#give Jason his surrogate daughter back

[ambrosethedarling]

Been thinking about Gan and Jason again

[j0kers-light]

hi bae, ik youve been going thru a rough patch i hope(in fact ik) you’ll bounce back harder.🫶🏻

i really wanted to make a request for a long long time now, no pressure write it whenever u feel like it i am just going to drop it here.

for me J has always been a Lana del rey song specially the ultra violence album, he’s shades of blue, he’s ultraviolenec, smts hes even brooklyn baby. Can you write something dark, like real dark where hes possessive, violent, exatcly like he was in TDK. Pulling stunts and dropping hints. maybe he kidnappes the reader or smt like that, he’s acting all crazy and violent but something inside him just makes him slip to a lil caring or loving side every now and then, which eventually leads to some serious SMUT 😏😏

the reader could be his enemy’s daughter(maybe even batman’s daughter lol i am going wild) he tortures her,loves her, takes care of her then tortures her a lil more but make no mistake the reader is a fireball she gives him that lil fight they have in her which makes J even more attached to her.

ik i am just blabbing and making no sense, but i hope ukwim. i am also attaching a link to my fav J edit ever which might give u an outline of what i am trying to say. maybe even add J’s POV.

https://www.instagram.com/reel/CqyP1PdveA9/?igshid=MzRlODBiNWFlZA==

okay ill shut up now. feel better love you 🫶🏻

His Lighthouse: Broken Dolls (LedgerJoker x f!reader)

Broken Dolls - Oneshot

KEEP IN MIND THIS IS NOT A STORY UPDATE!

I feel ashamed that you had to wait so long for this request. Forgive me times a thousand @heathisbae !! I still love you and I got carried away with the word count. (10,500 words!!) I promise you that my blood, sweat, and tears went into this request. You should've let me stay in my enclosure. I LOVE DARK requests and I was in a dark and lonely place when I wrote this. The perfect mood for Broken Dolls.

Gather round children it’s time to go over some legal stuff. I usually do not care about trigger warnings. You are responsible for your own reading pleasure, BUT I’ll add a TW: List because yall gone need it. Chaos had a lil bit too much fun writing this one.. 👀😬

TW! Dark!Joker. rape, knife, blood, impact, choking, power play, dacryphilia, spitting, biting kinks, unprotected sex, overstimulation if you squint, degradation, no prep (foreplay is important kids) uhhhh… I’m missing something. 🤔 It’s canon Joker people. He’s a walking trigger warning.

Just be careful if you decide to read this one. I know I went overboard but your mental health is always my top priority. Enjoy or not. It’s entirely up to you. Since its a dark request, I decided not to tag anyone except @heathisbae Read at your own risk 🖤✨

Your father made it virtually impossible for anyone to find out. By fate’s design, you looked nothing like the iconic figure you called “father”, and you were forever grateful for that. 

Your skin complexion, eye, and hair color masked you from the surname that was your birthright. You were the rumored Wayne heiress that Gotham City whispered about. Many far and wide longed to meet you to strengthen their businesses by marriage, whereas others flat out questioned your conception.  

Bruce Wayne had neither confirmed nor denied the mother of any of his children to the world. Not like he ever would. There were only a few secrets Bruce had left in this world: you being the most important one.  

Your life would be in danger if anyone were to find out you were a Wayne or worse, the precious daughter of Batman.  

Many were adopted into the bat family, but you were blood to Bruce. A last-ditch effort he made to secure his family’s legacy; He hired a surrogate.  

Should Batman ever fall in combat, you could pick up the torch and continue the Wayne legacy.  

At an early age you wanted to make your father proud and wisely decided not to follow in his footsteps moonlighting as a vigilante. The eldest boys, Dick and Jason, celebrated for days. They loved their half-sister and supported every decision you make, but they would’ve put their foot down should you have wished to don a bat suit.  

Instead of violence, you dedicated your life to education. Only the best schools with full ride scholarships—your cv was lengthy as it was profound. You spoke multiple foreign languages, held many accreditations issued from all over the globe, and excelled at virtually every extra-curricular skill you could think of.  

You were a hardworking, driven woman with a no-nonsense attitude. That much, you got from your mother. 

You dominated any boardroom you entered, and your famous e/c eyes could make or break contracts with a single look. Now that was all your father’s genes. You gave the phrase, beauty and brains, a living breathing, mascot and Bruce couldn’t be prouder.  

That unfortunately made you a target.  

You shied away from public humanitarian appearances to avoid being recognized as a Wayne. Too many similarities with Bruce would make people curious. Instead, you worked behind a smokescreen and attended the many charities and sponsorship parties as a third-party spectator to oversee your work.  

That way, you got to see your hard work being implemented into the community—far better results than your father’s monetary donations provided.  

You took pride knowing your hard work was creating a change in Gotham City. With the safeguards Bruce and the boys had in place; it would take an actual genius to put the numerous clues together to uncover your identity. You could live in relative peace while still making a difference.  

Sadly, your long forgotten surrogate mother would soon threaten life as you knew it.  

Joker prided himself in being a vigilant man. Nothing, not even the smallest of details, went unnoticed by him and when it came to his best friend Batman, J took extra care to notice every little thing.  

The level of surveillance Joker did on the dark knight bordered on obsession but in a way, he was. Joker strived to be twelve steps ahead of his arch-nemesis in order to maintain his freedom. Being shipped back to Arkham was not an option, so he took information gathering very seriously.  

Joker knew that Batman was Bruce Wayne for years. He was surprised other Gotham villains or just the local law enforcement didn’t put the clues together. It was so obvious. 

There was no point in telling the world Batman’s not so little secret, but when Joker studied the daily life of Bruce Wayne a bit further, now that was a blackmail gold mine. Having a one up on Bats just felt good and especially when Joker discovered the perfect weapon that would break the man once and for all.  

You. 

Tucked away and hidden in plain sight; Y/n Wayne, the perfect tool for Joker’s plans.  

A father’s worst nightmare, seeing their child in distress, Joker looked forward to scaring Bruce with this latest prank. All he had to do was get close enough to steal you away, but Bruce kept you protected twenty-four seven. Smart man and Joker didn’t blame his bestie for being a protective father.  

There were dangerous people out there who would dream of your demise if they knew the truth! 

No, it was much easier to track down your mother and it was mere child’s play to make her talk. Joker thoroughly enjoyed extracting as much information from the woman before her untimely demise.  

He found it was unfair that she was virtually defenseless while you had security tighter than most world leaders. It wasn’t fair in Joker’s book, so he set out to put your safeguards to the test.  

And what achievement it was to outsmart Batman at his own game.  

You should’ve known better. Dad drilled it into your brain time and time again to always be aware of your surroundings.  

There was no such thing as a coincidence. Things happened for a reason, and it was up to you to detect any signs of danger at any given time.  

The same could be said for that fateful night. You were feeling a bit overwhelmed by a journalist at a charity event. She kept asking probing questions—a few hitting too close for comfort about your identity.  

How ironic that you attended every event the rumored Wayne heiress organized and knew so much about her personal affairs. What a coincidence how reporters asked you questions like you were the boss..  

The curious woman would not leave you alone! Her mindless chitchat felt more like an interrogation by the minute. You feared your identity was compromised after one of her questions rang true, but she simply laughed it off and said that if you were indeed a Wayne, “You’d be way prettier.”  

Whatever that meant.  

Perhaps the comment hit hard since your longtime friend/rival, Lana, stole attention from the fund raiser with her scandalous outfit. The brunette reeked of new money and had an ego the size of Metropolis, demanding attention wherever she went.  

Her appearance ruined your event for helping orphaned kids and turned it into a mini Met Gala. You had every right for storming out to scream into the back alley. She never failed at ruining things!  

You were really letting your frustration be heard when a whistle nearby startled you. 

“Listen to the pipes on that one.”  

You quickly stopped screaming once you realized that you weren’t alone. A lone male was smoking in the same alley, and he locked eyes with you once he caught your attention.  

They were an unnatural green that felt familiar however, you couldn’t place where you might’ve seen them before.  

“By all means... don’t let me keep ya from your.. uhh temper tantrum.” He blew a long puff of smoke into the night air.  

At first you were in shock, but that reaction soon turned into irritation. Just who did he think he was talking to you like that? “I am not having a tantrum thank you very much a-and... you can’t smoke here!”  

He simply chuckled while taking another drag. You crossed your arms and tapped your heels on the concrete as you waited for a response. This guy was something else.  

“Hello? Did you hear me?” You added.  

“Yup.” He popped the letter p, “Loud n’ clear. Pretty sure this area is ah... employees only. Ya wouldn’t catch me smokin’ if ya weren’t out here being a brat, hm?”  

He had a point, but you still scoffed at his choice of words. You had the idea of using your title as the boss of this event to get him fired; yet he would surely talk and by morning, Gotham City would know that you’re a Wayne. That was the last thing you wanted; however, it was worth the hassle if it got rid of him.  

For now, all you could do was shake your head at this strange man breaking your employee’s no smoking rule. You personally selected all the staff for the event and your security team performed background checks on everyone to ensure your safety.  

The gentlemen sitting before you did not jog your memory.  

His presence made you uneasy and you took a step back, “Do I know you?”  

He snorted, smoke emerging from his nostrils in comical puffs. “Uh no, but I knoooo~ooow you.” 

The blood in your veins ran cold when the stranger stood up and stepped into the light. “Didn’t your dad tell ya not to talk to strangers Miss Wayne?” He said mockingly.  

You took one look at The Joker’s grotesque scars and turned to run.  

Joker grinned and let you have a running start although you didn’t get far. Your feet got caught in your dress fabric and made his job relatively easy. The two of you tumbled to the ground, Joker landing on your back, but that quickly changed with a sharp elbow to his nose.  

You didn’t stick around to see if your hit landed, you just scrambled to your feet and tried to reach for the back door when a hand grabbing your ankle disrupted your sense of balance. One second you were upright, the next, you were on the ground seeing double vision.  

Joker didn’t think you’d put up much of a fight. His research into you was limited, but he doubted that you had any of the fighting skills your father was notorious for.  

Technically he was right. You had taken up self defense training from Jason and he reported that you sucked at it.  

Despite your lack of skills and concussion, you weren’t going down without a fight. One of your nails scratched Joker’s elongated smile causing it to bleed and suddenly, he had enough of your little games.  

You were making too much noise, and his window of opportunity to kidnap you was running out. If he didn’t move you soon, his plan would be ruined. You just had to make things difficult for him.  

“Alrighty Y/n, time for a little nap. Shhhhh... shh easy now.” Joker dodged your wild punch to his face as he dug a syringe out of his pocket.  

The sight of it made you panic and fight back harder but your scream of help was drowned out by a roar of applause from inside. The auction must’ve ended with a success. Joker pierced your skin and watched the milky white substance disappear into your system.  

It was cold seeping into your veins as you still tried to fight back.  

“Aht ahttttt don’t fight it. Let it happen.” Joker crooned into your ear; not like you could hear him. Your body felt so heavy, you lost function of your limbs so suddenly it was terrifying.  

The Joker’s obnoxious laugh sounded miles away from you. When your eyelashes fluttered closed, Joker knew victory was his.  

The environment that you woke up in was dark and cold.  

Your limbs were still groggy with whatever The Joker had injected you with and after a few test stretches, you still had motion in them. Although it would do you no good. The distinctive sound of metal on metal gave away your current predicament. 

You were chained to something.  

You tried not to panic but you were unable to see anything a few inches in front of you much less see how far the chain allowed you to move. You felt something solid underneath you and concluded that it was some sort of mattress or padding. It was a small comfort while being confined in total darkness.  

Wherever you were, The Joker was to blame, and you weren’t going to let him have this much power over you. You had to find a way out before he started his sick form of entertainment.  

Every citizen of Gotham knew Joker’s M.O. You didn’t want to be tortured to death all for a laugh.  

You waited until your eyes adjusted to the dim surroundings before exploring how much freedom you truly had.  

You felt around in the darkness until your hands bumped into something solid. It was a surface with nothing that could help you escape on it, so you moved on. Minutes felt like hours as you stumbled through the dark, searching for anything useful. Just when you thought you were painting a clear picture of the room in your head, a door opened beside you.  

The blinding light was nothing compared to the searing pain of the door hitting you square in the face or that of the trauma caused by falling to the ground.  

The room was still spinning when your loudmouth got the better of you. 

“What’s your f__king problem?!” You cried out. You feared that your nose was broken, it sure felt like it with the amount of blood you felt gushing out. The Joker didn’t seem phased by the display.  

Instead, he stepped right over you and flicked on a light, blinding you in the process. “Errr let’s see... problems. MY problem.. Social injustice? Global warming…uhhh rush hour traffic?” Joker paused for dramatic effect and slowly turned to face you. You froze, feeling his emerald eyes rake over your form hungrily.  

The unnatural hue seemed to suck you in the longer you stared. “You.” Joker purred. 

“M-Me?” How were you a problem? He abducted you not the other way round! 

You had never crossed paths with the Clown Prince of Crime until tonight. The two of you couldn’t be more worlds apart. You stayed nose deep in your humanitarian work and out of any trouble whereas The Joker was trouble personified.  

The only thing that linked you to Joker was your father, yet you doubted the clown was smart enough to put all the puzzle pieces together to uncover that.  

You prayed that this was all some sort of misunderstanding but judging how The Joker was staring, your hopes began to shatter one by one.  

You instinctively shielded your body from the known threat and in doing so, your skin brushed against unknown material. The formal dress you originally wore for the evening was gone and replaced by a thin t-shirt and baggy men’s pants. The implications were not lost on you. 

You turned to glare at the madman before you. “Who changed my clothes!?” If you were able to blush, you knew you’d be redder than a tomato.  

This man obviously had no respect for women. He simply threw his head back and laughed, “The pleasure is allllllllllll mine.”  

You failed at hiding your full body shudder and even worse, you were unable to silence yourself from talking trash. “Screw you.” You regretted saying it the moment you opened your mouth.  

The room suddenly got quiet. Joker sauntered his way over to your mattress and crouched down so he could be eye level with you. He admired the fire burning within your e/c eyes for a time. Such a strong wielded fire, it was beautiful to behold. If Joker had his way, there would only be smoking embers after he had his fun. He would make sure of it.  

The Joker always had an air of drama about him, and it took center stage as he spoke to you. “Ya wanna.. know something? You should be lucK-yyyy my boys didn’t change ya. They would’ve loved to uh.. what did ya say? Screw you.” 

His choice of words held more meaning as he tried to brush a few strands of hair out of your face. You shut down that idea by chomping at his fingers the second they were within your reach.  

You refused to sit around like some damsel in destress until dad or one of the boys came to rescue you. You would fight back even if it killed you. 

To Joker, your little stunt was comical. You could rebel all you wanted; your antics would never compare to what he had in store for you.  

He simply wagged his paint-stained fingers at you like a scolding parent and insulted you further. “Mm, feisty! I like thaT. But that’s no way to behave while you’re here. No noooo. No. You are a verry special guest, Y/n!” 

Joker walked over to the table that you found earlier. You watched as he pulled out a tripod and took the time to set up a camera in your general direction. Once it was positioned to his liking, he mashed a button—and to your horror, a red light began to blink. 

“Tada! May I present.... Y/n, my lead-ing lady in this uh.. short film of mine! The title you ask? Why it’s, How to Break Batman’s Little Girl 101!”  

Joker’s words were like a sucker punch to your gut. They bounced off the thick walls of the room and echoed back in your eardrum's times a hundred. Your worst nightmare was happening right before your eyes. Not only did someone know who you were, but dad’s long kept secret was out—and his arch-nemesis of all people, knew about it.  

You were blinking a mile a minute and Joker thought your lips flailing like a fish was oh so adorable. Kissable really but he shook that odd thought away.  

He hyped up his performance so much, you weren’t sure if he was addressing you or the camera at this point.  

“Oh come now, Y/n. Don’t act so sur-prised! I knew Bats’ secret for years now. We are friends ya know.... Mmm on second thought. Ya might wanna work on the security Batsy.. I just so happened to waltz in and steal your precious.... and might I add.... beau-ti-ful daughter away easy peasy. Did I mention she’s verrrry beautiful?”  

You snapped out of your panic by Joker’s fingers grazing your cheek. Your response was instinctive by slapping his hand away. “Don’t touch me!”  

Joker wasted no time reacting to your outburst. His gentle touch turned cruel and struck your face hard enough to turn it sideways right into the wall.  

He quickly grabbed ahold of your jaw and yanked you back upright. You were forced to bear witness to his self-inflicted scars, all jagged and swollen up close. It was a permanent reminder just how insane this man truly was. Joker’s nails dug into your cheek and for a split second, you genuinely feared this man.  

His green eyes were almost electric staring into your soul. “You’re mine now and I’ll touch ya however I want. Got thaT?”  

Joker saw the insult queuing up in your brain and squeezed your face tighter in his grasp. You whined but still managed to part your lips to respond. “I’m not yours.” You growled.  

A brief staring contest ensued. Green verses your e/c.  

Joker admired your bravery; you questioned his sanity. He dressed the part of a gentleman with his three-piece suit and coattails (despite the outlandish colors) yet he was so far removed from the title. He was unpredictable in every sense of the word that you weren’t sure if you would survive a moment longer in his presence. 

You were confident that someone would come save you, Joker thought you were too naïve to understand the gravity of your situation. In any case, he would have ample time to extinguish the fire blazing in your eyes before someone started searching for you.  

He was so caught up crafting his mental plans, he didn’t notice the glint in your eye right before you bit his hand.  

It hardly phased him and for your efforts you received a rough shove towards the ground. Thankfully the mattress softened the blow however you still had the strength to glare at The Joker in disdain. 

“Let’s see how long that feisty streak of yours last hmm?” Joker chuckled under his breath and walked over to the door.  

The sudden change in brightness blinded you again but this time you caught a glimpse of a bulky man guarding the door before he and Joker disappeared from sight. 

Finally you were alone with your thoughts. The first thing you did was let out a shaky sigh and glance at the camera still recording you. The Joker didn’t turn it off and you concluded its sole purpose was to monitor you and collect material for the ransom cd your dad would receive. 

You choked back a sob just thinking about dad. He would be beside himself knowing you were abducted. Finding out that his greatest enemy took you would be a low blow—one you hoped he would overcome in order to rescue you. Dick and Jason would steer the detective in the right direction but with every hour that passed, you knew dad would slowly lose his mind. He knew firsthand what Joker was capable of. Your nose throbbed bitterly as a harsh reminder.  

There was nothing stopping the clown from killing you if he simply became bored.  

If only you took dad’s words to heart and abided by his strict security measures. You had snuck away from your detail for a bit of privacy. Now you regretted that dumb decision. You were in Joker’s clutches with no chance of escape, and it was all your fault.  

He chained you to a bedpost like some animal and now that there was light in the room, you could see it in its entirety.  

It was a mini prison right down to the bare necessities. The Joker had every intention of keeping you here, cut off from Gotham City, most likely below ground to disrupt the bat tracker embedded in you since childhood.  

You scratched at your wrist, praying that it miraculously still worked despite the odds. Surely your father, the world’s greatest detective, could locate his daughter with much less. 

It was the only reassurance you had.  

You were getting tired overthinking your predicament. There was nothing you could do at present, so with one last hesitant glance at the video recorder, you tried your best to get comfortable on the mattress and fall asleep. 

That became your routine. Time held no value anymore.  

Was it a few days? Weeks? Longer? How were you to know? You were confined to four concrete walls with no form of contact, save for the ever present blinking red light watching your every move.  

You were forced to use the horrendous facilities they called a bathroom, and meals (which were surprisingly great) were brought to your room like clockwork while you were asleep.  

You began to look forward to the tray that would magically appear on your table. It was the only connection to the outside world you had, and you didn’t take it for granted.  

There was always a special treat on your dinner plate and it never failed at putting a smile on your face regardless of being a prisoner. You tried to keep a grip on your sanity with these small bouts of happiness, but it was obvious what angle Joker was playing at.  

He was using isolation to mentally break you and it was working. 

You thought being locked away all alone would be easy, but the constant silence was unbearable and before long you began to fear when Joker would return.  

Not fearing him specifically, but of what you might do for a sliver of human interaction.  

That visit came unexpectedly. You woke up from a nap sensing a presence inside your room. Sadly, you had embraced having hallucinations during your lengthy stay here, but this one felt a little too real.  

Something didn’t feel right. “H-Hello?”  

The door was still closed with the lights dimmed and there wasn’t a tray of food dropped by, so you glanced near the bathroom area on pure instincts. Nothing was inside the room except that camera that you loathed so much. Its constant flashing light both annoyed and comforted you. At least you weren’t completely alone.  

You sighed to yourself and was about to fall back asleep when you felt something move behind you. Joker’s laugh blended in with your scream as you tried to scramble away.  

You didn’t get far given that Joker dragged you back towards him.  

The last thing you expected after waking up was a man lying in the same bed as you. It was a natural response to freak out, especially since it was The Joker pinning you to the mattress. “YOU SICK F__K! HAVE YOU LOST YOUR MIND?”  

You didn’t see the way Joker's eyes glazed over or the way his hands tightened around you before he grinned like a Cheshire cat. “Have I lost my… have I.. losT my mind?”   

You tried to pry his hands off you, but Joker was just too strong as he continued to repeat your question over and over. His manic laughter was deafening in your ear. “Have I lost my mind, Y/n? Or have you?”  

You looked up into pools of jade that glinted mockingly down at you. “What are you...?” 

Joker cut you off by directing your gaze to the camera in the room. “Did ya forget I’ve been watching you this entire time doll? Talking to yourself, your uh... hopeless words of affirmation? Oh Dad will come, he’ll come save me! Hang in there, Y/n! You’re so braaaaaave and strong!”’ 

Joker’s imitation of your voice was cringeworthy as he repeated your own words out loud. He mocked your defiant spirit and hopes of escape as if it was a joke. Strangely enough, Joker’s tone softened, and he sounded sincere with his next angle of attack.  

“You just don’t get iT. Daddy’s not coming Y/n. No one knows you’re missing, and nooo one cares either. It’s been a month now doll. If Daddy Bats really cared about his precious daughter, he would’ve rescued you by now don’tcha think?” 

Joker was just messing with you. This was another tactic of his to break you down. He was a master of manipulation and his way with words was just as dangerous as his work with knives. His sole existence was to harm others and yet with your fragile state of mind, a part of you believed him.  

You couldn’t believe that a month had passed with no one trying to find you. Was Joker telling the truth?  

It was too absurd to believe. “N-No....  no dad cares about me. He wouldn't.... he wouldn’t give up..” You whispered. You didn’t know who you were trying to convince here, you or The Joker.  

He must’ve seen the doubt starting to creep in for he pushed you a little further. “Are you sure, Y/n? He’s a uh, busy bat! Fighting crime always comes first, you know that better than anyyyyy one. He’s never had time for you...” Joker smiled, watching you blink back tears.  

He enjoyed every minute of tearing down your defenses one lie at a time.  

He leaned away and bit back a smile when you followed, seeking his contact. You were making this child’s play for him.  

“Bats always sent ya away when you were younger. Never letting you err.. blossom to your fullest. He hid you away because you were a failure to him. A mistake. He never cared about you! But guess whaT?”  

Joker waited until you looked up into his grassy green eyes. Were they always so expressive or was it your imagination that made them sparkle? It was the first source of human contact you had in who knows how long. You felt special to have The Joker staring at you the way he was.  

The air in the room was filled with static energy as you waited for Joker’s next words. You craved validation, acceptance, and attention at a time like this. The Joker had starved you for far too long in isolation.  

His hand raised up and softly caressed the side of your face and you missed how his eyes lingered on your lips longer than intended.  

“I care Y/n.” He chuckled seeing you pout, “I mean iT! I’ve been so ah.. cruel to ya. I should’ve treated you better. You want me to treat ya better doll?” 

Joker leaned forward and kissed both of your cheeks. The contact made you jump and blink up at him in shock. If he couldn’t hear your heart beating wildly, then he was deaf.  

You soaked up his form of human contact like a sponge. How long had you been wasting away in this room?  

Was it really a month like Joker had said? Right as Joker was leaning down to kiss you properly, you had a moment of clarity.  

Who was to blame for you being trapped in here? Why were you here in the first place? The answer was right in front of you, buttering you up with sweet lies and fake affection. Joker was playing you like a fiddle, and you were weak enough to fall for it.  

Not anymore.  

The Joker was the enemy. He was full of lies. Dad would never abandon you so why were so inclined to believe this green haired clown? No amount of isolation, no form of torture, could break you to believe such. You couldn’t give up so easily. You were a Wayne. You were born a fighter.  

Joker’s scarred lips ghosted against yours as you shoved him away. “You are nothing but a liar.”  

You enjoyed his brief moment of shock before his eyes cooled into the hard emeralds that they were. 

And just like that the act was over. One second you were in the comfort of Joker’s arms, the next you were tossed aside like trash and his true colors were revealed.  

He towered over you like a titan as you tried to back away but there was simply nowhere to go. You were at Joker’s mercy, and he spared you none. Each kick to your body made you cry out for Joker to stop but he didn’t listen, rather he laughed and kicked harder.  

You grabbed his ankle and begged him to stop but he jerked free and stomped on your wrist in retaliation. The audible crack was background noise to your earsplitting scream— yet it was all music to Joker’s ears.  

He enjoyed the pain of others and yours was icing on the cake.  

You sounded so pretty, so helpless and filled with anguish. He wanted to hear more. He was obsessed. How far could he push you until you gave under pressure? 

Two knocks on the door stole Joker’s attention and his eyes watched as another person entered the room. Joker knew who it was. Anyone else wouldn’t dare enter while he had his fun.  

Frost took one look at you sobbing on the floor before he focused his attention back on his boss. “We got trouble.”  

Joker rolled his eyes at Frost for interrupting his fun although it was probably for the best. He didn’t want to break you just yet. Slow and steady won the race and he had all he time in the world to do so.  

He might’ve went overboard today judging by how you visibly flinched when he moved in your direction, but he knew you’d bounce back defiant as ever. You had to.   

“You’ll have to uhh, excuse me Y/n. It seems.. I’m needed elsewhere. Don’t. You. Move.” He patted your head and laughed all the way out the door.  

The heavy sound of it closing did little to silence your tears.  

The pain was nothing. You were more upset with yourself for not being stronger. Joker was destroying your fighting spirit in record time and you were powerless to stop him.  

The bruises never faded, and it made sleeping even more difficult on your worn mattress.  

Sure, Joker was considerate enough to cast your broken wrist, but it was a small gesture compared to the verbal and added physical abuse he bestowed upon you daily.  

You became Joker’s personal punching bag and there was no end in sight to your suffering.  

Each time the door opened, you were forced to endure Joker’s twisted mind games or his heavy hand. It didn’t matter that you were a woman, in his eyes you deserved every ounce of pain that he inflicted. And when he finally left you bleeding and holding back tears, your own thoughts tortured you some more. 

Did father really abandon you? How was the world’s greatest detective, renowned for his state-of-the-art technology and gadgets, unable to locate his only daughter?  

The days blended together and all the hope you originally had of being rescued, diminished.  

The Joker enjoyed his daily visits with you but he could tell that it wasn’t enough. Your body was obviously battered yet your mind remained intact.  

You still possessed a thread of hope that made you defiant to the end. You spat in Joker's face whenever he was in range, and you rolled your eyes at his half-hearted jokes about killing you.  

“Then do it.” Your snide remarks often led to more beatings that did little to fulfill Joker’s goal.  

Nothing seemed to be working to ultimately break you, so he decided to try a different angle. 

You woke up to the smell of food in the air. Your stomach growled in want, but the reset of your body hurt too much to move. You debated skipping eating all together in favor of rest however that choice was made for you.  

“Sit up.” 

His voice. The root of all of your problems. You didn’t have the strength to be bothered with him today.  

Joker waited for you to move yet when you remained lying down, he became agitated. “I won’T re-peat myself doll.” 

Your voice cracked with your response. “I can’t. It hurts.” You just wanted to be left alone, to hurt in peace but Joker controlled everything here. As if you had a choice to begin with. 

“Lemme help you.” 

Just hearing the offer gave you the strength to flip over to face him. Surely he was joking. He wanted to help you?! After all he did? Screw the consequences, you had to speak your mind. 

“Help me? You want to help me? Okay then. Go away! Far… far away and leave me alone! Or even better! Let me go!  What’s the point of keeping me here? What do you want from me?!”  

During your speech you began to cry and Joker (for the first time in his life) felt guilty. Your timeless beauty was marred by cuts and bruises that he caused, and he couldn’t justify his actions for creating them.  

Somewhere along the way Joker lost focus of the mission.  

It was all a game— to get at Batman but along the way Joker saw how strong you truly were. Anything he tossed your way, you deflected it with ease. You never faltered, never lost hope. Even now as you lay weak and hungry, your eyes set him ablaze.  

You had won, he just didn’t know at what.  

Joker didn’t know what else to do with this failed experiment of his. One thing was certain, he wasn’t letting you go. There was something about you that he couldn’t put his finger on.  

Your rant fizzled off as you stared at Joker.  

There was an odd gleam in his eyes that you were wary of. He looked lost in thought and when he snapped to, you were shocked to see a genuine smile appear on his lips.  

You feared what his thoughts could lead to.  

To mask your fear, you rolled your eyes at his lack of an answer and reached for your dinner tray. Your groan of pain made Joker wince. Were you really in that much pain?  

Without thinking, he smacked your hand away and stabbed a portion of food with the provided fork. The two of you stared at each other in silence waiting for the other to make a move.  

“I can feed myself.” You grumbled.  

Joker gave you an, ‘are you sure about that’ look and tapped the fork to your lips.  

Just thinking about moving used up too much energy and your muscles begged for you to take him up on the offer. The Joker, Gotham City’s notorious criminal, wanted to feed you dinner; who were you to deny him?  

You begrudgingly opened your mouth while looking away from his smug green eyes.  

The act was so demoralizing, but you kept your cool while chewing in silence and opening your mouth for the next morsel.  

Just to be cheeky, you closed your lips around the fork and refused to let go. Joker didn’t think it was funny but he entertained your bratty behavior nonetheless. He considered stabbing your tongue—but thought against it. There was no need to be violent.  

He was trying a different angle to this whole hostage situation he created. Your defenses were down tonight and he would be a fool not to take advantage of them.  

A quick glance to his right confirmed that the video camera was still recording. Perhaps it was time to send a message to daddy dearest and make some progress.  

You were under the impression that Joker was taking pity on you with his nice guy act. He was patient, feeding you bites of food and not shoving it down your throat like he’d done in the past when you tried starving yourself.  

He was being.. (dare you say it) nice. You should’ve known it was too good to be true.  

He finished feeding you and you thought he was moving onto the slice of cake that was on the tray. You had been eyeing it since Joker uncovered it and you licked your lips thinking about the delectable treat.  

It would have to wait. There was an ominous shift in the air that completely blindsided you.  

Joker didn’t know what came over him. He didn’t have any plans when he entered your room tonight. It was supposed to be a simple food drop—nothing more, but the moment his eyes landed on you curled up on the mattress resting so beautifully, what left of his demented mind, checked out early.  

This past month and a half was filled with harsh lessons and far too many close calls. Batman and his ban of birds did everything in their power to find you and they almost succeeded once or twice. 

Thankfully Joker was smart enough to place you inside a shipping container so you could always be mobile and out of reach. You hardly noticed the frequent moves since he coordinated them during your sleeping hours. It also ensured your meals were always hot and fresh since they could just travel to wherever Joker deemed fit to your standards.  

Everything was planned down to the smallest detail, everything except developing feelings for you.  

Now that was out of Joker’s control.  

Underneath the clown façade, Joker was still a man and you were absolutely stunning with your aristocratic beauty and educated mind.  

Your fierce personality drew him in despite you being a means to an end. You were supposed to be a form of entertainment, a toy until Joker got bored and let Batman have his daughter back but over time, Joker became attached to you in an unhealthy way. 

You were Joker’s property, his special secret hidden from the world to do with as he so pleased.  

He stopped hitting you and allowed you time to heal due to some unknown form of guilt. More and more tasty desserts were included with your meals to make up for his abusive behavior, and unbeknownst to you, Joker watched you sleep every night.  

There was something soothing watching you blissfully unaware of the monster in your bed. He could slit your throat in your sleep but he didn’t. No, that would be a waste.  

Joker found it better to sleep beside you and hold you close. He knew you would freak out if you knew all the liberties that he took while you were asleep.  

From tracing your major arteries with a knife to leaving lipstick marks all over your skin—his feelings for you were disturbing and perfectly justified in his opinion.  

Joker didn’t want the traditional lovey dovey crap most couples shared because he wasn’t normal. He wanted to own, to control, to destroy you completely and then protect the broken pieces that remained. 

There was no concept of love in Joker’s mind and there never would be. Seeing you so docile as he fed you was the breaking point. He got a taste of your submissive side and craved more.  

Why couldn’t you just give in and break already? You brought this upon yourself. You forced Joker to do this. 

He blocked out the sound of your cries and wrestled your arms down to onto the mattress. His only goal was to get you naked and when you began to struggle more, he took matters into his own hands. 

Joker grabbed the army knife from his pocket and sliced your clothes off. One motion caught your skin and you howled as the sharp metal tore it open. Joker saw red bubble to the surface and dove down to lick you clean.  

He didn’t like hearing your voice filled with pain. It distracted him from getting hard and after staring you in the eye, you quickly got the message. Keep quiet or else.  

You tried not to make a sound louder than your whimpers. You didn’t want to provoke Joker’s wrath.  

“Much better. So pretty.” Joker hummed to himself when you were laid bare beneath him although he frowned seeing tears staining your cheeks. “Shhhhhh, hey hey. Look at me... Behave and it won’t hurT.”  

He watched your lip wobble as you remained quiet. Your wrists were being held down by Joker’s hand, leaving you powerless to squirm away and he loved the power scale tipping in his favor. Good. You would always be beneath him.  

He struggled a bit to unzip his fly but managed to get his cock out without letting you go. A shame you were being bratty and didn’t prepare yourself for this. He really had to do everything around here.  

Joker spat on his hand and worked it up and down his cock, groaning to himself at the feeling. His eyes roamed over his doll and admired your beauty mid stoke. You had curves in all the right places that begged to be fondled. He wanted to touch them, but if he let go of your hands, you would act out.  

He could see the fire burning in your eyes. If he gave you an inch, you’d take a mile.  

Yet it was criminal not to mark you up the way he wanted.  

Joker sighed as he lined himself up with your pussy. You panicked and tried moving away from his tip tapping your opening with heavy slaps to no avail.  

“Are ya gonna behave doll?” 

He shifted his weight and applied more pressure on your healing broken wrist when you continued to rebel. The searing pain made you bite your lip and cease struggling altogether.  

“Now. Are you gonna be a errr.. good doll for me n’ stay realllllllly still?” Joker sang.  

Your lip curled back, ready to cuss him out, instead a loud scream took escaped your lips as Joker began to force his way inside your dry entrance.  

It burned. It ached. He was tearing you apart and you shook your head in agony as it continued without end. You didn’t think about the consequences, you bucked your hips away from the unwanted invasion.  

You knew you were in trouble the moment Joker said your name in warning. 

“What. Did. I just say doll? Dumb b___h.” 

Joker let go of your wrists to hold your hips instead. Once he found purchase, he began thrusting in and out of your pussy. His pleasure was your torment. Your silent tears spurred him on and he swatted your hands away that tried to push him off.  

Nothing would stop him after he got a taste of you. He was an idiot for not taking you sooner. 

“Haha, you’re grippin’ me soooooo tight doll. Ease up for me!” Joker groaned louder to drown out your pathetic pleas. He would not slow down; you were too perfect to stop now.  

He noticed the camera in the corner and got an idea. “Are ya enjoying yourself, doll? Why don’tcha give the ah.. a-audience a good show? Go on. Tell him how you feel.”   

You forgot all about the recorder in the room! Your sharp gasp was music to his ears. You tried to turn away, but Joker would have none of that. He grabbed your jaw and forcibly turned your face towards the lens. Your tears were a paid actor for his production.  

“Ya see that Bats? ThaT, oh f__k... t-that is the face of your failure. She’s all mine and I’m gonna take ahaha.. verrry good care of her. All mine.. d__n it..” Joker choked back a moan and licked the tears from your face as he sped up his thrusts. If he kept this up, he would cum before the fun really started. Although he shouldn’t have to be the only one getting off.  

With a smug grin, he snaked a hand down to rub messy circles on your clit.  

The response was instantaneous. You threw your head back with a mewl on your tongue. He felt the result of his adventurous touch the same time you let out an unexpected moan. “Oh? Ya like that doll?” He mocked.  

He laughed at you trying to deny deny deny but your body was speaking on your behalf.  

You tightened around him and he felt the slick begin to coat his cock. He arched an eyebrow at the sudden turn of events. You really were enjoying this. He wondered... 

He stroked your clit faster and was rewarded by another sweet moan gracing his ears. His doll made the prettiest sounds under distress. He could see the confusion dancing across your features.  

“Ohhhhhh Bats! You have a naughty.. naughty girl! Enjoying my touch after begging me to stop just minutes ago? Ah.. mmm, it's okay doll! M-Moan louder. Enjoy ittt, I know I am. Mm, you feel better the uh wetter you become.” 

Joker stopped mid thrust when you clenched down unexpectedly on him. Were you trying to crush him to death?  

He wondered if you could feel him throbbing in your pussy. Your tiny fists were beating on his clothed chest but there was no point in pretending.  

You were enjoying yourself and if he was correct to assume, you were getting close. You just needed a little push and Joker had just the thing.  

“I knew you were secretly a whore. Only dirty sluts get off on being used like a toy. Hehe. It's a-always the quiet ones f__k!” Joker chuckled to himself followed by a shuddering groan. You were very close. He had to act fast.  

Without warning he bit down hard on your shoulder. You moaned out before covering your mouth with your hand. It was too late; Joker already knew what kind of woman you were. He bit harder and rejoiced as blood bubbled up to the surface to coat his lips. Finally, he was marking you up the way you deserved.  

He sped up his thrusts, laughing at the sloppy sound of wet skin on skin in the room. His cock happily slid in and out of your pussy now that you were horny.  

You were shaking your head in denial even as your legs shivered on Joker’s shoulders. He licked the fresh bite mark clean before whispering in your ear.  

“Let go Y/n. Shatter into a thousand tiny lit-tle pieces— and when you snap them back together, I'll be righT here to ruin you all over again. And again. And again. I will always break you just the way you need. The way you deserve. So go on. Do itttt. B-Break for me.... For us.”  

Joker thought you were beautiful before, seeing you admit defeat and cum was a vision from heaven.  

Your cheeks darkened in color as your lips parted like the sea to allow carnal bliss to fall from its depths. You twitched uncontrollably in Joker’s hold, and he was more than happy to pull you in close as you fell apart on his cock.  

You rode the wave of pleasure and swept Joker along with the force. He was caught off guard by your tightening cunt and came with your name a whisper on his lips.  

No drug could ever compare to the high you gave him.  

He saw new sounds and heard colors that he couldn’t name. His breath came in short pants as he came down. Words failed him, his head was still too foggy to process the world around him.  

What could one say after an orgasm that intense? He just came inside your quivering hole, and he already wanted to do it again.   

He couldn’t find the energy to even think coherently! All he could do was flop down next to you and sort out his senses in the right categories.  

His paint-stained hands wandered aimlessly and began playing with the ends of your hair, much to your horror. While Joker floated in post-coital bliss, you fell back to your harsh reality.  

You let this monster have sex with you and even worse, you enjoyed it.  

You felt dirty, cheap, a literal failure. You allowed The Joker to touch you, to make you feel good. You came from his ministrations. God, you could feel him softening inside your used pussy. Your inner thighs felt sticky, and you shuddered realizing that The Joker came inside you. The room began to spin as you spiraled into a panic attack.  

What would dad think when he found out? What if you became pregnant with this monster’s child. You felt sick to your stomach and feeling Joker playing with your hair, as if nothing was wrong, tipped you over the edge.  

“Don’t touch me!” You wailed. Your shout made Joker come to and instinctively hold you closer to his chest. He wasn’t quite sure what was going on inside your head, but you didn’t have to be so loud. 

“Doll... I ahh uh, already touched ya.” He rubbed up and down your back despite you flinching from his touch.  

You made eye contact with the video recorder in the corner and Joker curiously followed your gaze. Oh. That would explain your sour mood. You were smart and deduced what he would do with the footage. “Listen Y/n..” 

A knock at the door interrupted Joker’s sentence. He didn’t move an inch as he granted whomever on the other side entry.  

You tried maintaining your modesty but it was a useless effort. You were bare as the day you were born in Joker’s arms and he wasn’t letting you go. 

Joker’s henchman walked in and struck a conversation with the clown, pretended as if you didn’t exist. You wanted to crawl into a hole and die you were so embarrassed.  

You didn’t notice what was going on until Joker snapped his fingers in your face. “Huh?” 

Joker rolled his eyes at your lack of awareness. He sat up straight and ran a hand through his disheveled hair. “I said..... take a bath while I’m gone. I uh.. took your chain off for ya.”  

He pointed at your bare ankle that was in fact free of the heavy metal. You twisted your leg, feeling the freedom granted to you.  

You wanted to thank Joker but he was already walking out the door with his henchman. And just like that, you were alone. The silence was unbearable as the full reality hit you full force.  

You didn’t fight back. Why did you give in so easily? Why did you miss the warmth of Joker body against yours? Just what was wrong with you for craving his touch?  

Screw taking a bath, you ran straight towards the toilet to empty your stomach.  

Sleep did not come to you when your mind was abuzz with doubt. 

You paced the room while biting your nails and reliving your time spent with Joker over and over. You were beyond restless thinking about your uncertain future. What would Joker do now that he got what he wanted? 

Would you be killed off and discarded like trash? Would your family be given the chance to mourn your passing? Would they even know what became of you? There were too many questions and not enough answers. One thing was for certain, you refused to sit around and wait for your fate.  

For some unknown reason Joker removed your chain. It was a sliver of hope that you planned on exploiting.  

The heavy metal door loomed in the distance. Before it served as a reminder of how trapped you were; now it was a shining beacon of hope. Either coincidental or simply a miracle, Joker also took the elusive camera with him. Nothing was stopping you from running, and nothing was holding you back.  

Joker had slashed your clothes to ribbons but the woolen blanket on the mattress was still intact for you to wrap around your body.  

It left you feeling far too exposed, but you had no other option available. Once covered, you padded over to the door and turned the handle to freedom. 

The hallway was dark and ominous before you.  

You weren’t sure if you wanted to venture into the unknown. You looked at the barren cell you were forced to inhabit and back into the dark void, weighing the odds.  

You took the first step, then another, and another until you were walking with haste—desperately searching for an exit.  

Your heart was beating loudly in your ears as you stumbled across a door with light poking out underneath the frame. It was the only lead you had so far towards an exit. You slowly pushed it open and regretted it instantly.  

The room full of men all stopped their various conversations to stare you caught like a deer in headlights in the doorway. You quite literally walked into a den of wolves.  

“Well well. Look what we have here!” One guy catcalled.  

They all leered at your body poorly wrapped up in a blanket. It was obvious your purpose here at their hideout. Free entertainment.  

The door slammed shut behind you, trapping you again, only this time in far more hostile conditions. You berated yourself for leaving the safety of your cell if this was the cost. You could barely defend yourself against Joker. There were too many men here to even consider escaping.  

You backtracked right into a broad chest and the male laughed at you already cowering in fear.  

He roughly pulled your hair while another pair of hands ripped your blanket away to knead your breasts. Whistles and laughter broke out in the room at the sight. “The Boss been keepin’ this from us!? Look! She’s freshly used too!”  

You screamed as fingers stabbed their way into your cunt and explored inside. Their hands weren't like Jokers. There was no pleasure to be gained here and unlike before, your body did not warm up to the stimuli.  

You were in pain as they groped and fondled your body and despite Joker being the origin to all your problems, you cried out his name to save you. 

Someone yanked your hair again before shattering all your hopes with a handful of words. “Ya think the boss is gonna help you? You are nuthin’ to him! Just a warm hole for him to use. And now it's our turn.” 

You closed your eyes to block out the pain. The last of your fighting spirit faded away as a lone tear rolled down your cheek. 

Frost and Joker were waking back towards your room when they heard the loud commotion coming from the common room.  

It was well in the night and nothing of note should’ve excited the men to be so rowdy. Most of them should’ve been on patrols in the first place.  

Frost merely shrugged his shoulders and followed his Boss.  

Curiosity killed the cat, but Joker was not so simple minded. He knew something was wrong. He wasn't religious by any means, but he prayed that this didn’t involve you.  

He barged into the common room ready to scold his men when his worst fears came to light.  

Joker didn’t think, he simply acted until nothing else stood in his way to get to you. Frost could handle the aftermath of his rage—you were the only constant in Joker’s mind the second he opened the door and saw you in distress.  

He left you just a few hours prior, safe and accounted for in your room. He left to prepare better accommodations to reflect your newfound status in his life. Joker took great care of his possessions, and you deserved better than being tucked away in some dingy shipping container. You didn’t belong on the floor like a cheap whore. No, you were worthy to be displayed, dressed up like the doll Joker wanted you to be. 

 Never did he imagine he would return to this. 

He fought his way to your side and fell to his knees by your side. His green eyes were wide with an unknown emotion as they took in your battered form.  

He didn’t want to touch and accidentally hurt you any further yet something about the thousand-yard stare in your eyes told him you were no longer here to feel anything at all. Joker knew how ruthless his men were, but this was barbaric.  

He didn’t regret killing them after what they done. His only remorse was not making them suffer more before death.  

Joker gathered you up in his arms and tried shaking you back into focus. “Y/n? Y/n, c'mon doll! Look at me.. s-say something!?” He pleaded.  

You mumbled something inaudible and curled up into a ball.  

Rage. Guilt and surprisingly shame. Joker’s mind was wild with this flood of new emotions.  

He didn’t know what to do. He didn’t have a single cell of compassion in his body, yet the sight of his newest toy utterly broken (and not of his own doing) had him feeling remorseful.  

“I... I don’T.. I...” Joker gathered his thoughts with a deep inhale.  

Frost watched the intimate scene while kicking over a body. It was a bloody mess in here; however, that had to wait.  

Frost could tell his Boss needed some assistance. “I’ll run a bath.” Frost said offhandedly.  

It would point Joker in the right direction at least rather than rocking you back and forth on the floor to no avail. The comment snapped Joker out of his musing.  

Emerald eyes roamed over your sleeping form. “Bath. Y-Yeah uh she needs a uh.. bath.” 

He nodded to himself and slowly rose to his feet to carry you out of the common room. He passed up your old room in favor of his own that had more privacy. Not like it would matter. You had yet to speak.  

This was not the outcome Joker had planned. Even after he washed you clean and tucked you into bed— he sat by your side contemplating his next move.  

You were no longer the shiny doll he wanted on his shelf. His own men had ruined you. They took away your feisty demeanor and all conscience thought from you that made this game fun.  

Joker tried to get you to speak, to react to anything, but you remained stagnant, blinking owlishly at the wall until sleep finally took you.  Nothing of the defiant Y/n that Joker had grown to like remained.  

You left him with no other alternative. He got what he wanted, and it was time to move on.  

In three more days, it would mark your two-month long disappearance. Bruce would be a liar if he said he didn’t count the days if not the minutes that you were gone.  

He blamed himself for your capture and the boys tried their hardest to steer him in the right direction and not spiral into depression. Bruce loved all his children, but you were his by blood. You held a special place in Bruce’s heart and as such, he spent every waking second trying to find you. 

No expenses were spared, and any lead (no matter how small) were investigated. Joker was smart, but Bruce was smarter. He would find you.  

Dick and Tim investigated a possible lead and discovered where you were originally being held. You still had a sweet tooth and your favorite bakery recognized your custom order being placed and tipped off Wayne Enterprises about the person who picked it up. 

Unfortunately, The Joker moved you before Batman could arrive at the location but now they knew you were still alive. It strengthened their hopes in finding you safe and sound.  

Numerous rescue attempts were thwarted in the following weeks, but they never gave up. There would be another lead, they would have another chance to save you.  

All hope was not lost. 

Their patience was rewarded the day the Batcomputer picked up a signal on your tracker. It was finally online for the first time in months. Everyone scrambled to assemble at the pinned location. Bruce was ready for a fight and mentally prepared himself to do anything necessary to get you back.  

None of the boys were prepared to arrive at the back of your office building. It seemed to be a mistake, it had to be. Was Joker sending them on a wild goose chase? Bruce scanned the area but there was only one faint heat signature detected. His nerves were on edge, already assuming the worst.  

Bruce’s heart stopped beating when he saw a body lying in the delivery drop-off/ loading area. He didn’t wait for the others to secure the area. His father instincts were in overdrive as he rushed to your side, calling out your name.  

You were unresponsive with only a tattered blanket covering your shivering form. That’s when Bruce saw the bruises painting your body and the cast still present on your wrist. He didn’t want to believe that this battered woman was his spit-fire daughter.  

You were a shell of your former self when Bruce finally roused you awake. The fire that once blazed intently within your e/c eyes was gone and it was evident what The Joker did to you.  

“Bruce, look.” Dick said as he picked up something near your feet.  

Scattered around your body was a deck of playing cards. On the joker card a note was written in red.  

You can have her back Bats; I don’t like broken dolls. 

[fanfic-writer-and-rambler]

Lady Shiva: Cassandra Cain!

Cass (in batsuit) eyes widen as she turns around: Mother?!

Jason (Red Hood): She's back?

Lady Shiva: In the flesh and you thought you could escape me, Cassandra? Naughty, naughty.

Cass (nervous): Mo- Lady Shiva, stay back!

Lady Shiva: That's no way to talk to your mother. Why are you talking?

Cass: I won't hold myself back. Leave.

Lady Shiva walks to Cass with a menacing glare.

Lady Shiva: You continue to disappoint me. Giving up the job of a skilled assassin to parade around in this ridiculous costume.

Jason: Cass, you need me to handle this?

Cass: Not yet.

Lady Shiva (chuckling menacingly): Cass? That's the foolish name you go by? I heard you also go by Orphan. Blight of my womb, you're not an orphan, but mommy will tak-

Lady Shiva stops walks when Jason raises his gun to her, making sure he got a headshot. Shiva smirks, placing her hands on her hips.

Lady Shiva: The dead Robin is protecting you?

Jason: Shiba lady, I'm not afraid of you and I will not hesitate to blow your brains out with one bullet.

Lady Shiva brows furrowed in anger.

Jason: I don't give a fuck. The child unfortunately related to you is giving you a chance to go. Take it.

Lady Shiva: Lady. Shiva!

Lady Shiva: My daughter won't let a pathetic walking corpse shoot me.

Cass: You're so right.

Cass reaches into Jason's side pocket and pulls out another gun.

Cass: We're both going to shoot you. Walk away or you'll be found on the ground with multiple gunshot wounds.

Lady Shiva (attempting to manipulate her daughter): You were a terrible shooter and do you think you'd get a good shot with that ridiculous leather-

Cass moves the gun to her 'mother's' arm and shoots her effortlessly.

Lady Shiva screams, clutching her arm.

Lady Shiva: You fucking brat!

Jason chuckles not caring when Shiva glares at him.

Cass: If you don't leave we will both take shots and neither of us will miss. Last chance, surrogate. Turn back or we will make your death look like an accident.

Jason smiles as Cass then turns back to Shiva, his gun steady.

Lady Shiva (returning to her cold tone to hide the pain in her arm): You've proven what a pathetic waste of DNA you are. I shall take my leave by my choice. Make no mistake, when I return you'll know what it's like to be in a coffin.

Jason: Would you fuck off already? God you talk like a cartoon villain.

Cass giggles.

Cass: All she needs is a mustache to twirl.

Jason: From my distance she's growing one in.

Cass laughs.

Lady Shiva rolls her eyes, but instead of continuing her failed manipulation, she turned around, angrily walking off.

Cass spins Jason's gun with ease and hands it back to him.

Cass (singing): Oh- Oh-Oh-Oh-Oh- I shot my shitty mom in my cool batsuit!

Jason puts both his guns in his pockets. He smiles at his happy sister.

Jason: Felt good, right?

Cass: Yes indeedy. Thanks for having my back.

Jason: No problem. You gonna be okay though?

Cass: Totally, she had me for a second, but when you stepped in I felt more confidence. It sucks having bad parents, but they're not my family anymore. You guys are.

Jason: I'm your favorite?

Cass nods.

Jason: Good shot, by the way.

Jason pats Cass on the head.

Cass (clapping eagerly): Thank you. She had the nerve to call me a bad shooter. You're silly though, Shiba Lady?

Jason: Yeah I came up with that on the fly. Clever right?

Cass (laughing): Incredibly clever. One question though, would you have shot her in the head?

Jason: If you gave me the okay I would... Even if you hadn't and she attacked you, I would've shot her.

Cass: Thanks Jason.

Jason: No thanks needed, I know I'm awesome.

Cass: We should head out of here, Shiba probably wasn't alone.

Jason: You're right. I want to say real quick, welcome to the awful mother's club.

Cass holds up her fist. Jason fist bumps her back. The two run off feeling accomplished.

[fantasyinvader]

Getting back into Far Cry again.

I know a lot of people complain that Ajay has no reason to help out the Golden Path. Sure, they rescue him, he does a couple of missions for them and then suddenly he's helping them overthrow the government of a country. Pagan makes it out at the end that Ajay is just like him, and Pagan admits he is just using the death of his daughter as an excuse for his atrocities. So is Ajay just using "I need to find Lakshmana and spread my mother's ashes" as his excuse to commit violence? Maybe.

But if we think of Ajay as an extension of the player? We came to Kyrat not to spread the ashes, but commit acts of violence. The spreading of the ashes is just why Ajay is there, but it's on us that we leave the table rather than wait. We seek the violence out rather than sit there, eat our crab ragoon, and then go to do what Ajay is there to do. We derailed Ajay's mission, and from there we don't really care about the politics of the conflict or the morality of those who gives us our missions because now we, the player, can have fun. At least, until the very end when those elements become harder and harder to ignore.

Pagan isn't saying that Ajay is just like him, he's saying that we the player are just like him.

I'd say this worked better in Far Cry 3 and 5. 3 ties this all into Jason's character and arc, so while the gameplay evolves as he becomes a one-man army it's reflected in the story as well. 5 is a more direct line to the player with the Rookie being a silent protagonist customizable by the player, so the game is saying things directly to us rather that a surrogate character whose actions are supposed to make sense within the narrative. It even pulls the "you wanted to play a violent game and be a hero" gimmick as 4 does.

Can't say anything about 6 since I haven't played it, but considering it's a lot less bleaker if the player chooses to fight it's message seems to be different than what 3-5 did.

[geenawrites]

'Black Widow' and undermining Dramatic Intent (II)

[PART ONE]

The 'Civil War' Effect

4): Elements that could’ve made Black Widow Natasha's personal journey are reduced to quick conversational bites told to Natasha instead of experienced by Natasha and the audience first hand.

The film could've built the story around her family selling her off to the government (on some eugenics mess). It could've set the stage for the subplot regarding her mother’s search for her until she was murdered, and Natasha trying to learn about her past pre-assassin.

For all the moments where we simply see her on her own, a lot of that alone time isn't used to explore how she feels, what she's thinking, or a personal throughline. It's just a montage of her looking gloomy and wearing comfy sweatshirts.

The only time Natasha truly feels like she is the emotional center of the movie is the opening act of the film. There, she’s portrayed by Ever (Gabo) Anderson and not Scarlett Johansson.

And as a film touted-as a vehicle for Johansson, that is bad. But also underlines why Florence Pugh’s Yelena was considered the real protagonist of the movie.

Black Widow could've been about Natasha wanting to reclaim her past from the Red Room (her abductors) because she reunites with her sister and parents (her surrogate family), and needed to finally deal with the consequences of killing Antonia (her ghost).

Instead, Black Widow is really Yelena’s story and emotional journey. Yelena justifies the presence of Alexei and Melina more-so than anything in Natasha’s history. As centered as Natasha was in the prologue, it works more as a establishing point for Yelena versus something like Natasha’s lost family or working with Clint Barton in Budapest.

Yelena being tasked to save the Widows (by the elder Widow who created the mind control cure), killing Dreykov, and destroying the Red Room are immediate issues that directly impact her arc and development as a character. Natasha is largely along for the ride, bringing Yelena where she needs to be in each act.

Natasha isn't as centered in her own her film as she should be. Simply compare the structure of her story to the structure in the Captain America (x2), Ant Man (x2), Thor (x3), and Iron Man (x3) films, and how those narratives focus on Steve Rogers, Scott Lang, Thor Odinson, and Tony Stark. Those films are about their emotional journeys while maintaining a healthy supporting cast that don't overshadow them.

Black Widow in comparison feels more like Captain America: Civil War, which is more of an Avengers film than it is a Captain America story. The emotional center of Civil War is Tony Stark and Zemo. Steve and his cast are simply underpinning Stark and Zemo's arcs. It also tries to introduce a new character (Black Panther) with the exact same story beat (revenge) as Stark and Zemo, and a MCU-wide subplot (Sakovia Accords) that ultimately goes nowhere later on.

The consequences of Civil War "Avengering" a solo film are on display in Black Widow in a big way. It's introducing new characters, and trying to tackle a trilogy's worth of storylines (the Red Room, Budapest, the Widow family, Civil War-fallout).

She doesn't even get a decent postmortem send off. The post credits, wherein Yelena mourns Natasha, is turned into a comedic skit and a teaser for the Hawkeye series. It's not allowed to remain a moment of mourning between two sisters separated by literal death.

As an Executive Producer of the film, I know this was not lost on Johansson. She might be an awful person, but she doesn’t strike me as someone so unaware of her environment that she set the stage to be undermined by her co-star. No, I think, given the timing, Johansson knew this was always going to be about setting up her successor.

Wrong Time, Wrong Place

Choosing to set Black Widow after Civil War was just a poor choice on Marvel’s part. Natasha circa 2016 has more or less come-to-terms with her history as a state-sponsored assassin for both Russia and the United States. Her arc as seen throughout the Avengers and Captain America films has come full circle following the events of The Winter Soldier. Now all she has left going forward is the arc dealing with Thanos' genocide and resurrecting everyone.

There is nothing to mine in terms of personal character drama because, at this point, she has laid it all to rest. It's nothing that torments her akin to Bucky trying to square away with his past as an amnesiac assassin.

All of Natasha’s threads are focused on the break-up of the Avengers. At first, seemed like her arc was going to be about not falling back into bad habits (being mistrustful of everyone). That it was going to deal with how she felt let down by the team (after trying to be the reasonable party among everyone), but the film doesn't really commit.

After that one conversation in Budapest, "getting the Avengers back together" isn't even a focal point. We just get awkward callbacks that tell the audience that Natasha isn't on the same level as Iron Man, Captain America, and Thor.

Yelena forgiving her family is used to tack on the sudden parallel idea that Natasha has been convinced she can personally bring the Avengers together again as a surrogate family once things work with her Widow Family.

Again, even in her own film, Natasha is playing the sacrificial matriarch of a Boy’s Club (whose event films she features only as a supporting character. Something I think people are only just realizing). That says to me the MCU never valued her beyond her ties to the male Avenger cast.

”You’re such a mom!” becomes a lot less funny in that context.

If this film was immediately set after The Winter Soldier or even Age of Ultron, wherein all of her history and SHIELD’s was leaked for public record, then there might’ve been a chance for an emotionally resonant story arc.

How would a Natasha scrambling to create new covers, and new ways to protect herself, deal with the sudden public attention of the world knowing that she was a foreign assassin that bought her way into the United States and became a celebrity superhero? How would a post-Winter Soldier solo film deal with Natasha’s past in way that she didn't become overshadowed by her own supporting cast?

How would a post-Age of Ultron solo film handle her past as informed by her nightmare (which stuck closer to her history as a trained dancer in the comics) on top of the events of The Winter Soldier?

But even as a post-Civil War narrative, Black Widow should've really cared to explore how Natasha felt about having to revisit her history with the Red Room, on top of being betrayed by Alexei and Melina. Instead of giving all those emotional beats to Yelena, actually show us Natasha confronting them beyond “it wasn’t real!”

How would the story turn out if parent with the biggest hand in the facilitation of her abuse (Alexei) wasn't turned into a flat comic relief character? What if he actually got chance to really consider her grievances, show remorse for his actions, without being turned into a “ha, ha, he’s do dumb (and fat)!” punchline (after setting him up as the total opposite in the prologue)?

Melina could've been an interesting co-antagonist working with Dreykov, but the film skirts past how she is complicit in the harm that her daughters faced (Yelena especially) with a fake Heel Turn moment that only undermined Dreykov as a threat.

And that’s really the problem with Black Widow. The film, or rather Marvel Studios, doesn’t want to really tackle Natasha’s past or pain like they were willing to do with Steve Rogers in The First Avenger, and The Winter Soldier.

Maybe because that would mean approaching the story with the emotional maturity of The Bourne Identity, a PG-13 film that was plenty violent without being excessive. It was also emotionally resonate by dealing with the fact that Jason Bourne was, pre-amnesia, a US assassin that did awful shit.

Instead we get a plot about mind-control, and magic red dust that can break said mind control (that apparently requires invasive surgery of the brain).

Whedon seemed comfortable with getting close to the actual violence that was asked of Natasha (vs. done to) by the Russian government as a kid. The screenplay for Black Widow can talk past Natasha willingly doing awful things, but doesn’t want to confront that by having her or Yelena deal with an army of assassins who are walking down the same path Natasha did, fighting and killing for another government without any sort of mind control.

This is why Natasha's assassination of “Dreykov’s Daughter” (Antonia) as the thing that happened in Budapest also doesn't land. The movie doesn't want to deal with how Natasha learned to live with murdering a child to buy her freedom into America. They make it so that she didn’t kill her, actually, just gave her a bad case of pizza face. She’s not even the one that pulls the trigger, the film suggests that it was Hawkeye.

Her mustache-twirling villain of a father, who somehow survived the explosion and building collapse with zero burns or broken bones, is the one who does all the truly horrible things to his daughter (turning her into a mindless slave).

The Original Sin that Natasha is defined by is swept under the rug in the same way her history as a killer is blurred by the script. It’s akin to rewriting Xena’s history with Callisto as the killer of her family and village, and deciding, “No, Xena didn’t kill them. They all survived with minor burns! Callisto can now forgive Xena!”

Natasha's Antagonist

Dreykov is a weak antagonist/villain because the screenwriting seems determined to accredit the abuse of the Red Room entirely to him instead of making a systemic issue. What started off as a clandestine organization for the KGB throughout most of the MCU is rewritten in Black Widow as the personal playground of a thinly veiled Harvey Weinstein analogue who puppeteers his personal assassins to do bad things, thus rendering them all innocent of their wrongdoings. It makes them "perfect victims" in way.

(Johansson has gone on record saying that this film was influenced by the #MeToo Movement. Well, celebrification of it, anyway)

Dreykov doesn’t challenge Natasha, or her family. There’s never an immediate danger or stakes being driven by Dreykov. He’s not doing something they have to stop “before time runs out”, he doesn’t have anything on any of the characters that could push their actions.

He takes a backseat to the family hijinks, so the journey to finding and destroying the Red Room has no urgency (Natasha being dead already notwithstanding). As the supposed architect of their misery, he’s about as threatening as Mason (Natasha’s Black Best Friend who buys her things while in hiding).

Dreykov fails like the rest of the MCU’s villains (not named Erik Killmonger) because there's no depth to the character. There's no real loyalty to the character as a demonstration of his power or influence. Again, all his victims are blameless in their violent actions. No one with speaking lines or face time (that isn't a G.I Joe grunt) is working with him because they believe in his goals or ideology.

Complicating that matter is that the script never reveals what his goals or ideologies are besides, "I can create chaos with an army of assassins. I am so evil."

It’s wild to me that so many are rushing to defend the implementation of this sloppily written (and miscast) character because, “he works as a villain because he's a human trafficker” and “he mind controlled his own daughter.”

“He does terrible things”, or a character representing awful things that happen in the real world, isn't enough to make an effective villain. If that was all it took, then 90% the MCU’s villains wouldn’t be so forgetabble.

(He’s not real, I shouldn’t be reading posts like, “he doesn’t deserve screentime b/c he’s an awful human being! He earned his lazy death scene.” Girl, what???)

If you’re gonna tackle human/child trafficking as defined by one antagonist, then really make it part of the story. Make it something that Natasha and Yelena are actively trying to stop. Don’t montage it over a bad Nirvana cover and then shift gears into a G.I. Joe scenario in a floating fortress.

If you're gonna make Dreykov the abuser of so many women, then make it crucial to your protagonist's narrative. Don't add a silly Angry Beavers plot where his stinky musk can control a woman's bodily functions because as a weak analogue to "how men police women's bodies".

Because Natasha has no real conflict with Dreykov, confronting him in the climax goes nowhere. Dreykov is Yelena’s antagonist. It's why Yelena gets to kill him instead of Natasha, so it would've made more sense for her to confront him instead.

The film eventually establishes he's no real threat to Natasha because the writing pulled a Xanatos. The character feels like he exists only so Johansson can sass him, and make a callback to the Loki Interrogation scene (a scene that only worked because of the audience misdirection.)

Dreykov could've been an effective villain if he was anything like the Headmistress characters in the Samee-Waid Black Widow series from 2016.

The Headmistress and Anya (the new Headmistress later on) were characters with emotional connections to Natasha and the Widow children she was trying to save. They taught these girls to believe in the totalitarian philosophy of the ruling class. Natasha and the other Widows couldn't live without them until they were able to escape their influence.

The Headmistresses were women, which makes it plain that women are also perpetrators of abuse. It isn’t just something that men do, which is how this script has approached this subject entirely (Captain Marvel did the same thing as well). Abuse being exclusively a male theater of action.

Antonia's death could've been meaningful in regards to Natasha and Dreykov as characters if Dreykov cared that Antonia was murdered by a Red Room assassin. Natasha admitting that she killed his daughter and regretted it would've made a lot more impact than just having him shrug it off because he's so heartless and so evil.

Or, as other people have said, imagine if it was Antonia who was the antagonist gunning after Natasha because of what she did, not only to her, but her father as well.

It would not only render the mind-control plot pointless, it would re-center the focus on Natasha, and force the writers to do something else with Yelena, Alexei, and Melina (assuming they're even necessary in this scenario). Then, Natasha would have a genuinely threatening antagonist because the stakes are personal on both sides.

It would've been a hellva lot more meaningful than using Taskmasker as a plot-twist (after hyping the character up as the controller of the Red Room and Natasha's personal nemesis).

Callisto’s story as a villain resonates because she cared about what she lost, and Xena knew there was no real forgiveness for what she did to her. Imagine if they approached Natasha’s role in Antonia’s death like that.

(But that's probably asking for too much nuance from Disney and Marvel.)

Conclusions

In story that wants to be about the abused reconciling with their past and family, the film effectively robs the abused of their autonomy by going the extra of mile of making them zombies. In the same way the Star Wars sequel trilogy avoided Finn’s history as an indoctrinated and enslaved Stormtrooper, Black Widow doesn’t want to deal with the ramifications of indoctrination.

How people buy into and protect organizations that strip them of their humanity by making them complicit in violent systems. Oh, sure, they’ll nod and wink at it (as they do with Natasha and Melina’s past), but they won’t go any further than that.

Instead of dealing with how a forced hysterectomy effects Natasha physically and emotionally, we get a joke that isn’t any better than Natasha calling herself a monster, or the “time of the month” joke that got rebuked by the director and the cast.

Instead of reflecting on her time with SHIELD and the United States, the United States is portrayed as "the good-guys who gave her a real family” (ignoring even the half-hearted criticism of the US that The Winter Soldier made), while Russia is still out there doing nefarious Cold War Things and ruining people's families. All of which just feeds into uncritical Russian stereotypes and Red Scare that the film’s foundation is built on.

I enjoyed the film, but the more I think about it, the more I realize Black Widow really does nothing except undermine Natasha's darker elements and self-imposed redemption arc (as written by Whedon).

On top of rewriting key elements about the Red Room (the movies being broken as the comics is a true irony), It minimizes Natasha's violent past to make her into a clean, and boring superhero whose solo film thinks lamp-shading sexism is the same as subverting it.

[lovecinnatwist]

Hope u stay safe and healthy! Abo with omega dick and alpha Jay, fluff if possible? Thanks :)

Hi Anon! I am in fact safe and healthy! Have a nice little ficlet of Alpha!Jason and Omega!Dick being very glad that their little pup is also safe, healthy and coming home.

Where the heart is - JayDick Omegaverse

Tags: Kid Fic, Omegaverse, Alpha Jason, Omega Dick, surrogate parent/adoption, lactating/milking Helena Wayne is Helena Mary Grayson Todd

Sometimes Dick Grayson forgets that his mate is an alpha.

It’s easy to do when Jason’s so sweet in a way that’s distinctively omegan. Perhaps it’s the influence of the mother who left him or remnants from the tender affection B only had for his second pup. It’s something soft and tender and so uniquely him that makes Dick love him more and more everyday.

Jason curls around him effortlessly. Warm muscles squeeze tight enough to be pleasant, but not chafing.

Dick has always been a runner. Jason understands that and leaves a clear exit open at all times. A difficult obstacle for traditional courting rituals. Not that the alpha had any challenge clearing hurdle after hurdle. Jason is anything but traditional as well.

So is their current situation.

A large warm hand rests on his shoulder. The heat bleeding out is more than soothing to his already twitching instincts. There’s no reason to be nervous. After all this is a natural occurrence. The pup with latch, Dick knows it will but still his heart flutters with nervousness.

Jason’s rumble soothes the eagerness away. It quells the barrage of emotions ready to burst.

“ Mr and Ms Grayson - Todd? “

The agent from CPS is wonderfully nice, light brown eyes glittering with excitement. The delightful purr of her tone of voice betrays her enthusiasm. Just as Jason’s rise in happy-hopeful-ready betrays his. Dick’s been dreaming of this day for a long time. Long before the aspiration had been stolen from him by a knife. Then again by age and a barely functioning body strung out by high stress.

It’s Jason’s strength that helps him stand.

The sleepy scent of milk and pup adorn the air like perfume. Even before Dick spots his- no their- daughter, every part of his instincts sing. His breast began to ache immediately. The grueling weeks of hormone treatments and supplements are finally worth it.

Worth it as Doctor Leslie gives him tiny, little Helena.

Dick thinks he’s been in love with her since the moment he saw her behind glass. From the moment his breast began to ache when they gave him a few of her blankets to add to his nest. From the very moment Jason told him he could have her.

She’s heavy in a way Dick doesn’t expect. The weight is foreign yet so comfortable to bear. The alpha does not press to see her, or to touch her. Dick gets a few precious moments to marvel at the prettiest pup he’s ever seen.

Gorgeous green eyes open up in seemingly joyful curiosity. Though potentially, it might just be his hopeful outlook that makes it appear that way. Dick wants so badly for her to love him. To love them- to belong to their little broken family. To an omega who is half of what they should be and an alpha who is dysphoric instead of dominating.

The scent of milk is strong enough to draw the pup to root amongst the fabric covering his breast. It’s a gentle motion, one made precious by the very soft sounds of pup calling for pack. Dick’s throat is tight from emotion. Luckily his partner wastes no time in letting out a soothing rumble. The vibrations of the action shakes against his back.

Hot tears sting two different sets of blue eyes.

“She should be quite hungry. It’s time for her lunch time feeding. I’m sure she would greatly appreciate milk from her mommy. “

The word mommy devastates him. It washes his soul out to sea, and wraps him in a whirlpool of bliss. It’s too much and not enough at the same. This child- this pup is going to see him as her dame. She will spend the rest of her life in a warm safe nest never knowing anything but love and affection. Dick hopes that she will love him despite not being apart of her DNA. For not being able to give birth to her himself.

Jason’s touch breaks the track of that train of thought.

It’s a dance to bring a beading nipple to her hungry little mouth. Jason, who is leagues more natural, helps Dick undress and get both him and the pup comfortable. If Dick is lost to the tides, the alpha is a wreckage on the bluff. The chair is big enough for both soon to be parents.

Jason’s warmth is ever present and grounding.

The massive fingers that trail down Helena’s face makes her look so tiny. Like a delicate little thing that could be broken by too fast a movement. Not that Jason has the capacity to be anything but gentle. His heart bleeds for people. It bleeds out until the entirety of Gotham is red with his protection.

It takes both of them together to get Helena to Dick’s leaking breast. The pup whines as she struggles to get the nipple in her mouth. She’s more familiar with the bottle they had told him. That it would take time but eventually she would suckle. There’s no inhale or exhale as the pup attempts to nurse.

Then like magic she latches.

The tears refuse to be held back. Dick’s heart alarmingly full as Helena feeds forcefully but eagerly. The moment she gets a mouth full she’s quick to take more. Her hungry little mouth makes loud sounds and she feeds. Jason purrs in encouragement. His hand lightly tickles her wispy black curls.

She’s perfect. She’s perfect wonderful and Dick won’t know what to do if they can’t take her home today.

Luckily they don’t have to find out. Both breast get equal attention as the infant switches from one to another. It’s so natural and easy Dick doesn’t know why he had let himself worry to begin with. They pass with flying colors. After the feeding and burping both he and Jason get a neat stack of forms that require their signatures.

Then she’s free to leave with them.

Jason holds Helena as Dick takes his turn to sign. The alpha looks so at ease with their baby girl in his arms. His muscular frame dwarfing her’s. Dick hopes that the pup knows there is no place safer than in her father’s arms. Even if she seems grumpy as he harrasses her in her drowsy state.

Dick has to steal her back when the alpha kisses her nose, drawing a very upset puppy whine from her still developing vocal chords. Jason is absolutely heartbroken to let her go. At some point when Leslie goes to process the paperwork they get to be alone with their daughter.

Helena Mary Grayson-Todd.

Jason takes to sating his instincts by smothering Dick instead of their very sleepy pup.

“She’s so beautiful. “He murmurs, voice low enough not to set her off again. The thickness of the words would be impossible not to recognize. Though he’s doing a good job holding it together, Dick can tell the alpha is close to tears. The gravity of the situation finally sinks in.

“ You were perfect Dickie. “

The nickname melts down his spine, deep and warm like something butter. Typically that tone would make his eyes flutter shut. His body going loose and lax against his mate. Not now however. Now while his eyes are so busy trying to memorize everything about their pup.

The process had been grueling. They had to get Jason legal, find a reputable company, pick a donor, try on each of her ovulations, suffer when it didn’t take, then try again, then the paper work, the fees, the complications, the waiting- Oh God the waiting.

It had been the worst, most agonizing part. Right after the premature birth, and watching their little one breathe in a little shallow tank, kept warm by heat lamps.

How Dick wishes he could have just taken her home that very first day.

Not that it matters anymore. Not when she’s theirs now. Not when she get’s to come home today and be put in their nest where she belongs. Right in-between her two parents.

God Dick doesn’t know how he’ll manage to share her. The perfect pup in his arms is just so wonderful. It’s been such a long agonizing journey, he barely wants to hand her over to her sire.

He laughs, wetly, trying not to wake Helena from her nap.

“ If I can’t share you with Daddy how will I give you to your aunties and uncles huh? “

Jason’s laugh is close to his ear, sweet and silent to the point where it barely breathes. The soft sound makes his toes curl in his shoes. The searing comfort of love and happiness runs through his body as happy chills.

It’s something to get familiar with. The quiet laugh of a father trying not to wake their pup.

He looks at those watery blue-green eyes and Dick is falling in love all over again.

God who knew they could end up here? The two of them- finally starting a family together. That they could walk away from a life of pain and agony, to gift themselves something so beautiful.

For the first time in months, giving up the moniker doesn’t feel so suffocating.

When Jason laces their fingers together over their pup he knows his husband, his mate, the half of his heart agrees.

All while the new half lays in their arms, peaceful, healthy and forever loved.

[loyalshipper]

May I introduce the Tumblr DC community to one of my two favorite Batfam AUs I have created. Bruce Wayne owns a hotel/museum near an ocean cliff and still has a chronic adoption problem but doesn’t fight crime. (If anyone writes this you can make it to where heroes still exist, the Batfam are the inly no capes)

WE still exists but it isn’t run by Bruce it is run by Lucius because back in the 60s Thomas and Martha bought the hotel and wanted that to be their legacy. They still die the same way but Bruce puts all his efforts into running and blossoming the hotel which was his parent’s dream project.

I’ll get back into the hotel in a minute I’m taking about the kids now

Dick is gotten a similar way, he visits the Cape with Haly’s Circus, his parents die because of faulty wiring sold to the circus by Zucco and Dick becomes an orphan. Bruce just so happened to use his one night off in a while to go see the circus. He keeps thinking about Dick and ends up adopting him. He helps Dick and the Circus bring Zucco to justice and sues the hell out of him and shuts down his business. (Adopted at 8))

Jason was found living in one of the shut down rooms of the hotel. Because his dad left and was in prison and his mom od. So Bruce treats him like a wild animal and starts to leave food out on a regular schedule until Jason gets comfortable with him and he adopts Jason. (five years younger than Dick)

Tim was the son of two wealthy archaeologists who were gone 11 out of the 12 months. Bruce met Tim because he liked to come into the museum and take pictures of the museum exhibits and hotel architecture and shoreline which he would develop and give copies to Bruce. So he opens his house to this little boy with a penchant for photography. Until one day Tim’e parents call Tim telling him that they are staying in Egypt permanently because the archeological dig is producing wonderous results and they’ll be hiring him an around the clock sitter. Only for Tim to wait three weeks and no one shows up. They went so far as to fire Ms. Mac but never hired a sitter for their son. So he goes to Bruce in tears and explains everything, because this is it-his parents finally did abandon him, and Bruce sues them for custody of Tim. (Three years younger than Jason, adopted at 7)

Damian was the result of a relationship Bruce had in college while studying hotel management and hospitality. Talia is the daughter of a hotel conglomerate owner who is currently trying to buy Bruce’s hotel so it can be torn down and Ra’s can built a new hyper expensive hotel in its place. Damian was sent to live with Bruce to try and get Bruce to have Damian inherit the hotel so Ra’s can get it and destroy it, but that backfired because instead Damian falls in love with the hotel and his new family (reluctantly) and wants to see the hotel and museum flourish, not tear down this historical piece of architecture to replace it with a soulless hotel only available to the wealthy elite. But something available to everyone that families vacation to because there is so much history and beauty in a thing that has stood for centuries. So Damian turns against Ra’s. Due not that while Damian and Tim do have a sibling rivalry it is not as vicious and cutting as it is in canon. They love each other they just don’t mesh well while in the same room. And yes, Damian still has his variety of pets (7 years younger than Tim)

Cass came to the hotel with her “father,” David Cain, who went to the Cape for business, and just ended up leaving and forgetting Cass at the hotel. He was still abusive and Cass had trouble speaking but he wasn’t “turn Cass into the world’s greatest assassin” abusive. After Bruce finds Cass, he sues Cain for parental custody and then ruins his life unrepentantly. (Couple of months older than Jason)

After Martha and Thomas died, Alfred took over managing the hotel while Bruce was still growing up and while he was getting his degrees, now he is the grandfather to Bruce’s many kids and helps to keep them running and cared for while they run and care for the hotel. He’s also the one that helps the new kids transfer into the life of running a hotel.

Barbara is the daughter of the Police Comissioner still who became friends with Dick and works, first part time at the museum/hotel and then full time. Same with Steph and Tim (1 year older than Dick)

Cullen and Harper work at the museum, Helena works at the hotel. Carrie does both. Duke is the newest acquisition. Only, his parents disappeared and no one has been able to find them yet. So Bruce currently had temporary custody of Duke who lives at the hotel with everyone. (Harper is a year older than Tim, Cullen is a year younger than Tim, Carrie is the same age as Jason, Duke is a few months younger than Tim)

Each person has different jobs. (Dick is concierge/check-in, Jason does guided history tours of the hotel/museum/grounds, Tim works in financials because he deals with the least amount of people, Helena, Carrie and Steph are both maids, Carrie also does janitorial stuff with Cullen, Barbara works hotel check-in with Dick, Barbara and Harper work cashier at the gift shop, Duke doesn’t have a job yet because he is still dealing with the disappearance of his parents, Damian does every job to see where he fits in best.

JARRO IS THE FAMILY PET STARFISH THAT TIM ADOPTED WHEN HE FIRST JOINED THE FAMILY AND RESCUED FROM BEING EATEN OFF THE BEACH

The hotel is still fully staffed with not-batkids, like grounds keepers and other hotel cleaners and janitors.

Location time!

I’m turning Gotham nicer and changing the geography of the city.

The hotel Museum rests about 200 yds from a cliff that overlooks a beach. There is a well maintained stair case put into the cliff for people to walk down, as well as a longer gravel path that follows the cliff edge down to the shoreline. It is frequented by seals, sea lions, and in the distance, dolphins and whales. The hotel it’s self has about 100 or so acres of land and a long drive but it is technically within walking distance to the city. And it’s a normal coastal town with a port and touristic areas. Kinda eerie at night when the fog rolls in but that’s part of the charm of the NorthEast.

Selina is just Bruce’s friend in this. She is Helena’s mother and Bruce was a surrogate for her. She decided she wanted a baby and Bruce offered to be a donor. So Selina had Helena and Bruce is part of her life but not as her dad, which was the agreement. Selina takes care of the stray animals on the grounds and favors the cats.

Clark is a reporter that was tasked to right an article on the hotel and it’s history, became good friends with Bruce and brings his family (Lois, Jon, Bizarro, Kon, Kara, Lena, Chris, Ma, Pa, and Lex) on vacation to it every year. Lex and Clark are divorced husbands that left on good terms and are friendly enough to coparent their son, Connor, who was made the same way as canon but less hush hush and illegally, Kara is Clark’s cousin and Lena is her fiancée, Lois is his wife, Jon and Bizarro are their two biological sons (Bizarro has autism), Chris is their foster son. Bizarro latches onto Jason in a way that he hasn’t before and always loves coming to the hotel, Jon and Chris are best friends with Damian, Connor and Tim are long distance dating.

Collin, Maya, and Maps are Damian’s best friends from school (Damian has a crush on Collin) and he’s trying to convince them to join the hotel staff like his siblings’ friends but they are a) too young and b) not interested.

Roy has all of his problems as in canon and gets help for it, so as a way to try and bring the family closer, Oliver and Dinah arrange a vacation to the hotel for them Roy and Lian. As a stepping stone kind of thing. Get away from daily stress. Roy is resistant at first until he and Jason hit it off and start talking and Jason talks sense into him and they strike up a friendship turned romance.

The Flashfam visit the museum diring a countrywide roadtrip and mad the stop because Bart is a history buff and wouldn’t stop talking about it the entire trip. He becomes fast friends with Tim and is the only person to ever get a Tim Wayne history tour. No matter what Kon tells you he is super salty about it. Wally and Dick were internet friends and used the roadtrip as a way to be able to meet up.

Thad is the obligatory complainer who doesn’t want to stay in a musty old hotel.

Ivy is the main grounds keeper and is in charge of the native wildlife sanctuary most of the land is used for, as well as taking care of the native plantlife and lives in town with her girlfriend, Harley. Harley helps the kids prank Bruce.

Harley is a children’s psychiatrist hired by Bruce to help the kids deal with their various traumas. Her coming to the hotel for sessions is how she and Ivy met.

They started dating between Dick and Jason and Dick talks up each of them to the other, but each individual kid that comes in think they’d be cute together (since they are both professional while working there isn’t immediate proof that they are dating. But they will flirt with each other if they see each other) and it’s basically a right if passage to try and convince their siblings to help them get together and then try and set them up on their own and find out the hard way that they’re already together. They love seeing all the different way the kids try and set them up. They tend to go along with it until either the kids realise or they take pity on them.

Their favorite was Damian’s where he set up an entire romantic dinner at the hotel restaurant and Dick managed to slyly convince him to set it on a certain day that turned out to be Harley and Ivy’s anniversary.

Alfred is the head chef for the hotel, making room service meals and the breakfast buffet line up. Jason will help him out if he isn’t busy with other things.

Victor Fries and his wife hold an ice cream social ever summer at the hotel with all the ice cream flavors they came up with over the last year.

Edward Nygma, famous escape room designer, is hired to make an escape room themed on the hotel and museum that is built on the grounds near the main building.

Another ritual that starts, begins with Tim, where the older siblings convince the newest one that the hotel is haunted and Jason takes them on a “haunted ghost tour” of the abandoned part of the hotel (the part that is too dilapidated and run down to remodel safely) while the others are stationed at different parts of the hotel and grounds to run whatever scenario to scare the new kid. The only one that hasn’t been done to is Cass because even after several years she still jumps a little too hard at loud noises. But one time Jason accident closed a door a little too harshly while Cass and Tim were doing something and it caused her to jump so hard she knocked over Tim and started crying. They were contemplating whether she was strong enough to do it or not and that cemented that she wasn’t.

Tim and Cass are nearly inseparable and are commonly referred to as the Wayne Twins. For Halloween they decided to go as each other.

[secondgenerationnerd]

Hi. This blog is absolutely amazing! But I have a few questions... Who are all of the batboys kids? How many do they have? Who are their spouses? (I'm new and I got confused with all of the characters).

Hello my love! I’m happy to have you here! (And I get confused sometimes too 😂)

So this is obviously just for my blog, everyone has different opinions, etc.

Jason, Tim, and Damian only have kids in my Omega squad universe. Dick has one in the Omega Squad and one YJL universe. (And two in my DCAMU universe, but I don’t write in it as much)

Jason is single, but adopted a little girl, Dahlia. Dahlia is completely blind, but trusted him the first time they met. (She was in a shitty orphanage he and Roy were taking it down. She lost her favorite toy, heard him, asked for help, ended up talking with him for a while.) While the family acknowledges where her disability limits her, they never treat her like she’s incapable of anything….Though they tease her about getting Jason’s temper. Her response? “I got his right hook too.”

Dahlia is pansexual and ends up with Beck, a non-binary meta. I’m debating on them having a kid because…Grandpa Jason….

Damian marries Irey West. They had their daughter, Asha, when they were 19. Damian was actually killed before Irey knew she was pregnant. Brought back around the time Asha was born. No one thought it was possible for a baby to scowl. Asha proved them wrong 😂 She actually grows up to be a raging lesbian, has a wonderful blend of both parents personalities, and definitely got her Baba’s thing for weapons.

Tim marries Kon Kent. Cassie Sandsmark was their surrogate for their daughter, Grace. She is half Amazon, potentially quarter kryptonian, and constantly done with her Dads 😂 She’s easily the smartest of Bruce’s grandkids. I mean like scarily so. Grace can hack into almost anything, but will throw a bitch if needed.

Why do they all have a daughter only? Because that’s all they could literally handle. And Bruce watches his granddaughters do the same shit his sons did to him.

Then there’s Dick.

Oh Dick.

Dick is my exception to the one daughter rule.

In the Omega Squad universe, he has a daughter, Mar’i, with Koriand’r (Starfire.) He and Kor’i were in different places when she went back to Tamaran. Neither knew she was pregnant, but once she did, Kor’i made the choice not to tell Dick. He wasn’t ready to be a dad, but she was ready to be a mom. Unfortunately, Kor’i died due to illness when Mar’i was 7. Dick found out he was a dad and his ex was dead and… it was a lot.

He and Barbara had had a situationship/FWB thing going on, but she suggested taking a step back. They definitely stayed very close. Mar’i loves all her aunties, but clocked her daddy’s feelings for Aunt Babsy. She was 8 when she asked when they’d get married.

And yes Mar’i brought it up at their wedding 20ish years later 😂😂 (I have some sweet headcannons regarding that.)

Dick also has four grandkids through Mar’i and her husband, Jon Kent: Charlotte “Charlie”, Peter, Mary “M&M”, and Laney.

Then there is my YJL universe, which is semi based on the TV show Young Justice.

Dick does marry Barbara, maybe mid/late 20’s? Together they have a son, Luca. Because of Barbara’s injury and other factors, Luca’s an only child.

Luca grew up hearing how much of a “Ladies man” his dad was and almost expected to be the same way. Which was really confusing for a little kid, but way more confusing for a gay teenager. It felt like he was letting everyone down by being gay. Dick felt horrible when Luca came out, but immediately told his son “the day you were born, I said I’d love you no matter what. I’m not backing out of that now.”

Luca eventually marries Matty West, Artemis and Wally’s son. They have three kids, Finn, Sawyer, and Kat.

I’ve also considered giving Steph and Cass a kid if you’d want to know about that!

[backjustforberena]

That scene after operating on Jason always gets me. As do many scenes for Bernie in that ep. You can see the strain that holding it together takes. And she doesn't know how to make things better, so she operates and talks to the staff (and just ouch for Jemma to have to narrate) and is just there for Serena, but but it's all so heavy on her too. Some great physical acting, showing that tension and weariness and uncertainty and pain.

It gets to me as well. It’s odd to really understand that, in an episode where Elinor dies and Jason nearly does die... Serena isn’t the one who spends the most time in a state of utter angst. She has her moments, of course, and I don’t think I’ll ever forget the noise she makes when she finds out about Elinor dying. But previously in the episode, she has some humorous moments, all that with Liberty etc. Bernie is giving us a preview of what she will be like once Serena’s grief hits: a total and utter rock.

For Bernie, she went through a LOT that day:

She causes an argument between Serena and Elinor, and has been the cause of a division between them since Christmas.

She sees her partner nearly get run over.

She sees Jason (her friend and colleague and partner’s surrogate son) actually get run over, and has to take charge of his treatment, down to being the one pushing his gurney through AAU doors.

She has to save the life of Jason, which is definitely not easy, as she has to let him bleed and nearly loses him. All the while reassuring Morven that they have to do this. (Honestly, can you imagine if they’d lost Jason after Bernie decides to try and suture that liver?)

As soon as she tells Serena (who was in surgery), she takes Serena’s patient off of her. No break. It’s straight from Jason, to Serena, to another operation.

She was the second one to see Elinor, her partner’s daughter, out cold from a brain injury. No doubt she took charge of that situation until a neuro team could be brought down, as it wouldn’t have been Jasmine, and it’s some time till she comes to Jason’s room, as he’s awake.

She has to tell Serena what happened.

She has to hold Serena when she finds out Elinor is brain-dead.

She has to tell all of AAU, and keep working.

She supports Serena in that final scene, knowing that everything has changed.

I love that you picked up on the uncertainty. That’s what I get from Bernie in those last few scenes. She has no manual for this. And the relationship she has with Serena is so new. I do think she probably didn’t know if she had what it takes to be the support Serena needed, and that’s certainly touched upon in later episodes, even down the Serena’s final episode before her secondment: I want to help you. I so want to help you. I don’t know what to do.

In the aftermath, I think there’s a lot of scenes we don’t get to see as we focus on Serena on screen. I think Bernie took on the lion’s share of AAU, even when Serena was back at work, hence why she couldn’t always be around, why she only had fleeting scenes before saying she had a patient or she was busy or something. Bernie wants to help but I don’t think she knows what the right thing to do is, and this is a woman who lives for the right thing to do.

I think she scrambled a bit for ways to help Serena: lavender pillows, going through her stuff and finding the wine bottles, suggesting counselling, being so proud when Serena does go and says it’s helping. We see Bernie falter and crumble after operating on Jason. We’re not allowed to see it again, because she can’t. She has to look after Serena, and AAU.

[peterxwade24]

Lasiurus borealis (Eastern Red Bat)

For Maribat March 2021 day 5 prompt Last Time.

This features Marinette adopted by Kate Kane, Marinette seeing the Batfam as family, Marinette married an OC, Marinette had four children who are OCs, Original Miraculous Wielders.

@maribatmarch-2k21

Anyways, enjoy.~

Jason fought back tears as he watched his best friend, his other half, his twin flame be lowered into the ground in a rose lilac casket with gold detailing on the outside. He fought to keep his composure, needing to be strong for Damian and his nephews and nieces. Marinette’s four kids, Jaden, Rowan, Charlie and Haiden, while not his by blood legally they were his.

The four kids had lost both of their parents in a matter of a few months, their father in a tragic driveby shooting while he was one the job and Marinette in a tragic Joker incident. Jaden and Rowan, the eldest but not by much, held Charlie and Haiden as they all had tears streaming down their faces. They couldn’t believe that the last thing they’d heard from their mom was “I love you, stay safe.” They couldn’t believe that the last thing they’d said to their mom was “I love you too.”

Dick, Barbara and Wally stood together, they linked arms and presented a united front. Mar’i, Jai, and Iris stood in front of them. Despite not being their actual mother, Barbara had taken to it like a natural and Dick and Wally had taken to raising the other’s children like a fish to water.

Tim had tears streaming down his face, Kon held him up as they watched their friend be lowered into the ground. The last time they’d seen her had been a week ago in her apartment while they were planning their wedding. They had finally agreed on a fall wedding so they could wear fall colours.

Steph and Cass stood a few feet away from Tim and Kon, supporting one another as only sisters do. They’d seen Marinette as a sister in arms, the two being some of the only members of the Bat family who knew about her time as Ladybug. They couldn’t believe that the last time they’d seen her was just a few days before at Steph’s apartment for a wine night. They’d shared a bottle of wine before all passing out on Steph’s couch. They’d had at least one wine night a month since they met the other girl and they loved them.

Duke cradled Carrie to his chest as Luke and Kate bracketed the two. The boys didn’t know her the best but Carrie had been one of the closest to Marinette, falling just behind Jason, Steph and Cass. Kate had become like a surrogate mother to Marinette, giving her the love and support that her birth parents refused to give her. Luke just knew that no matter when, Marinette would always answer her phone or be around to talk.

Damian stood beside Colin, his face schooled into a blank facade as he watched a brave soldier be lowered into the ground. Colin, however, had tears streaming down his face, showing how distraught he was that his friend had been killed. Colin couldn’t remember the last time he’d seen his friend, couldn’t remember the last time he’d heard her voice. Damian remembered the last time he’d seen her, the night she’d died at the before patrol meeting when she declared that she was going after the Joker.

Harper and Helena stood behind Damian and Colin, they may not have known the girl as well as the rest of the family but she’d always been nice to them. They could always count on her to go out of her way to make sure they felt accepted in the group.

Bruce and Selina held each other as Selina had tears streaming down her face. Harley Quinn-Isley and Pamela Quinn-Isley stood just behind the duo. The four would always remember the first time they met Marinette. I mean how could you forget when you got your ass handed to you by a tiny petite girl in a dark muted red suit with a black bat on her chest and a dark muted red domino mask?

---

Batman and Catwoman were simply standing on top of a building, Harley and Pam standing a few feet away entangled in a passionate kiss, surveying the city.

Batman heard footsteps landing on the other edge of the rooftop before they started approaching. He knew one pair, easily identifiable as his cousin Ka- Batwoman’s. The second pair, as there were only two sets, was lighter.

He turned to watch the two approach, although he could only see Batwoman which he found odd.

“Batwoman.” He called in greeting, a slight upturn to the corner of his mouth the only indication of a smile. “Who’s your friend?”

“Batman. She’s not my friend, she’s my daughter.” Batwoman stopped a few feet away from her cousin and a mischievous smile spread across her face. “What? Did you assume you were the only one who could adopt orphans?”

The other pair of footsteps, which seemed to disappear moments after he’d first heard them, seemed to reappear as though through magical means and was heard rapidly advancing on him. He had a few seconds to orient himself to the sound when he was kicked in the chest by a small blur of dark red and black.

He laid flat on his back looking up at the sky, Selina snickering beside him as the small blur of dark red and black looked down at him from where the blur was situated on his abdomen. He was finally given the chance to take in the blur, and he realize it wasn’t a blur but was in fact a petite girl with vaguely Eurasian features, or at least he thought so it was kind of hard to tell in the dark.

She peered down at him with a scowl on her face, giving him time to take in what little he could make out in the dark. He knew for sure that she was pale with dark hair, and he could bet she had blue eyes, and was tiny. If he wasn’t entirely sure that she could take him, and that both his girlfriend and cousin can and will hand him his ass if he upset the tiny girl.

He finally noticed that her suit was simply just a reverse of his cousin’s. Where his cousin’s was black this girl’s was a dark muted red and where his cousin’s was red this girl’s was black, creating a contrast between the two which helped to highlight the difference in size.

“Batwoman? What’s your associate’s name?”

“She can speak for herself.” The girl who continued to sit on his abdomen spoke up for the first time that night, her voice soft compared to most of the rest of the families’ own voices. “The name is Lasiurus borealis.”

She suddenly went from sitting on his abdomen to standing next to Batwoman in a series of flips that would have Nightwing anxious to train with her in the gym, which is when he knew he needed to get them all together.

“Batwoman!” He called as the duo turned to leave. “Family dinner on Thursday! Be there or be square!”

---

Alfred stood at the back of the group, a small gaggle of French people, who seemed more and more like children who lost their mother than people who’d lost their friend, around him all holding each other up. He knew that nothing would ever be the same again and he could only hope that they could make it out of this as stronger people.

[animatedminds]

Let’s Get Dangerous Review!

It’s dangerous. In a good way. <cue dramatic music> Okay, obviously there’s more thoughts than just that. I’ve been waiting for it for weeks, and it arrived just as awesome as I hoped. For the first time, let’s give my full movie style review to the double length Ducktales special: “Let’s Get Dangerous.”

The spoilers are open and widely discussed, so maybe don’t look past the following image if you haven’t seen the episode yet.

To note, I’m not entirely convinced that this was actually meant to be a pilot. It definitely does introduce a new status quo for the Darkwing trio of characters (minus Honker for now, here’s hoping they haven’t forgotten him), but it’s also a very remote story that still tries to take place within the context of Ducktales’ universe, so it really depends on what they choose to do.

But let’s just get down to it.

First off, as I mentioned in my earlier post… Taurus Bulba. He was maybe the biggest and most eye-catching aspect of the first part of the episode, as one of the few elements we hadn’t already seen yet, and his reputation as a really, really bad guy has quite preceded him. As I may have gushed somewhat about, he’s one of the best parts of the special.

James Monroe Inglehart, for those living away from the Disney scene for a decade, is an actor and voice actor most famous for being the original Genie on Broadway’s Aladdin. A grand, bombastic presence, he generally plays characters who - much like the genie himself - a big, jolly, kind but maybe a little mischievous souls that take the attention of a room and brighten up the characters’ day - like Lance, in Tangled the Series. The most interesting thing about Bulba is that Inglehart brings that exact same energy to the role, and so Bulba keep that jollity and lofty personality in a package that becomes increasingly less nice as the story goes on. As someone who keenly remembers Taurus Bulba as cruel monster willing to hurt kids and capable of crushing Darkwing like nobody’s business, the contrast was immediately fun to watch - and I kept waiting for the other shoe to drop.

In this story, Bulba is recast from a crime lord intending to use a super weapon go on an endless plundering spree to a FOWL scientist with a respectable reputation who intends to use a super weapon to take over the world, and the transition goes off fairly well. The end result is a pretty standard mix of superhero fight and Bond plot, as Bulba ends up holed up in his lab with his squadron of elite supervillain minions - all plundered a particular fictional universe - with the heroes having to break in / escape from his captivity and stop him before he destroys everything. It’s very Silver Age, with Bulba in the role of maniacal villain, and he’s contrasted very well with Bradford - who is as always an antagonist who prides himself on pragmatism. This contrast leads to some great moments: Bradford’s increasing frustration with the cavalier attitude of both the heroes and the villains gives him the best stint of characterization he’s had since the beginning of the season - he basically spends the whole episode arguing with everyone about how badly thought out their actions are, while also badly hiding his own secrets.

The Fearsome Five (of which Quackerjack is voices by his original actor) are great to see, though used minimally. If you’re expecting to see classic show dynamics between the villains and Darkwing, that’s not really what they’re used for. Mostly, they’re minions with personality, and they’re more there to establish both to the audience and to Drake the character himself that he is ready to take on really big threats even with his lack of superpowers.

But enough about the villains, on to the heroes!

A couple episodes ago, with the Halloween episode, I criticized that story for not balancing its A and B plot all that well. This episode does not have that problem. The story is actually maybe about three fifths Darkwing’s story, and the rest of it is Scrooge and the nephews as they figure out what Bulba is up to independently of Darkwing and try to stop him themselves. It’s somewhat similar to Timephoon, where they’re there constantly and are doing their own bid to solve the story but the focus isn’t primarily on them. Instead, we have some of the best “HDL actually matter to the story” bits of the show, where they escape Bulba’s prison on their own and lead Bradford out, all the while slowly figuring out that something is shady about the guy. Meanwhile, Scrooge gets stuck in the original Ducktales universe’s most memed scene, which was a fun gag (but not the best gag - that would be the one and only Bonkers D. Bobcat as the Harvey Bullock-style cop in the Darkwing show).

Which I suppose can lead to a digression about the mad science bit here. The alternate universes here are… interesting. I always pay special attention to how things like time travel or other dimensions or alternate universes work in a series, and this one reminds me the most - I think - of DC’s Dark Multiverse: a collection of universes that are both explicitly fictional but made real because people created them. Ultimately, it’s less as if the OG Darkwing universe exists independently of the Ducktales universe and more that the in-universe Darkwing show as a world based off of it that the characters can reach into. I wish the episode had delved into that more, and now you’ve got people trying to use it to look for more establishment of OG Darkwing elements (though I was fine with it being separate, perceiving anything else as rather needlessly inexplicable), but ultimately that is not specifically what the episode is about, and is kept rather separate.

So what is the episode about? Like you didn’t already know…

As always, Gosalyn Waddlemeyer is a little girl whose grandfather was done away with by Taurus Bulba, and who falls into Darkwing’s lap over the course of his adventure with him. Here, her grandfather is (possibly) still alive, just lost in the ether a la Gravity Falls’ Grunkle Ford. And like the mighty glazed McGuffin, Darkwing’s goal in the episode is less strictly defeating Bulba as it is helping her get her grandfather and her home back. Gosalyn here is self-sufficient and action oriented (it may be my inner Brooklyn 99 fan talking, but I loved Stephanie Beatriz as her, and kind of wish she had gotten a wider range of lines), taking on her own crusade against Bulba until she realizes she can go to Darkwing for help, and is constantly trying to pull him into the fight - even while he is reluctant, and no matter what the danger - so that they can win and she can get justice. But in the end, she has to accept that they might not be able to.

As a longtime Batman fan, I immediately recognized a plethora of Robin references with Gosalyn. She’s a kid who’s family was taken from her by a villain, given a surrogate home by the hero - like Dick Grayson. She’s a street tough who originally met the hero committing a crime, and who is both skeptical of his heroism and heavily critical of his flaws - like Jason Todd. And she’s a young genius with a lot of scientific knowledge, tech skills and common sense - just like Tim Drake. There’s even elements of Carrie Kelley or Terry McGinnis there, in her determined if not gung-ho approach to heroism despite her circumstances and the hermit-like behavior of the hero.

And in the end, this is a fairly apt comparison, because Gosalyn essentially ends the story more as a Robin figure than previously, now as Darkwing’s more of a ward and official sidekick alongside Launchpad. The story does not, to note, involve her being adopted by Drake or becoming Gosalyn Mallard. Indeed, they don’t really end up having that sort of relationship. They’re distant and don’t really know how to relate to one another, and not about to broach the subject of family except in distant terms. There’s ultimately far less emphasis than before on Gosalyn and Drake being similar and hitting it off on a personal level, or even really Drake keying into Gosalyn’s potential and spirit as a person vs an element in his adventure. Throughout the story he regards her as a victim to be saved, then ultimately as an ally with potential to be respected, and in the end he gives her an offer to take up the mantle along side him while they search for her family… which ultimately creates something very different.

For people expecting something a little more akin to the implications the show made with Gyro and BOYD, Gosalyn here. The implication that they could be a family is brought up by Launchpad, but neither Drake nor Gosalyn are really there at the end of the story - I want to say they’re not there yet, but the way the story goes gives off the impression that the dynamic duo dichotomy is the relationship for the two the writing is most comfortable giving them.

Again, I’m a longtime Batman fan, so I understand and appreciate the nod. It gives them a really cool status quo that’s distinct from what came before it. Still, the strong father/daughter relationship between the two was very much the heart and soul of the original show, an endearing quality that created the character traits we love about both characters, and ultimately one of the primary characteristics that set the Darkwing family apart even from most comic book superhero stars - so even if they made something great out of it, it’s a shame to see Ducktales ultimately keep that relationship at arms’ length.

But that’s less a criticism and more just something I wish they had chosen to do differently - and it makes sense for the 2017 team’s take on Darkwing, which has always been more focused on “irrepressible hero who doesn’t give up” - a pluckie rookie growing into his competence - than “former fool whose great potential is unleashed through the people around him.” The latter is there, sometimes, but it’s not prominent. Original Darkwing was a man made better by his daughter, while the modern Darkwing doesn’t quite need that to find the hero within.

The only (and I mean only) criticism I have is the way the characters kind of jump around in how they respond to things. Drake wanting more crime, and then freaking out when super crime shows up and it’s way more than he thought he can handle is fine, and is one of the better character bits in the special. It being unclear whether Drake is against fighting supervillains because he thinks they’re too powerful vs because he doesn’t want to risk Gosalyn’s safety is another thing, though - it seems the show intended to imply the latter but forgot to include the line somewhere, so it’s not inferred until later and Drake suddenly benching Gos towards the end lacks set-up.

For her part, Gosalyn is suddenly and quickly afraid to fight for a brief moment so Launchpad can inspire her to face impossible odds, even though it was hardly the first time she had done so in the special. The ending I think wanted the characters to be somewhere that the rest of the special hadn’t gotten them to yet. But it’s all good - it ends well, so all’s well. Best gag of the episode, btw? Fenton, who is awful at keeping his secret identity secret, has hooked up Darkwing with his own hi-tech hero lair. Darkwing, despite supposedly being a detective (or at least an actor playing a detective), ends up as one of the two or three people remaining on Earth who hasn’t figured out that Fenton is Gizmoduck. Darkwing considers himself good friends with Fenton, despite hating Gizmoduck. It’s actually very funny.

It’s as of now unclear what is coming up for Darkwing. We know the St. Canard characters are going to factor in more as the FOWL plot progresses, and this episode kicks that plot into high gear - the characters now know about FOWL and their intentions, and are preparing themselves for a far more dangerous fight than usual. In short, with the midseason comes the renewed focus on the primary plot of the season, as per the usual. Like I said before, while I’m not as on board as most with the idea that this was a pilot, St. Canard was definitely established here - with series regular Zan Owlson as it’s new mayor, and a general aesthetic and set of protagonists. It wouldn’t be remiss for a future episode this season to take place there (though we know Negaduck isn’t happening this season).

The new few episodes, however, are focused more on the quest for Finch’s treasures and FOWL, so that’s going to have to wait for a while. We’ve been promised, as I recall, an episode that brings all the kids together (unless that’s part of the finale), which is nice - I may have mentioned before that the best episodes of the series have been the ones that put the kids (who are the characters with the most focus throughout its run) together and let all their personalities run through an adventure together - and with the cast growing somewhat constantly, it’s nice to know that no one is being forgotten.

Either way, I give the episode a great deal of recommendation - I only had a couple things that bothered me, and a few wishes for different choices, and ultimately I’m planning on watching it a ton of times just like I did the first Darkwing episode. From a classic Darkwing fan, and in the words of Bat-Mite, it’s a different intepretation to be sure, but not at all one without merit.

So thanks to Frank Angones, Matt Youngberg and the Ducktales crew! I hope my virtual thumbs up reaches them somehow, but either way, it was a good day to be dangerous.

[ayashiki-i-i]

Ted Lasso Progress Report 2.0: They lost. They tried their best and they got their team together and Ted got Jamie to come around and Roy had his last hurrah and still they lost. Well. If that wasn't one of the most heart-breaking, brilliant things a show has ever done. I kind of knew they will loose through fandom osmosis, but sometimes fandom gives off false signals so until the last moment of that Man City game I kept hoping they'll win, but they lost. Hope really is what kills you. On the bright side, Jamie got a soldier!

I had to stop my binge for few days cause I’ve been working nights, the horror. But I’m back, I will shortly start on a second season, I’m beyond excited and rather scared, because there’s no way this show can stay this positive with the things it’s been dipping into towards the end. God where do i start I love it so much. Jason Sudekis is still everything, that panic attack omg that entire episode was so good. I’m so glad they allow Ted to be sad and angry, but still have him apologise immediately. That scene where he looses it for just a moment at Nate at the end of a very bad day was just so humanising. On the topic of Nate, he’s still my spirit animal, and I’m SO happy with his promotion ngl I cried when that happened. I am worried though, because there is one very obvious direction they can go with him, and I think they will go there, because we’ve seen now several times that when he is allowed, or thinks no one sees him, Nate can be pretty… Mean. Come on Ted, your coaching son needs you too! You can’t heal years of abuse with just a little bit of kindness and a promotion. I love how the topic of parenthood is being slowly explored, mainly through Jamie, but also Nate, and Ted as a father, Roy as a surrogate father, and Higgins. Even Trent Crimm (The Independent) has a daughter! I love Higgins finally standing up to Rebecca, although i wish he got just a liiiittle bit of karma for being Rupert’s lackey all these years, and I love her coming to him after coming clean to Ted. I love how her finding a true ally in Higgins is tied to Ted, who was the first person in a long time to show her having a support team around her can be a good thing. I continue loving all my football sons, Dani Rojas being just an excellent addition all around, and I was so happy that Isaac made the captain. The entire ghost episode was just chef’s kiss, but also I think it was the last truly happy episode before things will have to get worse to be fixed for real. I loved, loved, loved the whole darts thing at The Crown and Anchor. God Rupert is such a bastard but things get so interesting when he’s on screen! Roy and Keeley are everything I wanted and I’m living for them. Also I really like how masculinity is explored through Ted and Roy and them being almost foils to each other in this theme. Roy is on first glance everything we associate with masculinity, and especially it’s negative parts - he is angry, silent, intimidating. And Ted is seemingly not very traditionally masculine. He is cheerful, easy-going, he seems in touch with his emotions, dresses plainly, likes puns and musicals, he is a carer. But looking at their actions, I think Roy’s masculinity is actually very healthy, while Ted’s pretty fragile. Roy does yoga and gossips with a bunch of old ladies and isn’t ashamed of it, he quite readily admits when he’s wrong, is a great role model and a carer for his niece, he is honest about his emotions. And Ted bottles everything up until he explodes, hurting either himself or others, he blames himself for a failure of his marriage and seems to tie a lot of his self worth to being a good husband and father. He cheerfully demands vulnerability from other people, but refuses to open up (even Beard, who as far as we know is his best friend, doesn’t appear to know much about Ted, or at least all of their conversations that aren’t work related tend to revolve around Beard’s personal life, not Ted’s), and he is ready to offer support to his friends but hides and feels ashamed when he needs it himself. Outwardly Ted presents positive, accepting and open masculinity, but I think he might have a case of… Uh, internalised misogyny.

Welp, this has turned out into a rant, time for a second seasons I’m so scared let’s go, woooo!

(And sorry everyone who likes Ted/Rebecca, I can’t see it, they’re perfect besties and if they try to force a romance I don’t think I’m going to like it. They are kinda foreshadowing it and I’m like, pls no, give me a healthy, close male-female friendship, please don’t take it away from me please for the love of god.)

[teentitanimals]

im working on a BIG Batfamily project, and WOW have i realized how much harder this is gonna be than i first thought it was... for now, have an excerpt- or, rather, Selina Kyle’s information card of the project :) im pretty proud of this! information and story subject to change

Selina Kyle-Wayne

birth name: Selina Calabrese

Main Alias: Catwoman

Other Aliases: Catbird (in Gothtopia), The Cat, The Cat Burglar, Irena Dubrovna

Current Age: ~46 (When first CW; 21. When had HK; 36. Retires CW; ~55. At death; ~70.)

Birthdate: March 14th (Alternatively; March 31st)

Hair Color: Black

Hair Length: Short

Eye Color: Green

Race/Ethnic/Skin Color: Half-Cuban; Possibly Italian, Scottish, and/or Latina descendant (White)

Sexuality: Bisexual

Gender: Female (She/her)

Height: ~5’11” (Tall)

Weight: ~146lbs (Sorta Heavy)

Build: Slender, Curvy

Biological Parents: Maria Kyle, Rex Calabrese

Step-Father: Brian Kyle

Alleged Father: Carmine Falcone

Biological Sister: Magdalene “Maggie” Kyle-Burton

Biological Half-Brother: Aiden Mason

Brother-in-Law: Simon Burton

Biological Cousins: Nick Calabrese, Antonia Calabrese

Alleged Siblings: Sofia Falcone, Alberto Falcone, Mario Falcone

Surrogative Sister: Holly Robinson

Ex-Lovers: Sam Bradley Jr., Eiko Hasigawa, Moreland McShane

Husband: Bruce Wayne

Parents-in-Law: Thomas Wayne, Martha Wayne

Siblings-in-Law: Thomas Wayne Jr. (On Earth-3), Rochelle Wayne (in Elseworlds: Reign of Terror)

Surrogative Father-in-Law: Alfred Pennyworth

Surrogative Sister-in-Law: Julia Pennyworth

Cousins-in-Law: Kate Kane, Beth Kane, Bette Kane

Surrogate Daughter: Arizona

Biological Children: Helena Kyle, Helena Wayne (from Earth-2)*, “Aion” Wayne (In Batman in Bethlehem)

*(HC; Helena is legally her adopted daughter on Earth-1.)

Step-Children: Damian Wayne, Athanasia al Ghul, The Heretic (clone of DW), Tallant Wayne (clone of DW), Alina Wayne (maybe), Bruce Wayne Jr. (On Earth-3839), Dick Grayson, Lance Bruner, Jason Todd, Tim Drake, Cass Cain, Duke Thomas (maybe), Terry McGinnis, Matt McGinnis

Daughters-in-Law: Koriand’r, Dana Tan

Step-Grandchildren: Mar'i Grayson, Jake Grayson, John Grayson II (On Earth-2), Sasha Todd, Clark Wayne (On Earth-3839)

Step-Great-Granddaughters: Lois Wayne (On Earth-3839), Lara Wayne (On Earth-3839)

Catwoman Run: ~34 years

Succeeded By: Eiko Hasigawa, Holly Robinson, (First Name N/A) Black

Wikipedia. Batman Wiki. DC Database. DCAMU. Animated Series. Comic Vine.

(tw; self-harm, suicide, child abuse, illegal prostitution, drug addiction, sexual abuse, death)

Selina Calabrese was born to Rex Calabrese and Maria Calabrese with a sister two years older than her named Magdalene Calabrese. When Selina was very young, her mother escaped from Rex, also known as The Lion, leader of the Calabrese Crime Family, and became the husband to Brian Kyle, legally changing all their names to Maria Kyle, Maggie Kyle, and Selina Kyle. Maria had a son with him, Aiden Kyle. Their relationship was not healthy, with Maria being very suicidal and Brian being drunk and abusive. He would often yell at and harm Maria and her kids, and Maria, although she loved her kids, was distant, more often spending time with her cats. One day, Selina came home from school to find her mother dead in the tub, having cut her wrists until she bled out. A year later, Brian died from alcohol poisoning, and Selina called the police, packed her bags and ran away. Maggie and Aiden were taken to the orphanage, and Aiden, being fairly young, was almost immediately adopted by a family, where his name was changed to Aiden Mason. His contact with his half-sisters was cut off, although he would eventually seek them out as an older teen and young adult. Maggie was adopted after a few months, and was raised very religiously. She kept in contact with Selina best she could.

On the streets, Selina would steal food, clothing and other material from grocery stores. She was eventually caught and put in the orphanage. She acted out a lot, causing her to be sent to Juvenile Hall. When she turned age 13, she was sent back to the orphanage. There, she realized the place was embezzling money. To make sure she never told anyone, they put her in a bag and dropped her in a river. Selina managed to escape, and then stole documentary proof of their embezzlement to give to the police, some money for herself, and her own files in hopes of reuniting with her brother or sister. Instead, she found out that Brian was not her birth father, and that her father was an unknown mobster man. Selina continued living on the streets, stealing food and jewelry to meet her own, as the money she stole would not last forever. She would be taken in by an old thief gang leader named Mama Fortuna, who treated the kids under her care like slaves. Eventually, Selina would run away with a friend from the gang named Sylvia. They could not survive on their own and always had a shortage of money, and Sylvia took up prostitution to support them both, and grew to hate Selina for it. They parted ways.

When Selina was 17, she began illegally working as a prostitute under an abusive pimp named Stan. She stumbled upon a 13-year-old Holly Robinson who was being sexually abused by a cop. Selina beat the cop up, inspiring Holly who said that was the first time anybody had shown her she could fight back. The two became roommates. To pay for living expenses and food, Selina continued stealing, and Holly eventually became an illegal prostitute too when she was 16, despite Selina being against it. Her underage status resulted in Stan getting into a fight with a drifter, who, unbeknownst to them, was Bruce Wayne in disguise. A few weeks later, Holly would wake Selina up to show her Batman, still new and fresh, beating up corrupt police officer and former Commissioner Branden. Selina, inspired by how someone can don a costume and have everyone either be happy or terrified to see him that she can do the same too, would confront and fight Stan about his abuse, officially having her and Holly quit prostitution. She spent money to buy an expensive costume- her first Catwoman costume. She robbed a local store, and one of the security guards called her “Catwoman”, which she liked and chose to be her name. Stan, wanting revenge on Selina and Holly for quitting, kidnaps Maggie. After a few days, Selina locates him, saves her sister, and beats him to death in a rage as Catwoman. Selina informs Maggie of her new persona, who disagrees heavily, especially seeing as she killed a man, but promises to keep quiet.

The police investigate Selina and Holly, and one police officer sexually harasses Holly. Enraged, Selina went out as Catwoman with intent to kill him, but Batman intervened and made her see how her anger blinded her. Terrified she was a danger to Holly, she sent Holly to live in a convent with Maggie, who was a nun (although she would later give up her nunage to marry her husband, Simon Burton). Catwoman would begin her crime life properly, crossing paths with the likes of the Joker, the Riddler, Poison Ivy, and others, and flirting with Batman, of course. While Selina continued on to be a thief as Catwoman for the next few years, Holly felt she did not fit in the convent, and eventually found herself back on the streets. She got addicted to drugs and went back into prostitution.

While Holly was away, Selina temporarily got a new roommate, a young blonde girl nicknamed Arizona who reminded Selina a lot of Holly. She took her under her wing, and Arizona acted like her sidekick for a while, before she eventually found her own feeting and started a life on her own. She still kept close contact with Selina, though.

After five years, a gang leader named Bone killed a close friend of Selina’s named Lola MacIntire, who knew Selina was Catwoman and let her crash at her place after her apartment was destroyed. Bone wanted revenge after Catwoman had stolen from him. This devastated Selina, who viewed it as completely her fault. At Lola’s funeral, Selina encountered her old friend, Gwen Altamont, and the two began working together. Catwoman stole cars for Gwen, and encountered a metahuman thief named Spark while on the job. Catwoman convinces Gwen to let her work with Spark, and the two plan to rob Penguin of the fifth dagger they need to complete a set of valuable knives. Catwoman stakes out at the restaurant Penguin likes to eat at a day before he would be there, which Spark questions why they are doing so a day before. Catwoman notices a young hooker getting tranquilized and dragged into a van. Catwoman leaps into action, Spark soon following. They save the girl, and, after questioning local prostitutes, find out there have been multiple kidnappings and murders like this. Catwoman investigates and plans to defeat the kidnappers. After failing to stop a kidnapper in the act, Catwoman contacts Detective Carlos Alvarez, a detective who has been chasing her tail but that she knows is a genuinely good cop, for help. They track the kidnapper, Matilda Mathis aka Dollhouse, the daughter of Dollmaker, to a mansion. Catwoman fights Dollhouse, but Batman interrupts their fight, allowing both to escape. Catwoman questions her ability to be a vigilante, knowing she’s a better thief.

After those series of murders to other prostitutes, Holly quits being a prostitute and heads to her and Selina’s old apartment. She is pleasantly surprised to find Selina lived there after the destruction of her other apartment, and the two reunited. Holly began working as a spy of sorts for Catwoman, gathering information of what was happening on the streets of East End. Although she eventually stopped taking drugs after living with Selina for a few months, she felt concerned that she was still looking at the world through the eyes of a junkie to gather intel. During this time period, the Scarecrow releases a gas that makes everyone believe they are in a utopia- Gothtopia. There, Selina believed she was Catbird, partner to Batman. Where Batman could see glimpses of reality, Catbird just thought him delusional. While people who could see through the illusion questioned their sanity and committed suicide, Catbird began investigating a criminal named Steeljacket, who was also convinced their reality was an illusion. Steeljacket explained that the suit he was wearing kept him alive and he needed her thievery skills to get him the money to repair it. Catbird helped him, and the familiar adrenaline rush of a robbery made her remember her real identity of Catwoman. After Batman freed the city from Scarecrow’s toxin, Catwoman reminded him of how they shared both a partnership and a true romantic relationship in Gothtopia. Batman denied the extent of his romantic feelings, even though the toxin showed them both what they wanted to see.

A few years later, Black Mask, who held a vendetta against Catwoman, kidnapped her sister Maggie and Simon, killed Simon, and then forced Maggie to eat her husband’s eyes, driving her insane. Black Mask also kidnapped and beat Holly with the help of an old childhood friend of Catwoman, Sylvia. Catwoman kills Black Mask, Holly kills Sylvia, and they save Maggie, who is put in a psychiatric institute. Holly isolated herself and nearly fell back onto old habits. Selina decided Holly needed time to heal outside of Gotham City and needed proper training, so she sent Holly to a rural safehouse where she trained in hand-to-hand combat with Ted Grant. Selina and Slam Bradley, a detective friend of Selina’s, located Holly’s long lost brother Davey, and the two reunited.

Eventually, Black Mask was revived by a Black Lantern, and immediately sought out Maggie, threatening to kill her and anyone else Catwoman cared about. Catwoman, with the help of Harley Quinn and Poison Ivy, defeated Black Mask again. Maggie escaped, and no longer wanted anything to do with Selina, blaming her for her insane condition and Simon’s death, and believing Selina was possessed by a cat demon. Maggie sought out Sister Agatha to exorcise her sister, but when Maggie saw Agatha’s cat, she snapped and killed Agatha’s cat and then Agatha because she believed Agatha was in league with Selina’s cat demon. Maggie then searched through Agatha’s relics and tools, stumbling upon a supernatural substance in a container that warped Maggie’s sense of reality further. To Maggie, an angel was released and claimed it would help her destroy Selina’s cat demon. Maggie finds Selina and Harley Quinn and attacks them with heightened abilities. Harley refers to Maggie as “Sister Zero”, and then becomes possessed by the “angel”’s influence. Catwoman manages to get through to Harley, confusing her enough to escape Maggie’s control. Selina forces Maggie to escape, who starts to formulate a new plan to save her sister’s soul. The angel told her to team up with Azrael and Crusader during Gotham’s Judgement Day, which she does. Maggie believes she is her sister’s test of faith, which means either Selina will get cleansed of her cat demon, or Maggie will die. But in the end, when Maggie has a chance to end Selina’s life, she can’t bring herself to do it. Maggie ends up back in a psychiatric institute and starts to slowly heal, although sometimes Sister Zero breaks out.

Holly begins a relationship with a girl named Karon, who she moves into the apartment of. She also becomes the supervisor of a group of street kids known as the Alleytown Gang, training them to act like the spies and informants of Catwoman’s network. Unbeknownst to Holly, Selina had grown tired of seeing her role as Catwoman ruin her life over and over. Selina burned her suit, but would be forced to don it again after a woman named Roulette contacted her about a competition between thieves that threatened the lives of children. Catwoman got a new suit and raced to save the lives of the children. After competing in several rounds, she realized that there never were any real children in danger. Roulette had actually been hired by a man named Hunt Stone who wanted any evidence that connected his ancestors to a famous murder stolen and erased. Selina began sabotaging every aspect of her strictly regimented and planned out days, until Roulette was forced to declare her the winner of the Race of Thieves to make her stop. During this time where Selina went missing, Holly acted as Catwoman to keep other criminals at bay.

With Catwoman I back in action, Oracle asks Catwoman, Poison Ivy and Harley Quinn to keep an eye on Vicki Vale, who has evidence on the members of the Batfamily that need to be destroyed. Selina notices an artifact in Vicki’s possession that she had once stolen. It reminds her of the days when Batman used to chase her, and she reminisces on them. Her flashback is interrupted as Harley breaks into the room they were monitoring, wanting to get her hyenas back because they had stolen them from her. Vicki bolts out of the room, and they lose her trail, but Selina managed to get her phone number. She planted a fake call to lead Vicki out of her apartment, allowing Selina to break in and take pictures of her Batwall, which Batman and Oracle needed. Selina reminisces about her crime life.

When a mysterious malefactor came to Gotham with a yearlong plan to ruin Batman’s life, Catwoman began investigating into the turf war between the Penguin and newly returned mobster Carmine Falcone. She was captured by Falcone for causing him grief years ago and he nearly killed her, but Professor Pyg attacked Falcone, having a vendetta against him. Catwoman plans to kill Falcone, who she suspects might be her biological father, but before she can, Batman intervenes. She leaves Falcone and his mob to Batman, but sometime later while trying and failing to stop a deal to sell a baby snow leopard for its fur, a young girl locates Selina. She tells Selina that her father wanted her to attend a meeting in Blackgate Penitentiary. Her real father was Rex Calabrese, the crime boss from whom Falcone had taken power. Selina declined the request at first, but a street kid named Jade came to find her next, informing her the girl before her was killed by gang violence. Selina asked Rex for his guidance in becoming a mob boss herself to keep the mobsters in check from killing any other kids. The leadership of the Calabrese Family and the ownership of the Egyptian Nightclub were passed onto her as the legal heir. Catwoman, wanting to make sure Batman knew she was still on the side of good despite becoming the head of a crime family, told Batman everything she knew about the group of Arkham escapees still on the loose. After she got invited to a secret weapons sale that were actually weapons stolen from Batman’s own supply, Catwoman began to research high bounties in Gotham, and was tipped onto Stephanie Brown. Catwoman kidnapped her without realizing she was the current Batgirl. She was rescued by Batman and the situation was resolved. Soon Batman got captured by Lincoln March, and rioting broke out across the city. Selina forced her people to help prevent the riots while also secretly making strategic thefts to further her causes. During this time, Selina gave up her Catwoman mantle to Eiko Hasigawa, a heir to the rival Hasigawa crime family, and a love interest of Selina’s.

Eiko’s time as Catwoman was short-lived, though, as Eiko and Selina merged the Hasigawa and Calabrese families, leaving Eiko as their leader while Selina went back to her normal life… Sort of. She realized she was pregnant from a one-night stand with Sam Bradley Jr., and Holly Robinson took on the mantle of Catwoman at Selina’s request. Selina made up a fake identity, Irena Dubrovna, to peacefully give birth to her daughter, legally known as Helena Dubrovna. Sam Jr. had died by the time Selina realized she was pregnant, but his father, Slam Bradley, wanted to provide for his new granddaughter. Selina could not resist the thrill of Catwoman, and donned the suit alongside Holly a few times. Unfortunately, Film Freak and Angle Man had deduced where Selina lived after catching the two Catwomen on film, and kidnapped Helena. Selina easily rescued her daughter, and then had Zatanna Zatarra mindwipe the two villains of Selina’s identities. With Batman’s help, she faked “Irena” and Helena’s deaths, putting Helena up for adoption. She asked Zatanna to wipe her mind of knowledge about Helena so she wouldn’t put her in danger again, but Zatanna refused.

After returning to her solo role as Catwoman for nearly a year, Selina allowed herself to be arrested and sent to death row at Arkham Asylum for the murders of over two hundred terrorists. It was her friend, Holly, who had really committed the crime, but she trusted Batman would prove her innocence, therefore saving her and Holly’s lives. Nearly a year later, Helena Wayne, biological daughter of Bruce Wayne and Selina Kyle, from Earth Never-Two passes into Earth Never-One and gets trapped. Helena meets this world’s Selina Kyle. The two become close, with Helena still mourning the death of her mother in her universe and Selina missing her daughter. Selina was worried that being too close to her alternate universe daughter might lead her to the same fate as her Helena Kyle, but this Helena was an experienced adult who had lived through an Apokoliptian war. She was a capable vigilante who could hold her own perhaps even better than Selina herself, and Selina felt her concerns fade away. After another year passes, Selina asks if she can adopt Helena Wayne, despite Helena being 21-years-old. Helena, surprised, agrees. Almost a year after that, Bruce proposes to Selina and she accepts, becoming his wife.

Selina Kyle is, in general, highly flirtatious, seductive, and willing to use her looks and her charms to get what she wants- in fact she’s even proud of it. She’s also, much like her namesake, graceful, sly and light-footed, known as one of the greatest thieves out there. Despite her past of being an abused victim, she stands with her head high since she first donned the Catwoman suit (it can be quite enconfidating, that anonymity). She was never one to sit back and let herself or others get abused, and she sympathizes heavily with abused children, young women and sex workers especially. While her career as Catwoman started out to support herself and her friends, it eventually became an addictive adrenaline rush she couldn’t give up. Even though she’s ‘reformed’, she still has sticky fingers and loves the thrill of getting away with small robberies, especially when her husband is the Batman. She enjoys getting under his skin. She isn’t too big on black and white morality, instead choosing to do whatever is necessary for the situation. She’s not ‘above’ killing, but she’s no homicidal murderer, and it’s never her first option, although attacking her loved ones is a sure way to push her closer to the edge. Although admittedly in her earlier days, the empowerment of being Catwoman got to her head, and she let rage cloud her judgement, leading to her being more willing to brutally harm and kill. She’s very willing to take risks, enjoying the danger even, and she’s incredibly stubborn and persistent. She never had much of a villainous ego, nor does she have a superhero complex. She walks the line between the both with confidence, never worrying about being in the gray. Sometimes it ticks her off when Bruce and others think she should commit completely to one or the other, when she’s perfectly fine where she is.

Reblogs appreciated! Stay tuned for the finished project, which is this... but for every Batfam member ever

[ma-gic-gay]

So this is a new one of these and the other one is probably over so yeah

It's a weird Christmas.

It marks a year since anyone last saw Sonny, a year since Julian's death, and a year full of drama, as one would expect.

Michael and Willow had had another child, a girl this time. Her name was Ophelia and Wiley loved being a big brother to her. The pair had also burned their annulment papers when they'd realized she was pregnant and finally admitted their feelings for each other. Watching them together had probably been the highlight of the year for their family.

Sam had started hooking up with Dante much to the chagrin of, well, everyone. It had started as a few random hookups but changed quickly into an actual relationship, testing several familial bonds.

Luckily, that disaster on wheels had been halted when Lulu had woken up from her coma. Lulu and Dante got back together and fell in love, again.

Sasha and Brando had formed a relationship as well, which was quite a surprise at first glance but made sense after a few weeks.

"Carly? You okay?" Jason asks. Surprisingly enough, she hadn't completely broke down yet, or ran away. The furthest she'd ran was the island and even then, it was only a few hours no one knew where she was, since he couldn't teleport and it took that long to get to the island.

"Yeah, I'm fine. Just thinking," she responds, faking a smile.

"Tell that to the tears in your eyes and obviously fake smile," he says to her. "What are you thinking about?"

"It's been a year since any of us have heard from Sonny. For all we know, he's dead. Hell, he probably is. I know I should give up and just agree to a funeral, but it feels wrong to do that without a body," Carly sighs, head in her hands in an effort to hide her tears. "It feels wrong for him to not be here. Last Christmas, we were convinced he'd be home by now and now it's like we've all resigned ourselves to him being dead."

"If it doesn't feel right to have a funeral, don't have one. I've known you for a long time, and your instincts are right a lot of the time. Just because Sonny's not confirmed dead doesn't mean he's not," Jason frowns, putting his arm around her and rubbing circles along her back.

Sonny's "death" meant he had to step up in more ways than one. This had marked the year of Jason running the mob, which he'd practically been doing before but was actually doing now. He'd also had to become sort of a surrogate husband to Carly to the point he practically lives there by now. The kids hadn't questioned it; they'd asked a few times if there was anything going on there but after getting a firm no there hadn't been anything else from them in forms of questioning their relationship status. It was what it was and that was the same friendship they'd always had.

There had been times even Danny had questioned why they were at that house so much, to the point he once asked Carly if they were together or not.

You know it's reaching an odd point when a twelve year old is asking if you're in love with your best friend.

Of course, they didn't take into consideration the fact the whole town thought they were together. Again. Everyone had assumed, based off of how much time they'd been spending together- surprisingly more than normal- and the fact that he'd all but moved into the house that they were together.

That was a fun one to realize when he'd gotten shot and everyone had assured her that her boyfriend would be fine.

It just wasn't happening, they were friends. Anything more could complicate it and complicated almost always meant that there would be fights they couldn't go to each other to uncomplicate.

"I know that, but I just don't want to live knowing that there's a chance he could be alive somewhere and he's been kidnapped or forgotten his name or something. It's like I'm stuck in this neverending circle where there's barely any hope but I can't pretend there's none either. Sometimes, I wish that the police would show up with a body and I would have to confirm that yes, he is dead, just so that I could get out of this loop," Carly sobs. "And then I feel terrible for wishing he was dead because I love him, you know, but then at the same time, I can't help but feel like I need closure."

"That's not a bad thing, to need closure. None of us get any closure when it comes to this, Carly. You're not a bad person for wanting some," he reminds her. "You've been grieving for a year a man you don't even know for sure is dead. It doesn't make you bad to want to have something definite."

"But wanting my husband dead? That's dark," she argues with him.

"You want to know if he's dead or alive, something to confirm what's happened to him. I hate to break it to you but you don't qualify as a terrible person," Jason chuckles. "You've never killed someone, never hurt a kid."

"I shot a dude in open court, I almost killed AJ. I've done a lot of questionable things in my life, Jason," Carly fights back.

She's not wrong, persay, but she's not right. "That stuff doesn't make you a bad person. Morally grey? Yes. Bad? No. You do what you think is best and you're impulsive. If something's not going your way, you'll tip the scales. It's just how you are. None of that makes you a bad person. Some people might not like it, but you've never killed someone or hurt a kid, so in my book you're a good person."

Carly's head comes out of her hands for a minute and he smiles, wiping away the tears. "Well you're not a bad person either. You'd never hurt a kid and you only kill in self defense or if the person's really bad and threatening someone you care about. It's not like you wake up and go kill someone for shits and giggles. You mourn the people you kill and feel bad about it. Only a purely horrible person wouldn't feel bad about their murders."

"Neither of us are bad people, let's just agree on that at least."

"Fine," she relents finally. That only took a year. "I miss Sonny. Especially this time of year. Last year, he read Donna and Avery the Grinch and he had the world's worst Grinch voice. I practically begged him to read another book because of how bad it was. But this year, I wish he would be able to read it to them."

"I miss him too," Jason admits. "It's been a hell of a year without him."

"That it has. So much has changed," she agrees with him, shifting her position on the couch so she's lying her head on his lap.

That's probably why the kids thought they were dating.

He plays with her hair as she laughs, remembering some obscure detail about his telling of the Grinch and decorating for Christmas.

Scratch that, this is definitely why everyone thinks they're together.

"Hey Mom, Jason," Joss greets them, coming in from the kitchen. "I'm going to Trina's. Donna's with Ophelia at the Quartermaine's and Avery's with Ava."

"Alright sweetie, have fun," Carly bids her daughter goodbye, sighing. "Why is she so adult now? I mean, I can remember when she was born and it feels like yesterday. Hell, Michael's birth feels like yesterday. And they're both so grown up."

"Time flies when you're having fun," he answers.

"Where'd you get that? A throw pillow or some advice of my mother's?"

"A card someone sent me back when I was in the hospital. Needless to say, that card got tossed in the trash as soon as you'd let me stand up to go to the trash."

"Who the hell sent that to you of all people?"

"No clue. It didn't have a name attached."

"Huh. Well, it's a terrible expression. Too throw pillow. The real answer would be that we're aging, sadly," Carly sighs again, equally as dramatic. "Granted, I still look like I'm 27, but somehow I've aged."

"Age is but a number."

"You sound like a Hallmark card."

"Rude."

"You do!"

"Well, if it makes you feel any better, I'm aging as well. You're not in this whole getting old thing alone. Provided, of course, that you agree to age," he smirks.

"I don't have anything better to do, sadly, so I suppose I'll agree to getting older. But I refuse to have a gray hair."

"Then go to the salon when you notice one and dye your hair."

"I plan on it," the blonde smiles at him before changing the topic. "Do you think we're weird?"

"That came out of nowhere."

"Answer the question."

"No?"

"That sounded like a question."

"Carly, how am I supposed to answer this one? I don't know, maybe?" Jason says, though most of it comes out as a question.

"Well, I mean, think of it. Sonny's been presumed dead for a year. You've been in charge of the business and been there for all of us in more ways than I can count. Seriously, I think Donna sees you as a father," Carly chuckles. "And you've listened to me crying and losing it. Hell, you spent a month and a half at the island just so I wouldn't be alone."

"Hey, you're family. I was happy to do all of those things. Besides, you wouldn't leave my side when I got shot. Or for a very long month after that," he jokes.

"I know but you didn't have to do that. You didn't have to step up and parent the kids. You already had Danny and Scout and the breakup with Sam to deal with, that's a lot at once. Not to mention, taking over the business and grieving Sonny. And dealing with me. All at the same time," she smiles. "Don't get me wrong, I'm grateful, but you had no obligation to do any of that."

"Carly, do you think I'd be here right now if I didn't want to? You know me better than that. I love you and the kids and want to be there for all of you. So far, I've only gotten shot once and that was unrelated, so I'd consider this a pretty good experience."

The blonde scoffs at him and he chuckles. "Not funny. You could've died."

Rolling his eyes, he reminds her, "I didn't."

"Well you're not allowed to get shot for a long time."

"I'll take getting shot off of my to do list."

"Don't you dare joke about this!"

"Alright. Look at me. I'm not going to die anytime soon. I promise. It takes a lot more than a measly bullet to kill me, after all. Not even Russian madmen could do it," he says seriously.

"Good. Because if you do that to me again, I'll have no choice but to resign myself to a life in either prison or Ferncliff," she says half seriously, getting a laugh out of Jason.

It's not entirely unrealistic she'd end up in one of those positions, especially given that it's already happened. Repeatedly.

Maybe there's a sign she should stop doing dangerous things.

Almost as though she's being told to by something inside her, Carly connects her lips with his.

to be continued

why do i get myself into these things smh

[ships-bynoa]

Those Who Can't... Teach (for the fic title post)

Okay, so at first, I was stumped, and then I got entirely carried away with this, sorry, and enjoy.

This fic would be set in the future where Dick and Kory now have an almost five-year-old, Mar’i, and of course, she’s a complete daddy’s girl. Kory wants to teach her about her powers as soon as possible, and because she’s asked before if she’s just like mommy, but as she hasn’t displayed any powers yet, Dick keeps putting it off. He’s desperate for Mar’i to have a normal-ish childhood and be kid as long as possible. To appease Kory though, he decides to teach her everything he knows in inconspicuous and fun ways, like acrobatics, calming and meditative games during swimming lessons, and role play games, building her endurance, flexibility, creativity and reasoning. They plan, and then build a tree house together to teach her the importance of planning, of patience, and execution, but there is only so much she can grasp of those concepts. He never pushes her to get anything right, and as soon as she loses interest, he follows her lead and goes where she goes.

Dick tells her stories at bedtime, and encourages her involvement, allowing her to decide what the next action should be, and she grasps a little of what it means to be good and do good things even when it’s hard.

With her 5th birthday approaching, Mar’i, who is very strong-willed, insists on visiting uncle Jason and grandpa at the Wayne Manor, with surrogate siblings, Gar and Rachel, too. Although Dick and Bruce get on a lot better than they did, Dick realizes they work because they spend time together in small does. However, his lovebug gets whatever she wants, to the chagrin of Kory, who believes in balance, but is also secretly in love with the soft, push over, Dick.

At the dinner party which Bruce spends entirely too much money on, with way too many adult, super guests, Mar’i, out of pure excitement sets fire to the dinner table, crisping everything. While most of the guests find it hilarious and cute, Mar’i, terrified, darts away.

When Dick and Kory find her in the backyard, she’s ablaze, and unable to control the influx of abilities, her eyes flashing between green and brown. Kory wraps her up in her arms, while Dick calms her with, “remember what we practiced, bug, when you’re sad or upset. Think of your favorite memory,” and Mar’i does. She thinks about the time she with mommy and daddy, ate dinner in her tree house, and when Kory braided her hair for bed, and Dick taught her how to do a backward walkover. He introduced her to the one who would become her favorite person in the world, Simone Biles. Now she’s sure she wants to be a dancer.

The fire goes out, finally, and she holds them both around the neck tightly, with her tiny arms. “am I bad?”

Dick admits his fault in not telling her how special she was, like her mom, and she smiles, “I’m gonna fly like mommy?” Kory giggles, and says yes, and Dick’s heart falls into his stomach, because the thought of her flying too high, where he won’t be able to reach her and keep her safe is crippling. “Not yet,” he whispers, “but mommy’s going to teach you how to control all the amazing things you can do. Remember all the stories we talked about for bed, taking our time to make good decisions,” Mar’i smiles. “Patience is freedom right, daddy?” Kory raises her eyebrow. “What kind of stories are you reading to our daughter, Grayson?” Dick huffs out a laugh, “believe it or not, she came up with that on her own because she’s smart, like her mom.”  

Kory gently nips Mari’s chin. “What else did daddy’s stories teach you?” Mar’i rolls her eyes. “um. Well there’s lots of choices, and if you take your time, you can make the goodest choice,” “Wow, I think mommy should do bedtime stories from now on, right?” Kory glares at Dick, and he gives a sheepish grin. “Point is,” he says, “your mom and me are going to protect you and keep you safe, but we’re also going to  teach you about when it’s okay to use your special power,” “and then I can protect you, daddy,” Mar’i cries with excitement. Dick chokes on a sob, and brushes his thumb down her cheek. “No baby, daddy is always going to protect you, no matter how big or strong you get, you understand?” she nods. “Pinky spit,” she smiles, and Dick licks his baby finger, too. “Pinky spit,” he says. Kory groans. “You two are annoyingly cute, and gross.” Mar’i giggles, and Dick’s heart swells at the sound, it’s still the best thing he’s ever heard. “Okay, so what do we do when we make a mistake, even when it’s an accident?” he asks. “Say sorry,” she mumbles.

Kory smothers Mari with kisses until she’s wriggling, and screaming, and when she finally recovers, Kory stands her up and off her lap. “Give mommy and daddy a kiss, and then go say sorry to grandpa Bruce,” Mari kisses mommy on the lips, and then daddy, before darting inside, screaming Bruce’s name. “And wash your hands,” Kory calls after her, and then she turns to Dick, his face grim. She knows that look.

“She’s going to be fine,” Kory reassures him.

“I just wanted her to be a kid, a little while longer, you know?” Dick sighs heavily. “I can’t show her how to fly or not blow up at school.”

“Don’t do that,” Kory says. “You – we, are teaching her how to be good. That’s all that matters. She knows the important things,” she runs a hand through his hair. “You don’t have to know how to fly to teach her how to be loving, or how to be forgiving, kind, soft, tough. All that little girl cares about is how much cake she can eat before we cut her off, and who is tucking her in tonight.” Dick smiles, she has the sweetest tooth, it’s ridiculous. “You brush her hair, and you tuck her in, and she looks at you like your magic,” she smiles then, leaning into him, “and maybe you are, a little bit,” and he scoffs. “You’re her safety blanket. Powers or no powers, she’s always going need you. Us. As mom and dad, not Kory and Dick.”

Dick swallows. “And I get that, but maybe we should-,”

“Okay, shut up,” Kory sings, wrapping her arms around his shoulders. “It’s her birthday. We’re not letting your control freak take over tonight, okay,” and he sighs. She wins. “I love you,” she smiles, “now dance with me.”

Dick takes her hand and slowly turns with her, and over her shoulder, he can see Mari laughing hysterically as Gar swirls her around, and flips her into Jason’s arms and back again, while Rachel watches on amused. Mar’i was meant to fly, she’s always loved heights.

He pulls Kory closer, squeezing her tighter, and smiles, because they made the perfect little person together, and he still can’t believe it.

Later that night, when he carries her sleeping form to his old bedroom, settling her beneath the warm, fluffy blanket, she turns over, curling her little finger around his. She’s been doing it since she was born, and even now at five, she’s still reaching for him. Maybe he couldn’t fly, or shoot bolts of fire, but he would do anything for Mari, and Kory. Anything. Even if it meant taking a backseat and cheer leading his wife on, while she taught their daughter how to be extraordinary, like she was. Waiting patiently for the nights when his little one comes home, so he can comb her hair and tuck her in bed for a story.

[Thank you for the title] i hope you like it.

[grigori77]

2019 in Movies - My Top 30 Fave Movies (Part 1)

30.  GLASS – back in 2000, I went from liking the work of The Sixth Sense’s writer-director M. Night Shyamalan to becoming a genuine FAN thanks to his sneakily revisionist deconstruction of superhero tropes, Unbreakable.  It’s STILL my favourite film of his to date, and one of my Top Ten superhero movies EVER, not just a fascinating examination of the mechanics of the genre but also a very satisfying screen origin story – needless to say I’m one of MANY fans who’ve spent nearly two decades holding out hope for a sequel.  Flash forward to 2016 and Shyamalan’s long-overdue return-to-form sleeper hit, Split, which not only finally put his career back on course but also dropped a particularly killer end twist by actually being that very sequel.  Needless to say 2019 was the year we FINALLY got our PROPER reward for all our patience – Glass is the TRUE continuation of the Unbreakable universe and the closer of a long-intended trilogy.  Turns out, though, that it’s also his most CONTROVERSIAL film for YEARS, dividing audiences and critics alike with its unapologetically polarizing plot and execution – I guess that, after a decade of MCU and a powerhouse trilogy of Batman movies from Chris Nolan, we were expecting an epic, explosive action-fest to close things out, but that means we forgot exactly what it is about Shyamalan we got to love so much, namely his unerring ability to subvert and deconstruct whatever genre he’s playing around in.  And he really doesn’t DO spectacle, does he?  That said, this film is still a surprisingly BIG, sprawling piece of work, even if it the action is, for the most part, MUCH more internalised than most superhero movies.  Not wanting to drop any major spoilers on the few who still haven’t seen it, I won’t give away any major plot points, suffice to say that ALL the major players from both Unbreakable and Split have returned – former security guard David Dunn (Bruce Willis) has spent the past nineteen years exploring his super-strength and near-invulnerability while keeping Philadelphia marginally safer as hooded vigilante the Overseer, and the latest target of his crime-fighting crusade is Kevin Wendell Crumb (James McAvoy), the vessel of 24 split personalities collectively known as the Horde, who’s continuing his cannibalistic serial-murder spree through the streets.  Both are being hunted by the police, as well as Dr. Ellie Staple (series newcomer Sarah Paulson), a clinical psychiatrist specialising in treating individuals who suffer the delusional belief that they’re superheroes, her project also encompassing David’s former mentor-turned-nemesis Elijah Price (Samuel L. Jackson), the eponymous Mr. Glass, whose life-long suffering from a crippling bone disease that makes his body dangerously fragile has done nothing to blunt the  genius-level intellect that’s made him a ruthlessly accomplished criminal mastermind. How these remarkable individuals are brought together makes for fascinating viewing, and while it may be a good deal slower and talkier than some might have preferred, this is still VERY MUCH the Shyamalan we first came to admire – fiendishly inventive, slow-burn suspenseful and absolutely DRIPPING with cool earworm dialogue, his characteristically mischievous sense of humour still present and correct, and he’s retained that unswerving ability to wrong-foot us at every turn, right up to one of his most surprising twist endings to date.  The cast are, as ever, on fire, the returning hands all superb while those new to the universe easily measure up to the quality of talent on display – Willis and Jackson are, as you’d expect, PERFECT throughout, brilliantly building on the incredibly solid groundwork laid in Unbreakable, while it’s a huge pleasure to see Anya Taylor-Joy, Spencer Treat Clark (a fine actor we don’t see NEARLY enough of, in my opinion) and Charlayne Woodard get MUCH bigger, more prominent roles this time out, while Paulson delivers an understated but frequently mesmerising turn as the ultimate unshakable sceptic.  As with Split, however, the film is comprehensively stolen by McAvoy, whose truly chameleonic performance actually manages to eclipse its predecessor in its levels of sheer genius.  Altogether this is another sure-footed step in the right direction for a director who’s finally regained his singular auteur prowess – say what you will about that ending, but it certainly is a game-changer, as boldly revisionist as anything that’s preceded it and therefore, in my opinion, exactly how it SHOULD have gone.  If nothing else, this is a film that should be applauded for its BALLS …

29.  THE PEANUT BUTTER FALCON – quite possibly the year’s most adorable indie, this dramatic feature debut from documentarian writer-directors Tyler Nilson and Michael Schwartz largely snuck in under the radar on release, but has gone on to garner some well-deserved critical appreciation and sleeper hit success.  The lion’s share of the film’s success must surely go to the inspired casting, particularly in the central trio who drive the action – Nilson and Schwartz devised the film with Zack Gotsagen, an exceptionally talented young actor with Down’s Syndrome, specifically in mind for the role of Zak, a wrestling obsessive languishing in a North Carolina retirement home who dreams of escaping his stifling confines and going to the training camp of his hero, the Saltwater Redneck (Thomas Haden Church), where he can learn to become a pro wrestler; after slipping free, Zak enlists the initially wary help of down-at-heel criminal fisherman Tyler (Shia LaBaouf) in reaching his intended destination, while the pair are pursued by Zak’s primary caregiver, Eleanor (Dakota Johnson).  Needless to say the unlikely pair bond on the road, and when Eleanor is reluctantly forced to tag along with them, a surrogate family is formed … yeah, the plot is so predictable you can see every twist signposted from miles back, but that familiarity is never a problem because these characters are so lovingly written and beautifully played that you’ve fallen for them within five minutes of meeting them, so you’re effortlessly swept along for the ride. The three leads are pure gold – this is the most laid back and cuddly Shia’s been for years, but his lackadaisical charm is pleasingly tempered with affecting pathos driven by a tragic loss in Tyler’s recent past, while Johnson is sensible, sweet and likeably grounded, even when Eleanor’s at her most exasperated, but Gotsagen is the real surprise, delivering an endearingly unpredictable, livewire performance that blazes with true, honest purity and total defiance in the face of any potential difficulties society may try to throw at Zak – while there’s excellent support from Church in a charmingly awkward late-film turn that goes a long way to reminding us just what an acting treasure he is, as well as John Hawkes and rapper Yelawolf as a pair of lowlife crab-fishermen hunting for Tyler, intending to wreak (not entirely undeserved) revenge on him for an ill-judged professional slight.  Enjoying a gentle sense of humour and absolutely CRAMMED with heartfelt emotional heft, this really was one of the most downright LOVEABLE films of 2019.

28.  PET SEMATARY – first off, let me say that I never saw the 1989 feature adaptation of Stephen King’s story, so I have no comparative frame of reference there – I WILL say, however, that the original novel is, in my opinion, one of the strongest offerings from America’s undisputed master of literary horror, so any attempt made to bring it to the big screen had better be a good one.  Thankfully, this version more than delivers in that capacity, proving to be one of the more impressive of his cinematic outings in recent years (not quite up to the standard of The Mist or It Chapter 1, perhaps, but certainly on a par with the criminally overlooked 1408), as well as one of the year’s top horror offerings.  This may be the feature debut of directing double-act Kevin Kölsch and Dennis Widmyer, but they both display a wealth of natural talent here, wrangling bone-chilling scares and a pervading atmosphere of oppressive dread to deliver a top-notch screen fright-fest that works its way under your skin and stays put for days after.  Jason Clarke is a classic King everyman hero as Boston doctor Louis Creed, displaced to the small Maine town of Ludlow as he trades the ER for a quiet clinic practice so he can spent more time with his family – Amy Seimetz (Upstream Color, Stranger Things), excellent throughout as his haunted, emotionally fragile wife Rachel, toddler son Gage (twins Hugo and Lucas Lavole), and daughter Ellie (newcomer Jeté Laurence, BY FAR the film’s biggest revelation, delivering to the highest degree even when her role becomes particularly intense).  Their new home seems idyllic, the only blots being the main road at the end of their drive which experiences heavy traffic from speeding trucks, and the children’s pet cemetery in the woods at the back of their garden, which has become something of a local landmark.  But there’s something far darker in the deeper places beyond, an ancient place of terrible power Louis is introduced to by their well-meaning but ultimately fallible elderly neighbour Jud (one of the best performances I’ve ever seen from screen legend John Lithgow) when his daughter’s beloved cat Church is run over. The cat genuinely comes back, but he’s irrevocably changed, the once gentle and lovable furball now transformed into a menacingly mangy little psychopath, and his resurrection sets off a chain of horrific events destined to devour the entire family … this is supernatural horror at its most inherently unnerving, mercilessly twisting the screws throughout its slow-burn build to the inevitable third act bloodbath and reaching a bleak, soul-crushing climax that comes close to rivalling the still unparalleled sucker-punch of The Mist – the adaptation skews significantly from King’s original at the mid-point, but even purists will be hard-pressed to deny that this is still VERY MUCH in keeping with the spirit of the book right up to its harrowing closing shot.  The King of Horror has been well served once again – fans can rest assured that his dark imagination continues to inspire some truly great cinematic scares …

27.  THE REPORT – the CIA’s notorious use of torture to acquire information from detainees in Guantanamo Bay and various other sites around the world in the wake of September 11, 2001, has been a particularly spiky political subject for years now, one which has gained particular traction with cinema-goers over the years thanks to films like Rendition and, of course, controversial Oscar-troubler Zero Dark Thirty.  It’s also a particular bugbear of screenwriter Scott Z. Burns (The Bourne Ultimatum, Contagion, Side Effects) – his parents are both psychologists, and he found it particularly offensive that a profession he knows was created to help people could have been turned into such a damaging weapon against the human psyche, inexorably leading him to taking up this passion project, championed by its producer, and Burns’ long-time friend and collaborator, Steven Soderbergh.  It tells the true story of Senate staffer Daniel Jones’ five-year battle to bring his damning 6,300-page study of the CIA’s enhanced interrogation program, commissioned by the Senate Intelligence Committee, into the light of day in the face of increasingly intense and frequently underhanded resistance from the Agency and various high-ranking officials within the US Government whose careers could be harmed should their own collusion be revealed. In lesser hands this could have been a clunky, unappetisingly dense excuse for a slow-burn political thriller that drowned in its own exposition, but Burns handles the admittedly heavyweight material with deft skill and makes each increasingly alarming revelation breathlessly compelling while he ratchets up the tension by showing just what a seemingly impossible task Jones and his small but driven team faced.  The film would have been nought, however, without a strong cast, and this one has a killer – taking a break from maintaining his muscle-mass for Star Wars, Adam Driver provides a suitably robust narrative focus as Jones, an initially understated workman who slowly transforms into an incensed moral crusader as he grows increasingly filled with righteous indignation by the vile subject matter he’s repeatedly faced with, and he’s provided with sterling support from the likes of Annette Bening, delivering her best performance in years as Senator Dianne Feinstein, Jones’ staunchest supporter, the ever-wonderful Ted Levine as oily CIA director John O. Brennan, Tim Blake Nelson as a physician contracted by the CIA to assist with interrogations who became genuinely disgusted by the horrors he witnessed, and Matthew Rhys as an unnamed New York Times reporter Jones considers leaking the report to when it looks like it might never be released.  This is powerful stuff, and while it may only mark Burns’ second directorial feature (after his obscure debut Pu-239), he handles the gig like a seasoned pro, milking the material for every drop of dramatic tension while keeping the narrative as honest, forthright and straightforward as possible, and the end result makes for sobering, distressing and thoroughly engrossing viewing.  Definitely one of the most important films not only of 2019, but of the decade itself, and one that NEEDS to be seen.

26.  DARK PHOENIX – wow, this really has been a year for mistreated sequels, hasn’t it?  There’s a seriously stinky cloud of controversy surrounding what is now, in light of recent developments between Disney and Twentieth Century Fox, the last true Singer-era X-Men movie, a film which saw two mooted release dates (first November 2018 then the following February, before finally limping onto screens with very little fanfare in June 2019, almost as if Fox wanted to bury it. Certainly rumours of its compromise were rife, particularly regarding supposed rushed reshoots because of clashing similarities with Marvel’s major tent-pole release Captain Marvel (and given the all-conquering nature of the MCU there was no way they were having that, was there?), so like many I was expecting a clunky mess, maybe even a true stinker to rival X-Men Origins: Wolverine.  In truth, while it’s not perfect, the end result is nothing like the turd we all feared – the final film is, in fact, largely a success, worthy of favourable comparison with its stronger predecessors.  It certainly makes much needed amends for the disappointing mismanagement of the source comics’ legendary Dark Phoenix saga in 2006’s decidedly compromised original X-Men trilogy capper The Last Stand, this time treating the story with the due reverence and respect it deserves as well as serving as a suitably powerful send-off for more than one beloved key character.  Following the “rebooted” path of the post-Days of Future Past timeline, it’s now 1992, and after the world-changing events of Apocalypse the X-Men have become a respected superhero team with legions of fans and their own personal line to the White House, while mutants at large have mostly become accepted by the regular humans around them.  Then a hastily planned mission into space takes a turn for the worst and Jean Grey (Game of Thrones’ Sophie Turner) winds up absorbing an immensely powerful, thoroughly inexplicable cosmic force that makes her powers go haywire while also knocking loose repressed childhood traumas Professor Charles Xavier (James McAvoy) would rather had stayed buried, sending her on a dangerous spiral out of control which leads to a destructive confrontation and the inadvertent death of a teammate.  Needless to say, the situation soon becomes desperate as Jean goes on the run and the world starts to turn against them all once again … all in all, then, it’s business as usual for the cast and crew of one of Fox’s flagship franchises, and it SHOULD have gone off without a hitch.  When Bryan Singer opted not to return this time around (instead setting his sights on Queen biopic Bohemian Rhapsody), key series writer Simon Kinberg stepped into the breach for his directorial debut, and it turns out he’s got a real talent for it, giving us just the kind of robust, pacy, thrilling action-packed epic his compatriot would have delivered, filled with the same thumping great set-pieces (the final act’s stirring, protracted train battle is the unequivocal highlight here), well-observed character beats and emotional resonance we’ve come to expect from the series as a whole (then again, he does know these movies back to frond having at least co-written his fair share).  The cast, similarly, are all on top form – McAvoy and Michael Fassbender (as fan favourite Erik Lehnsherr, aka Magneto) know their roles so well now they can do this stuff in their sleep, but we still get to see them explore interesting new facets of their characters (particularly McAvoy, who gets to reveal an intriguing dark side to the Professor we’ve only ever seen hinted at before now), while Turner finally gets to really breathe in a role which felt a little stiff and underexplored in her series debut in Apocalypse (she EASILY forges the requisite connective tissue to Famke Janssen’s more mature and assured take in the earlier films); conversely Tye Sheridan (Cyclops), Alexandra Shipp (Storm), Kodi Smit-McPhee (Nightcrawler) and Evan Peters (Quicksilver) get somewhat short shrift but nonetheless do A LOT with what little they have, and at least Jennifer Lawrence and Nicholas Hoult still get to do plenty of dramatic heavy lifting as the last of Xavier’s original class, Raven (Mystique) and Hank McCoy (Beast); the only real weak link in the cast is the villain, Vuk, a shape-shifting alien whose quest to seize the power Jean’s appropriated is murkily defined at best, but at least Jessica Chastain manages to invest her with enough icy menace to keep things from getting boring.  All in all, then, this is very much a case of business as usual, Kinberg and co keeping the action thundering along at a suitably cracking pace throughout (powered by a typically epic score from Hans Zimmer), and the film only really comes off the rails in its final moments, when that aforementioned train finally comes off its tracks and the reported reshoots must surely kick in – as a result this is, to me, most reminiscent of previous X-flick The Wolverine, which was a rousing success for the majority of its runtime, only coming apart in its finale thanks to that bloody ridiculous robot samurai.  The climax is, therefore, a disappointment, too clunky and sudden and overly neat in its denouement (we really could have done with a proper examination of the larger social impact of these events), but it’s little enough that it doesn’t spoil what came before … which just makes the film’s mismanagement and resulting failure, as well as its subsequent treatment from critics and fans alike, all the more frustrating.  This film deserved much better, but ultimately looks set to be disowned and glossed over by most of the fanbase as the property as a whole goes through the inevitable overhaul now that Disney/Marvel owns Fox and plans to bring the X-Men and their fellow mutants into the MCU fold.  I feel genuinely sorry for the one remaining X-film, The New Mutants, which is surely destined for spectacular failure after its similarly shoddy round of reschedules finally comes to an end this summer …

25.  IT CHAPTER 2 – back in 2017, Mama director Andy Muschietti delivered the first half of his ambitious two-film adaptation of one of Stephen King’s most popular and personal novels, which had long been considered un-filmable (the 90s miniseries had a stab, but while it deserves its cult favourite status it certainly fell short in several places) until Muschietti and screenwriters Cary Joji Fukunaga and Gary Dauberman seemingly did the impossible, and the end result was the top horror hit of the year.  Ultimately, then, it was gonna be a tough act to follow, and there was MAJOR conjecture whether they could repeat that success with this second half.  Would lightning strike twice?  Well, the simple answer is … mostly.  2017’s Chapter 1 was a stone-cold masterpiece, and one of the strongest elements in its favour was the extremely game young cast of newcomers and relative unknown child actors who brought the already much beloved Loser’s Club to perfectly-cast life, a seven-strong gang of gawky pre-teen underdogs you couldn’t help loving, which made it oh-so-easy to root for them as they faced off against that nightmarish shape-shifting child-eating monster, Pennywise the Dancing Clown.  It was primal, it was terrifying, and it was BURSTING with childhood nostalgia that thoroughly resonated with an audience hungry for more 80s-set coming-of-age genre fare after the runaway success of Stranger Things.  Bringing the story into the present day with the Losers now returning to their childhood home of Derry, Maine as forty-something adults, Chapter 2 was NEVER going to achieve the same pulse-quickening electric charge the first film pulled off, was it?  Thankfully, with the same director and (mostly) the same writing crew on hand (Fukunaga jumped ship but Dauberman was there to finish up with the help of Jason Fuchs and an uncredited Jeffrey Jurgensen) there’s still plenty of that old magic left over, so while it’s not quite the same second time round, this still feels very much like the same adventure, just older, wiser and a bit more cynical.  Here’s a more relevant reality check, mind – those who didn’t approve of the first film’s major changes from the book are going to be even more incensed by this, but the differences here are at least organic and in keeping with the groundwork laid in Chapter 1, and indeed this film in particular is a VERY different beast from the source material, but these differences are actually kind of a strength here, Muschietti and co. delivering something that works MUCH better cinematically than a more faithful take would have. Anyway, the Loser’s Club are back, all grown up and (for the most part) wildly successful living FAR AWAY from Derry with dream careers and seemingly perfect lives.  Only Mike Hanlon has remained behind to hold vigil over the town and its monstrous secret, and when a new spree of disappearances and grisly murders begins he calls his old friends back home to fulfil the pact they all swore to uphold years ago – stop Pennywise once and for all.  The new cast are just as excellent as their youthful counterparts – Jessica Chastain and James McAvoy are, of course, the big leads here as grown up Beverley Marsh and Bill Denbrough, bringing every watt of star power they can muster, but the others hold more interest, with Bill Hader perfectly cast (both director and child actor’s personal first choice) as smart-mouth Richie Tozier, Isaiah Mustafah (best known as the Old Spice guy from those hilarious commercials) playing VERY MUCH against type as Mike, Jay Ryan (successful on the small screen in Top of the Lake and Beauty & the Beast, but very much getting his cinematic big break here) as a slimmed-down and seriously buffed-out Ben Hanscom, James Ransone (Sinister) as neurotic hypochondriac Eddie Kaspbrak, and Andy Bean (Power, the recent Swamp Thing series) as ever-rational Stan Uris – but we still get to hang out with the original kids too in new flashbacks that (understandably) make for some of the film’s best scenes, while Bill Skarsgard is as terrifying as ever as he brings new ferocity, insidious creepiness and even a touch of curious back-story to Pennywise.  I am happy to report this new one IS just as scary as its predecessor, a skin-crawling, spine-tingling, pants-wetting cold sweat of a horror-fest that works its way in throughout its substantial running time and, as before, sticks with you LONG after the credits have rolled, but it’s also got the same amount of heart, emotional heft and pathos, nostalgic charm (albeit more grown-up and sullied) and playful, sometimes decidedly mischievous geeky humour, so that as soon as you’re settled in it really does feel like you’ve come home. It’s also fiendishly inventive, the final act in particular skewing in some VERY surprising new directions that there’s NO WAY you’ll see coming, and the climax also, interestingly, redresses one particularly frustrating imbalance that always bugged me about the book, making for an especially moving, heartbreaking denouement.  Interestingly, there’s a running joke in the film that pokes fun at a perceived view from some quarters that Stephen King’s endings often disappoint – there’s no such fault with THIS particular adaptation.  For me, this was altogether JUST the concluding half I was hoping for, so while it’s not as good as the first, it should leave you satisfied all the same.

24.  MOTHERLESS BROOKLYN – it’s taken Edward Norton twenty years to get his passion project adaptation of Jonathan Lethem’s novel to the big screen, but the final film was certainly worth the wait, a cool-as-ice noir thriller in which its writer-director also, of course, stars as one of the most unusual ‘tecs around.  Lionel Essrog suffers from Tourette syndrome, prone to uncontrollable ticks and vocal outbursts as well as obsessive-compulsive spirals that can really ruin his day, but he’s also got a genius-level intellect and a photographic memory, which means he’s the perfect fit for the detective agency of accomplished, highly successful New York gumshoe Frank Minna (Bruce Willis).  But when their latest case goes horribly wrong and Frank dies in a back-alley gunfight, the remaining members of the agency are left to pick up the pieces and try to find out what went wrong, Lionel battling his own personal, mental and physical demons as he tries to unravel an increasingly labyrinthine tangle of lies, deceit, corporate corruption and criminal enterprise that reaches to the highest levels of the city’s government.  Those familiar with the original novel will know that it’s set in roughly the present day, but Norton felt many aspects of the story lent themselves much better to the early 1950s, and it really was a good choice – Lionel is a man very much out his time, a very odd fit in an age of stuffy morals and repression, while the themes of racial upheaval, rampant urban renewal and massive, unchecked corporate greed feel very much of the period. Besides, there’s few things as seductive than a good noir thriller, and Norton has crafted a real GEM right here. The pace can be a little glacial at times, but this simply gives the unfolding plot and extremely rich collection of characters plenty of room to grow, while the jazzy score (from up-and-comer Daniel Pemberton, composer on Steve Jobs, King Arthur: Legend of the Sword and Spider-Man: Into the Spider-Verse) provides a surprising complimentary accompaniment to the rather free-form narrative style and Lionel’s own scattershot, bebop style.  Norton is exceptional in the lead, landing his best role in years with an exquisitely un-self-conscious ease that makes for thoroughly compelling viewing (surely more than one nod will be due come awards-season), but he doesn’t hog ALL the limelight, letting his uniformly stellar supporting cast shine bright as well – Willis doesn’t get a huge amount of screen time, but delivers a typically strong, nuanced performance that makes his absence throughout the rest of the film keenly felt, Gugu Mbatha-Raw continues to build an impressive run of work as Laura, the seemingly unimportant woman Lionel befriends, who could actually be the key to the whole case, Alec Baldwin is coolly menacing as power-hungry property magnate and heavyweight city official Moses Randolph, the film’s nominal big-bad, Willem Dafoe is absolutely electrifying as his down-at-heel, insignificant genius brother Lou, and Boardwalk Empire’s Michael K. Williams is quietly outstanding as mysterious jazz musician Trumpet Man, while Bobby Canavale, Ethan Suplee and Dallas Roberts are all excellent as the other hands in Minna’s detective agency.  It’s a chilled-out affair, happy to hang back and let its slow-burn plot simmer while Lionel tries to navigate his job and life in general while battling his many personal difficulties, but due to the incredible calibre of the talent on offer, the incredibly rich dialogue and obligatory hardboiled gumshoe voiceover, compelling story and frequently achingly beautiful visuals, this is about as compulsively rewarding as cinema gets. Norton’s crafted a film noir worthy of comparison with the likes of L.A. Confidential and Chinatown, proving that he’s a triple-threat cinematic talent to be reckoned with.

23.  PROSPECT – I love a good cinematic underdog, there’s always some dynamite indies and sleepers that just about slip through the cracks that I end up championing every year, and one of 2019’s favourites was a minor sensation at 2018’s South By Southwest film festival, a singularly original ultra-low-budget sci-fi adventure that made a genuine virtue of its miniscule budget.  Riffing on classic eco-minded space flicks like Silent Running, it introduces a father-and-daughter prospecting team who land a potentially DEEPLY lucrative contract mining for an incredibly rare element on a toxic jungle moon – widower Damon (Transparent’s Jay Duplass), who’s downtrodden and world-weary but still a dreamer, and teenager Cee (relative newcomer Sophie Thatcher), an introverted bookworm with hidden reserves of ingenuity and fortitude.  The job starts well, Damon setting his sights on a rumoured “queen’s layer” that could make them rich beyond their wildest dreams, but when they meet smooth-talking scavenger Ezra (Narcos’ Pedro Pascal), things take a turn for the worse – Damon is killed and Cee is forced to team up with Ezra to have any hope for survival on this hostile, unforgiving moon.  Thatcher is an understated joy throughout, her seemingly detached manner belying hidden depths of intense feeling, while Pascal, far from playing a straight villain, turns Ezra into something of a tragic, charismatic antihero we eventually start to sympathise with, and the complex relationship that develops between them is a powerful, mercurial thing, the constantly shifting dynamic providing a powerful driving force for the film.  Debuting writer-directors Zeek Earl and Chris Caldwell have crafted a wonderfully introspective, multi-layered tone poem of aching beauty, using subtle visual effects and a steamy, glow-heavy colour palette to make the lush forest environs into something nonetheless eerie and inhospitable, while the various weird and colourful denizens of this deadly little world prove that Ezra may be the LEAST of the dangers Cee faces in her quest for escape.  Inventive, intriguing and a veritable feast for the eyes and intellect, this is top-notch indie sci-fi and a sign of great things to come from its creators, thoroughly deserving of major cult recognition in the future.

22.  DRAGGED ACROSS CONCRETE – S. Craig Zahler is a writer-director who’s become a major fixture on my ones-to-watch list in recent years, instantly winning me over with his dynamite debut feature Bone Tomahawk before cementing that status with awesome follow-up Brawl On Cell Block 99.  His latest is another undeniable hit that starts deceptively simply before snowballing into a sprawling urban crime epic as it follows its main protagonists – disgraced Bulwark City cops Brett Ridgeman (Mel Gibson) and Tony Lurasetti (BOCB99’s Vince Vaughn), on unpaid suspension after their latest bust leads to a PR nightmare – on a descent into a hellish criminal underworld as they set out to “seek compensation” for their situation by ripping off the score from a bank robbery spearheaded by ruthlessly efficient professional thief Lorentz Vogelmann (Thomas Kretschmann).  In lesser hands, this two-hour-forty-minute feature might have felt like a painfully padded effort that would have passed far better chopped down to a breezy 90-minutes, but Zahler is such a compellingly rich and resourceful writer that every scene is essential viewing, overflowing with exquisitely drawn characters spouting endlessly quotable, gold-plated dialogue, and the constantly shifting narrative focus brings such consistent freshness that the increasingly complex plot remains rewarding right to the end.  The two leads are both typically excellent – Vaughn gets to let loose with a far more showy, garrulous turn here than his more reserved character in his first collaboration with Zahler, while this is EASILY the best performance I’ve seen Gibson deliver in YEARS, the grizzled veteran clearly having a fine old time getting his teeth into a particularly meaty role that very much plays to his strengths – and they’re brilliantly bolstered by an excellent supporting cast – Get Rich Or Die Tryin’s Tory Kittles easily matches them in his equally weighty scenes as Henry Johns, a newly-released ex-con also out to improve his family’s situation with a major score, while Kretschmann is at his most chilling as the brutal killer who executes his plans with cold-blooded precision, and there are wonderful scene-stealing offerings from Jennifer Carpenter, Udo Kier, Don Johnson (three more Zahler regulars, each featured with Vaughn on BOCB99), Michael Jai White, Laurie Holden and newcomer Miles Truitt.  This is a proper meaty film, dark, intense, gritty and unflinching in its portrayal of honest, unglamorous violence and its messy aftermath, but fans of grown-up filmmaking will find PLENTY to enjoy here, Zahler crafting a crime epic comparable to the heady best of Scorsese and Tarantino.  Another sure-fire winner from one of the best new filmmakers around.

21.  FAST COLOR – intriguingly, the most INTERESTING superhero movie of the year was NOT a major franchise property, or even a comic book adapted to the screen at all, but a wholly original indie which snuck in very much under the radar on its release but is surely destined for cult greatness in the future, not least due to some much-deserved critical acclaim.  Set in an unspecified future where it hasn’t rained for years, a homeless vagabond named Ruth (Gugu Mbatha-Raw) is making her aimless way across a desolate American Midwest, tormented by violent seizures which cause strange localised earthquakes, and hunted by Bill (Argo’s Christopher Denham), a rogue scientist who wants to capture her so he can study her abilities.  Ultimately she’s left with no other recourse than to run home, sheltering with her mother Bo (Middle of Nowhere and Orange is the New Black’s Lorraine Toussaint), and her young daughter Lila (The Passage’s Saniyya Sidney), both of whom also have weird and wondrous powers of their own.  As the estranged family reconnect, Ruth finally learns to control her powers as she’s forced to confront her own troubled past, but as Bill closes in it looks like their idyll might be short-lived … this might only be the second feature of writer-director Julie Hart (who cut her teeth penning well-regarded indie western The Keeping Room before making her own debut helming South By Southwest Film Festival hit Miss Stevens), but it’s a blinding statement of intent for the future, a deceptively understated thing of beauty that eschews classic superhero cinema conventions of big spectacle and rousing action in favour of a quiet, introspective character-driven story where the unveiling and exploration of Ruth and her kin’s abilities are secondary to the examination of how their familial dynamics work (or often DON’T), while Hart and cinematographer Michael Fimognari (probably best known for his frequent work for Mike Flanagan) bring a ruined but bleakly beautiful future to life through inventively understated production design and sweeping, dramatic vistas largely devoid of visual effects.  Subtlety is the watchword, but that doesn’t mean that there aren’t fireworks here, it’s just that they’re generally performance-based – awards-darling Mbatha-Raw (Belle) gives a raw, heartfelt performance, painting Ruth in vivid shades of grey, while Toussaint is restrained but powerfully memorable and Sidney builds on her already memorable work to deliver what might be her best turn to date, and there are strong supporting turns from Denham (who makes his nominal villain surprisingly sympathetic) and Hollywood great David Strathairn as gentle small town sheriff Ellis. Leisurely paced and understated it may be, but this is still an incendiary piece of work, sure to become a breakout sleeper hit for a filmmaking talent from whom I expect GREAT THINGS in the future, and since the story’s been picked up for expansion into a TV series with Hart in charge that looks like a no-brainer.  And it most assuredly IS a bona fide superhero movie, despite appearances to the contrary …