#and no thoughts whatsoever

[khaotunq]

Ryu: A Summary. Namtan Tipnaree as Tata and First Kanaphan as Ryu (Wake Up Ladies: Very Complicated, 2020).

[beif0ngs]

alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???

[sangled]

ship dynamic i eat up every time

[ohitslen]

Something other about his eyes

Bonus! Based on this quick thing I did this afternoon and the idea took a bit more shape and turned into that thing from above uEK

[plistommy]

Eddie likes to draw a lot.

He doodles on everything, his school books, magazines, his guitars or even his own hands.

He drew his tattoos for himself before getting them.

Steve thinks he’s really talented, and loves to stare at Eddie drawing for hours, but Eddie is still a bit shy about it, so Steve doesn’t sometimes get to see what he has drawn.

But one day when he was going to Eddie’s room to get his boyfriend's hoodie for himself - thanks to winter and its cold weather - he accidentally knocked Eddie’s sketchbook to the floor.

Couple of pages dropped out of it and as they were all spread out, Steve realized they were all drawings.

Drawings of him.

He crunched down to pick them up, but couldn’t keep his curiosity at bay and before he knew it, he was going through all of them.

Eddie made him look so… pretty.

He drew his face, his smile, his eyes so beautifully that Steve couldn’t even believe that the drawing’s were of him. Eddie even remembered all of his moles.

A dopey smile creeped up to his face as he went through them all, piling them back into a neat pile to put back inside the sketchbook. But when he picked up the last one, his eyes grew wide and he felt himself going red from head to toe.

There were several sketches of him, of his nude body with ringed hands, Eddie’s hands, touching him. One was of him laid on his stomach with a soft look on his face, but then the second one was more… intimate.

It was of him, legs spread wide and dick resting thick and hard on his stomach while a finger was pushing inside him. His face was scrunched up, mouth open in a ‘o’ shape and the knowledge that Steve probably looked like that when Eddie was doing it for him made him bite down onto his bottom lip.

He flipped the paper around and a whine got caught in his throat as he stared down to a drawing of him riding Eddie.

They had never done that before. But now, he really, really wanted to do it.

”Steve?”

Steve’s head snapped up to stare at Eddie, who was staring down back at him with a worried look.

He was leaning against the door frame, hair up in a ponytail and old band shirt on, looking like a dream, but when he saw what was going on, his eyes grew wide.

”Shit, sorry!” he panicked, crunching down next to Steve. He snatched the drawings and his sketchbook away from him and hid them under his mixtapes, acting like Steve hadn’t already seen all of them.

He was letting out these small apologies and Steve had no idea what he had to even apologize for, but when he saw Eddie blushing and not being able to catch his eyes, Steve understood that he was embarrassed.

”I didn’t, um - you didn’t mean to see those… sorry.”

Steve just stared at him dumbfoundedly before letting out a soft laugh and getting up. He moved his hands to Eddie’s face and held them there.

”I dropped it accidentally and I was the one snooping around, Eddie. I’m the one who should be apologizing, not you.”

Eddie sighed. He still couldn’t meet Steve’s eyes and it made him frown.

”You’re not creeped out?”

That question surprised Steve.

”Of the drawings? No, Eds. I think they’re cool.”

Then, Eddie finally looked at him with the biggest puppy eyes ever and Steve wanted to kiss him.

”You sure? I didn’t know what you’d think about them. I know they're a bit—”

”Amazing? Incredible?” Steve smiled softly and pushed Eddie’s bangs back, ”You’re so talented, babe. I don’t think I’ve ever seen myself like the way you draw me. I like it.”

Eddie looked like he was offended and pinched Steve’s hip, ”You are really pretty, sweetheart” he reassured Steve with a smile.

”Yeah, yeah. Says you.” Steve smiled and Eddie snorted a little before leaning in to kiss him.

When they pulled apart, both out of breath, a small grin grew to Steve’s face as he tugged Eddie’s hair, letting it fall out from it’s lazy ponytail.

”I have an idea…”

”And what’s that?”

Steve grinned more.

”Can I ride you?”

Eddie’s breath hitched and Steve laughed loudly as his boyfriend looked at him like he’d grown another head.

He loved to rile his boyfriend up, and this was the perfect time for that.

”You… really?” Eddie sounded so out of breath, more than he was before.

”I think it would look pretty great, right?” Steve purred, glancing towards the hidden pile of drawings, Eddie’s gaze following his.

All Eddie could do was answer a breathy ’Fuck yeah’ before Steve was pushing him down to the bed and straddling his hips.

Eddie didn’t hide his drawings anymore after that.

[biggest-gaudiest-patronuses]

*tries to organize my thoughts*

*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*

*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*

(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next

[onlysatoruu]

no thoughts only papa gojo

[franeridart]

The Housecat Philosophy - Ep 37

Ep 00 || < Prev || Next >

Read the next four episodes on Patreon || support me on ko-fi~✨

[samthechaotic]

*Me a medical student reading Batman 138*

What the actual fuck? DOES THIS WRITER KNOW ANYTHING ABOUT HUMAN'S BIOCHEMISTRY?? HOW IS HE SUPPOSED TO "FALL IN LOVE" AND LIVE A NORMAL LIFE WHEN ADRENALINE IS AN ESSENTIAL PART OF FALLING IN LOVE AND HAVING KIDS!!!

*10 mins later*

ADRENALINE?? ARE U FCKING FR???

*40 mins later*

I COULD SPEND AN ENTIRE MONTH ON WHY THIS IS MEDICALLY SO WRONG AND IT WILL NOT BE ENOUGH!!!

[wordstome]

what is it with me and school/university settings because I can't stop thinking about having a nasty one night stand with König at some frat party and he becomes obsessed with you while you don't even know his name. you're just trying to get through uni without crashing and burning while coping using drugs and sex and there's just this fucking guy who you slept with once and now he's everywhere, caring about you to an infuriating degree

[glitchedcosmos]

Sonic: quick, Shadow go beat up that guy !

Shadow: why, what did he do?

Sonic: nothing,I just think it’d be hot.

Shadow:

Sonic:

Shadow removing his inhibitor rings: yeah, okay.

[rosvl]

wonky trees

[laundrybiscuits]

“It’s happening,” crows Dustin. “Eddie, it’s happening, it’s happening, she said yes!”

Eddie blinks up at him from the blankets. “Is…this about your little girlfriend, Henderson?” Is there a school dance coming up or something? Wait, it’s the summer, school’s not happening.

In a just world, Eddie Munson would never have to think about high school again; in a just world, Dustin Henderson would not have woken him up by breaking into his trailer at ass o’clock in the morning.

“No, man, Erica! Erica Sinclair! She’s gonna run a My Little Pony game for us!”

“Okay.” Eddie turns over to bury his face in his pillow. “Lock up when you leave,” he says, muffled.

———

He honest-to-god thinks it’s just a weird dream for the next few days. He’s almost completely forgotten about it when Mike corners him at work.

“You have to make her stop,” Mike says.

“Okay, Wheeler, two things. First: who am I making stop what? Second: I’m not making anyone stop anything. Really not my style, and also, I don’t wanna get involved in whatever this is.”

“You’re already involved! We’re all involved! We’re all, like, liable.”

“Right.” Eddie wipes his hands on a rag and ambles over. “Kid, you have got to start giving me some context here. What are we talking about?”

Mike gives him just the absolute bitchiest eyeroll any human being has ever mustered in the history of the world, and sighs noisily. “Erica wants to run a stupid game, and Dustin keeps encouraging her. Tell Erica and Dustin that we play Dungeons and Dragons with like, cool monsters and shit. Not some stupid game about ponies. It’s not even D&D, it’s a whole new stupid system that she’s making us learn.”

“Oh, shit.” There’s—a few things to unpack in that little speech, but Eddie can’t help the delighted grin spreading over his face. “That’s for real? The pony game? Shit, this is going to be the best thing ever. What system is she planning to run the campaign in?”

“Oh my god,” says Mike, and storms out of the garage.

———

“GURPS: Generic Universal Role-Playing System,” announces Erica, slamming the books down on Steve’s kitchen table. “A flexible, multi-purpose, setting-agnostic system that can accommodate any conceivable type of story or play style. This is the future of role-playing games, not your broke-ass fantasy bullcrap.”

Eddie wonders how complicated it is to file paperwork for adoption.

“Some of us like D&D,” says Will.

“Yeah, we don’t want your stupid generic whatever. We’re not playing,” Mike snaps.

“That’s not what I said.” Will looks annoyed with Mike, which has been happening a lot lately. Eddie’s glad the kid seems to be growing more of a spine; you can’t just let your tragic heterosexual crushes walk all over you, but that’s the kind of lesson every young gay needs to learn the hard way. “I’m fine with trying something new. I’m just saying, the next campaign after this should be D&D.”

“Sure, what-ever, nerds,” drawls Erica. “We’ll see how you feel after you experience the magic of Ponyland.”

Lucas puts his face in his hands when she says the magic of Ponyland and lets out a pitiful groan.

“Whoo!” cheers Dustin. “Let’s get started!”

———

It takes them a solid two hours to make their characters. Even Eddie, who’s been vaguely aware of GURPS since it was released a couple years ago, is struggling a little to adapt. It’s just been a while since he played anything but D&D, but he’s enjoying the change of pace. He likes this kind of challenge; it’s like figuring out how to play a familiar song in an unfamiliar genre.

Erica is not especially patient with them, but she’s clearly done her prep work, so Eddie thinks they all manage to get through the character creation process more or less the way it’s supposed to be done.

Steve gets back from work right when they’re putting the finishing touches on their characters. The way he blinks all sweetly confused makes Eddie think that Dustin was definitely lying about having permission to play here, and also that Dustin probably has a very troubling stash of keys to all their homes squirreled away somewhere.

“If I may, Lady Sinclair, I’d like to humbly suggest a ten-minute break?” Eddie says, before Steve can decide whether or not to be mad about this whole thing.

“Sure, go ahead and rest up while you still can,” says Erica. “Steve, I hope you got good snacks around here.” She makes a beeline for the kitchen, and the boys trip over themselves to follow her.

“I would die for that child,” says Eddie.

Steve laughs, low and a little tired. “Yeah. Um, me too.”

“So, I’m gonna go ahead and guess that Henderson didn’t actually clear this with you?”

“Honestly, I’m not sure.” Steve runs a hand through his hair. “He might’ve said something last week? Sometimes when he’s on a tear, I just kinda let him talk.”

“Y’know, we’re at a pretty good stopping point for today, if you want us to clear out so you can get some rest.” Eddie can see the smudgy shadows under Steve’s eyes from halfway across the room.

“No, it’s fine.” Steve peels off his vest. He’s wearing an entire perfectly normal shirt underneath, so there’s no reason for Eddie to hastily avert his eyes like Steve’s doing a damn striptease. “I might go take a nap, though. Gonna trust you not to let them burn down the place, got it?”

Eddie does a silly little salute. “Aye aye, cap’n. No hint of flame shall breach these walls.”

Steve laughs again, a gravelly chuckle, and musses Eddie’s hair on his way to the stairs.

“Why do you have that dumb look on your face,” says Erica suspiciously, standing in the kitchen doorway and clutching the biggest bowl of ice cream Eddie’s seen in his life.

“What look, there’s no look,” says Eddie. “Let’s play some GURPS.”

Edit: now a complete fic on AO3!

[rawliverandgoronspice]

The Dondon Post (or: the bizarre TotK's side content counterpoints to its main quest's immuable binary morality)

Speaking of strange TotK Choices, I think I have one singe post left in me about this game; and it's about the Dondon quest, "The Beast and the Princess".

(and about other stuff too, you'll see, we'll get to them)

More specifically: about how... strange of a thematic point it feebly attemps to make in the larger context of the storyline, and how it seems to be yet another mark of a world that, perhaps, once tried to be more morally complex that it ended up becoming.

Buckle up: it's a long one, and it gets pretty conceptual.

(good gem boys notwhistanding)

The Princess and the Beast

So, a couple of things about the setup. We are investigating potential Princess sightings; but at this point, either because we have already completed a bunch and know the general gib, because we have met a couple of wild Fake Zelda shenanigans, or through the simple fact that we are completing a side quest, we know there's a good chance it won't lead to an actual Zelda information. So when we ask Penn about what is going on and he replies with the ominous "we saw the Princess riding some kind of beast --a frightening one with huge, brutal tusks-- that the princess seemed to control", we get Ideas. Then the sidequest is registered: "The Princess and the Beast".

So. You know me. And if you don't know me, here's what you should know: my brain immediately flared up with the thought there was no way in hell this wasn't some kind of wink towards Ganondorf's renowned boarish beast form, especially given tusks were given so much focus.

My first assumption was: that's a miniboss right? I will get to fight some small boar-like thing that Fake Zelda rides sometimes. Cool! I didn't hold too hard onto my hope that the relationship of Zelda and/or Ganondorf to the natural world, or to each other would be expanded upon, since I had already been burned before, but my interest was piqued.

You have to understand how starved I was for any hint of complexity or mystery or ambiguity at this point. I was extremely eager for the game to throw anything at me that would surprise me, enlighten something pre-established, make the exploration lead to a meaningful discovery or deepening of characters, world or themes (and not just slightly cooler loot, or a bossfight, or a puzzle devoid of emotional context --cohesion and depth is what motivates my play sessions, especially in an open world game that I want to believe is worth losing oneself into). This was about the most intriguing task on my to do list at the moment, and so I plunged in immediately.

After really REALLY misunderstanding what I was supposed to do (I stalked every corner of every forest surrounding the tropical area at night or during blood moons in hope to see something --which was very much the wrong call), I arrived to the other stable, then was guided to the other side of the river where Cima awaits and explains that these creatures are actually a new species discovered by Zelda; that they are gentle and kind and not at all scary ("Dondons aren't beastly, they're adorable!"), and even somehow digest luminous stones into gemstones. They like the company of people and liked Zelda in particular.

I was... I felt two different ways about this conclusion, and I think it's worth to explore both: disappointment and some sort of... "huh!" Hard to describe this emotion otherwise.

I'll get the disappointment out of the way first, because it's the least interesting of the two. While I think the little emotional arc I was taken on was not devoid of interest --I was indeed taken on by the rumor and intrigued by its implications-- I wanted, well. A little bit more. And if the creatures were to be Zelda's pet project, I would have loved for them to be actually terrifying and feisty, and for her to develop an interest for these creatures in particular regardless. It could have been very interesting characterization that veered out of the perfect princess loving the perfect world floundering around her, always bringing her clear, practical benefits from the interaction.

(I have made another post that speaks of my discomfort that Zelda does everything everywhere and everyone loves her for it --I get what they were trying to go for, but it either lacks conflict for me to buy into that dynamic at the scale of several regions, or they went on too hard for my taste, as she is, at once and in the span of a couple of years at most: a schoolteacher, a gardener, an animal researcher, a scholar, a traveler, a military expert, a knower of landscape, a painter, a horse rider, an infrastructure planner, a [...] princess --at some point it begins to sound made up, "Little Father of the people"-esque to rattle the hornet's nest a little bit, especially if it's not shown as either a clearly godly characteristic or, even more necessary imo, a negative trait; another expression of her killing herself at work to compensate for a perceived flaw she's trying to earn forgiveness for, like she did in BotW. But that's another topic, and the clumsiness of her character arc has been well threaded by basically everybody disappointed in the story already.)

But, if I decide to be a little graceful, I'd like to explore my "huh!" emotion, and take it apart a little bit.

I think there's something interesting to have such strong parallels to setting up a story about the relationship between Zelda and Ganondorf ("The Princess and the Beast", like come on guys that's the conflict of over half the series), or at least Zelda and the concept of Evil since Ganondorf pretty much represents it in this game, and then have it go: actually, there was a horrible monster that everyone was afraid of, but Zelda was wise and patient enough to approach it and realize its potential beyond the tusks, what beauty can be brought upon the world if one makes the effort to look for what exists underneath. It says something a bit deeper about the world and about Zelda in particular. It intrigues, at the very least.

Is it a reach? Probably! Is my first interpretation that the quest is actually about "eww you thought Zelda would be interested in *disgusting vile monsters* and not sweet and gentle and human-loving animals that literally shit jewlery when cared for? jokes on you, she never would feel any ounce of sympathy for anything that isn't Good and Deserving" uhhh definitively truer? Probably! But I also don't want to dismiss that the quest made me think about it. If I had completed it earlier, I might have even felt like it was (very clumsy, not gonna lie) setup about the main conflict.

But that's also a good segway into my next section: the arbitrary limitations between the animal and the creature, the monstrous and the human.

And the fact that TotK points directly at it.

A Monstrous Collection

(these two guys are just. doing So Much and being So Valid despite being massive weirdos the game wants us to be slightly repelled by. I, for one, respect the Monster kinning grind and their general Twilight Princess energy.)

So. These two guys. There is so much to say about these two guys. I don't think I have seen the Trans Perspective on Kolton on tumblr, and I would love to get it because. I feel like it's a worthwhile discussion (just, how gender and identity is handled in TotK overall, I feel like it's a very complicated conversation and I have not seen super deep dives and I'd be very interested in hearing more).

Beyond the throughline of voluntary consumption of magical objects to turn into less human creatures being a weirdly prevalent plot point in TotK (Zelda, Kolton and Ganondorf casually transing their entire species for funsies --Ganondorf being particularly relentless with Fake Zelda, mummy/phantom shenanigans, Demon King and then literal dragon), I want to focus on Kilton a little bit.

Kilton is genuinely the only NPC in the game willing to acknowledge the inherent personhood that monsters have (the game does showcase them picking up fruits, mourning their boss if you kill them, being cutesy and happy to identify you as one of their own if you wear the appropriate mask --and that's not even getting into creatures like the Lynels, who seem to really edge on the limit of being a conscious creature with a system of honor and property and many other things). He does encourage us to think of monsters as more than a species whose only worth lie in how fun it is to eradicate them; even more, gameplay-wise, he does give us a reason to interact with them in other ways than just our sword with his museum. He does encourage us to see that beauty for ourselves and then select what we think is coolest/most intimidating/cutest/eight billion ganondorfs in every pose imaginable

The fact that Ganondorf is considered a monster was a great win for this feature in particular, and is very funny, but it's also... A lot, if we dig at it a little more than warranted. Beyond all of the Implications and all of the things of representation and political conflict and values already discussed ad nauseum: when did he stop being considered a human? What does that mean about the flimsiness of what is a monster and what is a creature and what is an animal and what is a person and what is even a hylian, as sheikahs got absorbed into the definition in this game? Especially with the stones taken into account, how profound changes in nature are a huge part of the plot (even when reversed and ultimately pretty meaningless): how easy it is, to make that slip? Who decides when that slip has been made? What is acceptable to hurt without remorse? What is beautiful and worth preserving? What is both at once? What is neither?

And again, in a classic Zelda conundrum (appreciative(?)): who the fuck gets to decide that, when, and why?

The Bargainers and the Horned God

(major shoutout to these big guys for being the sole and only providers of actual depth to the Depths, and for looking cool as heck)

So. Let's move the conversation to the Depths.

Conceptually: what an interesting idea!! And so well executed (initially)!! A mirror world to the surface, dark and hushed and full of unknown creatures; haunted by gloom and sickness and the unknown. Not a first in the series, far from it: from ALTTP to ALBW, and even taking the Twilight world of TP into account, this idea of a Dark World acting as a deforming mirror to Hyrule and revealing many interesting aspects as we get to explore both is always a very interesting take on corruption and envy and fear/weakness and/or some sense of darkness looming under the perfect exterior. I'd argue even the Lens of Truth of both OoT and MM's serve a similar function, both gameplay-wise, but also in terms of theme: not everything is as it seems. In the world of Light, darkness must hide itself; but darkness also possess its own beauty, its own hardships, and will stare back at you without blinking if you go seek for it. It's, in my opinion, one of the series' most compelling conversation about the cyclical nature of fate, the coldness of godhood, and how small one feels in the face of a universe that is more complicated than it initially appears --which is why Courage must be invoked to push forward regardless.

The Depth's otherworldly ambiance is truy wonderful, whether in the plays of light and shadows, the creatures native to the environment we meet there (wish we met more!), the soundtrack, the strange aquatic/primordial plants, the fact that the dragons visit this place and connect them to the outside --invoking ideas of balance and interconnectivity, that the tree branches look like veins. The coliseums, the mines, the zonai facilities and the prisons do seem to poke at many things about what the relationship to the past was to this place; was it ever truly a place? Did it look like this back then? Why was it buried? Why did it come back? But in spite of it all, I think the Depths struggle overall to question or reveal anything about the surface that we couldn't already assume going in (that the only thing congealing there is Ganondorf's gloom, his lonely domain of Wrongness, only shared by Kohga and the yiga --the only naysayers of Goodness and Light, contemptful and blinded by self-importance and rage). The zonite is mined by gloomy monsters --why, what for?-- so any notion of greed and over-expansion that could have been associated to the zonai is now reabsorbed into Ganondorf's general evilness, since it needs to be reminded he is everything and anything bad with the world: darkness and conquest and greed and capitalism and pollution and bad weather and sickness and darkness and violence and war and death and betrayal and fakeness and lies and patriarchy and exploitation. No matter that he never does a single thing with zonite in the game; rather set up elements of conflict that never go anywhere than, for a second, let the foundations of absolute goodness and absolute evil risk becoming shaky --and you coming to this unwelcoming dark place that hates you, killing the miners and taking their resources for yourself is, on the other holy, royal fur-covered hand, utterly legitimate. The resources were once Rauru's after all, were they not?

And this is what I would say, except... except for the dead. The fallen warriors, the poes, and, most important of all: the Bargainer statues.

The Bargainers are, in-universe, godly creatures guiding the fallen to a place of final respite, regardless of moral alignment. The poes are all, fundamentally, cleansed of judgement: they are lost souls whose past reality does not matter anymore, and all deserve that peace regardless. In spite of the heavy paradise/hell parallels drawn in that game, with Rauru/Zelda/Sonia as the guardians of Light where Ganondorf gets to become a Devil-like figure, it is confirmed here that no such thing exists when you actually die in this universe.

It almost feels as if the fabric of Hyrule itself, in a brief moment that refuses to elaborate on its own point, goes: "yeah, whatever is happening here between Light and Darkness, it doesn't actually matter. This conflict is futile and doesn't understand the real nature of being alive, dead, a god, a person, a monster, an animal. The truth lies elsewhere --but you will never be told what it is."

It's: wild.

One of the game's most striking traits of narrative brilliance in my opinion --to the point where I'm wondering whether it's there on purpose or was effectively an oversight since every other aspect of reality breaks its own back trying to reassure us that everything is at its correct place, receiving the appropriate treatment by the universe in a way that is never to be questioned.

Another case of that ambiguity being allowed to exist without being immediately crushed and repressed is the case of the Horned God (interesting parallel to Ganon's actual horns that he develops in this game in case the hellish parallels weren't clear enough already): a demon Hylia sealed into stone and pushed far from humans in a clear case of questionable behavior since, while the Horned God isn't exactly nice, does propose a different philosophy you are not punished for exploring; and yet, a proposal that has seen itself persecuted in a very real sense by the goddess of absolute goodness, patron of hylians, Zelda, and many more. Pushed away from view.

Interesting.

And Yet, Light Must Prevail

Okay, so, after all of this, we're left to ask... What the fuck is up with morality in Tears of the Kingdom?!

What do we trust? These half-breaths in the occasional sidequests that Light and Darkness is just the wrong frame of reference, that nature cannot be this simple, is ever-shifting and can be recalled or reaffirmed by arbitrary forces, and might even not matter at all in the universe's fabric, despite having so much of its lore soaking in the dychotomy? Or... everything else about the game, this insistence that Good must not only be assumed as whatever tradition the kingdom has passed down for thousands upon thousands of years, but remain utterly unquestioned the entire time? That Bad is without cause, graceless and unworthy of investment?

Are the Bargainer's statues the only thing worth listening to, that morality is a fable the living tells themselves --or should we be moved when Darkness destroys Light, when Light suffers to preserve itself and the world --but not when the Other is rightfully slain?

Was Kilton correct to see beauty in the monstrous? Was Kolton onto something when he let go of his previous form because there is no clear distinction between what should receive an arrow to the face and what shouldn't? Or should we rather focus on Zelda losing her human form as a beautiful and tragic sacrifice --but something that never actually altered her nature as a hylian, the descendant of a lineage of Good Kings meant to rule forever?

Is the Dondon good because it always was, or was it worth Zelda's love in spite of the fear it initially provoked?

Either way, at the end of the game, evil is slain. Ganondorf is, not killed, but --like his angry BotW boar counterpart-- destroyed, as monsters tend to be. He explodes over the lands of Hyrule, freed from Darkness; freed from everything wrong, since the foreign menace that embodied it all was wiped out in one fateful sweep of a holy blade cradled in sacrificial love. Nothing wrong remains. The Sages reaffirm their vows to protect the kingdom forward, and a very human --hylian-- Zelda smiles: Hyrule now forever and ever basked in eternal Light.

[basilbots]

So about that Lord Eclipse concept-

[mazojo]

Anyways XO Kitty love interests summarized

Dae

Min Ho

Yuri