#not that he bases his personality on those traits? many other traits are his base personality

[xxavengingangelxx]

Graves Defragged 1/?

As promised, here is the first part of deconstructing Graves. This part touches on the first half of the psychopath traits I want to discuss. Below is my take! I am NOT licensed to make these decisions. This is just for fun. It also touches on why I write Graves like a heartless mf'er in my longer fics. Because Graves is a heartless motherfucker.

Not proofread. I'm posting this before going to bed cause it's the only time I got between working 60+ hours a week, house chores, keeping hubby fed, etc.

To touch on my sociopath vs. psychopath post earlier, there are some in the field who argue that a sociopath is made and a psychopath is born. We don’t have enough information on Graves’s background to see whether or not he’s shown the same callous disregard for human life, disregard for rules, and narcissism earlier on. But he certainly shows those traits now.

And we do have this:

Graves: "That uniform was a limitation. I shed that skin..." Soap: "Like a fuckin' snake-" Graves: "Like a fucking soldier, son." — Soap confronts Graves about his past.

Let’s assume Graves was born a psychopath. It’s certainly possible. And if Adler is his father, then he’s got the genes for killing, anyway. Yes there are theories that say there are genes for criminality but I can post more on that later if y’all are interested.

How many traits of a psychopath does he actually have? Based on the behavior, we’ve seen, quite a bit!

Robert Hare, a Canadian psychologist, created the Hare Psychopathy Checklist (known today as the Hare Psychopathy Checklist Revised). Let’s go through the items with our crush man Graves in mind. Each of these items is rated a 0 if it does not apply, a 1 if it kind of applies, and a 2 if it definitely applies. They are added up at the end. Max score is a 40.

Item 1: Glibness and superficial charm = 2

You’re kidding me, right? Graves is the man of charm and glib. His good fuckin’ looks certainly help him out.

Image credit: @Vault21 on Tumblr

Remember Dark Water? Yeah…they trusted each other like brothers. Soap even hugged Graves! Graves had them  (and us) fooled because not much later he betrayed them like they were enemies.

Item 2: Grandiose sense of self-worth = 1

Graves is narcissistic. We can all agree on that, right? He thought he was too good for the Marines, that the Marines were not good enough for such a special person like himself. And I could be wrong here, but he is massively successful, likely a billionaire so doesn’t he get to be a little narcissistic?

Item 3: Need for stimulation/proneness to boredom = 2

Graves was so bored in the Marines, one of the toughest branches of the military, that he saw his uniform as a limitation and sought out to make his own company of mercenaries who don’t really answer to anyone. Also, how many CEOs do you see in the field like Graves is? Close to none. He lives for getting shot at and chased. He has a scar on his face to prove it!

Item 4: Pathological lying = 2

Is this even a question? Graves lied so well to 141 that they trusted him and saw him as a brother in arms. Also, remember the scene from Congress?

Image credit: BabyZone on YouTube.

Which leads me to…

Item 5: Conning/manipulative = 2

Phillip Graves is a conman. If you look up conman in the dictionary there’d be a picture of Graves or there should…it’d make the dictionary less boring. According to Google’s dictionary, the definition of conman is, “a man who cheats or tricks someone by gaining their trust and persuading them to believe something that is not true.” I can think of a few examples. Again, Dark Water

Image credit: Wallpaper Cave

Also, the Congress scene where he lies (about WAR CRIMES) like he’s talking about the weather.

And when he pulled the rug out from under 141 in Las Almas.

Which in turn takes us to…

Item 6: Lack of remorse/guilt = 2

Graves betrayed 141, the men he had fought next to, defended, befriended all while gaining their trust.

All while smiling about it!

Image credit: halgalvv on TikTok

Look!

Image credit: Call of Duty Wiki

Which also reminds me of the war crimes Graves committed in Las Almas. Some argue that Graves cleaned house by killing off people who were supporting the cartels but based on what I’ve been told there were children in this town as well.

This also brings me to the topic of Graves’s Shadows. These men are okay with war crimes. Shadows are okay with killing people just because Graves said to. In one (or more?) of my fics I portray Shadows as I see them: callous and even sadistic with how they agree to torture a prisoner of war (POW), going so far as using rape as a weapon if Graves gives the word.

Are there some Shadows who can’t engage in this kind of behavior? Perhaps. So Graves knows which men to pick to carry out war crimes. At least that’s how I see it.

Psychopaths have physical differences in the make up of their brain that make them UNABLE to feel guilty, remorse, or fear. So when I hear people asking how serial killers and other criminals deal with their guilt, I say they do not because it doesn't exist to them. They have no idea what guilt is.

Remember: It’s not that psychopaths choose not to feel/ignore guilt. It’s that their brain is completely INCAPABLE of this emotion.

You might be asking why/how: Psychopaths think the same thing about you…how can you feel guilt? Why would you want to?

Item 7: Shallow affect = 1

Only because we are unable to see how Graves functions emotionally away from the battlefield. My forensic psychology professor said that psychopaths have 2 emotions: rage and joy. Have you seen Graves portray anything else, really? In another fic, Graves supposedly says he loves OC. Like he even knows what that means. He doesn’t. He loves controlling her and abusing her, yes.

If Graves had a kid like he does in the same fic, he doesn’t feel much affection towards him. He just likely sees him as an extension of his partner. A future soldier, someone Graves can start training from young. Something he can use to control and keep his partner in line.  That child, from the moment he was born is seen as an asset by Graves. Plus, there are some good chances that kiddo might have inherited Graves’s genes that pass on his psychopathy. And even if that child does not, there’s a good chance he could develop as a sociopath because he’s not likely to see much more other than Graves continuing to abuse and control his partner and battlefield conditions.

Item 8: Callousness/lack of empathy = 2

This relates to a lack of remorse. You might ask how can Graves not feel empathy for how 141 must feel after he betrayed them? Because, like the shallow emotions and lack of remorse, Graves’s brain cannot do it. He doesn’t have the neurons for it. He doesn’t have the brain structure for it. It’s not that Graves chooses not to feel or ignore empathy. He CANNOT. It’s almost like asking someone with very low math ability to do a PhD in physics. It’s not that they’re lazy. They do not have the aptitude for it.

Graves does not have the aptitude for remorse or empathy because he doesn’t have the brain structure that makes that happen.

He think's it's funny.

Image credit: Einstein Ibraheem on YouTube

Item 9: Parasitic lifestyle = 0

Finally, one that does NOT apply to Graves. This man refuses to depend on anyone. He’s a fucking billionare that can get whatever the hell he wants whenever he wants it.

Item 10: Poor behavioral controls = 0

Hear me out! Graves is not impulsive. Lots of psychopaths are due to limitations in a part of the brain called the prefrontal cortex as well as other parts to include the limbic system. Graves is not limited in that manner. He plans, he’s meticulous, he’s detailed, and he gets away with a lot of shit because of it. Graves is not impulsive. Get him mad and he might smack the shit out of you (more than once if you make him mad enough) but when it comes to important decisions, he takes his painstaking time.

So fear we are up to the score of 14! He has scored positive on 14/20 possible points.

More to come!

[eruverse]

Just wanna say that as a switch advocate in the end I realize that for some couples or ships it's just natural for one party to take on the top role most of the time or nearly every time, and the other to take on the bottom rule most of the time, bc that's just what works for them specifically. Sometimes I get so contrarian and swap the position out of petty edginess also bc I love to explore all possibilities but in the end. Yes. What makes sense makes sense.

[too-much-tma-stuff]

Finally Getting Help (prt 6)

Masterpost

The Wayne family gathered in the family room once Alfred was done setting up the projector, somehow there was also a plate of cookies and a couple pots of tea on the coffee table. How he’d found the time they didn’t know, he always seemed to be doing just a little more than should be possible but they didn’t question it. 

Jazz seemed nervous as she plugged in her USB and accessed the power point on Ghosts and Liminality. The tidal page had a picture of Danny in his Phantom form standing with a group of others, a boy with gray skin and blond hair, a girl with green hair and skin, and a goth with purple eyes and a dark skinned boy who looked around Danny’s age, and Jazz with the title “Ghosts and Liminals!” 

The next slide had simple text: “What are they and How are they made?”

With each slide she read the text on the screen allowed and then added any context or anecdotes she thought of, or had prepared. 

(Next slide)

Ghosts:

Made of ectoplasmic energy and obsession

Made either:

when someone dies with strong enough desires

An idea gains enough traction to take on a life of its own

Immutable concepts and gods

Must be allowed to indulge in obsessions or they will cease to exist

All have basic abilities such as flight, intangibility, invisibility, and minor shape shifting

On top of basic abilities most will have additional powers based on their obsessions

Immortal unless killed 

Love to fight

Liminals

Made when a human is exposed to high levels of ectoplasm for prolonged periods of time

Have some ghostly traits 

Ghostly traits vary person to person

Less susceptible to human illness and injury

“The ghosts on the picture are Kitty and Johnny, we’ve had problems with them but would consider them friends now. They’re the ghosts of two humans who died, but there are others, Vortext for instance is the ghost of Storms. Those ghosts who come from ideas are called ‘neverborns’. There seem to be almost an infinite number of ghosts, however not all of them are interested in having anything to do with us so we tend to get the same faces showing up a lot in Amity.

“I don’t know how many liminals there are. I thought they might be new with my parents' research but as I look into it more I think there are more natural sources of ectoplasm then my parents thought.” Jazz explained before going to transition to the next slide.

“I have a question-” Bruce started before Jazz hushed him. 

“Wait till the end please! I might answer it without you having to ask,” She scolded, and he felt very much like a schoolboy again as his children snickered.

(Next slide including a image of the glowing green viles in the Fenton’s lab and a glowing green crystal)

Ghost biology 

Ghosts do not have any recognizable organs or bones

The only solid part of their being is their Core which is the source of their ectoplasm 

Any injury to a ghosts form not done directly to their core is considered minor and will heal

A healthy ghost is fully capable of mending any damage including removed limbs in a matter of hours or days depending on extent of the injury

All injuries not including the Core are considered minor 

Ghosts are considered young for at least the first hundred years of their existence and are often not considered adults until nearly 500

A caveat to this is ghosts are heavily driven by emotion and will often be the age they feel they are allowing ghosts to mature much more quickly, or more slowly

When this is the case ghosts are treated as the age they present and behave

Ghosts reproduce by shaping ectoplasm and Wanting a child badly enough

“Believe me it was incredibly scary the first time I saw Danny in his ghost form have something go right through his stomach. It took him a long time to convince me it wasn’t a big deal and it barely hurt. He does have to make sure he repairs the damage Before turning human again though or the damage can transfer over and I don’t need to tell you a hole in the gut is a lot more serious for humans!

“If I’m honest I only know ghosts that have stayed younger then they really are, for instance Youngblood who’s a few hundred years old and could be well on his way to adulthood if he wanted but has remained a child. I assume it can go the other way though, if a ghost is very mature for their age.”

Ectoplasm 

Ectoplasm is the energy that makes up all ghosts and the Ghost Zone itself. All ghosts can feed on the ectoplasm around them as well as produce their own by indulging in obsessions. The ghosts Cores produce the ectoplasm like a brain produces neurochemicals when exposed to the right stimulation.

Ectoplasm is a powerful source of energy but unstable. When it is stabilized into an ecto-crystal it is more stable and can be used as a power source safely by ghosts and liminals.

“Most ectoplasm is green like you see in the pictures. But it isn’t the only colour, some other ghosts produce different colours and it is highly tied to what emotion drives them. When it’s pure it usually smells like petracore but it can get pretty foul.”

(next slide)

What are Obsessions

Every ghost has one or more obsessions

They can be very literal things such as boxes, or ideas and emotions such as Love

In rarer cases they may have dual obsessions

Unlike for humans obsessions are very healthy for ghosts

Ghosts need to indulge their obsessions

Sometimes the way ghosts indulge their obsessions might seem evil, however it is almost always just amoral 

Obsessions shape every part of a ghost from their powers to thier physical appearance, to befriend a ghost you Must understand and aid their obsession

In very extreme circumstances a ghosts obsession may shift, sometimes this is healthy, more often it is a result of extreme trauma

“With my interest in psychology this was sort of hard for me to accept. From the outside the way ghosts obsess seems really unhealthy but it’s what gives them life. When not allowed to indulge in their obsessions ghosts will dysregulate and go to extreme lengths to try and get their obsession, if that doesn’t work they either go dormant if their core is still healthy enough or they will melt. 

“Ghosts change their obsessions very rarely, I’ve heard of it happening as they heal. For instance once a ghost has gotten revenge for themselves, if that was their obsession, their obsession might shift to avenging other people, or even protecting them so they don’t need to be avenged.”

(Next Slide)

Ghost Culture

The Ghosts have a monarchy

The title of the Ghost King is not hereditary but passed through trial by combat

Under the monarch is a council of being known as Observants, and powerful and old ghosts called Ancients 

Ghosts respect strength and value power and cunning in combat a lot

Ghosts bond with each other through combat and play fight with family and friends often

“I have down that the ghosts are a monarchy, and technically that is true but the current Ghost King was a tyrant who was locked away thousands of years ago. I’m sure as soon as someone shows up who’s powerful enough to beat him his court will be happy to pick up where they left off with a better King, or queen, though I don’t think the title has to change based on gender.

“I really can’t stress enough how violent ghosts are! Because nothing short of having their cores shattered can kill them, play fighting for them can look Very Much like a murder attempt to a human. A lot of the issues we’ve had with ghosts have come from them just not understanding quite how fragile humans, and for most of them they feel really bad once they know they actually Hurt someone by shooting them. It’s really best for everyone when they’re kept separate and Ghosts can happily tear each other apart in peace.”

Liminals

The result of long term low level exposure to ectoplasm, sudden high doses are almost always deadly

Liminals Can have almost every trait a ghost can, usually having a combination of a few

Commonalities between liminals include

Minor cosmetic changes such as: glowing eyes, pointed ears, and/or sharp teeth 

Increased stamina, strength, and aggression

Increased obsessive behaviour

Liminals sometimes develop powers shaped by the strength and type of obsession 

“Most of the people Danny and I know are liminals. I don’t want to talk about them in case they don’t want to be outed so I’ll talk about myself and my parents. We all had prolonged exposure after all. My ears are pointed,” She said brushing her hair back so they could see them, “And Danny is a little more then liminal but even in human form he has fangs. 

“My parents didn’t realize it but they could to the point they could subsist on their obsession without needing to eat or sleep as often as a regular human would. About a year ago I started developing the ability to tap into and feel other peoples emotions, I can feed on them a little too but I try not to because the Worst ghost we met did that and I don’t want to be anything like her.”

(Next Slide)

In conclusion

Ghosts are not evil even though sometimes their actions are hard to understand

Never get between ghosts when they’re fighting each other but it’s usually safe to yell at them to remind them not to break anything

Never get between a ghost and their obsession

Don’t drink ectoplasm unless you know you’re already liminal

“I have a feeling the section about liminals will be familiar to a bunch of you. I know Damian is liminal though I don’t know how he was exposed to ectoplasm and some of you,” Her eyes skirted across Tim and Bruce. “Are toeing the line. You’ll probably notice Damian and Danny getting really close, and they might get in some really vicious looking fights. I promise Danny is playing at least.”

The family was left silent for a moment, Bruce knew he was thinking about Jason. Who had died, been exposed to.. What certainly seemed to be something like Lazarus water and come back, obsessive, aggressive, and emotional. He wished he’d had this powerpoint a long time ago. It helped understand Damian too but mostly he was thinking about Jason. He needed to reach out again, maybe meeting Danny would be good for Jason?

“So uhhh, ya, that’s the end of the powerpoint?” Jazz said, shifting from foot to foot in the awkward silence. “Any questions?”

Next

[obae-me]

Human Things that Confuse the Non-Humans

I've seen a lot of headcanons on my feed recently that are all about demonic traits and things that seem to scare or facinate MC, but what about the opposite? So I was wondering what sort of typical human things might either unsettle the non-humans, confuse them, or enchant them in some way.

Most of these are based off of personal heasdcanons I already have, so it's very self indulgent.

If ya'll have any other ideas, feel free to share, I'd love to hear them.

Also not proof read cuz I'm writing this at like 5 am due to sleep issues.

------

Circadian Rythem. I've always wanted to bring up how I headcanon that the Devildom doesn't even follow a 24 hour schedule, since the 24 hour thing is entirely based around the sun, and since they don't have a sun, it makes sense that days would follow some other set rule (I always think that Devildom days are much much longer, hence why MC is caught so many times in canon just taking naps wherever even when Belphie is not around), but that's a headcanon for another time. Anyways, I think the fact that Humans almost need to follow a certain sleeping schedule would totally confuse the demons. Demons only really sleep to stay at their strongest, it's not as vital to them. And the fact that humans can die if they don't get the proper sleep? Totally freaks them out. If MC ever pulls an all-nighter, they all think they're one foot in the grave. Having Solomon and MC getting naturally sleepy more often than the non-humans do might seem pretty adorable at times though.

The fact that human hair does indeed shed. I don't personally think demon or angelic hair would, I feel like hair is something they can change at will within reason (There is a chat with Mammon about him getting his haircut, but he said he was going to change it, so I like to think he made it grow back instantly and cut it like normal again). So I like to think that MC or Solomon leaving strands of hair behind is shocking, because the non-humans only ever associated that trait with animals, but they also find it weirdly cute in a way. The demons and angels do try to ask to comb or brush Solomon's and/or MC's hair from time to time. They feel like they're helping.

Being able to roll (curl? Fold?) your tongue. I think it would be hilarious if despite the millions of other things demons and angels can do, none of them can roll their tongues. And then they get confused too when they discover that not every human can do it either, just certain ones. Solomon can do it and treats it like a party trick.

Allergies. I don't know if it's said in Canon anywhere that demons and angels can have allergies...I hope not because (as much as it sucks) it would make sense for it to just be a human thing. Just the concept entirely would have the non-human's heads spin. What do you mean certain things can just have your body essentially attack itself? And it's different for every human? It can be quite literally anything? (The non-humans would absolutely have a heart attack if they knew about mine)

Human mimicry. I think we as humans just have a natural instinct to mimic or repeat certain things. It's a lot more noticeable with internet culture and memes and references and things, but I think a very human thing to do is repeat or mock things we come into contact with. For example, if we hear an animal noise, we try to repeat it like we're talking to it. If we see something in a weird position, we might try to pose like it, etc. We try to relate to things, which is why personification is so prominent in everything we do. (Like how some of us tell wobbily objects to stay or loud machines to shut up) The non-humans think this is very cute. They don't really do that. The closest thing they might relate to is a current trend, but those pass by rather quickly. Mammon probably thinks we're almost like a bunch of crows.

Emotional control/suppression. Hear me out. It's well known in canon that the brothers blow up easily. They'll fight someone over miniscule things. Even Lucifer, who says he prides himself on his control, loses his temper quite often. And Mammon, while seemingly the best at controlling anger, is very open about all his other emotions. The only two demons that clearly have the best control overall are Barbatos and Diavolo who are the two most powerful demons in the Devildom. It probably takes so much energy and power to keep themselves in check. We hardly ever see that dark aura around them if at all in the game, which seems to give the two this unspoken common respect. As for angels, it was already mentioned once that the angels do have magical methods forcibly controlling emotions, and despite that, I'm sure it takes ages of training and practice to get to the level of "patient perfection" they're supposed to exhibit. Now, humans aren't perfect, and of course, there's a lot of nuance to this like mental illness I won't get into, but generally speaking, we quickly learn how to regulate our emotions or how to supress them for society's sake. At the very least, when we get angry we dont suddenly get surrounded by a dark shadow or shift into a different form. And I like to think this terrifies the non-humans to a degree. They don't know when humans are angry or upset until it's blatantly obvious. They already are off-put by Solomon because they never really know what he's up to. And what if it's not even because he's doing "weird" things, what if it's just because he seems to be so calm all the time and no one knows how to read him? None of them know how to read human body language. There's no aura to see, no puffed up wings, no glowing eyes, no whipping tails. Humans can just...stand there, sometimes with a blank expression, sometimes just staring. It can give even the stronger willed beings the creeps. Bonus points if MC is great at masking too. You mean humans can just...take extreme emotions and tuck them away for later? I'm sure that's an absolutely wild concept. Most of the non-humans are just not capable of that kind of control. Albeit its not always the healthiest option, but just the fact that humans have the willpower to just sometimes choose or force themselves not to feel at all is Barbatos level intimidating.

[csuitebitches]

Book Review- The Wealth Elite: A Groundbreaking Study of the Psychology of the Super Rich, by Rainer Zitelmann Notes

I came across this book because I was looking for psychology books. I found the first of the book rather boring and too textbook-y. The second part is much better.

The author interviewed like 45 millionaire - billionaires. These were his findings.

—

48% stated that real estate was an ‘important’ source of their wealth, and one in ten described real estate as the ‘most important’ aspect of their personal wealth-building. And a total of 20% described stock market gains as an ‘important’ factor in wealth-building, although in this case only 2.4% stated that this was the ‘most important’ factor in building their wealth.

‘Creative intelligence’ is key to financial success. The following is a comparison between the percentage of entrepreneurs (and in brackets the percentage of attorneys) who agreed that the following factors played a decisive role in their financial success: seeing opportunities others do not see: 42 (19); finding a profitable niche: 35 (14).

The role of habitus

* Intimate knowledge of required codes of dress and etiquette

* Broad-based general education

* An entrepreneurial attitude, including an optimistic outlook on life

* Supreme self-assurance in appearance and manner.

He identifies a key quality that is essential for any prospective appointee to the executive board or senior management of a major company: habitual similarities to those who already occupy such positions.

Skillset of Entrepreneurs

* The ‘conqueror’. The entrepreneur has to have the ability to make plans and a strong will to carry them out.

* The ‘organizer’. The entrepreneur has to have the ability to bring large numbers of people together into a happy, successful creative force.

* The ‘trader’. What Sombart describes as a ‘trader’, we would more likely call a talented salesperson today. The entrepreneur has to “confer with another, and, by making the best of your own case and demonstrating the weakness of his, get him to adopt what you propose. Negotiation is but an intellectual sparring match.”

Entrepreneurial success personality traits

* Commitment

* Creativity

* A high degree of extroversion

* Low levels of agreeableness

Entrepreneurial success personality traits

* Orientation towards action after suffering disappointments (the entrepreneur remains able to act, even after failure)

* Internal locus of control (the conviction “I hold my destiny in my own two hands”)

* Optimism (the expectation that the future holds positive things in store)

* Self-efficacy (the expectation that tasks can be performed successfully, even in difficult circumstances).

constant power struggles with their teachers in order to ascertain who would emerge the stronger from such confrontations.

Secret of selling

* Empathy

* Didactics

* Expert knowledge

* Networking.

Conscientiousness is the dominant personality trait. Extroversion is also very common among the interviewees. Openness to Experience is very common

A high tolerance to frustration is one of the most characteristic personality traits of this group.

exceptionally high levels of mental stability.

primarily characterize entrepreneurs as being prepared to swim against the current and make their decisions irrespective of majority opinion.

“No, I never did that (lost my temper). I never get loud. But I can be resolute and say: “That is unacceptable.” And then you either have to go your separate ways or make a decision that the other party might not like. It’s the same in negotiations. I was always described by other people as a bit of a toughie.”

Having the courage to stand against majority opinion is probably a prerequisite for making successful investments, as this is what makes it possible to buy cheap and sell high.

Many of the interviewees spoke about their ability to switch off and direct their focus, even in the event of major problems. The interviewees consistently referred to their ability to focus on solutions, rather than torturing themselves with problems.

At least in the initial phases of wealth creation, most of the interviewees rated their own risk profiles as very high. This changes during the stabilization phase, when risk profiles decrease. In this phase, the hypothesis of moderate risk does apply.

Conscientiousness was the interviewees’ most dominant personality trait. It is important to remember that the Big Five theory’s definition of conscientiousness does not just include qualities such as duty, precision, and thoroughness, but also emphasizes diligence, discipline, ambition, and stamina.

[a-twistedheartslonging]

Could you tell us about grumpy cat Leona in the nonhuman au?

Rubs hands together.

The big grumpy meow-meow that doesn't meow.

Has toe beans and the fur on his body is the same color as his ears and tail.

Ruggie was a little worried at first about you two getting together cuz of possible extra work or you replacing him for stuff, meaning less money to earn but, nah. You keep Leona from overworking him and actually help Ruggie with a lot of things. He is pleased.

It doesn't happen often, but he may roar in his sleep, and this is a real lion roar. He can sleep through it but you and everyone else in the dorm sure as hell can’t. He gets pissy if you wake him up to stop or go to sleep somewhere else. He will also lick you in his sleep.

It doesn't matter how small you are, he will straight up lay on you and smother you when he feels like it.

He won't tell you but man he loves your praise. So, keep praising his looks, strength, and intelligence. You are probably the only thing that makes him want to put the effort into showing off. It becomes mandatory for you to come to his Spelldrive matches, please, do it for the good of the school.

He’s actually really good about not nicking you with his claws.

Loves to bite, nibble, and scrape his fangs against your skin.

When he first brings you home the first thing his brother blurts out is “Why are they small?” His wife of course scolds him and tells him “You can't just ask humans why they're small!”

Scents you as soon as you are out of the shower, he will also stare right at the person you're talking to as he rubs his chin against the top of your head, scenting you in public.

You will groom his main for him.

He refuses to call your petting...well petting. He keeps calling it grooming. He will be demanding that you do it though. Kind of like those cats that yell and head bonk you until you do it, except he will straight up lay his whole body on you if you try ignoring it. I hope you like being smothered by big meaty lion-man tits.

Leona has lots of good traits but let's all remember that, in canon, Leona in plain terms: is an arrogant and domineering man who’s as prideful as he is lazy. He tends not to waste his energy on those he deems inferior to him and is only willing to cooperate with others if it benefits him in some way. In the same vein, he puts little to no effort into activities that don’t interest him, like when it comes to his studies.

Now don’t get me wrong, he's also the type to see it as unfair and demeaning to treat others differently based on their inherent status, and wants to compete with others on a level playing field. Still, we've seen he isn’t above using underhanded tactics to ensure success. The guy is willing to do whatever it takes to prove himself as a worthy leader, the dominant lion, even if it means playing dirty.

Also stated on the wiki “Leona has stated he is intimidated by the women of the Sunset Savanna because they are much physically stronger and more strong-willed than the men, including himself. Ruggie corroborates this statement. This follows the biology of many savanna animals, such as lions and hyenas, wherein the females are hunters and typically dominant in nature.” and “It's only at Night Raven College, where he's treated as an equal, that Leona attempts to seek the dominion he cannot achieve back home.” 

Now add the extra dominance stuff that goes on with regular lions and add THAT onto a now even more beast-like Leona with his personality and with him actively looking to achieve that dominance plus you being a weak magicless human in a world of big strong beasts. You are not gonna be the one leading this relationship, even if you identify as a girl, cuz you are not a Sunset Savanna one.

Of course, Leona respects you though, he wouldn't have taken you as his mate if he didn't but…he’s a dick.

Now, your role? He expects certain to go like in the wild. You and him are your own pride with Ruggie and Jack being unofficial members. You know how Ruggie brings him food? That’s your task now. “Male lions defend the pride’s territory while females do most of the hunting.” Doesn't matter if you're a dude and…Ha, no he doesn't expect you to actually hunt. But he’s gonna want you to bring him food. (he gives you the money for it and then some, get yourself something nice) Expect his head on your lap, a pleased grin on his face as you hand-feed him.

If you tell him he went too far he’ll back off but…really likes comparing you to him, but in ways that show that he’s bigger and stronger. Teases you about being a weak little herbivore and how easy it would be to eat you.

His tongue has a bit of a rough texture but not nearly as rough as a regular lion's so you don't have to worry about the meat being scraped from your bones by it when he intensely grooms you.

(Talking about his junk and lion mating facts below)

Another thing he shares with his animal counterpart is penile spines, also known as barbs, luckily for you, lion beastmen evolved enough to wear they aren't the painful kind and are more like small nubs. Though they do have a similar reaction of stimulation ovulation and form a “genital lock”, basically it has a cat version of a knot. So, quickies aren't gonna be as quick and you will be subjected to mandatory after-sex cuddles.

As for the whole “going into heat” thing, female lions are only receptive to mating for a brief period, usually lasting three to four days, and they will go at it every 20-30 minutes for as long as the heat lasts. Humans don't go into heat, but the cooch havers do ovulate, which beastmen can in fact smell and will take this as you going into heat and he, unless told no, will react accordingly. Though…even with how he is it would be funny if it’s one of the times instincts kick in cuz…the thing is female lions can be pretty damn aggressive about it so imagine it’s the first time and he’s just laying there expectantly and looking annoyed, wondering why you haven't hopped on top of him and ravaged him yet.

Though another thing with lions is males will mount another male to excerpt dominance so imagine talking too much shit and you end up getting pinned down and humped by a pissed-off Leona.

[raven-at-the-writing-desk]

Hello! It's me again. I'm probably pestering you, lol. I think a lotta people give flack for the Octavinelle trio being ruthless and "behaving like a Mafia." But I think considering where they live it makes sense? They live in the ocean. And the ocean is a kill or be killed environment, where you have to the strongest and toughest. If not? You at least have to be quick witted and unable to be seen, otherwise you'll be dead. If the trio become too soft they'll be fish meat.

I think the fandom is pretty divided when it comes to perceptions of what the Coral Sea is like. On one hand, you have the people who think of it as like living in Atlantica, which is basically just like living in a peaceful and pretty city (but underwater). Then you have the people who think the environment would be so different it would shape its inhabitants to behave differently as well. The second one tends to be a darker or grittier interpretation which aknowledges dangers such as other undersea creatures and treacherous living conditions.

Personally, I lean on and enjoy the latter, since TWST rarely ever designs purely for the aesthetic of it; one example of this is how the twins are confirmed to be bioluminescent in the Magical Archives. This is a decision that was not made “because it would look cool”, but because many deep sea creatures rely on this trait to intimidate potential predators. It would make more sense for the cold waters of the Coral Sea to change its people rather than merfolks’ cities simply being civilizations moved several leagues under, especially seeing TWST time and time again really consider the geography and history of each new location and how those inform the cultures that form there.

However, I want to state that the Coral Sea would be very different depending on which area you’re in, just like how there are nice parts and bad parts of a city. It’s not ALL nice or ALL bad. For example, the Atlantica Museum in book 3 appears to be in a more photic zone, so there’s more sunlight and it appears pleasant to be in. Even the merpeople there seem to be different than the Octatrio; they less so resemble specific sea creatures and are much more akin to being human-like. We have yet to really see how the benthic zones are—but we do know they must be harsher, since Floyd has mentioned exploring shipwrecks and various dangers there (like sharks).

I also want to point out that there are subtle signs in dialogue which could imply merpeople prefer traits that promote survivability and adaptability in the ocean. Azul’s bullies are noted to taunt him for his weight, but also for his bulky tentacles and inky tears. Now why those traits specifically??? Because these impede his ability to swim swiftly (making it harder to escape danger) and easily give away his location (if he’s in hiding or camoflauging).

I’ve seen others suggest that maybe these comments are because of racism against octopus merpeople, who are a rare kind of merfolk. This is entirely possible, yes! But thinking about it like that… Isn’t it also possible that there aren’t a lot of octopus merpeople at the moment because it’s more difficult for them to escape or to hide from predators? Which then informs and perpetuates preexisting prejudices. In this context (plus the bullying), it makes sense why Azul may have “hardened” as a defense and survival mechanism. The same goes for the twins, who were explicitly taught how to defend themselves (although this also goes into the Leech mob family theory, which is a whole separate matter) and have often made references to fighting others in the Coral Sea. Their upbringings also play a part in their personalities, but so does the environment they grew up in. Like Azul and the twins, you’d have to harden mentally or physically to some degree to ensure your survival through tough circumstances.

It’s hard to say for sure though! A lot of this is speculation based on current but infrequent lore, and the Octatrio themselves are a very small portion of all merfolk. They may not be representative of the behaviors of all other merpeople, and we should keep this in mind when referring to them as our exemplars. That’s why I’ve been hoping for a Coral Sea hometown event so we have a more concrete idea of what life under the sea is like 😭

[e-vay]

The Shadora Horde - 2023!

Here are all the ShadowXAurora kids I've made (so far hahaha!). As I always mention, I'm always open to Shadora fankids that you guys make. I can never have too many Shadora babies. I made changes to the original 5 so they're now closer in age and I also balanced out their powers more. Some of them were a little OP originally but I think I've fixed it. I have super detailed descriptions of each character below the cut!

PIPER

Birthday: 11/12 (1st Born)

Age: 16

Role: Leader

Powers: Combustion, Weapon Summoning

Weaknesses: Disorder

Dream Voice Actor: Brittany Snow

Theme Song: “Smile” - Wolf Alice

Piper is the first born in the first litter of Aurora and Shadow and is the natural leader of the group. She is generally sweet and respectful but is very proud of her pedigree so can be a little judgemental at times. She is a perfectionist to a fault and will become easily aggravated if things don’t go her way. Though she can be cocky, she is overall a caring and loving person and is quick to help those in need. Piper has naturally wild bangs and a large patch of fluffy fur on her chest. These traits drive her crazy! She always has her bangs pinned down to the side and her chest fur covered up. In her teen years she takes up motorcycle riding and it helps loosen her up and embrace her more wild side. 

Piper is capable of harnessing the power of the Chaos Emeralds to perform Chaos Blast and Chaos Control. Without the need for Chaos Emeralds, Piper has combustion powers. Piper can incinerate objects with a snap of her fingers. She has excellent mastery and precision of this skill. She was given the task to train Cinder to control his combustion powers, but the two tend to get frustrated with each other since control comes so naturally to Piper and it’s incredibly foreign to Cinder.

Piper is naturally drawn to Amy’s hammer wielding abilities and grows up admiring it. Though she isn’t allowed to use the Piko Piko Hammer, Amy trains her in good hammer-form with the use of props. IF Mammy Amy ever decides to retire, she will bequeath her hammer to Piper. The hammer’s design will change based on Piper’s personality.

-

ZANE

Birthday: 11/12 (2nd Born)

Age: 16

Powers: Super Speed

Weaknesses: Arachnophobia 

Dream Voice Actor: Robert Buckley

Theme Song: “We Are Young” - 3OH!3

Zane is the second born in the first litter of Aurora and Shadow. Zane is a daredevil and an extreme extrovert. He is most like his Pawpaw Sonic with his quick wit and high energy. He does not like emotional confrontations and will go out of his way to avoid uncomfortable situations. Even though he’s mostly easygoing, he butts heads with his dad a lot. 

Zane is a huge flirt and frequently develops intense crushes on people, but due to his short attention span, he’ll move on quickly (think Romeo with Rosaline). Zane is very fond of children and enjoys being the center of attention. Even though Piper is the leader of the group, the younger siblings tend to follow whatever Zane is doing. Lucky for Piper, he mostly listens to what she says.

Zane is capable of harnessing the power of the Chaos Emeralds to perform Chaos Control. Without the need for Chaos Emeralds, Zane has super speed. He wears special shoes that can transform based on his needs, but he prefers the motocross boot style when he’s not running.

For hobbies, Zane likes to do extreme stunts and attend/throw parties. He has dreams of being a DJ with his brother Nova. 

-

NOVA

Birthday: 11/12 (3rd Born)

Age: 16

Powers: Plasma (Ionikinetic Combat)

Weaknesses: Laziness

Dream Voice Actor: Josh Keaton

Theme Song: “Weirdo” - K.Flay

Nova is the third born in the first litter of Aurora and Shadow. He is very peaceful in nature and would rather find roundabout ways to solve problems than coming to blows (though he attributes this to knowing he would cream his opponent due to this strong bloodline). He’s a bit of an oddball but he embraces his quirkiness instead of being concerned about how others think of him. He often comes off as aloof and is rather lazy.

Nova is capable of harnessing the power of the Chaos Emeralds to perform Chaos Control. Without the need for Chaos Emeralds, Nova has plasma/Ionikenetic powers. He can shoot radioactive plasma at his enemies which can burn or dissolve material on impact. Nova does not like using his powers because they are so destructive. 

Nova is very close with his brother Zane and will go along with his schemes, even if his heart’s not entirely in it. He is artistic and tends to live a very messy, disheveled lifestyle. He loves to collect things and can be considered a packrat. 

-

ASTER

Birthday: 4/8 (4th born)

Age: 15

Powers: Telekinesis, Telepathy

Weaknesses: Codependency 

Dream Voice Actor: SungWon Cho [x]

Theme Song: “Despair and Traffic” - SOFT PLAY

Aster is the first born in the second litter of Aurora and Shadow. Though he seems rough on the surface, he’s actually the most academically intelligent of all his siblings. He is loud and passive aggressive but can appreciate the beauty in peace and quiet when he chooses. He is very theatrical and enjoys making a huge spectacle out of his battles, including saying poetic catchphrases and even coining the term “Prepare for the Blitz-Aster Disaster!” He is secretly a romantic at heart.

Aster is rarely seen without his sister Blitz. He is the brain to her brawn. Though he’s the more level-headed twin, Blitz’s dominant personality tends to direct their fighting strategies. He does not know how to be independent, which can be used against him.

Aster is capable of harnessing the power of the Chaos Emeralds to perform Chaos Control. Without the need for Chaos Emeralds, Aster shows early signs of telekinetic and telepathic abilities. He hasn’t mastered many techniques yet, but with some proper training it’s possible he could become a force to be reckoned with. If only Blitz would shut up for 5 minutes so he could concentrate!

Aster enjoys challenging mind games, like chess. 

-

BLITZ

Birthday: 4/8 (5th born)

Age: 15

Powers: Energy Blasts (“Chaos Spear”)

Weaknesses: Codependency, Impulsivity

Dream Voice Actor: Jessica DiCicco [x] [x] OR Chloë Grace Moretz [x]

Theme Song: “God Complex (Mojo)” - poutyface

Blitz is the second born in the second litter of Aurora and Shadow. Blitz is brash and forward but can be a little spacey. She has a short attention span and is easily bored. She considers fighting as a form of playing. She is very proud of herself and her heritage and isn’t afraid to namedrop to get her way. 

Blitz is rarely seen without her brother Aster. She is the brawn to his brain. Blitz’s dominant personality tends to direct their fighting strategies despite her brother’s concerns. She is very theatrical and enjoys making a huge spectacle out of her battles, including saying poetic catchphrases and even coining the term “Prepare for the Blitz-Aster Disaster!” She is very codependent and hates doing anything without Aster.

Blitz is capable of harnessing the power of the Chaos Emeralds to perform Chaos Control. Without the need for Chaos Emeralds, Blitz has the natural ability to perform Chaos Spear which can dagger her enemies with energy.

Blitz loves fashion and is a huge trendsetter. She would love to be a fashion designer if world domination doesn’t work out (She’s just kidding – relax already!)

-

Cinder

Birthday: 2/18 (6th born)

Age: 14

Powers: Combustion, Stellar Tantrum

Weaknesses: Migraines, Short Temper

Dream Voice Actor: Michael Daingerfield [x] [x]

Theme Song: “Tantrum” - Ashnikko

Cinder is the first born in the third litter of Aurora and Shadow. He has a very short temper and is incredibly impatient. He is the most like his father in that he is not very talkative and would rather be left alone than socialize with others. His outbursts of rage can often be used to his enemies’ advantage by being misdirected to his siblings and teammates. He is also terrified of himself, which makes him constantly on edge. 

Cinder is NOT capable of using Chaos Emeralds and instead has to rely on his natural abilities. Cinder has combustion powers, but unlike his sister Piper, his powers are based solely on his emotions so he has a very hard time commanding the direction and radius of his blasts. Piper was tasked with training Cinder to better manage his combustion powers, but the two tend to get frustrated with each other since control comes so naturally to Piper and it’s incredibly foreign to Cinder. When Cinder goes into a blinding rage, his fur and eyes change color and sparks of energy will fire off randomly around him. When in this form, he can perform a move called “Stellar Tantrum.” This move is highly destructive and will incinerate any and all objects nearby. He has absolutely no control over this power once it’s unleashed.

As a child, Cinder was more outgoing but still prone to crying outbursts. However, during one particular fight with his sister Diamond, he accidentally unleashed a Stellar Tantrum and severely burned her. Luckily Boon was able to use his healing powers to reverse it, but Cinder has never forgiven himself and has never been the same ever since. Cinder requested a special Inhibitor necklace be made to help dampen his powers, but it’s not very effective. It works more as a placebo than anything else. He keeps everyone at a distance whenever possible and thinks there’s something evil in him, despite his parents’ reassurances. 

Cinder doesn’t like to discuss his hobbies, but he actually loves baking and reading books.

-

DIAMOND

Birthday: 2/18 (7th Born)

Age: 14

Role: Tank

Powers: Brute Strength

Weaknesses: Poor eyesight, Light sensitivity

Dream Voice Actor: Kimberly Brooks [x] [x] [x]

Theme Song: “Cleopatra” - Nova Twins

Diamond is the second born in the third litter of Aurora and Shadow. She has a sweet disposition and is very polite, even to her opponents. However, she can be a smart ass at times and is quick to make jokes. She is highly dedicated to physical training but outside of the gym she’s very easy-going. Diamond was born with Oculocutaneous albinism. Due to her albinism and nystagmus, she is sensitive to light and has very poor eyesight. As a baby and toddler, Diamond mostly clung to Aurora whenever outdoors as she could bend the light around Diamond and protect her from UV rays. As Diamond got older and grew more independent, Tails’ Workshop crafted a special brooch that acts as a light shield when activated. Diamond never leaves home without it.

Diamond is NOT capable of using Chaos Emeralds and instead has to rely on her natural abilities. She has incredible strength and is physically the strongest of all her relatives. 

As a child, she and her brother Cinder got into a fight where he accidentally unleashed a Stellar Tantrum and severely burned her. Luckily Boon was able to use his healing powers to reverse it. She has completely forgiven Cinder and has never held it against him, but he continues to be distant with her to this day.

She enjoys training in the Shadora Home Gym to better perfect her fighting skills and she is almost always found sporting earbuds so she can listen to her favorite punk rock and metal bands.

-

Boon

Birthday: 2/18 (8th Born)

Age: 14

Role: Support

Powers: Healing, Mood-Boosting

Weaknesses: People-pleasing

Dream Voice Actor: Ben Schwartz [x] ← Please watch this whole interview, it will leave you grinning ear-to-ear the whole way through

Theme Song: “Smile” - Dami Im

Boon is the third born in the third litter of Aurora and Shadow. Boon is the embodiment of a ray of sunshine and has 10000% charisma. He genuinely loves everyone he meets and enjoys putting smiles on people’s faces. Boon is very silly and has a very childish sense of humor. He also has a lot of energy and has a habit of rambling without realizing it.

Boon is NOT capable of using Chaos Emeralds and instead has to rely on his natural abilities. He has incredible healing abilities and can heal the wounded, but it takes a lot of energy from him so can only do so much at a time. He cannot revive the dead. Boon also has a “mood-boosting” ability, where he can positively affect the emotions of others. This can only be done by making direct contact with someone and the effect only lasts temporarily. Boon’s powers positively affected Aurora’s pregnancy, making her third litter the easiest and stress free of all her pregnancies (Thank you, Boon!)

Boon wears special rocket boots so he can quickly fly to anyone in battle who needs assistance. His boots have a button on the heel to activate them, and he likes to click his heels together to turn them on. Though he never complains about his duties, Aurora often worries about Boon’s need to please others and reminds him that he can’t help others if he doesn’t help himself. Aurora and Boon are the most alike of all her children as both are prone to singing outbursts, goofy jokes and harmless pranks to make people laugh.

—

All Shadora kids are mortal and did not inherit Shadow’s immortality. However, they do heal faster than the average Mobian.

—

Want to get more of a feel for the Shadora kids? I've made a Spotify playlist dedicate to their theme songs, songs that make me think of them, or general music they would listen to. You can listen to it here, but be warned it contains explicit songs.

—

A NOTE ABOUT SHADOW’S “AGE”

Shadow is immortal so therefore he doesn’t age. However it’s been long debated in my Shadora stories whether or not he will give up his immortality to live a normal life with his family. I have him in these drawings as still being immortal, especially because I like the angst and challenges that comes with (ex: how are your rebellious teenagers supposed to respect you when they are seemingly “older” than you?) but I haven’t actually decided when he will decide to be mortal. 

BUT if you ever draw me fanart or write me fanfics and you want to have become mortal at an earlier point in his life I’m totally cool with that! I’m flexible.

[frenchgremlim1808]

Why Midori is such a breath of fresh air or how to actually write a Villain.

So the awaited essay, the winner of the FrenchGremlin polls of laziness finally has come! It took some time but it’s finally over. If your choice didn’t get chosen that’s okay! I’ll repost a new poll with old and newer options. Please reblog this one i put a lot of time in it, it's like, five pages long over a silly goose. Also sorry for the grammar i sucks and i'm not native. So let’s begin:

(also here is the link to the video format)

So first let’s make things clear, What IS a villain?

“A villain is a character whose evil actions or motives are important to the plot.” That is why I do want to make a difference between a villain and an antagonist, an antagonist is a character who are a plot devices that creates obstruction to the protagonist. That means that a villain is forced to be an antagonist while an antagonist is not forced to be a villain. For example shin is an antagonist but not a villain, he is driven by selfish desires which are themselves fueled by fear anger and loss, he is the protagonist of his own story and is a sympathetic character despite it all, and Midori is just a bitch. Midori falls under multiple stereotypes of villains. Such as “the mastermind”, “evil incarnate” (lmao),”related to the protagonist” etc. Midori is evil, there is no denying in this, he is purely evil, and he doesn’t have a sad weepy backstory, he doesn’t feel empathy towards other, he is a despicable piece of shit who ruined so many lives. I won’t list everything but here is a list of his crimes, murder, assault, domestic abuse, grooming, verbal abuse, and torture, crimes against humanity lmao, stalking, violent crimes, and participation in a cult. And his worst crime is being a pussy bitch of course. So now that we have put the bases up let’s really begin.

Hollywood has a hate boner against villains and I hate them for that.

Recently Hollywood decided that pure evil bad guys is actually a bad thing, so now they decided to do stupid side story with them, to give them ”””depth””” since I guess how could we like those villains since they are bad. A great example of this is the Disney remakes which I loathe so much oh god I hate them. So first they did a maleficient it was okay honestly, then they did a freaking cruella movie where her mom gets killed by Dalmatians, that’s not a joke, in the peter and wendy movie that nobody saw they decided to have made the captain hook be a lost boy who was abandoned by the lost boys and peter, oh also they decided that PETER CUT HIS HANDS OFF AND LEFT HIM TO DIE BECAUSE HOOK WANTED TO SEE HIS FAMILY. They are going to do a freaking mufasa movie, in no time I can’t wait to have a Ursula movie where it’s discovered that ariel killed all of her family in cold blood or something’s. So you might say what’s the problem? I mean isn’t that supposed to make the story more interesting. No, no it doesn’t, because first they take all of the character personality traits and throw them in the bin, second they are supposed to be the vilain in a musical animated movies, I am not against complex villain, I love them, but by doing this, the original character doesn’t exist anymore. Just create original content with new interesting characters instead of doing stuff like this. Also it’s kind of funny than in all of those interpretation they take all the fun and sucks it out, what do I mean by fun, the gayness, Disney vilain are fun because they are camp, they are fabulous extravagant extra in all the ways possible, and that’s the reason we liked them. Not every character needs something super deep, like “my family was burned down at the stake and my dog was eaten by my ex”, sometimes we just like bad fun people, they are the story, and Hollywood hating them so bad just bothers me a lot. Also now the new thing is to not have a villain at all which can works in some narrative but not all of them, it gets boring after a while. In the past people were angry that villains are bland, but now I kind of miss it. While I will critique villains who have no purpose outside of being evil that’s dumb, like for example Voldemort is bland like white bread because his only motivation is being evil, but evil people do exist compared to what some Hollywood writers think, they should know. So that’s why I will put a difference between evil villains and villains whose only purpose is being evil; we loved Disney villains but they still had motivations, goals, reasons that to them a least were worth everything. World domination isn’t enough, why do you want world domination, what is the true reason deep in your heart, is it an inferiority complex, is it a savior complex fuelled by xenophobic beliefs.

That is how to write a pure evil villain, evil people exist all over the world, but I have never seen one who doesn’t have they own reasons to be so bad, it doesn’t excuse their actions nor really explains them. We do not want justifications we want explanations. If you are justifying evil behavior then do it, but don’t claim that it is a pure evil character. A pure evil character can be fun, can be interesting, he can be deep, it’s all about balancing all of their traits to truly make them greats. Which is why midori succeeds while current villains fail. Current stupid remake/spin off try to justify the behavior because they feel like this is what the audience wants, but it’s not what we need. So I will defend to the grave evil villains.

Creating an evil villain doesn’t make them boring guys.

Why the heck does big budget movies have either the blandest protagonist or the blandest villains sometimes both, like I said evil people do exist but comically evil character only works in satire not in a serious multiple millions of dollar movie. Example that boring ass avatar movie, the one with blue people, none of the characters are interesting the villain is one note. The lords of the rings also suffers from that, but I don’t care because the protagonist are so awesome that sauron being personality less doesn’t matter. Also sauron is more of a force of nature villains so it’s not the same. The recent kingsman movie has a bland one note villain, there is nothing entertaining, funny, about him he’s just evil, borrrrring. Every Disney remakes depiction of the characters are boring. I just feel bored out of my mind. Atla one of my favorite shows of all time has a main villain that’s kinda one note, Ozai, but he is actually intimidating guy, azula is the superior character, but I wouldn’t consider her a villain she is an antagonist though. I honestly don’t get why Hollywood thinks that just creating a character with no personality and whose only goals is to be evil is good.

So back to midori for a second, here is my question, when midori was on screen did you ever feel bored? Never right! Because despite midori being an evil character he has an actual personality, he’s fun, you want to punch him in the balls. Because midori has other personality traits than evil, midori is petty, childish, extremely intelligent, controlling, a natural manipulator, he is a trickster, he doesn’t seem to get some social norms, he is narcissistic, easily angry, and fears death etc See how I counted a lot of traits, traits that in other character would works, midori has positive traits, and I think that is the best thing nankidai could have ever done, midori has traits that a regular person could have. Which is why if I put midori in any settings his character would work.

Example, instead of a death game the cast is under the sea to discover the insane wildlife and supernatural stuff happening, what would midori do in this situation? Well he would very passionate about finding all of what’s happening, he’ll do anything to find out, even sometime sacrificing others, not only will he try to find what’s happening, but he is also going to try to find a way to make this discovery favour him in the end. Or let’s imagine it’s a vampire situation, where a vampire attacks  the city, midori would try to stop it, not because he cares, but to experiment on them to get their biology and finds the real secret of immortality since he fears death.

Here is my second advice, after creating your character try to imagine them in another completely different situation, like normal life, or a fantasy world, ask yourself the question what would they do in that environment? If you can find a real complete explanation of their actions then yes your character has multiples dimensions if not try thinking about it again. Some example of questions I do want to point out are some like “if my character had all the power in the world what would they do first or”, “if my character had only a day left to live what would they do”

Why is Current media incapable of creating good threats like bruhhhh.

Okay so first of all let’s talk about stakes in a story, let’s say you are watching a slasher movie, slowly the cast gets slimmed down and people die in horrible ways, that should set stakes right ? Well if the villain is an absolute buffoon who makes the stupidest actions and decisions in the world, you wouldn’t feel intimidated at all because despite what the filmmaker might try to say the plot armor will NEVER make a character intimidating. It’s just like a detective character who just seems to know everything without a thought, well you won’t really fear the character failing. Worse is the the final girl, who is for some reason always escaping the slasher guy by pure luck every time, she is shown as incompetent but still she survives, which make the villain seem completely incapable so now you feel nothing.

To avoid this filmmaker often use techniques such has unpredictability, I mean good I mean good ones, for example instead of immediately seeing whose going to survive because the black guys always dies first and the virgin white woman is the last survivor, change the status quo, make us think that this character is obviously safe while they actually aren’t at all. Or actually make them menacing by SHOWING to the audience how horrible dangerous they can be. Which is why SHOW DON’T TELL is so important, telling us how dangerous someone can be only to see them get beaten to death at the end of the movie makes us feel nothing.

Midori felt like a impossible person to beat, he is smart, had twenty plans in advance, even in situation where the cast felt like they might have a chance he was always armed, just like the gun he promised to use or the rocket punch. When they felt like they were finally advancing, he put obstacle in their ways, such as the collar game or the moment he put the collar on explode mode for  ranmaru. The entire point in the murder game was to make time pass, it took a long time for the cast top realize that this whole time they were losing precious time not realizing that the dummies were the real problem. The characters that made you feel the most hopeless were the dummies, if you won by killing midori they would die, but if you lost you might lose people you love (keiji or gin). It felt hopeless because they were no solutions in the end. That creates tension so that creates stakes. If we were told how dangerous unpredictable sou was then it wouldn’t hit the same, we are shown that he is that terrible. There is a scene ingame where bbg shin ai tells us that midori tortured and like to destroy people. That’s exposition so TELL, but do you why it works, because we are SHOWN before his behavior. Midori felt unbeatable, so the fact that we were shown his weakness such has his petty behavior, hatred of minors, and fear of death, for the first time it feels like there is a chance that we might survive this. And still after he isn’t shown has an incompetent buffoon, he is one, but the narrative doesn’t show us that he is.

What is also consider is good to make the audience feel actual stakes is to first really develop well the main characters, how can we feel worry for a character if we don’t know them, the audience need to feels emotional connection to the main cast to actually care. You can use things such has moments where there is nothing special happening just character talking getting to know them. Make us feel why we need to care about them possibly losing, instead of being indifferent. Or I don’t know maybe make an entire spin off game where we get to have the cast talk to each other and seeing dynamics between character that died early to get them a chance to shine and make their death even more tragic, or even make mini episodes of characters who only got a single chapter to show off their characteristic, to get us to know them better? But that’s just a silly idea of course, wink, and wink.

My favorite thing about Midori is that he is actually pathetic, like really pathetic, but weirdly realistic?

Midori is the most pathetic character in the cast, yes more than shin, shin is leagues less pathetic. No I’m not saying that midori is not intimidating or scary, I would piss myself if I saw him. He’s a scary guy. But if you look at him more closely you can see that he is a baby brat in a big boy suit.

So let’s start by something clear, Sou Hiyori clearly displays antisocial behavior, or in common terms he is a psychopath/sociopath, this illness is very badly seen in medias, I am not saying that people who lacks empathy like him are inherently bad, he is, a lot of people with antisocial behavior actually suffers a lot and have a difficult life. Sou real issues is not his antisocial behavior, it’s his narcissism and god complex. Sou feels the need to HAVE CONTROL over others, he like the feeling of being in power, he sees the rest of the world has beneath him, toys for his pleasure. He says that he “really like humans” because despite it all he seems to put himself in a different categories than regular people, they are beneath him. When he loses control his calm and cool behavior disappears and we see his true face, a grown man who has throws a tantrum like a baby. One of the best representation of this is midori views on the cast:

Midori hates kanna, like no jokes he has beef with her, a fourteen years old, actually he has beef with a lot of people in the cast. Midori views emotional people has weak, people who are loving optimistic as beneath him and useless. He preferred when sara was cruel and horrible, that’s what he loved about her, he liked seeing her scary emotionless side. But Kanna, kanna is everything he hates. A crybaby who not only puts the group in harmony, is a source of hope in general, is the reason he near got to have closure with shin (killing him), he views kanna as “not fun shin”. We have many proofs for this, if you type the word kanna kizuchi he says this: “Poor Kanna'd weep! I think a more worthless name would be better for someone like me” He mocks her, but also himself (I’lll come back on this later), he calls her worthless. Also in the electric charge minigame, when he can choose who to shocks he chooses two people in particular, kanna who he hates and hinako who ruined his fun by giving the cast a chance in saving ranmaru. But he does also says mean spirited stuff to other people, qtaro and gin. He also says some sarcastic comments about nao and joe, saying that it’s such a shame that they died so young. But you might say why kanna especially? Because he is a petty baby who is jealous of kanna, Yes jealous, of kanna, a fourteen years old. Because he feels like she stole his hubby wubby shin away from him…. God I hate him. And you know what that make him a pathetic idiot, after the scene where kanna beats his ass, he’s all mad and like “uhh I’m going to pout I wanted you to cry like a lot, now I’m gonna cry”. An that’s actually god, because it humanize him, he wants need thoughts, he isn’t one note, and that’s the most important!

Sou is a villain but before that he is a character, a fully developed character, and THAT’S WHAT MAKE HIM GREAT, Sou works because he works realistically, I mean if you forget the robot part, it’s easy to imagine a narcissist man child who needs to feel in power towards other, so his main prey are young vulnerable people.Which leads me to my next point:

Sou is a failure like really, and we aren’t sad for him.

Sou failed everything he worked on, he failed to get the paper from alice, he failed whith shin since he had to leave earlier than he thought he would leave, because of his mistake he lost his position in the death game, then he failed to kill gin or keiji, and then he died like an idiot losing his cool and acting like a toddler. And he knows it that why he is a bit self-hating (he should be). And yet none of us feel any sympathy towards him, why? Because sou is one of the most despicable guy in existence. He is a disgusting pervert, sadistic asshole, and abusive narcissistic cunt who thinks he is better than everyone. From the bottom of my heart I hate him sooooo much he is literally the character I hate the most in existence. He abused shin, ruined keiji’s life, traumatized the entire cast, literally assaulted sara like he physically assaulted her. He mocked nao and joe and kugie life as useless. He is an obsessive jerk AND I HATE HIM. And you know what…… It’s good. Like I actually feel a lot of emotions when I think about him, he fuels me with anger and disgust, and if your characters can make me feel that much rage then you did it, you created an actual perfect character. Hiyori is such a shit person that I think about him a lot, writers shouldn’t be scared to make a character such hittable assholes, example bojack horseman in bojack horseman is the vilest man on earth and I love it, because I genuinely hate him. Just like I genuinely love kanna, like really I really love her, I in the same time despise midori so bad. We hate him because he is horrible to good people that WE KNOW AND CARE ABOUT, not random npcs. There is a lot of… disgusting implications in his story with shin that I will not talk about it makes me really uncomfortable right now. SO HERE IS A VERY TACKY TRANSITION TO TALK ABOUT WHY I HATE JUNKO FROM DANGANRONPA.

Junko is boring, that’s it, she is boring, not funny not interesting, she is a fetish, she is the biggest Mary sue on earth, she is a gross character made to make fun of people with disabilities and queer people. Her only traits is being crazy, that’s it. I wouldn’t call midori that crazy actually, he’s methodical calculated, and precise. Crazyness is a term for people who aren’t in control of their actions and delusional about reality, sou is not crazy, he knows what he is doing, he is in full control, while characters like shin should actually be consider crazy, like shin is actually crazy but sou isn’t.

Conclusion:

Sou is a breath of fresh air, because nankidai had the balls to write an actually interesting deep and threatening character AND make him a villain. He didn’t fall into the trap of making him have a sad backstory or good motives, sou is just selfish, that’s all he is. He make him a fun entertaining guy who you absolutely hates, he made him threatening and at the same time a complete doofus. He made him humane and pathetic.

But the thing that make me love nankidai the most is this

The fact that he actually killed him that takes courage as a writer to just end a character THAT WAY, which is why midori will never come back alive he is forever dead. And that take a lot of talents as a writer to just take one of the most important characters and just get him drilled to death in the anus, like dammn nankidai you are a savage. That fact alone makes him one of the best characters in game, I hate him as a person, but has a character he is a masterpiece.

Though Kanna could solo him

this was posted as a video on my blog this is mainly so people who don't want to stay there reading a 24 minute video of my stuttering can have a bit of quiet

[astrogre]

The Planet that is Pluto

Words: power, control, obsession, the underworld, intensity, intense emotions, intense everything, domination, taboo, depth, sex, repressed emotions, shadow self, the survivor, detective, alchemy, dark arts, superiority, fear, bravery

Astrological placements associated with Pluto: Scorpio, 8th house, Aries

Character I associate with Pluto: Femto-Berserk

The way Griffith sacrifices the souls of his people to transform into Femto and have dominance over others. What he does to Casca as well. He is the epitome of an extreme Plutonic character.

Honourable mentions: Homelander- The Boys, Laurie- Euphoria, Makima- Chainsaw man, Erik- Phantom of the Opera, Gaara-Naruto

Places: hades underworld realm, chess tournament’s, hell, anywhere with hierarchy aka corporate workplace, government institutions (because of power play/dynamics), caves, underground tunnel, escape rooms, secret society hidden meetings, nightmares,

Random somewhat astrologically influenced things that personally remind me of Pluto: Rigger, black grapes, death by strangulation, wine, babushka dolls, long nails, snakes, a public executor in the medieval ages, chess, cults, BDSM, the colour black, power play

Song I associate with Pluto:

Listen to this while you read it to immerse yourself in Pluto energy and surroundings, also read the lyrics too it’s very much Pluto energy

For you Pluto dominants:

(Pluto 1st house, Pluto 8th house, Pluto conjunct asc, Pluto conjunct Sun, many strong aspects to Pluto & Honourable mentions: 8th house stellium, Scorpio Stellium.)

This is entire post is dedicated to you

Plutos Traits:

Regenerative and transformative

Think of a snake shedding skin to become anew or when you’ve overcome and left abusive relationships and you’re back in your self confidence. Pluto is a phoenix bird it has a DEEP urge for regeneration and can transform itself from its own ashes into a diamond, Pluto itself is the pressurising machine. Say ashes represent the shittiest moments of our life e.g abuse, relationships, trauma, Pluto has the ability as an alchemist to use this horrible event to make something of more value, it transmutes basic base metal to gold. Transmutes pain and death to renewal. Pluto sees trauma as fuel. Without ashes (intense emotions or experiences) Pluto cannot show up and do it’s thing. Check where you have Pluto in the houses, this may be where you can get hurt most but it’s purposefully for a reason you’re supposed to use those intense emotions and make something beautiful of them

Eg. Pluto in 11th houser may have intense traumatic social circles or communities that ostracise, diminish, use or control them. As a Pluto 11th houser YOU have dominion here, you guys are social climbers the real life underdogs to Royalty stories. Use their exploitation of you as fuel, motivation and a resources to your success.

(Kylie and Kris Jenner have this placement and we all know how they absorb the drama, publicity and negativity from others like a champ, embody it, all to gain constant relevancy, power, influence and fame in their careers. Scandals make their profits go up like the whole Jordan woods drama and using it as marketing to do a sale on Kylie Jenner lip kit, Kris having their children’s private lives scrutinised and publicly available all so her family can gain relevance and wider opportunities)

Dominance and control

The reason why Pluto is known for obsession is because it urges to have the upper hand, Pluto won’t argue when defied he simply acts unbothered but exacts revenge in a cold manner, it wants to dominate and will go to extreme lengths to do that, it will go at all costs, the obsession manifests in an illogical, ego based way think of Gabriel Agreste from miraculous ladybug- how he prioritises triumphing ladybug over saving his wife, that kind of obsession. In my personal opinion I see Pluto as the second ego after Sun. It’s better if I explain by comparison… Think of powerful and dominating planets like Saturn and Mars, imagine if you owed each of these planets money and were in deep debt with them this is how they would respond:

Saturn: would employ you to do gruelling long hard work for many years, no retirement so that you’d die working on their behalf. If you refuse or die before debts are paid they would simply pass your debt onto your children make them do it to repay the money you owe. (If you’ve seen Chainsaw man, Saturn would work/treat the debtors children kind of like the way Denji was treated he had to pay off his fathers debts; in burdensome conditions where his health was being compromised for repayment.)

Mars: if you owed money to mars and were not able to pay it back, mars would most probably threaten you, beat you up, do a drive by shooting, physically destroy your assets like keying cars, graffiti and bulldozing your house, may be very aggressive think of loan sharks and mafia

Pluto: Now if you owe Pluto money.. Pluto is the kind to go further than mars, he would make you pay for it personally, in a way that can be grotesque/dark think of maybe rue from euphoria. When she owed money she just randomly woke up in a strangers bed and the house being filled with men implying she had been sex trafficked. Pluto is very wicked, obsessive and can be unsympathetic. It would not care if you feel pain and regret for inconveniencing them, it does this to put you in your place and prefers you repay the money with your suffering. Pluto may not even want the money anymore but rather the control and prioritises the debtors torture or will get the losses at your expense. eg. Sex trafficking you, have you wake up on the road after being unconscious and notice your kidneys are missing, hold you hostage, torture you, sell your body parts at an elite auction house, make detestable arrangements behind your back like forced marriage etc. This is how Pluto exacts its power and control.

Power obsessed

Pluto gets what it wants and exerts control over others while it does. That’s why it’s described as “scary” and associated with fear, a combination of ego and revenge. This is why wherever Pluto is in your houses it can show where you are intimidating, relentless and powerful and what you have constantly been resiliently obsessing over for years.

E.g Pluto 1st housers feel the desperate need to be in control and that they are seen to be dominant. They’re kind to get insulted if you call them “cute” or make jokes about their authority. (Leonardo DiCaprio, Beyoncé, Britney Spears and Justin Beiber all have this placement and came out of being typecasted or known as the “sweet good girl/boy” stereotype to powerful and to be taken with caution.

Taboo

Pluto is labelled taboo because it inserts itself into light AND darkness. It doesn’t mind and in fact rather enjoys exploring sex, defiance, repressed emotions, any subject that the general public refuse to speak of, Pluto relishes in that. I remember as a child there was a myth that I was told. It was that if you say “Bloody Mary” three times in the mirror you’ll get haunted and a ghost will appear to attack you, while other children may scream and dread in fear to even think of doing such an act, Pluto ruled natives may be the kind when alone to quickly run into the bathroom turn off the lights and try it out alone. That’s why they’re known to participate in dark arts, have interest in disturbing topics, they are fearless, like the challenge and find the minuscule information available on it a challenge. It’s not that Pluto ONLY has interest in taboo topics it’s just that it doesn’t hold as much fear of it as everyone else, talking about sex or death to Pluto is like talking about the weather, it’s no different, after all it’s just another subject.

The reason why they’re so fascinated by such topics and affiliated with them is because they see wasted energy and potential in these dark topics, abandoned resources that nobody wants meaning there’s more for them, and that’s why Pluto wants to explore it. Pluto isn’t wasteful. If Pluto were to kill a cow it would use its meat for food, bones for medicine, skin for rugs and teeth for necklaces, not a part of it would go unused. It gets excited when someone hits them because it means they can hit back.

Hidden self

Pluto is the hidden shadow part of yourself self you may want to hide and refuse to acknowledge. This is because as mentioned before Pluto loves the darkness and inside the subconscious there’s the good stuff and the bad stuff, our subconscious holds our fears, our beliefs, our desires and Pluto brings out all that stuff as conversation starters and wants to explore it and use it as fuel. This is why Pluto is known to be triggering because to be honest who wants to remember the fact they are afraid of touch and their abuser that caused that? But Pluto does. Pluto wants to remember them, Pluto wants to bring it up, Pluto wants to know who they are, Pluto wants to get revenge on them and put them in their place. Wherever Pluto is in your houses can also show how you can exact revenge so that it hits hard on others.

E.g. Pluto 4th house can suggest native can use powerful resources in their family, or their family has status, control, authority over others and can utilise it against others to contribute to their downfall.

(Megan Markle has this placement and she certainly lives up to it. She’s able to use the traumatic experiences she endured as a royal as fuel against them and is slowly contributing to the downfall of the monarchy by using her name and her affiliation to the royal family).

How to activate Pluto

Pluto can only transform and use its powers of Alchemy, transformation, control and power if you tap into its energy otherwise Plutos potential will be ignored. The same with any placement really. If you have a Venus 1st house, you want to be a beauty influencer but don’t put yourself out there, it’s energy will never manifest and remain as wasted potential.

The way you’re supposed to use Pluto is by confronting your fears. When you are most afraid, do it anyway.

E.g. Pluto 7th housers when you’re laying in bed and you’re thinking of that traumatic experience in your relationships instead of suppressing it, allow Pluto to remember it and allow that level of disrespect you feel to take action in the way of your Pluto sign.

(Shakira, Cardi B and Megan Thee stallion all have this placement and exacted revenge on their partners in different ways, Shakira and Cardi did it by artistically exposing them in music and making money form it, Megan did it the same way and also by lawsuits, doing public interviews on torey Lanes and pressing charges)

Anything Pluto touches is where you hold the most power in your birth chart. Usually people say how come i’m not good in that area?? It’s because you’ve not utilised Pluto. It’s because you won’t let Pluto explore it and turn your tribulations into gold.

What can Pluto tell us:

The best way of how you can exact revenge for it to successfully hit hard on others.

Where your wasted potential is. Basically where you allow your fears, desires, trauma to lay dormant instead of using that intense energy for Pluto transformation

Where we get excited when someone hits us because it means we can hit back. (Applies only if native is used to Plutos energy, otherwise you won’t be able to hit back. You’ll know if it’s active if when you have challenges under the themes of the house Plutos in you trust you can fight back like you have in the past)

Where you hold the most power

What you obsess over

How you deal with fears, death, change and trauma

Which part of your life you experience extreme transformation and changes

What you like to fight for

I will most likely be making a series that incorporates all of this for each house. However due to the fact that I am unfortunately very detail oriented this may take a while for me to commit to.

Pluto Series:

Pluto in 1st House

[tocomplainfriend]

YOU DIDN'T WRITE ANYTHING SIMILAR TO BOJACK BRO! BH has so much structure and essence, it is insane. Specially after S1, the intelligence in those BH scripts is nowhere to be found in HB. In helluva, There are these tiny good things that get murdered every other episode. Things that sound better as concept-than how you developed it. There are so many great jokes that aren't based on saying "dick dick whore fuck", so many of their animal characters work for actually smart animal jokes. Or the tongue twisters! YOU BARELY LET CHARACTER BE BAD PEOPLE. Every social issue they suddenly have a sad pass and their dad was mean and that JUSTIFIES EVERYTHING? Bojack H literally goes against that so hard is impossible you think this way if you understood Todd's speech, or Bojack's interview or the last two fucking episodes of the series. All the main cast also feels almost empty of bad qualities that aren't uwu justified by the plot and writing. Certain things stop just being explanation of characters and how they came to be. It sounds more like you gave your characters a bunch of shitty we are in hell traits + things that you didn't even recognize as problematic. AND TRIED TO SAVE THEM IN THE WRITING as just flaws- or making something else happen to the character to be like "Oh they have it so difficult! They just didn't get taught how to love right" When they are being abusive toxic fucks instead.

I legit believe all of Herb story had something so strong to say about queer issues, then Helluva. Like he literally comes out to BJ, kisses him later on and immediately dismiss it. -And then he gets arrested by the police for having gay sex -as public indecency. Many conservatives complain about it cause Herb ran the Horsing around show, saying "it is a show for children people like him shouldn't flaunt around their alternative lifestyle and ruining America"

(Read the sings LMAO) All of this in the 80s to 90s

Also, this guy's comments

"So, here I am, being your mother, which I know is giving you all sorts of mixed-up ideas about gender, while your brain is still loose and stupid. Just remember, if you become a queer later in life, this isn't my fault! Don't you sing no songs in your nightclub act called, "My Daddy was My Mommy," while gazing longingly at a tangled string of pearls... Pearls are for ladies, Bojack. Pearls are for ladies."

AND THIS GUYYYYY HELLO? They have multiple episodes, including Todd's sexuality- but not all the episodes nor his personality revolve around that! He even made a dating app for Ace people with his girlfriend!

I already have 3 "Bojack Horseman > Helluva Boss" post in this account!

[pinktom]

What do you think pink about tomarry content creators getting abusive tomione asks suddenly? First obsidian, then I saw one more account getting and now seminar arts. Is it only one person doing all this?

Btw my jaw dropped with your no filter answer where you said that whenever harry comes the chemistry between to marry best tomione 🤣. I would love to hear more of your no filter thoughts

I have no doubt those asks were sent by trolls. I, however, am simply a hater—I see an opportunity to hate, justified or not, I pounce. x]

In ascending order, here are the reasons I think Tomione sucks.

PS: If you know this post is gonna piss you off and press "Keep Reading" anyway - that is entirely on you. Send me anon hate and I'll assume you're a masochist who wants me to spank your pert, round hinie and call you a naughty, naughty girl.

“Book nerd loves book nerd uwu” trope does not fit Tom Riddle, and I find it obnoxious.

Like I touched on when I was first sipping on that haterade, Tom Riddle values usefulness. By this logic, you could easily contrive up a scenario in which he wants to use Hermione’s skills for whatever reason. 

However, the route that is usually taken in Tomione is that Tom is … impressed … by her intellect. A woman… who is… smart? He’s intrigued. 😏 He’s never once met a smart woman in his life before. And certainly not one so independent and feisty. She doesn’t swoon over him like the other girls do (eye roll).

I never got the impression anywhere in canon that Tom Riddle cared much about intellectual pursuits beyond those which were immediately useful to his goals, so for the very basis of a relationship to be his interest in her brains – to me, it’s tedious and off-base.

And also icky honestly lkjdflkj. Hermione’s two crushes are on a couple of stinky smelly boys (Krum, Ron), where the hell do you go off acting like she wants some mysterious, twisted dark boy? I’m offended. 

Absolutely zero chemistry; once Harry steps in, it’s game over

Because these characters lack any common ground, shared values, or compelling circumstances that tether them together, there is zero chemistry. You can try to fabricate those things with a little bit of crack!cocaine, but then you’re forced to contrive a lot of additional personality traits and circumstances that diverge them from their canon selves. (Which yes, you can do, but it only works if you’re gonna do something really interesting.)

As much as people like to har har about how canon doesn’t matter, here’s the truth: yes, it does. Our communities only exist because we’re referencing shared source material. However much you can bend characters around, everyone knows each character has an essence that just “feels like them” on a deeper human level. 

As such, we all know Tom Riddle and Harry Potter are intrinsically connected to each other. In Tomione this presents a conundrum. I could cite dozens of fics, but I’ll stick to two very well-written ones I enjoyed.

In one of them, Tom was a criminal and Harry was a detective on his tail; no matter how many times Tom fingered Hermione, he was always more entangled with Harry, because the stakes and intensity between them were so much grander. Same thing with the other fic but amplified by the Horcrux bond. At their very first encounter, when Tom and Harry laid eyes on each other, they both immediately felt an arresting connection, with distrust and intrigue. Hermione instantly paled in comparison in both stories.

It’s just like the moment Harry steps into the frame, you see how transparent and superficial the “commonalities” between Tom and Hermione ever are. Books and cleverness - oh but Harry, there are more important things! Like being spiritually linked! And sharing unique and intimate traumas in common! 

Heterosexual Tom is truly disgusting to read about

Look–it’s a matter of taste. We’re all products of our environments. For me, no amount of feminism or fantasy can overrule everything I’ve seen and experienced in my life. ( ಠ_ಠ )

I don’t enjoy reading about women in relationships with men who are controlling, violent, and selfish. Even the way Voldemort treats Bellatrix in canon always makes me wince, because I see it like this … here’s this girl who grew up proud; who was beautiful, rich, extremely gifted and powerful; and she turns into this horrible sniveling creature. Say it ain't so! I wish she'd killed him when he broke her ass out of Azkaban.

But back on the topic of Tomione specifically — I think there’s another layer to it, which is the greasy self-insertion aspect which makes me uncomfortably aware of how much the author’s ginie is tingling at the idea of Tom Riddle lifting a brow and saying, “Is that so, Miss Granger?” while she scowls and tells him to fuck off !!!

It’s of course not the self-insertion in itself that’s icky. It’s more just that the type of person who wants to self-insert into that particular heterosexual scenario is, uhh, too basic for me and my big powerful fujo brain.

And I guess that's gets me to the very core of why I find Tomione basic, trifling, and underwhelming. 

Tom Riddle is allowed no faults whatsoever in Tomione

Oh, sure. He’s controlling. He’s mean. He grabs her wrist and says, “What were you doing talking to Malfoy?” 😠

But so... ? Tom Riddle is a deeply embarrassing, mentally unwell trainwreck of a person. He's so much grosser than that. Yet you do not get that feeling at all in most Tomione fics. His worst character traits are often there but they’re made to seem sexy and flattering at all times.

I’m not saying your run-of-the-mill Tomarry fic doesn’t suffer this fatal flaw too—but when it comes down to it, Tomione doesn’t allow for his unsexy fallibility, period. Because the sexiness of the ship really depends on heteronormative romantic tropes and fantasies, which tend to be quite rigid and narrow. 

And I understand and empathize with why this is; just look at Reddit, so many women in heterosexual relationships already must put up with mortifying, embarrassing, and unhygienic things (y’all know which posts I mean 🙁). 

That’s just not what I’m here for. I love Tom Riddle because he’s a superficial narcissistic lunatic with no self-awareness and emotionally stunted outlook.

I don’t want to hear how he terrified the orphans if I’m not gonna hear about how he pissed the bed and got his bare ass whipped by a mean, toothless matron for chatting in sermon. I don’t care to see him bossing around those wimps at Hogwarts if there’s not at least one student who looks at “ENEMIES OF THE HEIR BEWARE” written in blood and feels tummy-churning secondhand embarrassment.

[mswyrr]

i guess it's left the consciousness in the US? but there were so many stories from the Vietnam War era of boys beaten by their fathers for having long hair and/or forcibly shorn of their long hair by the military or parents. collins is older and would know those stories.

her father was in the military, so she knows what it does to young men (intentionally)- it's valid to find tom blyth hotter with the look -but the *textual point* of being forced to join the military as a punishment and the entire forced shearing of his hair/etc is about how boys are dehumanized into tools to dehumanize others

i grew up near a military base, so i saw it all the time. it's awful and the techniques they use are very deliberate and effective.

it's about a whole young person, whose personhood involved all kinds of traits and possibilities, being "shaved down" into a tool and dehumanized - and when he becomes the mask of his father, that's him colluding and doing it to himself in order to secure a safer spot in this system

the costuming/hair/makeup/behavioral androgyny of his wholeness before all of this is very pointedly in stark contrast to the soldier boy he is made into and the Capitol Man he makes himself

he's *textually suicidal* after the series of violations/acts of dehumanization the military uses on him

and his intimate name--the name he says is for people who love him in the book--"Coryo" dies with the second, willing self-mutilation - no one speaks it anymore. he betrayed the friend who called him that and Tigris refuses to call the person he is now by that beloved name

the visuals are not treating his more masc looks as a "glow up" or him becoming more - they're him becoming less himself. and i think this is important to read in contrast to peeta - a soft boy who Collins depicts as heroic and courageous for fighting to retain his softness and traits associated with femininity.

imo part of why people are so adamant that coriolanus' heel turn is him becoming "his true self" is because it meshes with the narrative that a boy must shear away his softness & anything associated with femininity to become his true self. that it's a good and necessary thing for boys to let go for their wholeness and "man up." Collins doesn't do that with Peeta though

she doesn't push the idea that boys need to cut themselves down to fit narrow ideas of gender, so i think this (and her knowledge of military culture and older discussions about gender re: Vietnam in the US) all fit together for me

collins has said she writes about war - and this is a very important part of how war *functions*. how do you get a lot of young men who are complex, whole people to become tools you can order to kill each other?

[sleepynegress]

A COMPREHENSIVE & AUTHENTIC UHURA LOVE/HISTORY POST

The above is where Roddenberry 1st employed Nichelle Nichols [click to watch the full clip]. It was a military show based on Roddenberry's own experiences, the episode is called To Set it Right (I highly suggest reading the wiki article about it).

You should note two other actors, whom he later pegged for Star Trek are in the episode.

They dated briefly and then became good friends way before Trek came about.

Miss Nichols was already an accomplished singer and dancer who performed regularly w/ Billy Eckstine and Duke Ellington

Roddenberry's 1st show, The Lieutenant, was canceled/pulled from the air before these scenes bluntly dealing with racism could air (there's blackface as punishment for the racists at the end of the show, in a case of 'he 'a little confused but got the spirit' for the times, so tw)

He created Star Trek to try to soften the blow of all the social messaging he wanted to insert from his military experience. Star Trek was basically, a submarine drama placed in a sci-fi setting. He made it diverse on purpose because the military helped him travel and serve with all kinds of people. Roddenberry was inspired by that.

Uhura was the first person to read for Spock and in fact, helped to shape the character with her reading and based many of the traits of Uhura (formerly Uhuru) on Spock.

She was basically a glorified secretary. She played the part with poise, joy, and the 60's style womanism she got to play out for those times... Everything from her mini-skirt (which Nichelle herself called very comfortable) to her smile, and teasing lines, and quips were about her playing "big" in a small role. She made every moment, every look, every line, and movement count:

Roddenberry cracked jokes about the fact that the network never figured out that Uhura was fourth in command.

Nichelle was the only main cast member who was not salaried. She was paid by the hour. This attempt at marginalization actually resulted in her being the highest paid at times, because of the long hours.

Nichelle was not let in the front entrance at times, her fan-mail was kept from her, and she grew frustrated with the constant cutting of her scenes, lines and storylines. This is why she justifiably attempted to leave. The bigots in production did not like her being there (and if we're being real, were it not for Janice Rand's actress Grace Lee Whitney having gone through so much and thus losing her job in the 1st season...Uhura might have had even LESS presence)

The lost context in MLK convincing her to stay was that YES she was minimized and could make more money and be more fulfilled on broadway, but her symbolism and presence meant so much at a time when Black women weren't on TV unless as a racist caricature cleaning a house, and even that was rare...that she stayed.

One of her best allies was DeForest Kelly, who threatened to quit if they fired Nichelle. George Takei was her absolute best friend on the show and in life (she served as his Best Woman at his wedding).

There was an unfilmed episode in which Uhura and Deforest would have played reverse roles in "racial dynamics" on a planet they visit

Spock and Uhura were originally supposed to kiss in the alien mind control episode, but Shatner demanded to do so for the publiicity.

Her work to recruit marginalized people as astronauts, as in personally going to colleges and talking to candidates after the show is a staggering achievement that arguably is the most potent of any castmember in any of the Trek series post-show. Sally Ride, Guy Bluford (she personally recruited the 1st woman and 1st black astronaut), Mae Jemison (the 1st black woman credits her for inspiring her to become an astronaut).

Uhura did finally command the ship in the animated series. She would not have gotten to voice the role, but for Leonard Nimoy making it an obligation that all the original actors voice their parts for him to come on.

Scotty and Uhura in the film was definitely a pair the spares situation, in which both were the leftover senior citizens with the writers just going "why not?"

it was beyond insulting and she did protest about the scene where she's bumbling through a giant translation book to speak to klingons for laughs in trek 5 ...but her best moment IMO is her pulling a gun on the young ensign in the transporter room in Trek 3...sadly her ONLY scene in the damn movie.

Miss Saldana got to play to MANY corrections in JJ Abrams rebooted Trek, from being amazing at languages to having an actual life & love, to confidently turning down Kirk at every turn.

FUN FACT!! Both JJ and Bob Orci both expressed disappointed shock that the love story between Spock & Uhura got more hatred from fans than BLOWING UP PLANET VULCAN.

another FUN FACT!! The love story between Spock & Uhura is what grabbed the old school Star Wars fan (JJ Abrams) enough to come aboard to direct. Yep. JJ ships Spock & Uhura.

Zoe's iteration became the 1st version of Uhura to speak confidently in Klingon

Celia Rose Gooding becoming Uhura brings around a lot of Uhura's qualities full circle, IMO. As she is also from theatre (like Nichelle) and has a beautiful singing voice as well as the charm. Zoe's iteration was sharper, and much more protective, professional, & mature, about her life and love.

Celia Rose has the youthful curiousity and stars in her eyes and had vulnerability from her first intro... I loved the eagerness the crew showed to being in her orbit, seeing the glow of her talent and being drawn to that, to have a part in nurturing that.

As I've said... Celia IMO has the most dazzling smile, giant warm brown eyes, fantastic curves, and an energy that feels essentially Uhura, & that is all light, joy, a bit of uncertainty, -from the light singing (!) and the growth to her joy in discovery... I'd love to see her writing move away from serving and be more about her wants needs and growing in friendships/loves.

But Celia is a gift and is perfectly cast.

Essentially Uhura = femininity, graceful carriage, gorgeous smile, excellence in engineering and translation (canon!), ability to sing and play the Vulcan lyre, sharp womanist wit, love for her U.S. of African-Kenyan culture and being beloved by all crew...

When Miss Celia hummed those gorgeous notes to the alien entity on that comet?? That Solidified that she IS Uhura IMO.

I 100% think they fucked up by killing Hemmer, because that mentor-mentee relationship was giving marginalized coming together and bonding over everybody else's bullshit and I was here for it...it was giving me Data and Geordi updated...and since then, IMO they've lost track and given us the same kinda backwards wingwoman role BS, that people who like to pretend to be her fan shoehorn her into.

...but I have high hopes that they'll course-correct.

All this to say ALL OF THE ABOVE is Uhura and anyone calling her ugly, bossy, pushy, annoying, whatever is just sad little hater who doesn't know wtf they are talking about.

[isawken]

disco elysium and transmasculinity:

i don't want to be this kind of animal anymore

there is no such thing as an inherently masculine trait, only those which we have culturally prescribed to be masculine. muscular, tall, strong, stoic. self-destructive. repressive. angry. unhinged. violent. addictive.

Disco Elysium markets itself with the tagline “what kind of cop are you?”. to put it bluntly: you get to choose what man you want to be. the actual gameplay mechanic is the game keeps track of your dialogue choices and, among other RPG things, neatly divvies them up into 4 main Cop Categories: Sorry Cop, Apocalypse Cop, Superstar Cop, Boring Cop. after some time establishing your identity you can branch off into 3 other copotypes: honor cop, art cop, and hobocop. These are all exactly what you think they would be.

a supremacist stands tall, immovable, shirtless, tattooed, in the way of one of your objectives, and if you let him he will tell you all the ways your body betrays your degeneracy. all the indulgences you make, with drugs and alcohol and sex, are allegedly clear as day written across your reddened swollen face. you are not a man. you are pathetic. a pair of women reassure his divine masculinity even when he admits his impotence. there’s no denying it: that’s one man of a man right there.

your former detective partner is an eternally scowling pockmark faced asshole. he approaches every interaction with you with a nice solid baseline of aggression. if you choose to put your points into something called “espirit de corps”, you get small vignettes of his previous actions. in one of them, it’s joked that you two are near-marital in your relationship. in some of them, he worries about you. muttering under his breath, mostly to himself, not unkindly. but he certainly never shows that to you face to face. 

two old men play pétanque outside every day by the sea. they have done this for years. they have known each other since they were kids. one is a fascist, the other a democratic socialst. if you’re nosy, you can go to the watchman’s post and find a picture of him, his socialist buddy, and a young woman whose attentions they supposedly both vied for. if you decide to become a fascist, the game gives you something more. your abilities Pain Threshold, Composure, Endurance, Volition, Conceptualization, and Inland Empire take turns showing you tiny slices of a truth viciously stamped beneath the heel of his brilliant boot. a love for his dear hated socialist. and when he dies, that socialist tells you the same. but they never told each other. never even came close. because how could you?

harry dubois wakes up face down ass up covered in piss and vomit and full of foggy confusion after drinking himself into amnesia. he's tall, he's got giant arms, a proud beer gut, and he's self-destructed himself into literal oblivion. this pitiful bastard doesn't even remember his own name. the first person he encounters outside of the hotel room in which he fucked himself up beyond his limbic system’s reach tells him at some point during his bingeful weekend she heard him scream, "i dont want to be this kind of animal anymore". you don’t know why you said this. but after a while you have some pretty good guesses.

i could talk forever about the unique circumstances of growing up as a girl in modern western society. but i have nothing interesting to say that hasn't already been said much more eloquently. learning to hate my body, learning to be afraid, learning that you need to want to be consumed. the eternal unpacking of all the issues a patriarchal society burdens you with. it never ends. but i've at least reached a point where i've done my base legwork. i know the oppression i've fought. it is nameable. i have labeled each and every patriarchal burden like a so many papers in a filing cabinet. few are going in the shredder, but at least they're known. next to that filing cabinet, i have a big pile of loose papers slowly sliding off a desk with the word "masculinity" in neon lights flickering above them. i want to dive into those papers. but the thought of it fills me with such apprehension. i've always wanted masculinity. i've purposefully adopted affectations to make myself more stereotypically masculine. most are hilariously shallow, and not exactly innovative. i smoked camels for 8 years. i drink my coffee black. i picked up a nice little alcohol habit. i've shoved down more feelings than i would ever willingly admit in the hopes to appear unbothered. I’ve told myself to “man the fuck up” my fair share of times. none of it got rid of my hips or my tits or my anxiety or my painfully high pitched voice. i’ve quit smoking. i sometimes think i should start again for many reasons, but one is in the hope that my voice will drop. just one octave. at least. it’s silly, i know. believe me. i know.

when harry drags his sorry ass out of that hotel room, he isn't free of his past. he has shadows in his mind reminding him of the things he's forgotten. shadows that still influence his views of masculinity. there is no way to truly escape the bitter leaden paint stuck to the inside of your mind so violently applied by our beloved patriarchal society. there is a hilarious dialogue option where, if you so choose, you can proclaim that you would never let anyone androgynous touch your hair. because the “others” (unnamed) would laugh at you. here we have a man who cant remember his own name, but he is certain that he absolutely cannot under any circumstances have a non-manly haircut for fear of mockery and rejection by his peers. how many coats of that leadened paint must have adhered to his poor, poor limbic system that even when he’s forgotten the concept of money, he still knows about the boundaries of masculinity.

 as harry tries to be a good person (or a fascist or a doom prophet or a disco superstar) he cannot really shake the pieces of himself that make him him. and he meets another bastion of masculinity, kim kitsuragi immeasurably measured, willful, and kind (for a cop), he helps you rediscover the world around you as you try to rewrite your tabula rasa'd self. he is firm, but nice. he lets you make your choices and mistakes. and he only stops supporting you when you start fucking up like, literally everything, and indulging in racism. naturally, there is a lot of fanart of them kissing, and yearning. both are beacons of masculinity, different sides of the same coin. where harry is physically imposing, kim is slight. where kim is calm cool and collected, harry will break down crying after a brief conversation with his necktie. but both are undeniably masculine. i mean, they’re cops after all. what more masculine profession is there?

as kind as kim is to you in your lowest possible state, it can be easy to overlook the ways in which he is not kind. when you tell him you think you really, seriously, need to go to the hospital, seriously kim i can't even remember my name i think i could have brain damage, kim responds with the equivalent of "walk it off" by encouraging you to start working on the case and see if that makes you feel better instead. it is in this light that you recognize which affectations of his are conscious posturing. his fitted jacket and trousers, matching the uniforms worn by air brigades in a past war. his careful collection of tools he keeps in his beloved kineema. his vast knowledge and care for the car itself. looked at in a certain different light- you know the one- you could see these traits being the result of a very careful construction. he found pieces of overt masculinity and decided to subsume them as a defense. a bolstering, a reinforcement of chosen masculinity.

there are so many different flavors of masculinity that the game offers you to experience and explore yourself. you decide whether to value them. you can follow in mister phenology’s footsteps and try to build yourself into a supremacist ideal. maybe that will make you happy. you can also chase after a barely-coded homosexual man, who makes you stutter in most available dialogue options. even if that may make you happy, you don’t get to pursue it. you can think for 20 hours about the "homosexual underground", but you can't join it yourself. you can however join fascism. interesting how harry is more susceptible to fascism than homosexuality. interesting to prod and poke at his masculine limits.

“what kind of cop are you” is a loaded question. harry is rebuilding himself from the ground up as a man. and how funny is it to learn that is inextricable from his profession.

what do you find inextricable from your gender? what of those traits make you happy? what of those traits make you want to throw your fucking shoe through a god damn window and punch the bathroom mirror and scream and scream and scream and scream?

i want to emerge from a hotel room, at my lowest point, and have the power to rebuild myself from scratch. i want a cool man who i maybe want to kiss guide me with a gentle yet firm hand. i want to have large arms, and a proud beer gut, and a stupid beard, and i want to destroy a hotel room and drink myself into a beautifully tragic state. i want to have non-political body hair. i want to get stared at for my gaudy tie and green snakeskin shoes instead of my tits. i want become a different kind of animal.

[raven-at-the-writing-desk]

Hello! Just found your blog and I love how you explain yourself here :] Also, your oc is so cute 😭

I'm here for some advice, since I'm still learning about the lore (started playing some months ago). I was thinking of making an oc who's a half fae, and I was thinking of the age thing similar to how Marcille from Dunmeshi ages (she's a half elf). But I didn't know Sebek was a half fae... And I read your post about him and his aging process, and he seems to age pretty similarly to humans...

So I was thinking: do you think that's a "All Half Faes age like this" thing, or could it depend on the type of fae one of the parents is? Basically I want to know if I could still make him age like my original concept or if I'd have to change it HAHDHSBABD

(my other idea is to just make him a full fae, since he'd also be a 3rd year I could just make him the exact same age as Malleus... but I'm still not sure, it doesn't convince me 😵‍💫 Do all faes age in the same way? Could he be "younger" than Malleus in fae years but still be in the same maturity/age range in human years? Idk if you have any info on that 😭 sorry if these are difficult questions! You just seem to know much more about it than I do and idk who to ask 😭😭😭)

[Referencing this post!]

Hello and thank you very much!! 🙇‍♀️

This may not be what you’re looking for, but I don’t think we can conclude one way or another right now. We just don’t have enough information; Sebek is the only half fae-half human character we know of in detail, and 1 is not a good sample size to draw our answers from.

A few other half-fae we’re aware of are Sebek’s older brother and sister, which we know next to nothing about. The older brother is a graduate of NRC, but we don’t have a value for how long ago this was (or even what Big Bro Zigvolt is like personality-wise) so this can’t be used as a reliable metric for how they physically age or emotionally mature.

We know there is life span variance among fae themselves based on the type they are. Whatever kind of fae Lilia is (it has yet to be entirely specified but I think he’s a bat fae?) can up up to 1000 years old. For dragon fae like Malleus, 1000 is considered the age of adulthood (so roughly 18ish for humans) and can live much, much longer. It’s not stated what the maximum age for Sebek’s kind (theorized to be crocodile) is, but we know it must be 500+ since his grandfather Baur was in his prime (as an adult) in the war era of ~500 years ago and is still alive but retired today. Again though, we can’t be sure how this variance would factor into the lifespan of a human-fae child.

The current lore seems to suggest that Sebek and Silver aged similarly, at least as young children. They say that the other boy was one of the few close to their age in Briar Valley (most others are long-lived fae), and they share many childhood memories. That’s the only “evidence” I have of Sebek aging like a normal human. Even then, we cannot be entirely sure since it’s possible Sebek just stops physically aging once he hits a certain point.

It’s also difficult for us to gauge how long-lived races age compared to others. Like, did Malleus age like a normal human up until a certain point and then his physical appearance plateaued at an older adolescent form??? Malleus looks like an older teenager/young adult even though he’s still “a child” by dragon fae standards. Then we have Lilia, who looks the same at 200 and at almost 700… but he looks way younger than Malleus. It’s implied that Lilia is getting up there in age but doesn’t appear elderly at all. Is that just their individual differences or is that the result of their species’ traits?? Again, we don’t know because we know so few fae to compare with.

We also don’t know for sure how this aging impacts their mental and emotional maturity. Currently, Lilia is nearing 700 and Malleus is said to be 178 years of age; the maturity between those two is significant, but that’s probably because being 200 is considered “still a child” for dragon fae (500 is adolescence, so ~13ish?). The gap is too wide for us to discern anything about their development in the time between childhood and adulthood. It’s can also be hard to discern what is “immature” and what is general fae mischief or individual traits, as both Malleus and Lilia can be pranksters but Sebek isn’t.

For now, I’m personally running with the idea that half fae-half human individuals have regular life expectancies until new lore is introduced which disproves it. I’m not going to draw any conclusions about the fae aging or development process, since that’s also left vague.

If you’re making an OC, I don’t think you need to really sweat the details 😅 People bend canon lore all the time for fun, so…