#you can write poc characters if you tried

[darkesttiimelines]

this whole percy jackson reboot thing really grinds my gears because i remember the backlash jkr got over hermione being cast as black in the plays- when her physical description in the books could easily suggest that she was black.

annabeth, on the other hand, has been described as blonde. so. many. times. it is a significant component of her personality (not being taken seriously due to the blonde stereotype) but then here comes spineless riordan, defending annabeth being cast as black. (and being celebrated for it.)

[arcventi]

I need more friends that could tell me if I'm doing a racism tbh

[writingwithcolor]

Author with cultural disconnect: How do I write without making it seem as if I hate my own heritage?

Anonymous asked:

I’m a white-passing Asian author, and I’ve never felt all that connected with my heritage. My current story centers on a fairy (re: fantasy-world POC) child and ends with her realizing that her parents are toxic af and her human best friend’s family takes her in. This is the perfect opportunity to sort through my own issues with my heritage and finally convince my monkey-brain that it’s okay to not know how to cook Vietnamese food or celebrate tet or speak Vietnamese… But I also realize that if I’m not careful, this could easily slip into “Hey, I hate my heritage and so should you!” So how can I stop that from happening?

Writing for yourself first, not an audience

I ask you a simple question: why put pressure on yourself to have any sort of non-offensive messaging for a story that hasn’t been drafted yet and is to convince your monkey brain it’s okay to exist as yourself?

That seems like the fastest way to stop the story from being actually cathartic and instead a performance art piece when you already feel hung up on performing as “properly” part of your culture.

As I said in Working Through Identity Issues and Other Pitfalls of Representation, not all stories you write need to be for public consumption. Especially stories you’re using for your own self-processing and therapy, because you’re trying to get a cathartic moment that is rewriting your own story.

At what point does the public need to be involved in that?

I do understand the compulsion to want to post—I have definitely posted some Questionable™ material in my drive to get validation for feeling the way I do, wanting people to witness me and say “same.” It’s a powerful urge. Sometimes it’s worked, but most of the time it’s just made me feel horrifically exposed.

But you really do not have to post in public to get any sort of validation. Set up a groupchat with friends if you want the cheerleading and witnessing—people who will know your story and give you good-faith interpretations and won’t accuse you of anything. Honestly I’d suggest setting up this groupchat anyway; as someone who just got one again after quite a few years without it, my productivity has skyrocketed from being around supportive people.

Let the monkey brain have its monkey brain moment and shut off the concept the story is for the public. Shut off the concept of performing for an unknown audience. It’s for you. Be authentic, no matter how bad it would look to outsiders. They’re not reading it. Part of getting catharsis, sometimes, is being the worst version of yourself, somewhere nobody else can see it.

Deciding to publish the work

If, after you do write it, you find that you actually do want to polish it up and put it somewhere… edit it. Rewrite it entirely if that’s what it takes. Take the story through the same drafting process every story needs to go through, ripping out the unfortunate implications as you go.

Editing can be its own form of healing, as you try to figure out what this character would need to not be hateful. As you realize, once this longform journal entry is out of your head, what was bothering you now that you can see it pinned down on a page. But you absolutely do not need to write with the intention of editing in that healing. When I’ve tried, it’s fallen flat.

The healing will come from being yourself, no public involved, and writing about your feelings in their rawest form. Anything else is extra.

There’s no point in trying to put guard rails on the drafting process, not for a deeply personal piece. And by the time that drafting process is done, you’ll likely have specific scenarios and contexts that you can ask about, and you might even have ideas on how to fix it yourself once the story has a shape to it.

This is 100% a situation where there’s no real sense in idea workshopping something in the plotting stage. You’re doing something for you. Decide if it’s for public consumption later (while acknowledging “no” is a perfectly valid answer), and only figure out how to make the story not overtly harmful if you decide to put it out into the public.

~ Leigh

[princessofmarvel]

Runaway

summary | thomas has made a deal with a man to help his business. thomas’s only condition? to marry the man's daughter. except she doesn’t want to marry him. 

pairing | thomas shelby x fem!reader

word count | 1.98k

 genre | fluff with some angst?

requested? | yes! i had so much fun writing this! especially since i have never written anything like this before! thank you so much for requesting! please let me know if you like it!

warnings! | arranged marriage? darkish thomas? (not really, i’m just not great at writing dark characters sometimes, lol) not proof read yet!

author’s note! | hey everyone! this main character was written with poc in mind, i have tried my best, but since i am not a person of color please let me know if there is anything i can change to make it better! i hope you enjoy your request! please know that if you have requested something, i promise that i will get to it soon! And as always, I do I have really bad OCD that causes me to write in some random capitalization, and punctuation, But I think that we don't have to worry about that in this fic lol. And let me know if there are any mistakes, but please be kind!

Thomas knew what was happening today, hell his whole family knew. His future bride was coming to birmingham. He struck up a good deal with her father about helping her fathers business about a week ago, then he saw a photo of the man's daughter. The only condition Thomas made? To marry his daughter. Once they agreed, the man said he needed a week to get his family there. By the time they got there, Thomas had already got everything set up to make damn sure the man would be successful in birmingham. Which included a few fights, but Thomas would do it all over again if it meant he could have her. 

They weren’t to meet until the wedding, something her father insisted on. So Thomas stood in a room of the church getting ready, when his brother John busted in. 

“They can’t find her Tommy” was all John said as he huffed as if he was out of breath.

Thomas’s mind began to race. What did he mean they couldn’t find her? Has something happened? Had one of his enemies found out about today and took her? 

“She was getting ready, and asked for a moment to herself, when her mother came back in to check on her, she was gone.” John added as he leaned on the closest chair. 

Thomas stood and took in his brother's words for a moment before he left the room. His future wife was out in Birmingham in her pretty white dress, with no protection and no one was doing anything about it. Her family may not know this city, but Thomas did. He knew what could happen to her if she stayed out there too long. This won’t be an issue when they’re married, and she has his last name. She could kill someone and get away with it then, but right now no one in Birmingham knows who she is. All they know is that she is a pretty girl in a white wedding dress, and the thought of what could happen to her made him sick.  

Thomas looked everywhere he could think his fiance would be. He couldn’t find her anywhere, the only place he hadn’t checked was the Garrison. 

He walked in to see his bride to be, standing behind the bar making herself what looked like her fourth drink. He walked in slowly, making sure not to scare her. 

“(Y/n)?” He asked as he walked up to the bar. She looked up at him as she continued to make her drink. “I’m Thomas Shelby, your future-”

“I know who you are.” She said, cutting him off. 

“Well, we're supposed to be getting married right now.” He said matter of factly. “So what are you doing here?”

“I’m not marrying you, thought you would have figured that out by now.” She said as she took a sip of her drink. 

Thomas looked at her, making sure to not show how shocked he was that she was speaking to him that way.

“And, why not?” He asked her, now intrigued. 

“I don’t want to, I don't know you.” She said as she finished her drink. 

Thomas moved to be behind the bar where she was. He took her drink from her hand and placed it on the bar. 

“(Y/n)” He said as he towered over her. “Your father has already given me your hand.” 

“I know, I don’t care.” She said as she grabbed her drink back from Thomas.

Thomas just took a moment and stared at the girl as she took her drink back. It was the first time he truly got to look at her. He got to take in the color of her eyes, and the curl of her hair, she truly was beautiful.

“Why exactly are you so against marrying me?” He asked as he stared at her. 

“I want to be my own person, not defined by my father or my husband.” She said not missing a beat. 

“I think I can help with that.” Thomas said, starting to get closer to the girl. “I have a certain reputation, if you’re married to me, you’ll be untouchable.”

“That's still me being defined by my husband.” She said, cutting him off with a small eye roll. 

Thomas took the drink from her and set it back down, but this time, she didn’t turn away from him, she just stared up at him, waiting for him to continue. 

“As I was saying, you would be untouchable, and if you wanted a role in peaky blinder business, you wouldn’t just be “Thomas Shelby's wife”. You would be “(Y/n) Shelby, most feared woman in Birmingham”. You have an opportunity here, the choice is yours.” Thomas said, staring her in the eyes. Normally he would never offer this to someone he just met. But there was something about (Y/n), just the look in her eyes, the way she wasn’t scared of him, how she held herself, how she looked at him with the same amount of intensity he looked a her with, how she didn’t care she was defying the most feared man in birmingham. "Don't let your pride get in the way of a smart decision."

Thomas watches the girl stare at the wall for a moment, him taking in her side profile. Until she finally looked up at him.

"I won't be reduced to just your little wife?" She asked with a small glimmer of hope in her eyes.

"I'll let you take care of anyone who says you are" He said with a serious look on his face.

The girl gave him a small smile, it was obvious that no one had ever believed in her the way Thomas was right now, that they all thought of her as some weak little girl and nothing more.

"Fine, I'll marry you" She said as she looked up at him with a small smile. 

Thomas wrapped her arm in his and led her out of the Garrison. He held the bottom of her white dress up away from the dirt as he walked them back to the church. 

“You know, you’re not supposed to see the bride before the wedding.” She said to him with a small laugh. “It’s bad luck.” 

“I won’t let anything ruin this marriage, trust me.” He said as he opened the church door for her and let her walk in first. Thomas watched as her family whisked her away, knowing that this girl was truly something he had never expected her to be, and he loved it.

[thorough-witness-enjoyer]

The Witness and Why It (and its demise) Means Everything to Me (A POC Perspective)

Hey everyone!! The Final Shape has ruined me and has brought me to levels of not only grief, but hope, that I did not think possible, so I decided to give my thoughts on the different aspects of it that moved me to a place where I can be at peace with many things in my life and look forward to paving a better future!!! I think I’ll be making many posts pertaining to the Final Shape as a way to help me express my thoughts on how important this DLC was to me, but we will see!

Please note that these are just my loose, not fully structured thoughts and I’m yapping. My opinions are subject to change and I’d love to hear the input of others! We will be talking about subjects such as slavery, religion, black experiences, and personal experiences of mine!!! It’s very long too, so I’m sorry about that and any writing errors!!

Though I do not believe what I speak of was fully Bungie’s intentions when making the character, the implications and views you can take on the Witness do relate to what I will discuss.

I wanted to start off my return to tumblr with one of the many, many reasons why I have such a deep attachment to the Witness (Precursors and Dissenters will get a different post bc they mean the world to me too!!) , because truly, this entity owns my whole life. I think of it all the time, it lingers in my thoughts, my art, my writing, all of it. It has been so deeply intertwined with my enjoyment of Destiny since it appeared and has offered so much to my perception of the world. I do not think I will truly get over it and I’d be lying if I said I didn’t draw it every chance I get. It appears in every single thought of mine, it’s bad you guys.

I love the Witness so deeply because I have never harbored such a personal level of DISGUST for a character before. As much as I joke about it being silly and the love of my life, the very existence of the Witness revolts me to the core and the tragedies it has directly or indirectly caused squeeze my heart empty. This festering rot of an egregore SICKENS me as it is the beliefs that has robbed me and many others of family, culture, and livelihoods given form. My love for the Witness comes from how it instills in me such HATRED, and truly, we were far too kind to it in game.

For context, I am Caribbean American and have a tumultuous relationship with my heritage for many reasons, but it wasn’t until the Witness and its many victims that I felt like the religious imperialism that has affected my heritage was represented in a way that crept into my spirit.

My Caribbean mother always said to me that we are of this world, not in it. That the hearts of men are wicked and sin (cruelty) was embedded in existence itself. It is only when we give ourselves to a higher purpose that we will be free in the end from all suffering. To her, this life and everything in it did not truly matter for it was a temporary challenge to overcome in order to earn an eternity of salvation. A perfect paradise was awaiting us all if we just gave into the way and left everything else behind.

These were all convictions she held to her very core as she tried to shed away all other aspects of herself to give into this “truth”, especially her Caribbean culture.

She did not always believe this way, but to her, the island she came from did not truly matter at all. Those “wayward people” she grew up with were not worth anything and would die as nobodies on that nowhere island for their lives were not saved, even if they knew of the “truth”. In her adopted views, those people believed in false gods and practices (such as Vodou and beliefs that belonged to those taken from Africa and indigenous populations), they invited in frivolous wants of the flesh such as lust (with „improper“ attire and certain dances), and committed crimes that proved to her that they could never be anything more than what they already were (though she would be blinded to the fact that these behaviors are a result of hostile environments created by the systems established for slavery and racial subjugation). If she wanted to be fit for “walking the right path”, those people had to be left behind for they were lost causes who could not be saved unless they were delivered by the “respectable” ways of life. She had to discard her black mannerisms, hair, speech, and more to have a place amongst the truly chosen.

Religious imperialism has a long history of being heavily tied to discussions of race and colonialism as those who participated in subjugation believed themselves to be more enlightened than the people they brought devastation to, giving them an entitlement that drove them to force their way of viewing religion onto populations. After all, in their minds, they were doing the greatest good for they were setting the people they subjugated on a path for eternal paradise. There was no cost too high in this finite life for infinite salvation to colonizers and all efforts to convert populations who did not see this truth would be “necessary”. People would die or be forced into servitude in mass to support the ambitions of the “enlightened” ones, whole cultures and populations being scrubbed from the face of this Earth in an attempt to “heal what is sick”, to “break broken bones again to heal them right”. I think of all the generations lost to war, slavery, colonialism, and every other act done to deliver “purpose” onto others, all the people whose names will never be known because others used the breath needed to utter it on preaching of their own virtue, and I am left in ruin.

I think of how my mother speaks of those lost to destitute lives because of the social pillaging of the island as an unfortunate side effect of guiding them to the truth and I look at how her world view has been ruined.

My mother thought she was saving me by keeping me from my culture, my people, my family. I did not get to know the language, the customs, the land, but I did get to know how much my mother thought those were distractions. She spent my whole life trying to cement the truths given to her by the same people who left her island in such as state that she felt like she had to run from it, to ensure I would not grow into a person, but a vessel of the righteous message. After all, to be a person is to be complex, nuanced, and flawed and there was no room for that in the visions given to her. The complexities and human flaws that came with our culture would only distract us from giving our whole lives to freeing ourselves from the curse of existence.

The cruelty the Witness delivers with such gentleness as it razes civilizations, its unwavering belief that it is the objective truth and other perspectives are blind to this truth, the means it will use to get that “justified” end, its gut wrenching to me and all that has been lost throughout human history to ideologies that bear the same qualities. Its zealous, static nature that relies on circular reasoning keeps me up at night and makes me mourn what could have been if the unfamiliar and hard to understand parts of human expression were allowed to flourish instead of being eradicated for diverging from someone’s vision of what makes a life worth living. I see this big eyed vessel, incapable of growth and convinced of its own righteousness and my chest feels like it is going to cave in. I see its disciples and pawns in the faces of too many people I know and recall their stories in moments that remind me how poisonous what the Witness represents is.

The Witness is an evil that has hollowed out lives, homes, land, and futures, especially for those who come from heritages that have persevered against attempts to “rectify” them. I still grieve the empty life my mother lives and the people left to suffer the consequences of daring to create their own meaning. I look at the face of the Witness and think of the “burdens lifted off my mother’s shoulders” by those who thought themselves as witnesses of a truth that could not be contested with interpretations that could not be questioned. She prides herself on being a weapon wielded to correct the sinful hearts of men, but I just wish she prided herself on being a person because those who “delivered” her robbed people of color of personhood entirely.

The Witness is not a person, but the embodiment of these deeply rooted ideologies and concepts that affect so many. It’s horror, both in game and the parallels it has in reality, is far too grand and unfathomable for me to bear its weight on my soul and not agonize. Its very existence is monstrous, despite the understandable intentions that went into its making, and my stomach churns at the mere thought of it.

How many species in the Destiny universe will we never know about because their whole galaxy was used to get closer to the Final Shape? How many star systems were left barren because of the Witness’ ambitions? How many children, spouses, artists, philosophers, siblings, neighbors, and more, people who were something, became nothing because of eons of the Witness‘ justifications? Bile boils just thinking of it.

What the Witness represents has hung over my head my whole life and its perverse touch lingers on the whole Destiny universe, tracing many of the depraved atrocities in the game back to itself. It’s death in the Final Shape, at the hands of those it had turned into victims and left to deal with the repercussions of its influence united together, moved me in ways I do not think I could ever properly articulate. To see beloved characters I had given a decade of my life to come together from different backgrounds with different reasons to defeat such a heinous entity, I felt like I could do my part to bring others together, despite our struggles and differences, to rebuild what had been taken from us.

As a person of color from a group of people many still think are undeserving of life, seeing so many characters I have related to over the years say “I matter because I decided to and you can’t take that away from me” to an entity who thought itself so refined that it got to determine everyone’s worth strengthened my entire being. Existing as a person of color is bold in and of itself, but the defeat of the Witness at the hands of people who wanted to exist so bad they risked everything for it ignited in me a flame to be audacious. My existence and culture as a poc is unsightly and heretical, but TFS encouraged me to take on the prejudices of others by saying “Here, despite generations being molded into a “perfect” image and so many lives lost in the struggle to live personal truths, ergo sum. Ergo sum and there is nothing wrong with that”.

To me, the Witness’ death showed me that the stains left behind by social structures such as religious imperialism and colonialism can be overcome by people banding together to make the future different from the past. When we embrace the subjectivity of existence, we can create spaces for different views on life to flourish and reconnect with the nuances of this world. We can better the lives of our people, no matter who they are, not by abandoning all cultural practices and ways of life that were deemed meaningless, but by rebuilding our societies to allow for fulfilling lives and self efficacy for all.

My people no longer have to let imperial powers decide our fate for us or decide that we can be nothing other than the „nature of our race“ that they believe is inferior. Instead of looking up at others who asserted themselves as more enlightened for salvation, we can look at each other and realize there is no one truth to life, especially one worth all the devastation and cruelty placed against those who lived differently. The intricacies of life often lead people to belief systems that allow for comfort and understanding, alleviating the anxiety of possibly living an improper life that will forfeit a desirable afterlife. It is up to individuals to decide what makes their life fulfilling and what beliefs will guide their actions, for no one can make your fate but you.

My mother still likes to wear the patterns of the island and keeps paintings of island scenery in her room. She talks on the phone in patois when she doesn’t feel the pressure to be “proper”. She misses her mother because she used to make dishes from home. To relate it to Destiny, she still has the coordinates to her Lubrae in her pyramid despite convincing herself abandoning it all was for the best and there was nothing there worth keeping. I once thought reconnecting with our heritage alongside her would be a frivolous endeavor, but I hope that with time and understanding, the Witness may not have power over her anymore and she won’t look back on her disassociation with relief. Time and understanding will make our island grow and flourish, free to decide what it wants to be, not held back by preconceived notions of the worth of its existence.

Despite all the Witnesses in the world, I will persist on and try to acquaint myself with my culture without shame. The Witness is everything to me because I hope one day it desecrates nothing ever again. I hope the Witness becomes nothing at all and the cultures it has corrupted make themselves something audacious.

Thank you guys so much for reading!! I hope you guys don’t mind the vague language, I chose to spare some details for my own sake and to make the message more applicable!! I’d love to hear the takes of other people about this bc I love hearing people’s perspectives!! And always remember, no one makes your fate but you!!! Go be audacious!!!!

[chickenleafs-world]

Cannot stress enough how sad I am that Boothill was made so pasty, because he’s so interesting in every aspect of his story and it would be better if some of those bits were more visible. They made his story to deliberately parallel America’s history with Native Americans, and he’s a cowboy which is a job that had mainly black and indigenous people in its heyday. It feels hollow to make the point of his story that colonialism and racism are bad, only to fall in line with those structures to whitewash him. Sure, it’s physically possible for Native Americans to pass that well (one of my closest native friends is pasty with blond hair and blue eyes) but it’s not typical, and we don’t have enough dark skinned rep in general. It comes off as lazy more than exploring the life of a mixed/passing character.

And I know it’s to be expected with Hoyo’s continued disregard for poc, but it doesn’t make it less frustrating every time they write a character to be poc then just. Don’t make the poc. HSR hasn’t added another dark skinned playable character since release and already has issues with roma representation, HI3 has… everything with Carole, and Genshin went through a whole saga of mostly pale people in the Middle East/Africa equivalent.

Please Hoyo I am begging you to for once let your bottom line be risked for poc rep the same way you’ve tried to with queer rep. If you can sneak lesbians and femboys in after being used as an example of what not to do by government censors, you can make Boothill at least a little tan. Being a Chinese company doesn’t suddenly let you off on the bear minimum. It feels like they wanna have their cake and eat it by using other cultures and histories without acknowledging the people who’s cultures and histories they are.

This isn’t coming from a hater. This is coming from a disappointed Hoyo player who has slowly come across all the ways Hoyo has fucked up in this department and who is getting tired of it. I want them to do better (even if I know they probably won’t) before I (and many other players) can no longer justify supporting them as players.

[teeth-cable]

I need more people to talk about how just like the POC designs, the writing is terrible at clueing the audience what race and ethnicity the characters are.

Beside stereotypes, the racial coding in the writing is little to non-existence. The characters don’t have mannerisms from their cultures, speak in slangs or idioms relating to their group from their time periods, or make cultural references.

Without having to rely on outside sources (Livestreams, looking up VAs, leaked audition sheets, etc), the only characters I would successfully guess would be Vicky, Val, and Velvette, and even then, it doesn’t mean the racial coding is good.

Vicky is the only one from this list whose racial coding isn’t atrocious. I can tell she’s Latino because she curses in Spanish, but that’s it. This is admittedly nick-picky , but I wish when cursing she would have used Salvadoreño specific slang and curse phases to signal she’s Salvadoreña.

Val, I can tell is Latino too, because of his accent and him cursing in Spanish, but it’s egregious. The accent fluctuates so much, it’s strong, then weak, then strong again. Not sure if the VA was struggling or if this was an intentional direction given to him, though the fact, I and other people were confused, at the direction, speaks for itself. Another issue with his accent is how it’s sexualized, contributing to the Latin Lover stereotype of his character.

Velvette, I won’t sugarcoat it. I wouldn’t even guess she was supposed to be black though the writing or the majority of her designs until the finale. The finale, the last episode of the season and the only time she has textured hair with her screen time being around two minutes and sixteen seconds in total.

Visual designs isn’t where race coding ends. This is important to remember because it ignores the good coded characters (King Dice from Cuphead, Darwin from TAWG, the Funk trolls from Dreamwork’s Trolls) and how Viv failed and could have done the racial coding better.

For Viv, she has to rely on other coding methods too because there are characters who aren’t humanoid enough, or even humanoid at all, for visual coding to work. There really isn’t anything I can say to explain why the race coding sucks beside Viv doesn’t care about representing POCs.

I wanted to create this post to highlight how Viv fails at coding in every aspect. The fandoms and critics shouldn’t praised her for giving Velvette textured hair or darkening Sera’s skin from her leaked audition sheet. We need to stop praising creators, especially white ones, for doing less than the bare minimum (The bare minimum being making POC characters look POC) when creating POC characters, or worse, justify it. I’ve seen people tried to justify the terrible POC designs by using one of Carmilla’s daughters as an example, as if one decent POC design in a sea of ashy and euro-centric or erased features for the majority of the POC cast suddenly invalidates the criticisms.

I’m also getting tired of the fandom making posts questioning why people have and still draw the POC characters as white, as well as people harassing artists for accidental whitewashing. I’m hate the whitewashing too but in this case, it’s different because this is Viv’s own fault due to her poor racial coding. Not every fan will have the same intense knowledge you do or even should, to know what a character’s race or ethnicity is, that’s Viv’s responsibilities as the creator.

Mind you, these were the human designs we had before the show aired. Alastor being mixed creole and Niffty being Japanese yet they look white as hell here.

[agent371]

This post is talking about the designs (and the designs only, I haven't read anything from the authors and dont even know who they are so this is design based only) released for the new Damian Wayne comic - The Boy Wonder. I will be heavily critical and btching about these, but please tell me your thoughts as well. After Damian, the others are under the cut. Please read because it's important.

Damian's design is actually really good and the best one, which is probably good since this is a comic about him. And I love how he's not whitewashed, which is something that happens way too much in comics.

Now, to Nightwing, his design is okay for a Nightwing design, but he just looks off in this style. I think if they tried to stylise him more, it could look a lot cooler. So I think he's just got wasted potential. Also, he's probably whitewashed as well to make damian more special as the "only" POC in the family (probly why Cass, Duke, Luke, and Luicus aren't here as well).

Babs is next, and this is the main reason I made this post. They abled her. DC authors stop abling disabled characters, please, for the love of me, I can't stand it. She can be disabled and still be relevant in the plot. I swear the only reason authors do this is because they don't know how to write disabled characters. If they need a Batgirl, use Steph or Cass because they are more than capable of doing it. I know they aren't as iconic as Babs, but move on DC. She's so much more interesting as Oracle.

Batman, I'm not a fan of his big blocky design. I just don't like it. He also looks really irrelevant and giving this is a comic about Robin (his son!) I think he should be relevant or look like he isn't a background character who just grunts, like for the design it looks like he doesn't talk. Don't like it.

Jason now, I actually love his Red Hood costume it looks sick, and the R on the chest *chefs kiss*. But his robin outfit is too gritty, and from that, I can tell he's going to be mischaracterised as the "angry Robin," so Hood looks cool, but that's all it is, his looks.

Tim. There is so much to say, omg. Where is his hero outfit! Everyone else got them. Why didn't he? You can actually see RR in the preview, so why wasn't that design put here? Why is it just Tim? And why does kid Tim look homless you know he grew up rich, before and after his adoption sure he has a style but his cloths wouldn't be friad he'd still look sleek and scruff not on the verge of his cloths falling off his back. For this, I can tell he'll also be mischaracterised as just like Jason since this is a Damian comic they are doing to do him so dirty. :( Sad day for a 90's Tim Drake fan (like every day, tbh save my guy). His RR design also has a shitty mask, but other than that, it seems fine, I like the wings/cape for it that looks pretty cool.

Alfred is a stereotypical old man. He's got no individuality what so ever and will proble be in one panel, say something sarcastic, and never show up again.

Ra's is okay. That's all.

Talia doesn't even look like herself . If you showed me her design with no context, I would not know who she is.

Carrie. Why is she here? Like honestly, why? There are better characters to include in a comic like this, like Steph or Cass or Duke or Helana. They would all be better chooses than Carrie. I'm not the biggest Damian fan, but ofter, Damian fans have been wanting him and Huntress as in a comic for a bit. I do like her design, but I just don't get why she's here. (I'm not including her image because of the limit bit is on my previous repost)

[synergysilhouette]

Everyone keeps talking about "traditional villains," but in retrospect, I wish Disney had gone in a different direction for the Revival Era. Hear me out...

King Magnifico's failed characterization and poor writing in "Wish" really bummed me out. I was looking forward to a complex villain who was kinda right. I was hoping it could usher in a new age of Disney villains who were more grey than black and white, who made the characer grow as a person because they challenged their perspective. But then I realized that the opportunity existed in earlier revival-era villains:

Dr. Facilier is a villain first and foremost, though thinking back on it, I do think he is kinda proto-Magnifico, granting people's wishes, only for them to find that what they wanted isn't what they expected. I do wish he tied a bit of truth in with his scams, mentioning (similar to Magnifico) how people's dreams are very difficult to achieve--especially in the post-WWI American South, particularly POC. Naveen is generally assumed to be a POC himself, so he could juxtapose this viewpoint as someone who's never really had to experience such hardships. Dr. Facilier could still be 100% villainous, but further emphasis on dreams, wishes, and hard work would be part of his character. However, this is the reverse of "Wish"; Tiana has already worked hard, but she's lost a lot of her innocence and light-heartedness trying to achieve it, thus causing her to reevaluate how important love is and how she may not have realized it, being more practical about her dreams. It all starts with a wish.

Mother Gothel was already right; the world can be dark and cruel, and will destroy any light it finds. However, similar to Magnifico, since she's completely evil, the protagonist she goes against doesn't really change to understand what she's saying. Rapunzel doesn't see the world as dark or dangerous anymore; it's the opposite, thanks to her experiences. Because of this, I do wish Rapunzel did have a bit more negative experiences independent of Gothel to prove Gothel's point rather than it being "hey, she's just saying that because she's the villain." Maybe Rapunzel tries healing someone and people start lusting after her hair.

Hans is DEFINITELY a missed opportunity. He was the anti-Anna; isolated and alone, and he became bitter and cruel because of it. It's mentioned that the deleted song "More than Just the Spare" was removed because it made Anna too much like Hans. I don't think that, and if anything, it furthers my point: Hans gave up on his brothers, who he felt overlooked by and pestered by (he doesn't even mention his parents). Maybe give Hans less brothers and feature them a little in the movie so we can see how they interact with Hans and how it's a "what could be" for Anna and Elsa. His evil character is exactly what Anna is trying to avoid, but she understands how he became this way rather than it simply being for shock value.

Yokai was a great villain to me, but the reveal happened too late. I'd have loved seeing a more thorough exploration of his character and parallels to Hiro (which were done great in the film; I just wish it was expanded on). Highlight how people quickly forget about the dead and don't always learn from history, how there's this cycle of loss and hatred that you have to break.

Bellweather was on a power trip, but I do wish she had a storyline similar to Judy and Nick, since--in an interesting twist--they come off as more interesting and complex than the villain. She doesn't really say what made her act like this, and comments that "fear always works." I wish we got more of that, especially to play the two sides card; Zootopia is mainly predator-phobic, and challenges to this, ie predators playing down predator-related crimes in order to get people to look past their identity (and the fact that many predators are in positions of power) may have caused Bellweather's abuse by predators to be overlooked, causing her to want them all gone.

Te Ka is interesting. Despite "Moana" being a great film, I do feel like Te Ka and Maui's storyline was underutilized. It's revealed Maui stole Te Ka's heart for humans, but from what we see, Moana lives in this ideal community where their heritage, culture, and nature is loved and respected. Maybe embrace the fact that Tala is the only one who tells the story of the ancestors and how being they became "comfortable" since they were no longer voyagers, being used to the hierarchy and their stagnant society. Highlighting some humans' selfish natures would've been nice rather than Maui just telling us about it, with Te Ka being a metaphor for the destruction and disregard for nature and love.

Namaari is such a missed opportunity. Despite caring about her community, she comes off as more villainous than an antihero since she doesn't show any sympathy or care for Raya--in fact, she seems rather smug about hurting her. By making her a villain burdened by expectations and love for Fang while slowly being redeemed would've been better to me, shifting her POV slowly, making Raya angry with Namaari but understanding her motives. Having some regret about her choices--even if she believed they were the right ones--would've gone a long way for Namaari's characterization.

Magnifico...well, you already know he could've been one of Disney's most complex villains. Horrifying backstory and powers that are the result of hardwork left him with a jaded view on wish granting. He wants to help others, but has MANY reservations about it.

This is just my POV, of course; some of you may disagree (or feel like the aforementioned villains already achieved what I ask for), but I do hope future Disney villains have that "they're kinda right, even if they're wrong" characterization. It'd be a nice new era as the successor to traditional villains and twist villains--though just like twist villains, this trope requires VERY good writing.

[webshood]

continuation of this ask here:

Top 10 worse tropes in the batfam fandom

part 1.

5 • Feral child Damian Wayne

.... this one is very... Icky. I'll never understand the need to have the brown child be treated like a wild beast who can't see his white brother without going on a frenzy to kill him, "but he tried to kill...". Skill issue and I would too if I was him like:

6 • We're inclusive

Having the poc and female cast of the batfam there, just for the sole purpose of having them there, no personality, no individual opinions or actions, they're just here for a "Duke laughed." or a "Cass was back from Hong Kong" in between paragraphs, without giving them a glimpse of dialogue or interaction with the other characters.

7 • Pit Madness

Jason's unhinged ass is very dear to me, reducing it to some sort of magic induced psychosis is lazy and uncreative, he doesn't regret those actions, he's a spiteful person who's been betrayed, and lashes out at people because he can't process his trauma in a healthy way

8 • Reverse Robins

If we're playing by the book, Duke should be the first kid on this AU, but y'all forget about his existence so... "Only the official Robin's!" Stephanie should be the one getting the Red Hood then not Tim, and it makes more sense for her, but we know why it isn't like that

9 • Jason must abandon every single moral of his to fit into the family

It's poorly written, not Jason focused at all, a amalgamation of ass licking Bruce that makes me want to puke, stripping Jason of every character trait he had pre-Red Hood and acting like he's a dumbass who only knows violence and needs to be taught about morals so he can fit into this cookie cutter version of the batfamily that's extremely ooc.

10 • Jayroy/family guy Jason

This one is a personal pet peeve more than anything, but I can't stand when ppl turn Jason into a family guy, who doesn't have any personality aside being Roy's partner and Liam's stepfather and the way some of y'all talk about Jade as if she's a surrogate is sickening.

Disclaimer: you're free to write, ship and do whatever the hell you want, I'm not your mother. These are all based on my personal preference if you'd like to complain, my ask box is open, but if I think you're sounding dumb, there's no guarantee I'll answer it.

[androgynousblackbox]

OKAY, so I haven't actually finished the book yet so maybe my opinion on this will change, but I honestly feel like the gringo booktubers I watch all have no idea of what to do with Tender Is The Flesh and are fundamentally wrong about it? Like, saw someone trying to say "this book tries to criticize the food we eat rather than the industry", which sounds like absolute fucking bullshit to me because a BIG portion of the fucking book is all about how the industry is treating "the meat" like fucking dogshit and how the characters themselves, the ones who work inside of the industry, are disgusted whenever anyone even attempts to say there is something good about it. There is this constant cognitive dissonance where the characters know what they are doing is inhumane and awful, that they are treating "the meat" horrible, but it's their job, what are they going to do, and at the same time they feel it crosses a line whenever someone call "the meat" human or are even beyond inhumane when someone says the meat "have a good life" because they get treated as studs. Also, like in general, I feel all of them miss the part about this author being argentine and thus how that colors their vision of how the industry works. The biggest industry in all of the argentina, the one that gave us any kind of possibility to survive in this world, was the meat industry, we actually fucking need it because we have nothing else to offer, and yet, all the powerful people who are involved with the meat industry in this work are all foreigners: a japanese man who collects skin of people and threatens his employees with skinning them alive, a gringo, that is literally called gringo, and a german man who is to utterly dettached that has no issue calling "the meat" human and also make inhumane comments about them. At that point is very obvious to me that this isn't about just criticizing an industry, but criticizing a system to whome the industries are merely a reflection of. It's not about the world, it's about a country being so set on their old ways and traditions that are literally willing to eat each other if it means having a foot in the outside world. Because otherwise we have fucking nothing. And this ALREADY fuck us over in the real world. The protagonist is literally the representation of that! He literally asks himself why he keeps working on this shit if it makes him miserable? Because he is the best at it, because he gets paid and he needs the money. CAPITALISM ALL THE WAY DOWN, BABY. Like, the meat food industry is bad, but also think about why they are bad and why the powerful people want it to be bad in the first place. Like, the books says that indigenous, immigrants and other POCs are the first humans to being eaten. The poor and elderly. Why do you all think that is?? Like, I just generally do not understand how you can read that and come out thinking "this person just wants me to be vegan and I don't like that"/"this person doesn't criticize the food industry", like I am a very fucking firm believer that vegans who spend every breath trying to make you vegan are shit and just eat whatever, but even I got that it was meant as something else than that. And how people keep saying that the ending "comes out of nowhere" when it's literally foreshadowed at the beggining at the book while doing the world building? Were you even paying attention at all at that point? Like, I literally saw someone being "I think this book overstimates how much it would take for the world to be okay with cannibalism", like THAT IS NOT THE POINT. The point is not to write "how it's a world where human meat is mandatory", but rather explore the idea in which the way we ALREADY eat each other gets taken to it's extreme. LITERALLY WHAT ALL DISTOPIA FICTION DOES?? Anyway, again, I might change my mind when I finish the work myself, but even by reading the start myself and knowing a bit about the background of this author, I just do not get any of these reviews at all.

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[genericpuff]

Uh weird question: Can someone who's from a community that hasn't been oppressed write a character that's from opressed community as long as it's well written? Like for example, a straight guy writing a lesbian couple or a white person writing POC characters.

If they couldn't then we'd have a lot less media out in the world LOL Need I remind y'all that I am a non-Greek person writing and drawing a retelling of a comic that's based on Greek myth ;p So all that said, the following is my opinion as a writer and someone who fits into certain minority groups, but bear in mind that I myself am someone who isn't part of a specific group writing about that group.

I see your question and I raise you a hypothetical. Which would you rather be - a writer who actually challenges themselves and engages with other topics and perspectives for the sake of telling a good story, or a writer who only exclusively writes about things limited by their own perspective and experiences?

Sorry if that's a bit of snark for the day, I understand that people get worried when it comes to writing about other groups that they don't "fit into", but there's a point where you can get so paranoid and over-correct too far that you don't actually branch out and that's how you wind up trapped in an echo chamber (or at the very least, trapped in a cycle of writing about the same stuff constantly lol) which can ironically lead to becoming more ignorant and offensive than if you had simply genuinely tried in the first place and maybe fumbled in a few areas. And white heterocis people aren't the only ones who are at risk of trapping themselves in those chambers, it can happen to anyone who's not willing to branch out. Making mistakes in and of itself is not the end of the world, you just have to be willing to learn.

Part of a very necessary process of writing is consuming content written by and for other people so that you can gain a sense of perspective, understanding, and empathy for others that don't live the same lives as you. Not doing those things out of fear of offending people is how you cause the opposite effect - trapping yourself in a bubble of misinformation because you never bothered to look outside of your own comfort zone and thought it was 'safer' to just keep reading and writing content that could only apply to you. Really all that accomplishes is narrowing your world view and stunting your writing capabilities.

The biggest thing you can do to write characters that don't align with yourself is just doing your research, being open to critique and feedback from the groups you're depicting (best way to write about a character who is not yourself is to ask for feedback from a person who IS reflected in that character!), and not writing from assumptions (as a lot of assumptions are rooted in stereotypes / prejudice / racism / etc.) There are loads of people from communities in need of representation who are willing to offer their help and feedback, don't be afraid to put out feelers for that sort of thing, it's why beta-readers are still so essential for a lot of writers.

And it also depends what your writing is trying to achieve. Are you actually trying to represent these groups, or are you just writing a character who you think is neat who happens to be from a specific group? What messages are you trying to send, what point are you trying to make, what do you want the reader to walk away with? Keep in mind that it's just as important to have characters who simply exist and aren't white/heterocis/etc. as it is to have characters who are fulfilling certain representations for the sake of sending a message / making a point. Because oppression comes in a variety of forms and not every single one will necessarily be as much a hurdle as the last; and just like not expanding your worldview through challenging yourself with new topics, it can be just as harmful to reduce people's identities to just a label and assuming that once they have that label they have to fulfill a specific 'role' within a story (that's how you end up with the "token black guy" tropes) or that if you don't share that same label, that means it's completely off-limits for you to depict in your writing or that they have to be depicted the exact same way every single time. People are not tags on AO3. People are what you're trying to write about. Don't restrict yourself by the labels.

Anyways, this turned into a big post, but yeah, just be willing to look for and listen to feedback, and remember that you're (I'm assuming) someone who's at the beginning of their journey, there's not as much pressure on you as you think there is. As much as I talk shit about people like Rachel front left and center here for all of her problems with representation, it's only because Rachel is someone who's taking credit for representation that just isn't there (or tries to be there and sucks immensely because it comes across as horribly misinformed and almost boomer-like). And then you've got the Cait Corrains and James Somertons of the world, people who literally try and silence the voices of those who belong to the groups they're claiming to be a part of (or aren't, in Cait's case with her review-bombing POC work) all for the sake of their ego. Cait Corrain and James Somerton don't actually care about 'representation', they just want to be the center of attention within the discussion and given all the credit for being progressive, even if it means literally stealing from or abusing the people who are on the same side as them.

All that said, I know I get intense here with how I discuss stories like LO and how they handle 'representation', but I don't ever want to give anyone the impression that they're not allowed to write about groups that they don't fit into or that the answer is "only write from your own perspective ever" because that's just not productive and will, if anything, have the opposite effect to what you're trying to achieve. Representation is complicated and oftentimes more nuanced than people give it credit for. Most average every day writers aren't getting in trouble just for writing characters outside of their demographic, even when they make the odd mistake or miss something in their research; the people who get in trouble are the ones who do it to an incredibly offensive degree and then double down when they get called out on it. Those are the scenarios that wind up being the loudest / most explosive and give budding writers the impression that they shouldn't try writing anything outside of their worldview ever but that's not the conclusion you should be coming to. Just be respectful and put in the effort like you would any other character, and don't use your character writing as an excuse to put yourself above voices from those groups. Be sincere, be humble, and always be willing to learn more.

[adoringhaikyuu]

hi this is incredibly INCREDIBLY self indulgent but could you possibly write about daichi and some of the other captains with an s/o who’s latina w/ curly hair and they watch her do her curly routine? I thought it’d be cute bc they would ask a lot of questions about the process and stuff idk if this makes sense sorry💀

THEIR S/O HAS CURLY HAIR

characters: daichi + kuroo + oikawa + ushijima + (gn!reader)

notes: this is for poc mainly (and anyone who has curly hair that needs a routine ig lol) tried to make more inclusive if that's okay

★ daichi takes mental notes (and actual notes) of the steps and the products that you use so he can get them for you when they run out. he's worried he'll mess up, but he offers to help and even watches tutorials with you. soon he's getting on you to take care of your hair when you're feeling lazy.

★ kuroo just likes watching you tbh. he'll take a seat and just stare at you as you do your routine. he asks what each product does like a curious little kid, but it's cute because it shows he cares. asks to try himself and at first he sucks lol, but with practice he gets pretty good.

★ oikawa's routine almost takes the same amount of time as yours. it makes no sense but he's really into skincare and haircare so you'll do yours together. he actually knows a lot more than you would think about curly hair maintenance, so he literally gives you tips and helps you oil your hair every few days. he likes doing his routine with you, makes sure you stick to it.

★ ushijima doesn't know much about curly hair, he's clueless tbh. but once you start dating and you tell him you can't hangout with him one day because you have to wash your hair...he decides to start doing his research. will send you videos that he finds about tutorials, memorizes all the protective styles (pays for the trips to the salon too).

[televisionlassie]

“I’m not including duke because I don’t know how to write him 🥺”

He was introduced a decade ago, how have you not learned how to write him? Jon Kent was introduced AFTER Duke yet he gets FAR more attention from writers and the fandom.

I noticed years ago that this fandom has a problem with their POC characters where they’re either ignored, whitewashed, or villainized.

Both Damian and Dick are POC characters but this is often ignored or forgotten despite the fact that their childhood is shown with them having a connection to their culture. Other times they are both villainized for their actions against the white male characters in the bat family (specifically Tim AND Jason).

Duke is RARELY featured in any fan works despite becoming an integral part of the Batfamily. He’s been in a Batman movie (batwheels) and he’s been a focal point in the Wayne Family Adventures series (I’d argue the main character but I can’t say that)

What really pisses me off is that Jason Todd is glorified in comparison to the POC characters. In the comics Jason is NOT a good person, he literally kills people with no regard for how that will affect other people. He continues to try and hurt or kill his “family” members. His trauma is an explanation for this behavior but NOT an excuse, yet the fandom treats it as exactly that. There’s a whole deeper rant for me to give about my issues with how Jason is treated but the main point I’m trying to make is that Jason (a canon white man) is forgiven for all his actions despite showing no change and clearly not learning from them, but characters like Dick and Damian are not given any grace for their actions in a comic series from the 90s.

Can someone explain to me why Tim Drake would forgive Jason Todd, who tried to brutally murder and ridicule him, but not Dick who suggested he get therapy?

I’m tried of how Dick and Damian are treated by the fans of Tim and Jason but I’m especially tired of how Duke is completely erased from the family even though he’s been there for 10 years.

It’s so frustrating because this isn’t just in the Batman fandom or even just the DC fandom but EVERYWHERE, take a look at any show, book, comic or whatever form of media. Now take a look at how fans treat the POC characters. A few that come to mind for me are, Lucas from stranger things, Jal in skins, Sam Wilson, and I know some people might find it ridiculous but Ravi from Jesse (honestly his treatment among the writers and audience set the Indian community back).

There is such a simple solution to this problem, take the time to reflect on yourself as a person, think about how you felt about that one POC character that you thought was so awful. Think about what they did that made you feel that way and think about how you would feel if your favorite character had done the exact same thing. Knowing your bias is the first step to eliminating it.

[cinnbar-bun]

Important Message

So... haha... been almost a month since I really did anything on this blog...

Listen, I'm gonna keep it straight to you guys, the months leading up to my hiatus were, to put it mildly, some of the most disgusting I've seen in my years as a fanfic writer and fandom enjoyer. This is a bit of a vent post, because, well, genuinely, I really hope the fandom can get better. I'm assuming most of the bad experiences I've had came through people a bit younger/newer to fandom or tumblr/fanfic culture in general. If you want just an update on the blog, I will be posting that shortly after this one.

I'm going to list out some of the shit I had to go through (that I am sure many fanfic writers, but more specifically, POC fandom creators go through). This is a long post. Yeah, also, this is obvious but TW FOR: Racism (including slurs), Islamaphobia, sexism, death threats, suicide threats, harassment, and just flat out horrible behavior.

I'm gonna go list some of the slurs I've been messaged or called, I'll even rate them for you guys <3:

Camel jockey: oooo, haven't heard that one before. get more creative, 3/10

camel fucker: nice, bit more crass, still not original. 3.5/10, just a bit funny

Terrorist: wow, dude, oh my gosh, I can't believe I've never heard that one living in post 9/11 America! Wow! 0/10 try harder

I also don't know where the assumption came from that I was a hijabi... I am not. Calling me a BMO? Pretty unique but sadly does not fit me. :(/10

This barely scratches the surface of what I have dealt with after having been open about my heritage. I'm sorry my very existence offends you and requires you to come out and send me shit about hoping my family dies or that my favorite character brutally hurts me. I have read your messages, and after long consideration, I have decided to no longer be Middle Eastern. Yep, that's right, guys, I am no longer MENA! Don't worry about my family history or anything, I just choose not to be that anymore. There, now you don't have to send me messages about hoping my family gets killed <3

Let's see what else we should tackle.

Should I tackle the fact that I've gotten messages from others to update a fic or answer a request or they will try to self harm or commit suicide?

Should I tackle the fact that some have tried to pressure or guess my sexuality (dude, what the fuck)?

Should I tackle how I got messages from others assuming my place because of my religion?

Should I tackle how I've gotten weird ass messages from people getting mad at me because how DARE I not write certain things during Ramadan?

Should I tackle those things?

I'll save you the hassle, no, I really shouldn't have had to, but fact is, the One Piece fandom has to be some of the worst I've seen and interacted with purposefully in a long time. And I was in the Hetalia fandom way back when. I should not have dumb shit about "liberating" me or oh, oh, oh, I love this one! People asking me if I have 'full armament haki' (I hope you genuinely, genuinely, get the fuck off your phone and go outside. Maybe have a walk and go talk to actual people.)

I've met some genuinely lovely, beautiful, and kind people. They truly are some of the most talented creators I've seen, and I'm grateful they chose to befriend me. The good does outweigh the bad. But the bad? Oh lord, I think you guys are genuinely some of the most disgusting pieces of shits I've ever had the displeasure of meeting.

Fanfic writers are not your slaves. I have a full time job, I have a full time life outside of my tumblr and my writing. I write when I want to because I like to write, and fanfic is a good creative outlet. You sending dumb messages crying about no updates after four days of me posting a new chapter, or threatening to harm yourself because of this is disgusting.

POC creators, especially, are not your fucking tokens. I'm not here to break down every racial stereotype for you. I'm not here to be sitting there mocked with crap I already hear in my outside life. And I sure as HELL am not here for fake support only to be called slurs and mocked the minute I don't do something for you. You are gross, you are not funny, you are genuinely a horrible person and if your ideal vision of humor boils down to the Instagram comments section, all I'm saying is, I'm not wishing you anything positive.

If you read this far, thank you. Truly. This was difficult to place and write down, but it needed to be said, because even to this day I still get messages similar to before.

Do better, One Piece fandom. Do better. Because you are only going to lose the fans who really care and who put effort into making things. How far can you harass fanfic creators, and especially POC ones, with your bullshit before you lose out on things?

I don't need to 'move on'. My identity and my existence is on a completely separate wave than so and so idk, liking a ship or a character. One is fake, and one is literally who I am. Putting false equivalencies to the issues within fandom because it makes you 'sad' is shitty.

I've only given you an idea of what I had to deal with. Now imagine this constantly by random people, both on tumblr and AO3, and then imagine that also in your daily life, on the media, in the news, in the music, on the radio, in the books- fucking everywhere. It's exhausting.

Just... fucking do better. Actually fucking listen to POC. I got nothing else to add that wouldn't just be me repeating the same shit I and others have tried to say.

Just be kind, for gods sake, and remember that creators are human, not the silly avatars we choose.