#don't need them getting jumped by spoilers

[epically-ace-attorney]

*Intro Post ~ Welcome to the chaos!*

Hallo! This blog is an Ace Attorney AU using the musical EPIC! Canon is our bitch and we do as we please :)

The blog is joint run by @weltato (hi) and @the-ace-attorney-siren. Feel free to ask us anything about this AU in the inbox and not DMs - PLEASE NOTE THAT THIS IS A WIP AU AND IS CONSTANTLY BEING THOUGHT OUT!!

The "backstory" I suppose would be that Wel was watching a great guy on YouTube by the name of Mortius (you should check him out, he's cool) react to "We'll Be Fine" and "Love in Paradise" from the most recent saga released from EPIC as of writing this (20/09/2024) - The Wisdom Saga. Wel had also been binging through some Ace Attorney streams by The NyanCave (also really cool, you should check them out too) and had that on the brain at the same time. Then she noticed something interesting - Odysseus had been on Calypso's Island for seven years.

You wanna know who else had a seven year gap? Phoenix Wright.

So obviously, I go to burtrice1 and say:

And then this happens:

And everything came from there. Just imagine it: Phoenix on that cliff calling for Mia T^T

Anyway, we had some planning to do: there is currently a list of characters from The Ace Attorney Trilogy, Ace Attorney: Investigations 1 & 2 (we're using the fan translation names in this house), and Ace Attorney: Apollo Justice (because Wel hasn't finished Dual Destinies and hasn't seen Spirit of Justice yet) and what people from EPIC they're going in as.

*RULES OF THE BLOG!*

No spoilers for the games please! There will be people that see this blog with no idea about the Ace Attorney series and they'll want to find out themselves (also one mod hasn't finished the series yet).

No spoilers for EPIC! There will be people that see this blog with no idea what the craic is with EPIC and letting them experience the joy that is this musical is all the sweeter with no spoilers <3

As previously mentioned: game canon is our bitch and we do what we want with it, which means that if you see an inconsistency with ages or anything, no you don't ;p

Please keep questions PG, there are minors that enjoy both Ace Attorney and EPIC and we'd like to keep this blog a safe space for everyone.

In the words of Ricky Potts: don't be a dick. We don't tolerate harassment of either the mods or anyone sending an ask into our inbox. Respect isn't hard, friend :)

If you've asked us a question and we haven't responded yet, please don't go into our personal inboxes or DMs to ask us about it - see the rule above. Both mods are busy people and do this purely for fun, so we'll get to your question when we see it. The timezone of this blog is GMT/BST depending on the time of year, so both mods could very well be asleep.

The canon of this AU follows with EPIC canon, which is NOT the actual Odyssey or Iliad. If you want to read those in your own time, feel free to.

Have fun! We want to share this with people to see your reactions and interact with other fans of the Ace Attorney games and EPIC: The Musical.

If you're excited about this blog, REBLOG OUR POSTS!! Reblogging is the lifeblood of Tumblr and can make or break a post. We want to reach as many people as possible with this silly little idea of ours.

If you want to write fics about our AU, please ask us first! Wel is a regular fic writer and she has some ideas floating around, so maybe let her finish those first before jumping in - but we love the enthusiasm! Thank you!

Fanart is awesome!! Please credit the idea to this blog and @ us in the post with the tag #epicallyaa, we'd love to see what you've done :D

This post will update with extra rules as and when needed, if we need to <3

*TAGS!*

#wel writes - this is for whenever Wel writes a fanfic about something. This is a personal tag from Wel, so if you want to see more of her work feel free to peruse that tag on her main Tumblr account. All the fics posted here will be specifically for this AU.

#bart or #burt art - we haven't decided which to use, might just use both, but this is for whenever burtrice1 posts art to this blog. Again, any art posted here will be specifically for this AU.

#epicallyaa - this is a tag for us and others to use about our AU! If you post any fanart or fanfic about our AU, use this tag and @ this account too so that we can see your awesomeness :D

#wel answers - whenever Wel answers an ask

#burtrice answers - whenever burtrice1 answers an ask

Like the rules, more tags will be added as and when we feel we need some more.

Thanks for reading all of this!! This post is very important to read, so if you come in asking questions blind, we might just refer you to this post and ask you to try again :)

~ Wel & burtrice1

[irislunace]

Siciria Analyzes The Most Complex Stick Figures Known To Man (part 1)

SPOILERS FOR AVA / AVM / INFLUENCER ARC SERIES

READ AT UR OWN RISK

I was rewatching Influencer Arc Ep 1 because the music slays, and the fight choreography is just awesome.

*cut to Siciria chilling*

But then I noticed this;

So, to those of you that don't know what I'm talking about, I noticed that Blue just kind of waits there for a moment before going in to help Red. I wondered why, because throughout the series, these stick figures are shown to have really quick reaction times in these kinds of moments.

But then it hit me; it's about personality.

So then I decided to do a deep analysis of Blue's character, which is probably going to be the first of five parts (maybe even more) where I deep dive into everyone's traits and flaws and whatnot.

-

Here goes...

So, we've seen Blue as more of the pacifist assistant. He likes plants, netherwart, potions, and cooking. You don't really see him being the first to instigate something, or the star of a fight. Heck, even in the Raid episode, it's more focused on Yellow and the command block staff than him.

But we do see more of an aggressive trait as well, in that sometimes, he acts without thinking.

But, what startles me, is that even though he'll self-sacrificially jump to save someone, and needs someone to ground him (usually Yellow), there are also times where he just freezes. Like in the Influencer Arc. He freezes when Red is getting beat up by the clones, before shooting at them. His brain takes a second (hehe) to catch up.

And here, too. Yellow is making a plan, where Blue's emotions are overriding any sort of thought.

...BUT AT THE SAME TIME, we also see those two things coalesce together for the better. We see him take action instead of freezing, and actually think about what he's doing as well. And this moment in the battle against the King goes kind of unnoticed, in my opinion, since there were so many hard fighting sequences and emotional stakes.

LIKE WHAT THE STICK. HE LED AN ENTIRE VILLAGE INTO WAR, AND THEY WERE ACTUALLY ABLE TO HOLD THEIR OWN AND CAUSE THE PILLAGERS TO RUN AWAY WITH ABSOLUTELY NO CONTEXT OR PRIOR TRAINING (albeit before they came back with the evoker and illusioner)

But we also don't talk about how much he assists everyone else. Like here. Green would have gone flying twice if Blue didn't have the presence of mind to brace him.

I saw a comment under the video calling Blue the MVP of the fight against Greenscreen. And while I do harbor the opinion that everyone contributed a lot to the win (and don't really agree with the comment, as Green, Yellow, Red, and Second contributed so much too), you can't deny that he assisted everyone frequently during the fight, and was a key part of success.

Blue's character arc is something we don't really talk about much as a fandom, but there are truly some moments which are, like, really cool.

And the most important one of all, of course.

Bluecifer "Elsa" Blonde. (my fanmade name, tell me if u like it!)

#slayqueen

[ofoceansandtombsanew]

I would really like to know if you did any kind of character study for Makima when writing your two-part fics. I'm sure others have said this to you, but you do a really good job of writing Makima. Her interactions with others (specifically reader) are never out-of-character in terms of tone and diction. Was there any aspect of her personality/character that was difficult for you to flesh out in writing? What did you enjoy the most when characterizing her? Thank you so much for your time!

TAT thanks so much, the amount of love the duology has received since I've written it makes it really happy! And I love being asked about the technical side of things I've written so thanks for asking!

I have done a couple of partially in-depth character studies in Makima, some of which I've subjected anyone in the tags to reading and subjected my friends to reading as well.

If you ever want to read those posts separately, you can check that out here.

But to summarize, after a thorough read of CSM I came to the conclusion that what got in the way of Makima's dream wasn't her nature as the Control Devil, but herself. She enjoys being in control, she enjoys tormenting people. Part if it is nature, yes. Controlling people comes to Makima as easily as Power desires blood as the Blood Fiend. But some of it's nurture. We aren't entirely sure how she was brought up but it clearly created a terrible, terrible person. A person who enjoyed fucking with people.

And by the time chapter 1 has rolled around, Makima is too far gone to ever get the sort of relationship she wants even if she had won.

So going with that analysis in mind, I wanted to craft a story with a Makima not quite at her breaking point.

I thought going in Makima would be difficult to write but it came surprisingly easy to me! I'm not sure if that's because I was up in CSM hell dissecting her character because it didn't feel like I was when I read things initially. I was mostly going "Someone PLEASE take all of Denji's suffering and give it to Makima" lmao, she grew on me after my reading part 1 of the manga.

She was even fun to write, in my opinion. It's her condescending way of talking to others, her surprisingly gentle voice that lacks any true warmth.

But I think the thing I enjoyed most of all as far as the Makima duology was writing Makima's displays of affections while still maintaining her possessive nature. Using her abilities to take control of the senses of animals to check when Reader gets home, eavesdropping, half-jokingly talking about how she can make people come to her wedding with the reader, using absolute control to force the Bureau to accept her resignation because all she desires at this point is living peacefully with her beloved. And especially her ambiguous wording of the contract in Man is the Breast, Heaven is the Playground.

As she maintains in her contract with the reader, she doesn't use her abilities on you and you'll stay with her forever. But I chose to have word choice be ambiguous because for Makima, a future where she can't guarantee she'll be loved the way she is in the present by the reader is one she doesn't desire. She won't allow it. She won't let herself be anyone else's so by extension, she doesn't want anyone else to have you.

It's a twisted selfishness blossomed from genuine love and affection, a feeling only you've given her.

She wants you forever. In this life and the next and the next and the next. Something you agree to without realizing the full implications of what she meant, not that you really care. You want to be with her forever too even if your belief was that it would be contained to a single life.

So in the sequel A Blazing Star Sought Refuge in My Chest, I really loved writing the scene where the reincarnated Reader meets Nayuta.

「You glared at the girl, ready for a fight. “Hey get off of m-,” You. Your words halted as soon as you saw her wide-eyed stare and tears. There was nothing familiar about this girl, you had never seen her before in your life. There was nothing familiar about her black hair, nor the mole under her left eye. You were sure you couldn’t say you’d ever met anyone with golden eyes with red rings in them either. There was no reason to feel like your senses had been set ablaze and the universe shifted.

You didn’t know this girl.

This girl was a stranger.

You knew this and yet you still fell to your knees as warm tears flooded your eyes without your permission. Your mind had gone blank, unable to conjure a single thought and even if you could, you doubted you would be able to voice them. So you followed instinct as it screamed at you to hold this stranger in your arms, welcomed the way she threw her arms over your shoulders in return.

An indeterminable amount of time passed while you cried in the arms of a stranger before you stood up again. 」

I wanted that scene to be purely instinctual with their souls recognizing one another. And with Reincarnated Reader's earlier mention that she felt like there was something in her life she needed to do, for the both of them it was like an awakening. A single moment of seeing each other was the birth of a universe. That's blazing star has found refuge in both of their chests in that moment.

The reason I chose to make them both children during this section of the fic was because of the inherent innocence they would have. An adult would have this experience and more than likely be skeptical and less receptive to such an experience. They'd be too cynical.

But for two kids alone in the world and instinct telling them they're meant to be together, that the other person is what they've been looking for this whole time, it makes perfect sense not to question it and live the rest of their lives together.

And as far as my completely separate Makima oneshot when it all comes Crashing Down (the title was a stylistic choice), I used Makima having a sweet tooth and the reader disliking things being too saccharine to reflect Makima's desire to clutch onto any traces their dying friendship and the Reader's dying affections towards her and yet still remaining by her side despite knowing their friendship is pretty much dead. I had a lot of fun with that!

[causeimanartist]

What is your favorite Thursday Murder Club member? Im particularly attached to Ron and Elizabeth.

Oooooooooh tough question because I honestly love them all but if I had to pick - it's between Ibrahim and Joyce!

[braisedhoney]

picks up future vlad (tue timeline) and bolts. new resident old man for the box. he's sad and his timeline is nebulously nonexistent so I'm throwing him aboard the spaceship and getting him a therapist and a haircut. it is what it is.

[marfian]

I feel so dumb for expecting gays in space when literally Aaron Paul plays a character in the episode. SPOILERS! Of course his wife will die, of course he'll be miserable, of course he'll cry. Fucking hell.

[homielander]

the more i think about it the more i don’t hate this change....... aemond can still be the aemond from the book after b&c but feel like a human being and not a caricature this time, dragons exemplify “absolute power corrupts absolutely” in the most literal sense, and it parallels the scene where aemond’s eye was cut out in the saddest way -- neither attacker intended for what happened to occur but luke brought a knife to their first encounter and aemond brought the largest dragon in the world to their last. they were both set against one another because of their parents’ squabbles. (to complete the parallel, i would have liked it more if the eye incident had turned alicent against rhaenyra for good, because this one will turn rhaenyra against alicent.) and aemond’s face of absolute shock at the end is a reminder to everyone that this isn’t a game anymore, it’s war.

i think if it had been only this one “whoopsie” instigating event then everyone would have appreciated it more but unfortunately they’ve repeated this plot device of major events being accidental throughout the season and we’re all tired of it now

[imagine-nerd]

The yiga schematics are one of my favorite things in totk, behold instant kitchen

[haveihitanerve]

My favorite thing about the bats is that… they are gothamites. And sure they scare the shit out of people… but they are in Gotham. Superman is loved by his people, Flash is adored, people pray to Wonder Woman, Green Arrow is feared. But the Bats? The Bats are like all of Gotham's weird older brothers/sisters/parents. Superman and Green Lantern are visiting Batman in Gotham and all of a sudden he gets smacked in the face by a banana and they turn and find a group of teens skateboarding away and one kid calls over his shoulder ‘eat the fucking potassium you absolute brick.’ and Batman doesn't even do anything. Barry is chilling with Nightwing when a girl runs beneath the building they are sitting on and screams “Nice ass Night! But get it the fuck down here, my cats stuck in a tree.” And Nightwing does a flip off the building and just?? helps her?? Wonder Woman and Black Canary are passing through Crime Alley on their way to the Batcave and spot Red Hood standing in an alley, being lectured by a woman who is half his size and she ends the lecture by throwing two sandwiches at his face and walking away. Red Hood just takes his hood off and starts eating. Superboy is helping Red Robin defeat Scarecrow and while they’re hiding, waiting for him to walk into their trap, RR is casually conversing with a Gothamite about Hogwarts Houses, and when he says the Gothamite looks like a Gryfindor he pops his head out and screams “Yo scarecrow hes right fucking here!” J’onn is heading to the Manor to discuss League business with Bruce when he spots Robin(Damian) fighting Riddler all alone and is about to intervene when three teenagers show up and just fucking deck him instead. Damian doesn't thank them, just glowers, and one of the guys goes “you're welcome you fucking brat.” And the girl even smacks the back of his head and goes “manners.” Clark is sent to go find Tim and Steph and Damian and finds them at this girls birthday party, in full costume, eating cupcakes and drinking punch, jumping on the bouncy house and is like “errr, B-Batman needs you home.” And as one the entire birthday party group went “Fuck Batman.” Spoiler was spotted painting these guys nails, Black Bat was seen teaching calculus to a group of teenagers, Batgirl(Babs) was running after a group of kids screaming “Give me back my laptop you fucks!” Just- just the batfamily and Gothamites being annoying to each other and appreciative yet bitches. 

Bus driver: stop getting thrown at my fucking bus, i got places to be and my insurance only covers so many shatter windshields and person sized dents  Batman: I don't really control where I get thrown Bus Driver: well you better fucking start otherwise theres gonna be another fucking villain on these streets *drives away and almost runs him over* Superman: *gaping* yo-you're just gonna let him do that? Batman: *shrugs* Gotham insurance aint what its cracked up to be Superman: *staring dumbly*

[satoruxx]

ANGEL ON MY SHOULDER.

✧ PAIRING: gojo satoru x reader, geto suguru x reader (hinted) | 5k words

✧ SUMMARY: ghost!reader, major character death, jjk manga spoilers, so much angst bc you literally die lmao, longing, mutual pining, suppressed feelings, everyone sucks at love, some fluff, banter, might be slightly suggestive, lots of hinted feelings (read: suguru), arguments, overall this is painful so read if you enjoy angst !!

✧ RHEYA'S NOTE: this idea randomly came to me before i went to bed a few days ago and in the spirit of halloween, i figured why not? i live off of angst and need to share the pain with everyone lmao oops. this is late for halloween tho my bad !!

i. 2007

satoru brings one more flower than he did the day before. morning glories again, of course, but an extra one. he had added one more to the the bunch every day since the day you died. the first day, he brought three, wrapped with a cheap blue ribbon that he found in his desk drawer. it was hardly a respectable bouquet, but those three flowers were the ones he'd grown for you, so it only seemed fitting.

he didn't care much for gardening. but one day you asked shoko what her favorite flowers were so you could give her some on valentine's day. she asked you what yours were so she could return the favor.

satoru never forgot morning glories after that day.

he's not even sure if morning glories are appropriate to bring to a grave, but he knows you'd like them.

you would tell him it didn't matter anyway.

ii. 2007

(suguru did not cry when you died. satoru watched, intently, because there was nothing in the universe that his six eyes couldn't catch. he waited for it, even a sliver of emotion that would betray suguru's bleeding heart, but he gave nothing. he just stood in front of the stone that marked the end of your life with a deep stare. something had settled there in his eyes, cold and resolute.

a few months before you died, you had told satoru that there was something wrong with suguru. you said that he'd been distant, somewhere far away, and you worried for him. you always did, so open with your affection for him.

"don't want him to get lost." you had hummed, your shoulder brushing against satoru's as you raise the mango ice pop he brought you to your mouth. satoru watches your lips out of the corner of his eyes, his stomach flipping eagerly even as he keeps his face impassive.

"he said it was just the summer heat," he answers, ignoring the sweet mango juice dripping down his knuckles. "should be nothing."

you don't look all that convinced, turning your head to look up at him with meaningful glance. "you sure?"

he stares at you for a lengthy second, cerulean eyes darting over your facial features, before he reaches up and knocks his knuckle against your forehead. "yeah. he'll be fine." he assures, and your shoulders relax as you continue to eat the ice pop.

you were right about it all. four days after you die, suguru massacres an entire village.)

iii. 2008

satoru shifts in his bed, grunting quietly he begins to stretch his stiff joints. his eyes crack open, still heavy with sleep as he waits for his dark ceiling to come into focus. except it doesn't, because all he can see are a pair of very familiar looking eyes. unsaturated, but still so obviously the color he once knew. his own eyes snap open, all traces of sleep gone as he finally makes out someone who looks exactly like you, perched on his stomach with a confused and slightly panicked expression.

he shoots up, and you pull back a little. it looks like you're on his lap, and yet he can't feel you on him at all. he gulps.

"hey toru." you say quietly, and his stomach drops. the same eyes, the same voice. gods above.

"you're dead," he says simply, trying not to betray the way his pulse is jumping at even the smallest glimpse of you again. "you're not real."

"i'm dead," you confirm, nodding your head as you look down at your translucent palms. "but i'm here somehow."

he sucks in a breath, reaching out a hand as if to touch you. the disappointment he feels when it passes through your form is sickening.

you smile shakily, shrugging your shoulders as you attempt to make light of the situation.

"guess i couldn't stay away."

he stares at you for minutes without saying a word and you stare back, equally silent.

iv. 2007

(nanami had carried your body back, his teeth gritted as his blonde hair fell over his eyes. satoru never brought it up, but he knew that nanami remained bothered by it for the rest of his life. your death was bad timing, especially after they had just lost haibara a few weeks prior.

nanami had no reason to blame himself though. if anything, it was satoru's fault you were gone.

shoko had called him from the infirmary, her voice hard and pinched as she spat out three words: "get down here."

when satoru saw your body, he didn't say a word. just took a few long strides until he was at the table where nanami had placed you down. your eyes were shut, face resting in a way that seemed so unnatural. he opened his mouth to ask shoko something, but felt like he was choking on air, so he stopped himself.

then he grabbed your limp fingers, squeezed them gently. they were still a little warm, but not as warm as you usually run. shoko didn't say anything, just stood there with her hands clenched, short brown hair falling over her dark eyes.

satoru remained there for the next thirty minutes, waiting for you to sit up and laugh at the prank you were no doubt pulling. as if your blood wasn't still dripping all over the table.

shoko was the one who finally pulled a sheet over your body with shaking hands. she didn't look satoru in the eye, and didn't spare a glance when suguru burst into the room ten minutes later.)

v. 2008

it takes satoru a while to get used to the fact that you're not physically there. he has to bite his tongue when he moves to bump your shoulder or flick your forehead only to find that his skin goes right through yours. you always give him that same little rueful smile, and he sighs to himself.

he doesn't make an effort to figure out why you're there. he figures it's similar to how jujutsu users can come back as curses due to strong feelings. when he thinks about it though, guilt lodges itself into his throat, because the first thought he had when he heard you were entering death's door was no, don't you dare die.

every day he wonders if he's the one who cursed you to stay.

you act like it doesn't matter, hovering around him as he busies himself in his empty room. at first you're quiet, as though you've forgotten how to speak to him in your incorporeal form. but then you start asking him questions, and it's one question that satoru dreads to answer that you finally bring up.

"where's suguru?"

he's not stupid. he knows there's more you think of suguru than you've ever revealed. of course you'd want to know. but that doesn't mean he wants to be the one to tell you. you had died with nothing but a good impression of geto suguru. you'd probably died with your feelings for him still intact too.

it'd be selfish of satoru to ruin that.

"nothing, don't worry about it," he dismisses, voice clipped as he busies himself with preparing dinner. he knows that won't deter you.

you huff, moving to hover in his line of sight. you cross your arms as you glare at him seriously, and satoru hates how nostalgic your expression makes him feel. he tongues his cheek before sighing.

"he's gone." satoru answers simply. he tries to keep his tone even but it comes out bitter and strained. he can hear your quiet gasp, and feels your form move closer to him. if you were alive, he'd be able to feel your breath on his skin now.

"what do you mean, gone?"

satoru sighs again, turning to look at you completely. he hated everything about this. "he left school. went crazy. killed a bunch of people, including his parents."

he would've laughed at the comical way your jaw dropped if you didn't look so hurt. you sputter over your words as he picks up his bowl and moves to the table, trailing after him and demanding more information.

he doesn't hesitate to share, because he's always hated keeping secrets from you. you had this uncanny ability to see straight through him, and it never failed to make him feel unsettled. so he tells you everything that happened in the few weeks after you died. suguru leaving, their confrontation in shinjuku, his plans for non-sorcerers. he leaves nothing unsaid.

when he's done, he finally looks at you, trying to gauge your reaction. but you're just staring at his food with a bitter expression, brows pinched and lips pursed. satoru says your name once.

you glance at him, and it's too quick for him to look for any accusation in it. doesn't matter though, because he's ready to own up to his mistakes.

"you were right back then. about suguru." satoru admits quietly, turning to his food. he doesn't want to look at you anymore, because he's scared you'll show him how disappointed you are with him.

you don't say anything in response. but you sit down at the small dining table and watch him eat with soft eyes, one bite at a time. satoru doesn't admit it, but the whole time he imagines that you're gently rubbing his shoulder, and he thinks he hasn't missed you more than in that moment.

vi. 2007

(it was satoru's fault you died. if he hadn't been so selfish, you'd still be next to him, shoulder brushing his as the two of you walked through the streets of tokyo.

you had knocked on his door that morning before you had left for your last mission, rocking on your heels. he opened it groggily, still half asleep.

"you going on a mission?" satoru had yawned, drowsy eyes trailing over your uniform. you nod with a grin.

"mhm, with nanami. there are two separate areas with curses though, so we'll split up when we get there. should be simple enough." you shrug, toying with the collar of your uniform jacket.

satoru decides to be annoying. "then why are you here disturbing my sleep? get out." he groans dramatically, peering at you with narrowed eyes. you smack his arm, scoffing. you've stopped questioning why he keeps his infinity down for you do those things to him.

"i was gonna ask if you wanted to come with," you hiss, crossing your arms defensively. "but i'm taking it back, asshole."

he grins. "what? can't stay away?"

you roll your eyes, shaking your head with a sarcastic laugh. "don't flatter yourself."

satoru pauses for a second. "i was gonna go back to sleep." he admits, feeling a little guilty. he had just come back from a mission the night before, and he doesn't feel like leaving again. he doesn't know how to say that to you though.

but you see right through him, like you always do.

"you've been going on missions a lot lately," you smile earnestly, patting his shoulder. "no wonder you're tired."

"'m the strongest, i don't get tired." he protests, crossing his arms with a scoff. you roll your eyes again, sticking your tongue out at him as you heft your weapon over your shoulder.

"keep it up and you're seriously gonna fry your brain or something," you say with a shake of your head, eyes betraying your concern for him. he notices it, and tries to smother down the way it makes his stomach flip. "i'll be fine. you can come on my next mission with me."

fair enough, he thinks. he hadn't gone on missions with you or suguru in a while. he should remember to ask yaga to let him go on your next one. just the two of you. you and him. maybe he'd buy you a mango ice pop on the way back.

"fine." he acquiesces easily, not even thinking to protest. he'll see you later anyway, so he'll talk to you more when you get back.

you smirk a little, motioning to his bedhead, before gently kicking his shin. "go back to sleep then, stupid."

he rolls his eyes, reaching up to knock his knuckle against your forehead like he always does. "whatever. bring me some sweets on your way back, yeah?"

the laugh you give him as he shuts the door is the last thing he ever hears from you.

he should've gone with you.)

vii. 2012

satoru hates the way you're looking at him right now.

it was a stupid little mistake. he had gone to see little megumi and tsumiki earlier that afternoon, and as usual, you had tagged along with him. you'd watched him raise up the two kids over the last few years, never failing to tease about his newly acquired fatherhood, or how much he seemed to care about them despite his efforts to hide it. he didn't ever think to say that you'd helped him raise them up too. even in your incorporeal form you'd always been around to tell him what meals he could prep or to remind him that megumi liked black forest cake for his birthdays.

he'd gotten so used to you being around and he slipped up once. that afternoon when he had walked megumi home from school, teasing and poking fun at the kid, he'd made a stupid joke. megumi had rolled his eyes and told him to shut up.

and then without thinking, satoru had turned to you as you hovered next to him and groaned your name out dramatically before whining, "this kid is so mean to me!"

your eyes widened immediately, and if you were alive he'd probably see the color drain from your face. his stomach had sank and he couldn't tear his eyes away from you, even when megumi glanced at him with a raised brow.

"who are you talking to?" he asked, and satoru gulped, shaking his head as he broke eye contact with you to look down at the kid.

"nobody." he had answered.

he tries to ignore the meaningful stare you pin him with for the rest of the afternoon, hoping that you'll just forget about it. but as soon as satoru has left the kids and he's back in his own room, you're on him. he busies himself with making a cup of hot chocolate, even though he feels sick to his stomach.

"satoru you have to figure out how to get rid of me!" you plead, eyes so sad it makes his stomach churn. "i'm gonna drive you insane!"

"i'm fine!" he snaps back, shaking his head as he takes a sip from his mug, the warmth distracting him from whatever it was you were trying to remind him of. he places it down on the table in front of him and crosses his arms defensively. "it was a stupid mistake. won't happen again."

you shimmer in and out of focus, manifesting in front of him with a glare, though your eyes are still the same. wounded and hurt. "it wasn't and you know it! you can't keep living like this. i've been haunting you for years, toru!"

"well who asked you to go ahead and die?!" he yells without thinking, and it's like he sees your hurt bubble forth in slow motion.

"i went and died because i made a stupid mistake on a mission! quit blaming yourself, you dumbass!" you shout, voice raised higher than he's ever heard it.

satoru's mug shatters against the wall.

the two of you immediately turn to look at the mess with wide eyes, before slowly turning to each other to ensure that it really did happen.

"how'd you do that?" satoru asks quietly, his voice strained as he takes a few long strides towards you. you look down at your hand, the same one that you had lifted to swipe at his mug during your fit of rage. you look back up at him with wide eyes and parted lips. satoru's head is pounding, some kind of sick hope stirring within him. "you had to have touched it."

"i don't…" you trail off, voice filled with awe and a bit of fear. satoru reaches up a hand, ignoring the tremble in it, and moves to touch your face. he will never admit to the amount of times he begs in his head, please please please.

his hand goes straight though your skin, and your eyes soften. satoru lets out a breath he didn't know he was holding, hiding his disappointment as he takes a step back and turns away.

viii. 2006

(satoru thinks gardening is ridiculous. plants are so fragile, needing to be constantly monitored and cared for like children. he can't understand why anyone would choose to garden as a hobby when there were less stressful things to do in spare time.

even the process was time consuming, he realizes as he scoops out piles of dirt into the small pots he had set out on his windowsill.

he thinks back to the silly little grin you had on your face as you answered shoko's question.

"morning glory," you had said, leaning against her shoulder. "i like the way they open in the morning and close at night."

shoko hummed, staring at the sky even as satoru quietly eavesdropped. "you got a favorite color?"

"the blue ones," you answered. "they're the prettiest."

your voice echoes in his head as he places the seeds into the soil, and he sighs heavily. why he was doing this for you was beyond him.

the thought makes him annoyed, and he huffs in frustration the entire time he plants them. gardening had to be the stupidest hobby ever.

and yet when three blue morning glories bloom against his windowsill, he can't hold back his grin.)

ix. 2017

satoru's grateful that you don't watch him kill suguru.

he tells you to go, and you give suguru a long stare, face pinched and sour even though your translucent eyes are shining. it's a shame suguru can't see you though, because satoru thinks you look so pretty. suguru would've been lucky to have you be the last thing he ever saw.

you turn away and disappear without a word, and after one last exchange, satoru finishes the job.

it's only after he watches rika's final goodbye to yuta does he realize the extent of what a goodbye even means. he'd said one to suguru, and yet he can't help but miss him as he walks back home. he wonders if suguru wouldn't have had to die if you were still around.

satoru had never gotten a goodbye with you though. you're somehow still with him, but he misses you so much. it puts an ugly feeling in his gut, twisted and dark. it weighs down on his shoulders as he finally opens the door to his room, heavy and overwhelming as he sees you sitting on his bed, face vacant.

he says your name, and you don't move. he takes a seat next to you, and something about your sad expression makes him so unbelievably angry.

"quit being sad about it," he finally spits out, the truthful extent of his feelings coming out. "it's not like you're even alive that you'd be able to see him."

you scoff as you give him a sidelong glare. "what's that supposed to mean? one of my closest friends just died and you expect me not to be upset about it?"

"at least he'll find a way to you!" satoru hisses, clenching his fists so hard that his nails leave crescents in his skin. "you two can have fun together for all of eternity."

there's a tense silence that follows as he grits his teeth, turning away from you. he's so disgusted right now. with suguru, with you, with himself.

"i'm all by myself." satoru mutters bitterly, the words so foreign on his tongue as the truth hits him.

god he misses you so much.

he suddenly feels a sharp thwack on the back of his head and he's turning around with wide eyes.

"don't you dare forget about shoko!" you hiss, tears in your eyes as you glare at him, hand raised. "i'll never forgive you!"

his throat goes dry, because the smack you just gave him was the first time you'd touched him since the day you died. there's a storm in his throat that threatens to break free, but he tries to keep it lodged in his throat. even with your teary eyes, he thinks you look just as pretty as you did with life flowing through you.

he misses suguru. he knows you do too, because there are translucent tears dripping down your cheeks and he has never ached to touch you more. but he can't because you're dead.

you remain in front of him all night, barely saying a word in between your sniffles. he doesn't say anything either, just watching you.

he doesn't know what there is to say. the only thing he ever wishes he got to say to you was goodbye. but you're here, in front of him, so a goodbye seems pointless.

when the sun comes up, you wish him a merry christmas, and he swears you never left him.

satoru says it back to you. you smile sadly.

he misses you so much.

x. 2007

(satoru had cleaned out your dorm room three days after you died.

he didn't really understand why he was doing it so early. shoko had frowned when he told her that he planned to pack away your things, frowned in a way that made her look like she disagreed.

well even if she did disagree, it didn't stop her from sitting in your desk chair, chewing on her nail quietly as she watched satoru fold your clothes. he didn't even understand why he was doing this.

maybe it was because every time he walked past your empty dorm room he felt sick to his stomach. there was a twisting feeling in his gut when he realized that you'd never curl up in that bed again. never sit by the window with a grin watching him and suguru bicker as they threw playing cards on the floor. he figured the faster he got rid of your remnants, the quicker the feeling would go away.

that's what he's hoping anyway. but when he picks up your jujutsu uniform he feels something claw at his throat, and he unconsciously digs his fingers into the fabric. he hears a sigh from behind him and then shoko is at his side, wordlessly easing the cloth from his hand. she lays it on the bed, smoothing out the wrinkles before folding it carefully. when she places it into the box, satoru thinks her hands shake a bit.

there's a bitter expression on shoko's face that he's never seen before, and it makes his stomach twist.

they work on your room for the next few hours, until the sun has disappeared behind the horizon and the cool evening breeze bullies its way into your old space. neither of them say anything, save for the occasional nostalgic hum as they remember something that you did or they're reminded of the story behind one of the trinkets in your room. otherwise it's silent, and for a second satoru feels like he can hear your laugh.

it isn't until night has completely fallen that they are interrupted.

"what are you doing?"

satoru turns around just as shoko looks up, both of them finding suguru standing in the doorway. he hadn't taken a step in yet, eyes still trailing over the emptiness of your old room from behind an uncrossed line.

"cleaning." satoru answers, his voice oddly clipped.

"it wasn't messy…" suguru mutters back, his lips slanting in such an unusual way. there was an uncharacteristically determined look in his eyes, as though there was something in him that was struggling to burst forth. satoru didn't understand what it was.

"never said it was." satoru replies noncommittally. he hears shoko inhale deeply, shifting in your old chair as she watches the two of them stare at each other. there's a tense silence as he notices suguru frown.

satoru can't remember the last time he even had a full conversation with suguru. he remembers seeing you leave for your last mission, and he wants to kick himself for not asking earlier to be sent on group missions with the two of you.

even now, he doesn't really know what to say to suguru. all he can do is tighten his fingers around the edge of the box with your stuff neatly packed in, and watch his best friend sigh.

suguru wets his lips, eyes darting over your desk. there's an odd expression on his face, and his brows pinch as he notices something. then suguru reaches out to pick up an old polaroid, and satoru knows exactly which one it is. your arms slung around suguru's shoulders, smile so wide your cheeks probably hurt. suguru's expression was uncharacteristically gentle.

satoru remembers it so well, because he's the one who took the picture.

suguru looks at the polaroid without a word, rubbing the corner between his thumb and forefinger, and his expression suddenly mirrors the gentleness in the picture. his eyes remain stormy, deep and unsettling as he reaches conclusions that satoru will never understand.

the three of them stay quiet for a few minutes, even though satoru has so many questions that he can't figure out how to phrase. shoko toys with a cigarette between her lips, leaving it unlit because you've always hated the smell of smoke. suguru just stands there, silently eyeing your unfiltered smile through the lens of a camera.

satoru wonders if suguru's trying to say goodbye to you. he doesn't ask, and suguru doesn't say.

only after something had clicked in suguru's eyes, did satoru realize something was over. he couldn't help but feel like he had just buried you in that cardboard box with all your things, and he swallows hard.

then suguru clenches his fists, veins flexing as he looks around your room, almost like he was committing it to memory. satoru didn't understand why; it's not like suguru couldn't come see your room anytime he wanted.

then he turns away, hand lingering on the doorframe heavily, without another word.

just as suguru walks away, satoru thinks he hears your voice whispering in his ear.

"don't want him to get lost."

xi. 2018

something is wrong. something happened. something is wrong.

satoru knows he needs to wake up. but he's so tired, so exhausted from carrying on all by himself. he suddenly remembers the taste of frozen mango, sweet and chilled, and he wants to keep thinking about it for the rest of eternity.

but something is wong. he needs to wake up.

the minute satoru forces his eyes open, he can ignore the taste of blood in his mouth because you're there.

you're kneeling at his side, sunlight shining behind your head in a way that makes you look almost angelic. he'd believe it if you said you were an angel, because you've been dead for so long now.

you'd been a ghost for so many years, hovering around him and getting him through everything that had come his way. isn't that what guardian angels were supposed to do, guiding humans through their own trials? isn't that what you were doing to him since the day you died and came back to him?

you'd been a ghost. you'd been his angel. you'd been haunting him.

you'll always haunt him.

you seem to know it too, because the expression on your face is understanding, soft and yet so sad.

for what seems like the millionth time in his life, satoru aches to touch you.

he tries to move his hand but finds that he can't. synapses misfire. he can't feel his body anymore.

he wants to touch you. gods above, he wants to touch you so badly. please just this one last wish.

your translucent forms shimmers in the sunlight, and satoru can't tell if he's hallucinating or not because you suddenly seem to become fully physical. the particles of your form solidify, slowly filling with more color until you don't look quite so dilute. the saturation of your eye color comes back, and satoru can't look away because he's never seen a ghost so pretty before.

his breath hitches as you gently cup his cheek in your palm, warm and gentle. the melancholic look on your face makes his eyes sting.

"it's good to see you." he says with a weak smile, ignoring the metallic taste on his tongue. his breath is short, mind racing because your skin is on his again. finally, after so many years. you're so soft, just like he remembers.

"you weren't supposed to join me this quick." you sigh, eyes shining as you smile down at him ruefully. your thumb brushes over his bottom lip, and satoru's cerulean eyes flutter.

no. no more waiting. he'd missed you too much. he doesn't have it in him to stay away from you anymore. he'd done it long enough. your fingers tremble against his skin and he almost laughs.

no more haunting.

there's a resolute part of him that knows you'll be the first thing he sees when he gets to wake up again. he decides that, when he does, he'll get you a mango ice pop and plant some morning glories with you.

his eyes fall shut with a sigh.

"guess i couldn't stay away."

[fuckyeahisawthat]

There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.

The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.

(under the cut for book spoilers and length)

The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)

In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.

The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.

The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.

The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.

From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.

There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.

Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.

If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.

[incorrectbatfam]

batfam members being the smartest and dumbest person in the room at the same time

Damian: Here's the plan: we wait for your mother to put the pie on the windowsill to cool. Then, I'll spoof a call to her work phone in order to draw her away. That's when you come in and take it. Are we clear?

Jon: *walks up to Lois*

Jon: Mom, can Damian and I have a piece of pie?

Lois: Of course, here you go.

———————

Cullen: I tripped over my shoelaces again.

Harper: I can make self-tying shoelaces that can only come apart when you use a password-protected app.

Cullen: ...I was just thinking of wearing velcro.

———————

Duke: Check out my project! Not to brag, but I think I know who's winning the science fair.

Izzy: What is it?

Duke: It's a chamber that excites nanoparticles to generate short-term high-intensity thermal energy that can alter organic matter to make them suitable for human consumption. What do you think?

Izzy: Funny, I have one at home. Only I call it a microwave.

———————

Dinah and Babs: *talking*

Dinah: One sec, I'm getting a call.

Dinah: *answers her phone*

Dinah, immediately hanging up: Never mind.

Barbara: Was your number leaked? I have a list of possible suspects and plans for dealing with each one.

Dinah: Relax, it was just spam.

———————

Bernard, with a mic: Welcome back to MasterChef: Young Justice. We're down to our finalists, Red Robin and Spoiler. Let's see what they brought us today.

Tim: I made a nutrient-dense mass-conserving meal replacement with all essential components compressed in a gelatinous cube for a quick, on-the-go meal during our off-world missions. I'm serving it with a protein shake served in a vacuum-sealed pouch made completely out of recycled materials.

Steph: I made authentic Belgian waffles using techniques dating back to the 1958 Brussels World Fair. I'm serving it with a warm Swiss chocolate ganache, Japanese white strawberries, and homemade ube powdered sugar. For a drink, we have a cappuccino made with fair-trade Colombian dark roast beans and milk sourced from local farmers.

Kon, Bart, and Cassie: *taste and discuss*

Kon: You're both eliminated.

Tim and Steph: What?!

Cassie: Red Robin, the point of this competition is to showcase taste and culinary artistry, not just your engineering skills.

Bart: And Spoiler, you were supposed to make soup.

———————

Cass: *sneaks out her room*

Cass: *rolls down the hall*

Cass: *jumps over the couch*

Cass: *crawls through the vents*

Cass: *climbs down the rafters*

Cass: *slides down a gas pipe into the Batcave*

Cass: *lands in front of the door*

———————

Dick: I'll infiltrate the Iceberg Lounge with my state-of-the-art wearable camouflage that uses reverse psychology to throw all suspicions off of me by catching people's attention in a completely different way.

Jason: Pfft, lame. You should check out my latest tech. It's a potassium nitrate–based mixture that can be activated with a built-in timer to both create a diversion and incapacitate more of the Penguin's cronies at once.

Dick: That's stupid. We need to be subtle.

Jason: No, what we need is efficiency.

Dick: Roy, what do you think?

Roy, looking up from his phone: I think one of you wants to dress in drag and the other made a bomb.

———————

Bruce: I need the kids to steer clear of Crime Alley tonight so I can deal with a situation but I don't want to bench them because then they'll be mad at me. Any ideas?

Alfred: Give them paperwork.

Selina: Send them on a wild goose chase.

Kate: Get them to bench themselves.

Renee: Wow.

Renee: You all suck.

[koolades-world]

Can you please do headcanons on an MC who always find themselves in the craziest hiding spots

Some examples are somehow they can find themselves on a roof of a building when there’s literally no way to get up there or they somehow get on a chandelier that’s in the middle of the ceiling and also impossible to get to

You just find them somehow on a window edge that’s literally way up high on the wall and there’s no ladder, no magic that can be detected, and literally no one should have been able to help you get up there either

It’s literally impossible to get up there

But MC, in their (stupid) brilliance, found a way

MC doesn’t know how to get down though so their only solution is “jump and hope someone catches me”

MC never shares how they get to those impossible places and no one ever catches them getting to the spot no matter how hard they try

haha hi! yes of course :)

i think i did something kinda like this? honestly i'm not sure so if i did, we have two now!! i think what i did was just mc who likes hide and seek

edit: i literally did this before haha. tumblr has been doing this thing where it will duplicate an ask i already did and i've caught it a few times, but not today so oops! haha

enjoy <3

Mc who hides in crazy hide and seek spots

Lucifer

he's very concerned for your wellbeing

less worried about how you got there and more worried about how you plan to get down

after hearing that you don't really know how and are just hoping for the best he freaks out

he knows one of his brothers will always be around to catch you if you fall but that doesn't stop him from worrying

Mammon

equally as worried as lucifer, if not more

hide and seek kind of stresses him out a little because he knows he'll have to find and catch you

he always does and will but it's just the act that worries him

he even has a pillow he carries around with him if he needs to place it under you to soften your fall, but he's never needed it

Levi

he always wonders how you get up there

do you teleport or something??

he tries to catch you off guard to see if he can see you headed up but never can

he won't question you but that doesn't stop him from thinking of all the ways you might be able to get up there

Satan

he's very curious on how you get up there

to the point where he sets up secret cameras pointed at the places he knows you've been in before

mysterious though, something always goes wrong with them and he only ever see you on the ground, then in the spot, no inbetween

but, these cameras do let him get some great blackmail for his brothers haha

Asmo

he thinks when you hide up high, you could get some super cute pictures of him

y'know like a perspective thing. must be on .5 haha

he also takes pictures of you to match for his devilgram

he keeps every picture of you because you look cute in every single one of then!

Beel

by far the most chill about it

he's a little worried but he knows you're having fun

he doesn't want to stop you from enjoying yourself

but he does make you promise to never get yourself into a situation you could get hurt in, and hopes you're true to your word

Belphie

he's the insane one who hides with you

or, well, tries is the key word

it's become a friendly competition to see who can hide in a crazier spot

spoiler alert: he hasn't managed to beat you yet haha

[lees-chaotic-brain]

For You (Gojo x Reader)

What if you were sealed instead of Gojo?

CW: Shibuya Incident spoilers, angst, not canonically accurate (just roll with it for the plot it doesn't have to make complete sense), swearing, so much angst

Part Two | JJK Masterlist | Blog Navigation

Gojo knew that you were strong. He wouldn't have fallen in love with you out of fear if he didn't trust completely in your ability to return to him.

But that was before.

Before the shell of someone the two of you once knew and loved appeared.

Before he allowed himself to be distracted for a split second.

Before you noticed what was happening and shoved him out of the way.

Before you stood in front of him, hands bound behind your back, body rendered immobile.

"Well, this is an interesting development."

Not-Suguru clapped his hands together.

"Oh well, this will do too. Actually, we just managed to nab the strongest's only weakness: his love."

"Who are you?"

You snarl, glaring at your former friend.

"Why, I'm Geto Suguru. Don't you remember me? I'm wounded."

"Bull. Shit."

All Gojo can do is stare blankly at you, and pray that this isn't happening. That one of his worst nightmares isn't playing out in front of him.

"I know damn well that Suguru would never go out of his way to hurt us. He may have hated non-sorcerers, but even at the end he held no hostility towards us. So I'll ask you again. Who are you?"

"Satoru."

Gojo jumped a little, but quickly smoothed his expression over as you used one of your techniques to communicate telepathically with him.

"You need to run."

No! He wanted to scream. There has to be another option.

You continue taunting and yelling at the creature inhabiting your friend's body, and Gojo realizes that you are desperately stalling for time.

"Listen, I know you don't want to. But right now, you can't do anything for me without putting yourself in serious danger. I'm expendable."

Not to him, you aren't. For you, he would tear apart the world with his bare hands. For you, there wasn't a risk he wouldn't take. He has to find a way out of this. For you. Because there was no world where you were fucking expendable to him.

"You need to run! Now! I don't know how much time you have, but I know you can make it outside. You are the strongest after all. Run. Regroup with the others."

He knows that what you are saying makes logical sense, but he still can't wrap his mind around it.

Then you spoke again.

"No one should be allowed to take youth away from young people. That's what we agreed, right? So go. Do it for our kids. Protect their youth. For them. For our dream. For me."

Quietly, oh so quietly, he says something.

"I'm scared."

He admits, so quiet you can scarcely hear him.

"I'm not."

Your tone is gentle and loving.

"You aren't abandoning me forever. This is only temporary. I know that no matter what happens, you will get me out of here. Not because you're the strongest or anything. Because you love me, and I love you. And nothing can keep us apart, 'kay?"

Moving as much as your restraints would allow you, you turn your head the tiniest bit so you can look at him.

"Go. Go save our kids. I believe in you. I'll see you soon my love."

Holding back tears, Gojo Satoru, the strongest sorcerer alive did the unthinkable.

Turning away from you and speeding up and out of the train station was the hardest thing he ever did, and will ever do.

But he did it.

For your many (unofficially) adopted children.

For your shared dream.

For you.

Always for you.

─── ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ⋅ ⋅ ───

This physically pained me to write, but it was taking up WAY too much of my brain space lol. Let me know what you think, and feel free to send in any requests you have!

[wriothesleysgf]

pretty boy. — gojo satoru

notes: some domestic gojo, because god knows everyone needs it today.

content: no angst, here we just reject canon and embrace fluff. implied non!sorcerer reader, but can be read either way. established relationship. not proofread. this post is leak/spoiler free! this song is the vibe i was going for, if anyone is interested.

"honey, i'm home!"

the familiar, ever-joyous tone of one gojo satoru rang through the apartment; it was always the highlight of your day. you, however, didn't respond. it concerned him a little, to be honest, but as soon as he heard the sounds of soft music echoing from the kitchen, he knew just where to find you.

you were too busy gently swaying to whichever song the radio station was playing to notice gojo. so, like any adoring boyfriend would, he leaned against the doorframe and watched.

he never thought he'd be lucky enough to have a love like you. with his position in the world of sorcery, and the prestige that his name carried, gojo always thought he'd be alone. hell, he was absolutely petrified of catching feelings for somebody, since there would likely be people willing to hurt the people that he loved in order to get to him. rationally, he knew he could defeat them, but the thought always lingered.

thus, he was incredibly grateful for peaceful moments like this. moments where he could forget that he was the honoured one, and feel like all he is is yours— because that's all he desires anymore.

gojo knocks on the doorframe, not wishing to startle you as you cook. you jumped a little, but immediately settled the very second you saw those blue eyes and messy white locks. he looked so effortlessly attractive, even after a full day's work.

without even saying a word, he saunters over to you and wraps his arms around your waist. his chin rests on the top of your head, and he continues to sway you to the rhythm. as he hums softly, you recognize that he's probably had a difficult day. it's not like him to be so quiet.

you relax under his touch and let him hold you, knowing he needs it right now. "i love you," he mumbles. each words is sincere with him. the tone is more sombre than usual, almost like you'd have expected the words to come from nanami instead.

you get to a point that you can leave the food alone for a moment as it cooks, and turn around to face gojo. his arms remain around you, but you can see his face more clearly now. he's exhausted, and trying to mask that. you move a few stray hairs out of his face, carressing his cheek. "i love you too," you finally reply.

the returned sentiment puts a smile on his face. it's not the regular, goofy grin he displays around others. it's something more real, and it makes you feel like you're one of the few people that gojo really lets in on how he's feeling. if anything, you quite literally are, as his infinity was lowered the second that he stepped into the threshold of your apartment.

since your guard is so far down, gojo begins to move you with ease. he guides your body around the kitchen, causing the pair of you to fall into a rather messy slow dance of sorts. both are content, at peace in each others' arms. there's a blissful silence, a rarity for the gojo household, where nothing but the calming music fills the air.

the two of you remain in this little, serendipitous bubble for a while. the only thing that pops it is when the food on the stove makes a concerning noise, and you notice that you were so caught up that it began to burn.

"shit!" you squeal, leaping out of gojo's arms to try to salvage your meal. he just chuckles, finding your hectic movements amusing.

"baby, don't worry about it," he says, smiling as he pulls out his phone. "i'm ordering in, we can deal with this mess tomorrow,"

gojo then moves closer to you, wrapping you up in his arms so that you can't escape with ease. he waddles backwards towards the living room, not stopping until you're both plopped down on the couch (of course he's on top of you, pinning you down yet somehow not suffocating you with the mess of long limbs that he is).

he flicks on the screen, which is showing some older and kind-of sappy romcom, and presses a few buttons to order your food. the night ends with the coffee table littered in takeout boxes and some movie still playing— you weren't sure what, as you had both fallen asleep in each other's embrace long ago.

[camilledlc]

I think Wade Wilson is way more intelligent than people give him credit for. Or, another character essay no one asked for :

This will be based both on comics and movies. Also, spoilers for Deadpool and Wolverine.

I think it's often said that Wade doesn't know how to read situations, as he often acts inappropriately during them. He doesn't seem to sense the mood of the person he's talking to, angering them more often than not, and he doesn't really care about watching his mouth around children, etc. There are tons of examples of Wade being 'stupid', and 'immature', blah blah blah. But I don't think that's quite true.

Wade has also numerous moments where he perfectly reads a situation. He is extremely aware of how others may perceive his scars, he figured Negasonic Teenage Warhead pretty easily during the first movie (when talking about sarcastic comments or whatever, if I remember correctly). He knows how people act and think, and he definitely knows how to assess a situation. When he got Johnny Storm killed, he knew what he was doing. He was into a dangerous situations, just having been kidnapped and he couldn't fight, not even knowing how strong and what powers Cassandra Nova had. But by turning her against Johnny, not only was he able to assess her, but also prove that he wasn't here to cause her trouble. It was a cruel and ruthless action, but it was smart nonetheless.

Besides, people often forgets very important facts about his skills. Wade is an extremely good fighter, and that's partially due to the fact that he's a master at almost every martial arts. He knows a bunch of them, and he is capable of practicing them with impeccable form. He's also a master at espionage, infiltrations, cover missions, etc. He knows how to handle a lot of different weapons, and he is canonically one of the best fighters in the entire Marvel Universe. All of those skills require a certain level of intelligence. Fighting demands to remember the different styles and techniques, as well as enough practice to switch between them easily. Espionage, infiltration, and cover missions demand someone who is capable of discretion and and ability to judge a situation, notice details that no one else would and invent on the spot creative ways to do things. All in all, he has to be extremely smart to be able to do all of that. That's also without counting the fact that he knows how to speak fluently five different languages.

With all of these proofs, it's impossible to say that Wade is dumb. But why does he acts like it?

There is no official answer as to why Wade is this way. The most you can get is that he is extremely mentally unstable. This is the result of both a bad childhood and very traumatizing experiences as a superhero. It is said he was already mentally unstable during his childhood, so I'm inclined to believe that it also has something to do with his brain in general.

What I personally believe is that Wade is someone who gets bored extremely easily. He has ADHD (not really official in the movies, but canon in the comics), and he always seems to jump from one topic to the other. His mind is often considered a mess, and he himself sometimes has trouble keeping up with it. I think that someone like him has to be stimulated at all times, because boredom is definitely the worst thing that could happen to him. Even in the last movie, he seemed to hate his job because of how boring it was, not hesitating to go back into action and becoming more and more himself again as he just do exciting things. He has always been like this, even before he got his regenerating factor. When he did his job, he wasn't always careful and often loud-mouthed. It didn't interest him to just kill people, he wanted a fight. He wanted a back and forth, a sort of game. He needs to feel in danger, needs the thrill of it.

But then he gets his mutation. Suddenly, he can't die, he can't be seriously hurt, nothing has any real consequences. And so the games became boring. What is the point of putting himself in dangerous situations if he's never really in danger? How boring it is to do a job where you're perfectly safe? The only kind of thrill he can find anymore is by having the back and forth verbally. That's when it has consequences, and people actually able to surprise him, to beat him even. Attacking by talking his is one way to not feel bored. He surprises, he shocks, he annoys, but it's always different. Even during the last movie, when he was with Logan, he clearly said they didn't need to fight, yet he couldn't stop edging him verbally, always finding ways to push his buttons.

Wade is a very bored person, with a great understanding of where the limits are. And because he's so good at finding the limits, he's even better at crossing them willingly, sometimes at the expanse of the people he loves, because he can't be bored.

(I also like the interpretation of him just needing to be at the centre of attention, but I think it's a bit more classical and has already been done and re-done. So, this one is a bit trickier and way funnier for me.)