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#arrive at the place where you live
profamer · 2 years
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#frase ( #phrase ) do Dia é #get home (chegar em casa) #gethome #english #ingles #aprendaingles #chegaremcasa
#frase ( #phrase ) do Dia é #get home (chegar em casa) #gethome #english #ingles #aprendaingles #chegaremcasa
Inglês: get home Definição: arrive at the place where you live Exemplo: We didn’t get home until midnight. Português: chegar em casa Thank you for visiting! Obrigado por visitar!
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cyanightmars · 7 months
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Oooooh I wanna make a comic about Morro discovering his true potential so bad
But brain small and smooth and can’t think of what his obstacle to overcome could be
Like yeah obviously, it would be learning that he wasn’t meant to be the green ninja and he won’t be able to get that title, and that’s okay! But it’s very similar to what Kai’s potential was (which btw side note, after seeing other people share their interpretation and thoughts on Kai, I too like to believe that the true meaning behind his potential is “I am enough, and I won’t be seen as any less if I don’t become the green ninja”), and I really want to tie in to how he could’ve still had a good life if only he hadn’t been so hellbent on finding the realm crystal
So maybe it could be something like “I am imperfect, I am broken, I have been hurt by others and I too have hurt others, but longing for something that I cannot achieve will not fix me or anything else; I took for granted what I had, I left the one person who truly cared about me, I sought out what I thought would fill the cracks that have formed throughout the years, but it only broke me further. I cannot change my past, I cannot go back to what I had, nor can I go back to who I was. But I can try and build a better future for myself. Despite all the pain, anger, fear and loss, I can still rebuild myself, and perhaps someday, these old scars will fade, and I will feel a little more human. Despite it all, I can still heal.”
Maybe idk, I’d love to hear what everyone else has to say <3
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obstinatecondolement · 6 months
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Having a random panic attack about my stupid Work Trauma from this year. It never fucking ends.
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I'm just saying, they could totally make a (borderlands-style) Stephen King's Desperation/Far Cry kind of story/game/whatever about some off-worlder, maybe someone anti-Hyperion getting stuck in Lynchwood (possibly getting stranded on Pandora and thinking that this place might be civilised and bandit-free) and hoping to get out of there (but also out of the desert and off Pandora). Possibly even working as a prequel to Nisha's death in Borderlands 2 somehow.
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navramanan · 6 months
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european colonialism has fucked with people's brains about who is native to what place and what "being native" means
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queerhawkeyes · 1 year
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how many pounds of hatch chile would be too many to pre-order given that I don’t currently know how to or have the equipment to can anything . . . like 10 pounds? that seems like too many. but if I am paying to have chiles overnighted I should get a lot?
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glimpsesofeuterpe · 4 months
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even if it is the wrong timeline I'm glad we got to meet at least
feliix i am glad too!
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medicinemane · 4 months
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You know... I was just struck by a thought, I wonder if it's that Sabe can compel people or if it's that he decides what will happen and then there's no choice but to do it (or more like, if the compelling is purely mental or if there's an element of shadow walking to it)
Because he's frankly ridiculously psychicly strong, and he's also actually an insanely good shadow shifter (like very nearly able to pull off x=x style stuff, it's just he has to make sure no one's looking including himself to pull it off... lot of grabbing things out of cupboards that obviously weren't there before except for the small fact that they've always been there as of now), so the thing is that if he tells someone to take a seat and they find out that's what they're doing regardless of if they wanted to... is it him messing around in their mind or is it that he's pressing on the fabric of things so that they were always going to sit down right then?
It doesn't really matter, and it's probably mostly the former for a number of reasons... but it did just kinda occur to me that he does a lot of the latter so that could totally be the case here too
(It's funny, but for a long time I hadn't noticed just how strong he'd gotten because it's all so naturally done, and then you start realizing that while he's just a very strong swordsman, that a lot of the more mental areas he's doing stuff far beyond what most people can do. I mean he's basically a living Arcana among other things)
(The other funny thing is while he was still in his own shadow, he was kind of a power hungry asshole, but the moment he actually got to see how things were by getting a bit of true power... he kind of realized he didn't care very much about being in charge anymore, became happy to take a backseat and focus on being the universal fixer, and once he didn't even slightly care about power anymore it turns out that it just kind of falls into his lap)
#of course he regretted being as much of an asshole as he could be at certain times; so he went back and took himself aside to say to chill#like just stepped in and said 'let's use less meatgrinders right now; like let's just pump the breaks on all this'#but I mean that's another place where he's very powerful is how second nature moving through time is for him#because he's realized that time is less a time and time is more of a place#simply open a window and know that you've already arrived when you want to#which is a good trait when you're the universal fixer#just grab a body that's ready to go through the motions of someone's last moments#reach out of the shadows just a tiny bit before their going to die and swap them with what's basically a corpse#and no one knows that they aren't dead; the nature of the shadow remains intact rather than splitting off because you've meddled too much#and meanwhile you get to keep a live version of the person that was supposed to die#all because you knew when you were going to#he's very good at just putting his finger on the fabric of shadow and making it so all roads lead wherever he says they do#so it doesn't matter what route they'll take; people show up exactly where they should when they should because that's a low point in fabri#if you just know you're going where you want to arrive; and that things are where you need them to be; and people do what you want them to#then it's just all already happened except for the part where it hasn't happened yet#the outcome is predetermined because you said it's predetermined#and then in spite of this he'll have fun sparing someone that's a better swordsman than he is; losing but putting up a good fight#because he's good enough he'd never lose to a normal person; but there's a lot of people who are just plain better than he is#and it's just a totally different thing... maybe he could just decide he's better and wins; but why would he? he isn't#if it were actually important then one; he probably is better than that person cause... the people at the top are all on the same page#if someone's being a prick then they're probably not even close to his league#like most of the people stronger then him physically are true immortals; or at least honorary immortals like him#but even if they were somehow stronger then... then he just wouldn't play#he'd just make them sit their ass down because he said so; or he'd Force choke them till they were down; or he'd use the spectral razor#there's just so many ways he can already have won that all he has to do is not engage in a way where he'd lose#I don't know... just a random rambling thought no one's gonna have an idea what I'm talking about with#mm amber
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ktempestbradford · 4 months
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I have been on a Willy Wonkified journey today and I need y'all to come with me
It started so innocently. Scrolling Google News I come across this article on Ars Technica:
At first glance I thought what happened was parents saw AI-generated images of an event their kids were at and became concerned, then realized it was fake. The reality? Oh so much better.
On Saturday, event organizers shut down a Glasgow-based "Willy's Chocolate Experience" after customers complained that the unofficial Wonka-inspired event, which took place in a sparsely decorated venue, did not match the lush AI-generated images listed on its official website.... According to Sky News, police were called to the event, and "advice was given."
Thing is, the people who paid to go were obviously not expecting exactly this:
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But I can see how they'd be a bit pissed upon arriving to this:
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It gets worse.
"Tempest, how could it possibly--"
source of this video that also includes this charming description:
Made up a villain called The Unknown — 'an evil chocolate maker who lives in the walls'
There is already a meme.
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Oh yes, the Wish.com Oompa Loompa:
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Who has already done an interview!
As bad (and hilarious) as this all is, I got curious about the company that put on this event. Did they somehow overreach? Did the actors they hired back out at the last minute? (Or after they saw the script...) Oddly enough, it doesn't seem so!
Given what I found when poking around I'm legit surprised there was an event at all. Cuz this outfit seems to be 100% a scam.
The website for this specific event is here and it has many AI generated images on it, as stated. I don't think anyone who bought tickets looked very closely at these images, otherwise they might have been concerned about how much Catgacating their children would be exposed to.
Yes, Catgacating. You know, CATgacating!
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I personally don't think anyone should serve exarserdray flavored lollipops in public spaces given how many people are allergic to it. And the sweet teats might not have been age appropriate.
Though the Twilight Tunnel looks pretty cool:
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I'm not sure that Dim Tight Twdrding is safe. I've also been warned that Vivue Sounds are in that weird frequency range that makes you poop your pants upon hearing them.
Yes, Virginia, these folks used an AI image generator for everything on the website and used Chat GPT for some of the text! From the FAQ:
Q: I cannot go on the available days. Will you have more dates in the future? A: Should there be capacity when you arrive, then you will be able to enter without any problems. In the event that this is not the case, we may ask you to wait a bit.
Fear not, for this question is asked again a few lines down and the answer makes more sense.
Curious about the events company behind this disaster, I took myself over to the homepage of House of Illuminati and I was not disappointed.
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I would 100% trust these people to plan my wedding.
This abomination of a website is a badly edited WordPress blog filled with AI art and just enough blog posts to make the casual viewer think that it's a legit business for about 0.0004 seconds.
Their attention to detail is stunning, from how they left up the default first post every WP blog gets to how they didn't bother changing the name on several images, thus revealing where they came from. Like this one:
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With the lovely and compact filename "DALL·E-2024-01-30-09.50.54-Imagine-a-scene-where-fantasy-and-reality-merge-seamlessly.-In-the-foreground-a-grand-interactive-gala-is-taking-place-filled-with-elegant-guests-i.png"
"Concept.png" came from the same AI generator that gets text almost, but not quiiiiiite right:
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There are a suspicious number of .webp images in the uploads, which makes me think they either stole them from other sites where AI "art" was uploaded or they didn't want to pay for the hi-res versions of some and just grabbed the preview image.
The real fun came when I noticed this filename: Before-and-After-Eventologists-Transformation-Edgbaston-Cricket-Ground-1024x1024-1.jpg and decided to do a Google image search. Friends, you will be shocked to hear that the image in question, found on this post touting how they can transform a boring warehouse into a fun event space, was stolen from this actual event planner.
Even better, this weirdly grainy image?
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From a post that claims to be about the preparations for a "Willy Wonka" experience (we'll get to this in a minute), is not only NOT an actual image of anyone preparing anything for Illuminati's event, it is stolen from a YouTube thumbnail that's been chopped to remove the name of the company that actually made this. Here's the video.
If you actually read the blog posts they're all copypasta or some AI generated crap. To the point where this seems like not a real business at all. There's very specific business information at the bottom, but nothing else seems real.
As I said, I'm kinda surprised they put on an event at all. This has, "And then they ran off with all our money!" written all over it. I'm perplexed.
And also wondering when the copyright lawyers are gonna start calling, because...
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This post explicitly says they're putting together a "Willy Wonka’s Chocolate Factory Experience" complete with golden tickets.
Somewhere along the line someone must have wised up, because the actual event was called "Willys Chocolate Experience" (note the lack of apostrophe) and the script they handed to the actors about 10 minutes before they were supposed to "perform" was about a "Willy McDuff" and his chocolate factory.
As I was going through this madness with friends in a chat, one pointed out that it took very little prompting to get the free Chat GPT to spit out an event description and such very similar to all this while avoiding copyrighted phrases. But he couldn't figure out where the McDuff came from since it wasn't the type of thing GPT would usually spit out...
Until he altered the prompt to include it would be happening in Glasgow, Scotland.
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You cannot make this stuff up.
But truly, honestly, I do not even understand why they didn't take the money and run. Clearly this was all set up to be a scam. A lazy, AI generated scam.
Everything from the website to the event images to the copy to the "script" to the names of things was either stolen or AI generated (aka stolen). Hell, I'd be looking for some poor Japanese visitor wandering the streets of Glasgow, confused, after being jacked for his mascot costume.
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HE LIVES IN THE WALLS, Y'ALL.
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shotmrmiller · 4 months
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retired pornstar!Ghost who can't seem to ever keep his hands to himself whenever you're around, even when about to film.
f!reader, 18+ smut. unedited.
If you're standing at a table making coffee, he'll sneak up from behind and wrap his arms around you, his chin resting on the crown of your head.
Hi, Ghost.
G'mornin', love.
If you're walking out of Price's office with a script in hand, he's by your side in mere moments, throwing an arm over your shoulder.
"New script?"
"You should know, you're my co-star. Again."
"Lucky me, pet."
He's leading you toward his office, perches you on his desk and cups his hand over your core.
"Gonna let me eat this pretty pussy?"
"I dunno, Ghost. Gonna fuck me here too?" you smirk at him.
"Whatever you want from me," he breathes.
You stumble out hours later with swollen lips, love bites mottled over your neck and collarbone, and his warm spend trickling down your legs because Ghost pocketed your knickers.
The day of, he's texting you if you'd like a ride to the studio.
Sure thing. Get me in 15.
Yes ma'am.
He doesn't ask for your address, and you don't question why he knows where you live either. Ghost, forever the gentleman, opens the passenger door for you, and gently helps you get in. The entire drive over, his hand rested on your bare thigh, his small finger occasionally grazing your clothed cunt. By the time you arrive, your knickers are damp with your arousal.
"Somethin' wrong, love?"
You snort at his feigned innocence. "Cute. Is mercilessly teasing me fun to you?"
"Sorry 'bout tha.'" Ghost doesn't sound all that apologetic.
He brings you in tight, wrapping his arm around you firmly.
"Lemme make it up t'you in my dressin' room", he purrs.
You click your tongue. "Price'll have your head if he catches me in there, especially when we're about to make a vid."
"Be sure to keep quiet, then. Would absolutely hate to get caught."
With his smart fingers and expert tongue, you're brought to peak 3 times.
Price rolls his eyes when he spots you both walking in at the same time 15 minutes before the shoot.
"Always cheek by jowl, eh Simon?"
His piercing eyes cut to Price's. "Not a crime, last I checked."
Price lifts his hands up, palms outward in mock surrender. "Easy, Ghost. Only teasin'." He turns away, gesturing the crew to get in their places.
Ghost taps your chin with his pointer finger, drawing your attention. "Showtime, baby."
The wolfish grin on your face mirrors his.
"Showtime," you echo.
Ghost turns sex into art. He moves with discipline; every languid roll of his hips deliberate. Like a skilled painter, he transformed you into a living masterpiece, using each drag of his cock as a brush stroke on the canvas of your very being.
It's otherworldly.
He watches your face intently as he changes the angle, bites his bottom lip when he changes the pace, grunting into your ear as your walls begin to flutter— the telltale sign of 'his favorite part', as he loves to say.
"Gonna come f'me? Lemme hear that sweet, little voice of yours, pet." Almost as if following his command, you're digging your nails into his biceps, and closing your eyes in bliss as you climax. A loud, drawn-out moan escapes your lips as your cunt rhythmically pulses around Ghost's heavy length. Your soft thighs quiver around his broad waist as he works you through the aftershocks with slow, firm thrusts.
"Look at tha'. Came when I told ya to, like a good girl." Your mind is blank from your orgasm, tongue too heavy and thick in your mouth for you to even try to articulate a response.
"Creamed all over my cock, can ya hear it?" Hard not to when the wet sounds of your pussy squelching every time he bottoms out fills the room.
"You're so fuckin' tight. Cunt's squeezin' me like it doesn't want me to pull out."
His filthy words send a jolt straight to your throbbing core. "Felt tha'. What, you got a breedin' kink?"
Another jolt, so sharp it almost hurts.
"Want me to fill ya with my come? Is tha' it?" His husky voice dripping with desire. With want.
yes. yesyesyessss—
"Tell me you want me. Fuck, tell me you want me to come in you." The words fall from your spit-slick lips like a faucet.
"Come in me, oh my god, come in me. Fill my pussy up."
His thrusts lose some of their rhythm, but still not sloppy enough like when he's on the very brink.
Ghost's jaw in clenched, as if digging his heels in to hold off his climax. Well, that's simply unacceptable.
Your fingers tangle into his hair, giving him a slight tug to have his lips hover over yours.
"I want you come in me, Simon."
The change is instantaneous. His eyes widen a fraction before stealing your very breath with a searing kiss and fucks you. He puts his weight behind each snap of his hips. The tip of his cock pressing into the plug of your womb, making your eyes prickle with tears.
It's too much, he's too much, you think you've gone and bitten off more than you can chew with him when he mercifully stills with a groan you swallow— cock twitching as it pains your insides white.
He breaks away, gasping for air, sweat that beaded on his forehead dripping onto your heated skin.
Cut.
DaVinci and his muse.
Later, when he threads his fingers into your damp hair, you ask him why he doesn't record with others.
"'Cause I don't want to."
Oh?
"Besides, you and I have fantastic chemistry, dont'cha think?" He tugs on a lock of hair. "The fans love seeing us together, just as much as I love seeing my cock disappear into your sweet pussy."
He chuckles when he takes in your flustered expression. "Don't ask questions you aren't prepared to hear, then."
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motomamita · 13 days
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fugitive!konig × naive!farmer!reader
warnings: smut, +18, no condom, innocence kink, breeding kink, baby trapping, virginity loss, female reader, dub-con!!
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fugitive!konig who managed to escape the law, after committing several crimes, and now travels throughout the country hiding his identity.
On one of his many trips he ends up arriving at a small town, almost lost in time, where its few inhabitants live off their animal farms and orchards. Apparently no one had televisions, and the few radios only broadcast music that was overshadowed by static. This ensured that no one there would be able to recognize him and gave him the opportunity to stay and rest for a few hours.
Tired of walking and extremely hungry, Konig sat down in a small cafe to have a drink. The people around him looked at him strangely, not only because they didn't know him but also because of his intimidating appearance. His back was broad, he had long legs, and the muscles in his arms were noticeable even though he was wearing a wind jacket that covered him. However, no one seemed to be bothered by his presence, the people there loved tourists and Konig seemed completely like one.
When it was time to pay, he noticed that he had ordered and consumed more than he could afford. He was about to offer some of his "camping" knives in exchange for the money he was missing until a figure approached him.
"Don't worry if you don't have the money to pay." you spoke with a sweet voice and doing everything possible so that Konig would not feel embarrassed. "I sell the fruits to the owner of the place so I'm sure I can reach an agreement with him."
Konig was fascinated by you. Not only because of your timely friendliness but also your very natural and almost unique appearance that was very difficult to find in other places. You were wearing a jean gardener, some comfortable shoes and you were carrying a basket that minutes ago was full of fruits and vegetables from your garden. Konig looked down, somewhat shy and not knowing how to react to you, the truth is that during his escape he had not met many friendly people.
"Don't worry, I'm not going to ask you for anything in return." You smiled when you saw that no words came out of his mouth. "Here we greatly appreciate tourists and travelers, after all they are the ones who keep this small town from turning into a ghost town."
You invited Konig to take refuge in your small house for as long as he needed before leaving again for another place. Konig accepted, surprised at your remarkable naivety in letting a complete stranger into your house and providing him with all the care.
When he arrived, you showed him where the shower was and what his room would be where he could rest. You left a clean change of clothes on his bed and selflessly went off to make dinner. Once he cleaned, Konig followed the delicious smell and came to the kitchen where you were on your back stirring a large pot of what seemed to be a stew. You were so focused that you didn't notice the presence of the big man behind you. he thought about how easy it would be to cut your neck with one of those long knives you had there. But the idea quickly disappeared when you turned around and a wide smile formed on your face when you saw him.
That stew was the best he had tasted in a long time, so much so that he served himself 3 plates, leaving you totally pleased. The next morning, Konig didn't really know exactly what to do. He could stay one more night and wake up in the middle of the night to raid your entire home, even leave after having a trip with you. He was hesitant, and that hesitation turned into doubt when you offered to cut his hair and trim his long beard, which he accepted.
That same afternoon Konig sat down to drink a lemonade made by you while he watched you harvest super large, red strawberries from a distance. He fixed his gaze on the way your pants hugged your butt in a tempting way and how you hummed a melody quietly that he couldn't make out. A tingling appeared in Konig's tummy and he suddenly noticed an erection growing inside his pants. You looked so pretty, so innocent. It was obvious from afar that you didn't kill a fly and that your care for him was sincere.
The days passed and Konig seemed to have no intention of leaving, that didn't bother you at all. Now he helped you with the heavy work on the farm, carrying large amounts of hay on his shoulder and feeding the animals. His favorite activity was watching you milk the cows, fantasizing about your hands and the way the milk dripped from them.
His approaches to you intensified, taking advantage of the slightest opportunity to touch you or rub against you. he soon discovered that you had no idea about any sexual activity, acting confused at his double meaning words and insinuations. You were the perfect muse to fulfill all his fantasies without anyone being able to stop him.
Your parents had died a long time ago, leaving you alone in charge of the big farm and all the obligations of the adult world. That led Konig to think that life on that farm couldn't be bad. He knew how to handle hard work well and you did everything you could to teach him and please him. The idea of ​​starting from scratch, with you there, totally convinced him.
You were a healthy, hard-working woman and you needed someone like konig with you. But Konig needed to have something that would force you to keep him there with you, forever and that would confirm the mutual love that you both had to give each other. That's when he found the solution: he had to get you pregnant.
That afternoon he made a point that you wouldn't leave the stable until you were full of his cum. He started by complimenting your dress and how pretty that color looked on you. Then the caresses that increased in intensity until he managed to let you be carried away by him and his carnal desire. Now he had you under him, with your skirt up and your underwear hanging from one of your feet. Out of desperation, Konig only lowered his pants to his heels, even with his work boots on. You were on a large pile of hay, sweating from the great summer heat and moaning loudly.
His thrusts were brutal, making their way inside you that you barely had time to understand everything that was happening. The pleasure was so much that you could barely think about anything other than Konig's gaze and the way his balls slapped your ass.
"Oh, baby. You're so so tight.. And wet, shit" Konig groaned, sighing loudly at the pleasure your pussy was giving him. "Tell me, how did a cute little thing like you stay a virgin for so long, huh?" You opened your mouth to answer but only moans came out. "Uh? Talk to me, sweetheart, talk to me.."
"I.. I don't know.." you managed to say, overstimulated by everything. Konig's rough shirt rubbed against your clit, giving both pleasure and pain. Konig was so big that he covered you with his entire body, leaving you with almost no place to breathe air other than his breath.
"Uh? Don't you know? These farm boys are idiots... They wouldn't know how to please a pretty thing like you..." Konig cut off his sentence to get even closer to you and kiss you, putting his tongue inside your mouth. You tried to keep up with him but that triggered the kiss to be even wetter and hotter for him.
"Konig.. Give me more, please!" He smiled as he heard the urgency in your broken voice. You looked so pretty like that, almost not understanding what was happening but still pleased and eager for him to give you even more.
He, ready to please you, grabbed your legs and raised them to your shoulder, adopting a new position. His thrusts continued, his fat cock forcing its way into your no longer so virgin pussy and the simple sound of your skin slapping together made your warm walls embrace him. Not really knowing what to do, you brought your hands to Konig's big, muscular shoulders, feeling a few scars on them.
"Oh, my pretty little thing.. I'm going to fill you inside and you're going to be the prettiest mom in this whole damn town.." You dug your nails into his shoulder and your gaze was filled with confusion. "You like it, huh? You're going to make me so happy, isn't that what you want?"
You hesitated for a few seconds, not sure what he meant but his cock rammed even deeper into you leaving you almost without any thought. Tears formed in your eyes from the pleasure and absolute adoration with which he looked at you.
"Come on, mommy.. Make me happy, carry my precious baby.."
In the same way that Konig had managed to get his way in prison, he had gotten his way with you. Now you both lived together as a couple on the farm, happy and with a baby on the way inside your fertile womb.
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lymtw · 22 days
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Toji invites you over with a simple text of:
You busy tonight, doll?
To which you respond:
I don't think so... Not that I know of. Why?
Toji laughs through his nose when he reads your message. Even the way you text him has your timidness imbued into it. It's precious.
Come spend the night at my place. You told me you're off tomorrow, right?
I am, but are you sure? Driving home is not a problem for me. I can hang out and go home after.
You're staying. I wanna try something with you and it requires you to stay the night. You can't go home.
Oh okay! I'll be there in 10.
Drive safe.
Toji likes that you're very precise about the time you'll be arriving somewhere, and if you're ever late when it comes to spending time with him, you apologize profusely, nonstop. You won't stop blubbering about why you're late and how sorry you are for making him wait, even after Toji's expressed that he's more than understanding. He's the king of showing up late to plans, so he can't be a hypocrite and scold you when you don't do it often at all.
You're so sorry, though, and you don't shut up about it until he makes you shut up with a kiss. You're helpless, and you can't for the life of you figure out where to put your hands when you're so focused on the grip he had on your waist to pull you up against him.
He releases your lips, cracking a grin at the look of wonder on your face. He can't deny the pride that swells in his chest at his ability to disarm you and prevent you from having a total meltdown over a three minute delay.
Toji has gotten so much better at handling situations like these with you. It's only fair for him to gain satisfaction out of making you feel better. After all, you are a first for him. You're emotionally fragile, you're a nervous wreck, and your voice competes with the wind just to be heard. Toji doesn't set aside the fact that you're also beautiful, warmhearted, and you try for him. He sees your attempts to be affectionate. You'll slowly reach your hand out to hold his and then bail the second he catches you. He ends up having to interlock his fingers with yours because your embarrassment doesn't allow you to try again. He still appreciates that you leave your comfort zone for him and allow him to guide you towards new experiences.
"Stop with the guilty feelings, ma. We have all night and all day tomorrow. What's a couple minutes to ensure you get to me in one piece?" He says, comforting your droopy self. You look like a sad, abandoned puppy, now sporting rosy cheeks from his surprising gesture.
"Okay," you say, feeling a little more at ease. "What did you have in mind for tonight?"
"Follow me," he says, leading you through his living room to his kitchen. He pulls out a stool for you and points at it. "Sit." You want to laugh at the way he says it like he's teaching commands to a dog, but you know he doesn't mean it that way, so you obediently sit down like one anyway.
"Have you eaten anything?" He asks, silently hoping you have because he doesn't have anything to make you dinner. He would have to order in or pick something up.
"I ate a couple hours ago. Still pretty full," you respond, watching him reach up for something in his cabinets. There's now a tall glass bottle with a red label and matching cap sitting on the counter.
"How 'bout it?" He says, a large hand wrapped around the neck of the bottle. "We could go to the couch and watch a movie or something."
He's never seen you under the influence of anything, but based on your reaction, maybe he'll get a show tonight. He's always wanted to know what you would be like if you were more extroverted and outspoken. There's nothing wrong with the way you are, but if things keep going the way they're going between you and Toji, he's bound to meet your chatty alter ego at some point in the future. What better way to have this experience than in a secure place with someone who can handle their alcohol and take care of you if it turns out that you can't.
"Okay, sure." You giggle, excitedly.
You're a lightweight. Even the fruitiest, sweetest alcoholic beverage will quickly take a toll on you while you're sipping on it. Wine is a step up, so you'll have to try your best to keep it together for the sake of not looking sloppy in front of Toji.
Toji brings down two glasses, and pours out the deep red liquid into them. One for you, one for him. He hands the glass to you, and nods at your quiet "thank you".
Toji watches as you immediately take a sip. He sees the way your nose scrunches at what you consider to be a funny taste, but the second you put the glass down, you smile like nothing. You don't like it at all. You hate the bitterness, and the fact that it's made with fermented grapes lives in the back of your head.
"How is it?" He asks, holding back a chuckle. You're too sweet for your own good, pretending to enjoy this for him.
"I like it," you say, pressing your lips together.
"Yeah? I think it's kinda gross. Guess I was expecting more from a fancy ass bottle, but brands are gonna brand, huh?"
You giggle, almost involuntarily. You're one gulp in, and already you're starting to feel the effects.
One of your worst habits includes chugging drinks that don't taste good, just so you can get them over with. You even do this when your drink is messed up at coffee shop. You're too nice to ask the barista to remake it, so you suck it up and drink the incorrect beverage solely for the caffeine you hope it has in it. This time is no different. You hate the taste of alcohol. You don't do plain shots, you can't stand hard ciders, and wine is no exception, but you're doing this for Toji. He cracked open the bottle to share with you, so you're going to drink every ounce of the liquid in the glass, whether you like the taste or not.
You bring the glass to your lips again, taking a much larger sip. The glass is a little less than halfway now, and your eyelids are starting to feel a little heavy. Not in a sleepy manner, but you can't seem to hold your eyes open as wide anymore.
You exhale through your nose, shut your eyes, and then blink them back open to take note of your altered state.
"That was a lot. How are you feeling?" Toji asks, noticing a shift in your demeanor. You seem a little more sluggish now. You turn your attention to him, your eyes rolling when they turn to meet his.
"I'm good, how are you?" You ask, like it was the start of a conversation rather than an ongoing one. Your eyes almost shut completely when you smile at him.
"You're tipsy already, aren't you?" He asks, with a grin on his face.
"Pshh, what? No, i'm not," you say, contradicting yourself with a giggle. "Answer the question, baby. How are you?"
"Fine," he responds, lingering on the pet name. You've got loose lips, now. In any other circumstance, you would address him by his name. Most of the time Toji is the one giving you pet names, for the sake of flustering you. He loves the way you look at him when he calls you doll or sweetheart, somewhat shocked every time the words leave his mouth.
"Yeah? That's good." You pick up the glass one more time, sighing before you mutter, "'scuse me. Gotta finish this."
With that last sip, the glass was now empty. Even Toji thinks you drank that too fast, but he still has the courtesy to ask you if you want more.
"Mhm, I'll have a little bit more. Just a tiny bit." Toji pours as much as he did the first time, chuckling when you nod in approval of the quantity. "That's perfect. Absolutely, perfect. You're a genius, my love." You flash him a smile before starting on the next glass.
Toji was considering having another glass, but that was before you called him "my love" in a tone so warm that he felt like he just had a bowl of hot soup that was now settling in his stomach. That was before you smiled at him in such a free spirited manner. It was too late for him to see you in this state while completely sober, but he sure as hell wouldn't be adding anymore alcohol to his system. He can't miss something like this, so instead he leans forward on the counter, and intently watches your every move.
"I got something on my face?" You ask, dragging your sleeves all over your face. You examine your sleeves and they're clean. "You liar. You're looking at me like that for nothing." You squint at him, a slight scrunch in your nose to define your defensiveness.
Toji laughs, his focus now on the small pinch in your brows. "Don't go picking fights over nothing. It's not a crime to look at my pretty baby."
Your faux tough exterior immediately crumbles, the irked expression on your face dropping to the ground, at the sugary words he uses on you. Your face feels very warm, and now there's an indefinite blush on it. You can't stop smiling at the look on Toji's face. He's so focused that he's gone speechless, and you eventually break into a laughing fit because of it.
"Hey... i'm usually the quiet one. Why aren't you talking, pretty boy? Need me to shut up?"
The pet name has Toji glancing at your glass, noticing that it was full for less than five minutes. This was new— you being flirtatious towards him. He didn't have any complaints about it whatsoever.
Once again, the quantity of the wine in your glass was below the halfway mark. "Nah, baby. Talk to me. You must really like the wine, huh?"
"Mmm..." you lean forward towards him, with your elbow on the counter and your chin in your palm. "What makes you say that?"
He actually snickers this time, earning a sly grin from you. "You're chugging it like it's water. It's either you love it or it tastes like ass and you're dying to spit it out."
You pick up the glass again, one last time. "Let's find out if I like it," you say as if you're not on your second serving. You let the liquid hit your tongue, and you are instantly repulsed by the flavor. The glass is tilted all the way up, signaling that you've finished two cups of wine in less than fifteen minutes. Your cheeks are filled with the drink, blown up like a puffer fish, which makes Toji smile softly with anticipation for your reaction. Your tongue stays on the roof of your mouth, keeping the wine in your cheeks separate, to give you a break for a few seconds. You release the bubbles of your cheeks and your mouth is flooded with the bittersweet liquid. You swallow the burgundy mouthful and smile with your lips pressed together once it's all gone. The mouth drying effect of wine is your least favorite thing about it.
"So?" Toji prompts.
"It's-" you gag, clasping a hand over your mouth with wide, slightly teary eyes.
Toji's chest and shoulders shake as he contains his laughter, his lips pressed together tightly to stifle the smile threatening to show itself, but his eyes tell you everything.
"Wooo, sorry about that," you say, chuckling through the embarrassment. "It's good," you repeat, still muffled by your palm.
"Yeah? Want more?" Toji asks, holding up the bottle with a teasing grin on his face.
You almost gag again but manage to control yourself. "No, thank you. Any more and I'll doze off, and we both know that's not what i'm here for." There was a hint of sultriness in your tone, something Toji was not sufficiently familiar with. It was a completely welcome shift from your normally tentative way of speaking to him.
"I know why you're here, but I wanna know what you think you're here for."
You stand from your stool and lean more of your body onto the counter. Your hand reaches for his, and for the first time, you don't pull back before making contact with his skin. "To love on you, of course," you say, with those pretty rosy cheeks. Your eyes remained glossy and your nose was still red from trying not to bring the wine back up earlier, but Toji thought you looked so cute.
"Is that right?" His thumb brushes over your knuckles, feeling the softness against his rough fingertip.
"Let's go watch that movie you were talking about and you'll see what I mean."
Toji was loving this. Your confidence, your lack of holding back anything you had to say, it was truly baffling how you could be someone else entirely with just a couple glasses of wine.
You keep his hand in yours, and as if it were your house, you say, "come on," and drag him along to the living room.
This time you say "sit" and point at the couch. This time he's the obedient dog and does as you say, sitting on the exact cushion you were pointing at with a smirk on his face. He moves the couch pillow aside to make room for you, but you had another seat in mind. You take two steps towards him before slowly dropping yourself into his lap, straddling him.
"I see you're finally taking your seat on the throne, hm?" He grins, resting his hands on your waist. This is the closest Toji's been allowed to watch you giggle without you burying your face into his neck and it's a trip. He can see the details of the creases around your eyes and the lift in your cheeks as you smile. He feels fuzzy, and he didn't even finish his glass of wine, so he knows it's not that.
"Stop making me laugh and pick a movie, will you? I'm here for that, too."
He picks up the remote for the TV and turns it on. "How are you gonna watch the movie while facing me?"
"Actually,.. can I tell you a secret, baby?" You ask, wrapping your arms around his neck. Your fingers play with the hair that reaches towards the nape of his neck, combing through it gently.
"What's that, princess?" Toji asks, vert eyes flitting between your eyes and that sweet smile of yours.
"I don't wanna watch a movie. I... wanna look at you... and that's it." Your nails gently scratch the back of his head, eliciting a tingly sensation that makes chills run down his spine.
"That's cool, too," Toji says, turning the TV off again, not caring that it was on for less than a minute before you changed your mind. He sighs, adjusting his position beneath you. Your thighs are secured around his hips, your knees touching the backrest of the couch.
"You're so handsome, my baby. God, look at those eyes," you whisper in awe, before giggling and bringing your hands to his face. You trace the bags under his eyes with your thumbs while admiring the haunting shade of green that scopes on you. Toji's hand comes up to loosely wrap around your wrist. He's not there to stop you, he just wants to move along with you as you observe his face.
"I know I don't say this to you enough, but I find you..." you sigh, blinking slowly, "enchanting..." You lean in and kiss the left corner of his lips—his right, and feel the smooth, tattered skin beneath your warm lips. "and I love you," you mumble into the cicatrix. "So fucking much, baby. And i'm sorry that you'll never know exactly how much because you aren't me." You're looking at him with so much adoration and touching him with a delicacy that can't be put into words. It's a deadly combination, one that has Toji in a chokehold and forces him to soften up even more for you.
He tightens the hold he has on your waist, pulling you closer until your stomach is pressed to his, as a result. You being so affectionate towards him is making him feel really good, and you have no idea because you're too focused on appreciating him. He's subconsciously leaning into your touch, his softened gaze meeting your lovestruck one.
"Fuck. I love you, too, princess," he murmurs, squeezing your wrist in his hand. He pulls your hand down to his chest. "Want you to aim for my lips, this time."
"Okay," you say, smiling before closing the distance between your lips and Toji's. He can still taste the remnants of the wine you inhaled minutes ago, but it tastes much better and a lot sweeter on you. Toji can hear your high pitched little hums as you kiss him, happiness pouring into your kisses. You're trying so hard not to laugh in his face, and trying is the best you can do, right now. You never were good at hiding your smile from Toji. He can't see it, but he can feel the way your lips widen, and he's occasionally kissing your teeth when your sluggishness keeps you from matching his pace. With little pants leaving you, you drag your lips away.
He sighs, frustrated by the loss of your softness against him. "Baby..." he groans, the sound almost whine-like to your ears. He wants more, so much more of you, and you're ignoring him. You're too busy kissing his chin, and his cheeks, and the tip of his nose.
You drag your other hand down to his chest and keep your hands splayed out on it as you let your lips trail his jaw, lightly sucking on the skin. Toji can't help but think about how this version of you will be gone in the morning. You won't be as outwardly affectionate, you'll go back to second guessing every move you make with him and shrinking every time he steals kisses from you, instead of confidently kissing him back like you did a minute ago.
You make your way down his neck, pressing kiss after kiss on him before you move towards his ear. "I love you, Toji," you whisper, kissing the shell of his ear after. "Love you, love you, love you soooo much," you barrage, before throwing him off with a bite to his earlobe. You giggle like a menace into his ear, the warmth of your breath luring goosebumps out onto his skin.
He chuckles, repeatedly squeezing the soft skin of your waist between his hands. "Yeah? Tell me again," he murmurs snaking his hands beneath the back of your shirt. Your skin is very warm, and there's nothing to blame but Toji and that shitty wine for making your body react this way.
With uninterrupted hands, you course your fingers through his hair and lean in to bite him again, this time on his neck. Toji chuckles at how you instantly rush to soothe him with your tongue and a warm kiss, even when you inflicted zero pain on him.
"I love you, Toji," you repeat into the wet indentations you left behind. "My love... my handsome man... I cherish you, you know?"
Toji is practically purring at all the affection you're showering him with. The slurring of your words is blocked out and they remain clear as day to him. He manages to hum a deep little "mhm" to your last statement.
"It's just so hard to talk to you sometimes. You... you're so intimidating, sometimes. I don't expect you to understand..." you divert your gaze to his shoulder, not able to look him in the eyes as vulnerability takes sudden control of your emotions. "It seems like I don't appreciate you sometimes—all the time, but I do, Toji. I do appreciate you, and I can't ever say I love you enough to show it. Words aren't always enough."
Toji catches the waver in your voice and his eyes dart to yours. You're tearing up, and you're trying to still your quivering lips by pressing them together.
"Shit," Toji mutters under his breath. You have the saddest expression he's ever seen and it's messing with his heart. He pulls his hands out of your shirt so that he can swiftly pull you into his warm embrace. "Hey," he coos. You're shaking against him, holding your breath to avoid sobbing. Your lungs burn, but you'd rather feel that than make a scene of your tears. "Don't be sad, mama. What's with the tears, hm?" he murmurs. He can feel your tears dampening his shoulder, but the fact that you haven't made a sound is concerning. "Breathe or you'll die," he says, only half joking. He rubs a soothing palm against your back, his other arm around your waist.
You let out what sounds like a mixture between a choked laugh and a sob, slowly but surely regulating your breathing. You don't even feel like saying anything anymore because you know your voice will give way to even more pity.
"You're more than enough for me," Toji says, his chin resting on your head. "I know how you feel, you know how I feel. We're complete." He can feel the way you scrunch his shirt up into your fists. As if he would go anywhere without you. "I get you and you're stuck with me. Got it?" You silently nod against his shoulder in response. "Sit up and let me look at you."
You really don't want him to see you this way. Your eyes feel swollen and you don't feel presentable.
"I can't..." you say, barely audible. You release his shirt and let your hands go limp behind him.
"Why not?"
"I'm not pretty right now. Don't look at me."
"I'm gonna look at you," he challenges with a teasing grin.
"Toji, don't look at me."
"Too late, it's happening. Plan's already in motion," he says, sliding his arms onto your shoulders.
"Toji, don't-" He effortlessly pushes you off his shoulder and gives you a once over. You look defeated and you're unable to look him in the eyes, but at least he can see you now.
"Don't know what you were so worried about. You look the same but more blush-y." You finally give him your slightly reddened eyes, a soft smile appearing on your face. You look like your sober self. "Yeah, you look the same."
"Are you lying?" You ask, still not regaining the full strength of your voice yet.
"I wouldn't tell you if I was, but no, i'm not lying. You're so pretty." Toji wiped away tears that were stuck beneath your eyes, and you giggled. He washed away your sadness within a couple minutes. Toji always did this for you in exchange for your love and affection. He lifted your spirits when you didn't feel deserving of him, and with time, he got much better at recognizing the signs that came with this ridiculous idea you planted in your head.
"You're done loving on me? Already?" He asks in playful disbelief.
"You're not done with me? Do you actually want more?" You ask, hesitantly.
"Don't want more, I need more," he corrects, returning his hands to their rightful place on your waist. "Get all up on me, princess."
You giggle, leaning closer towards him to peck a kiss onto his cheek.
"Mhm, like that," he says, contently, when you pick up the pace and start smothering him. "Yeah, baby, there you go." His forearms go beneath your shirt, encircling around your bare waist and pulling you close to him like before. "Who's getting spoiled like me?" He says through a grin. You're holding back laughs as he continues to praise you for your affection.
"S-Stop," you say through a wheeze, not able to contain the sound any longer when you looked at him.
"What are you laughing at, huh?" He chases you this time, pressing his nose into your cheek before planting a light kiss into your jaw.
"You're so unserious," you say, turning your head as he keeps going with the kisses.
"Mmm... I'm serious about you," he says, feeling the vibration of your laughter against his grin. "So serious."
Your cheeks feel incredibly hot from how much you've been smiling. In this little drunken haze, things are so good. You're so happy, you're so affectionate, and you talk so much. This isn't like you at all, but it's not hurting anyone, especially not Toji. There was one minor slip, but you moved past it so quickly like the words never left your head to begin with. You're just so simple... so easy to take care of.
Toji notices the way your eyes are starting to lid with tiredness, and while he would love for you to doze off in his arms right then and there, you'd probably prefer waking up in a bed.
"Let's go to bed, yeah?" He suggests.
"What? No! I just got here... We can still talk, and kiss and- I'm not even tired."
Toji grins at the way you fight him on this, and he has half a mind to indulge you when you look so adorable, but he has to stand his ground. He's right.
"But, you are. You can't even hold your eyes open, anymore."
You feel sad again because the rest of the night would be going to waste if you both go to sleep early. You're there to spend time with Toji, and yet you feel like it's your fault your time is being cut short. You're thinking you shouldn't have drank the wine so quickly, if at all.
"Listen, doll," Toji says. He doesn't like the sadness that resurfaces on your pretty face. He doesn't think you should look that way because of him. "We're just gonna go lay in bed. We don't have to go to sleep. We can stay up as long as you want. Light on or light off, whatever you wanna do, let's just move it to the room."
You sigh, still not completely convinced that the night isn't over, but Toji managed to persuade you. "Will you carry me, please? My legs feel like jelly."
"Of course. What kind of person would I be if I let you stumble into the room on your own?"
You sigh, wrapping your arms around his neck and your legs around his waist, your face buried into the crook of his neck. "You'd still be my favorite person, but i'd be a little upset..."
Toji stands from the couch, humming in response to your quiet mumbles.
"...but not really upset. Just a little bummed. Not for too long, though, 'cause I love you, but I would expect an apology from you if I fell down," you draw out.
Toji cracks at your little ramblings. It's a ten second walk from the couch to the bedroom, and the whole time you were working through a hypothetical conflict.
"Yeah? You'd want me to say sorry?" He asks, setting you down on the bed.
"Mhm, and then I wouldn't be upset or bummed anymore," you mutter to yourself as you roll onto your back.
"That's fair. Want the light on or off?"
"Off," you blurt. "Let's tell scary stories," you trill, enthusiastically. You pull the blanket over your lower body until it reaches just below your chest.
Toji makes his way to the bed after turning off the light. He takes his shirt off, and out of habit lets it fall to the floor. "We're not telling scary stories this late at night," he says, joining you beneath the blanket.
"But, they're funny," you say, turning to face him. "I don't get scared, either."
"Depends on who's telling the story. I'm sure as hell not gonna feed you a nightmare, doll."
"Boo," you say, lowly. "Whatever, i'm over it already," you mutter, rolling your eyes.
Toji watches you grow more and more tired as you throw random, nonsensical topics at him. You're taking longer to respond by the minute, and you're dozing off while humming in thought. You shake awake each time it happens and try to keep the conversation going, but Toji just shushes you and tells you to go back to sleep.
"I can see the moon through the window," you mumble, looking past him.
"I know, shh..." he hushes you, again.
"There's only like... one star," you whisper, in awe.
"Baby, come here," Toji says, like he's about to lecture you about the rules of sleep, but really he's just thinking that if his body heat doesn't put you down, he's gonna have to stay up with you until you fall asleep on your own.
You scoot closer towards Toji, tucking your arms into your chest when he reaches out to pull you into him the rest of the way. His body exudes so much warmth, you feel like you don't need the blanket at all.
There was nothing left for you to say when you couldn't see or feel anything but him. It was as if you were gone the second he enveloped you in his arms. You were small to the brink of nonexistence, no longer there to tell him what your surroundings were, or to ask him thoughtless, silly questions. You were no longer there to fight off the sleep he only seemed to bring closer towards you. Feeling his warm skin against you made you change your mind about this invisible fiend that was pulling your eyelids down. You now welcomed the calls to rest from your steady heartbeats.
Your silence gave him the answer he needed, but for good measure, he poked at you with a whisper of, "Ma?" and waited a few seconds for your response. Nothing. He sighed and coiled around you tighter. Thoughts of the night ran through his head. Your soft, yet, occasionally bruising kisses and the imprints of your teeth on his skin, your unapologetic laughter, your certainty in using the pet names that claimed him as yours. He was weak for the amount of times you openly told him you loved him. It was a psychedelic dream, to say the least. One he hoped would continue once he followed you into slumber.
You woke up hours later, completely smothered by your bear of a man. All you could do was stare up at the ceiling, while you waited for Toji to wake up because he was literally breathing down your neck. His arm rested over your chest, his legs were tangled with yours, and his face was right beside your face. You weren't feeling the effects of the wine anymore, and luckily, you didn't have a headache or any signs of a hangover. You were back, which meant...
"What are you staring at?" A deep, raspy voice jolts you out of your thoughts.
You look at the handsome face next to you, and as if your heart can hear and see, it wakes up. "Nothing. Just woke up," you lie.
"Mm... you were staring hard at the roof. I thought it came to life or something," Toji chuckles. You smile, briefly, before looking at the ceiling again.
Toji releases you and flips onto his back, wanting to know what's so fascinating about the space you're looking at. "What are you thinking?" He asks, when he discovers nothing but blank space.
You take your time, not wanting to stumble over your words. Your heart skips a beat when he turns his head to look at you. In the time it takes for you to respond, you both could have gone back to sleep again.
"A penny for your thoughts?" he finally says, following the idiom with a question. "Did I even use that correctly?"
You can't help but laugh, nodding your head to answer his question. "I'm thinking about last night. Sorry if I said anything stupid."
Toji turns his body towards you again, thinking the only thing that's stupid is that he's still staring at the roof instead of staring at you. "You didn't. You were calm, from what I got to see, at least."
"So... boring."
"Not boring," he instantly catches. "You were perfect. You didn't have me running around chasing you, you weren't a brat—it couldn't have gone better, ma." He purposely missed something in his less than brief recount of the night to you. He can think back to the emotions that seeped through your little daze, and your insecurity about outwardly showing him love, all he wants, but there's no way in hell he's bringing that up to you, now. "You ramble a lot," he adds, a soft smile emerging on his face.
You can feel your cheeks warming up. "Oh god," you groan in embarrassment. "That's not- Sorry, that sounds... not so fun. Annoying of me, actually."
"Stop, it was cute," he assures, adding more fury to the blush creeping on your face. "Then you wouldn't go to sleep 'cause you kept seeing stuff outside the window."
You wanted to drown yourself in the blanket. Shame and embarrassment were winning their battle against you, as always.
"That was also cute," he says, watching the way your lips twitch as you bite back a smile. "You know my favorite part, though?" He says, grinning as he leans towards your ear.
"N-No, what?" You ask, trying so hard not to giggle.
"When you kissed me and told me you loved me," he murmurs into your ear like it's a dirty secret.
You snicker, the short sound of amusement evolving into laughter within seconds. You throw the blanket over your face and partially over Toji's face. The sight of your veiled body shaking with laughter lured out a couple chuckles of his own.
"That's funny?" He asks, pulling the blanket down, allowing you to see the sly grin he's sporting.
"A little bit," you respond, smiling— a remainder of your laughter.
"Silly girl. Come here," he says, dragging you back into his arms. There's no reason you should be awake at six in the morning on your day off. "Let's go back to sleep," he murmurs into the crown of your head. "We can go out for breakfast, later."
"Okay," you mumble, eyes shut already as you embrace the natural warmth of his body.
"One more thing," he murmurs. You don't raise your gaze, but your ears are open and you're listening closely. "Tell me you love me."
You didn't expect that, but you weren't going to deny him of such a simple thing. The words were easy to recite because you meant them with every fiber of your being. "I love you, Toji," you comply, immediately.
He sighs, contently, almost like hearing those words revitalized him. "Love you, too, mama."
That went out to every version of you.
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dykepuffs · 4 months
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How Do I Make My Fictional Gypsies Not Racist?
(Or, "You can't, sorry, but…")
You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.
(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)
Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”
And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.
Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.
So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.
Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)
It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.
So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.
First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?
If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)
How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?
What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")
If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?
When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?
If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?
Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?
And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?
Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.
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bats-and-the-birds · 10 days
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I am thinking about the batkids and their rooms at the manor.
When Dick was first brought to the manor, Alfred put wooden letters that spelled out his name on the outside of the door to his room. He wanted the boy to feel like he belonged, and denoting the room as his seemed like the best way. At first, they spelled out "Richard", and were painted in red, green, and yellow -- the colors that his parents had worn for their circus act, that didn't have any other meaning yet. Dick pried them off the door and threw them away. He didn't want to accept that this was permanent yet. There were new letters on the door a few days later, blue this time, and spelling out "Dick" instead. Those letters got pried off much the same and shoved in a drawer, and they didn't get put back until a year later. He was too short to put them in the same place, so they ended up crooked, and Alfred found it too endearing to fix.
When he left the manor years later, he considered ripping the letters off the door and throwing them in the foyer on his way out. But he left them, and there they remained, crooked as ever.
Jason got his own letters when it became clear he wasn't going anywhere. He helped Alfred put them up on his bedroom door, standing on a step stool to make sure they got in the right place. His were evenly spaced and neatly aligned, and he refused to tell anyone that he cried over them that night. He'd spent months wondering if he'd ever live up to his predecessor, not just as Robin, but in the family as well. And now he had his own letters, just like Dick's, and they weren't going anywhere.
And they didn't. Even after he died. Bruce and Alfred both considered taking the name down to make walking past that empty room less painful, but in the end, they didn't dare touch the letters, just like they didn't touch anything else in the room. Years later, Jason would sneak into the manor through his old bedroom window and find his school uniforms still hanging in the closet, his textbooks on his desk, an open novel on his nightstand, and, of course, the letters still on the door, more of an epitaph than the one on his actual tombstone.
Tim fought for his name on a bedroom door. It took a while, but he trained, and he learned, and he forced himself into the role that he knew he could fill. Part of him thought that no matter how good and useful he made himself as Robin, he'd never really fill the role that the two before him did. He thought there might not be room for him after Jason's death, but he did it. He was older than the other two when Alfred finally put the letters up on his door, but he did it.
Later, when he left in search of Bruce, he didn't think for a second of taking his name down off his door. He'd earned it.
Damian's name got put up practically as soon as he got to the manor. He didn't think much of having his name on a door. If anything, it irked him a bit, being lumped in with the others, but it would have annoyed him more if he didn't get his own name. For a while, his name on the door, marking it as his from the hallway, was the only reason you could tell it wasn't the guest room that it had previously been. He had no photographs, had arrived with no personal affects.
That changed, eventually. As he gained friends, he also gained photos of them. He put up sketches and watercolor paintings of his animals. A dog bed got put on the floor for Titus. But the letters had been there from the beginning, and he grew to appreciate them eventually. His room, with the name on the door, was safe, and he liked it there.
Cass's letters showed up without much fanfare. They were simply there when she exited her room one day. "Cassandra" in black wooden letters that matched all of her new siblings'. She ran her fingers over them with reverence. She'd never been allowed to leave a mark before. Her life was predicated on being a shadow, but there was her name, in big letters, somewhere where other people could see it.
Steph had a room. She didn't want to admit it, but when she crashed at the manor, it was always in the same room. Her name was put up, and she took it down, and it was put up again, and she took it down again until it became something of a game between her and Alfred. If Steph was staying at the manor and Alfred didn't find a wooden S in a random cupboard, then have to search the house for the rest of her name, then he knew she was in a bad mood, and he usually made her favorite cookies and left them outside of the door with her name still firmly in place.
Duke's letters were waiting for him when he moved in. His name in bright yellow letters that matched his suit already in place. Of course it was, it's tradition at this point, and he's part of the family now. He had bounced around for a while now, and the letters on his door made him feel...calmer. It was a sense of permanence, and one he could learn to enjoy.
Barbara didn't need a room. She had her own room, in her own house, but Alfred still offered to mark out a space for her. She declined. When she did stay over, it was either in the cave or Dick's room, she didn't need her own. Still, that didn't mean her mark wasn't left somewhere. There was a study downstairs with a desk that she sometimes did her homework on as a child if she was staying over for the night. Now, the desk held a computer that was wired into the Batcomputer's network, a photo of her and her father, and, of course, tiny wooden letters affixed to the side that spelled out 'Barbara'.
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kalims · 5 months
Text
he's a ten but he...
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premise. sometimes certain bad habits of theirs make their overall rating just a tad bit lower—besides the fact that they keep doing it.
characters. dorm leaders
content. gender neutral reader
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malleus (doesn't have a sense of space)
"look beastie, that flower is a native of ours,"
"I agree mal, but I didn't think you taking up the entirety of my seat will make me see it better,"
he blinks, then shrugs.
like i said, has NO sense of space.
if an average person would make an excuse to constantly be in physical contact with who they admire, then malleus is the complete opposite. well, not entirely but he doesn't even bother to construct an explanation as to why he's literally sat over your seat when you coincidentally get put in a table together.
if you start questioning him about it the most you'll get in a very outright 'because he wanted to.' it's not even one of those sarcastic replies he's 100% serious!
cause he believes there's no use in lying about things to be honest.. to further emphasize that, if he ever acts like he does hold fondness for you that surpasses the platonic meter but doesn't mention it he probably hasn't realized yet.
if he did he'd already walk over and bluntly tell you about it.
(I wish I could be that unbothered.)
lilia thinks it's the cutest thing though. you swear you see flashes of light for a split second from the ceiling but when you look up there's only a suspicious swinging chandelier.
^ totally has his own album full of pictures.
if malleus ever discovers it he won't even be disturbed, probably would ask for a copy 💯
since human lives, and their bodies are so fragile he'd taken it upon himself to protect you from harm. even if it means trailing behind you everywhere way too close for comfort, or standing a bees wing away.
while he is respectful most of the time, he's encouraged if you don't comment. if anything, he seems pleased you dont seem to be bothered! (and it'll get harder to tell him to stop when he's so happy the more you let it happen..)
"child of man, have you slept?"
*starts leaning his body forward, to squint at your eyes.* practically right in front of your face.
"WTF."
not even a warning or anything! but atleast he's concerned?
idia (won't even show up for anything and insists a 'virtual' date is better.')
user: where tf r u??
ghoul666: WDYM? at the dorm?
user: IVE BEEN WAITING HERE FOR 20 MINUTES
unintentionally stood you up 💀
you literally have to tell him that you're waiting for him to arrive at the specified area you discussed where your date would take place but would end up vastly irritated when he questions if you guys even did.
ghoul666: we do??
user: I'm taking my minecraft bed away from urs.
ghoul666: NO PLS
ghoul666: HELLO????
next time you log in minecraft it's probably because he begged you to play, you WILL end up seeing some kind of structure that probably took days to make. that's not even the entire thing cause the inside is entirely decorated to your taste.
in short: he constructed some kind of venue for a wedding.. even changed his skin to wear a tuxedo 😭
though he has sparked your pettiness, hence the ignoring him period. even you have got to admit that it's freaking adorable...
big sign, emphasis on please: Im sorry pls put ur minecraft bed back I can't sleep w/o u and I have to wait entire days for it to turn into morning :(
with what he's built you're sure it's 65% true.
if you do end up forgiving him, few weeks later attempting to schedule another date will only end up in naught.
ghoul666: can we not go there
user: 😐
user: you are testing my patience love
ghoul666: 😓 (he is screeching about the term of endearment part btw KABSJAJSAJA ortho would enter his room very concerned.)
ghoul666: how abt
ghoul666: mimic together? call
user: sighs
user: I'm only agreeing cause I want to spend time with you
queue more screeching from his end that you're completely oblivious to.
the only screeching you're gonna hear though is when you guys do get into call as you play, and it's mainly out of terror when his soul gets sent to the void ascending when the entity pops out of a corner and starts chasing him.
"I GOT THIS. ILL CARRY U THIS IS FINE" *screams again* but really wants to impress you so he pushes through.
unsurprisingly does carry you.
asks to match avatars right after (idia love languange)
vil (frets over you way too much.)
"vil, did you see the chocolate in the freezer?"
"oh, that? I noticed that you've already gone through the ideal number of bars this week so I took it upon myself to make sure you don't go sick on me,"
"I love you but please give it back—"
"I love you too, and no."
disclaimer: he does this for your own good 😜 (average mom excuse.)
looks out for you more than he does for his own dorm residents. everyone is wondering where he ran off to after class, especially since he's the one that scheduled the pomefiore meeting every fridays!
and to think he was the one getting irritated over the more newer first years for being late..
*shows up literally half an hour in*
why you ask? you simply shouldn't have texted him about abandoning your daily walk together through the gardens in favor of catching sleep since you called in sick (you're suspicious if crewel really did go in to check for proof, and not concern.)
vil's really feeling the absolute regret of not checking his phone during classes.. well, he only saw the message which was coincidentally sent like somehow ONE minute after the lecture started and he's only seeing it 59 minutes later.
oh you poor thing!! though the lunch break is short, he has about 5 minutes for a trip to the mirror chamber..
you'd think the 'seen' icon below your message was a weird omen for something you're not sure but it must be doom cause vil is right at the front porch of your crappy dorm. at his own expense?! looking more disheveled than you've seen him before.
if a few stray hairs was disheveled at all. more importantly, he still looked drop dead gorgeous!
you probably looked quite terrible with the blanket draped around your shoulders looking like you just crawled out of your grave, because he looked absolutely mortified at your state.
"oh great sevens.." he looked like he was faint, huffing and fanning himself with his hand. "look at you, why didn't you tell me sooner, darling?"
you blink, swallowing to make your throat less dry but your voice still comes out raspy. "I did, like an hour ago—" without your invitation whatsoever, he steps in. promptly shutting the door behind him (which surprisingly still stands sturdy.)
vil takes a hold of your shoulders before reaching his hands upwards to tilt your face around. "you should have sent earlier," he says. you keep in the comment that you were sleeping during it, and you told him about it during second period so.. "your face is so pale."
you sigh.
"yeah, I just saw. I know, I look hideous right now."
vil frowns at you, stopping to angle your face at him. "don't ever say that. I always find you beautiful even if you are.." he glances at you from face to toe, then back up. "sickly."
"... I feel offended."
"hmph, shush now. let me draw you a bath then I know something that will boost your system."
after much coaxing in his end, you reluctantly take a warm bath in the hopefully hygienic bathroom. true to his word, vil did... concoct something. though it looked pretty the random steam that flew from it was really suspicious.
the residents don't dare to question, except rook of course. who already knew what transpired! :)
epel: 😃 (atleast vil wasn't around.)
"roi du poison~ tell me, tell me! is the trickster well? have you cured them with your love?"
"rook, you have 5 seconds to get out of my face."
rook giggles away.
kalim (thinks money will buy anything, including your forgiveness.)
"here!" there's a suspiciously bright smile on his face as he hands you.. some keys?
you deadpan, jingling it in your hands. it weighs heavy than the average, probably because of the fact that it's literally made of gold. "... kalim what is this?" you emit a sigh, from suspicion and concern.
"a gift!"
"wait why does it say lot 111--"
as you can already, that was an actual, literal house. which you imagine would probably be a lots more grand, and new compared to your old baby ramshackle.
but you do love it despite it's love for falling apart at the most inconvenient of times..
fighting with kalim was rare but it was hard to even argue with him because the notion of disagreements are so bizarre to him that he unintentionally doesn't treat you seriously with your concerns, accidentally downplaying them aaaand now you're upset.
after the ranting to jamil about how you must be busy with a lot, since you haven't even talked to him in the past 2 days. all it took was a side glance to his friend in denial and jamil immediately knew.
"what do you mean they're mad!? D:"
"just.. go apologize, I don't want to get caught up in this."
if his definition of an apology is buying you an entire house...
( ^ it is btw.)
kalim really doesn't mean any harm. he just really wants to sate whatever anger you held for him <- maybe he's overthinking it but it's kalim so he's 99% sure it's his fault! even though it hasn't even been confirmed from your end he'd probably accept it whole heartedly.
he wanted you to talk to him again so badly that he wouldn’t mind showering you with houses... since your living situation doesn't live up to your kindness (sorry ramshackle love u xx)
you know what. he wouldn't even notice he's the reason you're upset at first even though he's been asking around on who put you in that mood. despite himself being the perpetrator but he didn't really know that did he?
the only reason he does is because he assumed you were just because you avoided him like some sort of.. cockroach! (he dislikes those.) and he couldn't take it anymore.
was probably 1 sec away from barging into your dorm which wouldn't take a lot of effort since one ram to the door would probably break it.
bless jamil for jailing all the carpets so kalim doesn't find them.
even if said carpets fling him off when he's riding them.
"kalim, why would you buy a literal house... and you also got a rare address paid--"
"for them! ;D"
"... you do know they'd be more offended by the fact that you'd try to replace that.., ahem. dorm, right?"
"oh... should I buy them a vehicle then?"
you only promise to forgive him once he takes back the keys, and the house entirely...
(grim begged you to keep it, 'house for him apparently.')
azul (keeps trying to offer you discounts thinking it's a good excuse to have you over.)
"I assure you. you'll find no deal better than this."
"I'm not even that hungry for sea food, actually I'm craving some--"
"you're in luck then! ahem, it's 26% off due to a special event for today."
pro tip: keep insisting to eat at other places cause he's gonna keep increasing the discount by 2% until you eventually relent. once, you made him go to the point of 75% off, it's almost hilarious if not for the fact it only worked once.
now he won't go last 50!
ahem. if you look closely you can almost spot tiny cracks accumulating with each denial you respond with, and each increase of his discount. he's grown to be wary about the bullshit 'lucky' promos you just happen to stumble on.
last time you did he practically lost a week's worth of the presumed income he's predicted cause you actually went around and told your first year friends about it... who.. in turn told some, other friends of theirs about it and you could guess.
love must hurt.. and unfortunately it's his wallet wailing.
but azul is not so easily swayed by this! for you have swayed him first! *wink wonk*
but azul has another trick up his sleeve... keeping on roping jade and floyd into it; whom are far too enthusiastic cause finally— something fun to do! someone to bother! not only have you got the most stubborn octopus having frequent suspicious 'deals' but here are his equally suspicious lackeys.
who keeps.. talking about fried octopus..
yeah, you're not sure if preaching about azul’s species is the job they were assigned.
they're fairly easy to point in the right direction anyways. the tweels have always associated you with the word 'fun' so just a little, friendly suggestion from and they were off to their merry way. mortifying every single person you come across with their sudden attachment.
one of their tricks? following you around. and just somehow, every single place you enter is just mysteriously full even though you peered inside and there was like 7 tables empty. what are they hosting? ghosts? spirits?
...
they do look like they've seen some though..
jade rn: "a shame indeed, you must be hungry. why don't we escort you back to monstro lounge?" :)
long story short you can't even reply cause the sleek eel is already guiding you around by the use of his hands on your shoulders. just to make sure you don't stray away from the destination, he says.
"didn't you say that yesterday's promo was like, a one day thing?" you quirk a brow, and you almost fool yourself into thinking he flinched.
azul clears his throat. "well—today is.. the month before you've graced octavinelle with your assistance—"
he praises himself for his quick thinking.
COME ON! it doesn't matter if you're sick of eating stir fried shrimp, or the butter one, or every single dish they serve that includes shrimp! (also do not mention that you ate somewhere else before you just decide to visit his dorm because that establishment just mysteriously got filed a non-legal business report.)
then you've got floyd chasing you around with a fork. which is more terrifying because he's holding it in a notion that would seem like he'd just stab down at you when he catches up with your little goose chase.
it's just.. you're not sure if your stomach could take another bite of the poor food he stabbed into, and is now chasing you around with.
you screech. "JADE PLEASE."
the man shrugs. "it's a free taste."
"AZUL."
"... only on a condition of course."
frankly. it took all the balls he had to actually sputter out the most simplest sentence ever, cause during the time he rehearsed that in front of his mirror it just plagued him with embarrassment but he's getting desperate.
'I'd like to take you out to dinner, somewhere else of course.'
actually, maybe obliterating any possible craving for the food of his lounge just might've been part of his plans to ask you out..?
leona (prevents you from actually being productive via dragging you down to 'nap' every. single. time.)
"I will literally fail if you don't let go of me right now."
"hmph. so what? it's not like failing a grade killed anyone."
"leona just because you've lived through a lot of fails doesn't mean I have to, we're not all rich enough to not finish school."
to which he'd retaliate that all you'd need is to marry him and you'd be set for life.
there is no winning an argument with leona when it comes to his naps. if he states that you're to be next to him as he sleeps, its final. no buts, no retaliations, cause apparently they're all invalid according to him even if you drag him to court.
rhetorically of course, that if its a comical court scene his only statements are; 'well you're wrong', 'who cares', and 'i dont care'. one way or another he's still gonna win you over and now you're fit snugly in his arms, lamenting.
and if crowley chastises you for not doing the errands (via leona's common interference.) the only thing you need to honestly do is to complain to leona about it and suddenly crowley has the kindness to forgive you for your 'laziness' then says something about enjoying your time together?
leona's work no doubt.
you suppose he does has its perks. even if most of it isn't exactly ideal.
if you're being smart then you should give him an ultimatum or something, or bribe him. but... that really has no guarantee to work either cause you're ending up defeated, or just defeated and flustered since he's somehow unconsciously flirty.
at the end of the day you can't really hate him cause the following day you find out he sent an already sleep deprived ruggie to do your work. 'so you can shut your fussing up and let me enjoy you.' he says, and you quote.
it goes something like;
"if i finish my work i'll stick by you all day."
a stready flow of confidence keeps your voice firm as you glower down at the blank-faced leona sat on the grass. he merely tilts his head, raising a brow at you and seemingly pondering from the way his eyes fly to the sky.
you'd think that maybe your plan actually worked but he merely grunts and flops backwards, holding the back of his head with his palms as he laid. and! he ignores you.
...this little greedy man... "why should i care whether or not you finish your work?" he huffs, like the evil, arrogant spawn he is but you can't really defend yourself cause said evil spawn bewitched you so much that you actually still like him.
"because you care about me?"
"...fine," he scowls, releasing a breath you'd mistake for irritation. "then, do you really think i need you to finish your work when i can just keep you right here?"
you sulk. "i'll do anything you want?"
he deadpans as if you said something stupid. "i don't need you to anything else but sit still and be pretty."
...
...
see what i mean about him eventually winning you over? yeah.
next morning there's a rebellion in savanaclaw about overworked residents and ruggie is the head of them.
"he said that he doesn't need you today." <- ruggie, steering you away.
"really?" <- you, confused
riddle (overthinks TOO HARD.)
“I'm just a little busy.”
“I understand,” riddle says.
“I'm just a little busy.” he understands.
“a little busy.” its just… a small thought…
“I'm just busy.” his mind is a hazard at this point. 
for someone as supposedly maintained as riddle—you'd think his mind is as composed as it is organized. like the pens you'd perfectly align in correlation to order of colors, or the neat pile of clothing folded neatly, tucked in some corner in your closet that is farther in since it's used less.
that's just how he is, or at least seems to be. a bundle of organized thoughts, every thought connected to another. a mind too clean to be going on haywire (when he isn't in a particular mood, that is.)
you're just busy. he thinks. you said it yourself, with that agonizingly nice smile that must be sprinkled with some kind of spell from the way it just eradicated all the protests in his throat upon sight. he isn't one to question it, he wants to help but not if you don't ask.
he can only stare with resigned acceptance at your insomnia induced eyes.
but when the curtain of darkness befalls night raven college, even in the comfort of heartslabyul is he still thinking about that thought–and he can’t help but wonder; why exactly are you busy? its not that he’s suddenly hyper aware of your lack of presence since you’ve been attached to the hip the previous week and now you’re just.
…busy…
riddle likes to think of himself as a level-headed, private person. like the boy he raised himself to be and therefore proud of. but its way past 10AM. which is usually the time he sleeps, and let me tell you that he’s never once broke the cycle for years. yet here he is, a frown of frustration present on his face as he wills his mind to sleep.
somehow closing his eyes felt forced, he immediately snapped them open once his mind decides to conjure an image of you even in the darkness his lids offers.
“THIS IS ABSURD.”
and the yell promptly woke up the entire dorm from the ferocity of his scream. (and of course gave them the flashback of their year.)
that night was one of the worst he’s ever had because he woke up with red rimmed eyes and a pounding headache that ensured his bad mood the rest of the day.
everyone noted to steer clear.
and he unknowingly steered clear of yours since you were ‘busy.’
“why are you sulking?” a voice queried, spoken as though they were eating something as they asked. a reprimand rises in his throat, but it all just dies down once his sharp eyes settle on you, slipping into the seat in front of him then raising a brow and the traces of irritation practically evaporates from his eyes.
he feels the need to cough–so he does. “i’m– i’m not.” he clears his throat, avoiding your eyes but still sneaking in glances, something he notes is that you’re still looking everytime he does. (and boring an unimpressed face because he knows you don’t believe him at all.)
guilt rises in his mind, because he feels a slither of annoyance and its the presence of pettiness that bothers him. riddle knows you’re not at fault, just his mind at convincing that you just somehow decided in the span of a day that you might not like him anymore–so he can’t help the bite. 
“why are you here?” a glance not intended to look mean.
“i thought you were busy.” he adds.
your brows raise, he spots your teeth holding your lips back from showing your grin and he feels warm. “what?” he hisses defensively, despite you not even having replied to him yet.
he leans backwards, straightening up in his seat when your chin leans forward, resting on your intertwined fingers. you flash him a smile. 
“mr. rosehearts, are you perhaps… sulking because i’m busy?”
“no!”
silence.
“no.” he repeats, weaker.
“well,” you continue, beaming. “i heard from ace that you were awake the entire night, and that you kept him awake too. are you alright?” 
he sputters. “it wasn’t because of you!”
you snort. “i didn’t even say anything about me.”
so you incline to following riddle around, poking fun at him and still trailing after the seemingly enraged red head because despite his angry protests, demanding you to go away because you’re annoying he keeps glancing back to see if you’ll follow,
so cute…….
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zylev-blog · 4 months
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Batman opened the door, catching the falling body that had come out of the tube. Glowing green Lazarus water flowed around his feet, but he didn’t care. He gently laid the boy onto the ground, listening for breathing sounds. But he wasn’t even sure if his species could breathe. The boy was no older than Tim, with stark-white hair, and pale green skin. The boy wasn’t human, that was for sure, but as to what species he was, Batman had no clue. The teenager hadn’t even opened his eyes since being removed from the tube.
The Lazarus water didn’t smell quite like the pits he was used to. The water smelled cleaner, stronger. Less like battery acid and more like a strong-scented cleaner that he couldn’t give a name to.
He grasped the boy by the shoulders as he picked him up bridal style. He needed to take the boy to the cave, and figure out if he was even alive. A regular hospital wouldn’t be able to do anything for him.
“Batman, we’ve apprehended the last of the men in white suits.” Red Robin said over the comms.
“Good,” His voice was gruff, “Make sure they don’t escape before police arrive.”
Tim didn’t bother saying anything else to him. Neither of them were in the mood for jokes. Not after what they had seen tonight. They had stumbled across a lab in Gotham in an abandoned warehouse. They had thought that it was a Joker hideout when they first arrived, but they had quickly found out that wasn’t the case. After they had began to investigate, they had found corpses of many people that had been thrown into a pit. The bodies had evidence of vivisection, torture, and experimentation. The bodies had ranged from children to adults, but the results were all the same. They were all dead.
They had found tubes like the ones used at Cadmus. They held a few humanoid-species, but most of them looked like they were in varying stages of death. The only tube that looked like it held someone living had been the teenage boy he now held in his arms.
The worst thing about all of this were that they had no idea what this place was, what they were doing, or why they were in Gotham. They had stumbled in by mistake.
He had a lot of work to do.
“No survivors.” Nightwing’s voice sounded. Not even Dick was in a good mood anymore, and he had been joking around for the last few hours.
Batman looked down at the boy in his arms. The boy hadn’t stirred once, hadn’t moved, and hadn’t breathed. He might be carrying a corpse for all he knew.
“And the files?” He prompted.
“Downloading.” Red Robin’s voice was grim. “You’re not going to like it.”
He didn’t like anything about this situation already. How could it get any worse?
“From what I can tell from skimming through the files,” Red Robin continued, “They were experimenting with people’s souls. They killed all of these people because they wanted to catch their ghost.”
“Hrrn.” He looked away from the teenager in his arms. Maybe he didn’t have a corpse in his arms—but a ghost. A ghost of a teenager he failed to save.
What if it had been Tim lying in his arms? Dick? Jason? Damian? Did this teenager have parents before he died, or were his parents in the pit?
The boy stirred, whipping Bruce’s attention back to him. The boy moaned in pain, starting to writhe in his arms.
“You’re safe now.” He said to the boy. “You’re saved.”
“Nnnngh.” The boy opened Lazarus green eyes to look at him. The eyes were hazy, as if exhaustion plagued them. “Batman?”
“They won’t hurt you ever again.” He promised.
“Where is my sister?” The boy asked. “They took her.”
Dick’s words played on repeat in his mind. No survivors. But the boy didn’t need to know that. Not yet.
“We’re still searching the base. She’ll be here somewhere.” He lied.
The boy closed his eyes, letting out a deep sigh. But even with Bruce watching him, the boy did not breathe. Maybe he didn’t need to anymore. Tears leaked down the boy’s cheeks, as if he knew Bruce’s lie.
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