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#i just want better graphics and a better art style
tricoufamily · 1 year
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oh no i forgot that project rene thing is today i’m almost dead
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skunkes · 4 months
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Hello this is from an old post of yours (I was scrolling through the Fields of Mistria tag and got pretty far back I guess lol) but you mentioned most farming games that have come out are ugly and only like two are good. I assume one of the good ones is Stardew but what is the other? Which ones are ugly?
"ugly" was exaggerated for the frustrated tone of post, in reality many just arent to my taste, art direction wise... being 3D already strikes many of them out as I dont want games that will blow up my laptop but even then im not a huge fan of the styles of many of em even if i did enjoy the 3D ones (example being my time at port/ia.... i wld put this in the aforementioned category. i don't like looking at it)
i just know that 90% of the time someone recommends a farming game to me its either 3D graphics and/or "ugly" (to me)
(and its usually both bc i often will play games that blow up my laptop if i like them enough, like DQB2! i havent liked the style of any actual 3d farming game enough yet though)
also going really far back into the tag is so real i keep stopping myself from doing that too im so excited for da game ^_^
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giantkillerjack · 2 years
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I am trying so hard to learn how to recreate junji ito's style, and I literally think that the line work is so detailed that my poor little crippled wrists are not up to the task
But! I think I have figured out a way to work around that using pre-made cross-hatching brushes in clip studio! Which means hopefully I can focus on getting down the major shapes of his illustrations, and then i can learn how to fill in the ludicrous amount of tiny tiny little lines digitally!
and THEN I am going to draw characters from the video game Don't Starve Together in that style! And vice versa. I would love to draw a cute little chibi of Tomie 😈☠🙀
Time to crack into the file entitled "scary boi jail" that I keep on both my phone and my computer, so I can trace a bunch of panels from Uzumaki.
Happy Twisted Flesh Tuesday, everyone!!
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kotori-mochi · 10 months
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Can't afford art school?
After seeing post like this 👇
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And this gem 👇
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As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
📺Here is my list:
Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)
Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)
BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free, teaches digital painting and has classes in Spanish)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Sinix Design (has some tips on drawing people)
Winged canvas (art school for free on a verity of mediums)
Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)
Scott Christian Sava (Inspiration and provides tips and advice)
Pikat (art advice and critiques)
Drawbox (a suggested cheap online art school, made of a community of artist)
Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)
Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)
Second part BOOKS, I have collected some books that have helped me and might help others.
📚Here is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
💻As for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )
Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)
Blender (for 3D modules/sculpting, animation and more. Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)
Drawpile (free and for if you want to draw with others)
IbisPaint (free, phone app ONLY)
Medibang (free, IPAD, Android and PC)
NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"
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valleyofheartz · 2 months
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I Love You, I’m Sorry
University AU
Pairing: Volleyball player!Sakusa Kiyoomi x Artist!F!Reader
angst, fluff, hurt/comfort, FWB to lovers, angst with a happy ending
WC: 9.7k
Synopsis: Falling in love with the pretty volleyball player in your first year of University wasn’t something you intended to happen; it just did. And then, two years later, the line between lust and love blurs. You want him beyond his body, but does he want every side of you? A part of you liked to think so, but Sakusa Kiyoomi is known for crushing hearts, and make no mistake, you were no exception.
Content/Warnings: alcohol consumption, kissing, mentions of sex but nothing explicit, FWB relationship, graphic descriptions of blood/knives/wounds/organs (nothing actually happens), subtle hints of depression/anxiety, jealousy, curse words, one scene with a creep but its vague, pls lmk if I missed anything!
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two August’s ago, you fell in love.
you remember laughing till tears cascaded down your rosy cheeks, face hurting from smiling so much. you remember soft touches; on your hand as you reached for the same item, on your waist when you squeezed by, on the corner of your mouth when you don’t seem to notice the crumbs that coat your lips. you remember a gentle smile, eyes crinkling the slightest bit as your heart stutters in your chest. you remember dark curly hair, mole kissed skin and eyes brimming with affection.
you remember everything.
bright, giddy, and curious, you entered university with dreams larger than the sun. your passion for art made you yearn. you wanted to draw everything beautiful. you’d sit by the tree near your campus library and draw for hours, music blaring through your headphones as you sketched pretty items, pretty scenery, and pretty people in your book.
it was under the tree you found your muse.
you recall forgetting to bring something to tie your hair with, leaving it to fall in your face when the the wind hit a little too hard. you squinted, frowning as you moved the strands out of your sight.
and then, as if entranced, you see the prettiest student walk towards the library. it’s like everything is suddenly moving slower. he’s clad in a- sports jacket? with your school logo, and black shorts to match. he has a gym bag hung on his right shoulder, but you find yourself more focused on the thick locks on his head and soft slope of his nose. his lips are full, pretty and pink. the slight chill from the air must be the reason why his cheeks are tinted as well, and your hands itch with the urge to draw this mythical being.
(first-year you was a little dramatic, but present you still understands her.)
you draw a rough sketch of him the moment he leaves, but you know had you had more time to look, you would’ve done a much better job.
the second time you see him is at a party.
you had forgotten about the pretty boy as the days went on, more focused with school and handing in assignments. exams arrived, and then you were on break. your friends had begged you to show up, with promises of it being a fun experience even if all you wanted to do was curl up under the covers and sleep all day.
you end up wearing a cute outfit, somewhat revealing yet covering the parts you wanted to. your hair is styled with shiny clips that match your makeup. you feel pretty, and even though you initially did not want to go out, you think this might be a good idea.
“Y/n, let me know if you want to leave early, okay? And don’t drink anything random people offer you.” Kuroo grabs your arm, tone serious. you want to laugh at the usually silly guy being so protective of you.
you smile, “I know, father. No need to worry about me, it’s just my first party.”
Akaashi beside you ruffles your hair, “He has a reason to be worried, you’re a little too sweet for your own good.”
you scrunch up your nose, mentally disagreeing. you could certainly be mean. but they had yet to see you at your worst, so this made sense. you decide to let them keep this image of you.
Bokuto barrels forward, knocking into your back as you stumble into Kuroo’s arms. he catches you with ease, sending a glare towards his friend.
“Watch it, are you drunk already?”
Bokuto grins, “Pre-gamed a little too hard! My bad, bro.” he pauses, looking at you, “And the lady-bro.”
you stifle a giggle at his words, focusing on the warmth that emits from Kuroo. you suddenly regret wearing something that showed more skin, knowing you got cold easily.
“Tetsu, can we get drinks?” you grab his bicep gently as he looks down.
“Yeah, yeah. Let me just say hi to some of the guys and we’ll go.” he waits for Akaashi to come to your other side before walking, with you squashed between them.
you roll your eyes, what was up with them? it was your first time attending a university party, not your first time at a club.
you greet people mindlessly, and they all seem nice enough. you get restless after twenty minutes though, really wanting a drink. you tug Kuroo’s shirt gently, waiting for him to turn to you.
“I’m gonna go get a drink, you want anything?”
he frowns, “I’ll come, give me a sec.” he doesn’t wait for a response before excusing himself from his friends. they all wave him off as he guides you to another room in the house, which is more secluded.
you find the table, filled with all sorts of stuff you were unfamiliar with. one of Kuroo’s friends stands by, and you assume he’s keeping an eye on the beverages to ensure nobody spikes them with anything.
Kuroo gives him a quick nod before reaching for a bottle. he must know what he’s doing, however, as he pours you a mixture of two drinks before handing it to you. you take it with narrowed eyes, lifting it to your nose and oh, it smells fruity enough.
you down it in one go, looking back at Kuroo’s slackened jaw. you bark out a loud laugh, before covering it with your hand. “What?”
he shakes his head, “Nothing, nothing. Didn’t know you were so thirsty.”
you shrug in response, mindlessly scanning the room as Kuroo pours himself a drink.
despite the room being half empty, it is still fairly large. you can see a group playing beer pong on the left side, while the ones on the right are laughing loudly as they seemingly discuss something funny.
and then, your eyes land on him.
he’s standing with who you assume is his friend, with their back towards you. he’s leaning against the wall, his arms crossed, and the position allows his navy blue shirt to stretch with the muscle. you swallow when your eyes trail down to his slim waist.
broad shoulders and a small waist? surely that had to be illegal.
his black pants are loose, but fit his thighs nicely.
when your eyes go back to his face, you’re once again filled with the urge to pick up your pencil and draw. he’s not smiling, and you have a feeling he doesn’t smile very often, but it doesn’t take away from his beauty. his cheekbones are pretty and prominent, and you wonder how they would feel beneath your palms.
you bite on your bottom lip at the thought, feeling foolish for thinking about a stranger like that.
“Oh? Does my little Y/n have a crush?” a voice croons next to your ear.
you whip your head back with a glare, “Tetsu, no.”
he laughs loudly, head throwing back as he cackles. you frown, scrunching your nose at him even if he’s too busy laughing to see.
“Oh, c’mon cutie, I’m just teasing. Nothing wrong with a little crush, I would just recommend someone a little… nicer.” he says, out of breath as a grin stretches on his face.
you tilt your head, “Huh? You know him?“
Kuroo ruffles your hair gently, with you moving to fix it immediately.
“We aren’t close, but I do know him since he’s on the same team as me,” Kuroo smiles at the wide eyed look you give him. “i’d say i’m closer with his friend over there.”
when you glance back to the pair, you find that the pretty boy has his eyes on you.
your heart jumps, your body shivering as you snap your eyes back to Kuroo.
what the fuck? maybe you hallucinated that.
“Oh, your man is looking here.”
maybe not.
“Hey, want me to introduce you? Who knows, you might be able to defrost his heart.” he smirks, with you shaking your head to disagree. “No, thank you. I’m not going to defrost his heart like he’s some piece of frozen raw meat.”
he huffs out a laugh, turning into a cough when his eyes partially widen. “Well, you should prepare yourself, they’re both coming here right now.”
you look at Kuroo with an incredulous expression, “You’re fucking lying.”
“Such a foul mouth, cutie.” he lifts his hand up and looks beside you, “Hey, man.” he waves. he nods at the pretty boy next, who you assume nods back.
you finally allow yourself to look away from Kuroo and at the two new men in front of you. they’re both tall, but thankfully you’re used to being surrounded by tall men due to your friends.
you smile at the friend and glance at the pretty boy for a second, “Hi, I’m Y/n.” you’re thankful you manage to sound stable.
“I’m Adriah.” his friend says with a half grin. it’s boyish and charming, but you’re more concerned with the curly-haired guy beside him. your eyes dart to his next, anticipating an introduction.
“Sakusa Kiyoomi.”
his voice is deep, it’s almost alluring. it reminds you of the dark chocolate you often pick up from the convenience store beside your dorm; bitter but comforting.
you always loved dark chocolate.
the thought makes your heart do a funny thing and your chest seize up.
a year and a half later, you kiss Sakusa Kiyoomi for the first time.
you’re close friends by now, perhaps even best friends. you know him like the back of your hand; no, you know better than you know yourself.
you know his arms are covered in beauty marks, ones you’d like to trace with your lips. you know how his hair looks when he first awakens, eyes swollen and lips puffed out in a pout. you know his favorite food, and how he likes his coffee in the morning. you know he sighs through his nose when he’s feeling overstimulated, you know his lips press together when he’s about to say something mean. you know he crosses his arms when he feels like he needs to protect himself, you even know the brand of disinfecting wipes he prefers to buy.
you know he has a dimple on his left cheek when he smiles, you know how his lips stretch out all pretty when he’s caught off guard. you know the low timbre in his chest when he laughs, his thick steel walls suddenly nowhere to be seen as he allows himself to relax.
“Kiyo, please? I really want to go, and nobody else wants to come!” you beg, voice sad as you sit on the edge of his bed.
it’s 12:00PM, and Kiyoomi is still laying in bed. you understand, it is a Saturday, but you wanted to go out and visit the cat cafe with supposedly amazing tiramisu.
the lump on the bed barley moves, “Oh great, so I’m your last choice. I’ll pass.”
you smile, giggling. “No, you were my first choice, but you said no so I asked other people and they also refused, so now I came back to you!”
he lifts the covers, sitting up. he’s shirtless, and the sight of his bare body covered in pretty beauty marks makes your brain short-circuit. you turn away, huffing. “Put on a shirt you… perv.”
you hear a pretty laugh then, your head immediately turning back to catch the rare sight. he shakes his head, small grin still on his face, “I’m the perv? Not the one who’s red in the face and can’t even look me in the eye?”
you blink harshly, “I can look at you! I’m just… respecting your boundaries.”
you turn away again, crossing your arms. you hear the covers on the bed shuffle, and when you slowly turn around, you find yourself much closer to Kiyoomi than you thought.
you blink, moving to give him space and tumbling off the bed in the process with a yelp. he grabs you with wide eyes, moving so he takes the brunt of the fall.
you land on top of him, watching as he groans in pain below you. your hands are resting on his broad shoulders, and they feel smooth beneath your hands.
he sighs, laying his head on the floor. he looks up at you through lidded eyes. “So what now, genius? You made us fall.”
you shoot him a dirty look, “Well nobody told you to fall with me.”
“This is the ‘thank you’ I get? Next time I’ll let you get hurt, brat.” he rolls his eyes with a scoff.
you pout, bottom lip pushing out. “You’d let me fall and get hurt?”
he stares at you intently, not answering. you take the time to observe his face, wanting to burn the memory into your brain. you like the small bump on his nose. you like the way his bottom lip is slightly bigger than the top. you like the way his skin turns red easily, his cheeks often sporting a pretty blush even from the slightest chilly air. you like his thick curly hair, wondering how it would feel in your hands. you like his eyes too, dark and swirling with emotions you’ve yet to unravel and discover.
suddenly realizing your proximity, your eyes dart to his lips. plush and full, they look so inviting. you subconsciously lick your bottom lip, glancing up to find his eyes are also on your mouth. and when he finally looks you in the eye, you know if you don’t make a move now, you never will.
you lean in, slowly, and with a gentle exhale, you press your lips to his.
a month later, you have sex with Kiyoomi.
it comes naturally, you think. soft kisses shared with hushed whispers were no longer enough. it led to heated touches and lust-filled eyes.
so when the two of you end up going further, you have no complaints.
he treats you exactly how you’d like, gentle in some ways and rough in others. you like the feel of his calloused hands caressing your skin, the rough bumps making him more attractive than you already thought he was.
and then you’re laying in bed, sweaty and covered in fluid. but his mattress is so comfortable, and your eyelids feel heavy.
“Y/n, we need to shower.”
“One minute.” you mumble quietly.
you feel a hand gently move hair out of your face, subconsciously leaning into the warmth of his palm. it’s gone before you can speak, and you have to force the whine down your throat.
you hear a sigh, and then feel a strong arm slide underneath your knees with the other behind your back as you are lifted into the air.
you squeak, hands scrambling to latch onto his neck. you look up at Kiyoomi with wide eyes, “Seriously, Kiyo? I can still walk, you jackass.”
he shakes his head with a small grin, and your hands itch to grab his face and kiss him senseless. “Are you sure you can walk? I’m not sure you can after all that.”
you change your mind, you want to slap him senseless.
“Ha-ha. So. Funny.” you deadpan, unable to help yourself and breaking into a smile when you feel his shoulders shake as he chuckles.
when the two of you are in bed, freshly washed and ready to sleep, Kiyoomi breaks your heart for the first time.
you’re laying your head on his chest, heartbeat steady and comforting as it almost lulls you to sleep.
his voice pulls you back, “Y/n,”
you hum in response.
“I don’t want you to misunderstand, I care about you, but I’m not looking for anything serious right now.” the words are spoken softly, but they cut through your heart nonetheless.
your body freezes, and you have to force yourself to relax when you realize he can feel it.
so what if Kiyoomi isn’t ready to date? you’re okay with kissing him, going out with him, and sleeping with him. you’re okay with that and not having a label. you’re okay with not being exclusive.
you’re okay with having him to this extent.
you’re okay.
“I understand. Don’t worry, Kiyoomi.”
five months later, everything is the same.
and yet, nothing is the same.
“I don’t like this, Y/n. I think you should break things off with him.” Kuroo frowns, leaning into Akaashi’s side as he hogs the blanket to himself in the freezing cold apartment.
you pull your own fluffy throw closer, “There’s nothing to break off, Tetsu. There’s no label.”
Bokuto walks in, clad in a black tank top and volleyball shorts. “You can break off this unlabeled arrangement you have, Y/n! Just call it exactly that!” he smiles, hands on his hips standing proudly.
Akaashi coughs, “Bo, please put your air conditioning lower. We’re all going to get sick at this rate.”
Bokuto frowns, hands dropping to his sides. he walks to the thermostat, “Seriously? I think the temperature is fine.”
“That’s because you’re not human, you beast.” Kuroo snorts.
Bokuto turns around, looking scandalized. “I’m not a beast! You two are just weenies!”
you giggle, “Thank you for not including me with them, Kou.”
he salutes you with a cute little grin.
so maybe your friends were against your… situation with Kiyoomi. but you knew what you were doing, and while he might not want a relationship right now, you’re sure you can change his mind over time.
naive, perhaps, but you’ve always been a romantic at heart.
everything comes to a head at one of their volleyball games.
you’re invited, of course. being friends with a few of the boys had allowed you to show up earlier and get seats in the front row.
it’s not your first game, but you’re excited nonetheless.
until you see Kiyoomi with someone unfamiliar.
she’s pretty, almost unearthly pretty. her hair is long, and cascades down her back like those magical waterfalls one would find deep in the forest. her smile is perfect, not crooked in the slightest. and when she greets him, her dainty hand smoothes over the skin of his arm; you walk faster.
Kuroo greets you first, with Akaashi and Bokuto coming behind him. you give them all your best wishes, but you can’t stop the uneasy feeling in your stomach at the sight of Sakusa with that girl.
when Akaashi sees your line of sight, he grimaces sympathetically. “Ah, that’s one of his friends from high school.”
your eyes shoot to his, and you wonder what expression you’re showing, because he comes closer and wraps you in a hug. you release a breath at the touch, letting yourself relax as he pats your back.
when you go to greet Sakusa, the girl is still there.
she’s sticking to him like a leech.
you try to get rid of the rude thoughts as you approach. she didn’t deserve your jealousy, nobody did. because you did this to yourself.
“Hi, Kiyo.” you smile.
he smiles back at you, and though it is small, it’s there. something in you settles when you think about how far the two of you have gotten.
the girl beside him is looking at the two of you curiously, but all you do is give her an awkward grin and turn back to Kiyoomi.
“Um, I just wanted to say good luck. I have a surprise for you, i’ll give it to you after the game.”
he raises a brow, intrigued. “You can’t give it to me now?”
you huff out a laugh. “No, silly. It’s a reward for you playing today. I know you’ll do well regardless of the outcome.”
his face smoothes out as he nods, “Okay, I’ll be waiting then.”
without another word you wave and turn around, walking to the seats and taking one in the front. you feel odd being the first to leave, but it was clear that the girl was not going to her seat until the game started. and while you’d like to talk to Kiyoomi more, you know you have to control yourself before you do something stupid like show him your jealousy.
the game goes by quickly, with your university winning the match. you cheer loudly, smiling so hard your cheeks hurt. it’s times like these that you truly cherish the joy in life. even though you hadn’t played in the game yourself, you can practically feel the positive energy radiating off of the players, and it fills you with excitement.
you run down and across the court, moving to hug your friends as you congratulate them.
“Y/n are you going to come with us to get dinner? Please say yes!” Bokuto widens his eyes, bottom lip curling into a pout.
you smile, happy to be included but knowing you have to decline. “Sorry, Kou. I already have plans with Kiyoomi. Can we raincheck?”
he nods sadly, and Akaashi pats him on the back in consolation.
“Have fun at dinner! I’m going to find Kiyoomi.” you wait till they exit the gymnasium before turning around and looking for the tall dark-haired man you were enamored with.
you can’t seem to find him through the crowd and the thought has you frowning anxiously. you stumble inside the group of people, breathing out when you finally see the end of the mob. with another exhale, you look up.
you see red.
because there is Kiyoomi, with the small pretty girl in his arms as she wraps her own around his neck. their faces lean in together, and if you didn’t know any better you’d assume they were about to kiss.
without even knowing what you’re doing, you march right up and grab his arm, tugging him into you with as much force as you can muster.
he looks down at you with wide eyes, and even though his hair is damp with sweat and his shirt is sticking to his skin, you find him to be the prettiest in the room.
suddenly realizing how this looked, you let go of his arm and step back. “What were you two doing?” you ask, voice soft yet loud enough for him to hear. the crowd has begun to disperse, leaving only the team and their friends in the gymnasium.
the girl looks awkward, glancing between you and Kiyoomi before taking a step back. “Uh, I’m gonna get going now. I’ll text you later, ‘Omi.”
your eye twitches at the nickname, and when Kiyoomi simply nods at her, you feel like you’re losing your mind.
he says nothing to you as he moves to pack his things, stuffing his towel in his bag and throwing it over his shoulder. he doesn’t even glance at you as he walks out, with you trailing after him like a lost puppy.
the walk to his apartment is short, but because of the silence it feels much longer; much more painful, like every step is with your bare foot onto glass.
when you finally arrive at his place, he shuts the door and tosses his gym bag to the side before turning to you.
“Want to explain what that was?” his face is cold, and the uncaring way he speaks to you makes you nervous.
you swallow, “Shouldn’t you explain? Why were her arms… Why did it look like you two were dating, or something? Why did you let her touch you like that?”
he chuckles, though it has none of the sweetness that it is normally laced with. “Why the fuck does it matter? You’re not my girlfriend.”
surprisingly, the words don’t hurt as much as you thought they would. no, you knew that already. what really makes your skin burn is the way he looks at you.
you feel dread creep up on you, goosebumps arising on your skin as you shiver. the look in his eyes is unforgiving, a stark contrast to the normally fond gaze you are granted with.
maybe that’s why it twists the metaphorical knife that is lodged in your stomach, scarlet blood seeping out as the squelch rings in your ears. it feels far too real, you can almost see him holding the knife as it digs deeper into your flesh.
“I never liked that about you.”
it's vague, but you feel like you understand what he means regardless. you ask him to clarify despite yourself. “Never liked what?” you whisper. your hands are shaking; you hold them behind your back to conceal it.
“The way you act around me. Like we’re in a loving relationship when really, we’re just friends who sleep together sometimes.” the words spoken are firm, leaving no room for you to even question whether he means them or not.
“I’m sorry?” you sound breathless, asking him to confirm what he had already said.
his eyes darken further, and you swallow harshly at the sight.
“You need me to say more to get it through your thick skull?” he scoffs, furious, and the sound cuts into your already wounded heart.
“I don’t like the way you coddle me. I don’t appreciate when you give me your opinions on things you know nothing about.” he pauses. you wait with bated breath, wondering how much more your heart could take.
“And, god, I really fucking hate when you show up at my games and smother me in front of everyone. It’s uncomfortable, and then you put me on the spot and act like you’re my fucking girlfriend.”
it feels like someone has plunged their hand through your chest, tearing you apart as they grasp onto your beating heart; you can almost picture it, the way the mangled organ thumps erratically as crimson liquid seeps out between their fingers.
you inhale shakily, “I just… I love you, I’m sorry.”
you look up, to see who’s holding your heart hostage.
“I don’t love you. I never have, and I never will.”
it’s him.
and fuck, it’s always him.
two summers from now, Sakusa knows he’ll be playing volleyball professionally, for the first time.
he’ll have finished his fourth year of university, and he will be happy.
happiness.
Sakusa doesn’t exactly understand the emotion. sure, he’s felt anxiety, rage, and satisfaction, but happiness? what did that even entail?
he sits silently, trying to drone out the professors talks of another essay, and suddenly regrets taking a psychology class. because the amount of writing it required was a bit too much, even for him.
and then his thoughts go back to happiness.
oftentimes, Sakusa is told he looks mean; grouchy. and yet, he remembers an old conversation with Atsumu.
“So… you and Y/n?” Atsumu drawled.
Sakusa sighs, moving to pack up his things in the locker room. “It’s not like that, don’t go spreading anything.”
the blond raises his hands in mock surrender, wet hair sticking to his forehead. “Hey! I would never!”
and then he grins, though not as obnoxious as usual. it’s more kind, if anything, and Sakusa doesn’t know what to make of it.
“I’m just saying, ya seem a lot less grumpy these days. Happier.”
Sakusa pauses, staring at the chipped paint on the wall.
Atsumu sighs, swinging his bag over his shoulder as he moves to exit. “She’s good for ya, ‘Omi.” he pats his shoulder twice on his way out. “Don’t fuck it up, man.”
Sakusa stiffens; not at the action, but at his words. he quickly places everything in his bag before zipping it up and heading home.
if he’s a bit dazed at practice the next day, no one says anything.
when Sakusa lays in bed, he recounts the last time he spoke to you.
it’s been two weeks, and even though time has passed, it feels like just yesterday you were standing in his kitchen with your heart on your sleeve, letting him use it however he wished.
he remembers feeling furious at you, for so obviously disrespecting one of his good high school friends. and then you hadn’t even apologized, you’d instead pushed at him even more.
and then… he ruined everything.
he remembers the look on your face, the pure heartbreak in your irises as he carelessly spewed words he knew would hurt you.
it was not surprising when he walked into practice two days later to see glares of contempt by some of his teammates, who he knew were your friends. even Atsumu had looked at him and shook his head, and some part of him burned with shame. his mistakes were on display for everyone to see, and although he wanted to pull his walls even higher, he felt too distraught at the potential loss of you to bother.
he remembers laying in bed that night, finally deciding to break the silence between the two of you. but with a simple, ‘I’m sorry. Can we talk?’ he was able to find out that he was blocked.
he felt ice run through his veins, pausing at the vibrant red letters, spelling Not Delivered. he quickly opened Instagram and Twitter and found you had him removed and blocked there as well.
fuck.
he had really done it now, hadn’t he? he so naively believed that you simply needed space, and once he gave you a sincere apology the two of you could go back to the way things were; that you two could explore whatever non-platonic feelings he was beginning to develop for you.
but once he realizes the gravity of the situation, he wonders what the point is of experiencing love for the first time if it ends here.
it can’t end here.
he makes it his mission to try to meet you.
first he showed up to your Thursday class, knowing it ended at noon and you had a two-hour gap between your next one. he has a coffee in one hand and a freshly baked donut in the other. he drove across town to grab it, knowing it was your favourite. he knows a mere donut cannot make up for what he said to you, but it felt wrong coming empty handed to reconcile with you. not when you deserved everything and more.
except when you see him, you immediately turn and walk in the opposite direction.
the action stings, and he sighs once you are out of view. the bag with the donut in his hand feels heavy, his hand tingling with the rejection. he knew you wouldn’t forgive him so easily, but it didn’t mean it didn’t hurt.
I deserve this, he acknowledges.
I deserve this and worse.
it’s the next week when he has the chance to see you again; he knows you’re working, often meeting you at the cafe to pick you up and take you to his place home.
so with a deep breath, he walks in. the door bell chimes loudly, and he curses mentally when he realizes how deserted the place is at the moment. there’s only a few people inside; a man sitting in the corner as he types furiously on his laptop. a woman and two others sitting on the side as they sip on what he assumes is coffee or tea.
and then he looks to the front, where you stand, and your eyes are on him.
the moment he takes a step forward, you stumble back, as if burned. he stops, unsure if he should keep walking or simply say something as he stands ten feet away from you.
unfortunately for him, you seem to come back to reality and swiftly open the door where it explicitly states STAFF. a moment later, one of your coworkers walks out with their customer service smile, and he deflates.
third time’s a charm, he says to comfort himself. but even he knows it won’t be that easy.
it’s friday, and even though he had no idea if you’d be home, he figured it was worth a shot. so that’s how he finds himself at your door, with a bouquet of white Tulips in his arms.
“Hi! Is there anything I can help you with?”
he jumps slightly when he hears a high-pitched voice coming from behind him, turning around and smoothing out his face.
“I’m not sure.” he states quietly.
“That’s okay! Is there anything in specific you’re looking for? A colour, or a meaning, perhaps?”
he frowns; it feels like all he’s been doing is frowning lately. “Uh, maybe something bright? Or… something that symbolizes forgiveness?”
she smiles sympathetically, and he wonders what expression he must be showing to warrant such a response from a stranger.
and that’s how he finds himself here. he shuffles on his feet, clutching the flowers to his chest protectively. with a soft inhale, he raises his fist and knocks.
silence.
he rings the doorbell this time, and still nothing.
he exhales quietly, his head dropping as he stares at the old carpet that covered the hallways in your apartment building. he’s been here so many times with you, but now he sees nothing but the back of your door and he has nobody but himself to blame.
he stands in front of your place for an hour, mindlessly staring at the wall as he recalls his words to you. how you’d handed your heart to him with your bare hands, only for him to treat it as though it meant nothing to him.
so on Sunday, he lays in bed and recounts the last two weeks.
he wants to wallow in self-pity, but then he hears banging on his door and wonders which unlucky soul will encounter his wrath.
he swings the door open, face emotionless and mouth ready to open and hurl insults at the other, until he sees his one and only cousin, Komori.
“Hey man!” his cousin smiles, innocent and happy.
Sakusa hates it.
his shoulders slump as all anger vanishes, exhaustion left in its wake. “What are you doing here, Moyota,”
he walks back to his room as Komori closes the door. “because if you can’t tell, i’m busy.”
Komori snorts, “Busy doing what? Moping?”
Sakusa glares at him, but in his disheveled state he merely looks like a feral wounded puppy. he crawls back under his covers, face smushed inside his pillow as he feels the other side of the bed dip.
“Get your outside clothes off my bed, Moyota.”
he hears a huff before the pressure is gone, and wills himself to sleep.
“Listen, I know you’re upset about what happened with Y/n, but sitting in your sadness won’t get you anywhere.”
Sakusa continues to lay there. “Mhm.”
Komori ignores the dry response, “There’s a party on Friday. You should go.”
“Why should I go to a party? You want me to drink my sorrows away?” his voice comes out muffled but he’s sure Komori can hear him regardless.
“Y/n will be there.”
that gets his attention. he sits up, the covers pooling at his waist as he crosses his arms. “How do you know?” his eyes narrow.
Komori rolls his eyes, “Because, I overheard Kuroo asking her to come on the phone. Something about him finding her someone new to replace you.”
he clenches his fists, feeling the burn of jealousy take over. replace him? he knew you were well-liked in your program, often waving at people whenever the two of you walked together on campus. he was not ignorant of the stares you’d get from fellow students. but it didn’t matter then because he knew his eyes were on you, and yours were on him.
but now everything’s different.
now, your eyes are not solely on him. the thought has his chest hurting in a way that he can only describe as a stabbing pain.
“I’ll go.”
the week passes by too slow for Sakusa, but he knows it’s only because he’s missing you. when friday arrives, he’s feeling somewhat optimistic about meeting you and hopefully reconciling.
he scrunches the products in his hair, freshly washed from the shower. he’s wearing black slacks and a matching button-up. he places a few rings on his hands and moves to dry his hair with a cotton t-shirt once more before exiting his room.
“About time, dude. Why is your hair routine so complicated?” his cousin complains from his place on the couch, looking at him expectantly.
Sakusa grabs his keys on the counter, “My hair isn’t pin-straight, that’s why. Why are you still sitting down, let’s go.”
Komori rises with a shake of his head as he walks to the front door and slips on his shoes. Sakusa waits for him to leave before locking the door and following him to his car.
the drive seems unreasonably fast, and his palms feel sweaty as he wipes them on his pants. he’s suddenly thankful he chose to wear black bottoms.
when he walks inside the house, he’s immediately hit with the smell of alcohol and sweat. it’s absolutely disgusting, and he has to remind himself why he’s there as he takes another step forward.
“Let’s go to the back! It’ll be less busy there!” Komori raises his voice, but Sakusa can just barely hear his words. he nods and follows his cousin to another room, breathing out in relief when he notices there are fewer people.
Sakusa subtly shuffles towards an empty corner, knowing Komori is following him. he turns around, leaning on the wall, “These people are revolting. When is Y/n getting here?”
Komori scratches his head, tapping at his phone with one hand. “Not sure, let me check with my friends. I’ll ask where Kuroo is.”
he scowls, “Why would that matter?”
“Because he wouldn’t leave her alone at a party.” Komori shrugs. “They’re real close.”
something in his chest feels tight at his cousins words. you and Sakusa were once close; and if you forgave him, he’d let you be even closer. he just has to apologize and hopefully smooth everything over.
a part of him itches to go and search for you himself. he feels on edge, knowing you are so close yet so far away. it unsettles him, the thought that if you don’t forgive him he’ll have to watch you from afar, and accept that someone will love and care for you all the ways he didn’t.
but - does he love you? he cares for you, immensely at that. but does he love you?
he thinks about your pretty eyes, always filled with affection. he thinks about your ability to make people feel comfortable around you within minutes. he thinks about your small hands, your shy smile, the feeling of your hair when he twirls a lock around his finger as you lay in his bed. he thinks about how you look with the sun seeping through the crack in the curtains, skin glowing and lips slightly parted as you exhale softly.
his heart beat echos in his ears. he feels a flush take over his face and places the back of his hand on his forehead. he suddenly feels hot.
maybe he has a fever? but so suddenly? he swallows, the sound echoing in his head.
and then he finally sees you, drink in hand as you throw your head back and laugh.
his heart beats loudly in his chest.
he places a hand above it, feeling the erratic thumps beneath his palm.
ah.
so he loves you.
-
Sakusa waits.
he waits in the corner, a drink in his hand, courtesy of Komori as he subtly stares at you from across the room.
it’s been about an hour, and you’ve yet to notice him. he cherishes the time, observing you from afar. he watches you giggle and wrap your arms around your friends, the gaping hole you’d left in his heart the moment you walked out of his life grows by the minute.
he’s contemplating what to do when you finally lock eyes with him.
he watches the smile slowly slip off your face, something akin to agony colouring your eyes.
he begins to walk towards you, not breaking eye contact for a second. it's like he's entranced. and when he’s right in front of you, he feels breathless; like your existence has left him at a loss for words.
“Hey.”
his voice comes out rough, and he clears his throat when your lips tug downwards.
your friends are looking at him with distaste, even Bokuto who normally sports a happy grin seems fairly upset. it makes him realize what a huge fuck-up he is.
he shifts on his feet, “Can we talk?��
Kuroo answers for you. “No, you can’t. You’ve said enough to her.” he steps in front of you, shoulders pushed back.
Sakusa feels irritation bubble in his chest, but pushes it down, knowing that Kuroo has a reason to be protective over you.
“I just want to apologize. And, confess something.” his voice comes out more desperate than he thought it would. it sounds fragile, even to his own ears.
Kuroo deflates, if only slightly. “It’s still a no. Find someone else to mess around with.”
“I'm not messing around. I just, I need to talk to her. Please.” the cup in his hand is beginning to bend, the cheap plastic cracking as the drink sloshes around.
Kuroo opens his mouth to what he assumes refuse him again, until a small hand grabs onto his arm and steps in front of him.
he watches as you let go of Kuroo, looking more composed than you had been before.
“It’s okay, Tetsu. I can handle this.” your voice makes his skin tingle. he realizes how much he’s missed it.
Sakusa’s shoulders drop in relief. he feels so happy that you decided to talk to him, he doesn’t even care that your friends are glaring him down.
“But-”
you cut Kuroo off, “Really, it’s fine. I’ll text you if I need anything.”
Kuroo looks like he wants to argue, but you give him a look that has him backing down.
he huffs, “Fine. Just be careful. Call me if he does anything.”
Sakusa stops himself from scoffing, annoyed with Kuroo’s words. what would he do at this point? what could he possibly do to make things worse than they already are?
you pat Kuroo on the arm and walk past Sakusa, turning back. “Let’s go.” you don’t wait for a response before continuing, and he follows you without a glance at your friends.
he tries to control his breathing, attempting to keep it steady as you enter the backyard. it’s empty, the chilly night air keeping everyone inside.
you turn around, crossing your arms. “So? You wanted to talk?”
he licks his lips, rubbing his forearm with his hand. he’s thankful that he threw his drink out at the garbage can near the back door. he can feel his hands shaking, and hopes you don’t notice.
“Yeah.” he exhales, “How have you been?”
you shrug, expression guarded. “Fine.”
he nods, expecting the dry answer but still feeling a bit dejected.
“I miss you.”
the words come out so abruptly. the two of you stare at each other in shock, and he almost raises a hand to cover his mouth.
god, why did he just say that?
you laugh, but it comes out less genuine than he’s ever seen. “You should be happy you don’t have someone pretending to be your girlfriend, right?”
his face drops, and he knows whatever expression he’s showing is not as stoic as he thought. because with one glance at his face you look like you almost regret your words.
“I was.. I was so fucking stupid that night. I know you have no obligation to forgive me, but please let me apologize.”
you stare at him silently, before nodding.
Sakusa breathes out, “I’m sorry. Nothing I said was true. I was just… angry. Not at you, at myself. I had been denying how I felt for so long and when you asked me who that girl was, I just lost it.”
he stares at the grass rather than your face, not wanting to know if you look at him with an unforgiving gaze. “I realized that I had unintentionally entered a sort of- relationship with you. I was scared. I still am.”
he lifts his gaze finding your wide eyes. “It was an unintentional relationship, but I wouldn’t have done anything different.”
he pauses, “Of course, except when I ruined everything. I’ve stayed up every night since it happened thinking about how I could have responded differently.” his lips tug up, the expression bitter.
“Because it was after that I realized my feelings for you.”
your brows furrow, your eyes darting around his face in pure confusion. “What are you saying, Sakusa?”
he ignores the ache of you using his last name, “That I have feelings for you.”
the silence is deafening as crickets chirp in the silent night.
“I love you, Y/n.”
you stagger back, as if wounded. you shake your head, “No, no. You don’t love me, Sakusa.”
he doesn’t understand your response. sure, you wouldn’t be elated. he knew you were still upset. but you look like you genuinely don’t believe him, like you refuse to believe him. he feels like he’s going to collapse if you walk away without acknowledging his feelings.
“What? I’m serious, Y/n. I love you.” he reaches a hand out, drawing back when you flinch.
“I’m in love with you.” he whispers.
you look at him, as though he has caused you immense pain, before turning away and running back into the house.
Sakusa stands there, alone in the dark.
he wonders if love is supposed to be so painful; if he will always be the one to inflict the pain, cause the heartache, and leave everything in ruins.
"Shit." you curse as you stare at the empty fridge in front of you. an old bar of havarti cheese and two stale apples stare mockingly at you.
so perhaps you haven't gone grocery shopping in quite a while, but you've been busy! with assignments, your friends, and... Sakusa, you have had too much on your head to worry about things like restocking your fridge.
but now it's nearly midnight, and you have yet to eat dinner. your stomach rumbles at you, and you press a hand to it in annoyance.
you can skip a meal, it's not the end of the world.
but then your stomach rumbles again, and it's starting to feel extremely uncomfortable.
you check your phone, just to see if you can order in. but with one glance at the delivery price, you click your phone off. you stare at the sad-looking apples and cheese once more, making up your mind.
the convenience store is about a ten-minute walk, five if you run.
without another thought, you grab a hoodie from the coat rack and put it on. you pick up your apartment keys and slip into your shoes, bracing yourself for the cold air.
the walk ends up being somewhat soothing, the normally lively city is quieter. you use the time to think about your relationship - or lack thereof, with Sakusa. you still remember when he professed his love for you two weeks ago.
you remember rushing back into the party and telling your friends you had to leave. Kuroo drove you home, and you spent the night eating leftover icecream and binging Jujutsu Kaisen.
why couldn't you date someone like Gojo?
but then you think someone calmer, more steady would suit your personality well. someone who you could rely on and with a bit of sarcasm perhaps. someone who has dark hair; you always liked curly hair on men.
someone like him.
Sakusa Kiyoomi.
your thoughts are cut off when you finally get to the store. the lights are bright underneath the dark sky, the bell chiming when you open the door. you quickly grab a few rice balls, and walk to the cashier. it takes you a total of three minutes to get what you want, before you're walking back out with a plastic bag in hand.
you look up as you walk, the stars twinkling prettily. they remind you of his eyes.
you really wish you could stop thinking about him.
Sakusa makes you feel like you've caught a never-ending sickness. like you will wake up each day with your chest in pain, with your eyes swollen from crying paired with your unstable emotions.
its exhausting, you think; caring about people to a point where they cannot understand or reciprocrate your feelings. and then you always end up like this. alone. you wonder how long it will take for the other people you cherish to leave you too.
your thoughts come to a halt when you hear footsteps behind you.
its dark outside, the streetlights only providing a dim yellow glow as you walk. when you turn your head, you notice a man in a hood. your heart immediately plummets.
fuck, what had you been thinking? you should have ordered delivery, screw the price! the money wasn't worth your life.
you walk faster, noticing the person speeding up their steps. your breathing is becoming heavier, and you can feel your legs trembling as you continue to walk. you know you can't go home, otherwise he will know where you live.
you make a detour to head to a park you've been to many times. it was about a five-minute walk from your place, and the thought has you walking faster anxiously.
when you hear his footsteps draw closer, you turn your head and see he is much closer than before.
your breath hitches, and you find yourself tearing up in fear.
you are about to resort to an offensive stance, prepared to swing your bag of riceballs at his head when you bump into something.
you gasp loudly, flinching so harshly at the suddenness of the situation. you look up, finding familiar dark eyes. they look at you with bewilderment, but all you can think about is the pure relief that pools in your stomach, the tears building up in your eyes finally falling.
you rush forward and wrap your arms around him, breathing in the familiar scent. your shoulders are trembling, but they calm slightly when you feel an arm wrap around your waist and the other smooth over your upper back.
he looks over your shoulder, and you are unsure what expression he is showing. "Did you need something?" his voice comes out deep and - angry. you wonder if you are hallucinating the protectiveness that coats his tone. his arms tighten around you further, causing you to relax in his embrace.
you wait, body stuck to his. you hear footsteps retreating, and breathe out shakily.
"He's gone." he says, voice low.
you nod, but you stay in your position for a few minutes, content to bury yourself in his embrace after such a terrifying situation.
"Kiyoomi?" you look up, placing your hands on his chest.
he tilts his head downwards, "Are you okay? He didn't do anything, did he?" his brows are furrowed, lips pursed. he looks extremely concerned, and you feel surprised that he seems to care about you so much.
you shake your head slowly, "No, he didn't do anything. I'm - i'm fine." you lick your lips, trying to convince yourself to believe your own words.
Sakusa doesn't answer you, but he does turn his head and glance back before looking down at you. "I'll walk you home. Are you okay to walk? I can carry you."
you don't have much energy left, but you manage to laugh anyway. "I can walk, thank you."
you gently push at his chest, even though you want to continue to stay in his arms. you don't have that privilege any longer, and you shouldn't have assumed you had it in the first place.
you nod, however, and accept his offer to walk you home. you'll let yourself be selfish just this once, and then you'll let him go.
the walk back is silent, but Sakusa sticks close to you. you feel safe with him next to you, regardless of the fact that he hurt you so deeply.
he seems to protect you from others, but never from himself and his words. you sigh tiredly at the thought.
when you get to your apartment, he insists on walking you up. once at your door, you look at him and shuffle on your feet awkwardly.
"Uh, thanks for helping me back there and walking me home. I'll go inside now." you reach for your doorknob but he grabs your hand, pulling you closer. his head dips down, and he closes his eyes with a sigh.
"Please, just talk to me. I can't handle this." his voice makes you shiver, and you curse your body for reacting that way to him.
you lick your lips, "Can't handle what?"
he opens his eyes, tilting his head further down to catch your gaze. "You being mad at me. You ignoring me. Please, tell me what I need to do to fix this."
the two of you are standing so close, your cheeks heat up at the proximity. he still makes you so nervous after two years of knowing him, and the thought has you annoyed with your weak heart.
a shaky breath escapes your lips. "I don't know. You really hurt me, Sakusa."
he looks at you, face pained. like you being upset is causing him pain, and your chest aches to make him feel better.
"I'm sorry, I love you."
the words bring you back to that night, where you bared your heart to him and he trampled on it without a thought. you feel the urge to let more tears slip out, but you are tired of crying over people that do not care for you. you are tired of being the one that loves more.
but he looks different now. his eyes are filled with remorse, and you want to kiss his frown away. maybe, just maybe, this time you wouldn't be the one who loved too much for their own good.
he wipes a thumb underneath your eye, swiping over your cheek. you hadn't even realized you were crying until the concern in his face grew. it makes you feel embarrassed and angry at yourself, but you can’t find it in you to refuse his comfort.
"You don't mean that, Kiyoomi." your voice cracks involuntarily.
he shakes his head pushing your foreheads closer to one another. "I do, I mean it. I'll say it a million times until you believe me."
you huff out a shaky breath. "A million times is a bit dramatic."
"I'd do it for you." he moves his head to the side, pressing a kiss to your temple. the action has butterflies erupting in your stomach, unused to something so innocently romantic.
"You realize we have a lot to talk about? It won't be easy. I can't forgive you so quickly." you lean closer, tilting your head up.
he leans his head downwards. "I know. I'm sorry, just give me a chance and we can talk about it. I'll work hard to make you forgive me." the words are whispered close to your lips, his breath hitting your face. the minty scent is so Kiyoomi, it has your heart fluttering.
you know you have a lot to talk about. you can't just gloss over the month you spent apart, and you would have to talk to your friends about your choice to give him another chance. it would be difficult, and a risk. you were tired of pouring love into people who could not understand its substance.
but perhaps you can hope; you can hope that this time things will be different. that you'll love someone who will love you back all the same.
"Okay." you say softly.
he smiles, and you wonder if you are imagining the glassy look in his eyes. "Okay?"
you nod, whispering once more. "Yeah, okay."
he tilts his head down and captures your lips with his own, one arm sliding around your waist and the other in your hair, tugging you impossibly close.
you gasp into it, not expecting the desperation that leaks from his lips. he pushes you against the wall, with you wrapping your arms around his neck.
tomorrow, you'd have a lot to think about. you'll have to talk to him and figure out what's in store for the two of you. you will also have to face people who will surely disagree with your decision.
but that was a problem for the future.
for now, you're content to focus on the warm lips on your own.
EXTRA:
"So, what happened with that girl anyway?" your cheek is smushed on Kiyoomi's chest as the two of you lay in bed. you had come over to his place after his practice, and you were enjoying the skinship and cuddles.
he shifts underneath you, "Which girl?" his voice is drowsy, and you know he's falling asleep. you can't help yourself though, you've been curious.
you lift your head, smiling at his tired eyes. "The one from the game. She kept touching you."
you watch recognition fill his eyes as he hums, "She asked me to grab a coffee a few days after the game. Haven't responded though."
you nod, satisfied. "Are you going to? Respond, that is."
he turns, large arm wrapping around you. "Why would I do that when I have you? I'd rather the both of us get coffee sometime."
you laugh, "Are you asking me out on a date, Sakusa Kiyoomi?"
he smiles sleepily, planting a kiss on your forehead. "Yes. Let's get coffee soon."
you giggle, snuggling closer. "Okay, sounds good to me."
the surprise you had wanted to give to him after the game sits on his wall, framed and beside his bed. the drawing is one of your best, filled with the overwhelming love you know you could only ever offer to Kiyoomi.
love has always been something daunting for you. to love so wholeheartedly meant the likelihood of someone hurting you was greater. but you don't regret anything, not the slightest bit.
because you know how much love you have to offer, and as long as its to the right person, you know he'll keep your heart safe.
you love him, and you're not sorry.
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a/n: 9.7k words later i refuse to read this again:’)
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astrxealis · 2 years
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i think nier reincarnation's story is the best out of any mobile game i know so far (please please please play it)
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in case you haven't seen it yet, here's the menhera 101 article by HoshiCandy from Kei Club Issue 3. not sure if i'll post the other menhera related articles from this issue or not, so consider checking the link in source if you're interested.
i'm also leaving a text transcription under the cut for anyone that may benefit from that
Menhera 101
Menhera fashion has quickly been gaining popularity worldwide! This fast growth has come with its fair share of misunderstandings about the community and style. Menhera artist and designer HoshiCandy is here with a lesson on menhera’s origins, history, and basics. Find more of her work on the pages before and after this article!
What is Menhera? 
“Menhera” can be thought of as “a person who seeks mental wellbeing”. 
The word “Menhera” was born in Japan in 2001, on the “Mental Health” board of anonymous forum 2ch, where users discussed their wellbeing. The users of this board were named “Mental Healthers” which was shortened to “Menhera”. 
The Menhera community covers anything that might cause one mental suffering, such as: physical illness or disability, depression, anxiety, eating disorders, bullying, hyper-sexuality, sexism, homophobia, etc. Importantly, there is no need for a formal diagnosis, as the focus is on how you feel, and that you want to feel better. 
It is difficult to talk about these topics in Japanese society without being heavily stigmatized. Menhera is a community to speak safely without that stigma. Of course, this stigma and need for community when it comes to one’s mental wellbeing is not limited to Japan, and that is why menhera has grown in the west as well. 
Since the creation of the word in 2001, there have been several manga published with “Menhera” in the title, many Visual Kei songs about it, Menhera idol groups, and several menhera fashion brands. 
However, an unfortunate addition to all this has been the discovery of the word in mainstream media...
Just as the topic of illness is heavily stigmatized in Japanese society, the word “Menhera” itself became quickly stigmatized and stereotyped as “an attention seeking, troublesome person” or “an overly attached girlfriend” (aka “yandere”). If you were to speak to a Japanese person about “Menhera”, this would most likely be what they would think you meant. This stereotype tends to be referred to as “Menhera Kei” in Japanese which is why we avoid the use of “kei” for Menhera in particular. 
Despite all this, the true menhera community has continued to grow. 
Menhera Motifs
Artists in the Menhera community created many works of “Vent Art” art that expresses their feelings and suffering. When this art was printed onto clothing, Menhera fashion was born. 
These are some themes you will commonly see in Menhera: 
Medication
Suicide 
Self-harm 
Hospitals
Sex and BDSM
Social Media Addiction
Heartbreak 
Wearing Menhera art printed on clothing serves as a way of literally wearing one’s feelings on one’s sleeves. It turns invisible suffering visible, and fights against the stigma driven silence. This means that Menhera fashion is highly confrontational, with graphic depictions of illness symptoms. Although the onlooker may feel discomfort, the Menhera style says “this is my true reality, don’t pretend it doesn’t exist!”
Depending on the feelings of the wearer, Menhera fashion also says “although I am sick, I can still be ‘kawaii’” or “although I appear ‘kawaii’, on the inside I am suffering”. 
Turning the invisible visible, forcing the silence to be broken, and challenging kawaii culture, these are the goals of Menhera fashion.
The Menhera Silhouette
Carefully avoiding a highly theatrical or OTT (over-the-top) look is important for maintaining the integrity of the goals of menhera. Menhera is a very casual style, with few accessories and light makeup. The key is for a coord to centre on Menhera imagery, whether vent art or text-focused designs, printed onto clothing. 
Be careful not to dress up as the characters depicted in vent art, who are often costumey, gory, and OTT. 
Menhera Coord checklist: 
Printed Menhera art
Byojaku/Minimal makeup
Not OTT/Few accessories
Flat Shoes 
[optional] Oversized top
[optional] Hime bangs 
[optional] twintails
Colors can vary: a pastel yume look, or a gothic yami look, both are fine!
The makeup style is called “Byojaku” meaning “sickly/weak”. Reddish colors are applied to areas around the eyes to give the impression of crying or illness. The rest of the face is kept plain without much color. 
A Note of Caution
The Menhera community is about healing, and seeking recovery and wellbeing. It advocates getting help, medication, therapy, and receiving support through your recovery journey. 
True Menhera never encourages or enables harmful behaviors, and never glorifies them. Menhera fashion is an alternative way of expressing your suffering without self-harm. Menhera fashion empowers the individual through their recovery, but does not empower harmful behaviors. 
There are some, sometimes labeled by the community as “Wannabe Menhera”, who mistook the meaning of “menhera” after seeing its rise in popularity, as it being trendy to fake mental illness. They engage in behaviors such as posting self-harm photos (real or faked) to social media with the tag #menhera, and other attention-seeking behaviors. 
While this is the opposite of what the Menhera community stands for, is harmful to the unfortunate viewers of these photos, and creates further stigma against the community...it cannot be ignored that these “Wannabe Menhera”, too, need help and healing. 
The Menhera fashion movement is to help you feel comfortable, unashamed, and kawaii in your skin, scars and all. It is NOT for encouraging people to create new scars “for the aesthetic”. 
If you are struggling with mental or physical suffering, thoughts, or behaviors that cause harm to yourself or others, please seek help. If you do not believe you deserve help, you do, please seek help. If you believe you are faking it, you likely are not, your feelings are valid, please seek help.
Don’t have access to therapy? 
We found a comprehensive list of suicide prevention hotlines at https://ibpf.org/resource/list-international-suicide-hotlines [link no longer working]
There are also free and affordable counseling services online like Better Help and Pride Counseling! Look online to find what option could work for you! 
Alternatives to Menhera
After reading all this you may be thinking “the Menhera community sounds good but all the fashion is too restrictive for me” and if so, you’re not alone! But the good news is that you don’t have to wear Menhera fashion to be in the Menhera community. 
Look up any of these alternative styles online for examples and more information:
Yamikawaii (“Sickly-cute”) is essentially the aesthetic of Menhera without the activism, a corrupted dark kawaii. Unfortunately the word was trademarked and now suffers from copyright takedowns. 
Yumekawaii (“Dreamy-cute”) an aesthetic evolved from Fairy kei to describe everything pastel and kawaii, but with a slight edge, described as “fairytales with poison”. 
Marekawaii (“Nightmare-cute”) created as an alternative to Yamikawaii to avoid the copyright issues, and as a counterpart to Yumekawaii. Marekawaii is specifically defined as being open to your own interpretation and style. 
Medikawaii (“Medical-cute”) a pastel kawaii aesthetic focusing only on medical motifs, such as medicine and hospitals. 
Gurokawaii (“Grotesque-cute”) mixes frightening and disturbing imagery with kawaii. Kyary Pamyu Pamyu helped popularize it. 
Iryouu Kei (“Medical Kei”) a Visual Kei substyle with lots of gore and hospital theming, very OTT and theatrical, such as dressing like a nightmare nurse. 
Living Doll artists see themselves and their bodies as a canvas to create art and express themselves, often with intricate makeup and body painting. This is a good one to look at if you’re into heavy artistic makeup.
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wickworks · 12 days
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Lancer Tactics dialogue layout crisis of faith
(from this month's backer update)
Every so often, I'll run into something in development that eats away at me until it pushes me to a crisis of faith and I have a breakdown, burn down a bunch of work, and build something better from the ashes. These are moments of transformation and we're almost always able to come out the other side with something much better than what we started with.
This all sounds very dramatic until you take a step back and see the issue in question is just, like, the layout of a menu. But if medieval priests were able to have schisms over angels on pins I can have strong feelings about graphic design, dammit!
This month's episode revolved around how we're doing character dialogue. For reference the plan was to do a standard 4-slot visual-novel talking heads layout. I call it a 4-slot because there's usually four positions that characters can stand; two on the left, two on the right:
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I had it ingame, and it was working. But... something felt off. Do you see the difference between every one of the above examples and this?
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It's all about perspective, baby.
Answer: all the character art in those examples are drawn at a slight angle so they can be flipped back and forth to be made like they're looking at each other.
Trying to do this with the perspective we chose early — straight on — makes for a chorus line of weirdos who are looking directly into your soul as they ostensibly chat with each other. Credulity is strained; the illusion of these puppets interacting in the same space is paper-thin.
(I was skeptical of choosing this perspective for this reason, but we ultimately went with it to make the customizable assets in the portrait maker easier to fit together)
We tried a bunch of different layouts, but they all at least one of these problems:
they'd stare into your soul while ostensibly directing comments elsewhere.
they felt like text messages; this would be fine if that's what we were going for, but we wanted something that could represent face-to-face conversations. (Tactical Breach Wizards was able to pull this style off because they had little 3D dioramas to go along with it)
or, most damning of all, they felt like zoom calls.
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So, my heart aflutter and spirit in want, I spent a day doing a research dive into various dialogue layouts (bless the Game UI Database!) to see if any other games had managed to pull this character art perspective off. I ended up with this massive non-chronological taxonomic tree:
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(fullsize here)
The type of layout that particularly caught my eye was this style where each character had their own little box. These layouts borrow a concept from comic books called "closure" where the space and time between characters are left blank. Freed from the constraints of trying to simulate a single space, these layouts allow the reader to fill in the blanks with something that feels more true-to-life than anything we'd be able to render ourselves.
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I was especially impressed with the dynamism of Tales of Symphonia and The World Ends With You; rather than sticking to single slots they would animate the entire panels moving around to indicate motion an relative position of characters.
So we threw out the old code and copied them. Here's what we've come up with:
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We'll be able to have portraits interact, like smacking each other (I felt like a kid hitting two action figures together, lol)
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We can also apply effects like princess-leia-holograms and full-screen "lighting" effects like warning banners:
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Carpenter and I came up with a number of arrangements that the portraits can smoothly transition between:
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I've also implemented support for choices during a dialogue, potentially leading to branching paths.
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Overall, I feel SO much better about this system than our initial designs. It might feel a little more cartoony, but I think we're making a cartoony game so that's not a problem.
Whew. We bit a lot off to chew with this project. I feel like I just made a second visual novel game engine inside of the first. Fingers crossed that it all ends up worth it.
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xx-j4nu5-c4t5-xx · 4 months
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"An ideal Sims game would have Sims 2's gameplay mechanics, Sims 3's open world, and Sims 4's graphics!"
I absolutely despise this take, and I want to explain why. This is a very long rant and it is full of piss and vinegar directed at everything in the Sims 4. I'm gonna try to keep everything kinda professional as much as I can but I can't guarantee an unbiased opinion.
If you'll let me talk your ears off for a moment, I'd like to explain, from my own experience as an artist and a casual player, my issues with the art style and direction of The Sims 4 compared to The Sims 2. (I'm not really going to comment on 3 because I've never played it.)
I want to start off by explaining the difference between better graphics and higher resolution. The Sims 4 absolutely blows Sims 2 out of the water when it comes to textures and polygon counts on sims, no contest. But I'd argue that the graphics themselves... aren't better. They're worse, even, so much fucking worse. The biggest problems come from the stylization and the animations, in my opinion, so I'll explain what I mean.
Have you ever felt like the Sims in 4 just look... weird? Not quirky, not kinda strange, but off. Distressing. Uncanny. Whatever the fuck the kids call it nowadays. When you strip away the packs and the CC and the shaders, the sims in the base game look bad. They're very close to being human; they walk like us, talk like us, have families like us, but they don't look like us, not exactly. There's always something off about them, no matter how close you try to get. Proportions will be a bit off, or your eyelashes will be like three polygons for some fucking reason, and the jig is up. The illusion is gone.
This is one of the instances where a higher resolution and more detailed models and meshes work against you. You aren't making believe. You are beyond the point of pretending that the pixelated shapes are real clothes and bodies and faces, because at this point, they're close enough that you don't need to. There's no gap to bridge. But that doesn't necessarily mean that they're lifelike, at least, not enough to be completely human. In some ways, they're still tethered to being cartoony and plasticky and fake. Just enough to frighten you. Enough to put you off. They're not using it to their advantage anymore, and instead, it's holding them back.
When the Sims 2 came out in 2004, the developers knew that they weren't going to make a perfectly accurate life simulator. They physically couldn't render every wrinkle in the face or fold in the clothing. In some animations, things clip strangely or the facial expressions are sort of janky or there's just some form of roughness around the edges. But that's okay; your brain doesn't need a perfectly accurate representation this time. That's not what you're here for, anyway.
The Sims 4 is basically Icarus-ing itself into disaster. The entire game sacrifices style for complete realism, a goal that was unachievable ten years ago, and is unachievable now.
The Sims 2 never thought of itself as a completely realistic life sim, though. It has cartoony, low poly meshes and exaggerated proportions and wild, raunchy storylines that would never occur in real life. BECAUSE IT ISN'T REAL LIFE. And it isn't like real life, not because it's failing to be, but because it doesn't want to be!
The Sims 4 is not ever going to completely replicate human looks or interactions or dynamics. And if it's trying to, it's doing a shit job of it. That shouldn't be the goal in the first place. If I wanted to watch a lonely college student talk to himself in the mirror to try and get better at interacting with people, I'd close the computer and go look at myself. It somehow highlights the most mundane parts of life without any of the whimsy and goofiness that the earlier installments had. It takes itself too fucking seriously for its own good, and it's killing both the gameplay and the art style.
The other point I'd like to bring up is the animation. The Sims 4 allows for much more customization of both sim and environments, but at the cost of dynamic animations. How many times is that grab animation reused? How many times is the same set of animations used for sims with wildly different personalities? Your sims barely feel alive with how little they express themselves.
Now, look, I'm a digital artist. I've dabbled in animation, but only briefly, and only in 2D. I've got no clue how 3D animation works, much less how it worked 20 years ago, but I can see the passion in every single animation in the Sims 2. The more niche interactions allowed for more expressive animations than in 4. They could afford to have a distinct animation for mean sims throwing the football extra hard to be assholes, rather than every sim using the same generic football-throwing animation to save time and money. I get where they're coming from. I get the idea. But in one move, you've both made the art style stiffer and less expressive, and you've made the personalities of the sims seem meaningless. Everyone acts the same, regardless of what their moodlets or their traits say. It's hollow. It's stifled. It's a waste of potential.
But for what Sims 2 lacks in polygons, it makes up for in smaller animated details. Quality over quantity. The sims have hair physics, they open the door before they get in the car, they take utensils out of the counters when they cook, they jump on the couch and the cushions smush under their weight. When they dance, the weight is realistic, and when they smile, it tugs at every one of the few dozen shapes that make up their faces. The sims are lively. They dance and sing and love and hate just like humans, and rather than being some strange attempt at mimicry, it's almost a tribute. They were made with love. You can tell that they were drawn up and rigged and animated by a bunch of people working together, studying each other and making faces in the mirror for reference and watching their kids and neighbors and dogs and hands for reference. The sims are not human, and not trying to be, but they're taking the most human parts of us and making them their own.
You could never have a game with the Sims 4's graphics and the Sims 2's gameplay. The gameplay and graphics are inexorably connected, and the Sims 2 just has so much glorious detail baked into it, that you could never really make it work underneath the limitations of the later games. The developers of 2 knew what their limits were, and they worked tirelessly to make the game as full and complex as they could within those limits. The developers for the Sims 4 just did not have those guidelines, and thus, the drive to bend the rules was no longer there. They didn't go wild in rebellion because they were never told they couldn't in the first place. They spent the entire time chasing a goal they couldn't meet, and lost sight of what made the series fun to begin with.
It wasn't the realism you came for; you had realism already surrounding you. It was the caricature of it that made it interesting.
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randomyuu · 1 year
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the way it follows you home, the stories i never told
My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.
Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???
FUCK.
I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH
So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???
This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.
Fic info:
Title: the way it follows you home, the stories i never told
Author: @voxofthevoid
Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou
(idk why I laugh writing YuuGoGo. I’m beyond help)
Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!
The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha
SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!
Also for the comics, read from right to left please!
From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.
Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.
CHAPTER 1:
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Whooo. Whooooooooo—
Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.
Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?
I lost it.
Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?
Help me, for I am drowning in my love and adoration for Yuuji.
Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v
CHAPTER 2:
This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.
Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao
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The second scene that I want to draw the most is this:
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Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.
This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.
Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”
I just—
AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh
But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)_
For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)
CHAPTER 3:
We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao
I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?
I’m not really good at explaining my intention ∠( ᐛ 」∠)_
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I love Yuuji’s answer to Nanami's question.
AND FINALLY.
A Yuuji SandwichTM scene.
And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭
I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3
Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.
However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D
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When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol
Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v
And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v
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AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS
Have I told you I love this fic?
…I probably have.
Have an amazing week (❁´▽`❁)*✲゚*
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intuitively-her · 10 months
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What career fits you best?
Pile 1-(6 of wands, The Star, The Moon, The Magician, 6 of swords rx, 6 of cups rx, 8 of cups, 2 of wands, The Devil rx, 5 of wands rx, Knight of wands, King of pentacles, 10 of cups)
You need to be in the spotlight!📸 Someone here wants to be an actor/actress. Or maybe you like to perform in theatre? Burlesque dancer? For someone specific, this is something you wanted to do since you were a kid. Your confidence is out of this world! It needs to be showcased on a stage somewhere.🤩 More people should know your name. Get into some acting classes if you can. For someone specific, you should get into a dance class. Someone here needs to take an etiquette class. Or something related to speech and communication. For some of you, this will require you to move somewhere new. Atlanta, Texas, or California could be significant.🌍 Something about this career could be unconventional. Performing naked/half dressed? Idk I keep getting a sexual theme here. This career will bring in endless abundance for you.📈 You possess many skills. It's like one day you're playing an extra in some movie, and then the next you're doing a big show on Broadway. You shouldn't limit yourself with your creativity in your line of work. There's nothing you can't do pile 1!🌠
🎶channeled songs: R.I.P by playboi carti & Cameras by drake
Pile 2-(4 of swords, The Hermit, Knight of swords, Page of cups, The Moon rx, Death, The World, Wheel of fortune, 9 of pentacles)
This is my artistic pile.🎨 Someone here could be into graphic design? Or clothing design. Your style of art is unpredictable. You set the trends. Realism art? Someone here could be into mural art. Your art could have a morbid nature to it. If so, people love this. You might primarily work from home. In your own little sanctuary.🏡 You could like to create art that "speaks" to people. Or you like to create art that evokes emotion from the audience. Someone here likes to draw cartoons? Reflect on your childhood for better inspiration. Maybe something you used to draw as a kid? A childhood t.v. show? You wanna contribute to the public and give back to people through "art". You're a very down to earth person in general and can get along with just about anyone. Use that skill to network with others in your field. It would be very beneficial for you.
Pile 3-(The Empress, The Hierophant, 4 of wands, 10 of cups, 5 of pentacles, Knight of swords, 3 of pentacles rx, Ace of cups, Wheel of fortune)
You would make an amazing teacher!🏫 For someone specific, you should look into spiritual teaching. Or maybe working in the church? You could be in the middle of a career change right now. Someone here wants to run a daycare? Or teach small children. You make others feel comfortable. People love how you're easily vulnerable with them.🫶🏽 You're an open book to most. Someone here would make a great therapist. People might've seen you cry before. Or you're often a shoulder to cry on for others. You're very good at consoling others. It pretty much comes natural to you. You're the type of mother that others wish they had growing up. Someone here could be newly pregnant or nursing.🤱🏽 For someone specific, your cooking is the best! There's no one that compares to you in the kitchen.🤣 Someone here could be in a feminist organization? Or you should try one. Many would describe you as a "godsend". You make others feel at home, always. You always know what to say at the right time. Your advice makes people see the bigger picture. It makes everyone around you want to be a better person.💫
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the-kirby-movie · 1 month
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ATTENTION KIRBY FANS!
Do you want to see a Kirby movie more than anything, but Nintendo keeps letting you down? Well, today's your lucky day! I'm in the process of creating my very own, fanmade Kirby movie based off of Star Allies - and I'd like your help. I believe that with the efforts of a community coming together to work on this passion project and give something that we love our all, it will turn out better than anything official that they could come out with. Overall, while this project is serious to me and something that I am very dedicated to, I also want it to be fun and for everybody to have a good time creating this art together. If you do decide to jump on and help, there's no need to worry about deadlines or stress or needing to have a ton of skill. But, without further ado....
Animators
I'm looking for people that have experience working in Blender here. Pretty much any skill level is okay, though I will still request that you show me some sort of example (just to verify that you know how the application works at all, basically). Ideally I'd like to have enough people working on this that I could step back from leading the animation, eventually, and focus fully on writing/storyboarding and other design aspects instead - but I understand that this might be unrealistic.
Storyboarding
The more the merrier! Regardless of the level of your art skill or your style, if you can sketch out scenes in a way that's decipherable to others, you're more than welcome here.
Voice Acting
The big one. Voice actors for Kirby, Meta Knight, King Dedede, and Bandana Waddle Dee would be very much appreciated. I also have a longer list of characters that need voices that includes many of the Dream Friends, Hyness, the Mage Sisters, and more. This is the one thing I will likely be a little picky on, and require you to audition for the role.
Writers
Honestly, I'm not looking for many other writers right now. I think I have it mostly under control, but I could possibly take one or two co-writers on with me.
Sound Effects/Miscellaneous
Do you think you have something to bring to the table that I didn't list before? Great, this is for you! Let me know what you want to do, and honestly, I doubt I'll have any reason to turn you away. Whether it's stitching music and effects together, editing extra graphics, or literally whatever you think will be helpful, tell me so that I can get you in.
Community
If none of that sounds like something you'd be interested in, well, you can still do something to help. Just stick around here! Throughout development I'll be posting updates, questions, and polls about decisions on this blog for you to influence. I want this to be something that the community creates together and can enjoy together. By us, for us, you know? And everyone who wants to deserves to be involved.
- Closing -
If you made it this far, thanks for reading! This blog will likely be changing a lot in the upcoming days as I update and personalize it to be more effective. I also now have a discord server! Anyways, though, the long and short of it is that I'd love to work on this with other people but I will complete it, no matter what. So this is your official guarantee - sometime, in the indiscriminate future, you will have a Kirby movie. And I hope you enjoy it just as much as I'll enjoy making it, because honestly, this is just my dream. I hope I see you around, and have a great day!
progress as of 8/15/24: trailer scripted and (mostly) storyboarded. possibly starting animation soon!
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Hi there! As a new fic writer, I was wondering if you had any writing advice (in general), but especially for writing dead dove. Do you have any advice on how to make your writing impactful and more emotionally devastating (lol)?
I’ve always thought writing that hits a reader so hard that it effects them emotionally—as if they’re a part of the story themselves—are some of the best written (and my personal favorites to read).
Thanks so much!
the most important and effective advice in general that I can give anybody when it comes to writing, is that ‘practice makes perfect’.
however, it’s also important to note that I am by no means saying my writing is ‘perfect’ — because you (general you) stop learning and improving your skills the second you believe what you’re doing has already reached the point where it’s ‘perfect’, and that’s where it becomes a problem. there’s a difference between being proud of yourself and your work (which you should always be) and thinking that your work is already ‘perfect’. 
so what I’m saying is; as long as you’re willing to keep learning, you will only keep getting better. always practicing, always learning.
your first ever work may not be as satisfying as you want it to be, and that is okay. looking back, the first ever fic I wrote almost 8 years ago would not be satisfying if I wrote it recently — considering how my writing style has changed, as I’ve found (still am continuing to find) what represents myself best in my works, and how I’ve learned and improved my skills — but that fic was still my creation and I still am proud of myself and of the art I’ve created; the thing is that I’ve practiced and learned and I’ve come a long way, and that’s what really matters.
as for writing dead dove, my advice would be ‘don’t hold yourself back just because you think this is too violent or too disturbing’. as I’ve always said, there is no such thing as ‘too far’, ‘too graphic’ or ‘too triggering’ when it comes to any form of art. 
that being said, content warning is just as important. warn your potential readers beforehand about what they might be getting themselves into if they decided to give your writing a read. this doesn’t mean you have to ‘spoil’ your fic to them, just let your readers know what kind of content is in the work — for instance, child death, blood and gore, non-con, drug use, human trafficking, etc — so that your readers can decide for themselves if the work is too much for them.
but that does NOT mean you should stop writing about This Specific Topic You Love to Write About just because it’s too triggering for your readers. why? because, while your readers should always be appreciated, you don’t write for them. you write FOR YOURSELF.
write what you want to read.
write whatever you want.
you, the writer, are the priority of your work.
don’t write something you don’t want to write just because it’s what your readers want. 
don’t hold yourself back from writing what you want to write just because your readers don’t like it.
the most important factor about writing fanfics and/or original works is that writing should be something you enjoy. not a job (even if you write original work as a career), you should always have fun doing what you’re doing. that’s how you can do your best.
the trick to writing an impactful and emotionally devastating scene is if YOU are invested in what you’re writing enough that words come from within yourself. and you can only be invested in what you’re writing that much if you love and enjoy what you’re writing.
it’s more difficult to love and enjoy what you're doing, if you’re doing it to please other people.
you see where I’m getting at? it’s all about your love, enjoyment and passion as a writer. 
you don’t write for your readers. you write for yourself, and your work will attract to it the right readers who love the same thing you do. and that’s how you successfully write an impactful and emotionally devastating scene that can make your readers cry.
don’t think about whether or not your writing will have enough impact on your readers when you write, because thinking about that will only distract and prevent you from reaching your best potential. just be invested in your writing. 
don’t think about whether or not your readers will like this; because worrying about whether or not your readers will like it will also distract and prevent you from doing your best.
if you want your readers to feel as if they’re a part of the story themselves, you yourself have to be emotionally invested in it that you feel like you’re a part of the story yourself. and that can only happen if you’re doing it for you. not for your readers. not for anybody else. but for you.
repeat after me ‘I am the priority of my writing’. 
again, be invested in your writing. write whatever you want to write, no matter how disturbing or fucked up or violent your work gets, write whatever you want. just don’t forget to tag all the trigger warnings properly.
you don’t ‘try to attract people to read your work’. you get invested in your work, you write whatever you want, out of love and passion, and your work will attract the right readers to it.
I have no doubt you will become one of the best writers out there, anon. keep learning. keep writing. I’m rooting for you.
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vintagerpg · 3 months
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Around 1987, Mayfair Games’ efforts at producing generic Dungeons & Dragons products switched from the Role Aids line to City-State of the Invincible Overlord, newly licensed from the remnants of Judges Guild. Between 1987 and 1989, Mayfair released eight City-State box sets, all shockingly dull. Unsurprisingly, the line wasn’t well-received, so in 1989, Role Aids once again emerged. I believe Ray Winninger (Underground) kick-started the revival; he was basically entirely in charge of Mayfair’s RPGs by 1990 (and would, amusingly, wind up working on D&D, most recently directing the development of 5E in 2020 through 2022).
This is the first sourcebook of the second wave, Monsters of Myth and Legend II. It still has some of the old trade dress and features a frankly gorgeous Boris Vallejo painting on the cover. The title treatment is fresh and, like a lot of Mayfair graphic design from about 1989 to 1992, reminds me of an AriZona Ice Tea can (how and why the Southwest art style crept into the design language of the late ‘80s and early ‘90s is a mystery to me). Inside Timothy Dzon. I find his work, in isolation, overly sketchy for my taste, but flipping through the whole book feels more cohesive. There is a funny aversion to nipples, though; I get not wanting to have partial nudity, but I dunno if just erasing nipples is better than adding implausible braziers.
Like the previous book, there is some taxonomical confusion between cultural groups and geographic regions, so the five sections are Africa, Central and South America, Japan, the Inuit and the Middle East. Three of those are overly broad, flattening the beliefs of many cultures and there quite a few insensitivities that are infuriatingly casual (mixing gods, actual monsters and regular people in a book explicitly about non-European monsters sure is a choice). On the other hand, I do think the selection of monsters is pretty good. The ‘90s, man.
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ohnoitstbskyen · 6 months
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Hi Mr. Skyen!! I've adored following your passion for One Piece through the chapter panel reviews, its clear how much you know about the topic.
I was wondering if you've ever read Bleach, and if so, what thoughts you have on its artwork/paneling? And if you haven't read it, its a series that comes highly recommended!
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Hrm. I mean, I read Bleach up until... basically until the Arrancar got introduced and Orihime got kidnapped and then I tapped out, the Shonen Battle Manga loop of the story just lost me completely. Most of my affection for and knowledge of Bleach is focused around its scrappier early chapters, back when the story was more of a monster-a-week ghostbusting magical girl story.
Early Bleach had a real ambition towards a kind of stylized mixture of traditional art styles with early 2000s graphic design styles, especially
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The idea seems to have been embodying the clash between the old-fashioned and supernatural (shinigami, death, the afterlife, etc) against a youthful, irreverent, energetic "cool" attitude, which is a big part of its visual charm.
At its worst, the paneling can sometimes get... rather dense and scratchy, with way too many zoom lines and details and dense text boxes and the art style all over the place,
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But also Tite's penchant for the graphic comes WAY the hell through when he wants to create action
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As the series goes on, it smoothes and smoothes more and more as Tite's style gets more and more sleek, and more and more focused on playing with negative space and, in my opinion, starts running in circles both aesthetically and narratively.
But the paneling also gets better and clearer, the action gets more cleanly told, there are improvements, and nobody can match Tite near the end of Bleach for sheer stylized graphical muscle
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I respect the hell out of Bleach's art, even if I really, really don't care for where it went as a story.
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kingdomoftyto · 1 year
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I've started and deleted three drafts now trying to get my thoughts into a coherent recommendation, but there's just so much.
Let's start with the basics: You should read the graphic novel if you're a fan of the original show. You just should. It's new content of your old faves, and I'm telling you now that the art and writing are great and that you should give it a shot based on that alone.
But as for exactly why I'm losing my mind over it this much...?
It... feels like watching the show. But a version of the show unafraid to explore its own worldbuilding. A version of the show where continuity and character growth matter. A version of the show without jokes written by people far too old to understand mid-2000s teens.
And it is actually, honest-to-goodness funny. I went in fully braced for a badly shoehorned "fruit loop" one-liner, and instead I got incredible deadpan asides like this:
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The art, too, manages to perfectly ride the line of looking enough like the original style to be convincing, but improving on the expressiveness of the characters' faces and actions to elevate it to something arguably better than the show:
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(Like, I'm being so serious when I say the fight scenes are among the best I have ever seen in comic form. I'm the kind of person who tends to go for anime over manga because the fights are harder for me to follow in little sequential snapshots, but I can tell exactly what's happening in these battles AND they still look super cinematic and cool.)
And the story. Man, the STORY.
I won't spoil any of the plot here, but it's... really good. A little winding and goofy toward the beginning, but once things get serious, it really grabs you and refuses to let go til it's done. (Much like the best episodes of the show! Funny how that works.) It has a satisfying conclusion, but it also leaves a massive door open to continue telling more stories in the setting.
And I want more stories in this universe. The threads being dangled here might be even more enticing than those left by the original show. There is potential here for an INCREDIBLE series of comics.
We just have to prove how badly we want it.
If you can't buy the book yourself right now (it's relatively cheap for a graphic novel--I think it was about $15 even with tax from my Barnes & Noble), then please at least let other fans know it exists (I wouldn't have had any idea if not for tumblr) and keep the hype going on social media. I'm stoked to see that DP is trending on tumblr, at least, and I hope the same is true elsewhere. It's a small thing, but it's something corporate decision-makers take note of.
Fingers crossed we get to see more someday. This is one series that deserves to come back from the dead.
But, whether or not we get that continuation: welcome back, Phandom. Congrats and happy release day. 💚
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