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#i love good mom talia
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OC Marina Grayson
As a young man, Orm fell in love with a marine researcher. When she didn't return the next year with the pod of dolphins she was studying, he assumed she had been killed over their relationship bc it's something his father would've done. When he finds out it's actually bc he's a father and small children aren't allowed on research vessels, he peacefully abdicates the throne to his brother so he can marry the love of his life and raise his daughter in Gotham. Since he has the wealth of the ocean at his disposal, he purchases the local aquarium so they can still do marine research and start sharing some Atlantean knowledge with the surface world in order to help environmental awareness.
(HC for all Atlanteans) Atlanteans have scales they can display at will, and coloring is indicative of familial line. They also have facial markings when underwater and generally the bolder the better; more fierce and therefore beautiful. Orm inherited a Siren's Voice from his mother, and Marina was able to prove her ancestry with her Royal Gold scales and the incredibly rare Siren's Voice. Her facial markings look similar to a goth egirl, and are considered the height of Atlantean beauty. When she does her makeup on land she mostly just adds back her natural features, though the specific colors and shaping might vary a little. Dick is considered kinda ugly in Atlantis without the domino mask.
Because of her vocal ability, she had to visit Atlantis fairly often for training in control and as a backup heir to the throne. She was trained in traditional combat using a trident, but she's never felt right with the thought of ever needing to use it to take a life. The Atlantean public loves their kind and gentle surface princess, but the other court families think she's too free spirited and want to push their sons on her to keep the Voice within Atlantis.
She was Dick's classmate and acquaintances at the very least until she saved him from drowning in Gotham Harbor when they were 11. She dived in to rescue Robin, and was shocked to hear her classmate's voice thanking her. She paired up with Dick on their next school project so she could have an excuse to visit the Manor. She then confesses to Dick, Bruce, and Alfred to having figured out their secret, and tells them about her being Atlantean to show she's not intentionally a threat.
She and Dick become good friends after this since they can talk about their secret lives, and she joins the original Teen Titans when they form. She wrote the choreography for the team's lip-sync and dance videos for their official YouTube channel since, as younger millennials, they were some of the first heroes to publicly goof off on the internet in costume.
At one point during a school dance, she slapped her own date for calling her best friend a "dirty gypsy." There was a month or so when they were 15 where Dick did date Starfire, but there's no hard feelings or jealousy from it.
In high school, she was a competitive diver and worked at the aquarium as a mermaid in the shark exhibit in her spare time. She picked up air ribbon acrobatics as well because it's the closest thing she can do on land that feels like being underwater.
I'm undecided as of yet how they started dating, but Dick proposed with his mother's necklace. Some Romani vistas (I've heard) use coin necklaces, so I think he'd use his mom's the same way ppl use heirloom rings. It amuses Wally to no end that Circus Boy has a royal title and his favorite teasing nickname is "Your Highness."
Marina quit being a vigilante as they got older because it was getting harder to pull her punches as she got stronger. She recognized that it would be devastating for Surface-Atlantean relations if either the Princess or a representative hero killed someone even on accident, so stepped back to be a more supportive role as Surface Ambassador and post patrol medical assistance. Most of her work as Surface Ambassador involves negotiating ocean cleanup and environmental improvements on a governmental level with the various world powers.
She absolutely does not want to inherit the Atlantean throne. She despised her tenure as Regent while Arthur was dead before he was brought back to life in Darkest Night, and gave the throne back the very next day so she could go home.
While Bruce was stuck in the time stream, she was fully on board with Dick over legally adopting Damian. Sometimes he'll actually call her Ummi since she's more affectionate than Talia, especially when he's overtired. She does eventually adopt him under Atlantean law by challenging Talia for Mother's Rights. Since their fight was underwater due to Atlantean rules and Talia wanting whatever's best for her son, Marina wins and Damian is technically royalty as well now too. She's not even mad that Talia let her win, and gains a new respect for her as a mother who's willing to let her child go for a healthier upbringing than she could give.
When at home or for some semblance of privacy in public, Dick and Marina speak a blend of English and as much Romani as Dick can remember. Sometimes they'll include some Atlantean for extra security in public, but as English is Marina's first language they don't usually bother.
In the public eye on the surface, Dick is considered the trophy husband with a day job as a detective. He kinda loves their visits to Atlantis bc he's actually taken seriously as Dick Grayson without his pretty privilege. He can actually be his fully intelligent self there without the Atlantean public being shocked that he has more than a single brain cell.
Marina fully encourages sibling shenanigans amount the younger Batfam. She and Dick used to prank Bruce after all, and it's good and healthy bonding for them.
Jason is the adorable little brother who was taken too soon and came back angry yet still just as loved. She's kinda neutral about Tim but fully supports his tinkering and pranking shenanigans, and he likes her coffee more than Alfred's. Unfortunately I haven't known about most of the rest of the younger members long enough to have any relationship specifics in mind, but she's kinda like the cool auntie to all of them who will absolutely provide mischief supplies and assistance. No questions asked, just immediate "here you go I didn't see or hear anything."
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bluerosefox · 2 months
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Her Astrophel and Sterling
hmmm
Hmmmmmmmm
You know what.
You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.
Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.
DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!
YES.
Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.
"Ellie! I thought I said do not answer the door my Sterling."
"But Daddy, yous was busy fighting the hotdoggys!"
Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.
and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."
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starry-bi-sky · 6 months
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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versasfanficwastedump · 3 months
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i do kind of love the idea of bruce having physical custody of damian, but he and talia being wildly effective co-parents
all i want is for damian to be acting a fool and for bruce to go “do not make me call your mother” is that so much to ask
or for damian to ask talia for something and for her to respond “if your father said no, it’s a no” and damian just pouts bc why can’t his parents hate each other like every other divorced couple
let them be great co-parents pls it would be so funny
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welcometogrouchland · 8 months
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Dick as Damian's third parent while also having bad parent Talia: stale, boring, relies on poor characterization of Talia. Yawn.
Dick as Damian's third parent with good mom Talia except Dick and Talia still hate each other: beautiful, talented, show stopping, never been done before, etc. They take Damian out for a day and constantly try to out do eachother in who can be the most fun. Dick takes him to the circus except the high wire act is actually the two of them doing an old Flying Grayson's routine. Talia takes him to the arcade and buys the cabinet for his favourite game right there on the spot (also she's surprisingly good at DDR. Dick gets demolished in a match with her). Damian's torn bc on the one hand he knows they're both losing themselves in the competition instead of just being in the moment with him but on the other hand. Richard and Mother are taking him to his favourite Lebanese restaurant where they plan to buy him an all you can eat buffet bc Talia thought he looked thin and Dick agreed bc he knows Bruce can't cook good meals for shit. So who is he to deny them their whims?
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foultreenightmare · 4 months
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Okay, but imagine Damian was like just raised in the league of assassins. Like Talia was a good mother, and Ra's was a good grandfather, but damian is still trained and still is amazing at almost basically everything, but he had a really loving family before he came with his father. So imagine how confused damian was when he found out that his new family wasn't as loving. But we also have to consider his personality and how it would have changed. Damian is very cold and mean because he isn't very loved in the league, and he has a lot of trauma. I think he would have been kinda the same, but just because he doesn't know these people and he wouldn't be very mean mean and he would act like a kid sometimes. I just think, what if Ra's wasn't all that mean and Talia showed more love to damian probably would have changed him.
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smallbirdy · 1 year
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more talia and damian
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- mother and son ✨️
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spicy-apple-pie · 1 year
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Queens slaying in their girlboss meeting
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necrotic-nephilim · 30 days
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for the ask game (3)
au where all robins develop a mental link after fighting some magical criminal of the week. what would they see in each other's minds? what secrets and repressed feelings do they discover? how would they deal with it?
for the ask game!
oooh, i love telepathic links that end up revealing secrets. especially with a family like the Batfam, who are usually so convinced they're good enough at reading each other to not have many secrets kept. so weird reveals are always fun
if i did this, i'd do DamiTim. just because of all the like, "deep dark feelings that are being hidden" for Robin shipping, DamiTim is the most fun for me. you expect DickTim or DickJay or JayTim, even DamiDick. but there's something that's so enjoyable about Damian having his feelings forcibly outted. not just to Tim, but to everyone. the way it'd be an active landmine none of them knowing what to say but all feeling each other's reactions. i honestly think Damian would try to punch somebody about it. (also, if you do a history of TImSteph where they've had sex, Damian would be directly linked to Steph's memories of how Tim was in bed, so that's fun as both something horrifying and enlightening just to screw with his feelings some more.) would they end up together? in my head probably, but it'd be weird and likely toxic bc how do you date someone you know inside out and know exactly what they think of all your flaws and what parts of you they obsess over. the answer is not very well but hey, the sex is good-
i think Jason *directly* feeling how everyone felt about his death would really rock him. he's heard all the apologies, but part of him isn't convinced there's truth to them. so to be crushed by Dick's *grief* over his death would be a come to jesus moment for him. but on the less fun flipside, you have him feeling how Dick feels about him *now*. because Dick doesn't really *like* Jason and deep down, sees Jason as a lost cause. that's his "deep dark secret". and Jason would feel and know that from the one person who he still wants to believe in him. i really do think Jason would have the Worst Time with all this, overwhelmed with everyone's intimate and complex feelings over his death. Jason is a very defensive person when it comes to his death and how reactionary he gets when other people make it about them, not him. so for Jason to have to constantly deal with that in his head, i truly do think he'd lash out a bit. the arguments. yelling at Dick and feeling Dick's guilt and snapping bc Dick has no right to feel guilty now. feeling that Tim viewed Jason as a failure. it's just a damaging mindspace to be in and man do i think Jason would take a While to recover.
oddly though, i think it'd be a good bonding moment for Steph and Jason. we really don't get much exploration of Steph and Jason bonding over dying. bc sure, Steph didn't actually die, but she *did* experience the social death where everyone believed she was dead and mourned her as such for a good while. she also felt *directly* responsible for her own death. a lot of blame falls on Steph for War Games (for the Doylist reasons of sexism but yk) and Jason feels responsible for his own death for walking into a trap. but unlike Jason, Steph had no suit in a case, no memorials, her name held no infamy. so i think she deserves just a bit of righteous fury about how dramatic Jason can be while she just has to move on bc hey, it's not like she *really* died. and she buries those feelings well, but not well enough to hide them from a mental link. and Jason, who hasn't really considered Steph before because he was so wrapped up in his complex over Tim, confronts those feelings with her. if anyone is going to know how he feels, it's going to be her. you could do it platonic or romantic, but i do think when Jason sinks to his lowest, she's the one who snaps him out of it, both with tough love and genuine compassion for his situation.
for the less serious crack of it all: they're all going to have far too intimate knowledge of each other's sex lives. everyone's gonna know Dick has fucked Slade. everyone's gonna know Jason has fucked Talia. in my heart, i believe Tim has slept with Anarky (Lonnie, not Ulysses) and everyone would *know* that too. absolute judgment all around. it's the spider-man meme of "wait you've done WHAT with WHO" and honestly, it gives a nice distraction for the more serious feelings. it's a palette cleanser they can default to. like when the fighting gets a little too serious and they're cutting too deep for comfort, someone's going to blurt out "well at least i didn't fuck Deathstroke." and the whole moment goes awry with laughter. bc i do think, at the end of it once they get through the worst of the angst, they'd be closer for it and self-aware of the ridiculous nature of all this. it's enlightening, in a way to see how they all felt about their time as Robin and the baggage/trauma they hold. even the ugliest feelings they hold for each other don't completely suffocate the fondness/respect.
that said, knowing the baggage/trauma. oof. i don't think Dick has ever fully opened up about his history with Mirage/Tarantula/Liu and now it's forced to sit in the open. Damian has never admitted the worst of being raised in the League. Tim hasn't fully faced the suffocating image of his dead father and his deep-seated want to kill Boomerang. all those ugly truths they stamp down bc well, either you're a vigilante or you're a well adjusted person, are out in the open now. and it's ugly and gruesome to force those thoughts to be shared. they all want to comfort each other for different reasons, while simultaneously not wanting their own trauma to be acknowledged. it'd be fun to see who'd instinctively react to whose trauma first. because it's an overwhelming rush of information, and you just naturally get pulled in certain directions. i think Damian would react to Dick's history of sexual abuse first, whereas Jason would be reacting to the murderous rage TIm is trying to fight off. Tim is reacting to just how much guilt Steph carries about War Games and all of it is very crunchy. there's so much they'd all have to talk about and it'd take days for them to address it all, between the arguments about the ugly parts. would they come out stronger for it? yes. but only if they didn't kill each other in the process. i hesitate to do a "and they come out one big happy family" ending, bc it's not very in canon, but i do think the bond of the Robin mantle is something special. even when the link is broken, they hold onto a freakish understanding of each other. they react and move in sync, can fight together without needing words. are they emotionally on the same page/have they forgiven each other for the worst of it? absolutely not. but they've got each other backs. it's a very much "if you called i'd drop everything to save you. but also we don't have it in us to hang out casually." bond, which i think is deeply underrated in fanfiction. sometimes, you can care about people but you have to do it from a distance.
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ppl just don’t talk ab this ENOUGH. Bruce is a better parent than Talia?? PU-LEASE! Talia would be so proud her baby was listening and taking what she said to heart and trying his best to do better!! she would give him a soft, private smile, and not make a super big deal ab it, but would make sure her child knows he’s heard.
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girluimfailing · 10 months
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I kinda trust some Damian fans less with Talia cuz I know some of yall gonna do the same shit Tim fans do w Damian: act like you like the poc character just so it seems woke but just use them as a plot device to fuel ur fav's angst. I KNOW I ain't catching yall making her beg Damian for forgiveness. 👎
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starry-bi-sky · 5 months
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Do you think anyone ever tells fem!Danny that she looks like Talia?
Yes! Anyone who knew Talia would probably point out that she resembles her mother. Danny's got her old man's blue eyes and black hair and eyebrows, but predominantly her mother's features. Danny's a momma's girl even with the difficulties of leaving the League, so she would take that with pride honestly. Her mother is the most beautiful woman in the world in her eyes.
I'm thinking about when Damian and Danyal reunite and they're trying to reconcile/reconnect, I'm imagining that Damian just staring at his sister one day. When Danny calls him out on it, he eventually admits that she looks like mother. Danyal stops what she's doing for a moment, and then quietly preens because it's what thing to hear it from other people, its another to hear it from her brother.
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me, finally getting to watch the new HQTAS episodes, at the end of episode 1: dont let that be talia please jesus fucking christ dont let that be talia
HQTAS: what if bad mom talia?
me:
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brie-annwyl · 1 year
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So I just re blogged a post that made me think about this.
All the batboys look more like their moms than their fathers in some way.
Tim and Jason HATE IT with a burning passion. Both for different reasons of course. Tim (as the post that inspired this) is hauntingly beautiful. Just like his mother was and he is so thankful he wasn’t born a girl because he knows he would hate his looks even more than he does now.
Jason literally died because of her, she sold him off to the joker for a chance to escape. This man has MOTHER ISSUES in the biggest block letters you can imagine. Dick made the mistake of saying “she’s obviously who you get your good looks from.” And Jason refused to speak to him for weeks.
Dick will never admit it but he’s forgotten what his parents looked like before they died, he says he looks like the perfect mix of both of them when in reality he’s his mothers carbon copy and he just doesn’t remember it.
Damian is the child that actually looks like a perfect mix of his parents. He looks like a young Bruce but when standing next to Talia a lot of people would say he just looks like a masculine version of her. He takes pride in it and secretly loves it when Bruce makes a comment like “you look so much like your mom when you make that face.”
Bruce knows he looks like his mom, he just refuses to admit it. For years after she died he would see himself in the mirror and see her and it physically pained him. Now when he looks in the mirror, he sees Damian.
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