#it’s fine and ok

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[miss-jaye]

cw: slightly suggestive when nanami kento saw his wife about to leave the house in a stunning, tight sundress, he swore his whole world stopped for a moment.

“honey?”

“hm?” you glanced at him, then looked back at the mirror, trying not to stab yourself with your earring. nanami cleared his throat. “where are you going?” he asked as he walked over, standing behind you and sliding his hands around your waist.

“i’m having lunch with my friends, sweetie. i told you that this morning, remember?” you raised a brow, confused. your husband nodded dazedly, his eyes glued to your figure.

“right.” he swallowed, his throat suddenly dry. “where are you going to have lunch?” he asked, his hands gently roaming over your body, feeling the fabric of the dress he so badly wanted to tear off you.

“that cafe we always go to…” you trailed off, finally securing your earring. “are you okay?” you met his gaze through the mirror. “i do this once a month—same place, same people.”

he nodded, humming in acknowledgment. you stayed silent for a moment, trying to figure out what had him so distracted. now that your earring was in place, you became hyper-aware of his hands, their slow, deliberate movements over your hips, squeezing in that familiar way that told you he was restraining himself from acting on his desires.

oh.

a blush crept up your cheeks as you realized nanami hadn’t seen this dress on you yet. you’d just bought it last week and forgot to show him. “kento?”

you called out to him, but he seemed too entranced by the way the dress clung to your curves. he leaned in closer, burying his nose in your neck, his hands trailing down to squeeze your thighs.

you let out a startled moan, hastily covering your mouth. he inhaled deeply, the scent of your perfume overwhelming his senses.

“your friends won’t mind if you’re a few minutes late, right?”

[humanmaybe]

Some person in a plague mask handed me this… very professional business card. Idk guys think this is legit?

[traumatizeddfox]

“delululu” “what a narcissist” “i’m so ocd” “i let my intrusive thoughts win” “im an empath” “are you acoustic” “bpd girls 😍” “im so manic” “my trauma made me spicy and funny”

[nicolinocolino]

thnks fr th mmrs

[snarkspawn]

The only Heaven I'll be sent to Is when I'm alone with you

[sketchquill]

They’re all just concerned for you neighbour (´ ▽｀)

[equestriagirl16]

YALL IM-

IM LIGHTHEADED IM LIGHTHEADED IM LIGHTHEADED-

Btw his song from my playlist is Defying Gravity by Matt Copley I don’t make the rules💖

[teamunee]

happy new year everywan!!!

[glassclownz]

uh oh, book of bill spoilers

[ghost-bxrd]

Prompt:

Tim is the first to find out the Red Hood’s identity and from then on sticks to Jason during patrol like glue (much to Jason’s chagrin, dammit, it would feel wrong to beat up Robin when he’s that starry eyed…)

Cue: PANIC from the rest of the Batfamily, who still think Hood is a forty-something year old crime lord and now assume they’re dating.

[dramiserable]

Square Enix let them be together pls

[s7-evermore]

OH MY FUCKING— *CRASHES CAR*

[bixels]

tarpit site.

[symeona]

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!