried look.

Peek - A quick and typically secretive look.

Peer - To look with difficulty or concentration.

Scan - To look over quickly but thoroughly.

Observe - To watch carefully and attentively.

Inspect - To look at closely in order to assess condition or quality.

Stare - To look fixedly or vacantly at someone or something.

Glimpse - To see or perceive briefly or partially.

Eye - To look or stare at intently.

Peruse - To read or examine something with great care.

Scrutinize - To examine or inspect closely and thoroughly.

Behold - To see or observe a thing or person, especially a remarkable one.

Witness - To see something happen, typically a significant event.

Spot - To see, notice, or recognize someone or something.

Contemplate - To look thoughtfully for a long time at.

Sight - To suddenly or unexpectedly see something or someone.

Ogle - To stare at in a lecherous manner.

Leer - To look or gaze in an unpleasant, malicious way.

Gawk - To stare openly and stupidly.

Gape - To stare with one's mouth open wide, in amazement.

Squint - To look with eyes partially closed.

Regard - To consider or think of in a specified way.

Admire - To regard with pleasure, wonder, and approval.

Skim - To look through quickly to gain superficial knowledge.

Reconnoiter - To make a military observation of a region.

Flick - To look or move the eyes quickly.

Rake - To look through something rapidly and unsystematically.

Glare - To look angrily or fiercely.

Peep - To look quickly and secretly through an opening.

Focus - To concentrate one's visual effort on.

Discover - To find or realize something not clear before.

Spot-check - To examine something briefly or at random.

Devour - To look over with eager enthusiasm.

Examine - To inspect in detail to determine condition.

Feast one's eyes - To look at something with great enjoyment.

Catch sight of - To suddenly or unexpectedly see.

Clap eyes on - To suddenly see someone or something.

Set eyes on - To look at, especially for the first time.

Take a dekko - Colloquial for taking a look.

Leer at - To look or gaze in a suggestive manner.

Rubberneck - To stare at something in a foolish way.

Make out - To manage to see or read with difficulty.

Lay eyes on - To see or look at.

Pore over - To look at or read something intently.

Ogle at - To look at in a lecherous or predatory way.

Pry - To look or inquire into something in a determined manner.

Dart - To look quickly or furtively.

Drink in - To look at with great enjoyment or fascination.

Bask in - To look at or enjoy something for a period of time.

[creativepromptsforwriting]

How to show emotions

Part V

How to show grief

a vacant look

slack facial expressions

shaky hands

trembling lips

swallowing

struggling to breathe

tears rolling down their cheeks

How to show fondness

smiling with their mouth and their eyes

softening their features

cannot keep their eyes off of the object of their fondness

sometimes pouting the lips a bit

reaching out, wanting to touch them

How to show envy

narrowing their eyes

rolling their eyes

raising their eyebrows

grinding their teeth

tightening jaw

chin poking out

pouting their lips

forced smiling

crossing arms

shifting their gaze

clenching their fists

tensing their muscles

then becoming restless/fidgeting

swallowing hard

stiffening

holding their breath

blinking rapidly

exhaling sharply

How to show regret

scrubbing a hand over the face

sighing heavily

downturned mouth

slightly bending over

shoulders hanging low

hands falling to the sides

a pained expression

heavy eyes

staring down at their feet

More: How to write emotions Masterpost

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! ����

[inky-duchess]

Fantasy Guide to Political Structures

A Horse! A Horse! My X for a Horse!

Let's be honest, fantasy authors love their kingdoms and empires. You can throw a rock in a bookshop or a library in the fantasy section and you will 99.99999% hit a fantasy book that will be set in or mention either of those structures. But what are they really? What's the difference between them all? Are there any more examples of structures that would suit your WIP better? Are you using the right terms? Let's have a closer look.

Duchy

A Duchy is a small territory ruled by a Duke/Duchess. While Duchies can be found in kingdoms, some duchies were sovereign states in their own right. Duchies are usually small by land mass but some duchies such as Burgundy were extremely powerful and influential. Independent Duchies were usually apart of a kingdom but grew so powerful that they eventually broke away to become a sovereign state in their own right. An example would be modern day Luxembourg, historic Milan and Burgundy.

Principality

A principality is territory ruled by a Prince/Princess. A principality is typically smaller than a kingdom and in some instances, can be apart of a larger kingdom or be a sovereign state. Principalities have a history of having broken away from a larger kingdom or eventually becoming apart of a kingdom. A principality within a kingdom is ruled by a Prince/Princess, usually an heir of the monarch and can be used to train them up to assume the throne in the future. Examples include Monaco, Liechtenstein and Andorra.

Kingdom

A sovereign state/country that is ruled by ruling King or a Queen. A kingdom is much larger and more powerful than a principality. Kingdoms can be feudal, meaning they are ruled in a strict hierarchy or an autocracy where the monarch rules alone with minimal input from the government or constitutional where the monarch is more of a figurehead and the government has a good chunk of control. Examples include England, Thailand and modern day Spain.

Commonwealth

A Commonwealth isn't a popular choice in fantasy but it is an interesting structure. A Commonwealth in its most basic form is a collection of states that are linked by either a shared culture or history. A Commonwealth can be a politically power or an economic power, with every state allowed to participate as much as they like. Not one state leads the others, it is all one group of equals. A Commonwealth can be a good idea for a group of nations that are more powerful together with them keeping their own independence.

Federation

A Federation is a political structure that is made up of united states or countries that are under a single government but each state is still independent and rules itself. Each state can have different laws, different cultures and economies but they all answer to the single government. Examples include the United States of America.

Republic

A Republic is a territory that is ruled by leaders and heads of state that have been elected on merit and by choice of the people. Republics are not just countries but can also be much smaller areas such as cities. Republics are democratic in nature, with the people having a say in who leads them in accordance to a constitution. There are many kinds of Republic: presidential, parliamentary, federal, theocratic, unitary. Examples of Republics include the Republic of Ireland and the city of Florence.

Protectorate

A Protectorate is a country/region/territory that is independent but relies on a larger, more powerful state for protection either in a military or diplomatic sense. A Protectorate was often used by Empires in order to maintain control over an area without annexing it. There are many reasons a larger state and the protectorate would agree to this, mainly the protectorate is much smaller meaning it is far more vulnerable to attack or it has very little power when compared to other states. A Protectorate allows the territory some power to rule itself but the larger state may feel the need or desire to interfere in the dealings of the territory. Examples of protectorates include the client kingdoms of the Roman Empire like Egypt before its annexation and Puerto Rico.

Empire

An Empire is a collection of nations that are united under one sovereign head of state or government. An Empire is formed by one nation steadily taking control of other nations, either through straight invasion and colonization or acquiring them through marriage and other less violent ways. An Empire is powerful mainly because it can drum up more resources, more influence and more military power. An Empire might impose the traditions, beliefs and culture of its principal nation - the nation that started it all - onto its colonies for better control and feeling of uniformity. Empires never last, that is something to always remember. Empires will eventually fragment due to the vast size and sometimes revolt among the conquered states. Examples of empires include the Roman Empire, the Byzantine Empire, the Ottoman Empire.

[corkinavoid]

DPxDC Urgent Call

"I need your phone."

Tim looks up from his laptop. The boy in front of him looks like he's been dragged to Hell a week ago and just made it back: smudges of soot on his face, his not-so-white t-shirt smelling of smoke, and a nasty looking burn on his hand that he somehow doesn't even pay attention to. Tim thinks back to his mental list of 'Rogues currently on the loose', but it's only Ivy and Harley (who don't even count anymore), and Penguin, who is not known for setting things on fire.

"I can call 911 for you, if you want?" He offers, because this is still Gotham. Despite the fact that a slightly scorched guy casually walking into a coffee shop is not something out of the ordinary here, he's not giving his phone to strangers.

The guy grimaces and starts aggressively rummaging through his pockets.

"No, thanks, ACAB and all that, and they won't do shit here anyway," he says, and then pulls a handful of tangled golden jewelry — rings, chains, necklaces with various gems in them — from his pocket and places it on the table in front of Tim. "I need your phone," he repeats.

Tim stares. First, at the gold — these things look antique, and his parents were archeologists, he knows what he's talking about — then, back at the guy. He looks... ordinary, sans the dirt and smell.

But the burn on his hand looks significantly more healed than it did just a minute ago.

Thankfully, Tim has already had his cup of morning coffee. Which means he is thinking very rationally when he does get his phone out of his pocket and hands it to the guy, just to see what he does next.

"Thanks," the guy grins at him, plucking the phone out of Tim's hand and unlocking it. Tim's eyebrows shoot up — there's a password there! — but the stranger is already dialing in a number and pressing the phone to his ear.

It takes less than a second before someone evidently picks up, and the guy starts talking.

"I have less than three minutes before the phone dies, so listen very carefully. Etrigan is fine, Jason is not, Klarion is still being a bitch. Dora won't help anymore, so you're on your own until Sam makes it there with the staff. I'm in Gotham because, apparently, mazes and I don't mix well together, so if you could summon me back, that'd be cool," he says, a look of mild annoyance on his face.

Tim is back to staring at him. He recognizes some of the names, and, well, one could have been an oddity, two a coincidence, but three is a pattern.

"The fuck you mean you can't, I gave you the incantation two months ago!" The guy raises his voice, his foot tapping on the floor in frustration. "Do you think I just go around giving my summons to people for shits and giggles? Like, yeah, have a spell that unleashes a cosmic being of immeasurable power, use it as a bookmark!"

This interaction, despite Tim only hearing one side of it, gets more and more alarming with every word.

But then, the boy suddenly straightens up and stills, his eyes flashing bright, unpleasantly familiar green.

"You what?" He asks, his voice slipping from just angry to quietly enraged hiss, "Sold it to whom?!" But, before he gets an answer, Tim's phone makes a thin, tiny buzzing sound, and the guy takes it off his ear, looking at the screen.

"No, no-no-no," he mutters, shaking it like that would make it work. To no avail, though: the phone screen flashes a few times and goes black. The guy curses. At least Tim thinks it's a curse because he doesn't understand a word, but the stranger's face and intonation are telling.

"Useless fucking moron of a human, I swear I'm going to drown you in cow shit once this is over," he switches to English, dropping the phone on the table right by the small pile of gold, "I'll bargain your pathetic soul from everyone you've ever dealt with and give it to the Observants, and maybe, after a few millenia of endless Council paperwork, I'll have mercy and sell it back to Lucifer and watch him fry you on a skillet."

...Whoever the boy is, Tim absolutely refuses to ever piss him off, okay. That's an impressive threat to even make, not to mention being able to go through with it.

"Do you need help?" He asks cautiously. If he is getting his context clues right, this is something that involves JLD, and maybe John Constantine specifically since Tim doesn't know any other man who is a magic user, sold his soul numerous times, would care about Etrigan's wellbeing, and could invoke this kind of murderous intent.

The boy looks back at him, his eyes back to normal blue.

"Huh? Oh, no, I doubt this can be helped," he waves Tim off and pinches the bridge of his nose, "Sorry about the phone, but, unless you have a way to yeet me across the globe so I end up in London in the next twenty minutes..." he shrugs, smiling in that helpless 'nothing you can do here' way.

Tim picks up his phone. It's dead, wholly and completely, won't even turn on when he tries.

He really, really shouldn't do that. This is definitely none of his business, and very much out of his capabilities and area of expertise.

But he thinks about the zeta-tube in the Cave.

"Actually," he says, and the guy's eyes snap back to him, a bewildered sort of surprise on his face.

[luna-azzurra]

Ways I Show a Character Is Deeply in Love (and Doesn’t Realize It Yet)

Falling in love doesn’t always come with violins and kissing in the rain. Sometimes it looks like, “Why do I know their coffee order, favorite pen, and dog’s birthday?”

They remember everything. Not because they’re trying to flirt. Just because their brain decided, “This person’s data is important now.”

They get annoyed by other people talking to them. Why are you laughing at their joke? He’s not even funny.

They show up. For dumb things. Things they wouldn’t normally care about. Your cat’s vet appointment? They’re there.

Their body reacts before they do. Smiling before their brain catches up. Leaning closer without realizing. Looking at their mouth while they talk. Oops.

They pretend they’re just "helping out." You know. Just being a good friend. A good friend who stares at your texts like they’re holy scripture.

They get flustered when the other person flirts with anyone else. “I’m not jealous. I just… think they deserve better. Like someone emotionally mature. Who knows their coffee order. Who… wears this hoodie. Okay bye.”

They panic when the other person gets too close. Not because they’re scared of them. Because they’re scared of how much they care.

[plainclothesdisaster]

DPxDC Mechanical Engineer Danny

Danny caught the attention of Batman while studying at Gotham University for his alternative energy projects. He’s hired right out of college to work on the Watchtower.

He shows absolutely no tell of his abilities till there’s a dire situation- Flash’s electric discharge messes with one of his projects in progress and the whole base would have lost air pressure if he hadn’t done a quick fix using telekinesis and ice.

Of course Batman notices.

Batman assumes the worst- he suspects Danny’s a rogue of some kind, someone who has infiltrated the Justice League with an ulterior motive. But he can’t just fire Danny now- he’s the only one who knows how the new Watchtower energy source works. Plus, he’s not letting Danny go anywhere until he’s figured out his true motives.

Cue Batman subtly testing Danny- tossing things at him to trigger inhuman fast reflexes, having him lift too-heavy machinery, setting up convenient opportunities to steal or snoop or otherwise be up to no good. Danny does take advantage but only once, to use a computer terminal with unlocked clearance. He didn’t plant any bugs that Barman could find, and he otherwise kept up his powerless civilian act perfectly.

Still, Batman’s not satisfied. He brings an infrasonic sound emitter to Danny’s lab one day, and that, of all things, is what gets Danny to break.

“I know what you’re doing,” Danny admits with a sigh, finally. “If you’re really that suspicious of me, I can leave, but I kinda like my job so I’d prefer not to. The benefits are insane compared to what’s standard.”

“I don’t know what you’re talking about.”

“Sure. yeah. How about you turn off the freaking noise generator and we can talk?”

“Hm.” Batman obliges, and he takes the stool next to Danny at his gesture.

“Number one, I’m not a meta. Despite all the data and conclusions you’ve probably drawn otherwise. Number two, I’m on your side. I’m here to work on the base, that’s it. I follow your rules to the letter.”

“The-“

“The classified files I looked at? Yeah that was the one exception. You already know what I looked at, I’m sure, but maybe you haven’t figured out why. It goes back to point one- I may not be a meta, but I am something that organization, the GIW, cares about. I looked at your files on them to sus out your relations. Seeing as I don’t particularly love being the victim to twelve degrees of human rights violations if I can avoid it.”

“Hm.” The Ghost Intelligence Ward was one of many government agencies that the Justice League hadn’t worked closely with. But they also hadn’t been flagged for Justice League investigation. Danny’s comments made him doubt that call.

“Any other questions?”

“If you’re not a meta, what are you?”

“I’m an engineer. A pretty decent one. And I’d really, really like it to stay that way.”

Batman considers, and ultimately lets him stay. He likes Danny (everyone likes Danny), and it would be a massive pain in the ass to replace him. He really is a good engineer.

It’s only much later that his faith in Danny is repaid in spades.

Batman finds Danny on the Watchtower command bridge. Alarms are blaring, the station has been knocked out of orbit, out the window there’s shrapnel floating everywhere as a space battle rages around them.

On the station it’s chaos. Technicians run around, shouts from the med bay, sparks from the walls.

Batman and Danny stand at the main controls, watching the battle outside, stoic, unmoving.

Wonder Woman’s harried voice crackles through on coms: “We need backup.”

“There is no more backup.” Batman replies, while looking pointedly at Danny.

“What?”

Batman doesn’t move.

“What.”

“The impact from Darkseid’s initial attack should have sent this station on a terminal trajectory toward the planet.”

“Well. We aren’t currently plummeting to our deaths, so turns out it didn’t do that.”

“You did something.”

“I don’t know what you’re talking about.”

“You’re lying.”

“Maybe Superman nudged us back on course in all the chaos.”

“I’ve been watching the trackers. No one else with the capability has come near the station.”

“Can’t you just be grateful we got lucky?”

Sounds of peril screech over the coms. Danny’s face scrunches.

“Luck had nothing to do with it. As it is now, we are going to lose this fight.”

“Isn’t there anyone else you can call?”

“I’m asking you. You can help, can’t you?”

The glare-off lasts a long moment more before Danny breaks.

“Fuck. Fuckity fuck.” Danny runs his hands through his hair. “Shit. You don’t know what you’re asking.”

“I’m asking you to save this and countless other worlds from a genocide. I’m also asking you to save my friends.”

Danny looks at him, hard, weary, and with a kind of deep resolve that feels far too ancient to be on the face of a supposed twenty-something.

“Fine. Fine. Okay.” He steps back and transforms. If Batman is surprised when he shakes off his human appearance like an old coat, he doesn’t show it. But what’s undeniable is the being in Danny’s place has the unmistakable presence of power.

“No one else can know.” His voice echoes in a way that’s sonically impossible, both sounding closer and further away than he should be.

He pulls a gear-shaped medallion seemingly out of thin air and puts it over his head in one motion.

“If I get in trouble for this, I’m blaming you.”

He vanishes. Outside, the shape of the battle changes instantly. The stars seem to glow brighter as the arms of the galaxy flash with the colors of the aurora. Then it’s like the void of space itself comes alive. It moves the spaceships back like they’re toys, plucking them from one side of the field to the other. It finds Darkseid at the heart of the chaos and massive arms of nothingness and darkness wrap around him. He’s screaming as it swallows him whole.

His armies scatter. The battle turns. The JL deal with the stragglers, but the air of relief is palpable.

Danny reappears next to Batman, once again donning his grease-stained coveralls. Arms folded.

“Happy?”

It took all of five minutes. Less, probably. Batman tamps down a thousand questions.

“Thank you.”

“I’m gonna need two weeks off minimum.” Danny snaps. “One to deal with the bureaucratic nightmare you’ve just caused me, and another to recover from the headache.”

Batman blanks. “Granted.”

Danny sighs. “And I’m not fixing the station until I’m back. It won’t fall out of the sky as is. Make up whatever excuse you want.”

“Done.” He considers. “I would prefer to tell them the truth. That you saved us.”

Danny glares. “I’m not supposed to save you. I made a pact not to use my power to influence the mortal realm.”

“A pact with who?”

Danny rolls his eyes. “The embodiment of Time. The concept of Justice. Among others.” He smirks at Batman’s confusion.

“And what, exactly, does that make you?”

He stands, framed by the space window, haloed by the stars. “I’ll give you three guesses.”

Batman frowns.

“Look. I like you guys. I like working on your base. I like supporting the work you do. But you can not go factoring me in to any of your plans or contingencies. This was a one time thing.

“So to answer your question again: I’m an engineer.”

[urfriendlywriter]

How to write smut ?

(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )

writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?

"he kissed her, pulling her body closer to him."

or this?

"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."

(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)

One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally. (Here is me an year after writing this post, i think, either is amazing, depending on the context. the type of book you're writing, your writing style and preferences!)

express one's sensory feelings, and the readers will automatically know what's happening.

writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".

(edit: once again, hi, it's me. Either is amazing depending on ur writing style. Everything at the end is about taste.)

here are some vocabulary you can introduce in your writing:

whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed

shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,

swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,

nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,

wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees

holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to

some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily

he sighed with pleasure

her skin flushed

he shuddered when her body moved against his

he planted kisses along her jawline

her lips turned red, messy, kissed and flushed.

his hands were on his hair, pulling him.

light touches traveled down his back

words were coiled at his throat, coming out as broken sobs, wanting more

he arched his back, his breath quivering

her legs parted, sinking into the other's body, encircling around their waist.

+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.

+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.

sources to refer to for more:

gesture that gets me on my knees !!

(more to comeee, check out my hot or kisses prompts on my master list!)

[stars-obsession-pit]

…Dannny Phantom fics often talk about Amity being chill with ghosts and whatnot, yet I don’t think I’ve ever really seen the logical conclusion of that:

Dying but just… keeping going.

A kid at Casper High dies in an accident and comes back in for class a few days later. Moves the memorial off their desk to make room for their notebook.

An elderly book club member shows up to the new meeting semi-transparent. They laugh off any concern with something along the lines of “At least my back pain’s gone!”

Someone calls in to their job like, “Hey, uh, I died. Does… does that mean I get the day off?”

No one quite knows how to react. Phantom shows up the first few times to ask if everything’s alright, but then starts to leave them be.

It’s… fine?

At first, people very carefully walk on eggshells around the topic of death, but it gradually fades into the background. People just treat it as a new rule of polite conversation. The world goes on. It’s still just Amity Park, the most haunted city in America.

They’ll have to address it eventually, they know. It’s far too big not to. But for the moment, things just keep going as they were.

[hayatheauthor]

100 Dialogue Tags You Can Use Instead of “Said”

For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words). 

1. Neutral Tags 

Straightforward and unobtrusive dialogue tags: 

Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.

2. Questioning Tags 

Curious, interrogative dialogue tags:

Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.

3. Emotive Tags 

Emotional dialogue tags:

Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.

4. Descriptive Tags 

Insightful, tonal dialogue tags: 

Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.

5. Action-Oriented Tags 

Movement-based dialogue tags: 

Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.

6. Conflict Tags 

Argumentative, defiant dialogue tags:

Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.

7. Agreement Tags 

Understanding, compliant dialogue tags: 

Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.

8. Disagreement Tags 

Resistant, defiant dialogue tags: 

Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.

9. Confused Tags 

Hesitant, uncertain dialogue tags:

Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.

10. Surprise Tags

Shock-inducing dialogue tags:

Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.

Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[deception-united]

Miscommunication Prompts

A character avoids eye contact because they’re nervous, making the other believe they’re hiding something.

A character mistakes someone’s distraction for boredom, assuming they’re not interesting enough.

A character misinterprets kindness as pity, making them defensive.

A character uses a phrase that has multiple interpretations, and the listener takes it in the worst possible way. (“I took care of him.” “You WHAT?”)

A character pulls a harmless prank that spirals out of control until it’s too late to take it back.

The audience knows that two characters are talking about completely different things, but neither of them realises it (dramatic irony).

A character gives a vague or hesitant response out of nervousness, and the other person takes it as rejection.

A text or letter meant for one person gets sent to the absolute worst possible recipient.

A character asks another to do something simple, but their interpretation is wildly different.

Two characters remember an event completely differently, leading to an argument where both are convinced they’re right, but what actually happened is something neither of them recall correctly.

Someone shrinks away from a touch due to past trauma, but the other person assumes it means rejection.

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[im-totally-not-an-alien-2]

Damian paused when his phone pinged, indicating a message. He tried to ignore all his siblings looking at him with surprise.

In thier defense, they had never seen him casually texting someone outside of the family, and with Bruce, Alfred and the rest of thier patchwork group already present it was clear he wasn't chatting with them.

Damians' expression changed from annoyance to confusion, then to consideration before turning his gaze to Alfred the cat. Without warning, the youngest Wayne walked over and began kneeding the cat like a kitten would do to its mother or a soft blanket.

The reaction was immediate. Alfred let out a startled mmrp, looked confused, then shocked before purring louder than any bat had ever heard a cat before.

Dicked looked over at the screen of damians discarded phone to see two text messages from someone labeled in the contacts as "Nightingale"

<Stop whatever you're doing it will be worth it I promise!>

<Go kneed your cat>

Dick had questions, and by the looks of things, so do the other bats