#yes including Damian

[oberonbronze]

i love creature batman. no body just his pointy ears and eyes. he’s not even human. he can probably fly. he makes no noise when he moves. how he procures a seemingly endless supply of human children is a total mystery, but they seem to love him, so rescue efforts are usually ignored.

Commissioner Gordon, standing on a rooftop with a cup of coffee and a megaphone: Tim Drake, get away from the Batman. You have human parents and they are going to be very worried about you

Tim, sitting in Batman’s lap as a spindly, clawed hand affectionately pats his head: YOU’LL NEVER TAKE ME ALIVE, JIM

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[automaticsoulharmony]

Crazy how you can major in The Batfam and choose one of 7+ specializations

[luffyrose]

Dp x Dc Blurb #5 (I think)

SO SO HAD THIS THOUGHT WHILE MAKING MYSELF FOOD!

We know, well, fandom kinda goes that ghosts form when around ectoplasm as well as have a strong enough desire to make a core. And Gotham is like Amity but less ley line more murder (so not as good ecto but still just as much, have to be a stronger ghost in general to be fine there).

Martha and Thomas Wayne are very much the type of people to come back as ghosts. No vengeance, no protection. They just wanted to see how Bruce, their little Brucie, grew up. They just wanted Family.

And that's exactly what they got!

They were thrilled when Alfred filled the role of father, even if he later claimed to just be a butler. Dick appearing in their lives was one of the happiest moments, how they wished they could tell him that his parents wished him well before moving on a few years later. Jason was adorable! Though it was upsetting to watch the other two begin too fight. It was even worse to find Jason joining them, even temporarily. Tim was a blessing to the family, keeping it from fully falling apart, and oh how they wished they could help all their little boys, because they knew where they all were and how they were feeling at all times.

With each addition they were thrilled for the large family, yet sad they could never interact, never help. Jason could sense them, but he'd only gotten help with his illness recently, poor child, he was still so ill.

The two Waynes had been there for it all. Watching, wishing, and gently tucking each of the boys in, even when they were far away from home.

But something was still missing. Both could feel that frail bond reaching out for another part of their family. A young boy they discovered while following it. He was about Damian's age, and could see them! He didn't seem aware he was adopted, let alone had a family waiting for him, but he also seemed so overwhelmed. The two decided to watch him but leave their little Danny alone. At least, they would until he was in danger.

And just like with the rest of the family, danger came.

It was just a random afternoon when they'd felt the pull of panic from the half ghost child, yet they couldn't leave Gotham so quickly. Bruce and Dick had a fight for the first time in a long time and...well it wasn't pretty and left ALL of the other children worried and confused.

So with the ectoplasm they'd gotten with their growing family, and even visiting their halfa on occasions, Martha and Thomas Wayne decided to do something about it.

The mansion was haunted. For the last few days things had been going completely haywire with no reasonable explanation but ghosts, or magic, but from what they knew the two went pretty hand in hand. So they decided to call Constantine to figure out why.

None of them expected Bruce's parents. Especially when they told them they needed to go save their brother Danny...a name that one particular batkid hadn't heard in a long time.

~~~

Open ended on which one, but sibling of batkid implied.

Martha and Thomas kept getting stronger with each kid Bruce adopted/got, Steph and Barbara inculded, and could feel a semi-frayed bond with one of the kid's biological brother and it led to Danny 🤗

They didn't plan to introduce themselves since the boy seemed happy enough despite the stress, they did not really see what his homelife was like. It was only after they felt something happen through their bond (which because they have obsessions based around family they can sense their own family) that they realized something was wrong and decided a good ol fashion haunting to catch their attention so they could find a way to tell them to get their brother.

[atalante241]

I look at the batfamily and weep because the nature of comics has made it so that they all hate each other, love each other or hate just someone specific on a rotating clock of writers and adaptations that has forever doomed the characters because something has been made intrinsic to their character growth which usually means involving the breaking or destruction of some kind of connection or relationship between characters

[jasontoddssuper]

I hate fake dc stans.Like man shut the hell up,you're not a 'Batkids expert',you don't even know Jason Todd is a virgin

[ineffablebadwolf]

the only straight in the batfam is Jason and I'll not elaborate

[starlooove]

Truly hate tiktok tim stans

[swinging-stars-from-satellites]

I just. idk. something about Steph getting along best/closest to Jason and Damian out of everybody... like I have no clue how much canon basis that's actually got but I can't stop thinking about it. yeah, yeah, the Dead Robin's Club, we've all seen it, but also — they're the outcasts. the ones who forged their own paths, the ones who question if they're really wanted at all. they have the most fundamental disagreements with Bruce/Batman, based in numerous unfortunate uncontrollable circumstances. Stephanie Brown is an outlier and shoudl not have been counted. she forced her way in and died on the way out — middle point between Tim and Jason. she isn't part of the family the way anyone else is and her one tie to them (dating Tim) is a thing of the past but she still sticks around with the excuse of the nightlife because if she didn't what would she have to call family. her situation with her mom is complicated but at least she HAS a mom, yknow? and that's a point of connection with Damian, because his relationship with Talia is complicated and complex and fraught as well. so she gets it. she gets Damian and she gets Jason because she understands where he comes from and why he believes the way he does and can just accept it and move on. maybe she believes in capital punishment, too, just a little (maybe it would be easier if her father just died). her place in the family is so fragile and she almost wishes she didn't have one at all, she's so at odds with Bruce so often, the whole thing with Tim is a mess, STEPH HERSELF is a mess. but she has the most connection with Damian and Jason because they feel that way too. they've burned bridges and, to varying degrees, repaired them too. they've all died and come back. the three of them have a unique understanding of each other that the rest of the fam maybe can never quite understand. that's why I can't stop thinking about it.

[starlightbelle]

Batfam vs. Wooden Fence

Dick: Leaps over the fence with a flourish (probably flips or something too)

Tim: Opens the door

Jason: Bursts through the fence

Damian: Runs through the opening Jason just made

Was inspired by this post

[timbourinedrake]

Caught up with the current Batman run....Is somebody going to help this man. um yikes. poor bruce is all i can say

[confessedlyfannish]

DP x DC Prompt #4

When they all convene at the cave, Alfred is silently wrapping Dick's knuckles. Damian hovers beside him. Tim and Barbara are hunched over the batcomputer, not even sparing Bruce a glance as he strides over.

"Report," Batman grunts. No one reacts.

"Report!"

"Hood pushed his panic button at 2:34 AM," Barbara says shortly, straightening.

The button had been a joke, mostly because Jason would never use it and everyone knew it.

"I patched into his comm at 2:35. This is what I heard initially." At her nod, Tim presses play. What occurs next is a garble. There is the sound of high winds, as if Hood is rushing through the air, even though the comms are designed to filter out any ambiance otherwise the Bats would never hear each other. Interspersed is a mixture of static punctuated by high, inhuman screeches of metal and something else unknown.

"This goes on," Barbara says after thirty long seconds, switching it off. "Red Hood failed to respond to any attempts at contact. I dispatched Nightwing to Hood's location at 2:36 AM. He was approximately two miles away." She pulls up a GPS map of their respective locations, their beacons blinking.

"At 2:41 AM, Red Hood's comm goes off, as does his GPS," Barbara says, swallowing softly as the red beacon indicating Jason disappears. "Nightwing arrives at 2:42 AM."

Dick doesn't say anything, head hanging low as he grips the metal table he sits on. Damian glances between the two of them, expression flat but fists clenched.

"Nightwing, report."

"..."

"Scene was empty, B," Tim speaks up. "No trace of Hood, no sign of a struggle. No cameras in the alley. We've been checking the ones nearby but so far there's no sign of anyone but Hood heading in that direction...and no one, Hood included, caught in the cams heading out, not within that time frame."

"So he's still in the area," Batman concludes. "The local buildings?"

"All the entrances have cameras, which showed no evidence of Hood nor any evidence of being tampered with," Barbara says. "Nightwing, Red Robin and Robin canvased within a half mile radius to check for any signs of disturbances in any of the windows or rooftops but found no evidence to support Hood being taken. A scan confirmed several serial offenders, but when interviewed and searched there was no sign of Hood. Several in the area reported an unusual quiet for Crime Alley."

Batman forces the next question out. "Did you check the dumpsters?"

"Yes," Nightwing grits out. "Empty."

Barbara clears her throat. "I have attempted to reconnect to Jason's GPS and comm as well as restart both remotely but there's no signal at all. The thing is, when there's a disruption like that it usually leaves some sort of sign" she pulls up the audio waves, pointing at the end where the spikes conform into a straight line that makes everyone deeply uncomfortable. Upon playing, the noise from before plays before going abruptly silent. "But there is no large spike, this is clean. It just ends. His GPS is much the same. It's not off, it's just gone."

"I know you don't like to hypothesize this early on, B, but we think this involves a meta," Tim says, rewinding the audio. "We've been running the audio from Jason's comm through different filters, playing with the levels and isolating what we can and, well, take a listen--"

The screeching drops to a sort of muffle and in the background, distantly, they can hear bits of Jason's voice.

"No, I'm not---"

"--don't need--"

"get AWAY from--"

a particularly desperate yell that makes Tim flinch, "I am NOT--!"

and almost a whimper that makes Batman's blood run cold, "please..."

And then, unfairly clear even through the faint garble, Jason says "I don't have a choice, do I."

And a minute later, quietly: "Ok."

The audio cuts off.

The defeat in Jason's last words is palpable, and fundamentally wrong. Jason has never sounded defeated a day in his life, and no one knows how to process Red Hood all but giving his hands over for the cuffs. Nightwing pushes himself off the table.

"I'm going back out there," he growls. No one tries to stop him as he stalks out the cave, not even Alfred.

"I will accompany Nightwing, make sure he does not punch any more walls." Damian says, nodding tightly.

"B?" Barbara asks.

"Keep working on it. See if you can identify what could be making those noises if Hood was standing still in an alley," Batman says, walking towards the zeta tube. "I'm going to make a few calls."

[feyburner]

Have you ever thought of drawing a De-aged Tim with Damian ---who would now be older and taller? I would love to see their interactions. Maybe even Jason being a big brother and protective.

I have indeed thought about that.

Yes there is a live snake in that pillow case. Timmy’s just happy to be included.

-

Text below cut

Damian: You know, you’ve always considered me something of a mentor.

Timmy: Aren’t I usually older than you?

Damian: Yes, but you admire me for my vastly superior skills and intellect.

Damian: Besides… I’m Robin. Everyone knows you love Robin.

Damian: Which is precisely why we made that pact that you would obey my every command— Quick!! I hear footsteps!!

[cbartonscoffee]

I think I've never been more aware of just how many people only get their info of the batfam through fanfic. I finally started reading Red Robin (2009) and I can not believe how many things are blown out of proportion. Particularly about Dick and Damian.

First of all, Dick does try to put limits and he does get fed up with Damian's ways sometimes. Out of the three first interactions of them in the comic, at least in two he tells him to shut up. And one of those is when Damian starts to brag about being Robin and Tim being useless, he tells him to shut up twice.

Another thing about that moment, is that they treat it like Dick completely dismisses Tim and treats him as unimportant. He doesn't. He takes him seriously, he tells him he needs him, he tells him he views his as an equal, as someone capable. And he also tells him he's concerned about him and that he needs to start processing Bruce's death. Could that have been a little harsh? Yes, but he needed to do it without making Tim think there was room for him to be convinced about his theory because let's be honest, Tim would've taken anything less than complete refusal and tried to change his mind. And had he been wrong neither of them could have taken it.

Secondly, Dick is always left to shoulder the blame of kicking Tim out and of never reaching out. That's bull. And I need to make that clear. Tim was in a delicate point, he tells us this himself multiple times, but the decision to leave was completely made out of his own free will. Another thing he did was put space between him and the people on Gotham. We see only one time in which Dick tries to call him. Tim picks up and tells him he doesn't want to talk. This tells us that Dick respecting Tim's wish of space included almost no (or even no) contact, and Dick calling was not something Tim appreciated or encouraged.

Now. Going into the second year of the run, when he's back in Gotham, there's a few things to talk about and I'm still in the aftermath of Damian and Tim's fight.

I feel it's important to say that even if they are all family, more often than not they're doing their own thing. Like, Babs and Steph are in the Batcave while Dick and Damian are in Wayne Tower, Cass is said to potentially be in Hong Kong and we haven't even heard Jason be name-dropped except for the fact that he went on a rampage at some point.

So, Dick is immediately called away in League business. So he isn't there. Damian is behaving fairly civil besides being a brat, so no one wastes too much effort in correcting what he says. We need to think about the fact that this is a kid whose world was turned upside down multiple times in a short period of time, who has a need to be accepted, and who hasn't yet found his place. All this is to say, that if it's difficult to get him to eat breakfast there's no way they're controlling his every move and that's understandable.

So Dick is away, Damian is still trying to adapt, Alfred has his hands full and everyone else is doing something else.

The whole thing starts because Tim is being kind of cryptic about what he's doing with his hit list and Damian feels left out and goes looking for more. He finds his name in a hidden double side of the hit list marking him as a threat. He understandably feels hurt and angry, because he's a kid, and he's trying, and his predecessor who at this point doesn't even try with him anymore views him as something bad.

So in classic Damian fashion, he falls back on his upbringing and doesn't deal with the situation as one should, talking about it. Instead he cuts team line, hurting before being hurt. It could've been worse, we see in the panel that Tim doesn't have that much of a hard time getting safely to the ground. The problem is that he snaps and starts a full-blown fight he knows Damian won't back out off. (I'm pleased to add that after cutting his line Damian doesn't start anything else)

So they are fighting, Tim has the clear advantage and he knows this, we know this. And that's how Dick finds them. Having just returned from a JL mission, in the place where the Waynes were murdered, with Tim having overpowered Damian.

They go back to the cave and Damian shares his findings, and Dick understands. And Tim tells him he (Dick) knows why he (Tim) did it. Dick agrees, and tells him he should have tried to make it harder to find. Tim says he hadn't thought Damian would try or even care. Dick tells him Damian wants to be accepted.

All in all, so far the only thing this comic has proven to me is that there's a reason comics are the bomb and that fanon has gotten out of hand. I get making things out to be worse for the sake of a story, but everything surrounding these events is basically used as the foundation for Damian and Tim's relationship as well as Dick and Tim's and I don't think I've once read a fanfic where these events are portrayed correctly or even following the real motivations of the characters. This is a disservice to all of them and only serves to amplify the hate towards a character that doesn't deserve it. There's a lot of Damian hate going around. And it sucks. Mostly because people use his actions against Tim to justify it and honestly? I don't think you should be allowed to use that if you haven't read RR and understood what was going on.

[brie-annwyl]

Batfam watching the Barbie movie (angst edition)

Stephanie and Cass was the one who wanted to watch it with the family, all the guys thought it was supposed to be a funny movie until Steph got emotional at some parts and Cass comforted her.

Jason personally resonated with Allan bc Allan is the only character who doesn’t fit into the box of “Barbie” or “Ken” and it brought back feelings of being less than everyone else or not feeling real because he died.

Damian thought the movie was stupid until the mother speech happened. He had to leave the room and take a breather afterwards.

Tim goes rigid at Barbie crying because she wasn’t perfect, everyone noticed.

Duke and Dick cry at every motherly scene shown because it reminded them of their own.

Dick is visibly shaken up by the scene where someone smacks Barbie’s ass.

Bruce cries when the daughter starts growing up because that’s what happened with his kids and he still doesn’t have the best relationship with some of them(Jason)

Bruce cries at “what was I made for” because there’s always been a part of him that questions if the work would’ve been better off with him dying instead of his parents. Whilst looking round the couch, surrounded by his children (including Steph) he realizes he was made to be their dad.

“I’m not stereotypical Barbie pretty” is Stephanie’s new Roman Empire.

“Do you guys ever think about dying?” Has a whole different meaning for Jason, and yes. He does.

“I want to be a part of the people that make meaning, not the thing that is made.” Tim is silently crying whilst Dick is getting him tissues.