#Jason can't do anything about it

[moonlight-stalker]

# 41 dcxdp

When Jason was heading back to Gotham he picked up a person whose name is Danny. Danny was being chased by people in white he had killed them and expected Danny to continue running but instead, he thanked him and started to follow him around he tried to get rid of him to lose him but Danny kept coming back looks like he has a partner now

[minnow-doodle-doo]

Middle school, especially Gotham Academy, can be the worst but they got each other.

[rayssion]

There's something just so beautiful about a character falling in love with their best friend who is sadly not into them and already had their partner.

[fantastic-nonsense]

it will literally never not be funny to me that Jason and Tim's first ever interaction was the Titans Tower Incident where Jason insulted Tim for "living in luxury" as a child and then beat him half to death while Tim flat-out told Jason "I'm better than you" and snarked that the only reason Bruce hadn't beaten Jason into the ground yet was because he was holding back

and then their second interaction was this

[covertblizzard]

jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"

[mamawasatesttube]

man. having read kon comics really makes the ao3 timkon tag an absolutely inhospitable place

[rockingthegraveyard]

Cass in a giant hoodie with the text "Red Hood Is A Bitch" on it.

[welcometogrouchland]

May I ask about your Jason Todd idea? <3

Hm, okay so. How to lay this out sensitively since I know it might be a tad controversial...

Prefacing by saying I'm not an expert on the minutias of Jason characterization. I like him when he appears, I think the battle for the cowl/Morrison era and some parts of modern era for him are Weird and Bad, but I'm not Jason scholar (for that I'd say maybe check out @/tumblingxelian and their great video essays), I'm just trying to think of what might be an interesting step forward for him.

First, the canon facts

Jason got lobotomized and has panic disorder on steroids. By the end of Gotham War (specifically when Jason was. Flying the batplane into the asteroid. God I can't believe that's the plot) he was finding it in himself to power through said panics

In Joker: The Man Who Stopped Laughing #12, the joker gives Jason a "low dose" of joker venom, which has an ambiguous effect on Jason, allowing him to power through the fear (which joker explicitly states is still very much present, just not physically debilitating, like when Jason couldn't run over in either Catwoman #57 or #58, the one with the kid in the building) even though he'd been able to do that sans venom over in Gotham War, like I previously stated.

The effect of said joker venom seems to be lingering for now, minus the creepy grin side effect it gave Jason over in that man who stopped laughing issue, as seen in the latest batman issue (number is escaping me rn, #147??). He still has the stutter which is a shorthand for fear, he's drawn with fearful expressions by Jorge Jimenez, but he says that he's "working through it" thanks to the chemicals

This is both super interesting and kind of maddening as it doesn't completely remove the consequences of what happened in Gotham War, but is trying to sweep them under the rug and get back to business as usual. I, however, propose making said consequences front and center like a fashionable urn on a mantle piece:

Since it's never stated how exactly the joker venom works, and I think the current answer is "it works how the story needs it to" I've decided that because it's a low dose, it eventually wears off. And when it wears off, Jason's back to square one in terms of mental state. Ergo, if Jason doesn't want to live the rest of his life as quaking shivering husk of his former self...he's going to need more.

(read more for the meat of things)

So, Jason self medicates for a condition given to him by the father he has endlessly complicated feelings towards with a cure invented by a man who represents everything he hates in the world who once tried to take everything from him.

Which, insert poetic cinema gif here, I'm quite proud of myself for that one.

Anyway, there's a lot of directions you could take this. Personally I think it'd be interesting to explore Jason trying to get back into the drug trade like he did in UTRH (FULL TRANSPARENCY I HAVEN'T READ THE FULL COMIC, I KNOW BROADSTROKES BUT IM NOT GONNA TRY AND MAKE PARALLELS) as he tries to use the resources (production plants and other drug runners who can hook him up with samples of joker toxin/similar stuff you can probably find around Gotham) to manufacture his own cure that means never having to go back to the joker again. Maybe he ambushes a joker toxin chemical production plant to get his own supply, and then Jason uses this as his foothold back into that world.

This isn't necessarily me saying we should regress Jason alll the way back to UTRH, that was before his anti-hero era and I'm not willing to fully shoot him back into the past. I just think that's not how you tell good stories in a medium like comics. But it'd inherently be a little different just bc he's doing it for different, slightly more self motivated (depending on your take on villain Jason) reasons and the people around him would have a different reaction to it.

Anyway, all sorts of problems can arise! Depending on how you wanna characterize Jason (wayward son who longs to be back in the fold or black sheep who doesn't play by daddy's rules, etc) he can either a) try and hide this criminal enterprise from his giant family full of nosy detectives (good idea there jay) OR do it out in the open, trying to justify himself but still putting himself on the opposite side of the family again (not the law bc that boy hasn't been on the 'right' side of it since he died)

There's also the fact that Jason now needs to take something 24/7 in order to live his life. He essentially can't be without it, he's dependent on it, in fact he'd get sick without it despite any adverse effects it may have on him (which are guaranteed, I mean. No clinical trials)

I imagine it'd be easy to become addicted to it in some way.

And uh. This is the part where it works slightly better as a fanfic pitch than an actual comic pitch. Because as much as I think it'd be such an interesting beat for Jason's character considering his fraught history with addiction and drugs (looks away from that one urban legends story where he suggests terrorising addicts to get to the suppliers and bruce lectures him. The easiest way to make Mr "we don't sell drugs to children" sympathetic and you beefed it)

I also fully recognise that this is a sensitive topic that DC doesn't have the best track record with (although addicts aren't a monolith and feel a number of ways about addictions portrayals in comics) and that there's probably some pitfalls inherent in the premise, namely bc of Jason's background as an impoverished kid and his grey morality, and how those play into stereotypes of addicts. Addiction is already such a misunderstood and stigmatized condition that I imagine playing with it with an antihero might be enough to turn some people off. Addiction is not a moral failing and I'd hate to write it as a moral failing of Jason akin to his willingness to kill, etc.

But with all that said, I think that stereotypes are primarily harmful because of their shallowness. They inhibit understanding of groups labeled "other" by presenting them in simplistic ways that don't portray richness or complexity. And I think a truly good red hood comic could give both sympathy and complexity to Jason, even as an addict. If anything, Jason is a popular character (mostly) and there could be something nice about seeing a main character go through what you're going through, gritty details and all. YMMV (can we bring that back btw?) and it depends on execution. There's a lot of ways it could go wrong, but seeing as it just lives as a hypothetical rn, I think there's also a lot of ways it could go. I mean, not right, it's a downer story beat for Jason but it's mostly meant to be interesting and a vehicle for more stories as Jason navigates it, ya know?

Anyway, I have a lot of spiels littered in my notes app and discord DMs that elaborate on all this (how this could work as act 1 in a broader Jason story where his little operation goes to shit and he has to hit the road (jack) and maybe do some character development for better or worse. I'm a sucker and wanna say better- not squeaky clean better but. Yknow, finding himself to an extent. I recognise I'm a sap and a fool tho. Or how a new outlaws team could factor into either of those eras (since I do like Jason with an outlaws team. It gives him an excuse to exercise his compelling relationships and dynamics with other characters without having to constantly tip-toe around the elephant in the room whenever he's with the batfamily all the time. He just needs a good lineup) but that's all for another time

... though without elaborating on the vision in my head it kind of just sounds like my pitch is "Jason gets addicted to his hyper-anxiety medication" BUT I SWEAR ITS MORE THAN THAT.

It's like. If Jason has struggled as a character (and this is very subjective on my part so feel free to disagree) because he has compelling relationships with all of the batfamily, but also has compelling grey morality that makes it hard to capitalize on those relationships, without the conflict always coming to "Jason stop killing!" "Nuh uh!" OR just being ignored, and the main way writers have addressed this is via reboots instead of arcs...

Then giving Jason and the bats:

real, legitimate and fresh reason for jay to be mad at Bruce (taking their relationship of love with very little understanding to it's most dramatic conclusion)

give the family a real reason to want to bring him back into the fold (feel bad about the lobotomy and it would be pretty immoral to let Jason waste away slowly and painfully because of something Bruce did)

capitalize on all the ways Jason is sympathetic (bc the addiction is a natural lead into his backstory, which is one of his most sympathetic elements)

And the ways in which he's very out of step with the bats post-resurrection (I'd be mad asf too if i came back to life just for my dad to a) not avenge me and b) LOBOTOMIZE ME meanwhile the cunt ass clown giving me my meds is just lurking out there).

Idk it's not a sophisticated pitch as of this moment but I think a real chef (writer) could cook something w/ this

[boyfridged]

Do you agree that Jason, as written by Winnick in UTRH and Lost Days, acts out of character post-resurrection if we take into account his post-crisis robin days? If yes, how would you have him act/react to stuff after he comes back from the dead?

tldr: i definitely agree. moreover, classism plays a huge role in it, and i don’t think that at this point the storyline could lose these implications, which makes trying to conceive what an “in character” (for robin jay) version of these events would be quite difficult. 

let’s just start from saying that i don't think it's a secret that i don't really like winick in general. despite his work being mad interesting on a conceptual level (and style-wise, genuinely well written!), he has no love for the characters he writes about. 

imo utrh shouldn't even ever make it into the mainstream batman timeline. i am aware that this is a radical opinion, but my take is that it would do best as an elseworld story (and in this version too it would need some tweaks here and there), because it made damage both to the mythos of batman and jason's legacy that can never be undone. the very premise of the story is so deeply disconnected from jay's original place in the narrative, and so classist at its roots, that there's not much room to truly fix it. 

(i want to say, preemptively, that i am aware that there are people who read utrh as a story of a revolutionary and a victim – and they have the right to do so, but ngl, my view has always been that it was never written as that. utrh reinforces so many stereotypes that it overshadows the revenge tragedy spirit of it all.) 

another disclaimer is that, to be honest, jay doesn't have a very consistent characterization even in his 80s run, and it also has some classist implications that ideally should be either erased or addressed in the text (that winick instead exaggerated and put at the very front of his storytelling.) starlin's writing is, at the end of the day and very much ironically, more sympathetic and gentler in evaluating jay (simply because at the time he would not get away with changes too blatant) but details such as jay saying that "all life is game" and his random nonchalant behaviour that has its origin in the very beginning of starlin’s run are already signs of it. some readers will trace jason's arrogance prevalent in his red hood era to these issues and say that his actions post-res are therefore a logical extension of his robin days, but i don't buy it. even if you want to lean into starlin-esque characterisation, if you consider the core problem of the garzonas plotline – which is power, jay shouldn’t look into the solution of anything in climbing to the top. and if he did, it would have to be written as a “becoming what you feared/hated most” kind of story, which i can see a certain appeal in (and which would at least acknowledge that it was not his initial personality), but which would go back to its classist assumption of cycles of violence and doomed fates.

so – how to make his post-res era more accurate to his post-crisis robin days (and least classist in the process)?

if we were to follow my fav iterations of his characterisation (barr’s detective comics and the ntt appearances) tbh I don’t think a lot would happen, because his personality is quite mild, and just so hopeful there that i wouldn’t expect any extreme actions from him – but then again, the circumstances that he finds himself in post-res, the trauma, and his sensitivity do warrant grief that should become a driving force in his life from now on. the question is, what to do with this grief as a plot device?

i know that plenty of jason fans hate this take but I actually think the concept of jason trying to be detached and cruel but being bad at it might be one of the least offensive to his 80s characterisation. it’s def not accurate to pre-52 canon (apart from countdown perhaps) but imo for jay to be authentic and nuanced he should be conflicted about his own actions. his overconfident behaviour should be a pose – just as his frantic acts in his origin story as robin were. (again, something that many readers don't take notice of – but reading the rest of collins' writing wherein jay quickly settles into being easy-going and even a bit shy is proof of it.)

these two points lead to the “no good deed” narrative that I often talk about - the reading that jason saw his intuitive and self-sacrificial kind tendencies as something that brought him pain and that never was quite efficient, and that post-res he intentionally tried training himself out of. there are some flashes of it here and there throughout the years of the red hood publishing history, but it never got a true spotlight. and if i were to write lost days, jason flinching at his own violence would be a focal point of the story. 

moving on to utrh; i have spoken about it at length before but I think if he were written 1. with more political sensitivity 2. to have retained the same maturity re: the social order 3. to have the same idea of morality, he should have followed more of actual revolutionary tracks and the whole “drug lord” authoritarian figure schtick along with the idiotic idea of “controlling crime” would have to be thrown out of the window. 

and, later on, forgiveness should play a big role in his story. he's so quick to forgive and justify everyone in his robin run – this is also why i reckon his team up with harvey in tfz was a wasted opportunity.

so, in conclusion – perhaps not that much would have to change re: his actions but definitely a lot should change regarding his emotional journey and his position. i would def throw out a lot of mindless violence and power posturing out of it though. and perhaps make him a bit more polite just for the sake of more consistency (this is not me taking a moral stance btw nor tone policing a fictional character. i just think it would be more faithful to his 80s writing unless you want to make him explicitly scared. and it would be funnier tbh.)

[zorilleerrant]

"Everyone's gay awakening was Nightwing," Bernard repeats, like Tim didn't hear him the first fucking time and, okay, back before they were brothers obviously attractive was a descriptor he would've used about Dick Grayson (he can't see it anymore, especially not until Dick stops sending him autotuned videos of people's pets when he said he was busy this week) but it was a couple years before he really thought about that kind of stuff, as much time as he even has to think about it now, and by then they were friends, at least, and it was weird just like it was back in high school.

Oh. He did like Bernard in high school. But it was all in the way of their friendship if it went wrong, just like with Steph, except Steph had a way of convincing him to take he leap, because she's an optimist like that. With Bernard, he needed enough space to figure it out himself, which, well, that was a journey, anyway, not that Tim's ever been very good at introspection. But, like, look at his family - both of them, really - and see where he would've had any examples set for him, so Tim is doing pretty well all things considered.

But the thing is Bern's an optimist, too, always seeing the silver lining and hoping against hope, ready to break down barriers wherever they sit, and if he'd taken Tim's hand, Tim probably would've made that leap. Does it mean something, then? That he followed Steph's lead because she promised it would turn out well, but he needed outside forces conspiring against him to shove him into Bern's arms? Or was it just that they weren't open yet? Does it mean he liked Steph more, and now he's settling? Or he liked her less so he was more willing to risk it, lying to himself about how strong his feelings were?

Oh, god, he hopes it doesn't mean he had a crush on Nightwing, back in those early days. If he suddenly realizes that one of these days he's going to chug an entire bottle of vodka to try to wash it out of his brain, and that's not going to end well. That's going to end with someone coming to rescue him and talk him down, and that's probably going to be Dick, because Dick is the one that's always had those conversations with him. And, in this particular case, that would be - oh, fuck, he can just see that smug grin and he already wants to punch it off of Dick's face.

"Earth to Tim? You okay?" Bernard says, and Tim doesn't even remember what he was talking about anymore - oh, right. He was talking about wanting to fuck Tim's brother. Right. That's why Tim's been speechless for the last ten minutes, except he can't exactly explain, either, because the thing is. The thing is that Bern said Nightwing not Dick Grayson, and the even worse thing is that he was so carefully not saying Dick's name and it was so obvious because Tim's read gossip magazines and watched the news and he knows that look in someone's eye. And it's not like he can call his boyfriend on what he didn't say, that's just mean.

"I think I liked you in high school," Tim blurts out, instead, because here's this memory that's just come to mind: they were changing for gym and Tim suddenly had to turn around, and nothing was even happening, Bern wasn't even taking off his shirt yet, just his jacket, and there wasn't anything to see. But Tim didn't want him thinking he was looking, even though he already wasn't really.

There's a second part of the memory, too, with Bernard running as fast as he can, shirt clinging to him, wiping off his forehead with a hem that was already wet. Bernard was toned, even back then, even before he got into martial arts the way he is now. Tim thought, at the time, he was jealous. How the hell did he think he was jealous? And he calls himself a detective.

"I mean," Bernard says, carefully, with a shrug that isn't as casual as he's trying to make it seem. "I knew I liked you, I just wasn't willing to let myself know that yet. So I projected. Onto Nightwing." There's an awkward smile there as he trails off, and Tim wonders if he's thinking about what it would've been like to hold hands down the corridors, make out by the lockers, go to prom together. Maybe thinking about how, if they did, they'd have broken up by now, and maybe Tim would've dumped him because he couldn't figure out why he had so much chemistry with Steph. Or maybe it would just be Robin stuff, getting in the way of everything. Or, who knows, maybe he'd be dating some celebrity, dressing for the spotlight.

But he's been silent again too long, and Tim tries to recover with, "is it less gay if it's Nightwing?" which is not what he meant to ask at all. He meant to say something sappy, or something heartfelt, or something true. Something that would reassure Bern or something that would make them both laugh or, fuck, anything, really, to get off the topic of his brother that he's not allowed to admit is his brother and therefore can't just offer a horrified look and walk away. Not that he has the energy to be that bothered, anymore, when someone waxes rhapsodic about Dick Grayson's bubble butt or whatever. And talk show hosts definitely know - it's their job to know - that Tim doesn't need to hear that.

"Yeah. Way less. Didn't you hear me when I said it's everybody? You know there's a whole fansite devoted to him being people's celebrity exception," Bernard says, and then, at Tim's look, which he's probably misinterpreting but Tim definitely can't get himself to make any different face about that, "it's not like I was looking for it, okay, it's just a lot of the most interesting - do you know a lot of people think Nightwing might be Kryptonian? Or half, anyway, like Superboy."

"Right," Tim says, wondering who the hell claimed Nightwing was Kryptonian and why, and stands up abruptly to, he doesn't know, put on a movie or something. Anything to distract them from the disturbingness of - what the fuck is a celebrity exception and why would anyone want one? Wouldn't wanting one be evidence of - well, now Tim's just being a hypocrite, because he definitely didn't notice all the men he slotted into his 'we'll just think about them a little extra for no reason' file. "You don't still like Nightwing, do you?"

Bernard gives him the most quizzical look, and then shrugs and makes an ambivalent hand gesture, which Tim is very generously choosing to interpret as an agreement that he no longer likes and will continue to not have a crush on Dick in any capacity, forever. "You're taking this a little personally Tim. I already said, you were the first person I knew who I caught feelings for, and it's not like he's your competition or anything. You'd think you were Robin." And Tim doesn't laugh. He doesn't laugh awkwardly and sit there, or laugh hysterically and leave the room, and he doesn't laugh at the absurdity of the situation and spill everything right there, either. But they are going to have to come up with some kind of agreement about never ever talking about Nightwing ever again.

[bats-and-the-birds]

There is a sort of trope that I've noticed in DC media where Batman is infinitely stranger from anyone else's perspective than his own. In his own comics and movies and such his motives are explained to you, you have his inner monologue, but the moment you put him in someone else's story, you're met with a general vibe of 'what the fuck is wrong with that man? is that a man? might be a demon.'

And this 100% extends to the batkids.

Dick? The man has no bones. From an outside perspective, he leaps before he looks, grinning and laughing as be backflips off buildings with seemingly no plan, only to catch himself with a grapple at the last minute. He's charming and warm until he can't be, and then he's terrifying, with a glare and temper that rivals the Bat's.

Jason? He has deadly aim and a steady hand. He's hulking and strong, but he's also silent. He still moves like a bat, like he was taught to in his Robin days, despite the fact that he's taller and broader than Bruce now. The Red Hood could appear out of the shadows behind you, no matter how safe you are, and you wouldn't be able to do anything to stop it.

Tim? He's smart. They're all smart, but he's smart smart. And his ethics and intelligence don't always mesh. He could tear down any security system with frightening efficiency, then rebuild it better. Logically, he's always five steps ahead.

Damian? He's the most obviously terrifying. He's small, and angry, and he has a sword that he knows how to use with frightening efficiency. He's as viscous as his father can be, but with a temper that more unchecked. He learned how to kill before he learned how to protect.

Duke, Cass, and Steph also fall under this, but I don't know enough about them to make accurate judgements.

Anyway, what I'm saying is the rogues and the Justice League alike fear the Bats, and for good reason.

[multishipper-baby]

Another horny thought of the night, this time about Jason (and also sad)

[sepia-stained-sunset]

Bruce being so done with life because none of his kids treat their medical files on the batcomputer with the importance it deserves. And the worst part is, he can't tell if it's on purpose or if they're all Just Like That.

Dick:

He loves his eldest son but for some reason, he refuses to do anything but put down estimated recovery times in his injuries folder. It's usually in the range of "2 weeks" to "48 hours" but that just leaves Bruce worrying about what happened.

One time, he put down 3 months and he nearly had a heart attack till his son called and told him Kor'i had dumped him and that this was how long he was going to be wallowing.

Jason:

Is nice enough to tell him what happened but doesn't add the degree of injury.

So he'll put down "stabbed" but won't elaborate on whether it was a flesh wound or worse. Bruce goes grey very, very early after Jason is on the field.

Tim:

Gives him just the location of the injury and leaves him to guess what happened.

Could say "arm" or "back of the head" or, on one memorable occasion, "spleen", but won't say what the heck happened to any of those parts.

Was he stabbed?? Shot at?? Who knows. Certainly not Bruce.

Damian:

Only mentions the retribution he got for any injuries he received.

"It's been handled", "he'll never be able to get the drop on me again" and more often than not, just the word "avenged".

Bruce is surprised he has any of his original hair colour left at all.

Duke:

By far the worst one. He writes down injuries in terms of his own pain scale.

Could write "OW!" or "Not Gucci" or "Better than that time Jason hit me in the face with a TV remote".

Once wrote "Non-fatal" which sent Bruce into a spiral because "holy shit Duke?? What do you mean non-fatal?? Yeah I sure hope your injuries weren't lethal?!"

Cass:

Has never been injured on patrol. Often leaves him question marks in her file which...yeah, fair enough.

[welcometogrouchland]

*twirling my hair* do you like cassandra cain? if not, do u have a moment to hear about our lord and saviour cassandra cain?

CASSANDRA CAIN MY LOVE!!! She's definitely the batgirl I've read the most in terms of full issues, the first 30-ish issues of her solo by Kelly Puckett Scott Peterson and Damion Scott had me hooked and I binged them but fell off after Horrocks came on (nothing against him, he was just given an editorial mandate to make the book more romance focused and it turned me off because it felt so ooc for Cass to me lol. I do own some of the issues he wrote tho! I like the ones with art by Rick Leonardi). I'm not really caught up with modern comics (ish??) And I'm not reading anything dedicatedly but I hear she's in a new original book teaming up with a magic user? Neat! Good for her. I love her in the shadow of the batgirl graphic novel (IT'S SO GOOD)

[jaysgirlx]

"Need help sweetheart?" Bookstore Customer!Jason Todd helps you reach the books on the higher shelves. You were his favorite employee and he wanted to make your day easier. He'd been coming here for a while but you always forgot how tall he was and how good his body felt pressed against yours. You only knew how to mumble out a couple words because you didn't know what else to say to a man like that. "Uh sir, you don't need to-"

"Please call me anything but sir sweetheart, you know I'm not new here"

Bookstore Customer!Jason enjoyed teasing his favorite employee aka you of course. He teases you about working at the bookstore even though he's constantly there and he'll always be flirting with you even if you're working the counter that day. He knows he's holding up the line but he's a paying customer so he doesn't care.

"How's my favorite pretty girl doing?"

"M'tired today Jay, I can't handle your nonsense right now"

"Okay that was mean- wait, Jay? that's a first"

"Buy a book or get out Jason"

You could easily tell Jason liked classics and poetry but for some reason he was willing to read your favorites even if they were a smut-filled mess. One time, he backed you up into a corner, after reading one of those books you liked, "Hmm, you like this kind of shit baby? cause I can do all that to you and so much more"

Over time, you learned that Jason also likes to follow you to the store, whispering to you about all the things he could do to you if you'd let him. His hand is always on your hips, pressing his body fully into you. He knows you like it especially when you roll your hips into his when nobody's looking. He wishes you'd use your words and just say you were his but he knew he wasn't even close to getting that, at least not yet.

Jason tried to buy a new book every week, sometimes not even to read. He needed an excuse to be there since your boss has never been fond of him ever since he had caught him feeling you up near the back shelves once. He learned his lesso so now he purposefully buys the books you like, just so he can watch you ramble on and on about them without getting kicked out of the store.

Bookstore Customer!Jason thrived on the feeling he got from watching you go from being so nonchalant around him to the most talkative girl in the world. he wants you comfortable if he's going to fuck you. You find yourself shutting up one time because you thought you had bored him but he quickly gets rid of that thought for you, "Keep talking sweetheart, I'm just wondering how pretty your mouth would look with my cock stuffed down your throat"

"Jay I don't- I can't- I haven't-"

"Don't worry, you will and I'm sure you're a fast learner"

It wasn't that hard for you to notice that Jason got a little jealous when his brother Dick hits on you the first and last time he brings him to the bookstore. Dick easily chats you up and Jason watches the two become a bit too friendly for his liking but it wasn't his place to speak, "Now I see why my little brother brings home so many books"

"It's good he does, I like guys who read"

"I actually quite the fan of classic literature-"

"Oh shut up Dick"

Bookstore Customer!Jason had all your coworkers wondering if you'll ever let the poor guy hit. They weren't sure if Jason was interested in you or your body, regardless they couldn't ignore the smile you got whenever he walk in. Or the way you'd laugh at his dumb jokes. You had him on a leash and you didn't even know what to do with him. He's begging to take you out or just even spent a night with you. He didn't just want you, he needed you. "C'mon I promise to take care of you princess, I'll even take you to that little coffee shop in Bludhaven"

"Who told you about that?!"

"…Dick"

When he finally manages to convince you to let him kiss you, you're nervous as fuck. You thought this was just another one of his antics but no, this was real. He'd promised to stop hitting on you if you felt nothing and you should've know it was bad idea when you could hear your own heartbeat still your let his lips touch yours. It was such a bad idea because before you knew it, he's got you pushed up against the wall, leg parting your thighs with your hands gripping at his shirt. "Jay, more please" Suddenly after all this time, you're pleading for him. Oh how the tables have turned. You're begging for all he's got, and you know he has so much more to give.

"Just give me a moment baby, got be patient" Within a matter of minutes your pants are discarded on the floor, and your panties are still on but being pushed aside while two fingers are being pumped in and out of your pussy. He's got one hand on your hips holding you down while one of your legs is wrapped around his waist. "Didn't I tell you I could do some much for you baby?"

You nod quickly while he's sucking on your poor neck, that would definitely be red all tomorrow. you feel his teeth sink into your skin, not too hard but rough enough to leave a mark. "Now keep quiet, I don't want any of your coworkers hearing us back here" The next thing you know you're cumming on the boy's fingers and he wants you to do it again. and again. and possibly 50 more times if you're willing.

The next time Jason comes, he's holding what you think is flowers and you know he'll be your victim today.

"So I thought real flowers would be cheesy and you'd probably not want to take care of em, so my brothers taught me how to make these paper flowers and…here just take them"

"Wow, I'm getting hand-crafted flowers from THE Jason Todd? Someone must have a really big crush on me huh? Are those bandaids on your fingers? Want me to kiss your boo-boos? "

"Are you going to finally go out with me or do I have to make you cum-"

"Yes yes! Just do not finish that sentence out loud"

"You are soooooooooo in love me"

"Jay, get out"

[incorrectbatfam]

Which of the batkids have been in a child safety tether (as in, you are safe from the child) and why?

[at the amusement park]

Bruce: Now have fun, but remember that safety comes first. If I catch you doing anything unsafe, you're gonna have to wear this backpack with a rope so I can keep an eye on you. Understood?

8-year-old Dick: Yes sir!

Dick: *immediately starts climbing the Ferris wheel*

Bruce: Ten seconds, that's a new record.

———————

[before a gala]

12-year-old Jason: I'm not a pet. You can't put me on a leash.

Bruce: Like I said, it's only if you misbehave. All you have to do is smile for the cameras. If you feel uncomfortable, just tell me and we can go early.

Jason: Ugh, fine.

[later]

Alfred: Master Bruce, I saw Master Jason outside removing the hubcaps from a very expensive limo.

———————

14-year-old Tim: According to my research, you've used a child leash to keep Robin in line, and I just want you to know that you've got nothing to worry about when it comes to me.

[3 years later]

Bruce: Why are you covered in blood?

17-year-old Tim: I got a new spleen.

Bruce: Where exactly did you get it?

Tim: That's private medical information.

———————

Bruce: *talking to Commissioner Gordon*

16-year-old Steph: *tries to sneak to the ice cream truck*

Bruce: Nice try, young lady.

Bruce: *clips the leash on*

———————

Cass: *on the leash*

Barbara: What'd she do?

Bruce: She had coffee. This is a precaution.

———————

Damian, on the leash: This is humiliating!

Bruce: It's what happens when you try to sneak batarangs into a birthday party.

Damian: Can you at least loosen it? It is chafing.

Bruce: Sure.

Bruce: *loosens it*

Damian: *grabs a cake knife, cuts the cord, and sprints away*

———————

Tim: Duke's lucky he doesn't have to deal with the child leash.

Duke: Child leash? Like the thing they use on preschoolers?

Damian: Mhm. Father would put us on it when we misbehaved.

Jason: You cut it in half the first time. You barely even had it on.

Duke: Is it that green one on the Batcave floor?

Steph: Green? The one I had was purple.

Dick: No it's not, it's blue.

Jason: Nope, pretty sure it was red.

Tim: Mine was a shade of orange.

Cass: Pink. Didn't have black.

Dick: Wait, guys, are you thinking what I'm thinking?

[later]

Bruce, on a long rainbow leash: I should've seen this coming.