#we built a little house out of brick

[x0xomady]

cowboy like me

⋆⭒˚｡⋆⭒˚｡⋆

summary: cowboy!h x cowgirl!reader. harry just loves taking care of his pretty wife.

a/n: sooo i got kinda domestic when i wrote this. if housewife/simple life stuff isn’t your thing then please just ignore this story. remember no ones making you read it!

warnings: 18+, this is just disgusting smut, pet names, housewife kink, p in v, oral female receiving, overstimulation, multiple orgasms, breeding kink, creampie, objectification, kinda degrading behavior.

⋆⭒˚｡⋆⭒˚｡⋆

the aroma of different meats and vegetables i’m stirring around fills the large kitchen as i stand at the stove mixing. the short white sundress i have on slowly sways and brushes my legs as i move around the kitchen happily.

my gaze travels out the windows that surround the kitchen, showing off the wonderful view of the pasture fields outside. there are cattle, horses, and little chickens running around the field grazing or just wandering.

the house itself is built on a small hill overlooking the field. it is big, but not oversized, made from beautiful dark oak in the outside, with stone brick outlining the outside. the windows are large and plenty, and a wrap around porch surrounds the whole house.

harry and i had designed the house together when we first got married. both of us grew up in texas, we just wanted a little piece that we made together.

the pasture field that surrounds the house is massive in size. it stretches out all around as far as the eye can see, full of rolling hills and trees. the sky is a beautiful bright blue, and the air smells of grass and soil in the hot texas air.

at first when harry asked me to marry him and move out to the country side, i was reluctant to say the least.

being born and raised in a huge city, i never wanted to live anywhere but a big urban environment. but now living here? i can’t imagine being anywhere else.

maybe it’s that i like the nature, or maybe it’s because i like seeing harry in nature. even now, after being married to harry for 2 years, i still love watching him working in the field with the horses.

as i’m standing at the stove, i hear familiar footsteps make their way up the porch and into the house.

harry walks into the kitchen behind me. he looks overworked and exhausted. he stares quietly at me as i cook, his deep green eyes following my every move.

“hey h. how was your day?" i ask, glancing over my shoulder at him.

harry leans back against the kitchen counter with his arms crossed over his strong broad chest, watching me.

“long. hot. tiring.” he mutters, his voice deep and gruff. harry is the type of guy that gets overstimulated and frustrated. he gets tired of the heat and just shuts down externally, not telling me what’s going on.

he stands at the counter with his eyes focused on the ground, his shoulders leaning onto the cabinets behind him. he looks up at me through his curly brown hair, green eyes unfocused.

“it’s just… really hot out there.” he mutters, sighing with frustration. i can see the tension in harry's stance. the heat seems to get to him more then he lets on.

“come over here.” i say gently, stirring the skillet on the stove, keeping my eyes on him.

harry pushes himself off the counter and steps forward until he is standing behind me. he places his strong hands on my hips, his chest pressing into my back.

“damn heat.” harry mutters, his deep grumble making his chest rumble. he leans down and presses his face into my hair, his arms circling around my waist and pulling me back into him.

i can’t help but smirk at his grumpy attitude. no matter how big and intimidating harry tried to act, he always turned into a puddle of whines when it got hot.

harry presses his face into my shoulder, burrowing himself into me and grumbling softly. despite his tired and cranky mood, i can’t help but giggle at him being pouty.

“you’re such a baby when you get hot.” i tease him gently, stirring the skillet.

harry groans in response, his grip on me tightening.

“you try working the fields all day in the heat and see how you feel, baby.” he mutters, his voice muffled against my shoulder. “i got your pretty ass sitting inside with the a/c on all day long.”

i laugh lightly at his remark. i continue cooking as harry clings to me from behind, his arms around my waist like he’s holding onto a lifeline.

“you should just stay inside with me then.” i offer jokingly, glancing over my shoulder at him.

harry pulls away and reaches his hand up shutting off the stove. he turns around so he’s standing in front of me with his back against the counter.

“but i gotta make money so you’re sexy little face can sit here in tiny dresses.” he hums, his hands roaming under the skirt of my sundress and up my thighs.

i smile softly as his big hands run up my thighs, his fingers tracing up to my hips. my face heats up as his hands slide up to my waist and pull me close to him.

“you always use that excuse.” i giggle watching as harry looks down at me.

harry smirks and leans down, his hands gripping my hips and pulling me flush against him, his chest pressing into mine. his face is close to mine, our noses almost touching.

“it’s a valid excuse baby. how else can this pretty little dress get paid for?” he teases, his voice low and deep.

i can feel the warmth of harry’s body against mine, his skin hot from working in the sun all day. i look up at his face, those green eyes staring into me.

“i know you like me just sitting around in these little dresses all day, dont you?” i tease back.

harry’s hands slide down to my thighs, lifting me up so i’m sitting on the edge of the counter, my legs straddling his waist.

“damn right i do.” he whispers, his hands roaming up under my dress again.

harry's hands move up my thighs, his fingers tracing the edge of my underwear. i can feel the heat building between us as he leans in closer, his lips brushing against mine in a soft, teasing kiss. i wrap my arms around his neck, pulling him closer as he deepens the kiss.

his hands move up my back, pulling me even closer as he presses his body against mine. i can feel the heat of his skin through his thin shirt, and i can't help but let out a soft moan as he continues to kiss me. harry pulls away slightly, his eyes meeting mine as he smirks.

"such a pretty girl for me, aren't you baby?" harry looks down at me and brushes his nose against mine, his warm breath sending shivers down my spine. his eyes lock onto mine, the green sparkling with amusement and desire as he takes in every feature of my face.

i feel my heart skip a beat as he gently nips at my bottom lip, his teeth grazing against my skin and sending a rush of excitement through my body

As Harry's gaze lingers on mine, his hands begin to wander, slipping from my skirt to my chest, his thumbs gently brushing over my nipples through the thin fabric of my dress. My breath quickens a little as he teases me.

as harry's thumbs continue to tease my nipples, i can feel my body responding to his touch, my breasts growing heavier and more sensitive. he leans in closer, his warm breath whispering against my ear, "i want to fill you, baby, make these pretty little things swell up.” he mumbles as he squeezes my chest.

i whine slightly and press myself further into harry's touch. he grins, his green eyes darkening with desire as he takes in my reaction. his hands move down my body, his fingers hooking into the waistband of my underwear and pulling them down.

as harry removes my underwear, i can feel the cool air against my skin, making me shiver. he leans in, his lips brushing against my ear as he whispers, "i want to taste you, baby.” he falls to his knees on the kitchen floor, his hands gripping my thighs as he spreads my legs open.

i gasp as his hot breath hits my sensitive skin, my body gleaming with anticipation. he leans in closer, his tongue flicking out to taste me, and I can't help but let out a soft moan.

harry's tongue continues to run along core, his hands gripping my thighs as he holds me in place. i reach down, my fingers tangling in his hair as i hold him in place, my hips rocking against his mouth.

harry's scruffy beard brushes against my inner thighs, the sensation sending a jolt of sensitivity through my body. i let out a soft gasp as his tongue continues to explore me, his hands gripping my thighs tighter as he holds me in place. harry hums against me and nudges his nose against my clit.

“how could i have something this pretty working?” harry hums against my core, his tongue pushing it’s way against my folds. “you were just made to sit here and let me taste you after a day at work, weren’t you darling?”

my hands tighten in his curls at his words, desperately trying to get him closer. “yeah just for you.”

harry smirks and pushes my thighs open wider. his rough hands hold them tightly against the counter as he licks along my center. “that’s right baby, just sit there and take what i give you.”

harry’s lips make their way from my folds to my sensitive bundle of nerves. he looks up at me with his bright green eyes as he sucks my clit into his mouth. i gasp and press my thighs against his head, my fingers tangling in his curls as i hold him close.

i moan, my voice barely above a whisper. “oh god, harry.”

he hums against me, the vibrations sending waves of pleasure through my body.

harry's eyes never leave mine as he continues to work his magic. "come for me, baby," he murmurs against my skin, his breath hot and heavy. i can feel my orgasm building, my body tensing with the overwhelming feeling of his mouth.

his tongue moves in a slow, deliberate rhythm, his eyes locked on mine as he continues to bring me closer to the edge. i can feel my body tensing, my breath coming in short gasps as i desperately try to hold back. but harry's not having it.

he doubles down, his tongue moving faster, his fingers digging into my thighs as he holds me in place. with one final flick of his tongue, i'm done for. i cry out, my body shaking as i come undone. harry's lips curl into a satisfied smirk as he watches me come apart.

"good girl," harry murmurs, his lips brushing against my sensitive skin. he kisses my folds one last time before scooping me up and carrying me upstairs to our bedroom.

i hold onto him, my body still recovering from the aftershocks of my orgasm. harry lays me down on the bed, his eyes never leaving mine as he climbs on top of me. he leans down, capturing my lips in a slow, hard kiss.

harry's hands roam my body, his fingers find my nipples. he smirks against my lips as he pushes his thumbs on the buds. “fuck baby… i can’t wait to get you pregnant.”

he trails his lips down my neck, his teeth grazing my skin as he makes his way to my breasts. he takes one nipple into his mouth, sucking and biting down gently as i arch my back, my fingers tangling in his hair. he moves to the other nipple, giving it the same attention as i whine beneath him. he moves his lips back up to mine, his tongue darting out to taste me.

harry pulls back from the kiss, his eyes dark with desire as he gazes down at me. he reaches down, unzipping his jeans and pulling himself out. he's hard and ready, his length straining against my thigh as he positions himself at my entrance.

"you ready for me, baby?" he murmurs, his voice low and husky. i nod, my body aching for him as he taps the head of his cock against my clit teasingly.

“mm… no. i need to hear you darling.” he smirks as i whine and writhe underneath him. his thick length runs along my folds slowly. harry hums, pressing his length against my entrance. "say it, baby. tell me what you want."

i bite the inside of my cheek to hold my cries. "i want you, h. i want you inside me."

"that's right. such a good girl for me." he kisses my forehead before pushing his hips up, his thick length slowly sliding into me. i gasp, my body stretching to accommodate him, as he fills me to the brim.

harry's eyes lock onto mine, his gaze burning with intensity as he begins to move. no matter how long we’ve been married for, it’s always a tight stretch when he starts.

his hands cradle my face, his thumbs tracing the curves of my cheeks as he whispers sweet nothings against my lips. "you feel so good, baby. so tight and warm."

harry's hips rock gently, his length inching in and out of me in a slow, deliberate rhythm. i moan, my body trembling beneath him as he whispers sweet nothings against my lips. his thumbs continue to trace the curves of my cheeks, his fingers tangling in my hair as he holds me close, eyes never leaving mine.

his gaze is intense, burning with desire as he watches me, his pupils dilating with every moan that escapes my lips. i feel his chest press against mine, his heart pounding in time with my own as he buries his face in the crook of my neck.

"how'd i get so lucky, hm?" he kisses my neck softly as his hips thrust into me deeply, kissing my spot with his tip. "got such a pretty little wife. gonna make such a good mama." his voice husky with desire as he continues to move inside me.

i whimper, my body clinging onto his as he hits that spot again, his fingers tangling in my hair as he holds me close. his thrusts become more insistent, his length swelling inside me as he builds towards his own release.

harry's hands slide down my back, his fingers digging into my skin as he grabs my hips and flips me onto my stomach. i gasp, my body jolting with the sudden movement, as he pulls my hips up and back, positioning me on my knees.

his rough hands grip my hips tightly as he slams back into me, his cock filling me completely. i cry out, as he continues to pound into me, his thrusts becoming more and more insistent.

harry's fingers dig deeper into my skin as he pounds into me, his cock slamming against my most sensetitve spot with every thrust. his hands slide up my back, his fingers tangling in my hair as he pulls my head back

"you're gonna look so pretty when you're all full of me, darling," he moans out and grabs my hips tightly with his rough hands, holding me in place as he slams into me.

harry's hand slides from my hip to my clit, his fingers rubbing against it in slow, deliberate circles. i moan, my body trembling beneath him as he continues to thrust into me, his thick cock filling me completely. his fingers move faster, his touch becoming more insistent as he rubs my clit, his movements matching the rhythm of his hips.

i feel myself getting closer and closer to the edge, my body trembling with every touch, every thrust. harry's breath is hot against my ear, his voice husky with desire as he whispers sweet nothings against my skin. "that's it, mama. come for me."

as harry's fingers continue to work on my bundle of nerves, i feel my body tensing up, my muscles tightening as i teeter on the edge of release. his thrusts become more urgent, his hips slamming into me with a force that sends shockwaves of pleasure through my entire body.

“cmon pretty girl," harry groans against my skin, his voice low and husky. "let me feel you come apart on my cock."

with a final thrust, harry sends me over the edge, my body convulsing as i cry out his name.

harry's thrusts slow down as he reaches his climax, his body tensing up as he buries himself deep inside me. i feel his cock twitch and pulse as he releases inside of me, his hot come filling me up.

"that's a good girl. take it all in your pretty little cunt, darling," he groans as he fills me up. his eyes are transfixed on my center as the extra come drips out of me around his length. he holds himself deep inside me, his cock still twitching with the last remnants of his release, as he gazes at the sight of his cream spilling out of me.

he slowly pulls out of me, his eyes never leaving the sight of his come dripping down my thighs.

"so fucking pretty. gonna make the prettiest mama in the whole world," he smirks and scoops the come that dripped from my center before pushing it back in, his fingers sliding in easily after being stretched out. i whimper, my body still reeling from the aftershocks of my orgasm.

harry gently flips me onto my back, his eyes never leaving mine as he moves me. he positions a pillow underneath my hips, lifting me slightly off the bed.

"gotta make sure it sticks, darling," harry says with a smirk, his hand still buried between my legs. he slaps my thigh teasingly, his fingers still moving inside me, making me whimper. he leans down and kisses my forehead, his lips lingering on my skin for a moment before he pulls away.

he lays back down on the bed, his hand still between my legs, his fingers still moving inside me. he watches me with a satisfied smirk, his eyes never leaving mine as he continues to move his fingers inside me.

“n-no h i’m too sensitive.” i shake my head and try to push his hand away from my core.

harry hums and shakes his head with a smile on his face. “shh… just let me take care of you mama. gotta make sure that pretty little womb of yours opens up.” he continues to move his fingers inside me, his touch gentle yet insistent.

i can feel myself getting wetter, my body responding to his touch despite my protests. he leans down and captures my lips in a slow, sweet kiss. i can feel my body getting closer and closer to the edge, my muscles tensing up as i teeter on the brink of another orgasm.

"that's it darling. come one more time for me and then we'll go eat, yeah?" he kisses my forehead and gently moves his fingers inside of me. his touch is soft and deliberate, coaxing my body to respond once more.

i feel my body betraying me, responding to his gentle touch despite my initial protests. my hips involuntarily rise, seeking more of his practiced touch, and a soft whimper escapes my lips as his fingers dance across my swollen clit.

his breath is hot against my ear as he whispers, "that's it, darling. let go for me." i feel my body tense up, my stomach tightening as my orgasm crashes over me.

harry's fingers continue to move inside me, drawing out my pleasure until i can't take it anymore. i sigh in satisfaction and relax onto the bed. harry gently pulls his fingers out of me, a confident smirk on his face as he watches me come down from my high.

“well shit” i giggle softy as harry presses a kiss to my cheek. “if we didn’t get it that time i don’t know what will.”

harry chuckles softly, his breath warm against my cheek as he presses a gentle kiss to my skin. "i think we did, darling," he murmurs. “let’s go eat baby.”

⋆⭒˚｡⋆⭒˚｡⋆

mwah hope you liked cowboyrry! requests are open :)

-xoxo

[inky-duchess]

Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

[deadsetobsessions]

Listen, I know that the general consensus is that Danny is a skinny lean dude (a twink, some might say) BUT hear me out. Canonically, Dan is a giant thunk of a man. Maybe that’s because he merged with Plasmius or whatever but I really think it’s because Danny’s always kind of had that potential to grow giant. Like have you seen Jack Fenton? The guy’s huge. Tall, muscular, looks like he bench presses bears in the woods or something. Jazz is tall as fuck, in my mind. Danny’s shorter maybe, sure, but I headcanon that he grows like a brick and is also built like a shit brick house.

I present to you, Batfam! Danny:

Nightwing, introducing his little brothers to the Titans: these are my little brothers!

Danny and Jason, standing there and being naturally intimidating as fuck because they’re giant and looks like they could break the titans like toothpicks: hi

——

Tim, introducing his new brother: guys this is my brother

Danny, positively looming over the high schoolers: hi.

Tim’s classmate: *fear*

——

Bane, confident he’s the strongest bastard in Gotham:

The new vigilante, a grown up Danny, large and full of short people rage: bet?

——

And Danny’s all intimidating as hell but he’s also a dork and I don’t think we talk about it enough. He’s just like oh I’m a silly little guy and everyone else is like omg the hulk??

[cambion-companion]

Baldur's Gate 3 Characters with Virgin Reader

18+ only obviously. Dirty headcanons under the cut. (these are all the "good" endings btw

Halsin would honestly be a little in awed shock when you tell him. He'd treat you tenderly, go slowly and save the more rough lovemaking once you're accustomed to his...girth.

There is a lot of emotional connection that goes into the intimate act and knowing its his partner's first time would mean a great deal to him, he takes the perceived responsibility seriously.

Yall would have to go slow though, to accomodate the guy's size. Has strength as his dump stat yet is built like a brick house.

He's all for the game of seduction, especially if he is still unsure of where he stands with you and your party.

When discovering you're a virgin he acts the part, flirting and using honeyed words to manipulate your heart.

However as the two of you grow closer his feelings also change and he feels anxious about knowing he has your utter consent before taking things further.

He knows what it feels like to be used and wants to avoid causing you the same hurt and feelings of doubt, because against all odds he has begun to care for you.

So much foreplay...SO much foreplay. And you can be in whatever position you want, it's all about your comfort when the time comes to be intimate.

yeah she'd tease you at first, all in good fun, but still she has to get those sharp words in somewhere.

Soon enough the teasing gives way to concerned questions, not probing too deep into your feelings, but enough to give her hints as to how comfortable you feel with her.

We all know Shadowheart is a slow burn romance, so expect a long buildup while your relationship blossoms.

Lots of sweet kisses and witty flirtations, respecting each other's space until the time feels right to take it to the next level.

perhaps it's after one of your many swimming lessons where you Shadowheart takes the reins and becomes the teacher of a different kind of lesson.

She'd be asking questions throughout, listening to your responses and making sure everything is perfect and you're not feeling rushed.

Oh she would be so sweet. You know how Karlach is usually quite boisterous and tends toward the goofy side.

She'd sober up right quick when you discuss something so personal with her and she'd be quite pleased you decided to share this with her.

She promises to take it easy on you, at least at first wink wink, and she has the idea to allow you full control to explore her body as much as you wish.

Feel her heart, or at least where her heart used to be, it blazes hotter under your touch.

She might pop the occasional sweet joke, but her eyes and her care is on you the whole time.

She will ask if now is okay, and make sure to gain your express verbal permission before touching your body herself.

She is gentle at first, as promised, but it becomes hard for her to contain her enthusiasm as your coupling progresses. Remind her if you deem it necessary.

Gale, he'd be surprised but I think pleased.

He would want you to feel comfortable with him, and thus would info dump about his Tressym and the many books he's read about magic and the weave.

It's all about words of affirmation and quality time with Gale, he wants to show you and tell you how much you truly mean to him and reaffirm it is you, not Mystra, with whom is explosive heart now lies.

When the night comes, because he does prefer the romance of a star filled sky, he would ask you if you wish to become one with him.

Maybe astral sex is too soon for the first night, but you can certainly accept when he no doubt extends that offer.

I think it's pretty much canon that she beats the shit out of you when yall have intimate time...that wouldn't change on account of your virginity.

You'd tell her you're a virgin and she might not even know what that means, I wouldn't be surprised. Either that or she truly does not understand why you think it's important to mention.

She would encourage you to take initiative and assume a more dominant role, prodding you (probably with a stick) if you got too shy.

Later on, in her storyline when she becomes more of an individual unto herself, she will understand the softer aspects of lovemaking.

Then she will be more willing to empathize with the feelings that must come with a first-time coupling, and act a little slower accordingly.

Still prepare yourself for the occasional impatient "tchuk".

are you kidding, he'd be the ultimate gentleman.

He'd definitely get you a picnic and take you somewhere that smells better than the party camp and that stew Gale attempted to make for supper.

I feel like he'd be more forward than Gale or Karlach, wanting to feel some semblance of peace that your body and your affection could offer.

He'd for sure be drawn to your inexperience, feeling a sense of protectiveness overcome him. (yes yes I understand this post is full of innuendo)

Might wax poetic about his many adventures but pull him in for another kiss and he'll quickly forget his train of thought.

yes, I made him wait in line, little shit

This cambion knows how to fuck, sit down and block me if you vehemently disagree.

He finds out you're a virgin, and interested in him? Game over.

He plays the long game in all his dealings, and won't be bothered if you choose to play hard to get....in fact he prefers it. Cat and mouse etc.

He's not gentle, nope, but when you're finally in his claws you hardly want him to be.

Doesn't have the bonus of Incubus spittle acting as an aphrodisiac but has had many bedmates and centuries to study how best to use another's body to pleasure his own.

Oh and bring you pleasure of course.

no

Go play DOS2

[inthedayswhenlandswerefew]

Where Will All The Martyrs Go [Chapter 11: The Innocent Can Never Last]

A/N: Below are your guesses…let’s see how you did!!! 🥰😘 Only 2 chapters left 🥳

Series summary: In the midst of the zombie apocalypse, both you and Aemond (and your respective travel companions) find yourselves headed for the West Coast. It’s the 2024 version of the Oregon Trail, but with less dysentery and more undead antagonists. Watch out for snakes! 😉🐍

Series warnings: Language, sexual content (18+ readers only), violence, bodily injury, med school Aemond, character deaths, nature, drinking, smoking, drugs, Adventures With Aegon™️, pregnancy and childbirth, the U.S. Navy, road trip vibes.

Series title is a lyric from: “Letterbomb” by Green Day.

Chapter title is a lyric from: “Wake Me Up When September Ends” by Green Day.

Word count: 5.3k

💜 All my writing can be found HERE! 💜

Let me know if you’d like to be added to the taglist 🥰

“You could have gone to California with them,” Rio says as he flips open the fuel cap of a black Nissan Frontier, parked in the driveway of a two-story brick house on National Avenue, not far from where Route 95 branches north of Winnemucca like an artery from a heart.

You squint up at the cumulus clouds to avoid meeting his eyes. You keep thinking you’re going to cry and have to suffocate it, drown it, slit its throat. “I didn’t want to.”

“Sure you didn’t.” Sweat runs in rivulets down his face as he slides in the semitransparent siphoning hose, the one with the little pump on it that Jace had when you found him in Iowa. Aemond gave this to Cregan; he kept the hose without the pump for himself. A small, curious sacrifice. You are fanning Rio with a magazine, Bow International. You had grabbed it thinking of Daeron, then remembered he wasn’t here to give it to. “Jesus Christ, it’s so fucking hot…”

“Djibouti was hotter.”

“Djibouti had a beach. And an air conditioning unit in every window.”

Cregan is waiting by the Tahoe and leafing through a guidebook he found at the Maverik gas station. Ice is lying on the ground and panting beside him, her shaggy grey coat filthy with dust and sand. “The town was named for Chief Winnemucca, who was born in the 1820s in what would later become the Oregon Territory. It either means ‘the giver of spiritual gifts’ or ‘one moccasin,’ depending on the interpretation.”

Rio says: “Damn Cregan, you can read?”

Cregan frowns down at the guidebook with feigned regret. “I really wish Trump had built that wall.”

Rio guffaws. “Cregan, man, I told you. I was born here!”

He continues: “Winnemucca was a stop on the transcontinental railroad.”

“Great. Let’s get that up and running again.” Rio groans as he squeezes the pump on the siphoning hose with increasing frustration. “Absolutely nothing. Not a drop.”

“We probably have enough to get to Denio Junction,” you say gingerly, knowing he’s suffering. It has to be over 100 degrees.

“Yeah, and what if there’s no gas there? How the hell are we going to get to Adel, Oregon?”

“We could walk if we have to.”

“85 miles? In heat like this?”

“In basic training we had to run—”

“We had water in basic training, Chips!” he snaps; and Rio never snaps. “And real food, and corpsmen for if we passed out, and also there were no fucking zombies running around eating people, remember that part?!”

You stare down at the dirt. You can’t cry; you can’t waste the liquid.

“Wait, no, no, no, I’m sorry.” Rio lifts your chin so you aren’t able to hide from him. “I’m…you know…I should already be there. I could be in Odessa in six hours, I could be with Sophie and the baby before sundown, and instead we’re stuck here in the desert and I’m thinking…what if what should take hours ends up taking weeks? What if when I get there, I’m too late?”

You nod, you understand. Out on the road, Cregan keeps his face buried in his guidebook, trying to be polite and pretend he can’t hear you.

“And, I’m also thinking…” Rio says, soft and low. “That I don’t want to be the reason why you miss out on a chance at happiness when the world could literally be ending.”

You gaze up at him, dejected, pathetic. “I can’t handle any virgin jokes right now.”

“I know. I wasn’t going to make one.”

“I didn’t want to go with them to California,” you lie. And then a truth: “And I would never leave you. I promised.”

Rio smiles. “You promised not to let me die alone, and I don’t plan on dying. You’ve gotten me most of the way already.” He glances towards the Tahoe. “I think Axe Boy would have rather stayed with them too. When he was asleep last night I heard him mumbling something about Helaena.”

Cregan? Helaena? Interesting. “Aemond doesn’t want me.”

“Oh, come on. You know he and his one eye are sobbing into a can of SpaghettiOs right now.”

“Be nice,” you murmur morosely.

“Why? He can’t hear me,” Rio says. “Look, Aemond’s fucked up. And of course he is. He went from learning how to save lives and deliver babies to watching his friends die horrible, preventable, completely meaningless deaths. That’s gotta suck. It sucked for me, and I barely even knew them, and no one expected me to be able to do anything about it. Aemond’s the one people trusted to protect them, and he couldn’t. So why would he be able to protect you?”

I never wanted Aemond to protect me. I just wanted him to take me away from here, even for a minute, even for seconds, one hushed stolen moment at a time. “I wish I had said something different back in Battle Mountain.” I wish I had told him I love him. But I didn’t, and now it’s too late.

“You deserve to have the whole wholesome normal family thing, the husband and the kids and the warm fuzzy holiday traditions. I know you’ve always wanted that.”

“If I choose the wrong person, I’m going to end up alone and miserable. And I’ll turn into a monster like my mother.”

“Hey,” Rio says, like he’s ready to fight you. And then he uses your real name, something he’s done maybe five times since you met him, just like you almost never call him Bryan. “You will never be like your mother. Okay? It’s not possible. You don’t have it in you. You’re not a parasite, you’re not mean.”

You want to believe him. “Okay.”

Then Rio chuckles. “Actually, you’re going to end up like my mom. Living in the middle of the woods, making your own soap out of goat milk, growing weed and knitting sweaters.”

You smile wistfully. “I have no idea how to knit. I want to build things.” Then you remember something from when you were fishing on Lake McConaughy in Nebraska. “Aegon said I look like someone who knits. Whatever that means.”

“It means you’re from Kentucky.” Then Rio asks, tentative: “So…what do you think about Aegon?”

This seems random. “He’s cool. I like him, obviously. He’s, um…I don’t know how to describe it. He’s so sad but so warm. It’s impossible to feel nervous around him, which is nice.”

Rio nods, giving you a teasing smirk. “Alright then.”

“Why?”

“Well I was just thinking that if he grows up a little more, he might be good for you.”

“Rio, he’s thirty.”

He bursts out laughing. “So give it another decade and he’ll finally be baby daddy material.”

“I’m sure he’ll be preoccupied with his drug dealing and brothel empire by then.”

“You aren’t even the tiniest bit intrigued?”

“I’ve never really thought about him that way.” And there’s another dimension to it that wouldn’t occur to Rio: Aegon is an addict. You know what it’s like to have to depend on somebody like that. You would never allow yourself to fall in love with him, not the way he is now.

Rio sighs and pivots. “You want me to give you a baby?”

Now you’re giggling. Of course, he’s not serious, just like he wasn’t serious when you were trapped on that transmission tower together back in Pennsylvania. “Stop.”

“I’m super tall and charming, and I was a great electrician back when electricity existed, and I have luscious curly hair that you can readily observe since the U.S. Navy isn’t around to make me shave it off anymore.”

“Sorry, I don’t reproduce with Enrique Iglesias fans.”

“You are so racist, and yet I’d still be willing to help you out with a sperm donation. I’d blindfold myself and struggle through it somehow.” He’s grinning, but his dark eyes are kind. “As long as I’m alive, you will always have a family. And Sophie gets that. Her parents were fuckups too. That’s why she’s so close with mine even though they’re insane.”

“They’re exactly the right kind of insane for the way the world is now.”

“Remember when my dad went through his ‘wifi gives you cancer’ phase and would only communicate with me via Republican-president-themed postcards?”

“The Ronald Reagan one was neat. So many eagles.”

“Truly an excessive amount of eagles.” Rio goes for the porch. “I guess we’ll scrounge whatever we can inside and check the rest of the cars on the street before we head north.”

“I ain’t seen any others without the fuel cap already open,” Cregan says from the Tahoe, dispirited but trying not to show it.

“If we end up having to walk, we’re going to need water or Hawaiian Punch or something. A lot of it. Maybe we can find some of that Pedialyte stuff Aemond got for Jace when he was sick.” Rio pounds one closed fist against the front door. “Hey! Anybody home? We’re looking for supplies. Not trying to cause any problems. If somebody’s in there, just give a shout and we’d be happy to keep moving.”

You’ve followed Rio up onto the porch. “If there’s no water inside, canned fruit will work. You can drink the syrup for hydration, and all the sugar gives you calories.”

Back by the Tahoe, Cregan is leaning down to pet Ice. She’s still panting hard, foamy saliva dripping from her muzzle. “Y’all, we gotta get moving,” Cregan says. “Princess needs to be back in the truck with the AC, and I don’t want to waste gas by letting it idle.”

“Yeah, yeah, we’re working on it.” Rio kicks the door once, hard enough that you hear the wood split near the hinges, dry and cracking. He backs up to prepare to give the door another blow, which is all it will take. Then there is a muffled voice from inside the house.

“Get the hell off my property!”

Immediately, you are stunned by the boom of an explosion, shards of wood flying like shrapnel, the steel barrel of a shotgun jutting from the fresh hole in the center of the door. Rio is scrambling off the porch and dragging you with him. With your free hand, you grab your M9 from its holster and begin shooting before the man inside can fire again, before he can kill Rio or Cregan or you. Your bullets pierce through the blackness of the gaping wound in the front door. You hear shrieks of agony; you see flecks of blood painting the wood. Now there are people shooting from the second-story windows, and you feel the wind of bullets clip by as Rio pulls you towards the Tahoe. The engine starts; Cregan is already in the driver’s seat. You return fire until your M9 makes only small, hollow clicks when you pull the trigger. And by then Rio is shoving you into the truck.

“Go, go, go!” Rio yells at Cregan the second he crawls in behind you and slams the door shut. Cregan swerves away from the curb and barrels down the street, tires squealing, gunshots still ringing out from the house. Ice is barking franticly.

“Rio, I’m out,” you say, terrified.

“What?”

“Bullets. I’m out of bullets.”

“We gotta go,” Rio concedes. There are scratches on his cheeks from splinters of wood, sweat turning from clear to blood-tinged pink as it drips down onto his shirt. “We gotta get out of Winnemucca. If we have to walk, we’ll walk. At least there’s no one north of here to worry about for a hundred miles. Not living and not dead either.”

From the backseat, you glance over at Cregan. “Oh my God, Cregan, you’re hurt.”

“I know.” His right forearm is covered in blood. It’s a graze wound, but deep; when he turns the steering wheel, you can glimpse the white of bone as his shredded muscles open like a mouth.

“You need stitches!”

“Oh yeah?” Cregan replies as the Tahoe bumps over corpses in the street, bodies mummified by the wind and the sun. “And which of you two would be better at that, you think?”

“We’ll get supplies to patch you up,” Rio says, peering out the window, searching for someplace to stop. “And enough food and water to last us through the desert. Right there, hop on Route 95, and we’ll find a store at the edge of town before we’re in No Man’s Land.” Cregan jerks the wheel; the Tahoe veers onto Route 95 heading north. Boarded-up houses and graffitied overpasses and gnarled bristlecone pine trees and lifeless traffic lights and looted storefronts pass by in a blur.

You turn to Rio. “What if those people try to follow us?”

“It’ll only take five minutes.”

“Rio…”

“We don’t have enough to drink. If we get stranded in the desert, we’ll die. I’m not dying out there. I didn’t cross 3,000 miles to drop dead just a few hundred away from Sophie.”

He’s right. There’s no other option. North of Winnemucca is a wasteland, a boneyard. “Okay,” you surrender, helping him look for stores. “But we have to be quick.”

“I can be real quick, baby. You’d know that if you took me up on my very selfless sperm donation offer.”

Cregan raises his eyebrows; you can see his reflection in the rearview mirror. “Y’all have a mighty strange relationship.”

Rio is pointing. “Right there, Riverside Grocery & Liquor. Let’s give that a try. Cregan? You see it? By the Taco Bell.”

“Of course you’d be attracted to Taco Bells,” Cregan says as the Tahoe zigzags across the parking lot, but his voice is woozy. Blood pours from the gash in his arm. What if the bullet severed a major artery? What if he’s bleeding to death?

You ask: “Cregan, do you feel okay?”

“I’m alright. Don’t you worry about me, Miss Chips. You got enough worries already.”

“You don’t look alright.”

His eyes meet yours in the rearview mirror; they are fearful. “I think I need to get pressure on it.”

“We’ll take care of you, buddy,” Rio says. And as soon as Cregan shifts the Tahoe into park, Rio is out the door and striding into the small grocery store, his Remington 12 gauge in his hands. It’s unloaded, but still good for blunt force trauma. The glass of one of the front doors has been shattered. Rio steps inside, his boots crunching on broken glass. You are right behind him; Cregan lifts Ice with his uninjured arm so she can get inside without cutting her paws.

Harsh desert sunlight streams in bright enough that you can see reasonably well, dusk or dawn instead of midday. The air tastes like dirt and decay. The shelves of alcohol have been picked clean, but cans and bottles and cardboard boxes have been left strewn haphazardly around the rest of the store. There are several circular racks of souvenir t-shirts: horses, mountains, pine trees, I was a buckaroo on the Cowboy Corridor, #DesertLife, Straight Outta Winnemucca. You yank a white shirt with a rattlesnake on it off its hanger and tie it tightly around Cregan’s bleeding forearm, closing the ragged ends of his wound.

Ice is whining and nudging at Cregan. “There’s one in here,” he warns.

“Yeah, I got it,” Rio says. She staggers out of the stockroom hissing and growling, the flesh on her face almost completely gone, her exposed skull stained with clotted blood, her teeth chattering. Long strands of blonde hair hang in patches from the back of her head. She is wearing a red vest with a nametag on it. Once upon a time, her parents called her Jasmine. Rio strikes the zombie with his Remington so hard it is decapitated, and the corpse crumples to the filthy tile floor as its head rolls over towards the cash register. Then he slings the shotgun over one of his shoulders and begins shopping.

Cregan is tall enough to see the tops of shelves where items have been missed; he pulls down bottles of Snapple, Gatorade, Yoohoo, Jarritos soda and stuffs them into his backpack. You are on your hands and knees sorting through the debris on the floor, everything coated with a layer of dust and sand. You find cans of mandarin oranges, boxes of graham crackers, tuna pouches, and packets of Tylenol. Cregan will need them. He needs more than that, but you can’t give it to him. You’ve never been to medical school. You grab more souvenir shirts to use as bandages later.

Maybe there are doctors in Odessa.

Rio says excitedly from the other side of the store: “Chips, they got Cheddar Whales!”

Maybe there’s a life worth living in Odessa.

“Just hurry up so we can go.”

“Yeah, yeah…” He’s filling his arms with boxes and bottles, making a lot of noise. Ice is pacing and whimpering, panting like she can hardly breathe, drooling gluey strings of saliva. The grocery store is an oven. Cregan pops open a can of Arizona iced tea and pours it into her mouth to be gulped greedily down. Still, Ice’s yellow wolfish eyes dart around the room, vigilant, rattled.

“I think there’s another zombie,” you say, watching her. You reach for your M9 before remembering it’s unloaded.

Cregan replies: “Sure she ain’t just overheated?”

Somewhere close, less than a mile away: gunshots out on the streets of Winnemucca.

“Ready, kids?” Rio says, his arms overflowing, half a Slim Jim hanging out of his mouth like a cigarette.

“Yes sir,” Cregan agrees. The t-shirt you knotted around his forearm is splotched with crimson, but the bleeding appears to have slowed. Fragments of glass shatter as he crosses through the doorway and out into the parking lot, carrying Ice as she struggles and barks.

Rio pauses as he passes one of the other t-shirt racks, circles of metal that gleam like halos. He’s rearranging his supplies so he has a free hand to grab a shirt he likes. There are more distant gunshots outside, and the squealing of tires. In the parking lot, Cregan is starting the Tahoe.

You say distractedly, noticing an empty Twizzlers wrapper on the floor and thinking of Jace: “Rio, let’s go.”

“Hold up, this one has an elephant on it—”

The hand juts out from below the rack and seizes his ankle, claws up his legs, rips and tears at him, grey flayed flesh and screeches from rotting vocal chords, something that used to be a man or a woman and is now only a monster, half a body, nothing from the waist down but shred of black necrotic muscle, skin, intestines, too close for Rio to push away, already clinging to him like graffiti on concrete, like a pair of stainless steel dog tags hanging from his neck. Without thinking, without hesitating, you are across the store and trying to get it off him, screaming as your fingers rake through disintegrating gore, so deep you can feel the zombie’s ribs like rungs of a ladder, trying to get a grip on it, trying to kill it. Now Cregan is back with his axe and he’s hacking at the skull as best he can without hitting Rio, and Ice is barking, and Cregan is yelling for you to get away before you’re bitten, but you don’t listen, you don’t care; all your life you were homesick until you found homes with Rio thousands of miles from where you were born, and if he’s gone then so is the only place you’ve ever belonged. There is a surge of blood, hot and metallic, rot and iron in the air, and you don’t know whose it is.

He can’t be gone. If he’s gone, who am I?

An arm hooks around your waist and drags you backwards, so roughly you lose your breath for a moment and cannot fight them; over your right shoulder, you see a hand holding a Glock. Aemond pulls the trigger and the zombie falls to the floor, a mangle of decomposition and exposed bones, because wherever the others ended up they found bullets and gasoline…and then they came back for you.

Aegon is stumbling over the rubble that litters the floor to get to Rio. You can hear Daeron and Rhaena’s voices out in the parking lot, and the blasts of Rhaena’s Ruger, the revolver she once didn’t know how to use. Cregan is trying to help Rio up, but he can’t stand. He is slumped against bare shelves and holding a hand to his throat, where he’s hemorrhaging from a gaping, ragged wound, torn arteries and lacerated veins. He’s been bitten, but his transformation won’t take long. He’s bleeding out. His dark eyes are on you, and beneath the glassy sheen of catastrophic blood loss is disbelief and fury and grief. He will never see Sophie again; he will never meet his child.

Your voice is a whisper, a phantom. “Bryan…”

“It only takes once, right?” he says, weak and guttural, already fading, blood on his lips. Then his eyes drift to Aemond. “Get her out of here.”

“No!” you shriek as Aemond pulls you towards the door, his arms locked around your waist, his lips to your ear as he begs you to come with him, that you have to leave, that it’s not safe here, that Rio doesn’t want you to see what has to happen next. Aegon is sobbing as he touches Rio’s face. Cregan bows his head; but he’s already looking at the Marlin .22 that hangs by its leather strap from Aegon’s shoulder. “No, I promised, I promised! I promised I wouldn’t let him die alone!”

“He’s not alone,” Aemond tells you, and he doesn’t let go when you struggle, when you scream. Burning sunlight floods over you, and you are in the parking lot. Rhaena and Daeron are shooting down zombies as they lurch towards the grocery store, drawn by the commotion, the symphony of the dead and dying. Luke is using a siphoning hose to fill the Tahoe’s tank with the remaining fuel in the Ford Expedition. Helaena is moving their supplies into the Tahoe, weeping softly to herself, her long ghost-pale hair flowing in the desert wind.

The racks, you think, you remember. You can see Helaena shining the flashlight into your eyes like you’re back on a living room floor in Iowa. I forgot to remind Rio to check under the racks. And now he’s gone.

You’re screaming that it’s your fault as Aemond forces you into the Tahoe, and you don’t care what anyone says to you: Luke trying to tell you that’s not true, Rhaena swearing that you’re safe now. There is a gunshot from inside the grocery store. Your heart and lungs have turned to iron like the anchor of a ship, cold and still and heavy, unmovable, unbearable. You cannot breathe through your sobs; you cannot see, cannot speak. You curl up on a seat and wish you were dead. All your life you have been compelled by a blind belief that there are better places even if you cannot imagine them, that sometimes when it feels like the world is ending the only way out is through. For the very first time, you want to give up. You want to let all the poisons of this earth seep into your bloodstream until they stop your pulse and everything goes quiet, quiet, quiet.

Aemond is pouring bottles of water over you so he can wash away the blood and sand and gore. He is searching your skin for bitemarks. People are climbing into the Tahoe and a key turns in the ignition. The wheels are spinning; shadows fall over your face through the windows as you sail beneath overpasses. You hear voices but not words. You feel Aemond’s hands on you and do not flinch away.

Someone is putting pills in your mouth and telling you to swallow. “What is it?” you ask.

“Tramadol,” Aegon says. “It will take you somewhere else.”

And it does, this poison he doesn’t know you are starving for; it erases the future and the past until you don’t exist, you never have, and this is a relief.

~~~~~~~~~~

Glimpses through fogged vision, disjointed flashes like dreams: Aemond cleaning and suturing Cregan’s arm, Helaena’s fingers threading through Ice’s shaggy grey fur, smoke from smoldering Marlboro Golds billowing from Aegon’s lips and out through an open window, coyotes watching the Tahoe pass from the shoulder of the highway, mountains and barbed wire, clouds and useless power lines, land that turns from flat and vast and vacant to steep hills thick with pine trees, so many they block out the sun.

You are dimly aware that the Tahoe is stopping frequently, long lulls to hunt for gasoline in small towns, one gallon here, three gallons there, discussions over which routes to take as Aegon scrutinizes his map. Aemond is always with you, coaxing you to take sips of Gatorade and nibbles of Ritz crackers, feeding you spoonfuls of chicken noodle soup straight from the can, and each night when you fall into numb unconsciousness in a dead stranger’s bed he sleeps on the floor in case you need him, and eventually you do. You jolt awake from a nightmare, not death but cursed immortality, a bite he missed somehow that turned you into a monster, into a murderer, your raw skin and muscles sloughing off your bones.

“You’re fine, you’re fine, look at your hands,” Aemond says, taking your wrists and holding them gently. “No bites. You’re going to be okay, I promise. Hey, hey…” He cradles your face, he pleads for you to believe him. “I swear to God, you’re going to be okay.”

“It should have been me,” you whisper in the red glow of the candlelight. “I don’t have a family that would miss me if I was gone.”

“Yes you do,” Aemond says fiercely; and it takes your drugged, horrorstruck mind a moment to realize who he means.

The next day the Tahoe runs out of gas, and you know this because Aemond wakes you with a palm resting lightly on your forehead and an apology sighed through your hair. “What’s wrong?” you murmur.

“We have to get out and walk for a while. Can you do that?”

You force yourself to sit up, blinking at him. “Where are we?”

“Kingvale, California. In the Sierra Nevada Mountains.”

“We’re going to the beach house,” you realize.

“Yeah,” Aemond says, smiling a little. “Yeah, we are. We’re going home.”

On Donner Pass Road, following in the centuries-old footsteps of doomed westward migrants, someone always walks with you as you shuffle along in a daze. Aemond tells you about California, Rhaena reads aloud from Mockingjay, Ice licks your knuckles, Aegon talks endlessly about golf and yachting even when you can’t respond. His burned leg is still bandaged, but healing, and he’s found a Converse sneaker a few sizes too big to wear on his left foot; Aemond treats and wraps his wounds each morning and night, and Rhaena observes and takes notes so she can learn how to do it.

One afternoon just north of Beale Air Force Base, Daeron sneaks a Marlboro Gold out of Aegon’s backpack when no one is watching and lights it as he lingers in the back of the group. Aegon smells the smoke immediately and whirls, runs to him, snatches the cigarette from between Daeron’s lips and stomps it into the pavement.

“You’re not going to be like me!” Aegon shouts at him in the middle of the road. “Goddammit, you’re going to be safe, and you’re going to be happy, and you’re going to know that people care about you because I’ll break your fucking arm if I ever see you smoking again. You don’t get to poison yourself. You’re going to live to be a hundred years old. Got it?”

“Got it,” Daeron echoes, startled, petrified; and then Aegon hugs him, hanging on for a very long time.

~~~~~~~~~~

It is midnight in Meridian, a miniscule town founded in the 1850s on the banks of the Sacramento River, a relic from a time when travel meant ferries and railroads and wagon trains. Here, well outside the state capital, there are no sounds except the breeze through the trees—blue oaks, sycamores, willows, white alders—and the hoots of owls. The house is old, built in the 1950s or 60s, creaking steps and a screened-in front porch where Cregan and Daeron are playing Uno while keeping watch. The moon is new and invisible. The stars are bright.

Aemond appears in the doorway of your room. You are on the edge of the bed and staring at the wallpaper, flickering candlelight and scenes of galloping horses. Aemond is not letting you have any more Tramadol. He’s also not letting anyone load your Beretta, although you saw a box of 9mm bullets in Helaena’s burlap messenger bag. Maybe he’s worried you’ll try to shoot yourself. Maybe he’s not too far off.

He closes the door, crosses the room, and sits down on the bed beside you. In the firelit quiet, Aemond says: “I’m so sorry. I don’t know how to help you.”

“I can’t stay here. Take me somewhere else.”

At first, he doesn’t understand what you mean. Then you reach for him—for a life raft, for something to tether you to the earth—and the lines of your palm press against his scar, flesh he stitched back together himself, proof he can heal people, a reminder of how temporary any of you could be. Aemond lays his hand over yours and closes his eye, holding you there against his face, feeling your warmth and your forgiveness, your need to be close to him in a way that is suddenly so uncomplicated. There is no fear left in you. Perhaps there’s nothing left at all.

Aemond kisses you, and there are blooms of golden light through your darkness like what you call lightning bugs and he says are fireflies. You are entangled on the bed together, and all the sounds still ricocheting in your memory—screams, gunshots, bloodlust, hunger, anarchy—fade until they cease to exist. He is touching you, and you can feel lost pieces of yourself returning to you like rain soaking through parched earth, faith and resolve and desire. And now, and now…

Now Aemond is taking you far, far, far away, to bottomless blue water you can drown in, to where Diego Garcia lies marooned in the middle of the Indian Ocean, to the sun-glinting waves off the coasts of Chinhae, Corpus Christi, Key West, the Horn of Africa. He is between your thighs, and you want him through the pain, a razor-sharp fullness that seems so immaterial and so fleeting; and you lie to him over and over again because if he knows he’s hurting you he’ll stop, and in this world one cannot assume there will be second chances. Aemond stills once he’s inside you, giving you time to adjust but also overwhelmed by the intensity of it, his hands in your hair and trembling all over, kissing your face as the pain bleeds away and leaves a shade of craving you’ve never felt before, something deep and indistinct, something intangible like a spell or a myth. You move first, rolling your hips with a slow, cautious rhythm, and only then does Aemond follow you. It’s in his voice, in the reverence of his hands, in his iris like a clear secretless sky; you have taken him far away too.

“I love you,” Aemond says afterwards as his head rests on your belly, your fingers tangled in his damp hair and your skull hushed like calm seas. “And I can’t pretend I don’t anymore.”

“Good. I wouldn’t want you to.”

And in the morning, there is something different about the world: a hopefulness that makes you want to wake up, a radiance like moonlight on the wave crests of the Indian Ocean.

[suzukiblu]

Excerpt from an in-progress DP x DC soulmate AU starring Jazz Fenton, a very unfortunate mugger, and a smoothie. Oh, and I guess Jason is there too.

Jazz meets her soulmate in, of all places, Park Row. Or as the locals call it, Crime Alley.

Seems about right for her life, she decides as she kicks the shit out of the guy who was trying to stab him for his wallet fifteen seconds ago. Her soulmate watches her curiously, seeming unconcerned by the fuss, and takes a sip of his smoothie.

Also seems about right, for her soulmate. A guy who got too nervous when necessary violence happened was not going to survive Thanksgiving in Amity Park, much less Christmas.

Well, it is Gotham.

"Hi," he says.

"Hi, sorry, one sec," Jazz says, then leans over the groaning mugger and offers him a card to the best local crisis center she's managed to track down via research and word of mouth in the four months she's been in Gotham. Not her card, obviously, since she just roundhouse-kicked the guy in the head to protect her soulmate from him and that's arguably a conflict of interest. Or close enough, anyway. "So you should check these guys out, they've got a very high success rate in their job program and there's an associated food bank and rent assistance, if you qualify."

"What?" the mugger says dazedly.

"Also if you ever touch my soulmate again I'll make you wish for the cold mercy of the Infinite Realms," Jazz adds pleasantly. The guy goes very, very pale. Then he snatches the card from her and runs for his life and eternal soul.

"This is the nicest thing the universe has ever done to me," her soulmate muses, taking another sip of his smoothie.

"Getting you mugged?" Jazz asks wryly, raising an eyebrow at him.

"Are you religious? Do you want kids?" her soulmate asks. "Also, who's your favorite Bat?"

"Robin, obviously," Jazz says. "The overdramatic and feral little stabby one, I mean. He reminds me of my little brother. Makes me feel a little bit maternal, to be honest. So that answers two out of three, and as far as religion goes, I only believe in Psychology Today, highly customized guns, and my mom's ninth-degree black belt."

"This better not awaken anything in me," her soulmate mutters under his breath.

"That seems unlikely, or we wouldn't be soulmates," Jazz says.

"Point," he says, sipping his smoothie again. Jazz didn't even know anywhere in Crime Alley sold smoothies, but she is new around here. "Wanna go break my bed? Or maybe go get coffee?"

"You've already got a smoothie," Jazz says.

"So I do," he says.

Jazz looks him over. He's her soulmate, so she's not surprised to find him gorgeous. She wasn't ever expecting a familial soulmate–Danny is a very intense sibling to have, and her parents are very intense parents to have, not to mention everything about Dani, and "soulcousins" aren't typically a thing–and she's never been especially interested in keeping around too many close friends, so considering all that, she was already expecting her soulmate to be a romantic one. If they are platonic, it's definitely only going to be because her soulmate is an aromantic asexual. Which he probably isn't, since he already asked about kids and religion and if she wanted to go break his bed.

Then again, she's met people who'll posture worse than that. Especially guys, and especially ace ones with a clear investment in their masculinity, and given this particular guy is built like a brick house could only dream to be, chances are he has some feelings about his masculinity. Though he's also drinking a visibly pink smoothie, not a neutral-colored protein shake or generic black coffee, so . . . fifty-fifty there, maybe?

Further inquiry will probably be required.

"I'm Jazz," she tells him. "What's your name?"

"Robin," he says. Then he–pauses. Blinks. "I mean–Robin."

He looks very confused for a second, and Jazz blinks too, and refocuses her eyes a bit. Oh, is he–

"Are you overshadowing that guy?" she assumes. For the love of–of course her soulmate would be a ghost, she thinks dryly. Who'd want a soulmate their mom and dad wouldn't want to grill for information and ask a thousand invasive questions, after all? "I mean, he's really hot, don't get me wrong, he looks good on you, but I'd rather meet you for real."

"'Overshadowing'?" Robin looks bemused.

"I'm Danny's sister," Jazz clarifies. Robin does not look less bemused. "You know, the new king?"

"What?" Robin says. Jazz frowns a little, feeling a bit bemused herself.

"Do you not get out much?" she asks.

"Never, actually, but also yes and constantly and way too often," Robin says. "My job is kind of demanding that way."

"What's your job?" Jazz asks curiously. Ghosts' jobs are always interesting, even if only for how they interact and manifest with their Obsessions. She wonders what his Obsession is, actually, because smoothies seem like an unlikely option but she doesn't have much else to go on here.

Can't be weirder than Box Ghost, either way.

"I'm a Bat," Robin says, then looks absolutely alarmed and also absolutely horrified.

"Huh," Jazz says, tilting her head. He seems really big to be one of the Robins, and a little too old besides. A year or two younger than her, maybe, and even the older Robin she's pretty sure is at best Danny's age. Though that's assuming this body is the one he fights crime in, admittedly. Although it's kinda funny if one of the Bats is just named Robin. Must get annoying on patrol, though. "I didn't know any of you were dead, but I guess that's not actually a surprise either, given the profession."

"Why did I say that to you?" Robin asks tightly.

"I told you, I'm the new king's sister," Jazz says. "You know, it's the royal family thing. Technically I'm his regent, legally speaking, but only because I'm better at paperwork and he doesn't count as a legal adult in the Infinite Realms yet. Hasn't been dead long enough, you know how it is. But I've been alive long enough to, apparently? But his 'being alive' technically stopped tracking at fourteen. It's complicated, basically."

"What the fuck does that mean?!" Robin demands.

"It means you can't lie to me because you're one of my brother's subjects," Jazz says, really not understanding his reaction. Every ghost knows this, after all. The only ones who wouldn't know it are too young to be away from their guardians' haunts or even leave the Infinite Realms at all. Definitely a ghost who knows how to overshadow someone this thoroughly and fully is old enough and experienced enough to know it, though. "Whose body is that, anyway?"

"It's my father's," Robin says. Jazz's eyes widen a little and she has several very concerned internal reactions before he chokes and sputters–"I mean–it's not–he's not–!"

"You realize there is no healthy way to mean that, right?" Jazz says. Robin looks frustrated and freaked out and she feels bad about it, because she didn't mean or want to upset him, but she clearly has. "Sorry. I mean, I still secretly feel like I'm the one parenting my parents half the time, you're not the only one with weird feelings about yours."

"I'm his," Robin says, then grits his teeth in visible pain. He's this close to crushing the smoothie cup he's holding but hasn't actually done it. Jazz wonders if that's an example of deliberate self-control or subconscious restraint.

She's pretty sure Robin didn't mean to say that, though.

"Are you okay?" she asks, a little concerned. Normally ghosts just stop talking about things they want to lie about, when they realize who she is.

"No," Robin says. "I'm just his. I've always been his, I always will be, his good soldier, his worst mistake, not his actual fucking son, why am I telling you this?!"

"I don't know," Jazz says, frowning in increased concern. "Usually people can work around the inability to lie a little bit, but you sound like you're being compelled to speak. Increasingly like, actually. Hm. What's your Obsession? And what kind of core do you have?"

"What?" he says.

"They might be making you unstable, is all," Jazz says. "I don't think it'd be a soulmate thing but to be fair I don't really know how that works. Are you dead, or are you a manifestation of something?"

"I'm dead," Robin says, staring at her. "That bastard clown beat my head in with a crowbar and blew up what was left of me. I woke up in my grave and–I–how did you know that?"

"Well, I didn't, that's why I asked," Jazz says reasonably, idly wondering why the Joker isn't dead yet, since this is Gotham and obviously it wouldn't be another "bastard clown" Robin was referencing, even if he wasn't a Bat. But like, at least dead via the court system, if nothing else. The Joker is insane, yes, but no one can argue he doesn't know right from wrong at this point. Does New Jersey just not have the death penalty, maybe? She hasn't thought to check. "Maybe it's the guy you're in? He's not drunk or high or anything, is he?"

"I hate drugs," Robin says, gritting his teeth again; tightening his grip on the smoothie again. He's trembling, just barely. "I hate them. I'd never touch them. I don't know what you are. You're scaring me. Please stop."

He definitely didn't mean to say that, Jazz can tell.

But . . . he doesn't know what she is.

He doesn't know.

Well, that's a problem.

"Robin," she says gently, and for some reason his face twists painfully at the sound of his own name. "Can I see your core? Please?"

[zorrasucia]

Teach Me Tonight - Part 1

Part 1: [Part 2] [Part 3] [Deleted Scene] [Part 4] [Part 5] [Part 6] [Part 7] [Deleted Scene] [Part 8]

Reader x Carmy Berzatto (The Bear FX)

Rating: Explicit

Tags: Smut, Set sometime after the opening of The Bear, Porn with a little plot, Virgin!Carmy, Masturbation, Mutual masturbation, P in V sex, Both Carmy and Reader have a bit of a praise kink

Summary: He scratched his forehead and squeezed his eyes shut, embarrassment taking over desire. "Would you teach me? How to- I wanna make you feel good."

It had all started five months ago.

You had finally found a good spot for your vintage clothing store. It used to be a bar, right next to a sandwich place called The Beef. Things lined up so that the new restaurant, The Bear, opened a week before your store did. You were thankful - fine dining brought just the kind of business you wanted.

After weeks of eyeing the delicious looking desserts through the window, you decided to close early and get one of each and a coffee.

"You have a sweet tooth, huh?" the server joked amicably. "Have I seen you around?"

"I own the store next door," you replied.

"Of course!" he smiled. Then added: "Do you sell anything denim?"

You eyed his all black suit, guessing his size.

"Yeah, I just got a few pieces you might like."

"Oh, it's not for me," he laughed. "I've been telling my cousin to visit for weeks but he hasn't listened. I'll send him your way tomorrow."

You hadn't thought much of it. But the next day the cousin showed up. He was short, pretty, with blue eyes and built like a brick house.

"Carmen," he offered you his hand to shake; his arms were covered in tattoos.

"Your cousin said you are looking for vintage denim?"

"Yeah."

You showed him the new arrivals and a few of the most popular pieces - everybody wanted Levi's 501s. But he surprised you asking about specific models and the lining on jackets. You didn't know it at the time but Carmy found a way into your heart and mind from the moment you met him.

He was smart without being cocky, with an offbeat sense of humor and the nicest profile you had ever seen. He started bringing you (exquisite) leftovers for your lunch, stopping sometimes for a little talk. You called him to show whatever new pieces arrived to the store. It became a thing.

You were friends until you weren't. Until he got comfortable enough to touch your hand and hug you. Until you got the nerve to ask him out and kiss him.

It had been three months of seeing each other as much as your schedules allowed, kissing at closing time and talking way too much about jeans.

Today was a rare instance of Carmy taking the day off from the restaurant, and even rarer that it had lined up with yours. The afternoon was spent in your living room, eating take out from his favorite place, your legs on his lap, talking about the frantic week he'd had and your plans of going to a estate sale next weekend. You ended up tangled on your bed making out, the song of the city playing outside your window, his tongue eager in your mouth and your hands carding through his hair. You felt electric, like anything Carmy did could light the spark within you. You writhed in his embrace and found that Carmy was hard against your hip, grinding slightly.

"Are we doing this?" you asked against his mouth. You were leaning back and pulling him towards you.

"Now?" he sounded surprised.

"I mean, yeah," you chuckled. It felt right. And you had thought about it for weeks. But he seemed genuinely taken aback so you added: "If you want."

There was a long silence. Was it too soon? You looked away, feeling mortified - this was all a mistake. You tried to disentangle yourself from Carmy's embrace to give him space but he held on tighter.

"No, I do, I want to," he said softly. "It's just-"

His thumb soothed the skin on your cheek and you realized he wasn't surprised, not really. His eyes were half lidded - it was a weird look on him, a combination of embarrassment and desire.

"Do you like kinky stuff? Is that it? Because we can talk about it-" you stopped in your tracks when you saw his face contort into a grimace. "Sorry."

"It's fine," he reassured. "Actually it's the opposite problem," he mumbled. "I'm- I'm new to this. I have done none of it. Ever," he confessed. You caressed the hair on his temples.

"Oh. That's okay," you said and he avoided your gaze. You tilted your head to look him in the eye. "It is. I promise."

"Would you-" he scratched his forehead and squeezed his eyes shut, embarrassment taking over desire. "Would you teach me? How to- I wanna make you feel good."

You smiled. "I mean, sure, but hopefully we'll both feel good."

He laughed, some of the tension leaving his shoulders. You settled on the bed, lying face to face, just kissing, taking your time, warming the space between you once again. Carmy followed the pace you had set, his lips were gentle against yours. There was a nervousness to him though, he was too still. You took one of his hands and placed it on your chest, cupping your breast over your shirt. He gasped into your mouth and paused the kiss.

"Just touch me," you nuzzled your nose against his. "Anywhere you like."

His hands hovered above you, settling on your waist, lifting your shirt a little. His fingers were cold and you shivered.

"Sorry- I-" he stopped.

"Hey, you're just a little cold," you kissed his cheek and ran your hands over his chest and around his shoulders reassuringly. "I'll let you know if anything feels wrong."

"Promise?"

You nodded and placed his hand back on your waist. His fingers tickled up your sides and you hummed contentedly even though your clothes were getting in the way.

"Want to take it off?" you asked.

You lifted your arms so that he could push the blouse off of you. He cleared his throat at the sight of you, his eyes wider than you had ever seen them, and you could feel yourself melting into his beautiful hands as he touched and touched.

"Can I?" you had started tugging at the hem of his pristine, white shirt.

"Yeah," he replied breathlessly. You helped him out of it, and started tracing the lines of muscle on his arms.

"You're so beautiful," you said and he flushed down to his neck, the way he looked after a long day in the kitchen.

"Well, right back at you," he replied earnestly. "Wh- What should I do next?"

"Kiss my neck?" you proposed. He nodded eagerly and buried his face in the crook of your neck. "Keep going," you pleaded.

His hair tickled you as he went down your collarbone and the top of your breasts. You trembled with pleasure. This was new to him but also new to you. You had gotten used to men that never asked what you liked - this was different. Nice.

"I'll show you something," you guided Carmy's hands to your back, over the clasp of your bra. "There's a hook back there, feel it?"

"I think so," he furrowed his brows in concentration.

"You bring the sides together and it opens," it took him a couple of tries but he managed. "Good," you praised and Carmy smiled wide, carefully taking it off.

He continued kissing down, noticing how your breath hitched when he got close to your nipples.

"Feels good?" he asked, his breath on your skin hardened your nipples and made you arch your back.

"Yeah," you carded a hand through his hair, keeping him close and moaning when he kissed each side.

His lips and hands roamed all over your chest, so diligently, so thoroughly, that you thought you might come from that alone. Your thighs kept rubbing close together to find some relief. Carmy saw you and placed a hand on your hip.

"Show me," he said.

You took one of his tattooed hands and placed it between your legs, arching into it. His fingers pressed around aimlessly. It wasn't terrible but it wasn't good either.

"I have an idea," you said after a little while. Carmy looked up at you. "Come, let's sit."

He settled with his back to the headboard while you undressed all the way. Then, you sat between his legs, your back to his chest.

"This is nice," Carmy said softly, one of his strong arms surrounding you. You put his hand back between your open legs, his fingers over yours.

"I'm going to touch myself the way I like it," you explained, your index already tracing the outlines of your folds. "And then you try."

Carmy cleared his throat behind you. "Okay."

You closed your eyes, focused on the feeling of Carmy around you - his sculpted chest to your back, his long fingers echoing every move you made, and his breath caressing the side of your face. Carmy's hands were bigger than yours, more calloused - the feeling of them, almost in unison with yours, was making you dizzy.

"Here," both of your middle fingers touched your clit. You moaned. "Here is good."

"I can hear that," he teased.

When your hand moved around, his stayed there, drawing tiny circles on it.

"Oh," you gasped in surprise and pleasure. Your free hand started squeezing at your breast only to be replaced with his other hand. "Fuck," you cursed under your breath as he kept going. "That's good. That's so good. Don't stop."

"Wouldn't dare," he managed to say.

He sounded just as worked up as you were, his breathing laboured. You could feel his nose buried deep in your hair and his erection poking at your back. He started grinding against you, and you leaned into it a little. He groaned.

"Please," he begged.

You reached behind, palming him over his trousers. It was hard to keep a steady pace from that angle and he was already making you lose control but you tried.

"Shit, shit," he fucked into your hand, messy and desperate, every sound from his mouth pushing you over the edge.

"Carmy," you called his name over and over as your orgasm washed over you. It was hot, blinding, and it made it hard to breathe. You realized Carmy had come too once you regained your bearings and found the bit of his trousers you were holding was damp and warm.

He rested his forehead on the side of your face.

"I could die right now," he mumbled, blissed out.

You hummed in agreement. You stayed in content silence for a while, Carmy's arm keeping you close and his thumb caressing your shoulder.

"We can go over the rest next time," you offered.

"I, uh," he shifted where he sat, "I kinda hoped I'd see you when..."

You twisted a little to look at him. He was back to that embarrassed-horny state, cheeks flushed.

"See me...?" you prompted.

"When you came."

"Oh!" you touched his thighs gently. "I mean, if you can go again-"

"Yeah," he chuckled breathlessly. "Yeah. Just give me a minute."

"Alright."

You got up from the bed to rummage through your bedside table for condoms. You placed them by your pillow. When you turned, you found Carmy with his eyes closed, his brow furrowed, one hand caressing his neck and one on his crotch, moaning softly. It was the hottest thing you had ever seen. You got back on the bed in front of him, and reached for the closure of his trousers. He stopped abruptly.

"Shhh," you soothed. "Keep going. I'm only taking these off."

"Thanks," he replied.

You took his trousers and boxer briefs off, trying your best to not stop his rhythm. He took his cock in his hand and started caressing the head.

"You look so fucking hot, Carmy." He let out a chuckle and picked up a little speed. "Can I help?" you asked after a while.

"You don't have to-"

"I want to," you said. You moved to kneel beside him and started kissing his neck, mirroring his hand on the other side. Then, you pulled on the hair on his nape. You could feel the vibrations on his throat when he moaned.

"So nice," he said softly.

"What else? Tell me what you'd like me to do."

"Just touch me, please," he echoed your reply from before.

You did. Over his chest, flicking at his nipples, down his stomach following the trail of hair and back up, your nails leaving red lines in their wake. Carmy was already hard again but you still wanted to give him pleasure, so you put your hand next to his on his cock and he groaned.

"Slow, please," he begged.

You moved on the bed until you were between his muscular thighs.

"Let me know if you want me to stop," you said right before you kissed the tip of his cock and made him growl.

You left small pecks wherever his hand couldn't reach - the inside of his thighs, the curls under his navel, and his head again. Then, you licked along his shaft.

"Stop," he pleaded, the veins on his throat were bulging, his hand had stilled completely. "I still want to fuck you."

"Okay," you cupped his face tenderly. There was something vulnerable about him that you had only seen a couple of times. "Had you imagined anything?"

"Uh, not really," he hesitated. "Just you. I want to see you."

"We could do it like this," you proposed, nudging his legs close so that you could straddle him. He was still leaning against the headboard. "Either you or I can take over, so-" you let it float, the reassurance that you were there for him but he could do as much as he was comfortable with.

"Yeah. Sounds- sounds great," he ran his hands over your bare back.

You reached out for the condom beside him.

"May I?" you touched his thigh reassuringly. He nodded. "So, opening these with your teeth looks sexy but it's dumb as fuck because you can break it," you explained, maneuvering the wrapper carefully. Then, you rolled it over his length, his head tilting back with a moan. "There's flavored shit, and textured ones. We can try some later, if you want."

"Later," he smiled, the idea of more nights together but also the need he had for you right now - his pupils were blown.

So you got closer, hovering just above his cock.

"You can use lube too," you whispered. "But I'm soaking for you," Carmy groaned, "so we won't need that right now."

You lined him up to your entrance and lowered yourself slowly, your hands holding his shoulders for support. He felt so right inside of you, filling you up, hurting just enough. His jaw went slack as you took him completely.

"Holy fucking shit," he cursed, head tilted back, exposing his neck so you could lick up and kiss his Adam's apple. He tasted like sweat and sex. "You're killing me."

You grinned devilishly. "I'll start slow."

You started riding him, the pace was almost gentle. He buried his face between your breasts and held you close. You felt safe, cared for, adored. Was this what lovemaking felt like?

Carmy started to leave sloppy kisses on your skin, using his teeth in some of them. You started picking up speed, holding tight to the back of his neck.

"You feel perfect," Carmy said against your skin. "Fucking perfect."

You moaned in response, it sounded whiny and desperate. He seemed to love it, trying to make you repeat that sound by kissing your nipples and touching your clit.

"Jesus, Carmy."

You didn't know how long you'd be able to keep the frantic rhythm you had set, your legs were already shaking. Feeling you falter, he started fucking into you, hard thrusts that hit you just right and made you scream. He stopped.

"Are you okay?" he asked, mortified.

"I'm fine, Carmy, I swear. Please, please, keep fucking me," you begged. And he did. And you were becoming more of a mess as he did.

"You're doing so good, Carm. So fucking good. You feel-" you let sweet nothings burst out of your lips. It made him go faster and harder. You wouldn't last long.

"I'm- Carmy, I'm going to come," you mumbled.

"Look at me, please," he ran his hands over your spine, soothing even as he fucked you. His blue eyes searched for yours. "Look at me."

You held his gaze as long as you could, your nails digging into his shoulders and every thrust making it harder to think. All of a sudden, you went slack and fell on him, trembling with pleasure, and seeing stars. A few more thrusts and he came too, biting on your shoulder to drown a scream. You stayed there, breathing hard for a little while.

"Is it always like that?" he asked. His voice was hoarse and his hair was wet with sweat.

"No," you replied. "No, it isn't."

"Good to know," he quipped and you laughed. You untangled yourself from Carmy, leaning back to see him, his droopy eyes and blissful face.

"Fuck," he said. "You are so beautiful."

You traced the curve of his nose with your finger. "Right back at you."

[Part 2]

[hometoursandotherstuff]

Okay, guys, this is weird. It's clearly a red barn, but it has a castle turret (ok, it's a silo, but it's like a barn castle). This is not a barndominium, it's a bastle. Built in 1995 in Castlewood, SD, it has 6bds, 5ba, and outbuildings. The house is 15,000sq.ft, and comes out to only $29/sq.ft. at $430K. I was not expecting the interior- I was expecting rustic. Check it out.

Very plain, unassuming entrance. Cheap Home Depot Door.

And, then, bam! Gray brick with a fireplace, stairs, walls with interior windows, and balconies. Where the hell am I?

The other side of the great room has plain white walls, a big open balcony, and what looks like brick walls set into the railing specifically for the display of heads. I also see brick columns, beams and a brick wall on the far end above, plus stairs to a lower level. So much going on.

Basically, where there's a railing, there's just an open space for a game room, TV room, etc.

Oh, wow, from this view, there's a marble wall. I have never seen windows w/faux marble shutters, notice the barn doors, as well.

One must wonder who designed this masterpiece. It sure is complex. On the right it looks like 3 steps going up to what, a window and small hallway? There's also a door on the right, and door above.

Here's a view from the balcony area. I guess we can also call it a mezzanine.

Back downstairs, we're in the kitchen. I'm not impressed. Don't like the cabinets or the layout.

Then, here's a way oversized dining room. Note the little shelf above- it has a tiny railing.

I'm gonna say that this is a giant family room off the dining room, and it took me a minute to realize that the "island" in the middle is a hot tub.

So, this must've been a game room. Note the rectangular decorative wall by the pool table.

Then over here there's a TV room that looks like it was decorated by Meemaw and Papaw. I have to say that I hate the furniture- it doesn't go with the funkiness of the house.

It looks like there are patterns on the walls, like wheat stalks going up the stairs.

Wallpaper or some kind of decorative panels up here. There's so much space.

Here's a dark bedroom. The ceiling and walls are so weird.

This large bedroom looks like it's in the silo/turret.

The shape of the ceiling up here is interesting. I don't know what this is- maybe some kind of storage area.

There's a 2 car garage with a large attached barn.

Plus, another very large building attached to the barn.

It's some sort of workshop.

The white building is a whole 'nother house w/3bds, 1ba. Remember, it's only $29 per sq. ft., so it's a lot for the money.

And, this L-shaped building is another huge barn/work space. This could be someone's empire.

Wow, it's big.

2.84 acres of land.

https://www.zillow.com/homedetails/45849-184th-St-Castlewood-SD-57223/2075595228_zpid/

[heavencanbeaprisontoo]

Living with Alfie Solomons

Warnings: Fluff, angst, references to religion and violence.

Domestic Alfie Headcanons

Alfie owns many different properties all over London and Margate. To your shock, only two were in Camden. One was what you could only describe as a “bachelor’s apartment,” which strongly resembled his office with the addition of a lumpy mattress. He took you to see what he considers his “home,” a one-story brick house surrounded by the lush green of the English countryside. Alfie had built this home after deciding, “Me and stairs, right, we ain’t made for each other.” The home also comes with a sweet little guesthouse behind it for his mother to live in. At which point he had a short rant about how his aging mother refuses to move in and still lives in her tiny flat in Camden. 

When he’s not being a “baker,” he does like to do some baking. Real baking. Bread, pudding, cake, pies, you name it. He likes having to measure his ingredients, put on the perfect temperature for the perfect amount of time. He likes to collect cookbooks too, and will have a gleam of almost childlike delight when he finds one he doesn’t already possess. 

Alfie has a tendency to develop very strong interest in a very specific thing and then drop it months later. He retains all he’s learned from it, but it can be a bit annoying as he will fill the house with his latest obsession. A short list of obsessions he’s developed are: American cowboys, jewelry making, stamps, coin collecting, eastern meditation practices, and Italian opera. 

You had to get used to his slight OCD involving things in his home. Everything has a place, and he gets very grumpy if you move something, a spoon for instance, and he can’t immediately find it. 

Children in the neighborhood are equal parts frightened and delighted by Alfie. They think he’s funny but intimidating. He gives out money and gifts to the Jewish families of Camden, and the children know that. Your dear man will huff and puff about the kids bothering him… but also throw them a coin or a sweet when he’s in the mood. Alfie is sort of like Santa Claus and the Boogeyman at the same time to them. After you started living with him, these children started to follow you around the neighborhood to ask questions about him. Some are quite tame, like “Does Mr. Solomons like cake?” or “Is Mr. Solomons your husband? Will you have lots of children?” while others are, “Did Mr. Solomons kidnap you?”

Relationship Headcanons

Mr. Solomons is quiet in his moments of romance with you. He likes to cup your cheek in his palm and touch his forehead to yours. Trace your face with his thumb as if to memorize it by touch. He places slow kisses on your cheeks and lips, gentle and almost reverent. His world is very brutal and without loyalty, you become his sanctuary. He sleeps best with you in his arms or laying directly on top of him. If you need to get up for any reason, expect a lot of complaining in at least three different languages from Alfie. He hates to be left alone in bed now that he’s had you. 

Thomas Shelby had no idea Alfie was married, until Alfie felt like telling him. Tommy now knows far too much about you. And you know far too much about Thomas Shelby. The first time you meet in person is very awkward.

Alfie is the sort of person that likes quality time and good conversation. He likes to go on strolls with you on the beach of Margate when his knee isn’t too painful. Going to the museum or a library are all tip-top dates in Alfie’s opinion. However, his favorite place to take you is back home. Home is where he can make you dinner and listen to you laugh at his strange stories. He loves to banter and bicker with you. You are one of the few people to make him laugh. Everyone at the port knows when Alfie’s had a nice evening with you because he comes to work in such a grand mood. Newer employees have to be warned not to get too comfortable, as he could come in like a bull if you argued that morning. 

He has a bad habit of dropping surprises on you. These surprises normally revolve around security and protection. Alfie will buy or arrange things for you and then completely forget he did it until you storm into his office asking for an explanation. For some reason, this man won’t admit these things are for self-defense. He just acts like it’s perfectly normal to take your lover out to a gun range or teach her how to stab a man between the ribs. He’s just being a fun, quirky man! 

A marriage proposal is never far off, he’s just waiting for you to convert. If you do not want to convert, prepare to be a secret. He is a religious man and he treasures his faith. Alfie will never forsake you (though he may jest) for not believing what he believes. His reason for hiding you is simple, his mother. Mrs. Solomons wouldn’t speak to her son if she found out he was living with an unwed gentile! 

That said, Mrs. Solomons adores you before and after you marry her son. She’s a delightful old Russian woman who is constantly ordering Alfie around. Mainly, she tells him he glares too much, and he needs to give her a grandchild soon. 

You were surprised by how touchy he is behind closed doors. In public, you could pass for an employee with how distant he is before marriage. After marriage, he likes to walk with arms linked. As a married couple, it is more appropriate to be seen touching each other and he takes full advantage of it. As a matter of fact, he’s almost clingy. He’ll call the house from his office and make up an excuse to talk to you. 

[gluion]

takes me back home ➵ leehan

leehan x reader

over the years, you’ve learned what it takes to build a home and lost it, but leehan brings back the familiar feeling you’ve longed for since you moved.

genre/warnings ➵ fluff, hurt/comfort, strangers to lovers, found family, little to no dialogue, constant discussions and descriptions of what a home is, an accident almost happens

word count ➵ 977 words

inspired by ➵ "takes me back home" by wasia project, that one scene in lovely runner

a/n ➵ my irl talked about how her perspective on relationships changed and how she could finally envision a future with her current s/o and i thought that was the sweetest thing to hear :') she won't see this but i'm glad she finds a home with her partner. if you enjoyed reading, please do reblog and leave feedback!

want to be part of my taglist? send me an ask! masterlist

the first time you understood what warmth is happened at the age of five, when you scraped your knee against the stone path in the park—no, not the warmth of a fire or colors under it, but the warmth of a hug. as you wailed over the pain, you remembered the arms that enveloped you in an embrace, their hand rubbing against your back to comfort you through the sting of betadine hitting against your wound.

the heat of the summer sun couldn’t compare to the comfort of the hug of your parent.

when you first learned the concept of safety happened at the age of seven, lost in the sea of people who traveled around the mall. you don’t forget the worry that took over your parents’ expressions; furrowed eyebrows and trembled lips as they spot you with tears streaming down your face. regardless of their scolding, you hear their relief in between the lines—we thank the universe for letting us find you.

safety never resounded as much as it did then.

it happened at the age of fourteen that you first heard of resilience. when school got harder and you were met with numbers that didn’t meet your standard, you didn’t know how to translate your efforts into results. countless nights were spent worrying about your unfolding future.

but it hit you on a tuesday night, the day you received your first failing mark, that you’ve only met a fraction of the troubles life has yet to bring towards you—you’ve only met a fraction of the troubles life has yet to bring towards you, and that’s beautiful for there is more to your existence than the numbers on your report card.

and on that same night, you learned about tenderness as your parents stuck with you through tears and blabbers of apologies for your failures. still, they only wanted to know what they could do to better support you.

then, you moved out of your childhood home at the age of eighteen, bidding farewell to a house filled with people who taught you everything that allowed you to continue on.

with the distance, you’ve grown familiar with loneliness—and you never knew how cold it was. how dangerous it almost feels trudging it all on your own. how vulnerable you are to every hardship. how callous every interaction feels.

you almost think you’ve lost your home, and you think it's selfish to miss it when all you do is for your parents who built your home and a foundation for your future. so with every night, you’d repeat endure until you grew numb.

but before you could put the last brick in its place, building an impenetrable wall, someone passed by, and you can’t help but halt the construction.

the first thing you encountered is his smile—it wasn’t even a smile directed to you, but it was one that lingered as he met your eyes for the first time. the thumping of your heartbeat filled your ears as heat rose to your cheeks, and you did your best to pretend the interaction never happened. until you heard someone clearing their throat, only to see that the boy continued to grin at you before telling you his name—leehan.

his smile, his voice, and his name; the same warm embrace at the age of five.

it happened on a random night when leehan tugged you back from crossing the street. you weren't thinking straight, clearly ridden by exhaustion from the nights spent studying, and your brain couldn't process the headlights coming from your side. his worried eyes accompanied his hands on your shoulders, assessing you for any damage or any sign to explain your inattentiveness.

he didn’t think twice about reaching out to your face, rubbing his thumb against the expanse of your cheek as he whispers, “what am i gonna do with you? are you okay? are you hurt? let’s bring you to the hospital.”

not a single scratch or worry; what a privilege it is to experience safety away from home.

but as expected, life never got easier as you grew older.

you were always met with defeat, struggling to make sense of the complex topics in a college you cried to get in. at one point, it started to look like you weren’t going to make it out alive.

it was easy for guilt to consume you, allowing you to drift away into the sea as you drowned. what type of child would you be if you couldn't receive a diploma that you worked hard for? a future that your parents shed blood, sweat, and tears for?

you didn’t bother to fling your hands out of the ocean, but leehan didn’t think twice to dive and pull you out.

leehan found you with tears spilling out of your eyes; it was the first time you ever allowed someone outside of your home to see you cry.

you thought the sight of you was repulsive—he’ll leave you for he isn’t obligated to care for you—and you think once more about the supposed impenetrable wall that still lacks one brick.

so, you reach out to it, ready to place it in its spot, until leehan grabs on it to stop you.

that night, leehan held you close, allowing you to sob into the crook of his neck, and he tells you to pour out all your worries into him—just because you learned to endure doesn't mean you need to go through it alone.

in the morning, you expected to be greeted by the empty side of the bed, meeting with loneliness once more.

instead, it’s leehan’s sleepy face that you wake up to, his quiet snores reaching your ears.

maybe home doesn’t have to be the childhood house that you left at the age of eighteen—it can be leehan if you allow him to be that for you.

taglist ➵ @onedoornet @kflixnet @blankjournal @heebees @0310s

[creator1mpersonator]

Through the Mirror

00. Prologue

Inspired by Coraline, reader is gender-neutral, no use of Y/N.

This new home was painfully dreary. Based on the copper-colored bricks that built up the walls and the immensely overgrown shrubbery around it, you assumed this was a pre-war building. There were neighboring houses, but they all looked as copper, lifeless, and boring as yours. As you assisted your parents unload the U-Haul, you saw a little girl ride past on her little bike with the expression of a Victorian child—poor thing, so young and living in a place with the mental stimulation of the color beige. Your father procured the key from one of his pockets, slotting it into the rusty doorknob and turning it. The door simply opened by itself, and you heard him mumble something about fixing it to himself before entering. Your mother followed, waving away cobwebs with her hand. You remained outside for a moment, and it wasn’t until you heard your mother shriek your name that you picked up a box and scampered inside.

The inside of the home was, predictably, as depressing as its exterior. Dusty, with cobwebs along walls like terrible little decorations. You screamed when you saw a cockroach scuttle past your feet, its wretched antenna going this way and that before fleeing out the open front door.

“Bugs, great. Just what I need.” Your mother muttered in a rather disgruntled tone, arms crossed over her chest. She seemed even more upset by this move than you were, even if it was supposed to be good for her and your father’s job. Not that you even knew what it was that they did.

“Nothing an exterminator can’t fix, honey.” Your father said in a cheerful tone, ever the optimist.

“Exterminators cost money. Money we don’t have.” Your mother retorted, killing another roach beneath her shoe with a rather cruel stomp that sounded throughout the empty house.

“You’ll see,” your father began, “things will be just fine.”

“Yeah, right.”

Your father sighed, and you gave him a sympathetic smile before setting the box you were holding down on the dusty hardwood floors.

“___” your mother called out, “go pick out your room.”

You nodded, walking past your at-odds parents and heading up the stairs. There was an old carpet that lined the hallway, like in picture books. It was a faded blue and you think there were once flowers printed on the fabric. You decided to walk on the regular hardwood instead when the carpet began to squish under your feet. You don’t think the carpet was supposed to do that. 

You peered into different rooms, making keen observations about each one that would help you pick out the least worst one. One room had a hole in the floor, your mother was gonna blow a gasket when she saw it. The next room sent you running out of it when you saw the cockroaches gathered around like a council of terrible little things. The third room you saw was the one you picked. Compared to the last two, it wasn’t in a state of disrepair nor did it make your skin crawl. It was bland because of course it was, but you figured some paint, furniture, and decorations could fix it right up. Two windows let natural light inside your bedroom, there was a closet with bi-fold doors, and a mirror.

The mirror caught your attention the most. It was undoubtedly an antique, the glass of the mirror surrounded by a golden border with swirling decals carved into it. It was beautiful and vaguely reminded you of the Evil Queen’s mirror in Snow White. 

“Mom!” You called out, “Come up here!”

You heard footsteps come up the stairs, a disgusted sound when the carpet squished beneath her foot, an angry sigh at the hole in the floor, and a shriek when she found the council of roaches before she finally found your room.

“Couldn’t have told me what room you were in?” She sighed, arms still crossed.

“Sorry.” You said, before quickly changing focus, “check out this mirror.”

Your mother glanced at the mirror briefly, eyebrow raised.

“It’s creepy”

“I think it looks pretty.” You defended.

“Sweetheart, are you sure you don’t wanna get rid of that one and just get a new mirror?” Your mother asked.

“I’m sure.”

She sighed.

“As long as you’re happy, bug.”

You wouldn’t begin to understand the trouble that mirror would get you into until that night.

[diazsdimples]

So I know we all think of Tommy as this big, fearless man, which like, fair bc he's a pilot and a firefighter and built like a brick shithouse and all that. But like, just imagine a Tommy that is deathly afraid of spiders, and this is how Buck finds out.

Buck comes home from the grocery store with all the ingredients for lasagna cause he's been telling Tommy he'd make it for him ever since they started getting serious. He's a bit confused when Tommy doesn't answer the door but it's fine cause he's got a key, and he lets himself in, calling out Tommy's name as he walks in. There's no reply other than a barely audible whimper so Buck walks through to the kitchen where he finds Tommy standing on a stool in the middle of the floor, looking positively petrified and shaking like a leaf. And Buck's all "sweetheart what's wrong, why the hell are you up there" so Tommy just points with a shaky finger to this spec on the ground, which honestly looks like a bit of lint until Buck inspects it further and discovers that it's a little jumping spider. He puts the groceries on the counter and stoops over to pick it up, but before he can Tommy yells out "do not touch it!!" and Buck's all like, "why? it's just a lil spider, I was gonna put it outside." And Tommy can't quite articulate why he doesn't want Buck to touch it but Buck's not a silly guy and he quickly puts two and two together that oh, Tommy is actually shit scared of this little 8 legged beastie and he's protecting Buck (in his mind) by telling him not to touch it. Buck, however, loves insects, so he tells Tommy that it's absolutely fine, he's just gonna put the spider outside, and scoops it up into the palm of his hand. As he takes it outside, he's doing all this baby talk to the spider like "aww buddy did the big scary man yell at you? don't worry, I'll take you outside and we'll find you a nice cool tree to hang out in" and he puts the spider in a bush. He goes back inside to find that Tommy's gotten off the stool but is looking a little pale and shaky and clutching the kitchen counter with quite a bit of force, so Buck goes over to him and runs his hands up and down Tommy's arms and kisses his nose and cheeks and forehead and whispers soothing calming words to him until Tommy's calmed down a little. Buck leads him to the couch where he sits him down with a glass of water and tells him to relax and that it's okay, the mean spider is all gone, and that he'll make Tommy some dinner and they'll be just fine. And Tommy reaches out and grabs his hand as he's about to walk away and kisses Buck's knuckles and very quietly says "thank you baby", so Buck's gotta kiss him to reassure him that it's fine. They never bring it up again cause Tommy's embarrassed as hell about it but Buck does start to give the house "spider sweeps" as he calls them every couple of days, just to make sure Tommy is safe, and he makes a little spider colony in the bushes outside Tommy's front door.

[zombholic]

I needddd more modern Abby relationship au

[your wish is my command, kinda like twisted it up so like … 😔🙌🏽]

MODERN AU — abby anderson

— 🎧　　 ◦ ✺ 　 📽　 ⟢ —

• she would definitely really be into gaming when she has free time, a couple of posters and figurines of her favorite video game characters.

• abby met you in high school but yall never spoke because of two completely different social status’, abby was the captain on her ice hockey team and you only hung out with 3 people, you were social but just never liked anyone.

• you would definitely visit the ice skating rink while there was practice whenever it was scorching hot day, it was always cool there.

• abby would notice you from time to time but mind you she was straight in high school, she thought it was normal to imagine making out with girls.

• abby thought it was completely normal staring at you in your tight shorts that were so close to being dress coded was normal, nothing else … right?

• college rolled around and you both attended the same university, she was focused on getting her degree in civil engineering ( @atomicami ) while you were there more for the college experience always switching majors because you’re very indecisive.

• you would constantly see that girl at every party you went to, she was definitely very popular while you stayed keeping to yourself and your 3 friends.

• at one party you got a little too rowdy since it was a halloween party and the music was just feeling too good not to feel cocky for once (escapism was def playing.)

• you had your drink in one hand dancing around, finally feeling yourself for once until your turned around too quickly causing you to crash into that blonde who was built like a fucking brick wall you drink falling on the both of you.

“What the fuck!” She shouted through the loud music booming throughout the house “I’m so sorry! let me help you!” You grabbed her hand and lead her to the bathroom where the music faded in the background when the door shut.

You grabbed the hand towel that was hanging by the mirror and quickly started pat her dry “I’m so sorry dude, i’ll buy you a new costume.” She couldn’t keep her eyes off of you for some reason.

“No, it’s fine. Hey didn’t we go to high school together?” She sparked up a conversation, you nodded to her response “Yeah, it’s like I saw you all the time but we never talked.” You giggled while she had a small smile creeping on her face.

• after that day she asked for you number and you guys talked to each other 24/7 she basically became your best friend.

• you two would hangout at her apartment all the time playing Minecraft together, you would give her Minecraft flowers while she was there tryna survive.

• the relationship between you two was always so flirty and touchy, you hated when anyone would touch you or even show you affection but when it was Abby you swore you melted every time.

• whenever you two went anywhere together that had a lot of people she kept her arm wrapped around your waist securely, didn’t want your little ass running off.

• one day at her apartment it was in the middle of the night and you guys had the zoomies, running around the apartment and play fighting.

“Your punches feel like pebbles being thrown at me.” Abby teased before grabbing your wrists with one hand and twisting them behind your back.

“Abby that fucking hurts you slut!” You and Abby always have been rough with each other ever since you became friends, don’t know why though?

“Slut? Did you call me a slut you weirdo.” She hollered as she threw you over her shoulder and slapped your ass so hard you almost cried but the wetness in your panties said something else. “You slap too fucking hard can you don’t you fucking buffalo built bitch.” You returned the favor and slapped her ass back.

Abby sat you down on the kitchen counter as she stood between your legs “You’re so annoying.” She teased with a stupid cocky grin that you wanted to kiss slap off her face, you rolled your eyes at her.

“What’re you doing for Valentine’s day?” You tilted your head looking up at her through your lashes, god every time you looked at her like that her stomach twisted in so many ways. “Why? tryna ask me out?” You pushed her shoulder playfully you tried to hide the little smile that was forming on your face.

“You’re gross no, I wanted to know so we can make each other baskets.” You and Abby had started this cute tradition with each other whenever a special holiday came around rather it be halloween, birthday or valentines day or even if one of you guys were feeling yall would make comfort baskets for each other.

“I wish we could hang that day but I gotta date.” You felt your whole body tense up, sitting up straight you swallowed thickly “With who? you’re like supposed to tell me everything.” You farrowed your brows, crossing your arms over your chest.

• she went on a fucking date with nora, your felt your heart ache so painfully when you saw her insta story with her and nora kissing with the caption “prettiest first date 💟”

• lets say you started avoiding her like the plague, you basically went no contact with her, didn’t block her you just muted her on everything.

• abby was genuinely so heartbroken that her best friend was avoiding her, every since valentines day she just couldn’t seem to ever see you again. even on days where she would usually see you in your spot you weren’t there, like you vanished off the face of the earth.

• god she blowed up your phone like crazy it physically pained you to avoid her but you refused to be the best friend who has feelings while shes in a relationship, you couldn’t do that to her.

— 🎧　　 ◦ ✺ 　 📽　 ⟢ —

authors note — god forbid i make a happy fucking story 😔🙌🏽

[stellar-skyy]

THE WARMTH OF HOME - Platonic Freminet x reader

i. SUMMARY: Freminet welcomes the newest member to the House of the Hearth. ii. CONTENT WARNINGS: Referenced family death. iii. NOTES: STRICTLY PLATONIC, found family, fluff, slight angst, gn!reader, they/them pronouns used, 1.3k words. iv. A/N: this is me coping with the fact that i didn't get freminet or lyney.. at least i have my free lynette 😭😭

The Knave’s hand was as cold as ice in (Name)’s own, the sharp sensation anchoring them solidly in the present. Her rings pressed into their skin, the grooves of the silver making faint marks against their fingers. They didn’t make any move to adjust their grip, content to let the metal carve indents in their hand for as long as she would allow them to keep clinging tightly to hers.

The woman tugged on their conjoined hands, pulling them up to walk beside her, rather than trailing slightly behind.

“Don’t fall behind.” She scolded. Despite the blunt words, her voice was soft, motherly; nothing at all like what a Fatui Harbinger should sound like. The Fatui were the subjects of cautionary stories told in their youth; like ‘better eat your vegetables or the Harbinger might steal you away.' Right alongside the tales of hilichurls eating little kids who wandered away in the forest. They were sly and cunning, twisted monsters who crept across every corner of Teyvat.

They weren’t fierce protectors who rescued defenceless, orphaned children and let them cling to their hands while they walked.

“(Name)? Are you okay?” She asked.

They nodded, hesitantly. The Knave clicks her tongue in displeasure at the obvious lie, but doesn’t call them out on it.

The two walked up to the entrance of a grand house; built from ivory-coloured bricks and sprawling across the yard with arched windows and trimmed hedges. Before either of them had a chance to touch the doorknob, two guards pulled open to enormous doors to let them in.

Standing along the length of the corridor were guards; Fatui, if the masks were any indication. Not a single one bothered to look at the two walking down the hallway, and the Knave herself swept by without acknowledging them at all. Their behaviour seemed all too casual for such a peculiar situation, like they watched a Fatui Harbinger walk down the halls with children clinging to their hand every week.

The two rounded the corner, The Knave stopping in her tracks at seeing a small child loitering in an open doorway. The boy looked young, staring at them with a blank expression, a small penguin toy clutched in his arms.

“Ah, Freminet.” The Knave greeted, finally letting go of (Name)’s hand. They shrank backwards, clutching their hand to their chest. The phantom feeling of skin-to-skin contact sent tingles across their fingers. Somehow, it felt so much colder than before.

“Freminet, please escort (Name) to their new room.” He nodded, his serious expression almost comical when paired with his young face.

“Yes, Father.” Father? Not Mother?

“I will be leaving in a moment, and I will not be back for a while. Make sure they settle in comfortably.”

“Yes, Father.” Freminet bobbed his head slightly. The Knave hummed in satisfaction, leaning down to drop a kiss to Freminet’s hair. She swept away with a swish of her cloak, only faltering as Freminet reached one tiny hand out to grab the end of her coat-tails and stop her from leaving.

The young boy made a displeased noise, raising up the penguin toy to her. The Knave’s face softened, a corner of her mouth turning upwards as she leaned down and kissed the top of the toy as well.

“Goodbye, Pers. Goodbye Freminet.” The Knave paused, eyes lingering on (Name)’s small form. “Goodbye, (Name). I truly hope you find yourself at home here.”

Once she had disappeared around the corner, he shifted away to face (Name), blinking at them with wide and watery eyes. He pulled the penguin toy up higher until it was resting right beneath his chin, looking at them with a tilt of his head. “We should… get going.”

Freminet wasn’t the talkative type, it seemed. He was content silently wandering a few feet in front of them, sneaking glances behind himself every so often to make sure they weren’t trailing behind. The penguin toy stayed resolutely in his grasp, tucked under one arm while he craned his neck to see around the corner of the hall.

Down the halls, through wide and yawning doors that almost reached the ceiling, across carpets that were more expensive than their entire life, they walked; a quiet anxiousness present in their steps. It wasn’t as if they feared the young boy in front of him—he looked like he would snap in two if he was ruffled by a light breeze—but the building itself was something that set their nerves on edge. Maybe it was the guards—posted at the beginning and end of the hallways—or just the way the Fatui themselves roamed the building. Cicin Mages with their hooded jackets and tiny flies buzzing lazily around their heads, Agents that prowled silently through the shadows, visible only with a slight glint of silver at their sides.

There were children too, the further they traversed inside the house. Young kids, from tiny toddlers to older adolescents, casually strolling through in small groups. The smaller ones clung to the older ones hands, while the smallest were carried by the others. They all chatted casually, ignoring the various Fatui stationed around their home, laughing and joking and playing like any ordinary siblings would.

It was surreal to see, the children acting so at ease with so much danger surrounding them. Freminet looked to be the only one who was nervous, but his fear seemed to be more directed at (Name) than anyone else.

“We’re here,” Freminet turned the handle of an ornate door emblazoned with the number 13. The doors along that wall were all decorated with similar gold lettering, as if the place was a hotel. “This is your dormitory. It’s empty, but if anyone new arrives you will have a roommate to share with.”

Roommate.

There was something warm coating their cheeks at hearing those words. How quickly they had gone from living with their loving family, surrounded by the comfortable knowledge that they would only be a few doors away. How could any ‘roommate’ even dream of replacing the people they’d lost? No roommate would have the same footsteps, or the same laugh, or the same way of organizing the room.  

Their precious familiarity was gone, stolen alongside their loved ones.

“O-Oh… you’re crying…” Freminet frowned, squeezing Pers. “A-Are you okay?”

“No!” They sniffed, the first word they’d spoken since the Knave had retrieved them.

“Oh dear…” He coughed into his hand awkwardly. “Do you want to go home? Is that it?”

“I don’t have a home,” They choked out through the tears. “N-Not anymore.”

“M-Me neither…” He swallowed, face scrunched up in a childish pout. His eyes looked far too grave for someone his age, already worn down with the sort of weariness that was meant for older folks who had already lived a long life. “All of us don’t have homes… that’s why we’re here. Father rescues us, and gives us a family.”

Freminet crept closer; slowly, like they were a skittish animal who would scuttle away if he moved too quickly.

“I can be your family,”

He was just a boy. Raised in a house filled with other lonely children like himself. Reaching out to one more, offering something more priceless than any material object.

“Okay.” They whispered. Freminet blinked owlishly at them.

“We’ll be family?” He asked, his tone an odd mix of surprise and hesitance.

“Yeah… we can be family.”

For the first time, a smile flashed across the young boy’s features. He held out his hand, one pinkie outstretched. “You have to pinkie promise.”

(Name) extended their hand to meet his, curling their littlest finger around his.

“Promise,” They whispered, feeling something like hope bloom in their chest.

reblogs and comments are appreciated! ♡

[schrijverr]

How to Survive Gotham as a Goon

Late one evening, a goon is there to witness his boss – Red Hood – shoot at Robin. Which means he goes through the five stages of grief as he imagines all the ways Batman will skin them, trying to get Red Hood to stop before it’s too late, which only leaves him with more questions.

On AO3.

Ships: none

Warnings: references to violence & gun shots

~~~~

Joseph does not want to die. He especially does not want to die at the hands of Batman. It might seem unlikely that that will ever happen, even if Joseph is a henchman, however watching his boss whip out a gun to shoot at Robin, he knows it might only be a matter of time.

It’s kind of the unspoken rule of the goon and henchpeople underworld to not hurt the kid in a way that’s permanent. While the big villains don’t keep to that rule, Joseph had hoped that Red Hood, with all his rules surrounding children, would be different.

However, all that hope is snuffed out when the two of them are taking a smoke break and Hood spots the kid on a warehouse across from their own.

Joseph is immediately on guard as he goes to scan around for the Batman, despite knowing it’s quite useless. But Hood stiffens in anger and screams: “You!” as points at Robin.

The giggle Robin lets out is heard easily as it echoes across the yard. It sends shivers down Joseph’s spine. He knows Robin is just a kid, but all goons and henchpeople have learned to fear the sound of that laugh and it isn’t any less intimidating when he can see the kid giving them a jaunty wave.

Hood’s street instincts must be broken, though, because he doesn’t do any of the things you’re supposed to, instead scrambling for his gun. Joseph is so in shock that he doesn’t even stop him when the first few shots ring out.

Across from them, Robin back flips away from where he was just sat, thankfully not getting hit by any of the bullets.

Robin starts to run and Hood follows him with a spray of bullets, yeering loudly: “Yeah, fucker, ya better run! Ya better fuckin’ run! If ya ever pull tha’ shit again, I’m killin’ you. Killin’ you! Ya hear me?”

Joseph gathers his senses and against the better instinct of keeping his boss on his side, jumps Hood, pushing his gun away as he exclaims: “Are you crazy!?” while Robin disappears over the rooftops.

Hood pushes him off and Joseph lets him, though he likely couldn’t have stopped Hood even if he wanted to, the man is built like a brick house. “What’re you onnabout?” Hood frowns, like he truly doesn’t realize who he just shot at.

“You shootin’ at Robin,” Joseph exclaims. “Do you have any idea the kind of carnage ya would’ve brought down on us if ya’d hit ‘im?”

“What?” Hood asks, sounding truly confused and a little taken aback.

“Do you really not know? By your accent I would’ve sworn ya were from ‘round these parts,” Joseph replies, more confused than normal by his enigma of a boss.

“Well, I’ve been outta the loop for a bit,” Hood grouches. “Explain.”

“I mean, most of the big fish don’t keep to it, but it’s common knowledge to not hurt Robin too bad unless ya want the big Bat to rock your shit,” Joseph explains. “I was already in the henchin’ business when the little guy first hit the street. Course we were all wary of ‘im but what ya gonna do? Fight a little kid?”

Hood lets out a bitter snort, commenting: “Yeah, who’d do that.”

Joseph isn’t sure where that comes from and hesitates for a second, then cautiously goes on: “But the kid was good, better than any of us thought. Fuckin’ embarrassing tha’ was. So we started fighin’ back a little, ya know. Actually punching the kid here and there. It was Jimmy who first truly hurt the kid.”

“Wait, Vegetable Jim?” Hood asks.

“Yeah, isn’t a vegetable anymore. Sonnabitch’s damn lucky that Wayne Enterprises offers compensation for those hurt while working, including hench work,” Joseph laughs a little bashful and awkward. “He clipped the kid with a baseball bat, broke his arm. God, I never heard a kid wail like that,” Joseph grimaces at the memory. “What’s worse is that the kid called for his dad. His dad.”

“Wait, tell me more,” Hood asks, sounding gleeful now, which weirds Joseph out a little. “Like was it super pathetic? Did he really just break his arm, nothing more?”

“No, nothin’ more, just the arm,” Joseph answers carefully. “And ya know how kids can get, it was piercin’ and whinin’. Why’d ya wanna know? Poor fella did nothin’ to ya. You’re to young for that.”

“Nah, I know that, just gonna bully the shit outta him when I see him,” Hood grins and now Joseph is fully confused, because from what he’s heard their first baby Robin is now Nightwing in Blüdhaven and they’re not planning to expand that way. However, before he can ask, Hood says: “Sorry, continue.”

“Well, uhm, Batman came immediately. It was carnage, like I said,” Joseph replied. “Jimmy became a vegetable for a year and a half. Bats usually tries to give us injuries that’ll only last a few weeks max, so we all knew we’d fucked up with that.”

Hood is quiet at that and Joseph explains: “Jimmy was the first and one of the worst, but all the goons tha’ ended up in the hospital for longer than three months hurt a Robin. I think the worst might be those tha’ helped, uhm, that villain kill the second Robin. His organization’s still recoverin’ from tha’ one. Think it’s the closest the Bat ever got to killin’ a man.”

Joseph knows that Hood has some deep seated grudge and hatred for Joker, despite taking his old moniker. So, he isn’t sure how well it will land.

He holds his breath as he watches how his boss will react, hoping he isn’t about to get a bullet in the leg. With Hood you’re less likely to get one in the head, but he’s absolutely not above taking out your femur or kneecap and that also sucks.

However, Hood surprises him. Joseph has always guessed that Hood is younger than he pretends to be, but he now sounds like a lost kid as he asks: “Really?”

“Yeah, boss, the Bat don’t play around when it comes to his Robin,” Joseph answers, suddenly feeling like he’s talking to his own son, instead of his crime lord boss. “New kid’s lucky. I mean, he made Batman nicer, god was he fucked when the second one died. But Stan over at Mr. Freeze’s operation cracked a few of his ribs by accident a coupla weeks after the Bat took ‘im in, I hear he still eatin’ out of a tube now. Bat’s gotten more vicious.”

Hood doesn’t say anything and to avoid feeling awkward Joseph just keeps talking: “Heard through the grapevine tha’ the kid got attacked pretty bad at that fancy Tower they’ve got out there, if the guy who did tha’s capable of thought, it’ll surprise me.”

At that Hood shifts slightly and Joseph is surprised to see a bit of guilt in his stance. It’s not something they see often from their boss. Like everything this smoke break, Joseph has no clue how to react to it.

Fortunately, he doesn’t have to, because Hood speaks first. Softly he says: “Guess the kid’s lucky. Just hope the Bat’s nearby when he needs ‘im.”

“Yeah, suppose,” Joseph agrees. “Though he usually is. Never seem ‘im leave the kid alone, especially this one.”

“Good, I’d kill ‘im otherwise,” Hood grunts.

While it fits with Hood’s penchant for protecting kids, Joseph is still thrown off by it, since Hood was shooting at Robin earlier. So he gives him a look, before saying: “I mean, ‘s good tha’ he worries. Kid’s a sprout. Must be older than my boy with the way he talks, but by god is he skinny.” Joseph laughs. “It’s almost funny tha’ I worry for the kid.”

“Nah, worry’s good,” Hood surprisingly assures him. “Wouldn’t be the same if he weren’t jumpin’ ‘round, even if he’s a nuisance.”

“That why ya were shootin’ at ‘im?” Joseph can’t help but ask, even though he knows it’s stupid. It is just- he can’t help it. Not after this strange conversation.

“Kinda,” Hood shrugs. “Little shit needs to learn not to touch my shit. Fucker moved my furniture, I like where my furniture is.”

“He was in your home?” Joseph exclaims, because what the fuck? Why didn’t they hear about it. If the Bats are investigating them close enough to break into their boss’s home, they have a big problem. Very big.

“Yeah, fucked up my alarms too, even though he got a perfectly good key,” Hood mopes and Joseph’s brain screeches to a halt.

Almost as if he’s misheard he asks: “He got a key? Robin got a key? A key to your home?”

“Not voluntarily,” Hood sulks, seemingly not aware of how fucked up that is. “He’s a little stalker. Still. Stole it and copied it.”

“We need to change the locks,” Joseph says, getting up immediately to get going. “Who knows what they’re after. You- you need a protective detail. We need to up security.”

Next to him Hood startles, looking surprised. Then he laughs and waves him away: “Nah, nah, no worries, Joseph. No worries. The Bats ain’t after us.”

“They broke into your home,” Joseph feels the need to point out, because that’s a very important and very worrying detail.

“Just Robin. And just to move my shit and eat my leftovers, which is fuckin’ rude, he has his own chef at home, I have to cook all by myself and it isn’t like he chips in for the groceries,” Hood complains, while Joseph just stares at him, bug eyed.

After a beat, Joseph says: “Uhm, boss, I- uh, I hafta ask. How- how close are ya to the Bats, because that ain’t normal. No- uh no ‘fence.”

“Batman can go suck a dick and Robin needs to go back to school,” Hood scowls. “Kid shouldn’t be out here and I’m not talkin’ to the old man. But he’s a persistent little shit, I haven’t shaken him yet. Doesn’t look like I will.”

That answers absolutely nothing, but does tell Joseph that he doesn’t really want to know, because his brain is putting things together, but not things he wants to think about, because if he thinks about it, he might realize that his boss is a teen and he doesn’t think he can handle the mental weight of knowingly working for a teen.

So, Joseph follows another unspoken rule of the goon and henchpeople underworld and keeps his mouth shut when the boss is spewing nonsense.

He already has a kid to raise, he doesn’t want to think about raising his boss and by the sounds of it, the boss already got people looking after him. Even if they annoy him. Joseph is just going to be grateful about that and ignore the rest.

And pray each Sunday in the Church he doesn’t go to anymore that Hood is gonna keep missing the kid when he shoots. He hasn’t faced that sort of wrath from the Bat yet and he doesn’t plan on ever doing so.

Best to keep his head down and follow all the unspoken rules. Next time he’s smoking alone or with more people than just the boss. He has his blood pressure to think about.

[thefreakandthehair]

we feel a little warmer now.

rating: teen & up | wc: 1.1k | tags: canon-typical injuries, pre-relationship, getting together, fluff, light hurt/comfort | prompt: love is a fire that never goes out @steddielovemonth & a happy birthday gift for @henderdads! title from the woods, by hollow coves.

February in Indiana is still the dead of winter— cornfields are barren, trees sway in the wind without their leaves, and the sky seems to have a sheer layer of grey even on the cloudless days.

Eddie’s always loved winter. The shorter days followed by longer nights, snowy Sundays, watching the smoke from a joint or cigarette dance in the freezing air, and excuses to do donuts in the local abandoned grocery store parking lot. He’s always loved winter, or at least he did until his world shattered at his feet, leaving him with injuries that take ages to heal and scars that leave him perpetually cold.

It’s been difficult to explain, even to the people who’d lived it with him. He can’t fully enjoy winter anymore because the cold seeps into his bones, maybe through the scars, maybe just because of the nerve damage. He’ll never know for sure because Hawkins General doesn’t exactly have a Demobat Specialist on staff so he just keeps it to himself.

Well, mostly. Steve knows.

Hiding anything from Steve has proven impossible. His constant chill, his frustration with the new but still-improving limp, the grief, the guilt, the confusing simultaneous euphoria of survival. The only secret he’s managed to keep is the big fat crush he’s harbored, probably since Steve helped find him in the woods.

Maybe earlier. Maybe since high school. He tries not to think about it too much.

The point is, Steve knows and even if Eddie hasn’t said that it breaks his heart to lose the quiet winter nights smoking on the porch or the hood of his van, Steve figures that out, too.

He must, because Eddie nearly jumps out of his freezing skin when knuckles rap on the front door of his and Wayne’s new trailer. There’s a system these days: check the peep hole, crack the door with the chain still attached to confirm, and only then does Eddie open the door completely. An unfortunate system, but he’s far from the town hero that Steve’s been hailed as, albeit against his will.

Speaking of, through the peep hole, he sees Steve standing on his porch wrapped in what looks like a thick hoodie and winter coat.

“Who goes there?” Eddie asks, cracking the door and peering out with one eye.

“It’s me, you ass. Let me in, I have a surprise.”

The door chain unhooks with a metallic click and Steve enters the trailer like he belongs there.

Because he does, Eddie thinks.

“A surprise? For me? Oh, do tell.”

Steve stands in the living room, a live wire if Eddie’s ever seen one. His hair is a little messy, as though he’s been raking his fingers through it. His nose is pink, complemented by his frosty cheeks, and his eyes are wide and wild.

“If it’s overstepping or whatever, we can pretend I never mentioned it but I know how much you miss winter nights. And I uh, I built a fire pit at my house?” His voice pitches up, as though it’s a question.

“You built a fire pit? Today?”

Steve nods. “Yeah. It was a lot easier than I thought it would be honestly, time consuming but, yeah. I built a fire pit. And I was thinking that maybe with the fire and some blankets and a good jacket— a real winter coat, not just your leather jacket— you might be able to get some of that back.”

Eddie tries his best not to think about Steve lugging brick pavers and forcing them into place, thinking about Eddie and his stupid broken internal thermostat. Wanting to give him back something the Upside Down took. Worrying Eddie would somehow see this as overstepping.

It’s a quick Yes and even quicker drive to Loch Nora, a drive that Eddie’s always found hilarious. How can two neighborhoods exist so close together but feel like different worlds?

The whole way there, Eddie keeps Steve talking. If Steve’s talking, there’s less room for Eddie to spill yet another truth inadvertently, the only one left to spill. Instead, he asks questions about work, and Robin, and if he’s heard from his parents.

(“It sucks,” “she’s great,” “nope”. In that order.)

Pulling into the driveway, Eddie hops out of the car as best he can in one of Wayne’s old winter coats and follows Steve to the backyard. His jaw drops when he sees exactly what Steve’s done. More than a simple circle of bricks, there’s a pit made of concrete blocks in the center of a larger circle filled with wood chips and grey pavers marking the perimeter. Wood logs are already split in a pile off to the side next to two lawn chairs and dear God, Eddie really hopes that Steve bought that already split. He’s still not over him swinging on demobats with his bare hands, and the image of him with an axe is enough to put him down for good.

“C’mon, I’ll get it started,” Steve nudges their shoulders together and walks through the pit to the stack of logs.

Steve gets a roaring fire going, the kind that cracks and burns both red and blue, and passes Eddie an extra blanket. Flames dance beneath the clear sky, speckled with stars that do little to distract him from how unbearably warm he is for the first time in months.

People don’t just do things like this for him, not without expectation or out of obligation. So much of Eddie’s life has felt like a spectrum spanning from pity to transactional with very few exceptions in between.

Then again, Steve feels like an exception to a lot of things.

“Why?” Eddie eventually asks, exhaling a puff of cigarette smoke like a kid seeing his breath.

Steve shrugs and tosses the butt of his own cigarette into the flames. “You lost enough down there, and I know how that feels. If there’s something easy enough to fix, I want to. You deserve that.”

Eddie turns and sees Steve smiling, just a soft upturn of his lips as he looks up at the sky. His face is flushed and Eddie wants to think it’s not from the flames.

“You’re really something, you know that?” Eddie says, scooting his chair over close enough for the arms of their chairs to nearly touch.

Steve looks back from the sky to Eddie, long lashes and the scar on his neck on full display.

“That a good thing?”

Eddie nods. “Oh yeah, definitely. Maybe the best thing.”

They sit outside for hours, eventually sharing a blanket draped around their shoulders and a first kiss that lights him up from the inside.

Eddie’s warm long after the fire burns out.