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#story-wise not where they were filmed
cherubfae · 2 months
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Omg hi! I'm a new follower and I just read your piece of the hazbin cast w/ reader having a panic attack and it was so sweet 🥺If possible could you maybe do the same cast of characters but with what they would do if the reader was on their period/period comfort?
Awww, thank you! yes!! Of course!! ☺️💘✨
taking care of you on your period || hazbin x reader
With Alastor, Lucifer, Charlie, Vaggie, Husk, Angel Dust, and Vox
tags: fluff, comfort, afab gn!reader, I decided to go with ftm for angel in this to try it out (lmk what you think!!) :3, periods in Hell are worse than on Earth I feel like that fits, suggestiveness in luci's || Minors don't interact!
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Alastor
"Oh, dear, why are you curled up on the floor in the fetal position? Are you hurt? I smell blood." Alastor coos in crackling static. He nods his head, listening to you explain despite you being facedown in said carpet. He'll procure a hot water bottle for your tummy, some aspirin, and some bitter, dark chocolate. He'll even go get one of those sugary iced coffees you love so much. Given the circumstances, Alastor may even allow you to touch his ears, but his mindful of his antlers if you know what's good for you.
Lucifer
Oh no, his poor sweetheart! The King of Hell goes full Mama Goose mode (you can see where Charlie gets it from) and hunts down whatever he thinks you may need. He'll create a little nest fort for you, spooning you from behind and nuzzling his face in the crook of your neck. He's also not opposed of other ways of relief. In Lucifer's own wise words, "Bow-chick-a-wow-wow." (As long as you're up for it, he's not opposed to giving Charlie a sibling.)
Charlie
She's on it instantaneously! Running around scavaging all sorts of items from tampons to pads to candies-- she's not sure of your preferences, so she gets all of them! Only the best for her sweetie pie!! Huddles extraaaa close to you in your shared blanket cocoon, feeding you chocolates and giving you sweet nuzzles.
Vaggie
Immediately sends you off for a hot bath while she changes and washes the sheets so that they're nice, warm, and fresh. She also will prepare your favorite pajamas and snacks, digging through some films for one to watch. Vaggie will do what she can to make sure you're well-rested, hydrated, and most importantly; comfortable.
Husk
Immediately goes to the women of the hotel and asks about what sort of toiletries the hotel has to offer. He's discreet about your situation and grateful for their help. He wants you to feel better as soon as possible even if that means your symptoms haven't fully gone away yet! The scent of blood is strong on you and if he can notice you from a mile away, he's certain others have too. So, he creates a little nest for you two, the bar is closed down for the day, and cuddles you close to his chest.
Angel Dust
He'll spoon you from behind, resting his warm hand on your tummy. From what Cherri has told him, this shit's worse than when you guys were alive. Hell really does have a hard-on for torturing people. Angel will be as vigilant as he can, getting you whatever you may need, reassuring you gently that just because you have your period doesn't change who you are as a person nor how you idenitify. You're you, no matter what your body does or doesn't do.
Vox
|| I DON'T GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, RESHARED, OR EDITED. TUMBLR IS MY ONLY ACCOUNT AND THE ONLY PLACE WHERE I POST MY WRITING. ALL CHARACTERS BELONG TO THEIR RIGHTFUL OWNERS, THE STORY BELONGS TO ME. || CHERUBFAE © 2024
What's that? Oh, shit, that's when you-- yeah? Oh, okay got it. That sounds like that sucks. Yeah, he doesn't mind grabbing some things for you but he's a bit stiff when it comes to comfort. He knows what it is for sure and he'll do his best. Velvette might tear him a new asshole. He does genuinely want you to feel better, he doesn't like seeing you in pain. He's just a little lost.
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Good 4 U
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Hello there!
I hope you’re all great. This story is just out of my imagination, but enjoy anyway, I guess ♥ Also Caitlin and Lia are always a thing in this word.
TW: Reader! Wälti, no other I think.
PART 2 | PART 3
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Unlike your older sister Lia, you are not wise and quiet. You have trouble concentrating and you aren't necessarily interested in the idea of landing somewhere. You and Lia don’t have the same character, but that never stopped you from loving each other a lot. You’d do anything for your older sister who’s only 10 months older than you. And you know she would do anything in return for you. You and her were almost like twins and even if you wasn't planned, you parents always loved you the way they love Lia.
You travel all the time, leaving one place when you're getting tired to visit another corner of the world. You are sociable and have no trouble making contacts with anyone, to find a job or to make new friends. You are lucky to be able to remember the different languages in the countries you visit. You speak German from birth, you are bilingual in English and you talk other new languages like spanish or italian.
For now, you are in London with your sister for a week. The last time you stayed in London with Lia was last year when her life was a little more complicated than now. This time, you decided to come to see her just because you missed her and wanted to be with her for her birthday. You contacted Leah to help you surprise her, and you congratulate yourself for filming Lia's reaction when you walked into her living room following Leah.
When Lia told you about a karaoke night with her friends, most of them from Arsenal, you didn't hesitate a single second before accepting. You already know Caitlin obviously and Leah, who you met when she came in Switzerland last year. You met some of the girls last time you came in London, but you don't know all of them. This is a good occasion to met them.
Despite the time set at 9pm, not everyone arrived on time but this didn't prevent the people already present from starting to have fun. You’ve already shared a song with Steph and another with Leah. And you’re choosing the song you’re going to sing with Lia when Katie finally makes her appearance in the establishment.
When the music started, Katie was greeting everyone and sat at one of the tables surrounded by a bench, reserved for the night.
She's sitting with Caitlin, Leah, Kyra and Alessia when her gaze mechanically refers to you when you start singing. And her gesture stops immediately when she looks at you, her arm halfway between her mouth and the table as she was getting ready to drink.
"You alright mate?" laughs Kyra
"Who’s the girl with Wally?" Katie asks, blinking.
"Her little sister. Why?" asks Leah, bowing her eyebrow.
But Katie doesn’t answer, completely hypnotized by you. She just can’t take her eyes off you, your face, your body and anything else that can be part of you.
"It's Wally’s sister?" ended up repeating Katie before glancing at Caitlin. "Damn, you’re shagging the wrong Wälti, Caitlin."
"You’re disgusting" Caitlin says, rolling her eyes.
Leah laughs softly next to Katie and the Irish girl seems to reminding something. She turns herself a little to look at Leah before talking.
"Wait, this is the sister you met last year?"
"Yes?" answer a frowning Leah.
"And you didn't try anything with her?"
Katie’s tone let perfectly passes the disbelief she feels at this idea. But Leah rolls her eyes again.
"She’s Lia’s little sister. She would have killed me. And she’ll kill you too if you try anything with her"
Katie responds with a throat sound before finally bringing her drink to her lips. And from then on, she won’t leave you until your song is finished. Katie recognized Olivia Rodrigo’s song "Good 4 u" and she briefly wonders if it means anything to you and Lia.
When the song ends, Lia approaches the table where Katie is installed while you take the opportunity to go to the toilet. If Caitlin greets your sister with a big smile, making her sit on her lap, Leah can’t help but drop the information to Lia.
"Your sister caught Katie’s eyes" Leah announces with a big smile.
This causes a growl from Katie who hoped to try a discreet approach with you and a frown from Lia, who quickly takes off from Caitlin to lean towards Katie.
"Stay away from her Katie, I’m not kidding"
Katie raises both hands as a sign of abandonment, not without rolling her eyes.
"Looks like I’m the devil in person" Katie growls before finishing her drink.
"She was hurt once and since then has been traveling around the world. I want to see her again before Christmas 2025."
"Okay, okay, I get it" sighs gently, Katie. "I’ll get myself a drink."
After asking if anyone wanted something, Katie gets up to order herself a drink, deciding to go to the other side to have less to wait. And Lia will not be able to tell her anything, because it's finally you who approaches her first. You come to order yourself a drink too and you have no trouble recognizing the teammate of your big sister, that you watch play as soon as you can.
"You're Katie, right? I'm Y/N, Lia's sister" you smile before reaching out to greet her.
"Yes, that's me. Nice to meet ya" Katie grins, taking your hand in hers, squeezing it maybe a little to long.
Your eyes cross and you find yourself becoming aware of the beauty of the young woman who stands before you. You first notice her blue eyes and then her smile that you quickly find mesmerizing.
You are interrupted in your moment by the server who finally takes your orders. And, while Katie passes her command, you discreetly let your gaze slide on her forms. How did you not realize before how breathtaking she was?
"Lia told me you travel a lot" Katie says, turning to you to resume your conversation.
"Oh, yes… I just came back from New Zealand" you explain with a smile, before starting on an explanation of your last trip.
The minutes pass quickly as you chat with her and then you find yourself interested in her and her life. There’s something about Katie that hypnotizes you and you could honestly spend hours listening to her and laughing at what she’s telling you. You like her humor, the sound of her voice and it’s a little destabilizing for you to find yourself so impacted by someone so quickly.
"Do you want to get some fresh air?" Katie says after realizing you’ve been talking for a while.
You accept with pleasure and you follow her on the outdoor terrace of the establishment, Katie seems to know this place very well. Which is probably not surprising since Lia told you they come often.
"Here" simply makes Katie by dropping her jacket on your bare arms after seeing you shiver.
"Thank you" you answer with a sincere smile.
You move a little away from the entrance to not be in the way and you lean against a wall looking up to look at the stars. However, you gently frown when you see that they are not visible. You forgot they’re hard to see from central London.
"When are you leaving again?" asks Katie while looking at you.
You leave the sky with your eyes to carry them over her before gently shrugging your shoulders with a smile.
"I haven’t decided yet. Why?"
"I was wondering if you would give me your phone number so we could meet again, before you leave."
You bite your lip briefly while observing her. You are not sure if it's a good idea, you will probably leave soon and you know that it would probably not lead to much. But you’d be lying if you said the Irish girl didn’t tease your curiosity.
"Okay" you end up answering before you pick up her phone and put your number on it.
A big smile is born on Katie’s face and you don’t know her enough yet to realize that it’s a frank smile and not the sufficient smile she likes to have to provoke her opponents. Her phone in her pocket, Katie settles next to you, leaning against the wall like you.
"Do you like to look at the stars?" asked Katie.
"It’s probably one of the things I prefer to do" you admit without hesitation. "But it’s difficult from here"
"I know a place where they can be seen. You want to go see?"
********
"I just ran into Katie running away with a pretty blonde" laughs Victoria who just arrived while sitting at Lia’s table.
"I’m going to kill her" the Swiss woman announces, noting that you have also disappeared.
Kyra’s sigh sound out at the same time as Leah’s facepalm. Caitlin masks her amused smile behind Lia’s head, but she is nevertheless surprised by Alessia who smiles back at her.
********
You suspect a little the annoyance that Lia must feel and you feel in spite of yourself a slight guilt at the idea of not enjoying her birthday party with her. But you take a look at Katie after you get out of her car and you quickly realize that she’s genuinely happy to show you this place.
"What’s your favorite constellation?" Katie asks you when you’re both sitting in the grass.
"Aquila" you answer by pointing to the place in the sky where it is. "And you?"
"I didn’t have one until now, but it could become my favorite" Katie replies with a smirk.
You laugh slowly and you turn your head in her direction, to see that Katie rolled to the side and that she’s looking at you. You feel yourself blushed and you’re pretty glad it’s dark and Katie can’t see it. But you don’t let her out of your sight and you decide to play her game.
"What is your astrological sign?" you ask.
"Virgo"
"Well maybe my favorite constellation is going to be Virgo then"
Katie laughs softlyand, taking a sudden aspiration, you gently take her hand in yours. Katie lets you and you find that her skin is pleasantly warm and soft against yours. You shift your attention to the sky above you, feeling Katie’s gaze stay on you. But it doesn’t bother you, it’s not the kind of heavy look that makes you uncomfortable. You feel good and safe with her, despite what Lia seems to think.
It’s almost two o'clock in the morning when Katie takes you home to your sister, whose keys you have so you can get in and out whenever you want.
"I hope I’m not interrupting a private celebration" you grin maliciously at Katie, who insisted on accompanying you to the front door.
"If there is going to be a celebration tonight it will probably be to celebrate my death" laughs Katie before explaining, when you turn an interrogative look in her direction "I was not supposed to approach you tonight. Lia has warned me"
"Why did you do it then?" you ask curiously while searching through your purse while looking at it.
"Technically, it was you who approached me" Katie replies with a satisfied smile. "But I’m very happy about it."
You smile back at her and you probably look at each other for a few seconds too long, before you come out of your trance and regain your self-confidence.
"I’ll defend your cause, if you want" you joke softly.
"See me again and it will have been well worth it."
You smile again and bite your lip briefly. You really want to kiss her, but maybe it’s too early for that. You step forward and put a kiss on her cheek instead before backing away again and opening the door.
"Go home safely"
"I will" answers Katie with a smile. "Good night"
"Sweet dreams"
The house is empty when you enter and you assume that either Lia is not back yet, or she went to Caitlin’s. You go undress and remove your makeup and it's when you are writing to your sister to inform her that you came home when you receive a message from an unknown number.
From Unknow I came home safely. Sleep tight beautiful x
From You Sleep well too. We talk soon x
********
Lia looked at you with skepticism when you told her that nothing happened with Katie, unless looking at the stars and learning to know her. Since her breakup, Katie had a lot of fling and Lia obviously didn't want you to fall for the Irish girl before being ignored by her.
Katie and you wrote to each others a lot during the past days and you find yourself smiling every time she texted you. When she asked you on a date, you accepted with a second thought.
Katie take you to an Irish restaurant, she looked almost outraged to learn that you have never been to Ireland during your many travels. You had a great evening and when she brought you back you vaguely hoped for a kiss but Katie just gently kissed your cheek before smiling with affection. She then waited until you go inside to leave. Then you started texting each other almost all the day, every day.
From Katie ✨ u going to the game today?
From You I am :) why?
From Katie ✨ Would you let me take you for a brunch before ?
From You I would love to
From Katie ✨ Great. I'm taking you at 10 xx
You almost turned the cupboard in which you installed your clothes in your sister’s guest room to find a proper outfit. You ended up opting for a simple outfit, comfortable but nevertheless different from what you can wear every day. Once ready, you go to the kitchen, in which you find only Catlin in the company of her cup of coffee and a toast with…
"Vegemite?" you ask with a smirk
"Lia always has a jar for me in her cupboards" replies the Australian with amusement.
"How romantic" you laugh softly
You take a glass of water, realizing rather quickly that Caitlin observes you over the cup of coffee that she holds with two hands. Since she and Lia got together, the Australian has taken on the role of your big sister too. You obviously can’t compare the connection you have with her with the one you have with Lia, but you appreciate her enormously.
"Are you going out?"
"Yes" you just answer
"With Katie?"
You don't have time to respond with the positive or negative that Lia’s voice is heard behind you. Obviously she must appear when the name of the Irish is pronounced.
"What, Katie?" Lia asks, bowing her eyebrow.
"I'm going to a brunch with her" you explain softly with a sigh. "Look, don’t make that face, I know you don’t want anything but to protect me, but if it makes you happy… Nothing ever happened between us, if it turns out she’s not even interested in anything but friendship with me"
You gently shrug your shoulders and carefully avoid Lia’s gaze. You don’t necessarily want your older sister to see how depressed you are about this idea. But it's Caitlin who speaks again, although she's peacefully returned to reading her diary.
"Or she takes the time to do things right with you because you mean something to her" she points out without looking at you.
You frown thoughtfully at her, but Caitlin doesn’t add anything. Lia gets closer to you though, gently laying her hand on yours.
"What would make me happy is that you are too. I just want you to be happy and make sure no one can hurt you any more."
"I’ll be fine, Lia, I promise" you assure her with a little smile. "I learned from my mistakes"
Lia pout a little and when your phone vibrates in your pocket when Katie writes to you that she has arrived and that she waits for you, you take your big sister in your arms.
"I love you" you say before you kiss her cheek.
"I love you too. See you at the game?"
With a smile you nod before leaving the house. Your smile widens when you see Katie waiting for you, leaning against the front of her car.
"You look stunning" Katie smiles looking at your outfit.
"You’re not bad yourself"
Katie is dressed in her training kit, ready for the game and you find it strangely sexy. Unlike other times you have seen her, you don't hesitate to greet her with a hug and then let her take you by the hand to train you to the passenger door of the car.
The establishment that Katie has chosen is between Lia’s house and the stadium, the Irish girl explaining to you that it's a place that she loves and that has the advantage of not being too well known by the general public. It seems to have its habits and even if you don't necessarily appreciate the big smile with which the waitress welcomes Katie, you are quickly satisfied by the hand that she puts in your back to guide you to her usual table.
As always, the discussion is pleasant. You have to admit you did some research on Katie, but you feel like the Katie that people can see on the football field is different from the one you see every day. The Katie you know is sweet, attentive, considerate and charming. You have the impression that she really listens to you and that she seems particularly interested in what you tell her, no matter what it is.
And the butterflies that you have in the hollow of your belly when her fingers touch your hand while taking the salt are rather very pleasant. However, you regret not knowing if things are really shared or if Katie is only interested in friendship with you.
"Can I ask you a question?" asks Katie, her blue eyes watching you attentively over her cup of tea.
"Of course" you answer with a little smile.
"When she asked me not to come near you, Lia mentioned a romantic relationship that ended badly. I’m not asking you to tell me everything, but if you have any residual trauma or like that…"
Of course Lia mentioned your old relationship with Katie. On the other hand, you can’t blame her, after learning about the various deceptions of your ex-girlfriend, it was so painful that you never set foot in Switzerland again and you never saw your family again for a year. It apparently left your sister with trauma as well.
"As long as you don’t lie to me or hide things from me, it should be okay" you mumble and shrug.
Katie looks funny and you briefly get lost in your thoughts until the Irish woman gently takes your hand in hers. When you look up at her, she smiles softly at you, her eyes immensely sweet.
"No matter what happens, I will never. I promise"
You smile softly at her, losing yourself in her eyes. Katie changes the subject and when it’s time to leave for the stadium, you have the impression that the time has passed much too quickly.
"Do you mind if someone sees you get out of my car? There are often fans waiting for us in the parking lot, they cannot access it but they wait behind the gates. I can drop you off if you want" Katie asks when you’re about to arrive.
"I don’t care" you assure her by tapping on her arm.
You didn’t expect her to grab your hand with hers to interlace your fingers, but this gesture is rather pleasant.
Katie was right, you barely got out of the car when you heard some people calling her name. The young woman having advised you not to pay attention to it, you follow her inside the corridors in the colors of Arsenal without turning once your glance towards the fans.
"Shall I leave you there?" asks Katie once right outside the door that’s supposed to take you to the VIP corner, where Lia booked you a seat.
You nod with a slight smile. You know the way now.
"Thanks for the invitation. I had a great time"
"So do I" Katie says, smiling as well. "You still don’t know when you’re leaving, right?"
"Maybe soon. I don’t know yet"
You gently shrug your shoulders, but you don’t miss the disappointment that briefly passes over Katie’s face after her smile drop.
"Oh… okay. Well, I’ll see you soon, I guess?"
"Yeah" you smile softly.
Katie gives you a little smile, but it’s only when she turns her heels in the direction of the changing rooms that you walk forward two steps and you take the floor again.
"Katie?"
"Yes?"
The Irish girl turns and looks at you with surprise. She apparently did not expect you to hold her back.
"You want to know what it depends on?"
"Yes" she says again, looking at you carefully.
You made other steps to catch up to her and to be at her height but you mechanically bite your lip, a little anxious about your courage and its repercussions. But now is not the time to back down. Katie seems to have quickly noticed your nervousness since she is also moving in your direction of a step, offering you a reassuring smile.
"You"
"Me?"
"Yes, I… I like you, I mean not necessarily only physically. And I really like the moments we spend together, but I don’t know if it’s mutual or if I’m making ideas. And I’m a little afraid that after talking to you about it now it changes or complicates things, but-"
Katie ends up interrupting you, putting her finger on your lips to silence you. You don’t know if it’s a good thing or not and you freeze instantly.
"I like you too, I thought it was obvious. I’m sorry if I let you think otherwise. My love life may not have been the most stable in a few months, but with you it’s different."
You don’t have time to answer anything that Leah Williamson appears around the corner to call Katie. Training will begin soon.
"I have to go. I’ll see you later?"
You nod with a smile. Katie looks at you for a few more seconds smiling before heading to where Leah disappeared a few seconds ago.
"Katie?" You call her again though. "You forgot something"
Gently frowning, Katie turns in your direction, no doubt to see you so close to her, always smiling. She has no time to question you, since you come forward until you can put your lips on hers. It’s just a light kiss, but the sensations are amazing.
When you open your eyes again, Katie’s are dipping into yours and you have to take it on yourself so you don’t pass out. If you listened to yourself, you would do it again, but you don’t want to cross the line. That said, given her smile, she doesn’t seem to be against that kiss.
"Now you can go" you smile maliciously.
But Katie shakes her head with her big smile still displayed on her face. Taking advantage of your proximity, Katie gently puts her hand on your neck before drawing your face once again against hers. This kiss is longer than the first and your hands naturally find place on Katie’s body.
When Katie gently caresses your lower lip with her tongue, asking for access to yours, you do not hesitate a single second before leaving it to her. Obviously, you forget a little where you are and that everyone could surprise you. It is finally a door noise far away from you that brings you back to reality, a few minutes later.
"I really have to go" whispers Katie, her lips caressing yours when she speaks.
And it makes you half lose your mind. So you can’t resist the urge to kiss her again and it takes all your strength to tear you away from her. And let her go.
"Come on, go make the rest of the world enjoy your talent" you smile softly
Katie laughs but steals one last kiss before leaving. It’s in a second state that you join your seat, but when Katie appears on the field alongside the other players, you can’t help but smile again. Katie quickly spots you in the stands and sends you a wink to which you respond with a smile.
In the end, it’s not as safe as this that you’ll leave London.
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rwrbmovie · 7 months
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BTS of #RWRBMovie: NYE kiss
via Consequence:
It was important for Henry to be the grab-and-kiss-er in this scenario, Lopez says, because “there’s something very striking about a character such as Henry, who has spent up to that point in the film being very buttoned down and seemingly in control of his urges in that moment, losing the ability to control his urges and give into the desire to kiss Alex.” Plus, there’s the additional context of Henry being literal royalty: “There’s something very sexy and romantic about a prince dropping his guard. And taking things that are old movie tropes and letting two boys do it — that was definitely the romantic gesture that we wanted to go for.” Of course, on a practical level, the grab-and-kiss has certain practical elements to consider. “The only danger on set was that sometimes [Nicholas Galitzine] would come at [Taylor Zakhar Perez] so forcefully that they would just bang faces. We were really worried about fat lips and bloody noses,” he laughs. It wasn’t just the passion of the actors that was an issue, but the terrain — according to Lopez, “they were on a slope. So Nick was going downhill.” (Passion with a little help from Newtonian physics.) On set for this as well as the film’s other, more graphic scenes was intimacy coordinator Robbie Taylor Hunt, who oversaw shooting the kiss in two different ways: “We had one where Alex is completely taken by surprise and doesn’t respond to the kiss. And then we did Version B, where Alex is taken by surprise and then does respond to the kiss. Because I wasn’t quite sure what was going to work, so I gave myself the option of having both.” Process-wise, this meant rehearsing both versions and then shooting different angles and framings, which means “those lads kissed easily like 40 or 50 times that night,” Lopez laughs. “There’s nothing like having to kiss someone 40 times in a row to really, really take the allure out of kissing.”
While the grab-and-kiss is the best term I’ve been able to come up with for this maneuver, it’s not my favorite — if only because if you Google the phrase “grab and kiss” today, the search term pulls up very unsexy results. These unsexy results (including phrases like “attempted sexual assault” and “Donald Trump”) do serve as a necessary reminder of how delicate a balance one has to strike with this particular maneuver. As Lopez puts it, “there is a gray area and I think you see it in some older movies, in which they do the grab-and-kiss and it’s icky — it just feels not consensual at all, or very uncomfortable.” What’s so powerful about the grab-and-kiss is that it’s an embrace with purpose. There’s a backstory to it, usually one involving repressed emotions and deeply held longing. That was the strategy Lopez used with Red, White & Royal Blue, using the scenes leading up to the kiss beneath the tree to emphasize “the pull between them.” (Specifically, Lopez got what he calls his “West Side Story moment” during the New Year’s party, when a crowd dancing to Lil Jon’s “Get Low” does as instructed by the song, leaving a still-standing Henry and Alex to gaze at each other across the dance floor.)
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cheriecelestial · 15 days
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Batboys as Desi Films
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𝐃𝐢𝐜𝐤 𝐆𝐫𝐚𝐲𝐬𝐨𝐧
Dilwale Dulhania Le Jayenge (1995)
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Raj and Simran meet during a trip across Europe and end up getting stranded in the middle of nowhere after they miss their train. Despite their initial clashing, they fall in love. However, Simran’s traditional father has arranged her marriage elsewhere. Raj must win over Simran’s family to marry her, leading to a series of heartfelt moments, comedic misunderstandings, and ultimately, a dramatic climax where love conquers all as the couple fights for their happiness against societal norms.
Dick is so raj coded with his quips and charisma. Their chaotic banter and chemistry is off the charts. Any Indian who hasn’t watched this gets their desi card revoked immediately, I don’t make the rules. This movies fits Dick’s dramatic flair perfectly.
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𝐉𝐚𝐬𝐨𝐧 𝐓𝐨𝐝𝐝
Goliyon ki Raasleela Ram-Leela (2013)
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The modern adaptation of William Shakespeare’s “Romeo and Juliet,” set in rural Gujarat, India. It follows the love story of Ram, from the Rajadi clan and Leela, from the Sanera clan, who belong to rival gangster clans engaged in a long-standing feud. Despite the enmity between their families, Ram and Leela fall deeply in love, leading to a tragic and tumultuous journey filled with passion, violence, and sacrifice.
It fits Jason’s love for guns and classics. An absolute visual treat with cinematography and all the songs are absolute bangers.
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𝐓𝐢𝐦 𝐃𝐫𝐚𝐤𝐞
Jab We Met (2007)
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Aditya, a heartbroken business tycoon, someone who was dwelling in the lowest ebb of his life and was almost on the brink of giving it all up, aimlessly boards a train to escape his depressing life. On his journey he meets Geet, a talkative and vivacious young woman. Geet is on her way to meet her boyfriend, but her plans go awry, and she ends up stranded. Aditya, feeling sorry for her, decides to help her get to her destination safely. Along the way, they encounter various adventures and challenges that bring them closer together. Despite their contrasting personalities, they develop a deep connection. However, when they part ways, Aditya realizes his love for Geet and sets out to find her. In the end, they reunite, realizing they are meant to be together.
Grumpy x sunshine. The OG green flag. Epitome of ‘if he wanted to,he would’. Makes my chatterbox heart happy because of how much I relate to the FL. Favourite comfort movie of all time. ML kinda looks like Cillian Murphy’s scarecrow. “I like you a lot but that is my problem, you don’t need to worry about it.” Their fights and his little sassy comebacks and rants were so cute and fun to watch.
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𝐃𝐚𝐦𝐢𝐚𝐧 𝐖𝐚𝐲𝐧𝐞
Jodhaa Akbar (2003)
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The Mughal emperor Akbar, seeking to forge political alliances, marries Jodhaa, a Rajput princess. Initially a marriage of convenience, their relationship evolves as they learn to respect and love each other. Jodhaa struggles to adapt to Mughal customs, especially with their cultural and religious differences but her courage and integrity win Akbar's admiration. Despite conspiracies and opposition, including from Akbar's own court, their love prevails. The film explores the transformation of a young ruler, initially groomed for ruthlessness by his mentor Bairam Khan, into a wise and compassionate emperor who values mercy, diplomacy, religious harmony and cultural acceptance. Akbar's realization of the importance of religious tolerance, showcased through his abolition of discriminatory policies and his respect for all faiths.
The arranged marriage tag and the ‘raised as a weapon but softens and shows more compassion out of respect and love for his empress’ tag fits demonhead!Damian so much. The way he said mashallah after he pulled off her veil in the middle of a sword fight >>>>. I love how it captures the essence of India’s rich heritage and diversity. “Why seek paradise ? It is before me now.”
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𝐁𝐫𝐮𝐜𝐞 𝐖𝐚𝐲𝐧𝐞
Khoobsurat (2014)
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Milli, a free-spirited and eccentric young woman becomes the physiotherapist for a royal family. She brings her lively yet clumsy personality into the conservative royal household, shaking up their structured lives. It clashes with the formal atmosphere of the palace, especially with the stern matriarch, Nirmala Devi. Despite initial resistance, Milli's unconventional methods bring joy and laughter into the lives of the family members, including the brooding prince, Vikram. As Milli navigates the challenges of fitting into the royal household, she also finds herself falling in love with Vikram, leading to a series of comedic and heartwarming moments.
Very cliched (well it is a Disney film) and the second hand embarrassment is unreal but sometimes after a long day all you need is a feel-good cheesy rom-com. Oh to sit next to Fawad Khan in a red convertible while gazing lovingly at him. I like how she emphasises on improving the patient’s mental health to help him heal. Incase you haven’t noticed already, cold brooding™️ x silly goose is my favourite character dynamic.
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𝐀/𝐍 - I’ll be honest with y’all, this was to satiate my desire of writing x desi! reader cuz I don’t have enough motivation or time to do it T^T
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astronicht · 13 days
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Oh I love how in the film Legolas (or is it Aragorn?) says “a red dawn; blood has been spilled this night” BUT in the book Legolas says “It is a red dawn. Stranger things await us by the eaves of the forest. Good or evil, I do not know; but we are called.”
“Good or evil I do not know” being the important part, where Legolas is simply indicating that the sign he’s reading in the sky means “strange stuff is coming”, which jives with the early medieval take on Weird Color or Lights in Sky, more so than the (beloved) film version. If this were Early Modern fantasy story ppl could freak out about comets as signs of evil and also burn some witches — including that guy back in the Shire with the mushrooms, in retrospect he was totally supposed to be a wise-man wasn’t he — but even in the Anglo-Saxon Chronicle, a light in the sky might indicate a cataclysm, but that was just bc it indicated a change. Comets indicated change. Weird horizon glow indicated change. I have no idea what the fuck the reported double-moon indicated aside from years off my own life whenever I think about it.
(The modern phrase is “red sky at night: sailors delight / red sky in the morning: sailors take warning.” A weather thing, I’ve always assumed??.)
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scenteddelusion5 · 2 months
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Could you write a Vox x Alastor’s Child? Wherein reader views their fights as a “bonding activity” because it relieves stress for the both of them because they’re not willing to kill each other due to not wanting to hurt reader and they’ll be civil when they need to be. A large chunk of their rivalry being due to Alastor seeing Vox as trying to steal his child from him (making them his partner both romantically & business wise, them becoming an actor) and Vox seeing it the same way with Alastor trying to drag them on random outings when they’re supposed to film or have time together. - @am-i-interrupting
"Two households, both unalike in dignity, In our unsightly hell, where we lay our scene," PART 1
Vox x gn reader (Alastor's child)
Note: At first I wasn't sure if I wanted to do this one, especially because i had already written a daughter character, already have a daughter oc myself and then would have this child. But then I had this Romeo and Juliet inspo in mind and now I wanted to do it.
!!!!! NOTE ABOUT REQUEST !!!!!
So I really liked the idea of this Vox and Alastor dynamic but I can't write short stories so instead I'm doing a 2 or 3 parter about how they got into this dynamic. So they aren't like how you requested yet.
Word count: 3436
Part 1 - Part 2 - Part 3 - Part 4 - Part 5
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"Two households, both unalike in dignity, In our unsightly hell, where we lay our scene, From ancient grudge break to new mutiny, Where denizen blood makes denizen teeth unclean, From forth the innovation of these two foes, A pair of star-crossed lovers arise,"
Y/n sat on the balcony of their father's mansion. Nothing but trees, or at least hell's version of trees, could be seen from there. The bustling city was ways away from the territory most denizens were too afraid of to enter. The book they were reading was written a small auteur in hell, it was obvious that he had taken great inspiration from a much more famous work. An old-fashioned, cannibal and a modern man, with more savoury tastes, falling in love, their families hate each other yada yada yada. Nothing they hadn't read before.
The demon, whom resembled a deer, put their book down and started messing with the knobs on their older radio. It sprung alive with the voice of their father; Alastor the Radio Demon, feared all throughout hell. On his broadcast played a catchy jazz song that, every once in a while, got interrupted by agonizing screams.
"That was an amazing number." The Radio glowed green as he spoke. "It brings me all the way back to the nights I spend in the speakeasies. Let's continue on-"
Everyday Alastor would broadcast the news and gossip of the week at exactly 10 a.m. and Y/n would always tune in.
"- Oh, and make sure to stay clear of the Carmine mansion this evening. The overlords are having a little get-together. So if you don't want to be served for dinner, I recommend you go home early tonight."
Right, Camilla Carmine was holding a party to celebrate the 100th anniversary of Carmine industries. Y/n was so excited. Normally their father wouldn't let them go to parties, but considering he would be there, he allowed them to go this time.
"Lastly I have a personal message to my favourite fan. I couldn't have wished for a better fawn. I hope you liked the breakfast I cooked especially for you, that demon was a struggle to catch. Hahaha," he laughed, "see you after the broadcast. Let's put on (song), it's not really my style but considering it's your favourite, I can make an exception." Their song slowly came on while Alastor's voice faded.
Y/n hadn't made friends outside of cannibal town. They had to admit they were a bit nervous...
The day went by faster and faster as the night grew closer. Y/n had put on their green gown/suit. It was beautiful; adorned with black lace, a pattern of turns and roses sewn into it.
"What do you think?" Y/n asked while turning around.
Alastor, whose suit didn't look all THAT different from his usual one, studied them up and down. "You look delightful, fawn. Every single demon in that building will see green from jealousy."
"Thanks dad."
Despite the fact that cars were already owned by most citizens in the time Alastor was alive, he preferred to walk, even to such an important event as this. So, when the two off them arrived, they stepped in through a side door instead of the big red carpet where the limousines dropped off guests.
"Remember Y/n, don't talk to people you don't know and if something goes wrong, find me or Rosie." Alastor's antlers started to grow and static filled the air. "I'll destroy however dares to hurt you."
"Don't worry, dad. I'm an adult, I can take care of myself." They laughed off their dad's threatening stature. "But if something happens I can't handle, I'll go to you."
The ballroom was decorated with black gold and white. All kinds of denizens were roaming around, from high standing overlords to imp servants. There were no familiar faces. The only other overlord Y/n had ever met besides Alastor was Rosie. Even so they had immediately split up from Alastor in favour of exploring the buffet table.
After picking up a plate, they started picking the tastiest little snacks. There was even a few dishes with demon in them provided for the cannibals.
Vox had spent four hours making himself presentable in a fancy blue suit and a new screen protector. the other Vees had matched his style. So when the three stepped out of their high-tech car and got bombarded with paparazzi, it was clear that the three belonged together.
It isn't often that they had the chance to converse with other demons of their status. It was the perfect chance to make new connections.
Vox had gotten the chance with a few other demons before it happened. His eyes landed on the most beautiful person Vox had ever seen. Their looks hypnotized the tv-demon... Which was supposed to be HIS power.
"Hey Voxie, you never guess who I saw~... Voxie? Vox... VOX!" No matter how hard Valentino tried, he wasn't able to capture Vox's attention. "What are you looking at?..." Following his colleague's line of sight, Val's eyes landed on them too. "Oooohhh, I see~ Should I go talk to them for you, maybe I can convince them to stay the night in our bed."
Vox slightly buffered. "What! NO! I'm going myself, yeah, I can handle this myself."
Y/n was enjoying a lovely tea sandwich with raw, demon heart on it, when a person they didn't recognize came up to them.
"It's a pleasure to meet you." The man with a tv for a head grabbed their hand and placed a kiss on their hand. "I'm Vox, and you are?"
"Y/n, and it's a pleasure to meet you too," they introduced themselves before shoving another tea sandwich in their mouth.
"You must really like those sandwiches."
Y/n aggressively nodded her head. "YES! Here try one!" they shoved one of them in Vox's face who reluctantly eat it.
"Wow, that's... an unique flavour."
"Yeah, heart does taste very peculiar but I like it."
It put Vox off that the demon had spoken so casually about cannibalism, however, he was even more put off that he was just fed ACTUAL DEMON. So, when they weren't looking, he drank an entire glass of champagne in one go, hoping to wash off the taste.
"Anyway... I was hoping to dance with you." Vox offered out his hand but pulled it away again when he saw the dissapointment in their face.
"I would love too but I don't think my father would be happy to see me dancing with anyone. I'm sorry."
He thought about it for a few seconds. "Y'know I'm quite familiar with this place, there is a smaller ballroom a few doors down. If you want to, you could take me up on the offer there." The overlord suggested.
Normally, Y/n would've never said yes. Going to an empty room with a stranger who must have quite a lot of power. Only an idiot would follow him... Maybe they were a bit of an idiot but Y/n was intrigued by the man, so much so that they decided to go.
"Alright."
Hours went by while the two of them danced, talked and drank in the empty ballroom. Y/n felt themself falling deeper and deeper in love with the handsome stranger. The confident way he spoke, the way he buffered and glitched whenever he got flustered, the way he would get angry when they hurt his pride by laughing at his attempts to woo them. He was perfect.
"Now, tell me Vox. Who exactly are you? Like, I know you your name but you must have been invited for a reason, so...??" Y/n asked.
"You mean you really don't recognize me?" Vox asked flabbergasted. "I'm the CEO of VoxTech." The other demon still looked confused. "The biggest tech company of hell? We release new products almost every single day."
"I'm not big on modern technology, I died during the 1920's," Y/n explained, "I tried using a computer once and it didn't go well."
"Well, that's really no good. As a demon of high society, you should keep up with modern invention, if you ever want the help I don't mind teaching you how to use it." Vox stared at them lovingly. "You know what, I'll even give you a phone. Give your address and I'll send you on-"
"HEY! Vox!" A girl with pink and purple hair walked in. She wore a poofy pink dress and her face was covered in make-up. Her bloodshot red eyes landed on the person standing next to her friend. "Oooeeehhh, and who are you?"
"Velvette, Y/n. Y/n, Velvette." Vox introduced them to each other. "They have been great company tonight, right love?" He caressed the side of their face."
Y/n got redder and redder as the conversation went on. "Yeah, it was great."
"Well, sorry that I gotta burst your bubble." Velvette interrupted the sweet moment between the two. "But the Carmines are about to have their speech and you know how pissy those old fuckers get about shit like this."
Y/n looked at the clock hanging on the wall and realised they had been gone from the party for hours. "Yeah, I should really be going back too. My father is provably worried about me."
The three swiftly made their way back to the main ballroom, Velvette joking about the two lovebirds the whole time.
Once there, they gathered by the crowd standing around a podium. Carmilla was standing there, already holding her speech about the start of her company, the amazing growth and the future. Although a very basic speech, demons were at the fact that the Carmine had mentioned future dealings and couldn't wait for the opportunity to become a part of them. One of them seemed to be the handsome TV Demon that Y/n had hopelessly fallen in love with over the course of the evening.
"Excited I see," Y/n said while pointing to the electricity coming off of Vox, "I'm not sure that a deal with Carmilla is going to happen if you electrocuted her."
"Hey! I'm a great negotiator. Thank you very much!" The man joked.
Alastor had kept his child in his sight the whole evening.... Until he didn’t. They were right over by the buffet table just a second ago. Y/n couldn’t have gone far. So, he went on a search, but after an hour, he found nothing. He even asked Rosie for help but no luck. He had stayed looking until Carmilla started her speech and even then Alastor still kept an eye open for her.
What he never expected to see, was his child, his lovely, well-behaved, miracle of a child, to be joking around with his nemesis. And were they.... Blushing?
Static filled the air around him, symbols floated around his head. The terrifying shadow of his ever-growing antlers made every demon and demoness run out of his way.
Once he got really close he could hear their conversation.
"You're such a dork!" His child laughed.
Alastor could only see their back, but he knew what their smile looked like right now. Unlike his plastered smile that hid his emotions, Y/n's was genuine.
"I'm the dork? Have you se-" Vox's eyes drifted to the strange red symbols, when he noticed Alastor standing there. A small x on his forehead, eyes like dials and his smile wide.
Normally, during their fights Alastor would be somewhat lenient with him. He still roasted Vox to the living world and back but he never outright tried to murder him. This meant that he had never experienced the true wrath of the Radio Demon. But right in that moment, Vox felt like his days were numbered.
"Holy shit," Velvette muttered.
Noticing the two Vees were looking behind them, Y/n turned around and as soon as they did, Alastor switched back to normal like clockwork.
"Oh, hey dad!" Y/n greeted him sweetly. "What are you doing?"
"Oh nothing, little fawn," the Radio Demon spoke, distain clear in his tone of voice, "now tell me, why are you wasting your time conversing with such vermin? Especially, a styleless one like that insecure, copycat, picture box."
Vox was still staring between the two of them. Y/n was Alastor's child! The one the Radio host always talks about, the only thing that freak actually seems to care about. Why did it have to be them the overlord had fallen in love with at that ball?
"You are the Radio Demons child!" The man freaked out.
"I didn't think you would care about that..." Y/n's face turned into a frown, unlike their father’s whose grin only grew wider.
"I-I" The tv started buffering. " I don't..."
"Come one Y/n, let's find someone with more class." Alastor turned around, his child in toe.
"Wow, can't believe you got the hots for that man's child." Velvette quickly snapped a picture of Vox's stunned face and send it to Valentino. You'll never guess what happened. She typed under it.
Y/n looked down at their shoes, not wanting to see their father's victorious grin. "I can't believe you just did that."
"Whatever do you mean, little fawn?"
"You know what," they replied sounding angry this time, "why did you scare away the first real people I made friends with here in hell?!"
Y/n had never had an attitude before, never talked back, never even sounded annoyed. It scared Alastor for a few seconds. "That... Vox isn't the type of person you should make friends with'."
"Isn't that for me to decide?" Tears filled their eyes and their voice was strained. "I want to go home."
Once home, Y/n attempted to rush up the stairs but was stopped by Alastor’s shadow grabbing them by the arm. They were struggling to get away when Alastor cupped their face with his hands and looked suspiciously in their eyes. He was searching for something.
"Let go of me!" Their eyes glowed as they screamed.
When Y/n tried to pull away again, Alastor's grip tightened. "You've never acted like this before. He must have hypnotised you, so be a doll and let me find his spell!"
But no matter how much he searched for even a sign of demonic manipulation. Did Vox not hypnotize them? Then why were they.... Because of Alastor's second of confusion, Y/n could quickly pull away. They rushed up to their room and locked the door.
Alastor just stood there, stunned until a knock came from the door. He straightened his suit before opening it.
"Hi Alastor, I saw you two... Leave and thought you might need a listening-ear." Rosie stepped inside and made her way to the dining room. "Besides I could really use a cup of thee after such a long night."
"You know me too well, Rosie. I'll get some snacks too."
"They've never even raised their voice at me before but one hour with that noisy rectangle and Y/n is acting like a rebelious teen." Alastor took a bite from the index finger snack. "I tried to look for a sign of hypnosis but there was nothing. What did he do to them?"
"Ever thought about it that Vox didn't do anything?" Rosie suggested.
Alastor's pupils turned into dials. "Hmm? What did you just say?"
"Ya have to think about this differently." Rosie took a sip from her tea. "A demon always buried in their books with little to no interaction with the outside world goes out for the first time in years and meets a charming man who's interested in them. It's just like one those romance tropes they always reads about."
The other overlord considered it. "Then what do you suggest we do about it. How can I show them that they deserve much better?"
"First of all, have a conversation with them. A genuine one."
"And then?"
Rosie's smile showed her sharp teeth. "Then-"
Vox was still buffering from that crazy night. He fell in love with ALASTOR'S CHILD, for god's sake. He was connected to his advanced computer, rebooting his systems. Images of Y/n, memories he saved in his files, flashed over the many monitors in his room. The doors to his office opened revealing the other two Vees.
"Damn, Voxie. You've never had to reboot after we've 'hang out' before." Valentino leaned over his colleague's shoulder. "You aren't going to demote me from being your favourite, right?"
"I wouldn't sound so confident Val. Vox was pretty hooked last night, you should've seen him." Velvette pulled up the picture she took. "This photo doesn't do his obsession justice."
"Stop it, Velvette." The TV Demon unplugged himself from the computer set-up. "It's never going to work out anyway. And it's all that shitty, old demon's fault!"
"You really think that?" Velvette asked. "I mean, they looked pretty interested to me... You could always go over to them and explain yourself. Oh and while you're there, try to find a snoop that'll make my drama Sinstagram go viral."
"Voxie doesn't need them. Just stay with me and I'll make you forget them in just five minutes." The moth demon's cigarette smoke formed a heart.
The screen buffered once more. "Get out! The both of you."
"I'll wait in my room." The two Vees made their way out.
Once he was sure they were gone, Vox pulled up another file. Y/n's beautiful face showed on the screen and their addicting laugh filled the room.
Y/n sat against their door, crying. They could see the moon through the balcony window. It's red light filled the room. They couldn't believe their father had reacted like that. And they couldn't get the face Vox made when he released their connection to the Radio Demon out of their head. It plagued their mind since the moment it happened.
Their room seemed so small, so empty, so cold. Nothing had physically changed but mentally, emotionally, everything was different. They got a taste of that beautiful romance and it was taking away from them in the blink of an eye.
Y/n was so deep in their self-pity that they didn't notice the moonlight was blocked by something. They were jolted out of their own thoughts by a knock on the window.
Looking up they saw none other than Vox standing there. His suit was covered in dirt and branches that he got certainly caught in on his way there.
They quickly walked over to open the door, stumbling on their way.
"Y/n, I- uhm, you must find it weird that I show up on you balcony like this." Vox's screen got slightly red. "I wanted to apologize for this evening. I don't care who your father is, I- uhm I care about you."
"Vox, I need you to be honest with me. Did you hypnotize me?"
Y/n's sad look broke his heart. Who got into their head that he hypnotized them?
"Y/n, I didn't and I will never do it." He put his hand on their cheek. "I promise."
Blush decorated their face. "Then can you tell me what's going on between you and my dad?"
"Of course."
The two sat on their bed, cuddling. Vox had told them about everything. The start of their feud, his constant fighting with Alastor but also the fact that he fell in love with them at first sight. It was a lovely, domestic moment.
"One time I got so angry at your dad that I made a complete smear campaign against him. it didn't work out, he completely cut off all my broadcasts, all seventy channels."
"I think he once told me about that," Y/n laughed, "you get more under his skin then you think. Even before he saw he two of us together."
"If you say so..."
Their banter went on for hours. The two did their best to keep sounds to a minimum so Alastor wouldn't find out.
"Oh, before I leave, here." Vox handed them a white box. "it's a phone. I made sure to remove all spying devices and I programmed you a special assistant. It should help you figuring out how it works."
"You put spying devices in people's phones?"
"Uh-I"
"Don't worry, I get it. It's hell. There is no need to explain yourself."
"Right." Vox tried to laugh it off like Y/n was doing. "It's getting late, I should go. Wouldn't want the Radio Demon to know I'm meeting up with his daughter without a chaperone."
This time when Y/n was separated from Vox, they felt fine. Because they knew that he loved them. They were still longing for him, but not in a sad way. It was pure, romantic love.
Part 2
Masterlist/request guidelines
148 notes · View notes
artist-issues · 1 year
Text
I’m going to say it.
I don’t think How to Train Your Dragon 3 was good.
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Not when you compare it to literally either of the other movies. Certainly not as a conclusion.
I mean, the first movie was about a boy who manages to understand a hostile dragon species and bring peace to two warring factions, which is a parallel for his relationship with his father. The second film was about how sometimes, peace has to be fought for, and Hiccup’s whole identity was in contrast with that—because while his mother ran from conflict and his father leapt at it too eagerly, he had always been the one to stop the fighting. Then he has to learn that the things we love are worth protecting. 
And after he learns that humans and dragons can learn to understand each other and coexist—after he learns that it isn’t enough to run and hide or fight out of fear, but instead you must protect the things you care about—
After those two natural, powerful progressions are clearly worked for in the first two movies—
How to Train Your Dragon 3 comes along and says “‘No actually, sometimes all it takes is one madman whom you defeated with no loss of life to convince you that the things you care about should just crawl into a very pretty hiding hole, because you don’t feel like spending the rest of your life fighting for them.”
And I can say more. Below the break. 
Because I’ve waited a long time to talk about this. Everybody around me was saying that the third HTTYD movie was sooo good, how could I not love it, what was my problem, they’re crying in the theater seats around me, they’re all moved, but nobody can tell me why. What makes HTTYD3 so good, STORY WISE? What makes the fact that Toothless, who is established as “Hiccup’s Other Half” and his character’s support, leaving, a good conclusion?
And it’s not just that my feelings were hurt at the idea of this iconic duo being split up in the finale. 
It just doesn’t make any sense. Because the main thing that the whole series was built around was the adversity Hiccup and Toothless were always going to come up against, because they shouldn’t be friends. The whole first movie is like “dragons and Vikings hate and kill each other, there’s no way to get over this fear, nobody can be around Night Furies without dying,” and Hiccup and Toothless literally fly in the face of that. Then the whole second movie is “dragons either have to be left completely alone to themselves and their ways in the wild apart from man, or they have to be brutally enslaved as war machines under man’s boot” and then Hiccup and Toothless fly in the face of that. They stick together as their own, unique partnership, and it changes the world in HTTYD and in HTTYD2.
And then in the third movie, boom, Toothless suddenly doesn’t belong with Hiccup anymore? Suddenly it’s essential that he live completely separate, alone with “his own kind?” Suddenly it’s too hard and too dangerous to protect this dragon-Viking way of life that the whole first and second movie worked for?
I mean. They even abandon Berk. They fought so hard for Berk throughout three television series and two excellent movies. 
And I get it. The idea is that, they left Berk because Berk is a people, so no matter where they go Berk is still alive, just like no matter where Toothless goes, his friendship with Hiccup is “still alive.” And that’s a fine theme, I guess, except it totally makes the first two movies seem worthless. It makes Hiccup’s mom seem right for abandoning her family and giving up on the idea that humans and dragons could ever live peacefully. According to HTTYD3, Hiccup and Toothless never should have interacted again after he cut Toothless free of the net. Because Toothless should’ve just…gone on to live with his own kind.
Oh except he couldn’t, because Hiccup knocked his tail fin off and Toothless needed Hiccup. Just like Hiccup was weird and innovative in a time of traditional brutish Vikings, and he, in his own way needed Toothless. So they couldn’t live among their own kind without one another. 
And I see that HTTYD3 is trying to say “‘yes, they needed each other, but now they’ve grown up and the only thing left to learn is how to let go and move on.” But you know what, if you were going to tell me that, you shouldn’t have made the driving motivation for these characters to leave one another: “too many bad guys keep inevitably attacking us.”
You also shouldn’t have made the secondary driving motivation: “Toothless likes a pretty girl dragon and he can’t be with her and be with Hiccup because she’s Too Wild.™” Because guess what? The other thing that all of the previous canon content set up was that Hiccup can basically tame and befriend any wild dragon.
There are very few dragons, even in the TV show, that he cannot make friends with and live side-by-side with, and the ones that existed were basically just big, angry killing machines who presented themselves as way more threatening in mannerisms than the Light Fury does in the third movie. The Red Death eats other dragons; the Light Fury warns other dragons of traps. The Skrill tries to lightning-fry every human around it; the Light Fury only ever plasma blasts at humans that surprise her while she’s actively snooping around their camp.
I am willing to buy a story where a dragon needs to be free of his human master if he wants to have a future with his own kind, but you can’t do that if the dragon in the story is Toothless and the master in the story is Hiccup. Because those characters’ relationship was established as the future of their kind. Viking’s way forward was dragons—dragons’ way forward was Vikings. 
And that brings up another bone of contention with me—the first reason for the finale split-up—what made Grimmel so terrifying that it convinced Hiccup to uproot his whole tribe from their ancestral home and eventually give up on fighting for his dragon/Viking way of life, and Toothless himself? Was it that Grimmel was a better strategist than Hiccup? Because Grimmel lost and died, so there’s no reason for that to remain the reason. Was it because Viggo had a whole army of people that were slapped together to hastily represent “the rest of the world” and a bunch of dragons—again, DRAGONS, Hiccup’s specialty—to attack them with? Because again, all of them lost. And Berk sacrificed nothing in the process, unless you count, like…stress.
And DON’T give me any crap about the epilogue. Don’t tell me “‘Oh, OP, you totally ignored the part at the end where Toothless and Hiccup’s new families visit each other, they’re not gone forever, they’re just Friends From Afar, living at peace, protecting the peace by staying apart.”
That is 1) a terrible cowardly step back from any emotional impact that the big goodbye and sense of sacrifice that living apart from each other should have given the audience, and 2) still doesn’t negate the fact that Hiccup and Toothless WERE fighting for their way of life, which was living together, since movie 1, and the fact is whether they visit each other or not they still don’t get to have that anymore. For no good reason. I could say more. I could talk about how silly I think a lot of the Light Fury plot is, how poorly set-up the Hidden World was as a conclusion piece, blah blah blah. But instead, I’ll just leave this quote from the end of How to Train Your Dragon 2, and you tell me how the logical conclusion to this quote was “let’s abandon our home and stuff our dragons in a hiding-hole because the enemies and armies that have never once actually defeated us are just too much hassle to keep fighting with.”
“This is Berk. A bit trampled and busted and covered in ice, but it's home. It's our home. Those who attacked us, are relentless, and crazy. But those who stopped them, oh, even more so! We may be small in numbers, but we stand for something bigger than anything the world can pin against us. We are the voice of peace, and bit by bit, we will change this world. You see, we have something they don't. Oh, sure, they have armies, and they have armadas. But we... we have... OUR DRAGONS!"
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blues824 · 1 year
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Imagen the menece mc Watching the Disney film with the dorm leaders.
🦐Asking Vil if he can also become a ugly hag and Leona replying he already is the ugly hag.
🦐 Saying to Kalim that he is like the jolly old sultan and jamil jafar and him happyly agreeing(poor jamil having to listen to Kalim sing those songs hundreds of times ) .
🦐Asking Malleus to put her 100 years to sleep so she doesn't have to deal with anything anymore.
🦐Telling Azul to be more confident about his Weight and that ursala looks good and doesn't care about her body that she rocks it.
🦐Telling Leona to nog get any ideas of becoming the king like scar did (he won't he loves his family to much. )
🦐Telling Ida to become a comedy genius like hades and grow his confidence more.
🦐How would they react to the heroes winning in our world story and that nobody almost likes them.
🦐If they have to deal with the bs from the intire school and those overbolts they desided to be a mence to them.
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(Mc getting ready to start another day in twisted wonderland)
Female reader.
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Riddle Rosehearts
It took a lot of convincing to get him to ditch his studies just to watch a movie with you, but you got him when you mentioned that the Queen of Hearts would be in it. So here you are, cuddling under a blanket in his room as you played the movie.
However, throughout the whole movie, you were commenting on how he acted exactly like the Queen of Hearts. Wasn’t that obvious already? Then you said that you were exactly like Alice because you found yourself in a strange world. And that’s how you got your nickname, my Alice.
Also, he can see why Trey, Ace, Deuce, and Cater could be seen as the card knights, as they are serving under Riddle’s rule. The whole dynamic with you being Alice fits well because you didn’t know any of the rules but Riddle kept accusing you of breaking them unfairly. He does apologize after, because this movie has made him see the error of his ways.
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Leona Kingscholar
It did not take a lot of convincing when you said that you would be willing to cuddle him as long as he watched a movie with you. So, you grabbed some snacks and you got situated on Leona’s bed and you started playing the Lion King.
This man let a tear fall when Mufasa died, because it reminded him of his older brother, but he did like Scar’s line of Long Live the King. However, this soft moment with Leona was interrupted by you blowing into a tissue and telling him to never make his nephew leave or else you would leave him. 
But, he will admit that Ruggie did remind him of the hyenas in the movie. He laughed all the freaking time, he was willing to be at his beck and call, Leona legit would not be able to tell the difference. Plus, he was a hyena. However, it left him wondering about Jack. Where would he fit into this complicated equation?
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Azul Ashengrotto
He had to be pulled away from work, so you said why not watch the Little Mermaid? So, you both went to his room and watched the movie there. If he was being honest, this was a great way for him to wind down. You were leaning onto his shoulder as you watched, and the moment was peaceful.
That was, until the Poor Unfortunate Souls scene came on. You turned down the volume and faced him, and told him that Ursula was beautiful and confident as she was, and you wanted to follow the wise words of SZA and get a big boy. Poor boy didn’t understand what you were saying, but he was happy to know that you loved him no matter what he looked like.
Flotsam and Jetsam definitely reminded him of Floyd and Jade. However, they were a tad creepier than the tweels, which was saying a lot. Ursula became his new idol, as she was almost powerful enough to overthrow King Triton. Unfortunately, she was defeated before that could happen.
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Kalim Al-Asim
He was down to watch a movie right when you asked, however it was Jamil who you really needed to convince. So, you decided to just play it in the Lounge. You and Kalim were laying down in each other’s arms, while Jamil was playing as the third wheel.
When the Sultan and Jafar were introduced, you pointed to the screen and shouted that they were them. Your sudden exclamation surprised both of them, but Kalim could see the resemblance. Somehow, the same could not be said about the Vice Housewarden (he did see the correlation, but he did not want to acknowledge it).
Your boyfriend here absolutely loved the movie, and thought that the love story was quite adorable. A really flustering thought popped into his head when Jasmine and Aladdin got engaged because he would love to marry you one day. But, that day is far ahead.
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Vil Schoenheit
Surprisingly, he was for the idea of finally unwinding from his stress as both a student, a Housewarden, and a movie star. So, he took off his makeup and you both were having a spa day as you put on Snow White and the Seven Dwarves.
But, he regretted saying yes when you pointed at the Evil Queen’s old hag form and asked him if he could transform into that. This man was hit with horrible PTSD, but I will not say anything more so I don’t spoil it too horribly. It keeps him lying awake at night, which is definitely not good for his beauty sleep.
Rook acts like the opposite of the hunter, and Vil refuses to think that Neige is like Snow White. In his story, his rival is the bad guy, and he won’t think about it any other way. However, he knows that he himself is not Snow White, but rather the Evil Queen. You don’t make it seem like that, though.
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Idia Shroud
You both went on the Twisted Wonderland equivalent of Discord and agreed to watch a movie that you had somehow procured from your world. He was intrigued, so it was a virtual date. The movie started off great, and you both were sending DM’s that commented about it.
However, when Hades came into the scene, you messaged him and said you should be confident and funny like him. That sent his thoughts spiraling, and he was wondering if he had to change himself so that you would like him more. You caught onto this, though, and stated that you wouldn’t mind being his Persephone.
Hades made him laugh and snicker a few times, but he really did not like how he treated Pain and Panic. Most of all, he didn’t like how he treated Meg. Actually, she reminded him of you because you were often very sarcastic and sassy but also gorgeous. When he looked at you, he got the same feelings that Hercules had.
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Malleus Draconia
You inviting him to something was definitely the highlight of his day, but he wasn’t familiar with movies. So, you agreed that you would meet up at night at your dorm so that you both could have some privacy. You propped up a school-supplied laptop onto the foot of the bed as you and Malleus sat against the headboard, and you played Sleeping Beauty.
When the curse that Maleficent placed on Aurora went into effect, you whispered to the dragon fae beside you and asked if he could place a sleeping curse on you because you don’t want to be awake to suffer through everyone’s bullshit. To be honest, he has thought about it because he hates how you’re constantly surrounded by multiple different men. Plus, the thought of being your true love and being the one to kiss you awake was very enticing.
The night ended with you both falling asleep within your bed, and Grim had to sleep on the couch. However, Malleus did wake up early so that he could get back to Diasomnia in time to not cause Sebek or Silver to panic. He had to deal with the painful feeling in his chest as he left you alone in your bed, but he placed a kiss on your forehead before departing.
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bookscandlesnbts · 29 days
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Jikookery in the new Beyond the Story Doc
Don’t expect think pieces/summary posts from me on a regular basis because it’s only when I feel like I have something unique to say. I definitely agree with the majority of the opinions that I’ve read on the doc being sloppy timeline wise and not showing us much else new. This was in my drafts and I forgot about it, so I’m posting it.
But these last couple episodes were gems. And posed something interesting. I had seen the Jikook moments sprinkled on Twitter, but I had to wait to watch the episodes until I got off of work. In the context of the episodes, I think they mean sooo much more than how they can be perceived alone as snippets. Every other member besides Jin (who was with a non idol or celebrity friend group which warmed my heart so much honestly) was featured alone except Jikook. And I doubt all of them are truly alone as in they don’t have a significant other that they could have been seen relaxing with. And I think the answer is quite simple: because Jikook are always together and they have the power of plausible deniability because they are bandmates right?? That means they could never be together according to the court of homophobic public opinion and probably statistical data right??? I know everyone is freaking out about the date on the refrigerator when hunky bf JK cooks dinner at Mimi’s place but I think it’s actually very interesting that they chose that specific date to film them together. And it was the day before White Day too when they were also seen together. *sigh*
Maybe they thought it would be less weird for Jikook to be seen decompressing and hanging out right after a concert versus bringing a film crew in during their actual personal time that would expose them seeing each other outside of “work”. Jikook were very private too leading up to their companion enlistment. As much as JK went live even, we never saw the two of them together except for the minute where JK shows up on Jimin’s Face Documentary which was live, so I lied. I have no doubt that they saw each other all the time even if we didn’t see evidence of it. But that’s the point. They probably wanted to continue having their privacy. We don’t know what the date was when Jin with his friends but I would guess it probably wasn’t the day immediately after their last big concert in Korea. The other members I can’t say for sure but someone could probably analyze their hair or something and determine it was a later date. The point is that Jimin and Jungkook still wanted to be filmed hanging out together for the doc when none of the other members chose to film together. To me, that really speaks volumes to their bond and closeness.
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zaenaris · 4 months
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Anime-only adaptations I really enjoyed
I really loved how the anime staff pour their love in the flashback and in the parts where the characters are described the most (bc, in the end, TR is a story driven by characters, not plot), so yeah, kudos for the kokonui, kakuiza and Kisaki centric parts that were not in thee manga and that were added as a ponderate choice by the anime team.
In chronological order
When Takemichi calls him with his nickname "Kaku-chan", Kakucho hesitates before killing him, while in the manga (ch.134) when Izana orders him to kill Takemichi, he just does it with no mercy. The result is the same, but in the anime we saw Kakucho's struggle
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The parts about Koko and Inupi, their past and their fight (2x21 or ep.8 of the 2nd coure of S2). It is a very emotional and crude part also in the manga, but in the anime, thanks to some changes/adaptations/voice acting and music, manages to be even more emotional and impactful, while remaining faithful to the manga. That's how an adaptation should be done
First of all, the kiss
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while, story-wise, it's clear the kiss is not fanservice, but an important moment to understand their past and their complicated relationship, no one can deny the anime kiss looks even more passionate than the manga version
Among the people that approached Koko in the manga for money reasons, only Izana and Taiju were mentioned (ch.159), meanwhile in the manga, besides them, were added also Madarame Shion - an anime only addition-
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and the Haitani Brothers, as a nod to Wakui's birthday art for Koko
I already talked about it here and partially here but, in short, I like how the anime underlines even better that Koko considers himself unredeemable and incapable of detach his own identity to make money illegally
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and honestly, peak adaptation: the transition to younger Koko to Tenjiku!Koko saying the same line, to make us understand that Koko still feels incredibly guilty about the past...
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... and the fact both Inupi and Koko cry in this scene, a moment that there wasn't in the manga and that was an incredibly beautiful and touching addition
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but while manga!Koko -ch.159- at this point is just resigned and "colder" in his decision to stay with Tenjiku, just like also manga!Inupi already calmed down, anime!Inupi is both fed up with the situation but willing to makes things right and very determined..
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while anime!Koko is destroyed, he doesn't even stand up when Inupi punches him (I already talked about it here)
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the little addition of Kakucho in the flashback when Shinichiro goes to say hi to Izana to take him out with him. Izana's favourite people "interacting" was nice (too bad the animation quality was a little meh in this episode, but I understand we can't have peak quality all the time)
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Kakucho with Izana when he finds again Karen by chance and she tells his she's not his biological mother and he's not related to any of the Sano. It the manga Izana was alone, adding Kakucho was nice because the situation is still terrible, Izana sees his whole world collapsing on himself, but at least he has Kakucho
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last one, Kisaki's "I wanted to be like you" that humanizes him a little. In the manga his death was quick and brutal. We can understands, reading the manga, he had this superiority/inferiority complex towards Takemichi, but the anime explains it more clearly (I talked a bit about it here )
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Maybe there's something else that was an anime-only adaptation that made sense, even improved the already existent narration, but I probably don't remember it. These are the ones that imho, are the most important both for the characters and the narration.
I love how Liden Film followed faithfully the story but added "more heart" to it, that's what a good adaptation should do
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"Time & the Trickster" a Loki/Doctor Who crossover
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Chapter 15: Journey's End
With no other alternatives, you and Loki face destiny.
CHAPTER WARNING (18+): I cried like a bitch writing this, make of that fact what you will
Previous Chapter · Epilogue MASTERLIST
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It took both The Doctor and Loki to calm you down enough that you could think rationally, even as you felt like you were dying inside. 
It was all over. Despite everything you’d done, despite all of your efforts to try and make it right, you’d only accomplished what you swore you would never do: you led Loki back to where he started, facing down a great and terrible destiny. And no matter what the wise, skinny alien said, you still felt it deep within you: it was your fault. You should have let go yourself and forced Loki to take Sylvie. 
What the hell were you even saying?
Almost two months ago, you thought you were letting a kooky, deluded street rat sleep in your bed. You were regretting paying his bail. If you could only go back…
“We have about ten minutes before we arrive at the…the TVA,” said The Doctor. “Once we land, you’ll only have a moment to do what you need to.”
Loki nodded, still holding you tightly. “May I have a moment alone?”
He nodded a moment, before something caught his eye: lying near the basin was Sylvie’s stone, having fallen out of your hand in the scuffle. He slowly picked it up, bringing it over and kneeling beside Loki to place it in his hand. 
The crack in the stone began healing at Loki’s touch. It glowed a much brighter green. 
“Y/N, look!” he said quietly, showing you how the stone was practically regenerating. 
The Doctor got an idea, based on something he’d witnessed happen once before, some time ago. Taking your hand, he placed it on top of Loki’s and the stone. 
Something flashed before your eyes, but you didn’t recognize it. You withdrew your hand as quickly as The Doctor had placed it. “What..was that, Doctor?”
“I saw it too,” added Loki. “What just happened?”
“With everything in time and creation so unstable, the stone is able to show you echoes of places you may have been in other realities…ones where you are both together.” The Doctor remembered once how he’d held onto a fob watch in another’s hand and experienced the same thing. 
“It means you have about five minutes to live your lives together,” said The Doctor. “I’ll give you privacy.” 
He left you alone with Loki in the chamber, and your god took a moment to gently wipe a tear from your face. You leaned into his palm, letting his warm hand comfort you. He was holding the stone in his other hand. “What do you say, Y/N? Shall we take one last journey together?”
You nodded, whispering a delicate “yes” as you slipped your hand over Loki’s and the glowing time stone.
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You and Loki materialized on a cliffside, overlooking a massive golden city of rainbows, gems, and gilded splendor. As if you were watching a film, you found your variants sitting by a small fruit tree, pink blossoms floating in the wind and adding perfume to the air. You were sitting on a silk blanket, a wicker basket of fruit and nuts at Loki’s feet. 
“I grew up in that wing, the northernmost spires of the palace were my playrooms…” Loki was explaining to you where he grew up, showing you Asgard in its full glory. He took a moment from his story to pluck a grape from the basket and slowly place it between your lips. 
Your spectator self sighed romantically. 
“Y/N?” the projection of Loki took your hand and kissed it delicately before repeating the pleasure with each individual finger. You could almost feel it for yourself.
“I know what this is,” Loki said softly. “I’ve only ever been here once.”
“What is it?” you asked.
“The place my mother and fa—Odin—became engaged. He showed it to my brother and I once, and I determined the next time I visited the spot would be to propose to my mate beneath that tree.”
As if on cue, Vision Loki whispered into Vision You’s ear. She gave an excited yelp and leapt on top of Loki, throwing him against the ground and littering his face with affectionate pecks. He wrapped his arms around her, holding her so tightly you couldn’t roll off if you wanted to. You
You almost hated to hear it. This was no longer your future. Perhaps it never was. This future belonged to the variants acting out the tableau. Their glee was not yours.
“That means we would have…” Loki trailed off. You squeezed his hand, the stone in between pulsing slowly, erasing the world around you and bringing up another.
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A woman in sky blue twirled dreamily in exquisite gossamer. It was only through a few moments of careful study that you and Loki were able to determine it was you.
You were in a bedroom. Loki sat watching your dance from the edge of the bed, his formal armor cast aside, leaving him in a white undershirt and leggings.  He was laughing, his gaze lingering on your body with desire.
“My bride, is the alcohol still in your head? The feast and dance have ended!”
You stopped twirling to pout playfully. “But I feel so beautiful!”
Loki got up and laid a hand on your cheek. “And so you are, my Princess.”
A hot tear slowly rolled down the side of your cheek as you realized what you were looking at: a lost wedding night. You didn’t know whether you wanted to stay and see more or leave before anything made you cry harder. Loki saw your sadness, and squeezed your hand just as you could see the bridegroom sweep the bride off her feet, the laugher reaching a crescendo as the room fell away…
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A Realm-wide celebration was being thrown. The royals stood on a balcony overseeing a large, cheering crowd as banners and confetti were thrown everywhere.
Thor, Loki’s brother, stood strong and victorious, raising Mjolnir in the air, a petite brunette at his side you recognized as Jane Foster. He was giving a speech as you tried to find you and Loki. Only you were present, hands folded politely as you listened.
“My people! The Dark Elves and Malekith are fully defeated, with the help of my brother, Prince Lo—” he stopped short, looking around him before looking directly at you for answers as to his whereabouts.
You smiled and looked past Thor. Loki, in full regalia, led two young boys dressed in miniature versions of their father’s armor onto the stage. Thor glowed with a big grin on his face. “You’re late for letting my nephews see my triumph, brother! Did naptime run a little long this afternoon?”
“Perhaps my dear brother the King shouldn’t mock fatherhood until he’s won the title for himself!” Loki quipped back, releasing the toddler princes’ hands. Both made a beeline for your wide, waiting arms.
Thor chortled.  “I am King of Asgard! I am the father of a Realm!”
Loki rolled his eyes and went to join you at your side. Each of you picked up a giggling, star-eyed twin and looked affectionate at one another. The warm contentment was almost enough to envelope you like a thick fleece blanket.
“We…we had kids, Loki,” you whispered, hardly able to believe it for yourself. “Those are…ours!”
And they were perfect. One with his father’s raven-black hair, the other had your unmistakable smile and laugh. How old were they? Three?
He wasn’t saying anything, but you got the feeling from the look on his face that he longed for what he saw, and yet understood the tragedy of it. When he broke the silence, it was to say, “Two lives that we will never see.”
“That will never exist,” you added, your face getting hotter.
Loki shook his head. “They exist,” he assured you, “This isn’t a hallucination. The time stone doesn’t show visions, it shows time and timelines, and what we are seeing is a timeline somewhere in the cosmos that is very real, I promise.”
You weren’t sure if you were more jealous or heartbroken. True happiness was so, so far away!  “Still, I…I...I can’t see this anymore!”
The disembodied voice of The Doctor interrupted you. “Which is well enough because you’re out of time.”
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The spell of the stone fell away, and you and Loki were back on the floor of the vortex chamber, holding onto one another.
The Doctor was once again in the doorway. He looked solemn. “The TARDIS has locked down the TVA’s coordinates. Means we have about five minutes. Take the stairs on your right all the way up to the console when you’re ready.”
After he left you alone again, you could help but swear at Loki one more time. “Goddamn you, what were you thinking?”
He spoke with conviction. “That I would rather sit on that lump of rock at the end of the universe for ten eternities than choose another over you.”
You were beginning to feel frustration mixing in with your sorrow. “I told you I didn’t want your fate to be on my head!”
Loki tucked a finger under your chin, drawing your gaze upward. He was smiling like a condemned man would, trying to save face on his way up the scaffold. “I made the choice. I would make it again every time, Y/N.”
“Loki…” you whispered, unable to finish your thought as he drew your lips into one last kiss, the bright light leaking from the sealed vortex basin silhouetting your faces and painting massive shadows of you against the wall, joined as a single shape, attached at the mouth.
The intensity, the pace, the eternal-yet-fleeting perfection of a final kiss was never lost on you. Whenever you were alone in the apartment, whether Joey was at work or otherwise unable to hang out, you watched romances. The ones that made you weep at the end were your favorite. They all involved a goodbye as bittersweet at this. And they all involved the most beautiful, earth-shifting final kisses. All five of your favorite kisses from fiction were tragic goodbye kisses, each one filled with more heartache and passion than the last.
This one left them all behind.  You tasted paradise on his lips.
The unmistakable sounds of the TARDIS breathing as it made its final appearance at its destination began to echo about the room, an alarm clock signaling that the miserable time was upon you.
One your mouths parted for the final time, Loki pulled you against his chest whispering softly. “Don’t cry for me, please, my star. I have chosen this. I wanted to give you your life. Live it, live well. Just…never forget that you need real people. Not just films and television screens full of false heroes.”
“It’s how I met you,” you quivered from under his arms. “It’s how I got to know you.”
“No,” Loki answered, rocking you back and forth. “Those actors and writers will never know my greatest adventure of all. There will never be an episode of that Tom’s television show when a mortal from the most forsaken reality found the power within herself to lead the god Loki across land and sea and returned him to the stars to save us all.”
Loki helped you to your feet, but as you began to climb the stairs to the console, he stopped you one more time, taking your hand and holding it as if about to propose.
“Y/N, you’ve been the hero of our story this whole time. I want you to bask in the world you’ve saved and be fulfilled. Please promise me you won’t dwell on what we could have salvaged, and instead lull yourself to sleep with the dreams of what you have yet to do.”
“I’ll try,” you said weakly, before correcting yourself. “I will.”
“I am so proud of you, my star.”
After kissing your hand, he looked deeply into your eyes. “And if you do, I promise you in turn, that any time you need me, if you look to the night sky and see a green star streaking above…I am thinking of you, and in my mind we are already back in that hot spring, counting each twinkling light above until dawn breaks over us again.”
You threw yourself against Loki’s chest so hard he nearly fell back down the stairs. He kept his arm around you, holding you close as you ascended together, finally meeting The Doctor at the TARDIS console.
He was leaning casually against the railing, looking gently sad as you finally relinquished Loki to where he’d needed to be all along.
“Are you ready?” he asked. You both nodded.
Loki graciously stepped forward and shook his hand, and even The Doctor couldn’t help but smile again. “I still can’t believe I met the God of Mischief today! You’re brilliant!”
“So are you, new friend,” said Loki. “And…uh…” he looked around the ship. “Safe travels!”
“Godspeed to you, my friend,” said The Doctor. “We’ve landed.”
As the TARDIS doors opened for Loki, you felt a firm hand on your shoulder keep you anchored to your position at the top of the front set of stairs. The Doctor was lightly restraining you. “I don’t think you should go.”
“But, what if he needs me?” you said quietly, Loki turning at the open threshold to give you one more, reassuring smile. “This is so much…what if he needs me?” you repeated.
“He does. That is why this is a sacrifice,” The Doctor answered, looking you sternly in the eye. “But he wouldn’t want you to see it happening to him.”
“Y/N?” Loki called up to you one last time.
You couldn’t speak. Your mouth opened and air fell out. You felt The Doctor take your hand in his, giving it a supportive squeeze.
“I love you,” he said. “And I would make the same choice every time.”
You finally smiled back, even if just for his benefit. “No regrets?”
Loki shook his head. “Never.”
The Doctor’s grip on your hand tightened as Loki turned his back to you, slowly stepping out and into his world. You could barely make out a large, gray-and-brown room with tech and a few figures waiting beyond the doors for him. A blonde man in a brown suit was looking both stunned and relieved. Mobius, you thought.
You had the idea from the stories of Mobius that Loki had relayed to you that perhaps their bond was more than he let on, but you weren’t jealous of it. If anything, you felt a kinship with Mobius. You were both about to lose the man you loved.
In a moment that felt both instant and endless, Loki left the TARDIS to meet his fate. The doors slowly closed behind him just as he turned back to get one last glimpse of you.
“Well,” The Doctor said, adding a little perk to his voice to try and lighten the mood, “We both need to get off this timeline before Loki does his work, otherwise we’ll be trapped here.”
He ran back to the console and began speaking a mile-a-minute again. “We should have several minutes to get everyone back to where they need to be before the lines are fully repaired and sealed, so…”
You couldn’t hear a word he was saying. You felt every emotion drain from your body as you became a shell, barely able to hold it together.
The Doctor looked at you with some pity. Not long ago he was alone in the TARDIS, fresh off of a loss of his own. Unlike him, you wouldn’t have someone new literally beamed into the room beside you to fill the hole in your heart.
He chose to speak softly. “Y/N?”
“…yeah?” you said meekly.
“Let’s…let’s go get your brother. We’ll meet him at the park five minutes after we left.”
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As soon as the TARDIS hit solid ground, The Doctor took your hand and coaxed you outside. “We only have a few moments before our window of opportunity to hop around realities, so let’s collect your brother and return you home.”
You were still entirely numb from your painful farewell. You only looked straight ahead of you with glazed-over eyes as The Doctor brought you into the open air. “Look!” said The Doctor with a sweet, encouraging smile. He pointed upward. “He’s already doing it. Brave man, brilliant man, that Loki!”
The deep green of the sky was giving way to light blue that indicated mid-afternoon. The people who were panicking seconds ago were beginning to rejoice. The Doctor had been true to his word: he’d returned you to only minutes after you and Loki found him in the park. Granted, it was only in order to retrieve your brother, who had sadly missed everything in his never ending quest for parking space for your stolen car. 
Joey’s jaw fell open as he came up around a bend, finally spotting you.
“Well, fuck a duck! Sis, what the hell--?”
“Ssh!” The Doctor silenced him. Joey couldn’t believe who he was looking at, and thus clammed up. You were ignoring all of this, watching the sky paint itself blue again with a cold tear in your eye. 
“He’s got us all in his hands at this very moment,” said The Doctor slowly. “He’s thinking of you and saving your life right now!”
The air around you grew cool, calm, and sweet, and you knew it was Loki blowing you one final kiss from his new perch inside a new Yggdrasil, where he had been meant to go all along. You sucked in your breath. Even the wind had the lightest reminiscent scent of Loki’s hair. 
“Thank you, my love,” you said quietly. 
The sky gave one last flash of green before dissipating back to its natural hue. The Doctor leaned in and spoke only to you. “He heard you.”
“Do you really think he hears me, Doctor?” you whispered. 
But he didn’t answer you this time, with only seconds left to deliver you home. “Well, now that we’re all back together, shall we get you two back to America?” asked the Time Lord. 
Joey was still confused. “Where’s Loki? What did I miss? It’s only been, like, half an hour!” 
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You found yourself standing in front of Gino’s Pizzeria once more. It was the last place in all of time and space that you wanted to be. The Doctor had delivered you to exactly where he promised. As the three of you disembarked, any evidence of the greened-over sky or collapsing realities was gone. 
Joey shrugged and stuck out a hand to shake The Doctor’s. “What can I say, man? I got to ride in your TARDIS and meet you and…just…thanks for everything!” He may as well have been meeting God. 
The Doctor grinned. “Oh, my pleasure, Joey! Always good to meet someone who appreciates my work!”
“If you ever find your way back to our little pocket of space, look me up! I want to see those swaying mountains one day.”
“Oh, you know it!” 
Joey took out his key and opened the side door, dwelling in the frame when he saw you needed one more moment. 
The Doctor looked at you, while you couldn’t keep your eyes off the sky. It was sunset. The TARDIS must’ve skipped around a few hours in time while you flew back. 
“Are you going to be ok?” he asked. When you didn’t reply, he put a hand on your shoulder. “Remember, our duty is to live.”
Swallowing, you turned into The Doctor’s waiting arms, holding him close. “Thank you for everything,” you said. “I’ll be okay.” 
“Good,” said The Doctor. The TARDIS breathed as the last remnants of Loki's magic began to fade. “Now, if you’ll excuse me, my ride’s about to leave the station!”
He turned away, but had one final thought, compelling him to spin on his heels one last time. “Oh…and Y/N?”
“Yes?” you perked up.
“He can hear you.” He winked, and you waved with a sad smile. 
You and Joey stood in the alley and watched as the TARDIS flew off, back to the reality where he was needed most. You cried quietly as you stood for a moment after everything felt silent, and the last traces of the engine’s noise were undetectable. 
It was all over. Everyone was where they were always meant to be.
“Hey Sis,” Joey asked, still hanging out in the doorway. “I still have some weed in my drawer. Let’s get baked, order takeout, and watch Thor.”
You smiled as you looked down. You were beginning to fiddle with the tarot pendant, the last reminder of your summer of wonderful insanity. Loki had called you his star. No matter how many realities separated you, nothing would ever change that. 
“No,” you said. “I’m feeling the bowl and the food, but let’s watch Captain America instead.”
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Epilogue to follow next week!
@crashingwavesofeuphoria @kkdvkyya @red-shirt-mania @misschris1412 @salvinaa @marygoddessofmischief @spiderstyles04 @fireflymoonwitch @mochie85 @loz-3 @lcolumbia1988 @lokilurker @eleniblue @gruftiela @starkzdaughter @mrsbarnes-avenger @thedistractedagglomeration @km-ffluv @lokisgoodgirl @holdmytesseract @itsthattimedarling @wolfsmom1 @scully2u @shinisenko @mischief2sarawr @ririsutty73 @lulubelle814 @meg81589 @gloriuspurposeposts @theonetruepotato87 @linllewellyn @wistfulclueless @etherealkistar @tinydancer40 @hardtravelerwizard-blog @fangirlofmanysstuff @krabog @soulpiercing @archivelaurarps @banjo-bastard
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chaos0pikachu · 4 months
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So I wrote a bit about the film making of The Sign already but I wanted to dive a bit more into the VFX aspects b/c the show is - justifiably imo - getting a lot of praise for their work.
So I'm going to quote this video by VFX artists that I think sums up why, overall, the CGI works in The Sign:
"It's very interesting with a smaller budget Jurassic Park was crunched into choosing their VFX shots very very wisely and they didn't hold shots for longer than they needed to."
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(I recommend watching the entire video, there's a lot of great discussion and education on how VFX is done in film. They're not simply "reacting" but talking about the techniques used in the film making itself.)
This is partly what The Sign is doing really well, they're not lingering on any shots, they're using their budget well by picking the most impactful moments to include more expensive and complicated CG effects.
What I love about smaller or mid-budget films is you can tell when the crew had to get truly inventive, creative, and purposeful when choosing how to portray a specific effect or action in a scene. Jaws is one of my favorite examples of this; Jaws cost 9 million (about 51 million adjusted to inflation) in 1975, and the shark animatronics (there were 3 pieces) was difficult to work with. This led to Spielberg and the crew switching things up and going for that shark POV that's now really famous.
It wasn't an accident, but it wasn't 100% planned or originally intentional, there was an issue, and the crew reworked things within their budget so they could still accomplish their creative goals.
The iconic first scene of the t-rex in Jurassic Park is a combination of an animatronic and CGI. In the video above they talk specifically about how this was filmed, and how setting the scene at night, with a singular main light source, and covered in water, really helped make the t-rex look "real". And why that scene holds up really well even today.
The Sign has used moments of CGI very sparingly which works within the story yes by building up tension within the narrative mystery, but also in the film making. They're not overwhelming the audience with it, whilst also using real sets and props to blend in with those scenes AND using a lot of the CGI in specific spaces.
The scene in ep01 where Phaya meets the Naga for the first time is a good example; the water is dark, there's only a singular light source (above) and there's a general lack of background. With only one light source, the VFX artists don't have to worry about shading every inch of the Naga to photorealistic standards, the image doesn't have to be insanely sharp b/c the water adds a layer of blur to everything, and since it's already a mystical creature the audience already has a higher suspension of disbelief anyway making us more forgiving to the fact this is not a "real" creature.
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Compare this mythical creature with the dragons from Game of Thrones:
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I want to first say I do think the special effects of GOT were really good, the VFX team's work is to be appreciated. But see how there's more light sources required for these dragons? They're just not just within a limited area, they're outdoors in the open which requires more math (literally) on where the light will bounce and reflect, plus all the disparities in texture on the dragons themselves. See how parts of their wings are more noticeably red then others?
Game of Thrones was a show with millions upon millions in it's budget, so they can indulge, The Sign doesn't, so they have to be smart. And they are!
Another standout scene so far in the series as far as filmmaking goes for me is from episode05.
If you look closely you can see the edges around Phaya are a bit blurred out and rewatching the scene you can see an image of him is almost transposed over the actor as well. It gives it a pseudo 3D effect, which helps blend the actor into the fake background which makes it less obvious it's, well, fake.
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Then there's the Big Moment, the reveal of our Garuda:
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I'm partially not convinced this was 100% CGI I'm wondering if they used a bit of claymation or maybe a miniature or something (maybe a puppet?). The weight of the movement and body feel like something more close to the use of a puppet or animatronic than straight CGI. (If you want to read more about miniatures in film I recommend this article on Godzilla 1954!)
But what I find smart about this shot is that the focus of the camera is on the Garuda, Phaya is much smaller and lower in the frame. I say this is smart because being distance from Phaya allows for the Garuda and the background to take up more space in the frame and contrast less with the real elements, ie Phaya's real human body. It also makes the Garuda more imposing, dominating the frame at a higher angle, and gives a sense of largeness in comparison to Phaya's smaller human self.
Since the Garuda is against an already fake background there is no need for a "light source". Notice how the Garuda has no shadows or light reflections, unlike the Naga from before (or the t-rex)? This makes less work for the VFX team b/c now they don't have to math out where all the bits of shadow, light, and color textures would come from, everything is flat and singular.
Keeping the Garuda at a distance as well, means we're not looking at or for the details of their feathers, or body. We see there is texture to them, but it doesn't need to look photorealistic b/c of that distance in the frame.
Contrast it with Simba from Lion King 2019, or Detective Pikachu:
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Again, I think both look very good, but they need to because the audience is so close to the characters in frame. If Pikachu or Simba didn't have this level of care and detail put in when the audience is literally right in their faces everyone would notice how fake they look and complain (I mean I still complained about Lion King but b/c it was a bad and visually boring film but the VFX team did a great job).
We know this because Ant Man Quantumania didn't put the same care and effect in and it looked horrible. Everyone clowned Modak, and fair, but it wasn't just him that looked bad. Entire set pieces look clearly fake, like why is Ant Man suddenly in Zanarkand??
In the second image, look at Scott and Cassie's clothes, you can see the light on their clothes (especially Cassie's) isn't the same as what's happening in their surrounding environment (which is a lot jfc). It's also just poor film making because the frame of both shots is cluttered to the god damn BRIM with STUFF our eyes aren't sure what to focus on. There's a lack of perspective and weight given to the scenes (compare these wide shots to Jurassic Park when our protagonists see the dinosaurs in an open field for the first time, there's a sense of WONDER). So our human characters get completely lost in the frame and feel overwhelmed entirely. They also stick out because the CGI isn't fully well rendered.
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Possibly my biggest chaotic take to date, I prefer the CGI in The Sign to Ant Man 3 there I fucking said it. Ugliest MCU movie to date I said what I said.
There is at least care going into The Sign, there's thought, there's creativity, there's a sense of passion. I can forgive that the Garuda isn't photorealistic because it doesn't need to be, it needs to be visibly believable within the world it's set in and it does. The show has been very smart about when to employ it's special effects, and how to film them. It's taken care. It has more in common with films like Godzilla Minus One which had a budget of 15 million and looks phenomenal, way better than Godzilla vs Kong or what we've seen from Godzilla x Kong (which I am looking forward to b/c I'm godzilla trash).
anyway watch the sign it's gucci
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accio-victuuri · 3 months
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i have been doing cpn posts here and there about wyb’s alleged song list and here is another one. i’m just gonna name it wyb’s playlist cpn from now on. so the explanation is, some people know wyb’s personal qq music account so if you follow him you can see what he has been listening to. i am not really familiar with the app so idk how the settings work if he can hide some. no one is saying how they found out about the account, which makes sense for privacy. in a similar way that some fans know zz/wyb’s gaming account till now. feel free to not believe it cause i understand that things like this can be sus & people on the internet tend to lie.
for me personally tho, i love this cause i think music really speaks of what someone is feeling. and you have wyb who is not exactly big on social media so we rarely know anything. aside from his now extensive movie list, his playlist is something that is interesting too. not necessarily cpn-wise all the time.
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this post will cover golden hour & some recent eason chan tracks added. 🎶🎵
The first one is GOLDEN HOUR which was used in ZZ’s vlog in Milan. It was a pretty popular song back then but it became more know because of ZZ’s post and even the singer reacted to it. Since then, it’s been a favorite among BXGs considering the meaning of it too.
This is what WYB’s playlist looked like on 3/28/23 People who follow said he hasn’t updated it for a week and then suddenly this track is added in. A piano version of Golden Hour. They say WYB usually adds relaxing music like piano tracks and some of nature, but not often. So it’s interesting how this one was added. At the time, they just don’t know the relevance. ( this screenshot was taken 00:38 3/29 but it has been this way since 3/28 )
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and um hello to the rihanna songs! he is such a fanboy! as he should. and also kendrick! 👋🏼
then XZS posts the vlog with that BGM the next day.
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dude, what are the chances. these vlogs are edited real time, we know that xzs team were working hard to feed content so the song must have been decided then and there. wyb listening to that the day before, next day it’s the BGM for ZZ’s vlog? i’m just thinking about ZZ sending it to him first to watch then WYB decided to add the song to his playlist. Or maybe they have already been lovin it and decided to use it on ZZ’s vlog.
so sweet!!!! 🥹🥹🥹🥹
the most recent one is this updated 2/13 ( the 3rd track i blurred sung by faye wong, i already talked about here ) :
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The first one is this song ⬇️⬇️⬇️ which is about accompanying someone as a form of love. and isn’t that so them? it’s a known message that they both believe in, accompanying that person is a way of showing your love. screenshot 1 is from YT of a native speaker translating the title and that’s the one i’m going with.
also, sorry but i’m linking R1SE’s cover of the song cause it’s beautiful. 🫶🏼
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AND THESE LINES! WYB is such a romantic! I cannot! It’s so him! Someone who will like and love this one thing and will stick to it till the end. 🥹
Accompanying you to turn loneliness into bravery
I lost again and again, I didn’t leave
Accompanying is the longest love confession
How long is the future
Stay with you until the story is finished
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This is the second one, cloudy day. Which he was also allegedly listening to back in 3/2022 when he was filming and they haven’t seen each other for month.
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What does the sky look like
What is love like
Several clouds forgot where to go on a cloudy day
Missing and loneliness
Blowed into the left ear
Maybe I can’t remember, but I can’t forget the time
That secret happiness
What to say to the cloudy day
From what i can gather, it’s about thinking of love and the good things even if it’s a cloudy day. Usually it must feel sad, but this person still chooses to see the good in it. Again, this is so WYB. He sees it and does not mope, he remembers the blue sky and white clouds instead.
Eason Chan is a famous singer that a lot of people listen to so i know that WYB is not the only person in China who probably has one of his songs on his playlist. Compared to Golden Hour which was unusual and the timing being sus. However for this, the fact that it’s added close to Valentines Day? Is this what he is feeling? So freakin in love! ♥️🥹
Anyway, I hope they had fun with the time they had together last CNY break ( allegedly ) and that their love endures & flourishes in the years to come! 🫶🏼
sources: one // two
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jamiedc-they-them · 8 months
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Family (Platonic)
This one is a bit long!!! Nimona was so good, and meant so much to me! Wanted to do this as soon as I saw the film and have finally completed it! Just a quick warning, story contains some mentions of self doubt over lgbt identity, some mentions of Suicidal Ideation, and I think that is all (if I have forgotten anything, please let me know!!!). All my love to my lgbt siblings with everything going on right now <333 you matter so damn much! And this film coming at a time like this (and even more so after I learnt about the author of the graphic novel!) is everything!
Also, all my love to the WGA and SAG-AFTRA, keep fighting the good fight!!! I wouldn’t be here writing this (or really any fanfic) without your incredible writing and work! <333
Anyway, I hope you enjoy!
Summary: Nimona and Y/N are not siblings by blood, but choice, friendship, and loyalty. They find that support and acceptance in each other; but, when they catch wind of a knight who is just has hated as them, they see an opportunity to find someone else to add to their family.
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If you had parents, you didn’t know them.
You just remembered always being out in the streets, just about standing by.
You never stole, you just took whatever left others you either found, or were given out of sympathy.
Pity did get you a long way, you had to admit.
People felt sorry for you, but then did nothing else to help you.
While it hurt, it never really put a chip on your shoulder. There was nothing anything you could do anyway. You couldn’t fight. You didn’t have a lot of strength in you.
One time, a group of people decided to leverage that. People like you; left behind and given nothing but scraps. Instead of coming together, however, they saw you as a weak link; something to blame for their issues and lot in life.
Just when you thought that would be it for you, someone called out. The pain stopped, but even if it lingered. You weren’t hit again. Your hearing was fuzzy, eyesight blurry.
You blacked in and out a few times.
When you came to, you are on a couch. You hear someone humming. You sit up, slowly, and see a girl around your age cooking.
“Oh, hey!” She says, turning back to you with a smile on her face, “don’t worry about those guys,” she assures you, “I took care of them.”
She seems almost proud.
Still, you just feel good that they’re gone now.
“You can have some of this, if you want,” she says, gesturing to her food.
“I don’t…I don’t want to be a burden,” you say.
You hear a growl, and see a red tiger in front of you, baring it’s teeth, “who said that?” She demands.
“No one really. Just…just the vibe, I guess?”
You look down, subconsciously; the girl seems to notice this, only watching you as you scramble to find the words you need. Then —
“I’m sorry…for not – for not knowing anymore. Could use someone like you out there.”
You feel something on your leg. Looking down, you see a red cat, rubbing itself on your leg. It looks up at you, before jumping on the couch.
“It’s not your fault, kid,” the cat says, “we’ll find them.”
You stroke the cat again. You feel safe. Sure, it’s a talking cat, but the cat was a girl a minute ago. You’ve seen what the world can hold magic wise. You know different things exist. Some people thrown out for all sorts of things they can’t control; this is that for her.
“‘We’?” You echo back to her, as she changes back to her redheaded form, arms crossed with a smirk on her face.
“Hell yeah, us!” She says, arms now up in the air, “we can watch each others back! Like a –“ her eyes light up, “like a sidekick!”
Something in your eyes brighten; something in hers soften, slightly.
They both do that a bit more as your smile widens, “ok then, where do we start?”
“Well, how about names?” She says, but there’s excitement in her eyes, “I’m Nimona!” She says, holding her hand out.
“I’m…” you say, holding out your hand and then pausing, “oh…”
She seems to catch onto what you mean, “I have a bunch of lists of names if you want to look?” She offers.
You nod, eagerly, and she fetches it – throwing some other items over her shoulder while she looks. She presents it to you. It’s a massive scroll that unfurls, “take your pick!” She says, arms outstretched to it like a ‘ta-da’ like pose. She’s proud of it.
You do pick one, even if it takes a bit of time. Still, you find one that works for you:
Y/N.
“Had a feeling you’d like that one,” she says, “I like it!”
You smile again. She does too, even if hers looks a bit like a snarl in a way; seems she’s already thinking of the damage you’ll do together. For you though, it’s about not being alone anymore.
You do get up to trouble. A lot of trouble. You paint art on walls; you play pranks on the guards so you can get somewhere – or sometimes just for fun.
Nimona’s ability to shapeshift is so damn cool. Internally, she feels a spark of happiness she hasn’t felt in a long time at your genuine acceptance and awe of her ability.
She, in turn, helps you find yourself as well. Your style, clothing wise. She notes things that make you uncomfortable as well. Sometimes that leads to deep chats; like the one you have about your lack of care for anything to do with sex or romance, or gender norms.
All she has to say to that is, “metal. Norms are for losers, anyway. I mean, end of the day, you’re Y/N, and I’m Nimona. That’s all that matters.”
It doesn’t matter if it’s something small or major that changes identity wise, her words are always the same and always true.
Her loyalty to you is the same as yours is to hers. You’re always defending her – despite her not always needing it – and backing her up in fights.
You always assure her she has you. You see her moments of vulnerability. Where the mask sort of drops. She always appreciates it. As while she’s not like you in the way of comforting people, she tries to learn from your softness and comforting manners.
You’re all each other have. At least, for a while anyway. You see the news of the manhunt for a man who killed the queen. Someone almost as hated as you are.
Nimona looks to you, and you know what your best friend is thinking.
So, you track him down. She does the talking; though at one point Ballister does look at you and seem to start implying you’re a monster to, and says, “hey, don’t look at them. Look at me,” he complies as he sees you looking around his room. You’re a curious thing.
“What — um, who are…?”
She raises an eyebrow, “they,” she starts, “are Y/N. My best friend and partner in crime and all things evil,” she then leans forward, “and I’m Nimona.”
“Yes…but, what does that mean?” He asks, trying not to piss her off. In his mind, scared he’ll become one of her – he’s sure – many victims.
A smirk appears on her face as she answers, “whatever we want it to mean.”
“Right. Yes. Ok,” he says, “that’s understandable.”
He sees you fiddling with one of his spare arms, “please be careful with that!” He says in fear. You put it back carefully, backing away from it. Nimona raises an eyebrow, letting you handle this. She knows you’re tougher than you look. Don’t get her wrong, you look better now; both a bit more comfortable in your own skin, but also decently fed.
“What is that?” You ask.
“Oh…it’s one of my spares. Just an old prototype I guess, for this,” he says, gesturing to his arm.
“Hm,” you say, looking at it and then the old version, “it’s always nice to have a spare.”
“Like a sidekick!” Nimona says, adding it one to try and persuade the knight – or ex-knight you guessed.
“No, no! Those things do not match!”
“Oh, come on!” Nimona snaps at Ballister. You just watch the interaction go on. She’s always been a stubborn one.
Still, he leaves on his own. You sigh, looking to your friend, “come on,” you say, opening the door to go to where he will end up.
“Ok, kid. You ok with a quick flight?” Nimona asks you as you look at the scale of the building. It’s intimidating; that, and heights were never your thing.
You gulp, “y-yeah.”
“Alright!” She says, happy you’re trying to put yourself out there more.
So, up you go. Despite the fact that she can shapeshift, she keeps you in mind as well as you sneak into the cells section. You do, however, keep watch, letting her go into the cell and break Ballister out the old fashion way – and the way she more enjoys, violently punching the release.
In the closet, you help keep it closed, finding more items. Out of the two, you’ve always been the more resourceful one.
She gives you a single look after Ballister makes his promise. You know what she’s going to do, so you just pull Ballister back a bit as Nimona shifts once again.
Having had some close calls and only gotten away via her shifting, you’re able to stay on better than Ballister, though you do help him when you can reach him. As for you and Nimona, however, you’re pretty much in synch with each other.
However, then comes the need for an exit. You know Nimona can fly, but she can’t hold both of you. So —
“I’ll lead them away,” you say, not allowing anyone to stop you as you take off in the opposite direction.
“Y/N, no! Come back!” Nimona calls out to you. She knows you are quick on your feet, but this is a bad place to try to be. Don’t get her wrong, she’s having fun causing havoc, but now what she might gain in a boss, she may lose a friend. She won’t do that.
Still, nothing she can do. Boss comes first.
So, off she goes, getting them both to the floor.
“Do you see them?” Nimona asks; and he hears the concern in her voice. She’s violent, but cares a lot. He respects that. Despite being surround and fighting, he tries as much as he can to keep an eye out for you.
“There!” He shouts, pointing up before dodging another strike.
Nimona turns as well, smirking, but concern still in her eyes as she sees you near a ledge. You don’t even think about it, you just jump.
So, with the wings once again, she flies upwards, dodging any attacks, before catching you and bring you down to the ground.
You both roll, before joining the Frey once again. You’ve never been as good in fights as her, but your agility and quick thinking does help. Nimona goes more aggressive once she sees Ballister in trouble. You go around some of the guards to help, but you’re taken down too.
That’s only enrages her further.
After you escape, you both start to bond with him. And, he seems a bit more at ease with you both now. You did break him out after all. So, he lets you help. Being a bit more open to ideas.
You all get down to the subway, seeing your wanted images. Somehow, you had never been photographed, so you were just a question mark. Seemed fitting, in a way, you guessed.
“Hm, no,” your best friend says, looking from you to the question mark you, “I don’t see the semblance.”
You roll your eyes, and she just giggles to herself. Ballister watches you both, eyes softening slightly at your genuine friendship and connection.
On the subway, he asks you guys, “so, how long have you both known each other?”
You share a look; her’s is asking if you want to say it, and also asking if you are ok with it being said; yours is the same.
You both shrug. She goes first with her tale, using it to make fun of Ballister.
He still seems a little disturbed by her ability to shift, even asking her to go back a to the ‘normal’ version of her. You both raise eyebrows at him. Sure, he tries to cover up by saying that it’s for other people, and not him, but you don’t exactly buy it.
“Are some of your best friends, ‘normal’?” You say, having heard that before with some people trying to cover up their hatred for you by saying that they know others. It’s bullshit.
“What? I — I, no… No, that’s not what I meant —“ he says, trying to correct his error.
“Too late,” you say, folding your arms, looking away.
Nimona changes back to her human self, putting a hand on your shoulder.
“I, uh, I’m sorry,” Ballister says. You keep looking away.
“Boss means it, Y/NN,” Nimona says, squeezing your shoulder a bit.
Ballister goes to say something else, but Nimona only holds up a hand. He nods, knowing that this is your moment. You need your own breather.
After a moment, you look up at him, seeing his eyes holding a genuine guilt to it. And a plead to make this all better. It’s the first time someone other than Nimona has looked at you. Like a person. A friend, maybe even.
You look at your best friend, the only person you’ve ever been able to call family, and she gives you a smile. You mirror it, putting your hand on top of hers.
“Thanks, Nim,” you say softly.
She removes her hand, before nudging you with her arm, “course, squirt. You and me, right?” She says, holding out her pinky finger. You link yours to hers.
“You and me. Nimona and Y/N.”
“And that’s all that matters.”
Ballister smiles. Then a thought comes to him about the question he asked but didn’t get answers to.
“Are you guys siblings?”
You look at each other again, and nod in sync.
“Closest we’ll ever get to it.”
“That’s cool,” he says, “seriously. Having a friend is…it must be nice.”
Again, you share a look; your journeys have been rough, and you’ve saved each other more times than you can count, but he’s right.
Nimona changes to a small boy, and you smile at her comment of “I am today,” before she goes off to do her part of this hastily cobbled together plan.
Ballister notices your look, “what’s wrong?”
“Just…it’s weird.”
Ballister chuckles, but not in a mean why; more surprise than anything else, “can’t be, especially not compared to my day so far.”
You nod, only really half listening. But, the words come out of your mouth before you can stop them, “I don’t…I don’t feel a fit in with…all this,” you say, pointing to him and then a random woman across the road, “and Nim…she’s fluid with it, you know? Labels don’t really matter to her. I like them. But…I can’t find the right ones. We do our names, and it works and it…I mean, it’s a statement and I love that, really. I just — I don’t know.”
“We’ll find it,” he says, not catching himself on the first word, “trust me, from what I’ve seen of Nimona, she’d burn it all down for you to find it.”
“We’ve taken up too much time,” you say, clearing your throat, gesturing for him to follow you, as you watch the man Nimona was – well, once distracting, but now chasing, went around the corner, “sorry.”
You don’t give him time to say anything back in return, you just take his hand and lead him out into the street once again, trying to find a getaway.
He recognises someone; the one with the punchable face? Maybe, you can’t quite remember. Either way, Ballister is terrified.
He hastily gets you into the vehicle with him, but you do see Nimona with a giddy smile as she shuts the boot.
Then, off you go, though Nimona does call out to you to get down.
With nothing but blind luck, you make it to an alley way. Ballister freaks out at Nimona being hurt, but she doesn’t show it hurts that much. You’re sure it does, but not as much as what is going on inside of her. You sit on the boot of the vehicle as they talk, though they do make their conversation loud enough to make you feel included.
You watch with soft eyes at the interaction, and how Nimona describes it all. When she jumps down when saying “I just wouldn’t be me,” she puts a hand on your leg too, “just like they wouldn’t be them.”
She then nudges you, “go on, bud,” she says softly, gesturing over to the bench, “go have your lil session. I’ll stay with this guy,” she says, jumping up on the boot, legs swinging.
Silently, you go over to Ballister. He looks at a cut on your arm. You aren’t entirely sure when you got it, but he does what he can to clean it.
“May I try ask again how you met?”
“Sure,” you say, looking to Nimona, she nods, encouraging smile in tow, “not the greatest of origin stories. I was always a street rat,” a crumbled up piece of paper hits your head, thrown by your best friend, “Was just always out on the streets. Never remembered anything from before. Guess either I was abandoned by parents dying, or they just left me.”
Ballister pauses, looking at you with sympathy. Nimona’s eyes are casted down to the floor. Like noted before, your lives weren’t easy, even if you had each other. The chaos was always fun, when you guys controlled it. Rebellion was something you both loved, but you were always focused more on survival than rebellion; even though you tried.
“I’m so sorry.”
You give him a sad smile, “I have my moments where…” you drift off. Nimona’s eyes shoot right up to your figure. She knows where your thoughts are going.
“Your parents were either unlucky, or bad people,” she says, “if it’s the latter, then they lost out on someone awesome.”
“Thanks, Nim.”
“No, she’s right,” Ballister says in support, “you’re a sweet, kid. You’re loyal, and kind.”
“But I don’t know who I am.”
“Well, if it helps, I thought I liked girls when I was around your age,” you chuckle softly at that after he does.
“I don’t think I want that from anyone,” you admit. Nimona smiles, glad you feel safe enough to say it. It’s your own small rebellion; she can’t be prouder of you, even muttering out a small ‘hell yeah’ under her breath.
“That’s cool,” Ballister says; you scrunch your eyes brows up slightly, not expecting him to say that, “we want what we want from life. And…if I may ask, about the other thing?”
“…I – I don’t…I don’t think ‘he’ or ‘she’ fit me. I mean,” you look to Nimona in self consciousness, “I know that’s swapping one label for another, but —”
“Labels can help us find a home in ourselves,” she says, wisely. Ballister looks to her, seeing her gaze soft as she continues, “sometimes they change. But, as long as it’s your choice on it changing, then it’s all cool with me.”
You nod, but Nimona catches the slight guilt in your eyes. She hops off the boot, approaching you as Ballister finishes his work on the cut – having only resumed it after your addition, “I always said I’ll tell ya as many times as you need. And I don’t mind, really,” she says, putting an arm on your good shoulder, “you’re my little buddy. My best friend. You’re Y/N, and who that is may shift and change, but you’re still you at the core of that.”
Emboldened by your friends and the feeling of safety to be honest, you look to the man in the boot, “shall we?”
The two look to the man, who then speaks. Saying he’s happy for you all, but now really just wants to be let go.
“Oh, yeah,” your best friend says, cracking her knuckles.
You get the video evidence that’s you need. This is it, your boss – and maybe even friend at this point – can be free. Sure, it pisses you both off at his want to still believe in this system – this system that is built to hate people like you – but you still go with him. Nimona says she’s in it because everyone hate’s Ballister too; and yes, that is part of your reasoning too – you guys aren’t alone anymore. But…if you’re honest with yourself, it’s mainly the latter part to that. To find your crew, you go by your labels and accept you fully.
The plan goes well, and you all escape together this time. Ballister holding you as you fly away.
“Why didn’t we think of this the first time?” You shout over the wind.
“We’re not very smart!” Nimona says with a chuckle.
“You have your moments, though?” Ballister asks, cheekily.
You both laugh this time, “seems so!” You say in sync.
Back at Ballister’s, the events of everything, including another brawl - this time you were more successful - though Ballister was almost taken in but you guys won, and feeling of safety, allows you to sleep soundly for once. Nimona runs a hand through your hair, head in her lap. Ballister puts a blanket over her.
“Don’t wake them, Boss,” is all Nimona says, quietly.
Ballister chuckles quietly, “I won’t, don’t worry,” he assures, before going to his computer.
Nimona soon falls asleep herself.
When Ballister meets with Ambrosius, nothing on your past comes up. Ambrosius is question on it, and says, “I’m sorry, Bal. I really am. I think that (he/she) —“
“They,” he interjects.
“Ok, sorry, yes,” Ambrosius says, correcting himself, “I think they may of met Nimona and been taken down a path. But,” he reaches out and takes Ballister’s hands in his own, “you can stop this. You can save them. We can.”
When Ballister comes back, Nimona seemingly has a sixth sense about this. She wakes up, happy, but slightly on edge when she sees the look on his face. Carefully, she removes herself from you.
“What are you?” Ballister seethes.
“We aren’t doing this here,” Nimona says, moving to the back of the couch, as if a shield.
“Answer me.”
“You aren’t dragging them into this,” she says, a fiery protectiveness in her gaze, “do you know how much they’ve been –“
“How much as done because of you?” That stings, she won’t lie, “you drag them around with you into your schemes. They’re an innocent pers-“
“Exactly,” Nimona says, keeping her voice quiet, but letting the anger still roll through her words, “so, if you wanna blame someone, which you oh so apparently do, then blame me, ok?”
“What’s going on?” You say, slurred as you still adjust to the world. You blink a few times, before slowly sit up on the sofa. You turn to your friends, and both have angry looks on their faces, “what’s wrong?”
“Gloreth,” Ballister says, “the darkness she was fighting to keep out? It was her,” he says, ripping the bandaid off instantly.
You look to Nimona, eyes wide, but not filled with fear, just shock.
“Y/N…” Nimona says, seemingly only seeing what she wants to.
“Nim,” you say, taking her hands in your own, “it doesn’t matter,” despite the reassurances, her mind is already made up. Those voices that she’s kept at bay for herself, and help you fight – and you have returned the favour in both small and large ways – are back in full force. You can see it on your friend…on your sister’s face. It pains you to no end.
“Get away from her, Y/N,” Ballister advices.
“No,” you say, firmly.
“Y/N, please…” you hate how her voice cracks a bit, looking at you.
“Hey, what was it you always said? We’re all we’ve got. You and me, yeah?”
“Don’t you understand what she is. She’s a —”
“No,” you spit, looking to Ballister, who is a bit taken aback, “it doesn’t matter. It matters who she really is. She’s Nimona. Just like I’m Y/N, and you’re Ballister. You’re the ex-knight. I’m the street rat, and Nimona is the reason this broken system was made in the first place.”
“It’s not broken,” Ballister says, running a hand through his hair.
“It always has been!” You shout, he jumps, “don’t you get that? Someone framed you for power. That power is used to make people like me hate themselves. It turns people against each other. It tears people apart, and you still support it!”
“Because it keeps us safe from monsters who want to destroy it!” He can’t stop the words as they tumble out. But, as soon as he sees you both flinch, he wants to take it back.
Nimona runs first, and as you go to follow, you pause at Ballister’s door, “you know, I really thought you’d be different,” the words strike him just like Ambrosius’ sword did. Then, you’re gone.
He slams his hand onto the table, swiping objects away. One gets his attention, that old arm he’d made. The spare. The useful spare. The one that got him through a lot before this better one.
Sure, he knew the metaphor didn’t completely work, but you were curious being. You just wanted to find safety, and Nimona just wanted to find that as well. You were both just looking for love in a world that hid it from you because of who you were.
He remembered when he first came out, how it was rocky. You were both young (sure, Nimona was old in terms of this story of her, but she was a young girl in physical form) and your lives had been several levels below rocky.
You and Nimona were all you had. He…god he realises, he was part of that too. For a moment, they let someone else in. Let someone else be a lifeline.
The words he’d said…he could see on Nimona’s face when she looked at you that something had changed in your dynamic as soon as he said it. She looked at you like she was a poison, and there was no antidote. He always remembered your words, about how at the beginning you would…oh, oh he knows what you mean now by what you wanted to do.
That pain because you couldn’t be free; you couldn’t completely be you. Oh no. Oh god.
He finds his sword. The thing that started him on this path. A path that led him to you both. Two spirited, loyal people.
He then feels the ground shake. He looks to the tv. He knows who that is. He knows who is on one last run.
“Good Gloreth,” he says, before running out of the door, just hoping that he isn’t too late. That he can make this right. As right as he can, anyway.
As for you, you try all you can to get Nimona’s attention, and she only flies away. God, you hate it; you’ve never really been out to this part of the walled off city before. You don’t know where she would go. You go to the town. There’s an abandoned building you went to one time when at a low. Nimona saved you that day, flying up to you and sitting with you. It must’ve been hours, but she managed to get you down and home. Sure, that location changed. But Nimona was a constant. She was family. She was home. She was security; always there for a pep talk or defence. You were always there with a plan or a way out. She’d always follow them, executing them to a T. You just worked.
You affirmed each other. Any doubts you’d talk about. You’d clean swap clothes, steal some if they didn’t fit or felt wrong. Tag areas with different names, but the same style so everyone knew it’s was you.
You feel a rumble as you reach the top of the building. A dark, shadowy creature, makes its way into town. Stomping over things, but not hitting anything. The only time it does is when it’s shot, screeching out in pain as it falls down.
You know who it is. You recognise a part of the scream.
It’s Nimona.
You look down the building, a hell of a drop. You see more of the flying vehicles going for her. Quickly, you do some calculations. You take a few steps back. Don’t get yourself wrong, you’re not in the healthiest of mindsets right now. If you miss, it’s a big drop, and then…well, whatever comes next. But, you have to try this. You have to try and protect your family as best you can. So, counting down quickly, you run.
You jump.
You land right on one of the vehicles. The guard is too shocked to really do anything. So, you push him with all your might, and he falls, but catches himself. You just focus on the controls of this thing. Not that many. It’s simple, but effective. It works.
So, despite some near crashes, you sort of get the hang of this thing. You use it to shoot at the attackers hurting Nimona. Some fire back at at you, others dodge and keep going at this person they decided needs to be put down for the benefit of the people.
You try your most, even get lucky, but there’s a lot of carnage going on; all their own doing.
You see, however, what Nimona is making a bee line for. The sharp end of a sword that was pointed at her so long ago.
You race forward, not even noticing your previous guard friend managing to climb back up. He wrestles with you for the controls. Once again sending you pretty much into things. However, he then pulls the breaks, but catches you before you fall. He’s not looking at you now, he’s looking at Nimona, who is stood in front of the sword, white, beating heart out.
“NO!” You cry, sending the vehicle forward once again. You get to the sword, jumping off it. The guard tries to stop you, but just misses.
“Stop —“ he calls. But, a new voice stops him.
“They’re with me!” Ballister, “they’re with me.”
He looks at you; so many apologies and silent words being sent at you at once.
You nod, “later,” you say, before running to save your sister. He follows. You both hold her back. She looks down at you.
Ballister apologises to her as well. She looks to you.
“Please don’t,” is all you can say, “I need my sister. I need my sister,” you say, repeating it as your tears finally leak.
She changes back, and you both catch her. She looks a mess, beaten to high hell, but alive.
“I love you too,” she says to you as the three of you hug. You pull back, looking at her with elation -she’d always shown it, never said it; but you did always, sort of selfishly, wanted to hear her say it – and she chuckles tiredly and brings you into a hug of just the two of you, “I need my sibling in my life too. Besides, you rebelled completely against them,” she says, having seen you on the roof and your stunt, “guess I could do something a bit different, yeah?”
You chuckle, tightening the hug. It feels right. Like pieces of a puzzle coming together. Ballister joins, and it mostly feels complete.
A hug of a family. Of people who love and accept each other.
People soon start running again, and you all see a giant cannon aimed directly at you all. You all look at the citizens, knowing it will hurt them as well.
“No –“ you say, looking to Nimona, knowing what she is planning.
She smiles, however; her mind is mind up.
She kisses you on the forehead, “I love you,” she mumbles, before giving Ballister a wink, “take care of them for me, Boss.”
“Nimona,” Ballister says, trying to stop her. To try find another way.
However, “we know I’m fast enough to stop that thing,” she says, “and we’re wasting too much time. I get to punch someone with a punchable face, like really hard,” she then looks back to you, and sees you about to break again, “hey,” she says, cupping your face in her hands, “I’ll always be here,” she puts her hand on your chest, “you’ve got this. You’re gonna build a new, better, world.”
With that, she turns into a phoenix, and flies right into the cannon. The explosion rocks the wall, creating a massive gap in it. What does it show? It shows that the outside world is beautiful, that they had anything to fear. There is danger there, but also beauty. So much beauty.
Ballister and you go down to try and find Nimona, instead you only find red specs flying around.
You curl up into a ball, letting out sobs.
Ambrosius comforts Ballister, but saw how you were with the guardsman above. Granted in glimpses, but given your friendship with Nimona, your distrust of this system that he too is now questioning is understandable. So, he lets Ballister take his time before bringing you into a hug as you both cry for your fallen friend.
Some time passes, and you are all called heroes. You move in with Ballister, and your friendship rebuilds. He becomes this role model to you of perseverance and light. Softness and love. He becomes a sort of parental figure. He supports you when you stumble, and you do the same for him.
Ambrosius respects your boundries. He’s a nice person, even if you have your many issues with the system. He listens, like actually listens to them, and does what he can to set them right. He knows it will take time, but he knows you’ll appreciate the effort.
It’s slow going with him, but he is sweet. He’s kind. So, you are warming up to him. And he’s getting to know you. And, you do have to admit, him and Bal are sweet.
One day, when you’re in home alone, Bal and Ambrosius out on a date, you hear something. It’s like the wind, but that’s not possible as it’s a peaceful day. You then turn, seeing a glare of light. It gets brighter and brighter —
And then it stops. You lower your hand, and drop your bowl of popcorn. It doesn’t break, but the effect is there.
“Hey, champ,” you hear her say.
And you barrel right into Nimona’s awaiting arms. She chuckles, spinning you around before putting you back on the ground, “oh, look at you!” She says, turning your head with her hands, noting the subtle changes to your style and your looks, “you look so good!”
You chuckle, before going in for another hug. She hugs you back just as tightly.
She shuts her eyes, hoping to hold this moment in her mind forever; just as you are as well.
She pulls back, then looks to the TV, “what you watching, squirt?” She asks. You grab her hand, and pull her to it, hopping over it, which she mirrors on the other side, before now sharing the blanket with her and handing her the bowl and filling it up with more popcorn.
You hit play, and both watch the TV.
Bal comes back, and does a double take when he sees you both. It’s like a mirror version of the last time he saw you asleep on her lap, hand going through your hair again.
“Oh, hey, Boss,” she says, “just figured I’d pop in, say ‘hi’ and all that.”
Ballister can only laugh, tears of happiness forming in his eyes.
“Hi,” he says, holding his arms open.
“Hey,” she says, hugging him.
The family is complete.
Y/N and Nimona the siblings; and Balister and Ambrosius the parental/older siblings. The label isn’t exactly exact, but sometimes labels aren’t. They fluctuate.
But the love, just as the person, is still there. Still them. Still have all that love and hope inside of them.
Some people like labels, some don’t.
Either way, you all fit together. You all know what you are.
Family. And a family who aren’t going anywhere anytime soon.
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tossawary · 4 months
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I finally saw "The Boy and the Heron" and I liked it. The visuals were unsurprisingly gorgeous. There's so much masterful animation there, especially in all of the little details, and I really liked the mystery and horror of the heron's design and behavior in the beginning of the movie. I thought the aunties / grannies of the estate had some fun and funny designs. The fire sequences at the beginning were fascinating to watch in a terrifying way, and I'm a little disappointed that vibrant style was kind of left behind and didn't come back in a significant way later in the story?
I'd probably have to see the movie again and read other people's thoughts on it, including the creators' statements, in order to form a more ordered opinion on the story. I didn't dislike the story. I won't call it incoherent, because I don't feel like I didn't understand it, exactly, but I do think that it was... hmm... lacking in cohesion.
There were some transitions between scenes that felt noticeably off to me, sometimes even transitions between shots that felt rough, like the film was trying to jam a lot of interesting ideas together, and the flow and pacing maybe suffered for it. It felt a little slow. It was hard to feel tension when what was happening next seemed pretty random sometimes and I didn't actually understand what the threats were exactly until the end, even if I liked the new elements as they revealed themselves; previous interesting elements were kind of left behind story-wise and left the story feeling crowded to me. Like, once all of these ideas were down, it should have been time to go back through to cut, expand, smooth, clarify, and generally enhance what was there so that it all fit together more cohesively and clearly than it did, weaving everything strongly back through everything else. The story could have probably been tighter and more solid.
Admittedly, I saw the dubbed version and it's possible that I am missing out on details or significant cultural context, so maybe this is on me. Even if the movie ended up feeling like multiple film ideas smashed together that each didn't get enough exploration to me, everything wrapped up fine. But if the movie didn't look as fantastic as it does, artistically, I would... probably not have enjoyed the story for itself as a film? I don't know. It kind of felt like watching a children's fantasy novel, where everything is a little random, but it's fine because the descriptions are gorgeous and there is an obvious emotional theme that the book moves towards and ends upon.
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strawberry-circus · 2 years
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I think the fundamental core of what makes BBC’s Ghosts work character-wise is that a lot of the tragedy comes from the fact that nearly every character met their fate before their story could truly begin
Because in most fiction—the part where they died would’ve been the miraculous turning point to some great adventure. The titular unlikely hero would’ve uncovered the big murder plot, or got the girl, or went to the ball, or chased after their love in the pouring rain for one final goodbye (or perhaps a new beginning)
But no.
Kitty’s sister was always cruel to the bitter end. She never found a way to go to parties, never found any kind of true love, and never made a true friend.
Thomas played right into Francis’s trap and was left to die alone. Never knowing about his requited love or getting recognized for his art.
Fanny never became a mathematician or saved the family. She didn’t stay inquisitive and imaginative but instead fell into the mask society made for her. By the end of her life, she was about as alive as the portrait on the wall.
Pat never learned about the affair, never got to see his son grow up, he never strayed from routine or saw his hair go grey. He missed out on so much that is so human. One trick arrow took him out of the world when all he truly wanted was a full and peaceful life.
Humphrey spent his adult life cold and trapped in some unloving marriage. The bone plot happened beneath his nose and before he truly can start a friendship with his wife, or even live his own life, he dies and it’s not even a hero’s death.
The Captain never runs out to Havers, never has the quiet conversation about everything that needed to be said. He watches him go and buries their project beneath the earth like everything else in his life, and he walks away. He never even came out—even to himself. And beyond that, he never found a way to be a person outside of the war.
Julian never has some big epiphany about all the wrongdoings of his life. Never puts any care into his wife or child. Never even recognizes that he has hurt others. Instead, he lived as he died.
Mary was just some pawn in a system she wasn’t allowed to understand. Her skills and talents all went to wish-wash for one reason or another, because the townspeople decided that she was different enough to suffer.
And Robin has been here so long there’s no telling why he isn’t allowed to move on. What was unsaid or untold to hold him here? All he has is endless time to hold onto.
Because that’s what this story is about. This isn’t about the heroes who saved the day or escaped by the skin of their teeth from some huge tragedy. This story is about the side characters who are nothing more than a footnote in history. Their deaths aren’t some big climax in a film or the answer to some big question. Because for most, death is random and unforgiving, it doesn’t wait for the right moment or hit the right people at the right time. It comes for everyone when it wants to, and it leaves a hole that will be paved around their absence.
A lot of what keeps the ghosts here is a million things that were left unsaid. Countless years of untapped potential, the would’ve’s, could’ve’s, and shouldn’t have.
But here’s the thing,
All of them keep moving forward. They all found each other one way or another, and now are finding support systems that just weren’t available to them in life. Now it’s not the most stable support system by any means, (see the murder plots and general set propriety of never talking about feelings ever) but they’re improving slowly! They’re stuck as flies on the wall to the living world but they make the best of it.
And with Alison and Mike added into the mix, their worlds are just growing brighter. And sure, they wouldn’t dare to talk to each other about their true feelings. That would be ridiculous. But they’ll be damned if you want to fuck over any of their weird found family. In a lot of ways, the ghosts seem to help Alison avoid the same mistakes they made. (even if they don’t always have her best interests at heart.)
They’ll try and call the police about a robbery, get Mike’s attention through frankly inventive ways, and thoroughly investigate any new people that come into the house like dogs barking at strangers.
And the soft way they all help each other in such obtuse manners. While they snipe and laugh at one another, there’s this underlying caring attitude they have about it all. From interrupting or distracting Kitty when she’s about to uncover something about her past, to spending all day looking for Fanny’s stuffed dog, to Robin’s moon rituals, or Pats clubs, or even the way they simply allow Captain the space to work out his feelings from time to time.
They were never the heroes of their stories in their lifetimes, but it doesn’t mean that they never had value. They’re just as sweet, wonderful, and annoying as any other human on this planet. And I think it’s that combination of heart and tragedy that truly highlights the comedy in Ghosts.
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