#keystone back matter | Explore Tumblr Posts and Blogs

mangoisms · 7 months

Text

circle k (back to you)

summary: in which you're just the graveyard shift employee at circle k bombarded by vigilantes.

━ chapter twelve: back to you | read chapter eleven

━ pairing: tim drake x f!reader

━ word count: 5k

━ warnings: none

━ masterlist

━ a/n: the final part <3 my end notes if you'd like <3

ten months later

“Hey, you two. Where’s your aunt?”

“Having an existential crisis on the trampoline,” you hear Irey respond matter-of-factly.

“She’s no fun anymore,” Jai adds.

“Well, Bart just got here so—woah!”

Even you can feel the sharp gust of wind the twins create as they zoom off to see their cousin. Bart Allen runs at a million miles per hour—metaphorically and literally, so he and the twins get on like a house on fire.

Good thing everyone turned out for you and Steph’s pre-graduation party, otherwise Wally, Jay, and Max would have their hands full trying to make sure the three of them didn’t bring the house down.

And when you say everyone came, you really mean everyone.

That’s sort of the problem.

Barry Allen and Iris West-Allen were pleasant as always when they arrived—fifteen minutes late, the tardiness Barry is prone to considerably mitigated by his wife’s urging—and gave you big hugs in congratulations when they saw you.

“Well, early congratulations,” Barry amends, smiling.

“I just wish we could be there, too,” Iris says, letting you go.

You wave her off. Barry had a mission with the JL on the day of and Iris’s book tour was just starting, so there was no extra time to spare.

“No, it’s okay. Wally and Linda are already going, so that’s enough.”

“We’ll be there in spirit,” Barry says, grinning as Iris rolls her eyes. “Literally.”

Referring to the speed force and the way it tethers both speedsters and lightning rods. So, yeah, technically.

You chuckle. “Exactly. So, don’t worry.”

“We still wanted to give you our gift in person, though,” Iris says, passing you an envelope.

“You guys really didn’t have to but thank you.”

“‘Course we did,” Barry says. “You’re Wally’s… what is it? Close friend slash little sister slash niece? Us, well, we don’t mind seeing you as a niece.”

“Complicated labels aside,” Iris puts in, “you’re part of this family, too.”

And boy if that wasn’t going to choke you up.

You believe it now, almost a year since Wally revealed his identity; since then, you consider Keystone City and Central City as much of a home as Gotham. It was only inevitable that you met the others and you were lucky enough that they welcomed you with welcome arms.

But the ones part of this family are one and many. Not just the Garricks, not just the Wests, not just the Allens, not just Max Mercury, but—

“Ms. Chambers?”

Jesse Chambers grins at you. “Hey now, none of that. Here, Jesse works just fine. Pleasure to meet you. Everyone has had nothing but excellent things to say about you.”

Okay. Sure.

That bit is just a little obscured by your horrible confusion on how on earth she even knew everyone.

You have an inkling as to the answer but frankly, it feels impossible to believe. Not because you don’t think she is not capable of it but the fact that the whole billionaire-as-a-superhero/vigilante thing isn’t so uncommon as initially thought.

The confusion must be written all over your face. She laughs. Jay is at your side in the next instant, smiling at her in greeting.

“Sorry not to have told you sooner,” he tells you apologetically, though the smile pulling at his lips tells you he isn’t that sorry. “But we wanted to leave the decision up to her. And—”

“If you can keep these guys’ secret,” Jesse says, jerking a thumb to the kitchen, where Wally, Linda, Barry, and Iris are, “you can keep mine, too. Besides, you did great work during your internship. QE has had our eyes on you for a while.”

“Oh, you really don’t have to—”

“We want to,” she says. “We wouldn’t lose anything at all offering you a place with PR. But if you want to go somewhere else, that’s okay. I’d be happy to be a reference if so.”

Somehow, you managed to stammer out a thank you and get out of that situation without making a complete fool of yourself. Wally later told you Jesse taps into the speed force using an equation, which… sure, why not.

Jesse used to not like him, apparently, but recent events have allowed her to warm up to him; plus, the birth of her own son, Johnny Tyler, helped, too, that way Wade could have a friend to grow up with.

While all the others prepare dinner and attempt to keep Bart, Jai, and Irey’s shenanigans contained, you manage to snag a bit of time to yourself, not quite believing you’d just been offered a job by Jesse Chambers herself.

It’s all just… a little bit insane.

Then the twins came out and you indulged them on the trampoline in the backyard of the West house for a bit. Then you thought too hard about everything and sunk right back into your disbelief again.

Which leads to now.

“Speedsters, I swear,” Tim mutters.

You hear the soft sound of footsteps on the grass but make no move to leave from your place — star-fished on the trampoline, eyes closed. Early May in Keystone City is considerably warmer and tepid than Gotham City. You should shed your hoodie but you don’t want to. Mostly because it isn’t yours, exactly.

It’s Tim’s. The one you wore the night you got stabbed last year. Not the same one; that one was ruined beyond repair and anyway, you weren’t too happy to wear that exact one, either, since you nearly bled out in it. But it’s close enough. The same shade of brilliant azure. Big on Tim and baggy on you.

Of course, why should you want a hoodie when your boyfriend is right here?

The faint noise of the flaps of the netting be brushed aside. Then the trampoline itself moves, dipping with his weight as he comes over to you. You slide a bit, elbow bumping into his knee.

“So,” he starts, closer than before, one hand brushing your cheek as he tucks a few pieces of your hair behind your ear. “What’s this about an existential crisis? In the middle of the day?”

“It’s four in the afternoon.”

“Schematics.”

You grunt but don’t respond.

A soft chuckle. “Is this about Jesse Chambers’ offer? It’s too bad, you know.”

“What’s too bad.”

“Well, Wayne Enterprises was looking forward to offering you a position, too. And so were the Titans. And I can’t speak for this one personally but I’m fairly certain the Justice League was planning on sending an offer, too. You’re in high demand.”

You groan. “Isn’t that too much? I’m—I haven’t even graduated. There are so many other people with so much more experience—”

“Well, how are you supposed to get experience, too?” he asks, laughing softly. “Besides, you’re graduating with honors.”

“Oh, yeah, well, I’m sure it helps to have a boyfriend with an in at WE, who also just so happens to be a member of the Titans, on top of multiple people who are close to me that are also part of the Justice League.”

“And Jesse Chambers? Hers is the most reliable in that sense, then, isn’t it? Because she doesn’t personally know you—”

“But she knows Wally.”

“But their relationship isn’t that great. Sure, she’s good with Jay and Max but… You also have the advantage of having worked there briefly. They wouldn’t call you back if they didn’t like what they saw.”

Which is true. Jesse Chambers is a businesswoman. She wouldn’t do this as some pity play.

Then again, neither would the others.

You finally open your eyes, squinting immediately as the sun beams down at you.

Tim shifts, moving until his head can shield you from it, bringing him into your focus.

He’s smiling warmly at you, affection clear in his gaze; the sunlight does wonders for him, for his dark hair and blue eyes.

“This can’t be happening.”

“It is,” he says. “You’re graduating next week Friday. You and Steph. And no matter where you go and what you do, you’re gonna kick ass, you know that, right?”

You groan. “You’re supposed to say things like that.”

“Maybe,” he concedes. “But when I tell you I had nothing to do with the offer from WE, you have to believe me. You know I haven’t worked with them in a long while. That was all them.”

“Bruce?”

“Maybe Bruce.”

But then that’s ‘cause he feels… guilty about cornering you last year. Which serves him right. Your relationship with Tim’s adoptive father is a bit rocky, truth be told. Just because of the things Tim has told you. The things Steph has told you. And last year is certainly a factor. But all the others, you get along with them.

You don’t see Dick too often because he lives in New York but he’s kind. Jason’s cool when you see him. Cass and Duke are great. You hang out with them regularly on your own. Damian is a bit frigid but that’s just because of your choice in company and not anything personal, exactly, but you do get the advantage of also having Steph on your side, since they have a better relationship than he and Tim do. Alfred is pleasant as always, too; sometimes he sends grocery deliveries to you to make sure you’re sustaining on actual food and not just ramen.

Barbara Gordon is also very nice and volunteered to help you put together your resume and cover letters and applications; Jean-Paul Valley is kind, too. They’re both old family friends, you would learn. You have lunch with Helena Bertinelli once a month; you two bond over a mutual dislike for Batman and a mutual fondness for Tim—begrudging on her part sometimes but she undeniably sees him as a little brother and he sees her a big sister. And truthfully, your relationship with her is a bit similar.

You’ve made quite a few relationships with these vigilantes. Connections. So, you shouldn’t be surprised that all of this is happening. But one part of you, the prideful part, doesn’t like it. The other part, the rational one, says it was unavoidable. You were going to apply to QE and WE, anyway. Maybe toss out a few applications to the League and the Titans, too, just for the heck of it. Not expecting anything to come of it. Out of any of it.

But of course something would. You know too many of these people for nothing to happen.

“But then again,” Tim says a moment later. “Bruce is just attached to the company by name.”

“That is not a ‘just’ thing, Tim, that is a very big thing. They’d do whatever he wanted.”

“Not anything. Not if you didn’t have the grades, background, or potential to back it up.”

Also, technically, true.

“But like I said. Jesse’s is the most earnest in that regard.”

“Do you want me to leave Gotham, is that it.”

He laughs. The sound warms you.

“I don’t,” he chuckles. “I really don’t. I’d love for you to go with WE. But I also know that the news of us dating throws a wrench in that.”

Right. Ever since the gossip columns caught you two kissing on a date a couple months ago, they wouldn’t shut up about it. Only after digging their grubby little fingers into every inch of your past, of course, and using that to fuel the flames. Talking about your relationship with him as if you planned it, just trying to get a leg-up in the application process at WE.

But the thing is, objectively speaking, there isn’t anything wrong with that. You aren’t with Tim strictly for that purpose but you knew it would factor in. It’s undeniable, the way all these other offers are undeniable in who and why they came. You can’t help who you’re connected to.

But yeah. It would suck to prove all the tabloids right by accepting a job with WE right after graduation—like all of them said you would.

Of course, they would talk regardless. Even if you went with QE or the Titans or the Justice League. Wayne Enterprises is a known partner with Quickstart Enterprises, as well as a heavy funder for the League and the Titans. So…

You groan, wiggling closer to him by planting your head on his thigh and staring forlornly up at him. “What should I do?”

He smiles. “Whatever you want to, honey.”

“Yeah, that’s not really helpful, Timmy.”

He rolls his eyes fondly, bending down to scoop you into his arms. You let out a squeak as he pulls you into his lap, then you settle comfortably in the circle of his arms, dropping your head on his shoulder.

From here, you can spy the old bullet graze on the side of his neck, silvery and a little textured. Without a second thought, you lean forward to kiss it.

He shivers slightly, arms tightening around you.

You bite down a smile. “Cold?”

“Shut up,” he mutters, fingers digging into your side, making you giggle and try to squirm away from him.

He doesn’t keep up the torment, exhaling a soft laugh, too, as you lay your head back on his shoulder.

A cool breeze sweeps through the backyard. In the suburbs of Keystone City, it is quiet out here. Peaceful. Though you can still hear the others inside. Wally saying something. Steph laughing at it.

You’ve carved out a nice place for yourself here. The West’s and Garrick’s here in Keystone and the Allen’s over in Central.

You close your eyes, basking in Tim’s embrace and his proximity. You haven’t seen him much this month, with you and Steph in the throes of finals. But he promised to come, that he’d ask Bart to take him and his friend happily agreed.

You were surprised to learn of their relationship. That they had known each other. But they had met when they were younger, along with the rest of the original members of Young Justice. Put together because they were superhero kids. The relationship stuck. What a coincidence, that Bart Allen was part of the family you had quickly grown close to. But not unwelcome.

It is a small world, you would think.

Or maybe, when you feel indulgent, meant to be. You and Wally. You and Steph, you and Tim. All of this. Interconnected in ways you could only dream of. You don’t have to sacrifice much to have them together.

Tim squeezes your hip, one hand slipped underneath the hoodie. “What are you thinking about?”

That maybe this decision isn’t as hard as you thought it would be. That it’s not a matter of deliberation, is it?

You know you don’t want to prove all the tabloids right by going with WE immediately. Not to mention, for the longest time, it was a dream to work with them. You want more time, more experience, before you move there.

And you don’t think you are ready to jump head-first into working for the Justice League or the Titans. You need experience for that, too.

So…

“I’m pretty sure I could convince Wally to take me to Gotham to visit. When I start at Quickstart.”

“Not necessary,” he says and you raise an eyebrow, watching him pull back, his gaze warm, not at all surprised by your words. “I could just come and visit you. Unlimited access to the jet and all.”

“Racking up carbon emissions just for me?”

“You know the jet is clean energy,” he says, pouting a bit.

Yes, you do. He talked your ear off about it when they made the switch. But you just like seeing him get pouty about it.

You cup his cheeks, smiling, particularly taken with the way his whole face softens as he looks at you. The knowledge that he’s this soft for you is always so insane to you. Not at all good for your heart.

“I know. It’s still a bit of an expense, though, isn’t it?”

“It’s worth it.”

“Cornball.”

“I’m being serious,” he presses, hands tightening around your waist. “Whatever I have to do, it’s worth it for you.”

You know that. Tim is a devoted boyfriend. He doesn’t do things in halves. When he’s loyal to someone, when he dedicates himself, he does it wholly. You could ask him of anything and he would do whatever it took to get it for you, to do it for you. If you asked him to move with you, you know he would do it.

You also know the thought must’ve crossed his own mind. But he still won’t say anything, not unless he knows you want it, too, and… you do. You think that can wait, though, for a little while longer. Let you get settled in and then you two can discuss that possibility—if he wants to, of course, because while Wally and Linda do like him now, the former would not like having a Bat running underfoot in the city, in either of the cities.

You just aren’t used to that kind of devotion. Even after this long.

You slide your arms around his neck, threading your fingers in his hair. He leans into the touch. “I know.”

“I’ll take Steph when I can, too,” he adds and you smile again.

“I love you.”

He leans forward, forehead brushing yours. Your eyes flutter shut.

He nudges your nose with his, then finally closes the distance between you two.

Cotton-candy sweet warmth unspools in your chest he kisses you, soft and gentle. But it quickly edges into dangerous territory when you nip at his bottom lip and he yanks you closer and closer until there is no space between your bodies. It would be better if you weren’t wearing this hoodie but you make do with what you have, still able to feel most of his chest pressed to yours, hard and sturdy, heat licking up your spine.

Your fingers twine in his hair and he lets out a shuddery breath, the kiss turning open-mouthed in the next second and you can taste the gum he was chewing on earlier.

It’s a shade too hungry for your current location but you can’t help it, he’s just so… beguiling. You’re overwhelmingly attracted to your boyfriend and you think you always will be.

But of course, you still should know better, even with all that.

A sharp gust of wind hits you two in the next second and you both separate immediately, knowing exactly what—or who—it is. But instead of Wally or any other speedster here, a high-pitched giggle makes it to your ears and you both turn, eyebrows raising as you find one and a half year old Wade West now inside the trampoline, net fluttering behind him.

You and Tim turn to look at the back door, which is now open, Wally and Linda standing there; the former looks pleased, while the latter just raises her eyebrows.

“I thought,” he starts, mischief written on his face, “that instead of leaving space for Jesus, you could leave some space for Wade. So. Do that. And please stop desecrating the place my children play.”

“And come inside,” Linda adds. “Food’s almost ready.”

You slide off Tim’s lap, reaching for Wade before he tries to stand and walk over to you, not trusting his balance on the trampoline. Tiny hands grapple with the hoodie strings, tugging.

“Got it. Thanks.”

They both smile pleasantly and turn back inside.

You bite your lip, which already feels swollen from your kissing, and look at Tim. His face is flushed with red, lips swollen, too. A tempting sight.

He catches the look on your face. “Don’t.”

“It’s my graduation party.”

“It’s yours and Steph’s. Later.”

“You’re no fun.”

“Well, you love me, so what does that say about you?”

“That you’ve seduced me.”

He rolls his eyes. “Oh, I’ve seduced you, okay, sure—” he looks at Wade, shaking his head “—can you believe this?”

All Wade can do is giggle in response. All you can do is smile at him, so painfully in love.

He smiles back, rising up on his knees and leaning forward to kiss your forehead.

“I love you, too, you know.”

Yeah, you do know.

four years later

“Goddamit, where is it?”

Fish, a miniature Italian Greyhound you rescued from the shelter, offers no answer or help for your plight. Instead, she just sits near you, happy to follow you around as you search, watching you with big eyes. Big, empty eyes. Absolutely nothing goes on in her little head and you and Tim love her very much for it but damn if you wouldn’t appreciate a little help in finding the security badge that seems to have mysteriously disappeared.

It’s perfect timing, too. That badge is your lifeline. That’s what your supervisor, Meena, said anyway, a couple days ago when you went in for it and had a chance to speak with her before starting work. You can’t get into the tower without it. You can’t do anything without it and guest badges do not have the same amount of clearance that you have.

You stop in the living room, taking a breath, frustration starting to make you hot, which would be the icing on the cake, if you managed to sweat through your clothes before you even started work.

Sighing, you look at her. “Do you know where it is?”

A sound behind you.

“You should know better than that, honey,” comes the sleepy voice of your boyfriend, and you turn. “Fish is lucky to have a single coherent thought once a week and she wasted that one yesterday when she managed to give Damian the high five he asked for.”

You chuckle despite yourself, remembering the pleased gleam that had come into Damian’s hazel green eyes when Fish successfully completed the trick. Only after six months of painstaking work, of course, but it hardly deters him. Titus passed away not too long ago and he’s fixated on Fish because of it. Even if he says her name is ‘completely idiotic.’

Brushing away those thoughts, you focus on Tim, still sleepy-eyed and rumpled. Then you see it—in his hand is your security badge, your picture smiling up at you, with your name beneath it.

“Oh my god, where—”

“You gave it to me, remember?” he asks, laughing softly as you pad over to him. “And said to keep it with my gear, that way it wouldn’t get lost between then and now.”

True. All true. After all, that gear—that is, his suit and tech—doesn’t get brought out other than for the occasional mission with the Titans, so, say, every six months or so. Other than that, it remains hidden in a panel behind your side in the walk-in closet, accessible only by him and you through fingerprint and retinal scans.

Easiest way not to get lost, especially since you’ve been particularly harried in the lead-up to the official start of your job at Wayne Enterprises as their spokesperson.

“Sorry,” you sigh. “Is that why you’re up? Because I told you, you don’t need to wake up for this, you can stay in bed…”

He raises an eyebrow. “And let you freak out for the next hour and a half before you have to leave?”

“Um. Yes?”

A soft smile. He reaches for you, hands settling on your arms, rubbing small circles there.

“Well, you’re wrong. It’s your first day at WE.”

“I know, but you didn’t have to get up now at least…”

The original idea when you decided to wake up at five-fifteen is that one, it would give you ample time to get ready—both yourself and your belongings—and two, it would let you try to relax.

Key word being try.

It’s now six, you’re supposed to leave in an hour and fifteen minutes to beat the morning rush traffic, and your nerves are none the better for it.

Your sleep was fitful, too, in anticipation of today, so you’re starting to feel sleepiness creep in at the edges; the fact that the sun has not yet risen and won’t rise for a while—cursed winter months and their late sunrises—does not help.

He eyes you. “I think I do.”

You groan, dropping your forehead on his shoulder. “I can’t do this.”

He squeezes your arms. “Yes, you can.”

“No, I can’t. They’re going to eat me alive.”

If not for being the new girl, then certainly because your boyfriend was, actually, once major shareholder of the company when he was seventeen and no, it doesn’t matter that he was just a figurehead and Lucius was actually pulling the strings—it still happened and Tim worked closely with the company for several years after. And then, of course, it will also be because your boyfriend is the adoptive son of the man who owns the actual company.

Even if you waited before joining, even if you actually applied for the position! Yes, applied! Contrary to what a few tabloids are saying right now, you did not go up to Tim (or Bruce, depending on which gossip column you’re reading) and demand the job. You went through the same channels as absolutely anyone else would.

Tim ducks his head to press a kiss to your neck. You can’t help your shiver and you know he feels it by the way he smiles against your skin. “No, they won’t. That’s my job. They can’t take that away from me.”

“Now is so not the time—”

He laughs, pulling away; you do the same to look at him.

“You’re going to be fine, gorgeous. You had Linda and Iris regularly pressing you these last few weeks and you did very well with them. Not to mention your last two jobs…”

You purse your lips.

“Two years with Quickstart Enterprises,” he lists. “Two more with the Justice League. Still bitter you picked them over the Titans, by the way.”

“They were more hardcore. Sorry.”

“Well, see? You and the rest of the team had to salvage the League’s image after each alien invasion or otherwise massive destruction committed during a mission and you guys did it. I mean, the publicity campaign you came up with was brilliant, you know that, right? Support was the highest it’s ever been while you were there.”

Right… In an effort to better the League’s image with the public after a particularly nasty fight that left multiple city blocks destroyed and more questions about the relevancy of the team, you decided the more prominent League members needed to create more solid images for themselves, that way each time the public or news saw them, it wasn’t always about the latest incident that brought their presence in. To do this, they needed to pick something to sponsor or support and start showing for it. Superman took an interest in accessibility to education, Wonder Woman focused on preserving wildlife and ecosystems, along with world landmarks, and Batman—with immense detail and planning to abide by his stiff rule not to be seen before the masses—focused on rehabilitation programs.

It brought in a lot of good coverage as more Leaguers agreed to do it and it did help. Helped a lot. Not to say those in the League were not helping, of course, either suited up in their own cities or with their public personas, but that was the issue. The League was capable of much more destruction collectively than individually and the public didn’t know that Batman was funding hundreds of programs to help impoverished communities in Gotham, mostly because he did that as Bruce Wayne and that connection would never be made known.

But that was the job. And you did it. Excellently. You would’ve stayed on for a little while longer but then you got kidnapped towards the end and that just wasn’t fun.

(Fortunately, however, there was a clause in your signing contract that states that in the event of a kidnapping, the League is obligated to rescue you.

Fair is fair, you think, for helping maintain their image and ensure that the UN doesn’t pull the plug and that the public doesn’t completely despise them.)

And of course, if you managed to survive working with the League and being kidnapped because of that work, then you should be entirely prepared to take on Wayne Enterprises. It should be chump change, if anything, but again, you go in with preconceived notions about yourself and your reputation. Not so great.

But would you back out?

No way.

“I believe in you,” he murmurs, his gaze warm and reassuring. “All of us do. You know Steph does.”

A pause, everything falling silent, save for the snores coming from the guest bedroom, where Steph is asleep.

“I’m not missing your first day at WE,” she had said the night before. “So, you better wake me up before you leave.”

He grins a bit teasingly at a particularly loud snore. “Like a train, right?”

“Like you’re any better.”

“I am not that loud.”

“What is it with me and attracting people who snore?”

Honestly.

“Speaking of, you know Wally and Linda believe in you. You can do this. It’s just ‘cause it’s the first day. Get through it and everything will be better.”

Which is true. You know that. Have been repeating that in your head as today approached and your nerves grew in intensity.

But everything is easier in theory than in practice.

“I know,” you whisper, closing your eyes. “I know.”

You can hear the smile in his voice when he speaks next. “That’s why I’m here. Why we’re all here.”

“To knock some sense into me?”

“To do that gently,” he chuckles.

“I don’t know. I might need the force.”

“Well, I can call Damian if you want.”

“I don’t need that much force… on a scale, maybe something like Linda.”

“It’s good thing she and Wally are going to be here soon for breakfast, then.”

For the same reason Steph spent the night and Tim dragged himself out of bed—for your first day of work.

For you.

You pull him into a hug, overwhelmed at the thought and not at all caring about wrinkling your clothes. You can fix that. But this… this needs to be made known.

“I love you.”

He squeezes you—gently, trying to mitigate any wrinkles, and the thought makes your heart swell with unbridled love—and kisses your temple.

“I love you. We all do.”

And isn’t that something?

reblogs are appreciated!

taglist: @peachesona @knoxx-seresinbradshaw @kikis-writing-service @sweetistic @soundsfunbutno @ginevraxrogers @fridaenpina @skcj24 @bath1lda @omfg-its-tay @laughydaphne @fhrjrirj @iamthesimpmother @alittlelateforstars @thaliadoesthings @scarlett13 @zelabee @coffee-love-alltheabove @benstormy @sad-girl09 @lockofspades @thereallchristine @thatonecroc @1lellykins @jelsafan0 @hearttjason @kno-way-home @moniverse05 @bat-h-tic @ghostindeath @escapism-r-us @plnkbees @gabrielle-tia @a-candle-maker @randobeetlehouse @solaris-love @blueberrygeniejam @th1s-b1tch-1s-dead @mel9630 @brb-readingurfic @thetiredtoad0-0 @a-homosexual-homosapien @deadpools-thicc-cheeks @ilovemybabes @beanluvsmilo

#tim drake x reader #red robin x reader #dc comics imagine #tim drake imagine #red robin imagine #tim drake x you #red robin x you #dc comics x reader #batfam x reader #batfam x y/n #batfam x you #tim drake x y/n #red robin x y/n

235 notes · View notes

incorrectbatfam · 8 months

Note

What would Queering the Map look like in the DC Universe

For those of you that don't know, Queering the Map is basically this website where people can add pinpoints on a map with their different queer experiences. It's really cool, I suggest checking it out (unless you hate The Gays, in which case feel free to unfollow me).

Now, for the headcanons:

"Went to a baseball game for our third date. We ended up on the jumbotron. Some people booed us. I think it's 'cause I wore a Gotham jersey and she had a Metropolis hat. A modern-day Romeo and Juliet."

"Drag storytime here, every Thursday from 5:30 to 7"

"sometimes love is kidnapping a nepo baby with your two polyamorous boyfriends"

"Did it with another Arkham inmate, 5/10"

"According to my grandfather, who trained me to wield a sword from the moment I could walk, I'm 'too young' to know who I am."

"Themiscyra more like Lesbos 2 amirite"

"I have a crush on a boy in my class but every time I ask him to hang out he tells me he's busy. I know he doesn't do any after-school clubs and he doesn't need a part-time job because he's rich as hell. I have my conspiracy theories. Let's see how they pan out."

"@ Ollie Queen I screwed your son in your office"

"On this street corner, I got so nervous talking to the cute food truck worker that I puked in a trash can. I am 42 years old."

"Don't forget about us in Kahndaq!"

"Smallville boys sure love them cornfields"

"I put the bi in billionaire"

"me-wow ;)"

"It's Sunday morning. My wife and I slept in after a wild time last night. I woke up first so I surprised her with her favorite breakfast and used the food scraps to make compost cupcakes for her plants. Then she kissed me and showed me a funny video because she knows I love wild dogs, and it makes everything I've put up with worth it. Some folks will see this and still call us the villains. If that's the case, I don't wanna be a hero."

"I know where I'd put my Lantern ring ( ͡ ° ل͜ ͡°)"

"No GCPD at Pride"

"I no longer live in England but I had my fair share of adventures back in the day. We have always been here and we always will be."

"first kiss here, tasted like waffles"

"Hey Lex I can be your sugar baby i mean henchman"

"I can run from Keystone to Bludhaven in five seconds flat but it doesn't matter because he'll never see me the way I see him"

"I transed the fish. Signed, an Atlantean"

"Wanna match butts?"

332 notes · View notes

reasonsforhope · 4 months

Note

hey i get what youre trying to say with the taylor swift post but as of a few days ago shes trying to sue a college student who posts her (publicly available) flight logs. she very much does not give a shit about her carbon emissions and she shouldn’t be celebrated for her mediocre attempts to seem climate-conscious

I get what you're saying, definitely. I also did actually know about the thing with the college student when I posted that, so I wanted to give some context about why I made that post:

First, I personally didn't view it as celebrating her so much as celebrating progress. I think that if we never acknowledge wins, we'll end up dispirited very quickly

Second, recognizing when people decide to be less shitty is, at least I think, an important carrot in the carrot-and-stick dynamic of using public opinion to influence public figures

Lastly - and this may well be an unpopular opinion - but I don't actually hold her actions re: the college student against her

Why?

Well, for one, it was a cease and desist letter, not an attempted lawsuit. A cease and desist letter isn't legally binding, nor is it the start of a lawsuit - it's more like she's Putting Him On Notice. A cease and desist order can be followed by a lawsuit, if it's ignored, but it doesn't initiate one. Likely Taylor Swift will try several other steps of resolution before actually telling her lawyers to sue this guy, if only because the headlines would Not look good (x, x)

But more than that, I don't hold it against her because when Taylor Swift says that it's a matter of life and death for her, I believe that's very true.

Like, don't get me wrong, I'm not mad about her flight data being up either. And I'm not particularly a fan of Taylor Swift

But I also think that if I had to read through the rape and death threats she gets on an almost-certainly-daily basis, I'd want to vomit.

And I think that was true before Trump and his minions got obsessed with the idea that she's the keystone in the next Biden-election-stealing Pentagon psyops plot. Now - especially in the days right before the Superbowl, when this alleged conspiracy is supposed to happen - I don't even want to think about the brutality of the threats she's receiving

(For anyone going "Uh, wtf?" about the MAGA Superbowl Taylor Swift conspiracy thing, yes, I hate to inform you that it's A Whole Thing. More info here: x, x, x, x, x, x)

Taylor Swift does have stalkers, and now she has a bunch of MAGA paramilitary conspiracy theorists absolutely furious with her. If I were her, I'd want to do every single thing I could to keep information on my movements and in-the-moment location off the internet, too

tl;dr: I don't necessarily think she cares about the environment, but I'm not mad at her for sending a cease and desist letter because I think without her extensive security, she would be in real danger now, including possibly danger of being killed by armed MAGA conspiracy theorists

You're allowed to be mad at her and dislike her (obviously!), you're allowed to totally disagree with my attitude toward the cease and desist. I just wanted to share my rationale for including the post (and it is something I went back and forth on tbh)

#Anonymous #ask #me #taylor swift #celebrities #private jets #planes #cw rape mention #cw vomit mention #cw stalking #sidenote I'm really not sure why “she's going to endorse Joe Biden at the Superbowl” counts as a conspiracy theory #much less worth KILLING HER over #but they're straight up going on about her being an official asset for pentagon psyops #so #apparently it is #edited quickly to reflect the fact that she's accused of being a pentagon psyop asset #not a deep state member #literally only because she's not in any kind of official political anything I'm sure

88 notes · View notes

dailyadventureprompts · 8 months

Note

Do you have any ideas/tips/tricks on running a campaign with (former?) bandit-likes as the protagonists? Inspired by your deep dive on the archetype, kinda had ideas of 'main prophecied adventurers are slain by the party, have to take over for the prophecy so as the world wont explode', but if you have alternate ideas or ways to spruce it up, super open.

Adventure: Where the Low Road Leads

Through unworthy means the sword has come to you, and with it you grip a destiny that some part of you knows is too glorious for your dirty hands. You can't help but think perhaps this is your chance to be remembered for anything other than an ignoble end.

The Sword can come into possession of the party in any number of ways:

As the original asker suggested, it would be a great opening for an evil or dark-grey aligned party to pull it from the bodies of a group of adventures or bountyhunters who were hired to stamp them out. If I were running this as the start of a campaign I'd have the story pick up shortly after the fight and subsequent looting has taken place, to ensure your anti-heroes are set on the right course.

Alternatively the sword could very easily be found in a treasure horde, picked off a corpse lost in a the wilderness, or bestowed upon them by some wellmeaning patron.

All that matters is that the sword finds them, and then shortly after that the dreams start: Pitched battle in darkened corridors, a few valiant warriors standing against an onslaught of robed figures and formless horrors, warriors bearing the same amber and knot design that decorates the hilt of the sword's crossguard. The last echoes of a desperate struggle.

After one or two of these visions a strange messenger arrives: Jott, a boisterous homunculus delivering a greeting and a communication stone from his master Telbhar the Wizard. Mostly bound to his far off tower these days, Telbhar is relieved beyond measure that he managed to tack down whoever was in possession of the sword, as it is the keystone in a great undertaking he has been involved in since his youth.

As Telbhar explains, back when he was but an apprentice he and his teacher served a now extinct group known as the Order Fulgoric, who battled many evils in their day but perished preventing an incursion from an unknown otherworldly entity. The blade, Sequester, was crafted to shut out that entity forever, but it was lost in the final rout against the entity's cultists and though the ritual of its summoning was disrupted, the entity ended up half in, half out of our reality, bleeding out its corruption into the world.

Challenges & Complications:

As you may have guessed, Telbhar is not being completely forward with the truth. He was in fact one of the cultists trying to summon the otherworldly entity on the day the Fulgoric order made their final march, and though he fled while his fellow acolytes were being slaughtered he retained enough of their knowledge to reconstruct the ritual many years later. It didn't matter, the Order had succeeded in trapping the entity between worlds and the only way to un-trap it was lost with the sword. Telbhar spent decades searching for it... only for it to resurface in the party's possession. Now he either needs to convince them to bring it to him, or find a means of picking it off their corpses.

The entity the cultists were attempting to summon was a powerful quori dreamspirit known as Uaxt, which was spoken of by ancient sources as a thing capable of granting wishes. Called "Yearning beyond reach" by those that studied it in the past, the entity's true power was in mass delusion, creating waking dreams that would seep across entire kingdoms like a plague. While its body remains entwined through the depths of the dungeon, flash fossilized by the energies of botched planear travel, its mind is imprisoned in the blade, slowly taking root in the party's minds as it uses their dreams to reconstitute itself.

Consider introducing Telbhar when the party is in a deep bind, most in need of wizardly council. It should not be directly related to the sword, alternatively, if your party ends up wanting to seek out a lorekeeper of some kind you may consider introducing Telbhar first and have him ask them to seek the sword in return for helping them with their current woes.

#press start #wizard #low level #cursed item #quori #treasure #lorekeeper #evil party

131 notes · View notes

scintillyyy · 1 year

Text

i was going to make a joke about how the thing is, if you're going to make the drakes old gotham money (which they were not) and tim tim-drake-of-the-gotham-city-drakes-who-live-up-in-the-house-on-the-hill, he still wouldn't go to gotham academy, he'd still most definitely be a boarding school kid, except he'd be going to boarding school in switzerland instead of the local ones. but then i got to thinking. why did renowned travelers jack and janet put tim in local boarding schools versus international? obviously, from an outside standpoint it's simple: so tim could be close to gotham for the events of alpod and his training period, along with further framing the drakes as rich but not ridiculous rich like bruce is (tim goes to fancy private boarding school, but it's a local one, not a super exclusive foreign one that, like, royalty attends). however, from an in-universe standpoint, i thought of a couple different options for this:

the boring, non canon one would be: jack and janet hated tim all along!! god forbid he be in school anywhere near them, they might have to remember they have a child! he needs to be at least halfway around the world away from them at all times. besides, tim only gets 98 on his tests and the drakes don't need that kind of embarrassment on an international level.

anyways, seriously. the first option would be maybe the drakes wanted him to do international schooling but *tim* pushed to stay close to gotham with his schooling, to better keep track of batman and robin. jack and janet then probably respected his wishes to stay close to gotham and looked for more local ones. tim has an attachment to gotham and they want to indulge him, since they're sending him to boarding school--may as well try and make sure tim's happy with it. this would mean that they listen to their son's input on matters of schooling.

the second option would be that *jack and janet* had an attachment to gotham city, and wanted tim to go to a boarding school nearby as gotham city was *their* home base. they do have several apartments in the city itself, and seemed to enjoy going downtown and doing things in town with tim. also, from a convenience standpoint, if tim is close to gotham, it becomes much easier for them to pick him up and bring him home to spend time together when they're home between trips. pros to this include the fact that when jack, tim, and dana moved to keystone temporarily, jack even admitted he hated living there because it wasn't as good as gotham to him. so it's possible that they just really like gotham city and wanted tim to stay in the area, because they grew up there and they love it or something.

now, we don't actually know that all of tim's boarding schools were near gotham. we only know that the final one was driving distance and local to gotham. however. whenever his parents were home, tim mentions that he would be with them, so he can't have been ridiculously out of the way, and tim never mentions having to take a flight back to gotham for spring or summer breaks, and i believe references growing up in gotham so he probably never attended school in like. california or anything. so i'm inclined to think they were mostly local schools. now interestingly, post-janet's death, during cry of the huntress, jack's kneejerk reaction is to send tim to a boarding in metropolis in order to get tim away from 1) whoever is beating him up 2) bruce wayne, who jack thinks might be beating his son up, which metropolis is a little farther than local but probably still just a drive away. and during the brentwood arc, where tim is back at a local boarding school that jack got him into, after the whole kobra cult thing jack threatens to send tim to a school in haiti (which, rude jack. did you forget your wife died there?), so not local at all. it's possible, of the two, janet was the one who pushed for tim to be in a school closer to gotham whereas jack probably cared a bit less where tim went.

i think i fall on it's a mix of tim probably didn't want to go somewhere too far and the drakes also didn't want tim to go to school far away (so they could see him easily when they were home). anyways. things i think about. tim's boarding school years fascinate me.

#jack drake #janet drake #tim drake

200 notes · View notes

quirkwizard · 6 months

Text

Keystone-Ranking My Hero's Academia's Arcs

To All my Friends and Followers, I am proud again to announce another double milestone. Not only have I reached over 10,000 total posts on this blog, but I have reach over 3,000 followers. Who would have guessed this little blog I made for fun would have made it this far? Because I am frankly flabbergasted that this blog has made it this point. I thank all of you for your support and truly wish that I can make this blog something worthy of your dedication. For this momentous milestone, I once again decided to do a massive project. This time, it will be ranking all the arcs of My Hero Academia.

So before I begin, let's cover some ground rules:

-What I will be considering an arc, as well as where it starts and ends, will be defined by the Wikia, making for a total of twenty one arcs.

-This will mainly be focusing on the manga. While I will mention the anime here and there, it will not play any major role in how I rank these arcs.

-This ranking will be relative to the rest of the series. So if I put an arc lower on the list, I'm not saying it's the worst manga as a medium has to offer, just not up to the standards of the series.

-This will be a series of pros and cons covering each of the series with some notes. This will involve a lot of generalizations and summarizations of points, as well as maybe skipping out on what I don't have much to say, but is the easiest way to get my thoughts across.

-This will be looking at the arcs without the context of later ones. I will review the arcs on their own and will only consider what has happened before in the story when that arc came out. That means that certain events will not "ruin" arcs retroactively, but can be held against the arc they happen in.

-The Final War Arc will not be covered here. Not only because that arc is not completed at the time or writing, but is far longer then any other arc in the story and has so much to cover with it, feeling like there are several arcs going on all at once. Even if it was done, I would still cover it on it's own.

Without further ado: the ranking of My Hero Academia's Arcs.

Stars and Stripes Arc: (0/10)

-This entire arc is built around Cathleen, a one note character that doesn't have any interesting traits or arc. She was never established before, even when she should matter to characters like All For One and is suddenly the most important hero currently active.

-My worst fears are confirmed that Tomura is nothing more than a meat puppet for All For One. All his unique traits and character is under lock and key for this entire arc, leaving us with a very bland villain that I have no interest in reading.

-The whole fight is a forgone conclusion. Tomura can't lose because he's the main antagonist who is next to unkillable and he can't get "New Order" because then he would be way too powerful to beat, robbing the arc of any tension it tries to have.

-The fight itself is not interesting, which is a problem when most of this is a fight. It's Tomura getting ragdolled over and over again while Stars and Stripes keeps using her Quirk in a lot of empty spectacle. No real cleaver plans, just slapping each other back and forth.

-All these factors together rob any emotional investment a reader may have had in the story. So in spite of it only being seven chapters long, it feels like a total slog to get through, simply waiting for canonical filler arc to be done with so we can move on.

-"New Order" is a slap in the face to the entire power system. It's such a vaguely defined ability with what it can actually apply with its rules. It felt more like Tomura was fighting a wizard from a whole other series, adding on to the various frustrations in this fight.

-The main consequences could have been replaced with a single chapter. Just have Tomura writhing in a cave over his body rejecting "All For One" and have Nezu analyze and pick up information on him from the footage of the PLF War. It would have been so simple.

-The actual consequences of this arc are minimal at best. You could honestly skip this arc and not really miss much in the grand story of the series. Again, making it feel like a filler arc. It makes this whole outing seem wholly pointless in the broader narrative.

=I've said my peace on this arc many times over. I struggle to think of anything good about it. It was a chore to read the first time and it took so much willpower to not turn this into another giant rant. I honestly hope I never have to go through or think about this arc again.

Tartarus Escapees Arc: (1/10)

+I like the idea of this arc. Having Izuku regress into his self-destructive tendencies and isolating himself is a really good way to go with his low point. And this is well conveyed in the art, both in and out of costume, which I just want to is really solid this arc.

+Uraraka's speech was certainly a highlight. It's a great moment in her own arc about understanding and wanting to truly save people and gives her the relevance she has so desperately needed. Ending it with the narration of everyone being a hero was a good bit.

+I liked a lot of the bits with Stain, especially his talk with Toshinori. Having Stain, the man who misunderstands All Might the most, gives him the peep talk he needs to get out of his funk.

-The reaval of "Fa Jin" was such a massive miss for me. Not only does it not add anything to Izuku's arsenal outside of hitting even harder, it undermines one of the most interesting fights the series has had thus far by overpowering his enemy rather than outthinking them.

-There is little lasting consequences for some of the characters. Endeavor is an abuser that made a serial killer and Hawks killed a villain in front of everyone. They both say they're getting work done and everyone kind of moves on from it without issue.

-The concept of Izuku cutting off everyone around him, while interesting, wasn't anywhere near fleshed out enough. It's only a single chapter of him on his own before he's saved by the rest of Class 1-A. Kind of makes the arc's name feel like a misnomer.

-Bakugou's apology feels rather hollow given the actual phrasing and the lack of any kind of real response for Izuku. This extends to All Might, but to a lesser degree. These two are the most responsible for Izuku self-destructive mentality and it is quickly brushed to the side.

=Another arc that I've talked about before, but none of the good parts of. I think it's well above something like the Stars and Stripes up, but it's lack of real payoff for so much that was set up really shoots this all the way to the bottom of the list.

Quirk Apprehension Test Arc: (1/10)

+Aizawa has a solid character introduction and effectively sets him up. What seems to be a lazy bum actually hides one of the most strict and dedicated heroes in the entire series. A seemingly rough, pragmatic disciplinarian with a secretly good heart underneath.

+Having Izuku need to work under Aizawa was such a good move for his first day. He really learns just how much of a problem his power is going to be and how much personal responsibility a hero has. It's a good splash of cold water to Izuku's relentless optimism.

+This is the arc where we get Izuku taking on the name Deku. Not only is the moment around it cute and gives us his official nickname, but I like how it starts the trend of Izuku redefining his life, taking the mocking nickname, and making it the name of a real hero.

-The arc is strictly business, for lack of a better phrase. We don't get much expansion on the characters we know about or understanding of the other characters or their powers in spite of the fact that this test would have been the perfect place to introduce them to us.

-All it really has going for it is the one moment of Izuku throwing the softball with his finger. The ultimate, emotional climax is a character flinging a ball really far. I know that sounds like I'm being facetious, but there isn't a lot else happening in the arc worth talking about.

-We do get the early main trio of Izuku, Iida, and Uraraka interacting, but there isn't enough to go off of to get a real sense of their dynamic and characters outside of the basic traits we already established. Maybe how they view each other as people, but that’s about it.

-While the threat of expulsions is threatening for the characters, it's pretty empty from a meta perspective. We know that if Izuku was expelled, the series would be over. The reveal of the test being a ploy does give Aizawa some character, but makes it feel a little pointless.

-In the end, I'm not entirely sure what the point of the arc was. At least, enough to make it its own standalone story. Sure, Izuku develops the finger flicks, but that could have been shuffled to one of the other two arcs after this one and it would be fine.

=An arc that's ultimately a victim of its length. If it was tied into the arc proceed or succeeding it, it would have been fine. On its own, it doesn't really offer much value. I still think it has its points, but not enough to reach past this lull in the series.

Remedial Course Arc: (2/10)

+The interaction between All Might and Endeavor was great. Yeah, a lot of people forget that happened this arc. Endeavor is uncertainty of what to do and turning to his rival is good in it's own right and works as a good springboard for Enji's arc going forward.

+The other character work was fine as well. Bakugou learning to be less of jerk to people as he learns to deal with a younger version of himself is nice. The Shoto, and to a lesser extent Inasa, stuff wasn't as prevalent, but I think it's a good steppingstone in his character.

+I like the one-off chapter with Aoyama and how he connects himself to Izuku and how much their Quirks can cause issues. Giving a minor character like this a one-off chapter like this is a good way to flesh out these characters without taking up too much time.

-Speaking of important stuff, this arc introduces the Quirk Singularity. For what turns out to be such an important idea, I don't think it does the best job building the groundwork. Like there wasn't enough set up to it before or in this arc for it to make sense.

-This arc is very much removed from the rest of the story. I wouldn't mind that but doesn't really give us much in its place. Outside of the few bits I mentioned before with Bakugou and Endeavor, it doesn't feel like it adds much else to the world or story.

-A lot of this arc is more comedic. If the comedy doesn't work with you, it's going to wear down on you fast. Outside of one or two bits, I found myself stone faced at a lot of the gags. Which is really odd because I do think Hori can do comedy, but it's not done well here.

-These two issues create this odd back and forth with the arc. The interesting moments are either small or side pieces while the actual meat of the story feels superfluous. So it can be frustrating to read through this when all the good feels so buried under everything.

-Which I think leads to the biggest sin of the arc: it's so forgettable. Out of all the arcs I went over, it's the least I remember about, not even long after rereading it. Despite having some pretty important moments, I just mentally gloss over it.

=This arc gets a lot of hate, and I get it. It does feel like a pretty low stakes arc where a lot of aspects can grate on people. I can't muster much bile for it, and I still think that there are some redeemable moments here, but certainly earning a spot this low on the list.

Joint Training Arc: (2/10)

+I really liked a lot of the new Quirks on display. I think a lot were pretty neat, or at least unique enough to be intriguing. Plus seeing some of the Quirks interact across both classes makes for some fun moments and dynamics between the various characters in play.

+I do like some of the minor pieces of character we do get. Tokoyami's flashback about controlling Dark shadow, Shoto using both halves of his power, a beat in Momo gaining confidence again, and Monoma's backstory reveal are all solid parts of this arc.

+Round 3 is a major highlight of this arc. A tense battle where it feels like each character is giving it their all with sheer power or clever planning. It feels like such a big battle that is constantly changing, ultimately ending in a surprising, but satisfying payoff of a draw.

-This arc is too long for its own good. Over twenty-four chapters of characters engaging in a consequence free training exercise where the plot isn't really developing outside of a handful of moments. It really wears down on you fast, especially week to week.

-As for these fights, I think a lot of them are pretty mediocre. Whether it be because of the low stakes, the lack of real emotional moments, or simply how the Quirks are used, I found it difficult to really invest in the fights. That is a big issue when most of the arc is fighting.

-Outside of Monoma and Juzo, there is very little in the way of meaningful development for Class 1-B in this arc. And if there was any point in developing these characters, this would be the time. It feels wasted, making the characters feel more like vessels for the powers.

-I really don't like the Round 4 fight. What comes across as Bakugou's big development rights hollow. Not only is the other side kneecapped to make Bakugou look better, but it doesn't really feel like Bakugou learned how to actually work with other people on this.

-To this day, I still have mixed feelings on the "Black Whip" reveal. I don't mind the concept of Izuku with multiple Quirks, but it wasn't built up enough to make this a worthwhile pay off. It seems more like Hori did this in because he ran out of ideas for what to do with Izuku.

=While I certainly don't think this is the worst arc, I can wholly understand why people are so frustrated with this arc as it was happening. There's very little in the way of plot or characters, so it ends up feeling like it drags out too long for its own good.

Provisional License Exam: (3/10)

+I like a lot of the world building in this arc. This whole rescue operation part of the test really shows just how important the non-fighting parts of hero work are, like how you act around civilians, which helpfully sets up how things are headed post All-Might.

+I liked Inasa. His design is great, his power is cool, and he has such a fun personality that you can't help but want to see him. His role is interesting as well, having Shoto's worry about being like his father externalized in someone who sees him only as Endeavor's son.

+I enjoy a lot of the development with the class. Things like the Super Moves, the dorms, and the bits spread throughout the arc does a lot to flesh them out. Obviously, the biggest bit is with Izuku and Bakugo, their battle showing how much them and their dynamic changed.

-The arc is not paced that well. This section is twenty-three chapters long, but it feels so much longer with how everything drags on and not a lot of interesting stuff is happening in them until the very end of the story, whether that be with the fights or the characters.

-The fights aren’t that amazing. It’s not that interesting to see 1-A fight a bunch of jobbers. And when they do fight more prevalent characters, I don’t feel engaged with it. A lot of the action are resolutions to the fights aren’t clever or have a lot the emotional impact they usually do.

-The new characters aren't that well developed, even as far as one-off characters go. Aside from Inasa, there's barely anything to go off of for them. It feels less like an expanded cast from all these schools and more like bloat that Hori didn't know what to do with.

-As much as I like Inasa, I think his whole thing with Shoto is kind of dumb. Like Inasa somehow carries this undying grudge against Shoto and his father because both of them look angry at him. And the resolution ends up being rushed in spite of the focus it gets.

-While I do praise Izuku vs Bakugou, I recognize that it's focused way too much on Bakugou. This feels like it should be doing something for both of them, but a lot of the attention in and out of story is on Bakugou, making it feel incomplete and diminishing Izuku's role.

=For all the buildup of these characters becoming heroes, them pulling it off seems… underwhelming. Which honestly feels like a good way to describe a lot of this arc. A lot of potential for something big and impactful that just didn't stick the landing.

UA Traitor Arc: (3/10)

+The traitor reveal was handled so well. The reveal and backstory were great and I think adds a lot to Aoyama's character. He wasn't an evil pawn, but a terrified kid who was forced into a deal outside his control, now horrified over the safety of himself and his family.

+The villains had some good moments. A lot of it is set up for next arc, but Toga and Spinner especially had the most interesting bits here, with Toga expressing her complicated past and feelings while Spinner is pushed into a role he never wanted for his friend.

+I enjoy the bit with Izuku and Urakara near the end of the arc. It honestly refreshing see these two connecting with each other again and what they talk about is solid stuff, trying to come to terms with their own conflicts feelings about wanting to save the villains.

-In spite of my liking of the reveal, it's far too late. Aoyama's actions as the traitor haven't been a factor pretty much since Kamino onward. So when this reveal comes, it doesn't have the emotional weight it feels like it needs, especially for such a minor character.

-There's very little fall out for Aoyama being the traitor. Besides how it's entirely beneficial for the heroes, no one else really reacts to it and there isn't any fallout. Not even Bakugou, the students most affected by it. It makes 1-A feel like a hive mind rather than their own people.

-In fact, a lot of this arc relies on the reader still being invested in the arc, Aoyama as a character, and there being this powerful bond between whole of the class. There's a lot riding on the emotional core which hasn't been set up as well throughout the rest of the story.

-There are some residual frustrations from the Dark Hero Arc. In spite of all the major moves the last arc did, there is barely any follow up on most or anything with the characters taking a break. We're skipping all that for more training and getting right to the next plot point.

-The villain stuff was good but did suffer from some clunkiness. I didn't really feel like it told us anything new and what it did add felt confusing at points. Did you know that Tomura and Spinner were best friends? I didn't know Tomura liked the guy.

=So I feel like I'm one of the few people that actually like how Aoyama was handed, which elevates the arc above a lot of the later parts, but I still think it's mire by the same issues of this part of the story. It had its moments, but that's all it really had to offer.

Final Exam Arc: (4/10)

+I think the idea of the arc is pretty strong. Not only do we get to see more of the teachers in action, but it’s a cool watching the students go up against the worst opponents possible, with each one needing to overcome some kind of weakness in order to nab the win.

+The fight with Deku, Bakugou and All Might was good. It's their low point, with the two literally and metaphorically trying to overcome All Might, and only able to do so by learning from each other, effectively pushing the both of them forward in their own development together.

+The Momo, Shoto, and Aizawa fight was pretty good. While not as well established in the manga, I do like the confidence issues between the two and how it ties into their leadership abilities. Again, it's a good example of the two learning and growing from each other.

+The ending scene at the mall was well handled. It's such a great one eighty from the tone and really raises the tension. Then there's the set up with Izuku and Tomura's clashing ideals, ending with Tomura truly realizing his goal. All around good stuff.

-The structure of this arc is a mess. All the fights are happening simultaneously and there is constant cutting back and forth between them. This means that all the fights struggle to build up any momentum before quickly cutting away at the most jarring of times.

-On that note, the fights aren't that impressive barring the two I mentioned before. They don't really have anything to offer in either story or spectacle. It's a bunch of pretty basic fights where we are given focus to some of the blandest characters in the series. -While this arc is built around the students going against their worst opponents, there isn't a lot of interesting growth or dynamics. Of all the side characters, we got Mineta and Koda, who aren't that engaging to read about, nor are they developed in engaging ways.

-In spite of the greater focus on character and having tangible threat of loss, this still suffers from a lot of school arcs suffer from. An educational setting like this doesn't have much tension to it. All we really have are the fights, which aren't that good.

=Yeah, this is quite the rough patch between a lot of stellar arcs. I hoped that it was merely a victim of placement, and it had its good points, but that arc is such a mess that it's hard to get much out of it. Not the worst, but not one that I am eager to revisit.

MLA Arc: (4/10)

+The MLA is an interesting concept. A political cult wanting to give power back by letting people use their Quirks without oversight. There's a lot of interesting perspectives for that topic, both in and out of the MLA, for why people may or may not want this to happen.

+Tomura is easily the MVP of the arc. His speech to Garaki was good, but his backstory with the highlight. Seeing the sheer lengths that the world, his family, and All For One poisoned Tenko into this being of pure hatred was equal parts engaging and tragic.

+Toga's backstory was good as well. While I have my issues with how nebulous Quirk Therapy is, that ultimately doesn't detract from it. It sets up the ideas of love and it's the expression and repression that prevail in her character and their importance going forward.

+I like Re-Destro in this arc. He parallels Tomura as a rage-fueled heir to a criminal legend, but contrasts it by being someone who is totally in control of his feelings and power, as well as being successful as running the empire that was left behind by Destro.

-This arc introduces Awakenings. I have never liked this concept, even when it is first revealed. It felt more like a lazy way to give characters power ups when it was convenient. This was especially the case with Toga, even if it fits with her whole love theme.

-The MLA Executives aren't interesting villains. They're one note obstacles to the LOV. I get not every character will get focus, but you think the heads of this massive group of would be given some depth, especially with a basis of the MLA has so many angles to cover.

-The barely functional LOV somehow beating and taking over the biggest group of villains in the country is such a massive leap in threat and scale. For them to survive the fight, let alone totally dominate, feels like Hori needed to hand them the win for the story.

-Following that, this is where a lot of the rushed pacing. It seems as though that the story and characters are trying to rush the story as fast as possible to get it to the point where it needs to be rather than taking its time to make sure all of the steps are set up beforehand.

=I know this arc is a fandom darling, but I really don't care for a majority of it. For me, it's few strong moments to hold up this ultimately weak arc. Especially since it's where a lot of the flaws of the later half of My Hero Academia came to the forefront for me.

Battle Trial Arc: (5/10)

+The arc does a good job of establishing the weight of heroics in the world. While Aizawa laid the foundation, showing how the students failed in the trial in their own ways shows just how much pressure that goes into hero work. The recap of all the flaws and mishandling of the training exercise is really neat.

+This does a great job of showing off Izuku's value as a fighter and as a character. In spite of having the strongest Quirk around, his brain is his most valuable weapon, able to plan around somehow who vastly outclasses him. His vocal declaration of Deku being the name of the hero is such a simple yet powerful moment for him.

+In fact, that fight itself is super neat. Izuku has a limited ace in the hole, but Bakugou has a massive advantage in skill and a psychological edge. Meanwhile Uraraka has to deal with the villainous Iida. It makes for a fun dynamic in the fight on how everyone plays off each other in personality and powers.

+All the character establishment is well handled, something hard for any series. We get a solid mix up of the dynamic between Izuku and Bakugou, good understanding of Iida and Uraraka while having foundational moments for Shoto and Momo. Plus, Ojiro and Hagakure had a cute little moment in there as well.

-None of that is extended to any of the other characters. Again, with all of these characters together, it would have been a really good chance to establish more about them as an ensemble cast. Even if it was only in minor ways like the previous examples it would have helped a lot going forward and made them feel less like cut outs.

-By extension, we only got the one fight out of the arc. Look, I'm not asking Hori to make five extra chapters here. All I'm saying is that I think that it would have been a good chance to get a better showing of the characters’ abilities and personalities by having them fight and bounce off each other before moving forward.

-Look, I know I keep harping on the art, but its flaws become a lot more apparent when trying to do action scenes. It can make certain motions seem a lot more awkward than cool. Again, this may just be hindsight, but it was pretty distracting coming back to read this seeing how much the art hindered the experience.

-The structure of this arc is so bizarre in how it's laid out. The actual order of the panels seems like things are happening oddly or even out of order. Seriously, go back and read the lead up to Izuku confronting Bakugou at the end. It's janky as all get out. This is not helped by the pretty sloppy artwork with the characters.

=The first real fight of the series and it goes off with a bang. I do think this fight is a highlight of the early series, delivering powerful emotional moments and unique dynamic, both in combat and character. Though the series is still green and the early flaws of the series being the most prevalent here really holds it back.

PLF War Arc: (5/10)

+Izuku has some of his strongest character work here. Push to the brink, he regresses back to that totally destructive mindset and constant doubt of his early series version. And having the arc resolve with him having empathy for Tomura after everything he did is just great. No issue with how he was handled this time around.

In fact, I think a lot of the character stuff is pretty strong. Bakugou gets a nice moment by saving Izuku, Enji has to go through some of the harshest development when faced with Tomura and Dabi, and Uraraka is confronted with the most moral complexities of villains. And hey, the arc actually got me to like Miruko.

+The rest of the villains were solid as well. I really like the stuff with Hawks and Double. It works as a nice microcosm of a lot of the conflicts about heroes and the world's inability to understand villains and their issues. Toga's growth and confrontation Uraraka over understanding hero’s savings villains is all around good.

+The Dabi reveal was amazing. What was such a predictable plot point was turned into this amazing reveal, doing a total one eighty and Dabi's character for me. You take this melancholy loser and make it so he dances and reveals in all the suffering he is causing Endeavor. It's great to see it pay off in such a bombastic and impactful way.

-This arc continues the unfortunate trend of Tomura's power creep. His already insane level of power has skyrocketed without any sort of in between. And Tomura getting possesed is one of the dumbest things to happen in the story, robbing Tomura of all his character and agency in favor of someone else stealing his spotlight.

-Not everything is great on the heroes' side. Midnight's death is one a terribly handled aspect of the story, made even worse by Gran Torino somehow surviving and is the only notably causality on the hero's side. And while I get it's supposed to be Kirishima's moment, having Mina set up and undermine like that feels mean spirited.

-Some of the villains in this were let down. All of the relevant MLA members get off screened. I get they aren't the most important, but you think there could be someone more. Then there are the High Ends. You introduce a squad as dangerous as Hood, have them be an issue with one hero, and then kill them all. What was even the point?

-Aside from the Dabi reveal, all the other ones fall flat. Mr. Compress' backstory is here and gone. Oboro is a literal who that requires supplementary material to know who he even is. Mirio comes back with little fanfare and contributes next to nothing in his fight. And Best Jeanist's return raises so many questions, and not in a good way.

=I get this arc is super popular, but for me, it's one of extreme highs and extreme lows. When it's good, it's really good, but when it's bad, it's pretty awful. It's like for every positive, there's an equal negative in the same field. I ultimately believe that the good outweighs the bad, but not enough to make me rank it any higher.

USJ Arc (6/10)

+This arc goes zero to one hundred real quick and it's great. We go from low stakes practice to everything going wrong. The villains are attacking, the adults are out of commission, and All Might is nowhere around. It does a really good job of making this tension situation with real danger, making the pays off that more powerful.

+This is where we get more from the UA characters, doing a surprisingly good job of characterizing a lot of them in spite of having such a short time span, giving a lot of their characters their own moment to show off. Same with the teachers, with us getting more layers to the teachers, like Aizawa genuine care of the students.

+This is where a lot of Izuku's major character traits come about, really show off how much of natural leader he is and just he proficient he is in planning. What's more is the self-image and self-destructive issues come to light, such as giving up the president spot and when he tries to save All Might, adding a lot more to his own character.

+All Might is handled really well in this arc. Not only does it give us a deeper glimpse into his character, but just how he's handled thematically. It goes a good job of showing All Might's power with how he and how hopeless things are without him yet gives us a reminder that power is fading and is one a time limit.

+This may just be hindsight, but I like Tomura for this arc. He's the big bad but is almost constantly undermined and humiliated at every other turn, both physically and ideologically. It's a subversion that's hilarious in the moment but does set him up well for further development and helps parallel him with Izuku's own growth.

-Again, a lot of the early series flaws are present here. It legitimately feels like there are panels missing from the pages or that the panels are really awkwardly structured, such as a having a big moment in a tiny panel or panels not flowing well from one to another. It can make it a very jarring read and takes a lot from the experience.

-Man, for being the climatic fight of the arc, the actual battle with the Nomu and All Might feels super underwhelming. It may just be that the anime spoiled me, but it lacks a lot of impact a fight like this needs, the art doesn't convey the action, and is over pretty quickly. It makes the ending feel pretty flaccid, especially for the first big arc.

-While the main players of the villains’ side are cool, it does feel like a lot of minions leave some to be desired. Seriously, outside of Izuku's group, it doesn't feel like any of the students are under real threat from the horde of minions. It can make it seem like a lot of initial villains were pretty empty outside of the three heavy hitters.

=A big arc that finally expands the world and threats outside the school. Which it does a pretty fine job of. It's not exactly the same high of the anime, but it isn't too bad either. I think it works best when you see it as the punctuation to set up for the greater story. Now that it's done, we can start moving on to the real meat.

Endeavor Agency Arc: (6/10)

+I like the opening chapter about interviews. Besides the fact that most of the gags land and how I've really wanted to see the kids learn stuff like this, I really like the world building behind Super Moves. That they aren't just aces in the hole for a hero, they are a means of brand recognition that help solidify a hero's image.

+The Christmas part was just plain cute. I'm all for the characters doing non-plot stuff like this and I like a lot of the gags with it. All the different gifts people get, the background gag of Mina trying to dress Bakugou, and Eri getting all the holidays mixed up. It's a fun little break that doesn't mess up the plot or pacing too much.

+The family drama was well handled. I think it's interesting how Hori handled the family dynamics of the Todorokis. He gave each of the members their own perspective on a complicated situation, but doesn't invalidate any of them, nor does he try to quickly redeem Enji or say that any one of the family members needs to accept him.

+In fact, Enji is great this arc. Besides the small ways he is humanized on a more personal level and the natural dynamics he has with the characters, it does a great job by trying to separate the ideas of atonement and forgiveness in the arc and what the two really mean, something I believe is key to understanding Endeavor's story.

+The pacing of the arc is near perfect. Everything gets the attention it needs in the time it needs and nothing feels like wasted time or out of place. It goes a great job of setting up the next arc with Hawks' spying and Tomura's growth without detracting from the current plot.

-For an arc called the Endeavor Agency, there isn't a lot of time spent at the agency. The trio isn't learning about being heroes or having their characters really bounce off each other, whether it with their Quirks or overall personalities, skipping right to the end of it. It feels like a lot more could have been done with these three together.

-There are some worrying trends that come with this arc. Like how instead of getting anything with the agency, everything was frustratingly skipped over in a time jump. Then Izuku learns how to use "Black Whip" way too fast, mastering this wild power in a week. It contributes a lot to the rushed feelings of the later arcs.

-Ending is super lame. His design is middling, his power isn't that great, and his whole motivation is just worse Stain. I wouldn't harp on him as much if he were a bit villain, but Hori could have done more with him considering his importance to this arc. Heck, Starchild was more interesting and he's barely in this story.

=An arc that is often lost and forgotten by being sandwiched between two larger, series defining arcs. Which is a real shame because I think it offers quite a bit with all the drama doing on with the Todorokis and the levity of the early chapters. All around a pretty solid arc and does a lot to set up the next big arc well.

Entrance Exam Arc: (7/10)

+If I was rating solely on chapters, Chapter 1 would get a perfect ten. It does such a good job of setting up the world, the characters, the themes, the tone, and the conflicts in the amount of time it has. It's such an amazing foundation for everything going forward. It's honestly impressive all the leg work it does this early on.

+The exam is set up really well. Having there be Hero Points and the Level Zero robots was a smart way for Izuku to have his cake and eat it. He still gets to have his moment of heroic sacrifice, but it was that noble spirit was what got him that spot in the first place. Him finally getting in is such as powerful emotional moment as well.

+The whole reveal of "One For All" is such a good endpoint and hook for the series going forward. Izuku may have been gifted the greatest power in the world, but now has to deal with some of the most dangerous drawbacks in the whole series to limit it, still keeping the stakes giving him plenty of room to develop his power.

+The arc does emotional moments really well. All Might telling Izuku he can be a hero, Izuku triumphantly standing on top of the trash pile, to him rushing to the forefront to save Uraraka. Again, in spite such a limited amount of panel time, it makes each moment feel so much bigger and more impactful then it has any right to be.

+On that note, it does a great job of endearing and connecting you to characters. Izuku's position as an underdog is immediately sympathetic, as is All Might's unenviable role as the top hero. Which I think is a real achievement given how early we're into the manga and how hard it can be to establish characters in the beginning.

-As for the rest of it, most of it's just Izuku training and doing the exam. That's it. It's not terrible and it really goes to show Izuku's dedication to being a hero, but it's not something to really write home about. This could simply be that the first chapter was that good, but it's not as exciting going forward.

-Some of the early art is kind of rough. This could just be because I'm more used to the cleaner style of the later chapters, but it comes across as rather jagged for a lot of the characters. This doesn't feel like a intentional style choice, more of a series finding its footing and with the art style and designs needing refinement.

-This extends to the major players of this arc. Again, benefit of hindsight, but it they seem more like exaggerated versions of themselves. All Might comes across as a lot more callous, and even with the worst version of himself, Bakugou telling Izuku to jump off a roof seems really out of character for him.

=Ah, back in the days that My Hero Academia was the little manga that could. First impressions are equal parts important and difficult, so it really is an accomplishment that the arc is as well put together as it is. It all works as a great foundation for the story. With such a strong start, it's no surprise that it got pick up for more chapters.

Pro Hero Arc: (7/10)

+While the last few arcs did some leg work, the Pro Hero Arc did a lot of the heavy lifting when it comes to Enji's character. It takes this one note antagonist and actually makes him the underdog hero while still acknowledging all the bad stuff he did. It's honestly impressive how well this was pulled off given its starting point.

+The fight of Hood was great. Not only does it involve two of the most visually interesting and versatile fighters we've had thus far, giving a lot of ways to mix up the fight, but it manages to pull out some really strong emotional moments. This mixed with the pitch perfect pacing, and stellar art makes for an enjoyable experience.

+Hawks is such an enjoyable addition to the cast. Not only does he have an amazing design and power, but he’s also such a fun personality to hang around with. What seems like a total slacker, goofball is one of the most perceptive and skill heroes around. You're just interested in seeing what he does and how he bounces off Enji.

+And then it all gets flipped upside down by the end of the arc. Hawks was a kid raised to be a hero and is now going to infiltrate the League. Not only does this raise a lot of intrigue for the upcoming story, but it feels like such a massive upset from what we've seen of Hawks and the hero world as whole to have this happen.

+The out of battle stuff was nice as well. Besides Izuku getting his first fan in Kota, the fall out of the Todoroki's was well handled. In spite of his attempts at redemption, Enji's still hurt people and they aren't going to forgive him. It would have been so easy for quick forgiveness, but this makes Enji and Shoto's story all the stronger.

+The flash backs we got at the end with Izuku were pretty cool. It's interesting to see All For One in his younger years and how his empire camp to be. In the frightening world of Quirks with desperate people, his power to give and take power made him a king. It's a unique way to put him in power while still fitting within the world building.

-The other pro heroes have… neat designs. Look, for an arc that's supposed to be about the top heroes of Japan, there is shockingly little shown outside of Hawks and Endeavor. While they are the main characters, you couldn't have thrown a bone to the other characters? Maybe even revealed their Quirks or show off their personalities?

-Hood isn't that amazing of a villain. He's certainly a physical threat, but the fact that he's an intelligent Nomu doesn't really factor much into his character. He wants to fight, but that doesn't really give us much to work from. It feels like Enji is fighting some reflection or contrast and just something he needs to set on fire.

=Yeah, this was surprisingly good. The fact that Hori was able to turn around Enji’s to this degree is really impressive, but I do think that there is a lot more going on with the arc. It’s a good break from the main cast to flesh out the world and develops a lot of interesting ideas and plot points with the introduction of Hawks.

Culture Festival Arc: (8/10)

+Gentle and La Brava are great. They're so wonderful and different from everyone else. Their status as total jokes, both in and out of the series, betrays the fact that both are competent in their own ways and have a lot of care for one another. They're good set up for the later humanization of the villains of the series.

+I like the fight between Gentle and Izuku. Gentle's power is so cool to see in action and leads to an interesting fight dynamic. He isn't stronger than Izuku, but he's so tricky to deal with that it gives him an edge. It feels less like a brawl and more of the two trying to outfox each other, making it more distinct from other fights.

+This works as a good breather and much needed break from the more dower tone for the last few arcs, making for a comforting read. On that note, this is hands down the funniest arc in the whole series. Gentle and La Brava alone would qualify this arc for it, but a lot of the students have some good gags sprinkled throughout.

+I like a lot of the character bits we get. Not only does this arc actually develop Jiro and Eri, but it ties well into some of the general themes of the series. With how everyone is battered after the raid. It shows the kind of pressure that heroes go through and the importance of other kinds of heroics like Jiro's music.

+Not only does the arc establish the point of heroes saving people without fighting in Eri and Jiro's storyline, but the humanization of villains I mentioned before. La Brava and Gentle are both sad victims of circumstance who found strength outside the system in each other. It's affectively a microcosm of the major villains of the story.

-As much as I like this arc, I can admit it goes through kind of a whiplash plot and tone wise. Going from the Shie Hassaikai Arc to this is still pretty jarring to have everything stop and be light on both. I still like it, but I sometimes get the feeling of looking at my watch and wondering when things will be moving forward.

-There really should have been more exploration of the students. If you're going to do a plot light arc based around the school, it would have been a great time to see more of the students. If not from Class 1-B, who are major focuses of the next arc, then at least some of the lesser seen students could have had something going on.

=Probably one of my more controversial picks. I know this arc gets dogged on a lot by the fans, but I think that is wholly underserved. I thought it had a lot of value, even beyond its lighthearted story. And hey, I'm fine with taking breaks from the plot if I believe what's happening is worthwhile, and I certainly think it's worthwhile.

Sports Festival Arc: (8/10)

+In spite the low stakes of sport events, the arc manages to keep the tension up and mix things up with all the strategy and powers at play. Sure, running an obstacle course or doing a cavalry race isn't that cool on paper, but actively fighting against a horde of another students all with their own powers keeps it interesting.

+This arc really shows off some of Izuku's finest qualities. It was interesting seeing Izuku try and plan his way around the events given his huge disadvantages and amazingly shows off his character. Everything from his planning abilities, his skill in leading other people, and his genuine desire to save other people.

+Shoto was certainly the dark horse of the arc. While set up to be important early on, I don't think anyone could have predicted just how well his character and back story was done. That backstory really starts to delve into the darker themes of the story with his father, one of the top heroes, being an abuser that used his kids as tools.

+Of course, the Shoto vs Izuku fight is amazing. There is no contesting this. This is one of Izuku's most defining moments, effectively throwing away at chance at winning just to save Shoto. It ends in an emotional climax of Shoto regaining his power and Izuku losing, making for an subversion that makes sense and is satisfying. +The other side character work is done well, giving us more layers to them. Like hints of Iida's more vengeful side, Uraraka having this frightening amount of drive, and Bakugou showing some real respect to other people. It helps to subvert and expand on the characters, all while delving into more of their motivations and goals.

+This character work extends into more world building, especially with the new side characters. Shinso do a lot to build up the unfair the world can be in regard to Quirks while Mei introduces other aspects of the school and heroism as a whole. And this is all while they're both still fun characters to read about in their own ways.

-As for what happens in the rest of arc… it's pretty good. If you remove the highlight moments, most of the arc doesn't stand out as much in terms of what actually happens in it. I don't think it's bad by any means, but it's not something as amazing or exciting as the few highs of this arc and tends to skew a lot of people's perspectives.

-This extends to the other fights as well. Outside of the one standout I mentioned before, there isn't anything that spectacular to me brings up some frustrations like how Izuku was saved from Shinso by a Deus Ex Machina. Heck, the impetus of Momo's whole character arc is relegated to a single cartoonish panel summarizing the fight.

=I know this is a fandom darling and I feel a lot of that comes from the anime adaptation. To me, when looking at the manga, it's an arc of some extreme highs, but was above average to good with the rest of it. Certainly not my favorite but still a good arc.

Forest Training Camp Arc: (9/10)

+As someone who really likes to explore the mechanics of Quirks and hero work, I enjoy the various ways these Quirks can be trained and evolved and what kind of roles and pressures they would have to handle. Sure, cooking isn't something we really think about with heroes, but it makes sense to know that for disaster work.

+It's really satisfying to see Tomura use all the lessons he's used thus far, putting aside his short-sighted schemes in favor of a more thought out goal with a plan to turn the narrative against the heroes and capturing Bakugou. That mix with the inherent threats of the villains makes the League seem like a serious contender.

+A lot of the villains are pretty good. They don't have a lot of depth right now, but they don't really need to for the purposes they serve. They are all established enough in their own ways that they are interesting to see and makes you want to know more about them, leaving things open for use to learn more about them later.

+I like a lot of the minor stuff we got with the students. A lot of the pre battle antics are good at fleshing them out, but they really start to shine in the second half of the arc. Whether it be as active players in the arc, like Tokoyami and Shoji, or setting up for their own stories, like with Uraraka and Aoyama, it's all good stuff to read.

+Izuku vs Muscular fight is great. There's some real tension with Kota being threatened, we see Izuku being more emotionally and physically broken than any other point in the series. Only for him to overcome it with one of the most emotional panels in the series. The Million Percent Smash being such a perfect punctuation with the whole battle.

+I appreciate the arc ending on such a dower note. In spite everyone's efforts, the villains won. They kidnaped Bakugou, a huge portion of the students are in critical condition, and there is a potential mole within the walls of UA. It works as an affective low point for the next arc to build off of for the story.

+And in spite of the dark tone, the arc still manages to be really funny, like all the small interactions between characters, like Shoto subtlety throwing shade at Bakugou. And I standby that Izuku suddenly getting punched in the nuts is still one of the funniest moments in the entire series. I will die on this hill.

+This arc hits a perfect balance of pacing. The first half of the story is full of fun antics and lighter moments between the characters while the latter half is full of highly emotional action with a new gallery of rogues. And when it hits the ground, it hits hard and fast, never letting up on the fights and intrigue with the characters.

=While not as groundbreaking as some of the higher ups, I still hold this arc in a special place. Everything from the characters, to the fights, to the emotional beats are all handled so well that I often consider it the best of arc of the series. Even if you twist my arm, the only fault it has is that I simply like the other arcs more than it.

Stain Arc: (9/10)

+The art style drastically improves this arc. While I certainly saw a leap in quality once we got to the Sports Festival, the manga really starts to hit its stride once we reach Stain. The characters have more detail to them, the backgrounds pop a lot more, and the paneling is handled a lot better, making for a stronger experience.

+I like a lot of stuff with hero names and internships. Agian, it's a quick and easy way to help us understand and endear ourselves to the character while still developing the bigger ones, such as Iida's uncertainty as a hero after his brother’s injury or Bakugou trying to learn more about the social nuances of being a hero.

+The Full Cowl was such a good idea. The bone breaking was a neat gimmick to start with, but ultimately unsustainable concept. This offers a good side grade that still fits within the power. It gives Izuku far less power but grants him more control and a way to measure his progress throughout the series.

+Tomura and Izuku get some much-needed development. This arc sees them both growing beyond their world view when faced with an outside force, with Stain acting as their reality check. It sets up how the two will grow opposites throughout the series and further reinforcing the two parallels of our two main leads.

+Shoto and Iida get some time to break out of their original shells. While it's nice to see Shoto being far less cold to people, Iida going on a revenge quest is such a drastic yet believable turn for him. Having his righteous vengeance turn on its head and how such a thing would only sully the family name is all great stuff to read.

+Stain is such a great villain. He commands every single scene he's in and always remains a real threat in spite of his lackluster ability. Though the real meat is how much he's able to challenge the world and characters we see. The man has an iron clad code, one that makes he ready to lift up or deconstruct anyone he comes across.

+The fight with Stain is great. Stain is outgunned and outnumbered, but never outmatched, having much greater skill and what amounts to a one hit KO. That mixed with the closed off arena gives him a massive advantage. It's such a uniquely balanced fight and leads to a lot of interesting back and forth, yet still makes Stain a real threat.

+It feels like there were some real consequences to this arc. Stain wasn't some one-off villain, he changed everything, inspiring more villains and building up for the next big arc. Then there are hints to All For One, the who harmed All Might, being behind everything. It builds up a lot of intrigue for the rest of the story.

=Yeah, there is a good reason everyone talks about this arc. While Stain is the standout figure of this part, I do think it does a disservice to the rest of the arc to only bring up him. It's able to balance so much so well with how each of the characters grow and all meet up in fight. So yeah, it's well worth all the hype it gets.

Hideout Raid Arc: (10/10)

+This handles a lot of the aftermath of Forest Camp Arc well. All the students emotionally handling things and the teachers dealing with the fallout being well done. Giving Izuku a very real threat of damage to his body if he keeps pushing himself too far, set up some real stakes for his training and any future battles he has.

+I like a lot of minor moments between the students. Things like the debate at the beginning of whether or not to save Bakugou helps flesh out the class a lot. Then the bit of Momo and Iida keeping their friends from rushing in are good moments for them while still establishing just how big of a threat All For One is.

+And this is the arc where I think Bakugou clicked for me. We got hints of his depth before, but this is where it comes together. It gives us such an interesting peek into his headspace, like the view we got of his home life and getting his perspective on the concept of heroism and how it ties into winning for him.

+All For One's reveal was handled so well. The shadowy man we've heard so much about comes out with a devastating attack, destroying any opposition and horrifying the nearby students. It's nothing truly groundbreaking, but It's all presented so well that it elevates so much in the eyes of the reader as an impossible threat.

+The All For One vs All Might fight is one of the highest, if not the highest peaks in the series. What else could I possibly say? The beats are simple, but the execution is nigh perfect. The back and forth of the two, the reveal of Small Might, the second wind of power, All Might learning from Izuku, and the United States of Smash. All amazing.

+And while many people remember the main fight, I think the aftermath is just as good. The conflict between Izuku, Inko, and Toshinori is so natural and gripping, with Inko wanting to protect Izuku in spite of his dreams and this in turn hardening's Toshinori to the resolve of his new mission of training Izuku.

+Said aftermath sets up some many interesting and exciting plot points. The fall out of All For One's capture, All Might needing to deal with his life after being a hero, Izuku having to bear the weight of "One For All", Bakugou feeling guilt over All Might losing his spot, and the still immature Tomura now being out on his own.

+The tone is really well handled here. It gets pretty grim, but it doesn't get so dark that it takes you out of the experience and hits all the hopeful moments just right. And again, the comedy is oddly strong here. All Might opening his big entrance with a pizza delivery line and the rescue gang trying clothes on in a thrift store.

=Now, I don't need to tell you why this is good. What you may be asking is why it's not at the top. While I do think that All Might vs All For One is amazing and a good chunk of the arc, but there's still the rest of it. Again, it's some good stuff that gets overshadow a lot, but it's another case of something so amazing elevating the rest of the arc.

Shie Hassaikai Arc: (10/10)

+Not only is this arc unique from all the other arcs thus far, giving us our first real look at the hero world, the arc is great technically as well. It's always keeping up my interest and doesn't drag on at any point. The art is really good, especially with the character designs. Everything is as long as it needs to be, and nothing feels awkward.

+I really like how Izuku is handled here. He has been defined by his self-image issues but tackling that as All Might's successor is interesting. It does everything in its power to make you question if he was worthy, yet is always showing you his merits, namely his relentless will to help people no matter the threat may be.

+Sir Nighteye and Mirio are both good characters as well. They do work to contrast's Izuku own feelings and his role but are still enjoyable characters in their own right. Mirio as a hard-working hero with a good heart and Sir Nighteye as a fatalistic naysayer are both great in their own ways.

+In fact, a lot of the side characters are good in it. Kirishima gets a lot of good development, Tamaki is fun to read as the shy dork he is, Rock Lock presents a unique perspective on hero students, and Fat Gum is Fat Gum. Even with the more minor characters, they stand out enough to be interesting in spite of their lack of panel time.

+To me, this is the arc where Tomura really hits his stride as a villain. Without any proper support, he grows into the leader needs to be the League. Not only does this lead to some of his best moments and sets up his story but adds some much needed layers to the burgeoning villain, showing some real care for his teammates.

+Overhaul is such a great villain. Not only is he a massive threat in power, resources, and overall abilities, he acts as a good foil not only to Izuku, but to Tomura as well while still being his own character. His plan and goal are so unique for the setting, yet offer a frightening endgame, effectively controlling the supply and demand of Quirks.

+By extension, I think this does a lot to characterize the rest of the villains. Obviously, Twice and Toga get the bulk of it, building them up as people beyond their gimmicks, but the rest of the League gets their own moments to shine. This extends to the yakuza minions, who I think are my favorite ensemble of villains in the series.

+This arc ends on such a great note. Sir Nighteye's death crushes the heroes' side in spite the reconciliation. Meanwhile, Tomura gets out like champ, getting revenge on Overhaul and leaving with a dangerous weapon in his hands. It's a good way to start the slow shift of the dynamic between heroes and villains going forward.

=So while this doesn't think this hits the same highs as the Hideout Raid, I think it does accomplish more with its scope. It has a lot more to juggle in comparison to the Hideout Raid and pulls it off with flying colors. It obviously doesn't hit the same peaks, but holds as consistently level of quality, making me prefer it.

55 notes · View notes

afniel · 7 months

Text

Today (on three hours of sleep which is my own fault) my partner and I got up early and got breakfast and then went to a community education seminar at a local university's educational garden about native bees, and made a wooden bee house. Our landscape designer team (two women who I'm pretty sure are queer) was there attending and it was run by a really cool woman who runs another landscaping co-op (with a nonprofit educational side) who is also working with them to teach them all the ins and outs of permaculture, and they kinda group-projected our yard, so I got to know all three of them over the course of the contract, which was cool.

It was great, you guys. We talked about the importance of supporting native pollinators, because honeybees are fine and all but outcompete native bees, some of whom are so specialized that their exact wing frequency is what it takes to pollinate a single, specific species. The world's smallest bee is 2mm at the largest and lives right here. We've got sweat bees that look like tiny flying gems. We've got bumblebees that are so docile you can gently pet them while they're gathering pollen. We have huge, harmless carpenter bees with metallic black shiny females and golden fuzzy males and they'll bonk into you just to see what you're doing.

I got to get excited about iNaturalist to a bunch of people who haven't heard about it before! I got to see thousands of honey bees just doing their business and I realized I wasn't having my usual phobic reaction anymore! I got to use a power drill! I got on the mailing list and I'm gonna see if I can't get even more involved in this kind of shit over time, because it's honestly great.

You're only one person but even little things can have an outsized impact, and it's not in turning off the water when you brush your teeth, it's in things like planting native keystone species so that the other living things that rely on it can move back in. Even in a tiny area. Animals and plants spread and have ripple effects. The same way removing a species causes a spreading collapse, bringing back a species, even just one, causes a spreading regrowth of diversity. Literally a handful of plants can support countless insects that support countless animals and this changes the environment just a little bit at a time back to a better state. It does make a difference and it doesn't have to be hard or expensive.

I get really excited about native species because as I see it, getting educated about them and making decisions to support them is what's going to locally make the biggest impact for the least money. The success stories can be literally microscopic, when it comes to things like soil microbes, but they really, really matter. One person can't fix the whole climate but one person can fix a one-person-sized patch of ground, and that's enormous when you remember that thousands of important little things spend their entire lives within even the smallest yard.

Anyway I'm tired to hell now but hey maybe next spring we'll have a bunch of big goofy carpenter bees living in the yard! Or even other native bees. I'm hype as heck to find out.

Also, and I forgot to say this so ETA, I guarantee THIS IS HAPPENING wherever you are. Look up your closest university and find out what kind of research/community gardens they have and what kind of seminars they offer. Look into your state and county conservation programs. There's outreach education all over, and a whole lot of it is donate-as-you-can, because they just want to get knowledge into the community. If you want to hear it, they want to teach it to you, and they're almost universally some of the kindest folks you're going to meet. If this sounds even a tiny bit interesting, do some searching and I would bet you anything there's opportunities right there waiting.

#conservation #permaculture #nature #native species

77 notes · View notes

audhd-nightwing · 3 months

Text

Birdflash Week (Day 4)

Villain AU

@birdflashweek

Wally watched as Batman pulled up a profile on the screen at the front of the Watchtower’s conference room. According to the Bat’s reports, there was a new Rogue on the loose that knew the Justice League’s secret identities. So far they hadn’t gone to the media, luckily, but in the meantime they had built up quite the reputation in Gotham (along with a pile of bodies).

The profile showed a masked man, likely about Wally’s age, in a black and blue suit. There was a symbol on his chest, and two stripes of color down his arms and gloves. That was all he could tell from the extremely blurry photo, though. Apparently he went by the alias ‘Shadow’ and had been traveling the world quite a bit before settling in Gotham.

“Do we know how he find out our identities?” Superman asked, tone grave.

To any normal person it would look like Batman replied with a simple “No,” but with his superspeed Wally was able to catch the briefest hint of hesitation before the man responded. Which was… unsettling. Batman never hesitated, ever. Something was definitely up with this Rogue.

Batman continued to brief them all on the situation, but seemed fairly confident the masked man wouldn’t reveal their identities to the public. That, at least, was comforting. The rest, not so much. It seemed like this Rogue was taking more of an anti-hero approach at least, only killing criminals that were repeat offenders or the worst of the worst. Of course, killing was always bad, but at least this guy wasn’t harming civilians or heroes.

As the meeting dispersed and Wally zeta’d back to Keystone, he couldn’t help but wonder about the new Rogue, and how exactly he knew the League’s identities- which was one of the most carefully kept secrets in the entire world- and why he (however thankfully) hadn’t just released them to the media.

His thoughts about the man kept him distracted enough that he didn’t notice someone else was in his apartment until he was already in it with them. And, because he had shit luck, it was the Rogue he had just been wondering about. Eh, he was never one for subtlety anyway.

“Hey, why didn’t you release our identities to the public?” he asked the man, who cocked his head and studied him before replying.

“I don’t actually want villains to hurt you or your loved ones. I was just proving a point to B, telling him something only I would know,” he explained, much to Wally’s surprise.

“…Oh. Um. What?” Wally asked, beyond confused.

“Plus I wanted to mess with the League a bit I suppose. Not you though, Wally,” he smiled warmly at the speedster and Wally felt a rush of familiarity at the sight.

“Have we… met? Before?” the redhead asked somewhat desperately. There was something about the man before him that Wally just recognized on a bone-deep level. The man’s kind smile turned into a delighted grin and he pulled a stunned Wally into a hug.

“I knew you would remember me! I told Dami but he didn’t believe me. We were best friends for almost a decade, of course you’d remember me,” he rambled excitedly. The speedster froze in his arms and sucked in a sharp breath, pulling away to face the man once more.

“…‘Wing?” he asked, voice breaking at the end.

Nightwing nodded enthusiastically and was pulled back into a crushing hug.

“I thought… everyone assumed you were dead but I refused to believe it, but then so many years passed and Batman never said anything… I’m so sorry,” Wally whispered.

“Hey, hey no it’s not your fault. I should have told you all that I was leaving after Jay died, I’m sorry. I wasn’t in a good headspace and it only got worse and then… after everything I’ve done… I didn’t think you would want me back,” Dick admitted softly.

“Of course we would, dumbass. Of course I would,” he emphasized, leaning his forehead against the shorter man’s.

“I’m sorry I left,” Dick replied, holding him tighter.

“It doesn’t matter. You’re back now, and nothing is going to come between us again,” Wally promised, and leaned down to press a kiss to the other man’s lips, which was eagerly returned.

#birdflash #birdflashweek #birdflashweek2024 #dick grayson #wally west #dickwally #birdflash fanfic #villain au #tho it’s more anti-hero than villain i guess #i’ll post the context for this later #this is just a tidbit from an idea based on the villain au prompt #my writing #mini fic #ficlet

25 notes · View notes

bropunzeling · 3 months

Note

💘 quinn/brady

💘 fake relationship / mutual pining / dared to kiss

It was one thing to play Truth or Dare when Quinn was seventeen in the Program; he still remembers all the ridiculous, stupid things he did with deadly seriousness -- ding-dong-ditching the neighbors; choking down whatever concoction Josh threw together; running around the halls of their hotel floor in his underwear while somebody watched to keep him honest.

In those days, Quinn would do nearly anything, except pick Truth.

Now, Quinn's older. A captain. More mature, he hopes. He doesn't have to text the pretty girl from English whatever garbage his drunken teammates put in his phone for him, or arm wrestle, or drink enough Fireball mixed with Keystone to want to puke, all to prove he’s game for whatever, up for anything. He'd hope that most people he knows would feel the same way.

And yet, here he is, fresh off winning Worlds -- gold, they got gold, holy fuck -- watching as Cole squints at Brady and says, "Really? Anything?"

"Yeah," Brady says earnestly. His arm is heavy around Quinn's shoulders, has been for what feels like hours, since Quinn's slapshot put the puck past Sweden's goalie and Brady came crashing into Quinn’s space. All through the ceremonies, and then through the after party, Brady hasn't strayed very far away, has kept Quinn close. Quinn likes it as much as he did when he was sixteen, which is a lot more than he wishes he did. "Like--don't you feel it? I could fucking --climb a mountain, or race McDavid, or --"

"You shouldn't," Quinn feels compelled to point out, grabbing Brady's beer out of his hand and stealing a sip. "You skate like shit."

"Hey, watch it," Brady says, jostling him slightly, then pulling him in tighter. Quinn goes. Path of least resistance. "But no, for real. Like--ask me to do something. Anything."

Cole's still squinting at Brady, peering up at him while sucking down his cocktail through a straw, obnoxiously loud even over the din of the bar. When he pauses, Quinn snorts. Cole's gaze flicks to him, and Quinn becomes immediately, horribly aware of everything he's doing right now: letting himself be plastered to Brady's side, drinking from Brady’s glass like he has a right to it, liking the way Brady’s hand rests on his chest too much.

Not that Quinn can pull away. Even if he wanted to, he doesn't know if Brady would let him.

"Nah," Cole says, finally looking away from Quinn. "I mean, I don't gotta dare you to show the team some love, right?"

Brady laughs. "True fucking that."

"Damn straight." Cole taps Brady on the arm, then Quinn. "Maybe start with this guy, eh? Game winning goal deserves something." He grins at them both, then walks away.

It's not a dare; it's not even mean, Quinn doesn't think. It's not -- it's not anything. Even if Cole suspects something, it's not like he knows for sure, not like he said his suspicions out loud. But Quinn’s stomach still lurches the way it did back in high school, constantly afraid he was on the verge of discovery. Frantically choosing to do anything, no matter how mortifying, just to avoid being asked a question he didn't want to answer honestly.

"He's right," Brady says slowly, cutting through Quinn's dulled panic. "You do deserve something."

Quinn swallows hard as he turns under Brady’s arm, tipping his head back to look at Brady’s face. "Oh yeah?" he asks. "Like a drink?"

Brady doesn't take the bait. "Nah," he says. "More than that." His hand slides to find the back of Quinn’s neck, anchoring him. Something he's done a hundred times before, something Quinn’s learned to accept as friendly and nothing more, except his heart has apparently forgotten that hard-earned lesson and started beating double time in his throat.

"Like what?" Quinn asks. He licks his lips, nervous for no reason. It's not like Brady’s going to do anything worth being nervous about.

Brady’s eyes flick down to his mouth. Stay there. His grip on Quinn’s neck grows firmer, heavy.

"Brady," Quinn says quietly. Too quiet for anyone to hear over the thump of the music and the clink of all their glasses and Jack's cackling laughter. Anyone but Brady, who's watching him so intently, his drunken enthusiasm replaced by pure focus. "What..." Quinn trails off, not even sure what he’s asking for.

That's a lie. Quinn knows what he wants to ask for. He's just too terrified to do it. Exactly the way he’s been since he was sixteen, playing Truth or Dare in road trip hotel rooms and wondering what would happen if he dared Brady to kiss him; what would happen if he picked Truth and someone asked who he liked.

Brady isn't scared, though. Brady just looks at him for one heartbeat, two, eyes narrow and jaw set; Brady just nods, a tiny little gesture, before ducking in and kissing Quinn, square on the mouth.

For a moment, Quinn is frozen, waiting for the punchline. When Brady pulls back, his stomach lurches, about ready to leap out of his mouth and onto the floor.

But Brady doesn't grin and start celebrating; Brady doesn't make some awful joke. Brady rests his forehead against Quinn’s, and says Quinn's name in a small, thready voice, like he isn’t sure what to do next.

That's when Quinn summons all of his nerve and manages to kiss Brady back.

#ask meme #how... did this get as long as it is...

28 notes · View notes

naturalrights-retard · 3 months

Text

BlackRock finally admitted that their ESG policies in the name of shareholder capitalism have been bad for business. “BlackRock’s business, scale and investments subject it to significant media coverage and increasing attention from a broad range of stakeholders,” the company stated in it’s annual filing with the SEC. “This heightened scrutiny has resulted in negative publicity and adverse actions for BlackRock and may continue to do so in the future.” In other words, “go woke, go broke.” So what does this mean for shareholder capitalism?

BlackRock is now saying it will not put Klaus Schwab and the World Economic Forum ahead of shareholders. The shared values they wrongly assumed the public would embrace have backfired. “Any perceived or actual action or lack thereof, or perceived lack of transparency, by BlackRock on matters subject to scrutiny, such as ESG, may be viewed differently by various stakeholders and adversely impact BlackRock’s reputation and business, including through redemptions or terminations by clients, and legal and governmental action and scrutiny,” the filing continued.

As a recap, the Human Rights Campaign (HRC) pushes the CEI (Corporate Equality Index), a company’s social woke credit score. The Open Society Foundation, operated by the Soros family, funds the HRC. The ESG promotes a company’s green social credit score, has been pushed by Western governments and the World Economic Forum, and takes into account climate issues in addition to obscuring societal norms.

This will change the landscape of ESG policies as BlackRock alone has $700 billion invested in such initiatives. In December 2023, the House Judiciary Committee issued subpoenas to BlackRock and State Street as part of an investigation into the firms’ promotion of environmental, social, and governance (ESG) goals to determine if it violated antitrust laws. BlackRock and others have barred businesses that did not adhere to ESG standards, denying them professional opportunities and overseeing that any company wishing to be affiliated with BlackRock adhere to ESG standards.

BlackRock is defying Washington and the World Economic Forum with this decision to move away from the green credit score. The first bill that President Joe Biden vetoed was a bill intended to dissolve the ESG climate social credit score, which was only foreshadowing the policies that later came about, most notably the Inflation Reduction Act that Treasury Secretary Janet Yellen admitted was intended to combat climate change. He also immediately blocked the Keystone Pipeline and removed America’s ability to remain an energy independent nation. Out of all the issues facing America, Biden chose to use his presidential powers to set the groundwork to create the need for a Great Reset to Build Back Better.

22 notes · View notes

mangoisms · 11 months

Text

circle k (back to you)

summary: in which you're just the graveyard shift employee at circle k bombarded by vigilantes.

━ chapter three: this doesn’t feel right | read chapter two

━ pairing: tim drake x f!reader

━ word count: 6.6k

━ warnings: robbery, gun gets pulled but nothing happens, brief mention of blood, basically canon-typical violence

━ masterlist

━ a/n: decided to include the last minute scene i wrote between tim and steph, specifically the one at the very end. fair warning, we shift to steph’s pov! also my first time writing for a canon chatacter so be gentle <3

“How’ve things been?”

“Like you don’t know.”

Red Robin, you think, sure has the gall to look as smug as he does right now.

After all, it’s not as if he had a point to prove to you. You very specifically told him he didn’t and that you didn’t care what he did regardless of whether he took your advice or not.

Despite the look on his face, he manages to say, “I don’t know what you’re talking about.”

“Sure you don’t,” you say, a little bit more accusingly than you mean to, following him as he ventures to the candy aisle.

“Alright,” he concedes, not looking at you as he bends forward to peer at the display of gummy candy. “But just so you know, it ended up taking a life of its own. You’ve made a solid impression so far.”

“You’re kidding.”

“Not at all. The list of places we can visit like this without having the cops called or worse is very short.”

“But that perception works.”

“Well, sometimes it’s less about fear and more about plain disapproval. Which also does its own job but… tiring, sometimes.”

That… makes sense. The Flash can walk down the street in Keystone and Central without anyone getting all up in arms about it. These guys can’t.

“But it’s necessary, no?” Just curiosity. Not agreeing, exactly.

Red Robin takes two packs of sour gummy worms and straightens, turning away from you to head to the refrigerators at the back. “Doesn’t change the fact that we can find it a little bit tiring. Makes you wonder if you can strike a balance, but in the end, it’s nothing more than an ideal. Fear rules best.”

“I’m sure.”

“Civilian, remember?”

“Yeah, well, this civilian gets to pass judgment since I’m a citizen of this city just like you guys are.”

Seems like they forget that sometimes. Or Batman does. You’ve heard whispers of metas who found out they had powers and attempted to use them for good. Only to be sharply turned away by Batman.

There is something to be said about ensuring not just anybody goes out and does what they do, lest they get themselves and others killed, but the impression you’ve gotten is that he doesn’t allow metas in the city. No matter their experience or skill level. The only exception to the rule, so far, is Signal.

You don’t know. When you were younger, they seemed cool. As you got older, that changed. How could you trust them? How could anyone know if they were trying to do good or if they were just enacting their own convoluted brand of justice? Red Hood’s existence several years ago proved that to you and all the others.

Even if he was trying to set himself apart from Batman or whatever, the fact remains that everyone in East End, in Park Row, in the Narrows, in the Bowery, feared that they might be next. Didn’t matter if you were innocent or not because one’s definition of innocent differed sharply from his—from theirs. And when you were desperate like most people there were, that changed everything, too.

Sure, the GCPD is corrupt and so is the justice system and the government and practically every institution in this city, in this country, but… you just don’t know.

So, maybe he does have a point to prove to you.

Maybe they all do.

“Well, look,” he starts, surprising you as he turns with two bottles of Zesti in hand. “If you want us to stop coming around, we will. No harm done.”

Fine.

Maybe you’ll regret the decision but… it does make them all the more tangible to you.

“It’s fine. Keep coming around. Might discourage anyone from trying their luck and it keeps my shifts interesting.”

“And it’s all about you, is it?”

“If not, find another Circle K to haunt.”

He laughs. The sound is familiar but nice, in a way. Comforting almost. It’s then you shake your head and turn away sharply, trying to push the feeling away.

There’s that, too. Maybe if you can keep Red Robin coming around long enough, you’ll figure out what exactly it is about him that bothers you, that niggles at you.

It should help take your mind off things. Like your growing concern about Tim’s lack of contact with you. You and Steph have hung out twice since she came back and both times he said he was busy. It shouldn’t be something that bothers you, but the fact that your attempt a few days ago to hang out with him alone for ice cream was also shot down with that same excuse. And of course, his sparse replies to your texts.

But he did reply eventually. Just some agreement about what you said about Signal. Didn’t exactly carry the conversation much further but at least he replied, right? Same goes for the shared group chat between you, him, and Steph.

You haven’t spoken to her about it, either, but you don’t want to.

It’s—complicated.

That’s just what your life feels like these days.

Complicated.

Red Robin keeps coming around.

The others come around, too. You don’t see much of Signal working the night shift but you do see Black Bat again. Even Spoiler, though she keeps her distance for a reason you can’t understand. Not to say she is mean or anything. She just waves at you but she never says much else. You’ll hear her and Black Bat talking quietly, though the words themselves are lost on you no matter how hard you strain your ears.

You keep worrying about Tim, of course, and hanging out with Steph, who squeezes in time to see you in between her internship with social services.

For a while, things are calm. The vigilantes who pop up grow increasingly familiar and any wariness evaporates.

Then you get a new face.

The guy walking around the store in the oversized grey hoodie is doing a bad job at robbing you, you think.

Well, he hasn’t actually robbed you. But his hand stays in the pocket of his hoodie, clearly grasping something as he makes a couple circuits around the store. Either scoping it out to see if there is anyone else to worry about or trying to work himself up to it. You think it’s the latter, with how nervous and sweaty he looks.

Mostly, it’s for your own nerves to think that.

It’s been a hot minute since the store was robbed and you were held at gunpoint (or knifepoint). You aren’t explicitly allowed to trigger the silent alarm until either of those things make an appearance, so even with the bad feeling in your gut, you can’t yet do anything.

You are close, though. So very close.

But you don’t have to wait any longer as he rounds the corner and pulls out the gun.

Oh, great.

Before he can say anything, before you can say or do something, the door swings open.

When you both look, there is nothing there.

You wince at the rush of hot smelly air from the outside.

“Who—who’s there?!” he yells, then swings the gun back to you. “What did you do?!”

“I didn’t do anything—”

The arrow comes out of nowhere.

One blink and it’s embedded in his hand, the same hand holding—previously holding—the gun. You flinch as the weapon clatters sharply to the ground, your stomach churning at the sight of the arrow embedded in his hand, blood dripping; he yells in pain, dropping to his knees.

Then comes the owner of the arrow.

Dressed in black and dark shades of purple, the Huntress is a sight to behold. Her boots are soundless on the tiles. She looks… bored as she talks to someone. Some kind of comm, you guess.

“Yeah, I know, I’m on my way back, I’m picking up coffee. From the—yeah. So he’s gotten to you, too? Figures. What’s the sound—? Oh, just some idiot trying to rob the store. Yeah, go ahead and call the cops.”

You stare, heart beating so quickly you feel a little dizzy, as she knocks the guy out, leaving him to slump on the ground. She kicks the gun further away from him for good measure.

Finally, she looks at you.

The Huntress, a figure you’ve only seen in the newspaper or articles online, mostly grainy pictures, is very pretty up close. Shoulder-length dark hair, olive skin, lips painted a deep, pretty shade of purple, and sharp blue eyes, easily revealed through her mask.

“Are you okay?” she asks, watching you carefully.

“Y-Yeah,” you stammer. “Thank you.”

A slight shrug. “All in a day’s work. Coffee?”

“Um. Over there.”

“Thanks.”

You watch, befuddled, as the Huntress steps over the body of the now-unconscious robber and strides to the coffee machine, entirely unbothered as she grabs three cups.

“Yeah, yeah, yeah, I know how you take your coffee, O. Give me some credit. Is Cat coming by? No? Alright, just you and BC, then.”

As the machine sputters out coffee, she comes back over to you. “Do you have any drink carriers?”

“Yeah, they’re over there.”

You point them out, on the other side of the Slurpee machine, and she nods her thanks, grabbing one.

She returns to the counter a couple minutes later.

“So, um,” you start, clearing your throat. “Is there anything in particular I should say to the police about this?”

She tilts her head, confused for a moment, before realizing what you mean.

“Oh, don’t worry about it. You can say it was me. They’ll want to see the footage, too. Let them.” She pauses, giving you an appraising look. “Is there anyone you would like me to call?”

“Call?” you ask, confused as you ring up the coffees.

She fiddles with a pouch in her utility belt without taking her eyes off you, pulling out a ten dollar bill.

“Red Robin?”

“Red—no. No, I don’t think… I’m fine, I mean.”

Huntress nods and lets it go, accepting her change.

“The cops’ll be here in a few,” she says. “I’ll be around until then, so don’t worry.”

“Thank you, again.”

She gives you the smallest of smiles. “Like I said. All in a day’s—night’s—work.”

You watch her go, one part of you not wanting her to leave, but the other assuaged by her promise to hang around and make sure nothing and nobody bothers you again.

The police arrive a little while after that. By the arrow in the man’s hand, they already know who saved you, but they still demand to see the footage.

“So, it was the Huntress?”

“Yes.”

“Has she ever come by?”

“No.”

“Have you ever interacted with her anywhere else?”

You pause, barely stopping yourself from narrowing your eyes, because you do not like the accusatory tone this cop is giving you. What did he say his name was? Bullock or something.

You send a silent apology to Sandra Bullock for having to share her last name with this idiot.

“Well?” he asks, burning cigarette hanging from his lips, arms crossed. The smell of tobacco is nauseating this close. What’s worse is you’re outside while the other guys handle things inside. Even at one in the morning, the heat edges on unbearable and the humidity is even worse, making your skin tacky with it.

“No,” you say, a tiny bit exasperated. “I have never interacted with her before this. Why would I want to?”

“You were talking to her.”

“She was talking to me. Asked me if I was okay.”

Unlike any of these assholes who blew in here, sirens wailing, and made you put your hands up as they came in, guns brandished, even though the guy was obviously down for the count. Honestly, they scare you more than the shooter. At least in that moment. These guys can be real trigger-happy.

Now, they’re just a pain in your ass.

You need a Slurpee, you think. No, deserve one. For your troubles.

“It’s cut-and-dry, Harv,” the other detective, Montoya, puts in, having stepped away. She sends you a sympathetic look that just annoys you even more. “Got some calls from a few other convenience stores for suspicious activity. They saw this guy, too, but he always left before doing anything. Guess he finally worked up the nerve to do it here but it didn’t work out well in his favor.”

Bullock grunts. “You run her ID?”

Oh, for the love of—

“She’s clear. We’re good.”

Behind you, two EMTs haul the still-unconscious robber out and into the ambulance, which promptly leaves; a cop with gloves on steps out, the gun in a baggie.

Montoya asks you a few more questions, obviously trying to make up for Bullock’s brusque manner of speaking, but it’s a futile effort. You still cooperate, however, as politely as you can with the annoyance still burning inside you and this damnable heat.

Eventually, they leave, called away to some other incident, cars peeling away from the curb, blue-and-red lights flashing, sirens wailing.

You watch them go, allowing your scowl to come out full-force, your arms crossed tightly over your chest.

“Bullock’s always like that. It’s not personal.”

“Jesus,” you hiss, heart pounding as you whirl around; it takes a moment for your eyes to pick out Red Robin leaned against the brick apartment building next to the store, his figure mostly cloaked in shadows.

He steps into the light. Despite the nonchalant tone of his previous words, he looks, dare you say, worried.

“Just coming around?”

“No. I heard what happened. Wanted to come and see how you were.”

“Annoyed. And hot. And tired. Come on, let’s go inside. The AC isn’t that great but it’s better than this.”

Red Robin follows you in. You click your tongue upon finding the blood from the guy’s hand still on the tile. So, now you have to clean that, too, on top of the paperwork you have to fill out for the incident. Great.

You jump at the nudge of a knuckle between your shoulder blades. “What—”

“I can clean it up.”

“No, that’s—”

“Let me do it. I have more experience cleaning blood than you.”

“Charming,” you mutter. “But alright, fine. Thanks.”

“Cleaning supplies?”

“First aisle.”

A nod and he turns, cape fluttering behind him.

You rub your forehead, feeling a headache start to form, and continue for the Slurpee machine at the other end of the store.

A few minutes later, Red Robin joins you, wiping his gloved hands with what looks and smells to be antiseptic pads.

“Good as new,” he tells you, reaching for a Slurpee cup, too, as you sip at yours. “Like nothing ever happened.”

You sigh. “Thanks. Appreciate it.”

“So,” he starts, holding the cup beneath the tube for… the Zesti Cola flavor? What a complete weirdo.

“Are you—” he stops when he looks at you. “You’re judging me.”

“Who comes in to get a Cola-flavored Slurpee? That’s weird. You might as well just get a bottle of it.”

“Woah. It’s so not the same thing. If there was a drink form of, what do you get? Blue raspberry? Yeah. If there was a drink form of that, would you do that instead? A Slurpee is about the consistency. The slushy factor.”

Okay, that’s fair, but something about everything he just said makes you laugh. Hard.

Maybe the heat is getting to you. Maybe it’s the hysteria setting in. Maybe it’s Red Robin passionately defending his choice in Slurpee flavor and saying shit like ‘The slushy factor’ with a straight face. You don’t know.

“You’re finally losing it, aren’t you?” Despite his words, Red Robin looks almost relieved. He really was worried, you surmise, which is a… touching thought.

You quell your giggles, shaking your head; though the laughter was nice, your head is really pounding now.

“Here,” he says, digging through a pouch at his utility belt, pulling out a mini packet of… huh. Tylenol.

“Tampered?” you ask, taking it from him, anyway.

“If I wanted to kill you, I would’ve done it already.”

“Again. Charming.” But it still doesn’t change the thoughtfulness of the action; he doesn’t have to. If anything, this stuff is probably best kept for him. Though with their proclivity for putting their lives in danger, you don’t imagine Tylenol would be particularly helpful against gunshot wounds, but still…

“Thanks,” you say, a little quieter now, more meaning in your voice as you tear it open and shake out two pills.

Red Robin shakes his head. “It’s the least I can do.”

You can tell he means it. Which is, again, both touching and maybe a little bit confusing, too.

But trying to decipher why he does what he does is a futile effort.

This is, after all, the same guy who dresses up and goes out fighting the worst of the worst night after night.

Best not to look too closely. Who knows what you might find.

Despite your best efforts, Steph finds out about what happened. Something about the newspaper, which is odd, because you don’t recall seeing the news there—honestly, much more crazy shit happens overnight in Gotham. Robberies are old news.

But either way, you can’t complain too much because you are appreciative of her coddling the next day, which includes, but is not limited to, ordering takeout, burrowing on your crappy couch together, and watching old 2000s movies.

The only thing missing is—

“He said he was busy but he sent me the money for takeout. To make up for it.”

You purse your lips but don’t say anything. That you don’t want his money. You just want—

Nothing.

“We don’t need him,” Steph says determinedly in the next second. Which is a departure from what she usually says—that you’ll see Tim eventually, that his work at WE will let up. You don’t have the energy to ponder why.

You sigh, sinking further into the couch. Steph is warm next to you. You can smell her shampoo. Jasmine.

“I guess not,” you concede in a mumble.

You can’t do anything but concede. After all, it’s your initial avoidance of him at the start of June that caused this, right? And he keeps dodging your calls, your requests to hang out—points in which you might’ve been able to clear the air, apologize for it, but… no.

It’s not like you could track him down. You know the apartments he lives in—down in Old Gotham, in a much more expensive building than your shitty one here in Coventry. But sometimes he spends time at the manor, too, up in Bristol and you can’t ambush him there. You couldn’t. That would be too much. Right?

Trying to find him at WE is a lost cause, too. Not just because they have three given locations throughout the city but because you wouldn’t know if he was in or not.

Or maybe you’re just looking for the easy way out.

Complicated.

Why does it have to be so complicated?

“You look tired.”

“Thank you, Red, because that’s what every girl loves to hear.”

“Just a simple observation,” he responds, leaning against the counter, eating a kolach. Your Slurpee cups sweat in the mid-June heat, creating rings of condensation on the scuffed and scratched counter. You watch a droplet slowly roll down, joining the ring of water.

Your eyelids are heavy, dragging with each blink. A dull headache reminds you of your restless sleep and you’re sure the bags under your eyes tell it to the world, too. To Red Robin, specifically.

He finishes his kolach, crumpling the wrapper in one hand, looking steadily at you all the while.

“What?”

“Is it because of what happened last week?” he asks and his voice is frightfully gentle in a way you are not emotionally prepared to deal with.

“No,” you say quickly. “It’s not that.”

The occasional nightmare bothers you but that’s normal. You can deal with that.

“Then?”

You shake your head. God, you are exhausted. You fold your arms on the counter and bury your face there.

It’s quiet for a minute.

The refrigerators hum at the back. The AC makes an odd clanging noise before it turns on. Somewhere outside, a dog barks.

“I’m a good listener,” Red hedges after a minute. “Or so I’ve been told.”

“It’s stupid,” you say, voice muffled.

“Why?”

“Because it’s, like, stupid twenty-year-old drama and not, I dunno, the latest rumors on drug trades.”

Red laughs. It’s a pleasant sound that makes something inside you unwind.

“You should be relieved to hear I am up to date on the latest rumors on drug trades. And also, believe it or not, I do like to talk about things other than crime.”

“Could’ve fooled me.”

A soft chuckle. It sounds almost affectionate.

“Come on. Whatever it is, it’s making you lose sleep. That’s not good.”

“Losing some sleep isn’t the end of the world.”

“I don’t know. Feels like it might be for you.”

You grunt, an old memory from Keystone niggling at you. You set it aside for the moment.

“It’s nothing,” you say eventually. “It’s just—nothing.”

“I don’t think it’s nothing,” he remarks. “But if you don’t want to talk about it now, that’s cool, too. If you ever do—”

“Dr. Red, to the rescue.”

He laughs. “Well, I’m not a licensed therapist and I can’t promise my advice is sound, either, so…”

“Don’t sue you?”

“Like you even could. But still, I’m here.”

You want to ask why but that might be too much for you right now.

You let yourself settle with some generic explanation, that he is obligated to ask that as a vigilante, as someone who is generally supposed to be concerned with the wellbeing of the citizens of this city. And also he is trying to prove some kind of point, so this is part of that.

“So,” you quickly say to change the topic. “What are the latest rumors on the drug trade?”

He laughs. “Wouldn’t you like to know?”

“You look tired.”

“Thank you, Flash, that’s exactly what I’d like to hear.”

“Just a simple observation,” he says, holding up his hands in a placating gesture.

“Well, rest assured, I have Tim and Steph on my case about it. They’ve both demanded a video call with me tomorrow despite me telling them I am alive and well. Apparently, just saying I’m alive isn’t reassuring. Can’t imagine why. That’s more than enough in Gotham…”

Mother hens, the both of them.

And Flash, too, apparently, though he does a better job of covering it up.

Off near the coffee machine, a melodic hum of Dancing in the Dark, the song currently playing lowly overhead, reaches you. You tune into it, the sound lulling you, both because it’s pleasant and because the song makes you think of Tim and his love for Bruce Springsteen (largely in honor of his late father, Jack Drake). Because of that, you totally miss Flash’s next words.

“—here? Oh, Jesus, Piper! Stop humming. You’re distracting her.”

“Oh, sorry!” comes the apologetic and still melodic voice of the Pied Piper. More normal now, though, letting you shake your head and focus again. Piper comes around the aisle, a big cup of coffee in hand; he gives you a handsome and apologetic smile that you wave off.

“It’s fine—what were you saying, Flash?”

He wiggles his fingers at you. “I’m just curious about those two, that’s all, since they seem very worried about you, oh, practically all the time. Not that it’s unwarranted, of course.”

“I’m fine, Flash.”

He gives you a look. “I don’t believe that but seems like they got it covered so, I’ll let it go. I’m still curious about them, though. What are we talking here? Boyfriend? Girlfriend? Both boyfriend and girlfriend? That’s cool, I don’t judge.”

“Are you—what? In regards to who?”

“You, obviously.”

You shake your head quickly. “No. No, absolutely not. Tim and Steph dated when they were teens, they’re exes. That’s weird.”

A bit of an uncomfortable discussion, too, if only because you are… too aware of your own attraction to Tim. A different kind of attraction. One that has you constantly admiring him. Or had you, back when you were in Gotham. With Steph, you know she is stupidly pretty but it doesn’t fluster you.

It's… nothing.

(It has to be nothing.)

“Feelings are a natural part of life, kiddo! Nothing weird about it. Have they been weird about it?”

“We’ve never even discussed the remote possibility of me dating either of them—because that would never happen in a million years.”

“Well, if they’re friends, then it shouldn’t be a problem. You don’t get many exes who can stay friends after a breakup. Right, Pipes?”

“It’s true,” he says easily, and, hold on a fucking minute, is… is the Flash implying that he and Piper dated?

“Yes, we did,” Flash answers and oh, you said that out loud, and this is… a bit of Flash lore that you aren’t sure you ever needed to know.

But still. He continues, shooting a grin at Piper. “And we’re still great friends! Me, him, and my wife!”

“Wife?” you choke out.

Great. More lore.

Piper rolls his eyes. “Flash.”

“Okay, I didn’t mean to give that away but it’s fine, we can trust her. She’s a friend.”

The words would be sweet if you still weren’t compartmentalizing the fact that he is actually married and… apparently dated the Pied Piper at one point. The Pied Piper who used to be part of the Flash’s rogue gallery, then reformed. Huh.

“You—” you point at him for good measure “—have a wife? Someone actually married you?”

Piper bursts out laughing. It’s a pleasant sound you could get lost in… No! Focus.

Flash looks affronted. “I’ll have you know I am excellent husband material!”

Piper, still chuckling, looks at you and gives a small shrug. “It is true. The superhero community isn’t very ripe with it, for reasons I’m sure you can figure out, so, Flash is a bit of a standout in that area.”

“Because the bar is low.”

“Not true,” Flash interjects. “Superman is married. You know how hard it is to compete with Superman? It’s hard. But I manage it. We’re nearly neck-and-neck in terms of husband material, I’d say.”

He ignores Piper’s snort of laughter and leans in conspiratorially. “But you know who isn’t married? Batman. He’s not husband material. He’s not even boyfriend material.”

You look at Piper, who shrugs. “Never met the guy, thankfully, but from what I’ve heard from Flash, I have to agree. The tall, dark, and broody thing can be attractive but—”

“He’s just a sourpuss,” Flash finishes. “No sense of whimsy whatsoever.”

“Oh, and you have that?”

Piper laughs as Flash sputters. “I can have fun! Why do you think I hang around you?”

You laugh. “That’s… Alright. Fine.”

Flash cocks his head suddenly, no doubt listening to the police frequency he tunes into. Piper fishes out a twenty for everything and tells you to keep the change. In the next moment, the both of them are gone, leaving you with a sharp gust of wind and arcing blue lightning that makes your skin break out in goosebumps.

Okay, then.

Your video call is the next day—Saturday—and it goes as well as you think it will.

“You look like shit.”

Steph is more blunt about it, but the sight of Tim’s grimacing face on your laptop screen shows he very much agrees.

“Thank you, my dear friends, it is lovely to see you, too, yes, I’m doing quite well, thank you. And you?”

“Okay, fair,” Tim says, holding up a hand, “but don’t lie and saying you’re doing ‘quite well.’ Someone doing ‘quite well’ doesn’t look as exhausted as you look.”

You narrow your eyes at him. “And you wonder why you don’t have a girlfriend.”

“Or boyfriend,” Steph tacks on immediately, not one to miss an opportunity to tag him.

He rolls his eyes. You shuffle around, freshly showered, looking around for your lotion, then remember it’s in the bathroom.

“Give me a sec,” you say to them, heading over to it.

The audio of the video call feeds out from the speakers of your laptop, so you can easily hear their next conversation.

“It’s so hard, isn’t it?” Steph asks

“What is?” comes Tim’s confused question.

“The urge to resist wiring her money. It’s written all over your face, duckie.”

“Like you don’t want to, either,” he shoots back.

A pause.

“Maybe we can—"

“I can hear you!” you call as you go back to your desk, bottle of lotion in hand. They look a tad sheepish as you settle in your chair. “And look, fine, I won’t say to a couple bucks—"

“Define a couple bucks,” Tim says.

“Max twenty—for dinner—” as soon as you say that, they’re both scrambling for their phones. You grimace. “Guys, come on, it’s not that bad.”

Tim gives you a concerned look. “Even your bags have bags.”

You blink. “Did you just… quote Spongebob?”

Steph grins in the other frame. “He’s finally cultured.”

Then they both return their focus to their phones.

A second later, yours chimes with notifications from Cashapp, twenty dollars from each of them.

“Guys… everything is fine.”

“No, it’s not,” Steph says stubbornly. “But that’s fine. You know you can rely on us, right? We’re friends. That’s what friends do. I know Timothy over here doesn’t always set the greatest examples for it—”

“Thanks, Steph.”

“You’re welcome,” she replies without missing a beat. “Anyway, let us help.”

“You’re already helping,” you soothe. “So, it’s okay. This semester is going to be tough but it’ll be worth it. And after this, it’ll be easier, okay? You guys are here now—”

“Not in a way that really matters,” Tim mutters.

“Which is not an invitation to come over here,” you warn—him, mostly. Steph would go along with it but he’d be the instigator.

They both pout.

You smile. Sometimes, it’s hard to handle the fact that you have friends like this. Friends who care so deeply, who love you so much, it feels hard to breathe. Because you know you love them just as much.

“I love you guys,” you say next, because you have to say it, they have to know; it’s hard for you, sometimes, just because it scares you, but after everything, you know how important it is for the people you love to know you love them.

They soften, echoing the words, and that’s enough for you.

Of course it is.

You don’t have much. No parents, no other family.

But you have them.

“What do you think you’re doing?”

A slow blink. “Updating Redbird’s security protocols?”

The garage of Tim’s townhouse smells sharply of oil and rubber. But he isn’t elbow-deep in the engine today, just seated off to the side, laptop perched on his lap and hooked up to its system. ‘Updating’ it. God knows why. The Redbird’s security protocols are just as stringent as the Batmobile’s.

Jason once regaled them with his plan, way back when, to blow it up. Bruce included. And how he went about it.

“It’s got safeguards like crazy, right? Even when it’s idle or shut down. Come up to it, fire a gun, launch a missile—doesn’t matter. Not gonna touch it before the security protocols kick in. It can sense you on thermal, air currents, video recognition, all of it.”

“So, how’d you get past it?”

“SEAL-grade wetsuit. Invisible to thermal with reflection fibers that play hell with video. But the biggest thing? Going slow. And I mean slow. Like five seconds per inch slow.”

The insane attention to detail and paranoia runs in the family, obviously.

Tim had sat in for that. Stephanie remembers the look on his face. Begrudging respect, combined with a familiar twitchiness that told her he was absolutely dying to run out and start updating his stuff.

Question everything. That’s what Bruce says.

Tim tries to separate himself from it. He really does. It gets tiring, exhausting, to live like that. But old habits die hard and his big brain precedes him sometimes. Wondering at the possibilities, at the million-in-one scenarios.

Ordinarily, Stephanie has more sympathy for him. Really. But right now, after your phone call about his little visit to Circle K…

She’s pissed.

“Don’t play dumb,” she says, crossing her arms tightly over her chest.

“What is it that I’m playing dumb about?” he asks, averting his attention back to his laptop, keys clacking quickly, pausing momentarily as he takes a swig of Red Bull.

She tells him.

At the sound of your name, he stops.

But now that she’s started, she can’t stop. “Visiting her? As Red Robin? What are you thinking, Tim?”

The clack of keys resumes. The set of his gaze on the laptop screen is very intentional now. Avoiding her.

“It’s nothing, Steph,” he says and she almost believes it. But she knows him, so she doesn’t. “It’s harmless.”

“So, why won’t you hang out with us? Her? Because I assume you’re also avoiding her individually.”

A little sigh. Impatient. “I’m not avoiding her. I really was busy. Have been busy. You know how the heat messes with the city.”

It’s the excuse that bothers Stephanie.

Tim is making some kind of choice here. Choosing to favor Red Robin over himself, over Tim Drake, and it makes no sense. Red Robin isn’t your best friend. He isn’t even your favorite vigilante. (Black Canary is. She agrees, though it would be nice for Spoiler to get some spotlight but that is neither here nor there.)

You know who is your best friend? (One of them, anyway.)

Tim freakin’ Drake.

Stephanie knows why he’s avoiding you all of a sudden. The connection will be too easy to make. It’s why she—as Spoiler—keeps her distance. Tucks away her hair, hides her face even more, when she and Cass visit Circle K.

Even though! They had talked about telling you. Stephanie wanted to tell you so badly. You know who her father is. Was. You know how her mom used to be like. You know everything and you never once judged. You were, to be sure, a bit wary of them—the vigilantes—but most were. You wouldn’t turn them away if you knew.

If there is anything Stephanie knows, it is that.

But then she went away to Metropolis for a week and a half and suddenly, he’s visiting you as Red Robin. And he’s not trying to ease you into it, not trying to help you latch onto some clues, to make it easier—because they’d discussed that, too!—he’s doing it because… Well, she doesn’t really know. But there is a reason. She knows that much. A big reason.

It makes no sense to her, considering his feelings. Complicates things unnecessarily. Especially with how he’s avoiding you because of it, because he apparently got cold feet on telling you the truth.

And it’s the excuse… it’s the excuse that pisses her off.

Their relationship, back when they were kids, had some questionable origins. It did. Stephanie did things she wasn’t proud of. He did things he wasn’t proud of. It was messy. She tries not to kick herself about it—about being a silly girl in love, awed at the attention of a boy like Robin, knowing he was dating a girl (Ariana Dzerchenko, her name was, she would later find) and making moves on him despite that, moves that he always, always went along with. Like two magnets that couldn’t help but fall together.

Don’t get her wrong! The blame is not solely on her. It’s on him, too. She shouldn’t have pushed. He shouldn’t have went along with it, knowing he had a girlfriend, too. He shouldn’t have held his knowledge of her identity over her head the way he did. He isn’t mean-spirited at heart but he had an advantage over her. He knew she was Stephanie Brown. She knew him only as Robin and nothing else. Not until later on that would change and that… that was another mess entirely.

But they were dumb and young. Stephanie tries not to hold it against herself. They know better now. She knows better now. Knows what she deserves.

But this feels too close to him crossing that line.

No, he has crossed that line.

Given one persona up for another.

Approaching you as Red Robin, while you know nothing of him, and doing god knows what…

Someone is going to get hurt.

Last time, it was him. The circumstances, Bruce’s unceremonious reveal of his identity to her—a mistake, an egregious overstep—it all culminated in Tim feeling betrayed. Betrayed that Bruce would reveal that to her without Tim’s say so, without even asking him if he was okay with her knowing. Betrayed that Stephanie went along with it.

This time?

Stephanie feels it in her bones.

The person who is going to get hurt is you.

You, clueless about these lives they lead, clueless as Tim monopolizes your time as Red Robin, all the while you have no idea it’s him. You, her best friend. Stephanie loves you to the end of the universe.

She doesn’t want to see you hurt.

The mere thought of it, of the potential fallout, leaves a sick feeling in the pit of her stomach.

“Steph. Steph, it’s fine.”

She blinks, coming back to herself. Tim is standing in front of her now, dark brows knitted together, blue eyes intent on her face. Concerned.

“You’re lying to her.”

“We’ve been lying to her.”

“Not like this,” she says quietly. “Not this way. You’re… This is too much, Tim. I don’t understand why you’re doing this. What happened?”

“Nothing,” he says. For what it’s worth, to anyone else, it sounds believable. But like she said. Stephanie knows him. For better or for worse.

And on that end, she also knows he is not going to budge. No matter how much Stephanie wants to drill this into him, grab him by the shoulders and make her point. Once he’s made a decision, he commits.

Or more like he’s dug himself into this grave and he doesn’t (can’t?) want to get out.

“This is a mistake,” she says. “And you know it. I just hope you actually try to fix it sooner rather than later. Because if you break her heart, I’m going to break something of yours.”

Stephanie loves Tim. He’s a great friend. They’ve had their ups and downs—even discounting their relationship—but they’re solid. They are.

But she loves you, too. So much so it sometimes feels like she’s going to burst with it. She’s never had something like that, like this, and in the end, she doesn’t want to choose, but Tim knows better. And because he knows better, you are her first priority.

Even worse, he doesn’t seem bothered by the threat. Relieved, if anything.

“I’m counting on it, Steph.”

Which is so unfair in so many ways (fix it, she wants to yell, don’t rely on me to come clean up when shit hits the fan—do it yourself!) but she’s had enough of this conversation and all the ways this can go wrong.

Maybe he will turn around. Maybe. Maybe, maybe, maybe.

But she doesn’t think so. He won’t. Not until the consequences of this, of his lies, of his excuses, come hit him in the face.

She wishes it weren’t like that—knowing what it will result in.

But some things you just can’t change.

She knows better with Tim.

She really, really does.

reblogs are appreciated!

taglist: @peachesona @knoxx-seresinbradshaw @kikis-writing-service @sweetistic @soundsfunbutno @ginevraxrogers @fridaenpina

[ask to be tagged! either in my inbox or here! ^_^]

#tim drake x reader #red robin x reader #dc comics imagine #tim drake imagine #red robin imagine #tim drake x you #tim drake x y/n #red robin x y/n #red robin x you #dc comics x reader #batfamily x reader #batfam x reader #batfam x you #batfam x y/n

378 notes · View notes