#plot help

[agronzky]

⠀⠀⠀𝐃𝐈𝐅𝐅𝐄𝐑𝐄𝐍𝐓 𝐎𝐔𝐓𝐈𝐍𝐆𝐒 & 𝐓𝐑𝐈𝐏𝐒 𝐓𝐎 𝐔𝐒𝐄 𝐈𝐍 𝐑𝐏. ♡

under the cut you'll find a list of 56 diverse outings and trips to use in starters or replies withing plots. this can be used to bring new cenarious to plots, starters and rps, helping to differ threads and put characters in new experiences.

Walking in nature

A bicycle ride

Visit to an art museum

Historical city tour

Boat trip on the river/lake

Mountain trail hike

Visit to a botanical garden

Picnic in the park

Bird watching

Gastronomic tour of the city

Hot air balloon ride

Cave exploration

Visit to a zoo or aquarium

Shopping itinerary in local stores

Winery tour

Panoramic train ride

Visit to historical sites

Trip to a neighboring city

Kayak/canoe trip

Tour of movie locations

Drive-in cinea

Walk on a beach

Visit local fairs and markets

Photo expedition

Horseback riding

Visit to an astronomical observatory

Urban art trail tour

Excursion to a theme park

Traditional cooking class

Helicopter ride

Camping trip

Visit to a cultural festival

Tour of haunted places

Surf lesson or other water sport

Motorcycle ride

Exploring historical ruins

Regional dance class

Treasure hunt tour

Tour of panoramic viewpoints

Rollerblading or skateboarding

Day at an amusement park

Visit to a nature reserve

Quad bike ride

Participation in a local marathon

Wildlife watching

Zip line ride

Tour of architectural monuments

Participation in a spiritual retreat

Sailing boat trip

Motorcycle ride

Visit to a contemporary art exhibition

[bitletsanddrabbles]

Anyone out there addicted to morning talk shows?

In other news, I'm trying to write a morning talk show with a couple of celebrities. Their names aren't really important, but they're Guy Dexter and Myrna Dalgleish. It's the sort of thing where the host would be asking a lot of questions about their latest film, what Myrna wore to the premier, etc.

There's just one teeny tiny problem:

I don't watch talk shows.

Oh, I occasionally walk into the break room when there's a talk show on. I might even watch for five seconds before I decide I still don't care about Oprah's latest diet or the latest hit album by some completely unfamiliar singer or whatever and go eat my food.

I don't actually watch them. This means I have absolutely no idea what I'm doing.

I did find one rather nice resource from someone who likes to be in the audience, particularly for morning shows, which is helpful and I really should read again before I try writing anymore. Also, one of my favorite webcomics just had the main two characters on a talk show, which also helped, although the help was limited since Guy and Myrna aren't trying to alert all of society to a potential lethal threat.

But I'm still lost. Completely. And utterly.

Any advice other than "bite the bullet and watch one of these things?" And if that's all you have, can you maybe recommend something that isn't.........massively insipid or a thinly disguised, on-film tabloid or something?

...I mean I like the occasional episode of This Night Last Week, but that's a night show and John doesn't do interviews...

[starkidblogs]

Hi there,

I wanted to ask the fanfiction writers out there a question. What do you do if the plot you had in your head at the start of the fanfiction changes or you don't like it anymore cause it doesn't work. Because that is what's happening with me.

I'm writing my fictions but when I look at my notes for plots or ideas, they don't feel right for it. Maybe on it's own fanfic but not the one you write and now your stuck with a fanfic you are not sure if you can finished. Do you ask the readers for ideas Or try to use it still? Is it bad to ask for help from them?

I'm not sure what I want to do with it. I know I want to finish it up to a certain degree but I'm not sure how to keep going with it, plot wise.

[v0idwraith]

[ID: The "assassination chain" meme from Person of Interest. Three people sit in succeeding pews in a church. The man in the frontmost pew is labeled "me listening to episode 8." The woman behind him is labeled "Gerry" in caps and is holding a gun to the back of his head. A woman behind her labeled "Gertrude fucking Robinson?" in all caps holds a gun to her head. The view changes to show someone in a higher level of the church aiming a gun at the last woman in the row. They are labeled "Georgie Barker," again in all caps. End ID]

image ID courtesy of @princess-of-purple-prose, thank you!

[biggest-gaudiest-patronuses]

i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice

[ao3-crack]

(x)

[deception-united]

Let's talk about transitions.

Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.

Here are some strategies to smoothly transition between different pacing levels:

Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.

Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.

Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.

Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.

Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.

Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.

Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.

See my post on pacing for more! ❤

[portalmonsterrr]

Character refs and their descriptions! More will come (maybe not even from Sumeru). I’m balancing all my wips and ideas and my university stuff aha please pray for me

[dewdropdinosaur]

White Gold Glitters Too

ALASTOR x READER SMUT

Summary: Lucifer takes too much of a liking to Alastor's wife and he seeks to claim her and prove his dominance. Fucking her for Lucifer to hear sounds like a good option.

Warnings: NSFW/18+. MINORS DO NOT ENGAGE. You are responsible for your own media consumption.

Oral Sex, Reader has a Vagina, Heavy Sex, C*m, Implied P in V Sex, Jealous Fucking, Mention of Restraints, Tentacles

I have never written smut before...so I am sorry.

REQUESTS OPEN

Alastor, the infamous Radio Demon from Hazbin Hotel, was known for his charismatic yet enigmatic presence. He ruled over his domain with a devilish grin and a penchant for blood. But beneath his charming facade lay a heart that beat fiercely for one person: his beloved wife, Y/N.

Y/N was the epitome of grace and beauty, with a kindness that melted even the most hardened of souls. She had captured Alastor's heart as soon as they had entered through the doors of the hotel, and he would do anything to keep her by his side. Having been newly wed, Alastor’s possessive nature seemed to rear its head often when it came to his bride. 

However, trouble brewed when Lucifer, the fallen angel and hellish king himself, began to take an seeming interest in Y/N. His smooth words and suave demeanor drew her attention, much to Alastor's dismay. Alastor’s confidence was shaken when Lucifer Morningstar began to show a keen interest in Y/N. Despite her loyalty to Alastor, Lucifer's suave demeanor and irresistible charisma stirred a jealousy deep within Alastor's demonic heart.

It has begun innocently enough, with Lucifer's smooth compliments and flirtatious gestures towards Y/N whenever they crossed paths. Then it turned to a hand atop hers or brushing hair out of her face while she worked on fixing up the hotel. At first, Alastor attempted to suppress his jealousy, masking his feelings with his trademark grin and witty remarks. But as Lucifer's advances towards Y/N became more pronounced, Alastor's facade began to crack.

One fateful evening, as the flames of Hell danced in the distance, Alastor found himself unable to contain his simmering jealousy any longer. He watched from a distance as Lucifer flirted shamelessly with Y/N, his patience wearing thin with each passing moment.

His once cheerful demeanor turned dark as he became increasingly passive-aggressive, making evil eyes at the short king(yes my dears, narrators can make a joke occasionally.) But still, Lucifer persisted in his advances, seemingly unfazed by Alastor's silent warnings. Y/N, momentarily stepping away at Charlie’s call for some assistance, left the two men alone in the lobby. 

“Well, well, if it isn't the charming Lucifer. Quite the show you're putting on tonight”

Lucifer smirked, “Ah, Alastor, always a pleasure to see you. And might I say, your wife looks positively radiant this evening. You picked a good one.”

Alastor forced a smile, a natural habit of his that was wearing on him. “Why, thank you, Lucifer. She does tend to have that effect, doesn't she? Though I must say, your interest in her appearance is unexpected.”

“Oh, Alastor, there's no harm in appreciating beauty when it's right in front of you. And your wife is truly a sight to behold.” Lucifer leaned closer, using his elbow to nudge Alastor in the ribs playfully; unaware of the brewing violence in the red demon before him. Or maybe he did know and elected to ignore it. Lucifer did get terribly bored. 

Alastor spoke firmly through clenched teeth “Indeed, she is. But I must warn you, Lucifer, my patience wears thin when it comes to matters of the heart.”

“Just engaging in some harmless conversation. Does that bother you?

“Of course, how silly of me to assume otherwise.” Both men quipped back and forth so sarcastically it could've been considered the eight deadly sin. 

Returning from aiding the princess, Y/N resumed her place by Alastor’s side and back into the conversation. Unable to contain his jealousy any longer, Alastor put a hand on his wife’s shoulder and looked towards Y/N with a forced smile plastered on his face. "Darling, would you care for a stroll?" he offered, his voice dripping with false sweetness.

Y/N, oblivious to the turmoil raging within her husband, nodded with a smile and waved goodbye to Lucifer. As they walked through the dimly lit corridors of Hell, Alastor's mind seethed with anger and resentment. 

Finally, unable to bear it any longer, Alastor halted abruptly and turned to face Y/N. "Tell me, my dear, what is it about Lucifer that captivates you so?" he demanded, his words laced with bitterness.

Y/N's eyes widened in surprise at the sudden change in Alastor's demeanor. "Alastor, what are you talking about? Lucifer is just being friendly," she protested, confusion etched on her face.

"Friendly? Yes, that's one way to put it. Though, his friendliness seems rather... focused, wouldn't you say?"

Y/N glanced at Alastor, sensing the tension in his voice. She attempted to defuse the situation with a reassuring smile.

Y/N: "Alastor, there's no need to worry. You know where my heart lies."

Alastor's smile tightened, his grip on Y/N's hand becoming just a tad too firm.

Alastor: "Of course, my dear. I'm well aware. But it's amusing, isn't it? How Lucifer seems to find you so... intriguing."

Y/N shot Alastor a puzzled look, sensing the underlying resentment in his words.

"Alastor, you're being awfully aggressive. Is something bothering you?"

Alastor's grin widened, but there was a dangerous glint in his eyes as he turned his gaze back to Lucifer.

Alastor: "Bothering me? Not at all, my dear. Just finding it fascinating how Lucifer can't seem to keep his eyes off you. Quite the dilemma, wouldn't you agree?

Alastor refused to be swayed by her words. With a fierce determination, he pulled Y/N flush to his chest and pushed her back against the wall, his grip possessive and demanding. Peering down into her eyes, his own glowed with a dark green hue. 

"I'll show you who the better man is, my dear," he growled, his crimson eyes blazing with intensity as he slammed his lips to capture hers. Moaning into the kiss, Y/N slowly brought her hands up to find themselves tangled in Alastor’s red locks. 

Trailing his hand up to her waist, Alastor gave it a tight squeeze that made his wife squeak. Chuckling at the reaction, both their lips remained interlocked for what seemed an eternity. Deciding she had enough teasing, Y/N grabbed hold of Alastor’s cane and used its shadows to transport them to their shared bedroom. Taking the hint, Alastor walked their bodies to the king sized bed and laid down on the red silken sheets. Now with back flush against the mattress, Y/N wasted no time in relocking her lips back to her husband's. 

Nimble fingers traced up her waist, tugging softly on the waistband of her shorts before suddenly ripping them off of her body. Exposed to the cool air, Y/N let out a gasp of surprise that was quickly replaced with a lewd moan as Alastor traced a knuckle up her clothed core. 

“Darling, tsk tsk. We haven’t even begun and you are drenching my fingers through these clothes.” Continuing to drag his finger across her pantie-clad slit, Alastor mumbled the words into the base of her neck. 

“Stop–fuck–stop teasing Al.”

“Oh but dear, that’s half the fun.” Despite his words, he obliged her request by removing the offending garment from her body.​​ Working his way down, his face ended between her thighs. His eyes widened at the glittering white gold slick that painted her hole. 

“Gorgeous darling, glittering gorgeous.” Diving in, his tongue lapped up all the juices that spilled from her needy cunt. Sucking softly here and there while delving as deep as his tongue would allow(he would not admit to using magic to make it longer), Y/N let out wanton moans and lewd hisses of pleasure. Gripping the sheets beneath her as her eyes remained shut in ecstasy. To make matters worse, or better depending on who you ask, Alastor inserted his finger into her while continuing to feast. He could see her holding back some of her noises, desperate to control her lust.

"Darling, do not hide from me."

"But normally you don't want people to hear--"

"That does not apply today. Let all of Hell and that filthy king know you are mine."

Stretching her open, he added another finger; scissoring her wide. Y/n’s eyes rolled into the back of her head and her body involuntarily shifted away from the overstimulating assault. Taking his other hand, Alastor placed it on her hip and held her in place. 

“Unless you would like to be restrained, I insist you remain in place.” Perking up at the thought, Y/N gulped. Being restrained by Alastor’s slick tentacles, forcing her legs open so he could do as he pleased; letting him use them to fill every hole piqued her interest. Perhaps for another time. 

The thoughts and stimulation from Alastor’s mouth and his fingers nearly had her cumming, mumbling incoherently for just a bit more to push her over the edge. Smirking, Alastor brought a third finger into her hole, its walls squeezing onto him for dear life. Using his thumb to rub against her clit, the stimulation was bearing nearly too much. 

“Go on Y/N. Tell me….tell me how I can only make you feel this good. That even the King of Hell couldn’t make you cum just from his fingers.”

That’s what did it, Y/N felt the coil in her stomach snap as she cried Alastor’s name. Surely, the whole hotel had heard her by now. Just as Alastor wanted. Cum now coated his fingers and the bedsheets below as her high overtook her senses and she saw stars. 

Drawing his fingers slowly out of her and bringing them to his lips, Alastor sucked on the white gold juices. Both parties covered in a layer of thin sweat, panting heavily and overcome with arousal. Walking his hands forward till both of his arms caged her in on the bed and she could feel his growing bulge against her thighs, Alastor whispered darkly. 

“Now dear, feel like letting Lucifer know how good round two is about to feel?”

[feelsforsterek]

[lorephobic]

“the class commentary in saltburn was shit” WHAT CLASS COMMENTARY???? NOT EVERY MOVIE WITH RICH PEOPLE HAS TO OR SHOULD HAVE CLASS COMMENTARY. EMERALD FENNELL KNOWS VERY WELL THAT SHE IS NOT THE RIGHT DIRECTOR FOR A MOVIE ABOUT CLASS COMMENTARY WHICH IS WHY SHE DID NOT WRITE A MOVIE ABOUT CLASS COMMENTARY.

[novlr]

Three tricks to avoid plot armour

Plot armour can be difficult to avoid. We get so attached to our characters that hurting them in any way feels like a betrayal.

But plot armour is detrimental to any good narrative. Having your characters avoid harm, whether that be emotional or physical, means that there aren't any stakes. And without stakes, it's difficult for readers to invest.

There are three simple things you can use to avoid plot armour:

🔵 Injury 🔵 Sacrifice 🔵 Consequence

In every conflict, make sure the resolution contains at least one of these things.

If you don't want to injure your characters, make sure that they sacrifice something, whether that be someone, or an object. If they don't sacrifice anything, make sure there is a consequence. That consequence can be a loss, an emotional wound, or simply a blow to their reputation. The important thing is that your character doesn't remain unscathed by their experience, and they walk out somehow changed.

[ruporas]

kiss the pain away

[celaenaeiln]

headcanon

The batfamily - Dick, Bruce, Jason, Tim, Damian, Steph, Duke, Cass, and Harper - knee deep in mud all tired, filthy, sweaty, and super mad, digging up the front yard because Jason buried the body of a mob lord in front of wayne manor years ago to piss off bruce but forgot where he buried it and now the city wants to pipeline maintenance work there.

[moeblob]

So does he, Gallagher.

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”